Son of man or story about coats and bowlers. Son of man (painting) Magritte Son

26.06.2019

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Belgian artist Rena Magritte, despite the undoubted belonging to surrealism, always standing in motion a mansion. First, he skeptically belonged to hardly the main passion of the whole group of Andre Breton - Freud's psychoanalysis. Secondly, Magritt's paintings themselves are not like any mad plots of Salvador Dali, neither fancy landscapes of Max Ernsta. Magritte used, mostly ordinary casual images - trees, windows, doors, fruits, figures of people - however, its paintings are no less absurd and mysterious than the work of its eccentric colleagues in the workshop. Without creating fantastic objects and creatures from the depths of the subconscious, the Belgian artist did what Lotreamon called art - arranged "meeting the umbrella and a typewriter on the operating table", hesitantly combining banal things. Art historians and connoisseurs are still offering all new interpretations of his paintings and their poetic names, almost never-related to the image, which is confirmed again: the simplicity of Magritt is deceptive.

Rena Magritte himself also called his art not even surrealism, but a magical realism, and with great distrust referred to any attempts to interpret and, even more so, the search for symbols, arguing that the only thing to do with the paintings is to consider them.

From this point on, Magritte was periodically returned to the image of a mysterious stranger in the bowler, depicting it on the sandy seach of the sea, then on the city bridge, then in a green forest or face to the mountain landscape. Strangers could be two or three, they stood back to the viewer or half-one, and sometimes - as, for example, in the picture of High Society (1962) (can be translated as "High Society" - approx. Ed.) - The artist indicated only the contour Men in the bowler, filling it with clouds and foliage. The most famous paintings depicting a stranger - "Golconda" (1953) and, of course, the "Son of Man" (1964) is the most concentrated work of Magritte, parodies and allusion on which they are found so often that the image lives separately from its creator. Initially, Rena Magritt wrote a picture as a self-portrait, where the figure of a man symbolized a modern man who had lost their individuality, but the remaining Son of Adam, who was unable to resist the temptations - from here an apple, a closing face.

"Lovers"

Rena Magritte quite often commented on his paintings, but one of the most mysterious - "lovers" (1928) - left without an explanation, providing space for interpretations to art historians and fans. The first to once again saw the reference to the childhood of the artist and the experiences associated with the self-suicide (when her body was taken out of the river, the head of the woman was covered with the pea night shirt - approx. Ed.). The most simple and apparent of the existing versions is "Love Slepa" - does not cause confidence in specialists who often treat a picture as an attempt to pass the isolation between people, unable to overcome alienation even at the moments of passion. Others see here the inability to understand and learn to the end of close people, the third understands "lovers" as a realized metaphor "lose their head from love".

In the same year, Rene Magritte wrote a second picture called "Lovers" - on it the face of men and women are also closed, but their postures and background have changed, and the general mood with tense changed to the peaceful.

Be that as it may, "Lovers" remain one of the most recognizable paintings of Magritt, a mysterious atmosphere of which to borrow today's artists - for example, the cover of the debut album of the British group Funeral For a Friend Casually Dressed & Deep In Conversation (2003) refers to it.

"Vertiary of images", or it is not ...

The names of the paintings Rena Magritt and their connection with the image is a topic for a separate study. "Glass Key", "The accomplishment of the impossible", "Human Dettle", "Obstangle of Void", "Beautiful World", "Empire of Light" - Poetics and Mysterious, they almost never describe what sees the viewer on the canvas, but about What's the point I wanted to invest in the name of the artist, in each case it only has to guess. "Names are chosen in such a way that they do not allow my paintings into the field of familiar, where the automation of thought will certainly work to prevent anxiety," Magritt explained.

In 1948, he created a picture of the "treachery of the images", which became one of the most famous works of Magritte thanks to the inscription on it: the artist came to denial from the inconsistency, by writing a tube "this is not a handset." "This is the famous tube. How people joined me! And yet, you can fill it with tobacco? No, this is just an image, isn't it? So, if I wrote under the picture" This Tube ", I would lick ! " - said the artist.

Sky Magritta

The sky with clouds floating on it is so everyday and the used image that it seems impossible to make it a "calling card" of some particular artist. However, the sky of Magritte can not be confused with someone else - more often due to the fact that it turns out to be reflected in bizarre mirrors and tremendous eyes, fills the contours of birds and, together with the line of the horizon, it suffers imperceptibly to the Molbert (Series "Human Dettle "). The serene sky is the background of a stranger in the kittelet ("decalcoma", 1966), replaces the gray walls of the room ("personal values", 1952) and is refracted in bulk mirrors ("elementary cosmogony", 1949).

The famous "Empire of Light" (1954), it would seem, not at all like the works of Magritte - in the evening landscape, at first glance, there was no place for unusual subjects and mysterious combinations. Nevertheless, there is such a combination, and it makes the picture "Magrittov" - a clear day sky over the lake immersed in the darkness and the house.

Plot

The man of undeveloped age in okay crochet, but not a remarkable costume and the bowler, stands at a low fence. For his back - water surface. Instead of face - an apple. In this surrealistic rebuus, a few topics were encrypted through all his work.

"Son of Man", 1964. (Wikipedia.org)

Incognito in the bowler - an image created on the controversial combination of Magritic passions. On the one hand, he adhered to the rules of the classic bourgeois, preferred to look imperceptible, be like everyone else. On the other hand, - adored detective stories, adventure films, especially about Phantomas. The story of a criminal who took the appearance of the victims, satisfied the hoax, deceived the police and was always hiding from the persecution, who excited the fantasy of Magrit.

At the junction of thrust to order and riot, this man was born, which seems to be respectable, but for whose liquefit secrets, unknown even to him. The same quiet pool with his hells.

In the same context, you can also consider the allusion on the history of the sin. Adam was not for that was expelled from Paradise, which agreed to eat the fruit from the Forbidden Tree, but for not liable for the perfect misconduct, and therefore, did not meet the name of the person as a divine creation.

Another motive, which, one way or another, sounds in many works, - Memories of the mother who committed suicide when Rene was 14 years old. She drowned in the river, and when, after some time the body was taken out of the water, then the head was chosen by the night shirt. And although Magritte said later that this event was in no way influenced him, believes with difficulty. First, in order to remain indifferent to the mother's suicide, you need to be with an atrophied soul (which is not exactly said about Magritte). Secondly, images of either water, or suffocating drapery, or a woman connected to water elements appear in paintings very often. So in the "Son of the Human" behind the hero - water, and the barrier separating from it is extremely low. The end is inevitable, and the arrival of it is unpredictable.

Context

By definition of Magritte, he worked magic realism: using familiar items, created unfamiliar combinations, which forced the viewer to worry. Names for the majority - all these mysterious, enveloping wording - are invented not by the artist himself, but his friends. After completing the next work, Magritte invited them and offered to arrange a brainstorm. The artist himself left a rather detailed description of the philosophy of his art and perception of the world, his understanding of the relationship between the object, his image and the word.

"Reproduction is prohibited", 1937. (Wikipedia.org)

One of the textbook examples is the picture of 1948 "treachery of images." It depicts a familiar smoking pipe, in itself, without causing any unrest in a thinly organized soul of artistic nature. If it were not for the signature: "This is not a handset." "How this is not a handset," the question arose at the audience, - when it can be perfectly seen that it can not be anything but a tube. " Magritte parried: "Can you fill it with tobacco? No, this is just a picture, right? So, if I wrote under the picture "This Tube", I would lie! "

"Verseship of images", 1928-1929. (Wikipedia.org)

In each work, Magritt has its own logic. This is not a series of nightmares and dreams, but a system of connections. The artist at all skeptically referred to the zeal of Surrealists styled Freud and, barely awakened, they tried as much as possible to capture seen in a dream.

The artist has a cycle of work - "perspectives", in which the heroes of paintings of famous masters die. That is, Magritt comprehends the living people shown on the canvases, who are waiting for death sooner or later. For example, Magritte took the portraits of Madame Reamenier David's brush and Francois Gerard and on their basis wrote two perspectives. And after all, you can't argue: no matter how beautiful the secular lioness was, but she was waiting for the same fate as the last zamuhrushka.

The same Magritte has done with "Balcony" Edward Mana, which replaced people with coffins. Someone perceives the cycle of "perspectives" as an art blasphemy, someone like a joke, but if you think about it, then it is only a sober look at things.

Fate artist

Rena Magritte was born in the Belgian wilderness. There were three children in the family, accounted for hard. The following year after the death of Mother Rene met Georgetta Berger. After 9 years, they will meet again and will never break out.

After school and course in the Royal Academy of Arts, Magritt went to draw roses on the wallpaper - settled by the artist to the factory. Then engaged in advertising posters. After marriage to Georges Magritte, more and more time paid art. (Although it had to return to commercial orders - there was not enough money, Georgette had to work from time to time, which he was extremely oppressed - he, as the right bourgeois, believed that the woman should not work at all.) Together they went to Paris, where they met With Dadaists and Surrealists, in particular, Andre Breton and Salvador Dali.

Returning to their homeland in the 1930s, Magritte remained faithful to his ascetic on the standards of artists in the lifestyle. In his house there was no workshop - he wrote right in his room. No disassembled drinkers, sex scandals, bohemian promiscuity. Rena Magritt led the life of an inconspicuous clerk. They didn't have children - only a dog.

Gradually, he is becoming all the most famous in Europe and the United States, he is invited to Britain and States with exhibitions and lectures. The inconspicuous bourgeois is forced to leave his quiet corner.

During the war years, wanting to encourage the fellow citizens of the occupied Fatherland, Magritt addresses impressionism. Using the Renoire sample, he chooses paints brighter. At the end of the war, he will return to his usual manner. In addition, he will begin experiments in the cinema: having bought in the 1950s chamber, Magritt enthusiastically removes short films with his wife and friends.

In 1967, Magritt died from pancreatic cancer. There are several unfinished projects over which the artist worked until recent days.

Sources

musee-Magritte-museum.be.
Lecture Irina Kulik "Rene Magritt - Cristo"
Alexander Tairov - About artists. Rena Magritt
Photo Announcement and Lida: Wikipedia.org

Son of man (painting)

Plot

Magritte wrote this picture as a self-portrait. It shows a man in a coat and a bowler hat, standing near the wall, followed by the sea and cloudy sky. The person's face is almost completely closed with soaring in front of him with a green apple. With its name, the picture is owned by the form of a modern businessman who remains the son of Adam, and an apple, symbolizing temptations that continue to pursue a person and in the modern world.

The picture is present in the film "Scam Thomas Krauna" ().
The image of the picture is present in the animation series "Simpsons" (season 5, episode 5).
An edited copy of the picture is present at the poster of the television series "Impact".
The "Character" film contains reference to the picture.
In the movie "Wonderland" on the wall in the store of toys hangs an unfinished version of the picture.
In the clip "70 Millions" groups of Hold Your Horses! Contains a parody of this picture.
The TV series "White Collar" has a reference to the picture (season 3, episode 1).
In the sketch show "Noel Fielding" S Luxury Comedy "is a character that is an allusion on the picture.
Picture is present in the click of Michael Jackson "Scream"

Wikimedia Foundation. 2010.

Watch what is the "Son of the Man (Picture)" in other dictionaries:

The expression of the Son of Human is used in religious texts. "The Son of Man" is the title: Books Son Human Book Archpriest A.V. Venya. Son of the human book of the writer and researcher of early Christianity R.A.Samorodinova (Ruslan ... ... Wikipedia

Jerome Bosch ... Wikipedia

SOUL - [Greek. ψυχή], together with the body, forms the composition of man (see articles Dichotomism, Anthropology), while being an independent beginning; D. Human makes the image of God (according to some fathers of the church; in the opinion of other, God's image is concluded in everything ... ... Orthodox encyclopedia

The request of the "Passion of Christ" is redirected here; See also other values. "Miscer of the Cross", Jean Fuku, miniature from the "Character Etienne Chevalé". In the medallion Saint Veronica with ... Wikipedia

For the film, see "Passion of Christ (film)" "Miscellaneous of the Cross", Jean Fuce, Miniature from "Character Etienne Chevalé". In the Holy Veronica medallion with the board. In the background, the suicide of Judah is depicted, from which the demon proceeds. In the foreground Kuyut ... ... Wikipedia

GOSPEL. Part I. - [Greek. εὐαγγέλιον], the message about the occurrence of the kingdom of God and the salvation of the human race from sin and death, argued by Jesus Christ and the apostles, which became the main content of the preaching of Christ. Churches; The book sets out this news in the form ... ... Orthodox encyclopedia

- (IVR. יוחנן המטביל) Fragment of the Ioan Baptist icons from Deesus China Nikolo Songsky Monastery near ... Wikipedia

John the Baptist (Ivre. יוחנן המטביל) Fragment of the Ioan Baptist icon from Deesus China Nikolo Songsky Monastery near Dmitrov, the first third of the XV century. Museum of Andrei Rublev. Gender: Male Life Life: 6 ... Wikipedia

Belgian surrealist Artist Rene Magritt - One of the most mysterious and ambiguous artists whose creativity has always caused a lot of questions. One of his most famous works is "Son of Man". To date, there are many attempts to interpret the symbolic subtext of the picture, which art historians are often called intellectual provocation.

Each picture of Magritta - Rus, forcing to think over multiple hidden meanings. Their quantity depends exclusively from the imagination and erudition of the watching: a combination of images and names of paintings set up the viewer to find a solution, which can actually do not exist. As the artist himself said, his main goal is to make the audience think. Such effect is made by all his work, so Magritt called himself a "magical realist."
Magritt - a master of paradoxes, he sets the task that contradicts the logic, and to look for ways to solve them leaves the viewer. The image of a person in the bowler is one of the central in his work, he became a symbol of the artist himself. Paradoxical object in the picture - an apple, hung in the air right in the face of a person. "Son of Man" is the quintessence of the concept of "magical realism" and the top of Magritte's creativity. Everyone who looks at this picture is born very contradictory conclusions.
The painting "Son of Man" Magritt wrote in 1964 as a self-portrait. The name of the work refers to biblical images and symbols. As critics wrote, "the name of the picture is owned by the image of a modern businessman who remained the son of Adam, and an apple, symbolizing temptations that continue to pursue a person and in the modern world."
For the first time, the image of a man in a coat and in the kitel appears in the "reflections of a lonely passerby" in 1926, it is later repeated in the picture "Meaning of Nights". In the 1950s Magritte again returns to this image. His famous "Horconda" symbolizes a one-grade crowd and loneliness in her separate person. "The man in the kitel" and the "Son of Man" continues to reflect on the loss of the individuality of the modern person.

The person's face in the picture closes the apple - one of the most ancient and multivalued symbols in art. In the Bible, an apple is the fruit of the telescope of the knowledge of good and evil, a symbol of the sin of man. In folklore, this image was often used as a symbol of fertility and health. In Heraldry, the apple symbolizes the world, power and power. But Magritte, apparently, appeals to the initial meaning, using this image as a symbol of temptations pursuing a person. In the mad rhythm of modern life, a person loses individuality, merges with the crowd, but can not get rid of temptations, blunting, like an apple in the picture, the real world.

For his life, Magritt drew about 2000 paintings, in the 50 of which the hat appears. The artist drew it in the interval between 1926 and 1966, and it became a distinctive feature of Rene.

Previously, the hat-bowler was wearing ordinary representatives of the bourgeoisie, which did not particularly want to stand out from the crowd. "The bowler does not surprise," said Magritt in 1966. "This is a headdress that is not original. A man with a kitel is just a middle class man, [hidden] in his anonymity. I also wear it. I do not strive to stand out. "

Rene magritte. 1938

Hats-bowlers were put into fashion specifically for the British middle class, in the second half of the 19th century. At the beginning of the 20th century, the bowler became one of the most popular hats. The headpiece was considered informal and practical at the same time, which made it a mandatory part of the male wardrobe.

True, in the 1920s, there were also episodes when the accessory appeared in Magritte's career. In those days the artist left his work as an illustrator for a fashion catalog. Early paintings contain references to pop culture, which was then associated with a hat-butter. Magritte, who was a passionate fan of criminal literature, worked on the painting "Killer in danger," where two detectives in the boilers are preparing to enter the room where the murder was committed.

Killer in danger. 1927 year

Then the artist refused a "hat" motive without using it for several decades. Hats again depicted on canvas in the fifties and sixties, becoming an important part of the late career Rene. By the time the association with a man in a hat radically changed: from clear reference to the profession (to detectives, mainly), to the middle class symbol.

But, as it should be in the work of Magritt - everything is not like it seems to us. "He plays with this feeling:" We think that we know who this person, but do we know? " - Says Kaitlin Haskell, the organizer of the exhibition Rena Magritte in San Francisco. "You are a sense of intrigue, despite the fact that the figure itself is a stereotypically bourgeois and is not particularly interesting."

Masterpiece, or the secrets of the horizon. 1955 year

"If you take the genius of Magritt and you will need to tell about it in one sentence:" Why is Magritt so important? Why is his images are an integral part of public imagination and consciousness? " All because it creates incredibly understandable and clear pictures in which there is no clear sense, "says Ann Dishland, curator of paintings and sculptures of the New York Museum of Contemporary Art. "The hat-bowler works in this way."

There is a theory that the hat functioned as an "anonymizer" for the renee itself. At about those times, when hats appeared on the paintings, Magritte began to wear a hat for photo shoots. It is possible that the gallant gentlemen from paintings is self-portraits of Rene.

This is illustrated in the picture called the "Son of Man", which acts as a self-portrait of the artist. Rena draws a hat-bowler and a large apple floating in front of his face, ecliping his real person.

Son of man. 1964

Nevertheless, in the 50s, the streets of the city ceased to be overwhelmed with the boilers. The accessory became old-fashioned, and the citizens who followed the trends had to refuse him. Then magritte hats drawn in realistic style (in the midst of abstract expressionism) became anonymity symbol. In the pictures of Rene, they performed on the fore, instead of disappearing in a faceless crowd.

In fact, the hat-bowls became the iconographic signature of Magritt. It turns out a fun irony: the artist chose a detail that will be unrecognizable, but everything worked on the contrary. Now the hat-bowler is one of the main objects of creativity of the legendary Rene of Magritte.