Performances for schoolchildren on the school program. Quiet, but the actual performance on the main Russian play

The capital represents a huge number of performances on the school program and works that are considered a classic world literature.

When is it worth watching a performance: before reading the original or after? The answer is not unequivocal. As practice shows, it is still better to look at the performance after reading the literary work. Then there is one's own look at the material read, a concept formed, understanding the plot, is clearly understood by characters. The artwork is analyzed in class, accents are raised.

If you see the performance before reading, then the student often appears at the student: "Why should I read if I saw a performance? If the plot is clear and familiar characters? "

There are a number of performances delivered by the works of Russian and Western classics who do not pass at school, but they need to know each educated person. Therefore, if you even see them without reading the original, then this is already wonderful in itself. This series opens Shakespeare, Standal, Mark Twain, Sallinger ...

It is important not just to watch, but where, after all, theatrical directions can interpret the author's text in different ways and to prevent everyone familiar to the classics so that they are "climbed" from what they saw not only adults, but also children.

Now you can easily take a look at the Moscow theaters poster and analyze the repertoire, designed for a teenage audience.

Small theater.

This is a win-win. The classic does not come down from the scene. Beautiful actors, classic interpretation of work, rich costumes, scenery and props.

The peculiarity of this theater is difficult to get tickets for performances on the school program - they are redeemed by schools. Therefore, you need to take care in advance, two months in two to purchase tickets for the desired performance.

RAMT (Russian Academic Youth Theater)

Located opposite the Small Theater. The performances running on his stage are designed for a youthful audience. The works for which they are delivered are not included in the mandatory program, but belong to the treasury of world literature:

The theater is inherent in the classical vision of the staged material.

Children's Music Theater. N. I. Sats.

With orchestral jama. And this indicates a lot: about live music, about beautiful voices (and how otherwise in the music theater?) The hall is equipped for young spectators, with a wonderful acoustics and the rise of the auditorium, the scene is clearly visible from any place.

The theater is also interesting because he introduces spectators with various genres of theatrical art: Opera, ballet, musical. Each statement is adapted by children. Opera "Thumbelina", "Magic Flute", "Twelve Months", "Evgeny Onegin", "Marriage", "Cinderella", "Swan Lake", "Sherlock Holmes", "Nutcracker", Musical Emerald city.

Theatrical creations

Reading the names of performances, it is impossible to imagine how it can be "depiction" on the stage, where means of expression, feeding the material are limited by space? In cinema is now possible everything, computer graphics "draws" any fantasy of the Creator. And how on stage, for example, pass the movement (P. Fomenko's workshop)? The launch of the performance I. Popovski was a virtuoso. It is not clear how, but the impression is enchanting! No wonder this performance does not get.

How to put a classic using instead of actors - dolls? Workshops coped with this task. At his scene there are performances: "Little tragedies", "Chichikov's concert with orchestra", "Gulliver", "night before Christmas". The stage is played by the action where the actors and dolls are partial. For example, the faces of dolls boxes, dogs and other characters "dead souls" are so emotionally that, it seems they are replaying real actors.

And how on the stage in the size of the patch of a patch of playing a novel "Above the abyss in rye"? How to keep the spectators in the spectators in the voltage of two, when there are no special effects, no decoration, no costume change? And keep someone? The most critical, ironically tuned audience - teanagers? The theater in Nikitsky gates is able to fame. Evidence? Try buy tickets on the play.

"Caution! Children"

And such modern interpreted performances in Moscow are enough. A vivid example is the production of "Eugene Onegin" in the theater on Taganka. Yuri Lyubimov made this novel in one action. It seems not from that, what was afraid that half of the public leaves the theater during an intermission? Conditional performance: There are no classical theatrical attributes. He resembles a concert of amateur performance. Instead of decorations - some cardboard partitions, curtains, lades. One went out - said the text and left, follow him - the second. Outflowing words on my manner and retired. Each Pushkin Character speaks with its solo number and his task is to surprise the public, it doesn't matter what.

In the desire to modernize the "poem in verses", the director included in the play Jazz, Rap, Russian and African Folk. Impression Performance leaves ambiguous. Where is the ease and airiness of the Pushkin string? Where is the poetic tenderness and sadness?

The task of any theatrical formulation seems to awaken the interest of the younger generation to literature and other arts. And there are quite a few performances that serve precisely this idea. Look, read reviews and do not rely only on the name of the performance.

The first trip to the theater is either as the first love - exciting and sweet memories for life or as the first disappointment - immediately and forever. Therefore, the announcements of the best performances for children and shows on the scenic sites of children's theaters are collected here.

What the first meeting of your child with the theater depends on you. Children's psychologists recommend starting preparations for this solemn event a few weeks before the performance: read the book that served as the basis for setting, discuss her plot with the child, think out the outfit. Be sure to explain to the child the rules of behavior in the theater and, maybe even play the theater at home, so that later do not spoil yourself the mood, and the baby is a holiday.

It is extremely important to choose the right theaters of Moscow, and performances for children. For the first time it is better to choose a chamber children's theater, with a small cozy hall, because a small child is difficult and scary among too much cluster of the people. The puppet play can be chosen if you are firmly confident that the dolls do not scare the baby. If there is no such confidence, it is better to go to the children's dramatic theater. The performance should not be too loud and sharp music, bright outbreaks and frightening special effects.

The scenery should create a feeling of magic, getting into a fairy tale, but also not be too scary. The plot must be fascinating, exciting, but in no case is not frightening. And necessarily with a happy end. Then almost certainly a small viewer will be eager to expect opportunities to once again be in this magical place where fairy tales come to life.

School children gladly look at the performances for adolescents, because the story set on the stage based on favorite books is easy to understand. Yes, and literature teachers are easier to introduce teenagers with the program works of the school program, having reduced students to the performance. You look, and many will be interested, and read the book.

Where to go in Moscow with a girl? The theater for children is not the last in the list of places where you can spend a date: sit in the dark in the dark, together to survive the funny or terrible adventures of the heroes, and after the performance do not suffer in search of the topic for the conversation, for after a good performance, it will appear by itself.

Well, the poster of theaters works so that you can choose the best repertoire of theaters and not spend a lot of time, choosing a place where to go with a child in Moscow.

If you are interested in:

tickets for performance,
buy tickets to the theater,
poster theaters of Moscow,
children's performances in Moscow,

the section "Children's performances" mostly comply with your requests.

Performance - super! Tickets are sold only at the box office of the theater itself and buy them in advance, they quickly disassemble them. At the performance, most children were from 10 to 15 years. Many people came with groups with teachers. But despite the fact that adults were few, and many children, they practically did not have to control the children, they did not disappear from the performance. And they did not let go of the artists after the performance for a very long time! And moms and teachers came out with crying eyes.

Performances for children 12-13 years

• Many noise from nothing - theater of the Russian army, theater named after I. Pushkin
• Twelfth night (the performance is not going nowhere else)
• Romeo and Juliet (pass according to the 8th grade program). The performance is in Mkate them. M. Gorky and in Satirone. My children watched him in Mkate, they liked it. Most viewers are teenagers, slapped long, artists did not let go, liked it.
• Every day is not Sunday
• As a cat walked, where he swallows - ram, black room
• Tales just in case - ram
• Think about us - ram
• Motorman in the nobility (grade 7)

By the way, in the rage there is a club for teenagers and their parents "Theatrical Dictionary"

Performances from 13 to 15 years

• Don Quixote (Grade 9) - Ramt
• Poverty is not a vice, our people tear (grade 9) - Small theater, MCAT
• And the dawns here are quiet - very recommended to see in Rammit, but from 2010 the performance does not go
• Sleeping in the summer night - theater in the southwest
• Evgeny Onegin (grade 9)
• Student Lyceum (about Pushkin) - Sphere Theater.
• The auditor is a small theater.
  In the Small Theater is an excellent auditor. The full hall of schoolchildren, all clapped, did not let go of the artists. Tickets can be easily bought in urban office. But at the box office theater tickets are better and cheaper.
• Lost - Small Theater.
  On this performance is always anchlag, tickets for sale only the Cassakh Theater. But the play itself is somehow crumpled at the end. Something inhabited Fonvizin, some utopian ideas graduated from a play. Because of this, there is a feeling of the wonder of the time spent. Sorry to actors, they laid out 150%.

Performances 15+

• Scarlet sails - ram (from 16 years old, and not everyone. See

I wonder that in our life - realistic, selfish and more and more virtual - there is a place to romanticism. And it does not matter that only in the theater. Staging on one of the best books in the genre of the "Cloak and Swamp" of the French classics of Theophily Gauthier is a big luck. Most likely, modern teenager at best has an idea of \u200b\u200bthis direction in the art of the film about the "Three Musketeers". Roman Gautier is not so popular - and it's a shame! After all, it is he who is a pearl of an adventure-romantic style.

There are all: intrigue, bandits, fights, dressing, abductions, villains and lovers. Agree that such a set is able to attract even a skeptical viewer in difficult transitional age. But the main acting person in the play by the workshop is still theater: the theater on Shakespeare, who, as is known, is the whole world, and the people are in it.

Sometimes it is necessary not to be afraid to "leave the room", go on the road and find yourself, having experienced another role. It is such an act that makes the main character - a young, poor baron de Sgonyak, having settled together in the troupe of stray artists on a journey. In the next for his beloved - actress theater - he becomes mask: captain by Frakass.

I went to the performance only with one fear: confused his duration. "Captain Fracass" begins at seven in the evening, and ends closer to eleven. Worried not about himself, but about children. It turned out, - in vain! They looked perfectly and, according to their impressions, they did not miss a single minute. The performance is incredibly spectacular, in it the theatricalness was erected into a third degree: lush, spreading costumes, which, on the one hand, refer to the era of Louis Xiii, and on the other, of course, the masks of the Venetian carnival - the immortal comedy del Arte. The main "chip" of scenery, which helps to catch, catch the main motive of the eternal movement, the path of the worship of theatrical troupe (and all his life), are three travolors on the scene. Remember? There are such moving stepless paths, allowing you to speed up the movement of pedestrians. They are moving the heroes of the performance. Very bitten and accurate.

The roles are all bright, characteristic. The chief villain is especially beautiful - Baron's opponent. You will die with laughter. In the novel in Gauthier, after he was on the hairs of death, suddenly (according to all the laws of the genre) aware of his atrocities and becomes a noble hero. In the performance, he seems like a little bit of mind and makes it terribly funny things.

The play "Ruslan and Lyudmila" is invented in ironic, chuck style. After all, the poem itself was originally conceived with the elements of a parody (on the Ballad of Zhukovsky "Twelve Sleeping V."). Pushkin deliberately ironically looked the noble images of Zhukovsky, inserted comic, grotesque details into the narration. In the performance, the image of Pushkin is a balanch, hooligan, mocking, but very sensual.

Here, fearless hedgehogs and Ruslan are saddled by mops and brooms instead of horses, they put on the heads of rumpled buckets and fought with toy swords. Poped Farlaff with big red dues scary reminds not that Barmaley, not the Gerard Depardieu as Oberix. Chernomar beard is more like a long New Year's garland, and the "cherished ring" for Lyudmila is stored in Kinder - surprise.

The performance is played on a small scene in a new building workshop, which is known to have a secret. The audience in the hall opens the prospect of the lower theatrical foyer with its volumetric geometric architecture: steps, balcony, columns, openings, overlaps. In addition to the architecture of the lobby, the tree-column tree grows on the stage - the "oak green" and bitch-steps, as well as a wooden inclined platform, performing the role of a kind of shelter. And it's all! The rest is the game of imagination. If this is a meeting of Ruslan with an old Finn, then you just need to listen, and the easy echo and the sound of dripping water will take you into the deaf cave of the elder. If this is the ownership of a blackhouse with beautiful waterfalls and gardens, then this is the flowing fabrics and real oranges, scene scene. And if this is the Principality of Vladimir, then this is an ordinary long fellow table, which, if desired, is divided into two halves (the promised "Pradedov").

Everything seems to be not serious here. This is a kind of comic on a classic topic, which absolutely accurately will like a capricious teenager: and with the immortal plot will get acquainted, and the school curriculum in literature will be enjoyed, and the pleasure will receive.

"Lyudedik" is raised by the eponymous play of the modern Canadian playwright Suzanne Lebo. The plot is not inferior to the thriller: here is a strange mystery, and increasing tension, and an unexpected junction. In the distance from people, mother and son live in the forest. He is a huge growth in his 6 years, and responds to an unusual, homemade nickname - outed. She - disassembled in love for the only child, intimidated by the aggressive world, but proud woman with mysterious past.

Here in such a story the meanings addressed to today's younger generation and their parents are hidden. Here and hyperempus over a child - fears that devour adults; And the struggle with passions and desires from suddenly crowded children. The performance is played on a small scene of the theater: everything is very close (the action unfolds at the distance of an elongated hand) and very truthfully, in some places to coma in the throat, to tears. Almost always dark and a little scary.

The performance was put on the play "At the ark at eight" of the famous German playwright, director and actor Ulrich Huba. Hub wrote it in 2006 after one of the German publishers offered several theaters to touch on the issue of religion in children's performances. Agree that the topic is very ticker, difficult for the theater, but it seems to me, of course, important and necessary for a conversation with a teenager. And this is a rare case when the author managed to successfully connect the appropriate pathos here with ease of narration and kind irony.

The plot is simple: God was angry with people and animals for their rigidity, ungratefulness, challenge and suits the World Flood. As you know, in a noah ark can only be saved by the "Tarry Para". But the penguins turn out to be three. One of them (by the will of friends) has to be saved on the ark by the "hare". How to learn to sacrifice for another? How to see and be able to admit your mistakes? How to forgive your neighbor and do not grow on God? These "beware" questions simply, and most importantly - with a subtle humor and love for one and a half hours are born obvious answers. Penguins in the performance are three funny mountain musicians.

No beaks, tailings and other nonsense. Penguins are also people. They quarrel, lay, fear, rejoice, sad, sing a lot and play: then on a giant balalaica, then on the sad harmonica, then on the drums. By the way, for Dad and Mom, there are "adults" in the performance of the performance of the performance: Penguins from time to time begin to speak by the phrases of Chekhov characters or verses Brodsky. Very funny and to surprise for sure.

My children are always happy to listen to stories from my childhood. It seems to me that all children love it. The performance in the "A-I" Theater is live pictures from the past: funny to tears, desperately sad, familiar to a delicate pain in the field of solar plexus and all the musicals without exception. This is a statement that is able to give an adult piece of irrevocably past, unmandant happiness, and to open children to open the cherished door in such a strange Soviet childhood of parents, grandparents.

The performance is built on memories of real people whose childhood accounted for 40-80 years of the last century. There is no chronology - everything is mixed. Here and the war with evacuation, and history about pioneers with hooligans, and living to be in a communal service. Musical plates, believed bicycles, first TV, black bread with toothpaste instead of pastries ... You want to make it time for time, pretend when the cake could cost 25 rubles and slowly whispering your son's ear that Cartvit this wonderful actor specifically: he is Volodya Ulyanov.
All actors engaged in the performance easily reincarnate in musicians: saxophone, electric guitars, drums. Music - Time Barometer: Hil, Zykina, Tsoi, Butusov.

Each memory is unique. And it is not just played, it lived: here and now. With huge love, without pathos and pseudonostalgia for the past. And you can not imagine how many issues are born in the head in a teenager after watching the performance. Isn't that the most beautiful thing: talk to souls after being seen in the theater?

Another product from the school curriculum in literature, which for some reason it is secretly accepted to look in the Small Theater. Without detraining the merits of this production, I would like to advise "inexpressible" in Chihachevka (so fans of the theater affectionately call this theater.) The Fonvizin's play was successfully turned into Optperet-hydrowell. The music was written by the famous composer Andrei Zhurbin, the author is not one dozen operas, ballets and writing hundreds of musical hits for pop and cinema (which is the song from the movie "Squadron Gusar Volatih").

And "inexpensive" is not an exception: not only the true connoisseurs of the musical theater will penetrate the music in the performance, but even those who will face this genre for the first time. However, everything is on top: both original costumes, and beautiful voices of artists. There is a slight retreat from the classical plot, which, becomes the spring of all the action: in the performance, the Empress Ekaterina II itself is one of the main actors. It was at its board that took place at the Prime Minister of the Fonvizin Comedy. Her image creates a historical context, expands the boundaries of the play, which is definitely only to benefit the modern teenager. Two in one: and literature lesson, and history lesson.

Stories about Sherlock Holmes as if created in order to come true in the Shadow Theater. Where, as not here, a unique atmosphere of mysteriousness is created: for detective stories, you can't find more accurate space.
We have already written that the theater conceived the most interesting project: theatrical series according to the famous stories Conan Doyle about Sherlock Holmes. The first two performances were according to the stories of the "Baskerville dog" and "Vampire from Sussex". And the next series! This time is one of the most popular stories about the English detective: "Pepling tape." We watched all the series and after each kids only exhaled: "Wow!"

Each performance is a surprisingly harmonious synthesis of dramatic, doll and shadow theater: all techniques are combined and intertwined with each other. Here for the screen, in complete darkness there are shades of exotic animals -paviana and cheetah, walking on the estate of the cruel repair; But on the stage there are elegant cohesive dolls of twin sisters, and on the hands of the actors suddenly are glove dolls - funny reduced copies of the famous detective and his assistant.

The duet of two dramatic actors who are performing Holmes and Watson (and this is with a rigorous competition with cinema, where cult images of Conan Doyle were created at different times), definitely, the success of production. Sherlock - young, impulsive and ironic. Watson is a funny, clumsy, but terribly charming. The main chip in their communication becomes (expressing the language understandable for today's teenagers) Good trolling each other. And in general, the entire formulation is inserted in essence in this vein. What is only worth a gypsy under a living violin performed by Watson in the Russian-English: One, One, and even one (remember, the Romott was in the estate?). It is not necessary to miss.

***
Svetlana Berdichevskaya

"Woe from the mind" in the formulation of Alexander Yatsko - a rare example of a modern, but respectful attitude to the classics. Actors are dressed in costumes like a stylish boutique, but in this case thoughtfully pronounces the text of the Comedy Griboyedov. The abbreviation touched on only six Prince of Toguhovsky: they would be closely on a small "scene under the roof." "Woe from the mind" in the Mossoveta Theater is a chamber story of young people, fashionable and uncompromising.

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Experiment of the famous theater

The French director proposed an avant-garde option to read the text of Gogol. The entire phantasmagoria is played by punks - in black leather suits with heavy metal rivets, with sophisticated tattoo, color items on the heads. Dolls on stage are just as unusual for Moscow spectators. Together with the performers, they appear peculiar centaurs, and at some moments the actor leads a dialogue with a doll, which himself manages.

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Great Piece, played without words

In this interpretation does not sound any word Gogol, there are no words in it. Director Sergey Zemsky is known for translates the literature in plastic. In just an hour and a half, the actors in the dance will simultaneously pass a satirical and lyrical plot about the lives of people in the provincial city, where they live with their weaknesses and hopes.

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Classic dolls

Gogol's play is only slightly reduced, the focus is on human relations, and not satirical caricatures. Puppet characters are primarily charming, and therefore cause no sympathy, but an understanding. Unexpected decisions arise when the dolls interact with the characters played by actors in the "Live Plan" (so in the Puppet Theater talking about the reception when the actor plays a role exclusively by means of the dramatic theater).

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It's only begining

Only they say about the war and only, Braviruya, are going to her. The world is represented by Moscow and St. Petersburg families with beginners to grow up Natasha and Andrey. The masterpiece of director Peter Fomenko goes almost four hours, but perceived in one breath. The actors barely manage to present the events of the incomplete first volume of the Great Roman, playing several diverse roles and demonstrating the charming skill, for which the audience loved "Fomenok".

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Great actress talks about great poet

Alla Demidova does not simply represent the poems of Anna Akhmatova, that she often did in their reading programs. She tells about Akhmatova and acts, reading the text in Mizanszenas and the scenography of Kirill Serebrennikov surrounded by modern sound design and video. Neon inscription on Latin, adorning the fountain house in St. Petersburg, "God saves everything" becomes an important detail of the design of just an hour, but extremely rich in the meanings of the production.

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Performance for advanced teens and their advanced parents

Evgeny Mironov tried on the role of a storyteller, who in an incredibly beautiful play of the star of the World Theater Bob Wilson is a red wig and chats legs, sitting on the oak above the scientist cat. It ironically comments on what is happening, then driving in a red cabriolet instead of shippers, it will instantly agitated, sharing with the public a little-known "Fairy Tale of Medvedikha". The performance is a reason to look at the poems bought from the youngsters with a fresh look of a foreign director-visionary.

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Garden Theater

Of course, to accept this performance, you need to take the player of the game Renata Litvinova, which does not play Ranevskaya here, but lives in this way, ironizing over their own intonations and gestures. Nevertheless, she regrets his heroine- "inappropriate." The garden itself in the interpretation of the director Adolf Shapiro is the theater. New actors come to replace the old masters, who are represented here by Nikolai Chindykin and Sergey Dreden, and the familiar curtain with a seagull is not revealed, and falls into segments, cutting the space of the entire legendary scene of the MHT, becoming similar to the flowering trees in the cold spring.