The play "Romeo and Juliet" in the theater in the southwest. The play "Romeo and Juliet" in the Teatrium on Serpukhov, what theater goes Romeo and Juliet

... But the story of Romeo and Juliet will remain sad in the world ...

I am very sorry for Juliet. After the performance, my head swept in my head differently. And something about the genre of the play, about the inevitability of fate, about the first love, even about the peculiarities of the translation and the modern perception of Shakespeare. It was also a dish "and I would look at Romeo and Juliet after ten years in marriage."

And then I painted me! What kind of rock? What is a hostility between families? This author is to blame! He is a bastard! That's the Mer-Own! That's it with such an intonation of Tibald when contacting Romeo. What did you kill the girl? Reliced \u200b\u200bto the poor man completely in the spirit of George Martin. She is so cute, beautiful, very child ... And after all, you will not write a cursive comment in social networks, with the permission to say, ... playwright.

And what's the point of the play, if everyone died? © Gleb, 13 years old

I do not know what is the point. But I understood exactly that Shakespeare was Shakespeare. There were no fake persons, no complex camouflage. He has everything straight. We make plays to the public liked. And the audience what you need? To laugh and cry.

Excellent! Half the performance laugh, half cry. Sitty jokes below the belt? Insert them. Romantic scenes to sobbing the female part of the public? Will be sure. Comic characters - here you have a crumline, servants. Frames on the swords look quite bad. There is. A little bit of smart phrases so as not let God bother the intelligentsia? On the clause progressive monk Lorenzo. I think about this wrote Shakespeare my plays. It just so happened that was talented, hell.

After all, when the spectators of the theater "Globus" watched "Romeo and Juliet", they were not Ahali in admiration: "Ah, Shakespeare! Ah, ingenious. " Not interested? Unclear? Here is a tomato.

We are born with the built-in knowledge that Shakespeare is a genius, and the main characters of this Italian play will die. And now imagine that in the updated version of "Romeo and Juliet" in the theater in the south-west, I suddenly felt that I seek this story for the first time. I worry, worry and very much hope for Happy End. Well suddenly? One time, eh?

- Are you talking from the heart?
- from the soul

The fact is that she appeared on the stage. Juliet. And the word "touching" suddenly changes meaning. This is not a cat. Actress Nika Sarkisova touched her hand to my heart. It turns out that it is. Sometimes you remember it only in the theater. And ridiculous, and sad. After all, living almost 40 years old, I know that there is no love at first glance. As I know, and the fact that no good marriages are good. And everything will surely be bad. But how, it turns out, love is beautiful!

In the first scene of Juliet completely child. Laughs, Shalit, and if it says the right things right in terms of parents, so this is because the brought up children in principle are able to be reasonable and polite. This does not mean that they think so. The purpose of all adolescents is to make communication with us, bore, to a minimum.

Romeo performed by Anton Belova, too, at the beginning is not distinguished by adoleship. He has another teenage stage: self-confidence, admiring his own melancholy and allegedly love (yes, Romeo in love. Surprise!) He is at the stage "No one understands me."

But as everything changes when Romeo meets Juliet. This scene is a catalyst. It seems that up to this point the enmity between the cabins and the montext was on the verge of extinction. All acted on inertia. The servants are fighting for a joke, the Dukes once again makes a breaking of flights, a little bit, and everything would be very calmed down. However, Romeo faces the Juliet, the chain is closed, and the electrical discharges begin to beat. Shouts Tibalt, "Carmina Burana" sounds, and you understand: the death of children cannot be prevented.

The action breaks down from the leash and moves faster and faster. At first, the servants are quarreled for a long time, they prepare for the ball in detail, Romeo whips. Then - scene on the balcony, wedding, murder Mercutio, crypt. Many Shakespeare text remained behind the scenes.

As if Romeo's kiss and Juliet released hatred and aggression, which only trelli in heroes. In addition to Tibalt, of course. From here Moral. Never be enjoyed, even sluggishly, never utter a wishes of death. There will come such a moment when everything said materializes.

And the audience remains only to grab the heart, then cry, then laugh. Shakespeare Still! Master tragedy and comedy. And director Valery Belyakovich. From him, no viewer did not leave.

Mercutio, silent. You are empty.

All girls dream of the role of Juliet. And boys about Romeo's role? I think no. The most winning, most complex male role in Romeo and Juliet is Mercutio.

This is not a person, it is a firework, sparkling humor, mobility. The one who silenced only on her deathbed. He was called, or in honor of God Mercury, or in honor of mercury. Yes, it is a poured bone from the "Pokrovsky gate"! Only with the tragic final. Beautiful monologue about Queen Mab. Only people like Mercutio begin to bear nonsense, then they themselves believe in it, why nonsense does not look like nonsense, and then they ourselves over the foregoing. Oh, Queen Mab!

For me, the main intrigue of the play - who will play Mercutio. And the opening of the evening is the actor Farid Tagiyev. Why, why did he get into the fight with Tibalt? After all, he himself focused: I don't participate in civil disassembly, I'm just a friend Romeo. "Plague take your family!"

Shakespeare and children

Theater in the southwest masterfully translates Shakespeare to a modern language. It seems that you are watching the play not the author, the deceased five centuries ago, but quite some kind of playwright of our years. Just the plot for some reason medieval. It seems to be on site and complex monologues, and incomprehensible creatures are mentioned, such as Queen MAB.

But everything is clear! The rhythm of speech - the text is pronounced as if he was written by prose, jokes, the kind of actors is so yours, as if you are driving in the train, and the neighbors on a bench suddenly begin to play in front of you so sad, then funny scenes. By the way, a similar technique was used by the director Valery Belyakovich in the play "Give Shakespeare!".

And "Sleep in the summer night"? This is generally now the favorite performance of my son. Whether I could believe that the child would know such a little-known play as "Two Verona", who such femors and fist will see Lady Macbeth, will distinguish Mercutio from Tibalt, and moreover, it will imbued with Romeo and Juliet. Although I was sure that the play about love is absolutely not for him. But in the theater in the southwest, the rainer is dynamic and spectacular. In addition, the music editor greatly selects music to each spectral. Leitmotif "Romeo and Juliet" - "Carmina Burana" Karl Orfa.

Well, no one canceled the fight on the swords! It always likes the boys.

My personal person thanks to the favorite actor of my son, Andrei Sannikov, who played one of the servants. When we see it, you happily overlook with Gleb: our in place! And this means that the performance was a success.

Gleb only did not understand two points. The first - why is an outsider called Father? He even decided, naive soul that Romeo has a good relationship with dad. Haha. It was the Holy Father, Gleb. Monk Lorenzo.

And the second. The final. The fact is that it looks like this: all the heroes of the play are built into the semicircle around the "dead" juliet. And the famous scene is happening in the cemetery. And it involves: Romeo, Paris and Sleeping Juliet. The rest seems to be, but in fact they are not. This is an image of such a director's course.

"The curtain rose, and the idea began. Romeo played a fat elderly man with induced burner eyebrow and hoarse tragic voice. He resembled beer barrel. Mercutio was a little better, but Juliet! For the first time in life I saw such a wonderful beauty!"

Oscar Wilde "Portrait of Dorian Gray"

The several centuries of the Shakespeare play does not come off from theatrical frames. Already the first productions of it, starting from 1595, were unusually popular in England. The performances were continuously before in 1642 were banned by the Puritan parliament. In 1660, performances resumed with great success, causing a large amount of imitation and alterations of the play (an example - Drama Thomas Tyubov "Caius Marius" 1680, where the action was transferred to ancient Rome). Different times at different times the director presented the viewer with the famous history. It happened that in Romeo and Juliet sought to find the perfect essence that was not created for our world. And it happened that they were seen by fair victims of their own sensual passions in the edification of those who walked against the will of the elders. This, of course, two extreme positions in explaining the images of Shakespeare's lovers, but they have existed for a long time. Another stumbling block for many produced was, according to Shakespearemov, the determination of the correct ratio of comedy and lyrical elements in the play, as well as the achievement of the synthesis of the line of hostility and the lines of love.

In the 20th century, a realistic look at Romeo and Juliet becomes more and more persistent. Setting, not opposing heroes to people sitting in the hall, enjoy success among the public, but not always to criticism. Alisa Koonen, in 1921, playing the role of Juliet in the play of Alexander Tahirova in the Moscow Chamber Theater, so talks about his role: "We were in Verona and saw the house of Juliet, a small, all overgrown with greens. This visit to Italy even more convinced me that Romeo and Juliet are alive, full, real people. "

In Verona, the statement of 1948, implemented by Renato Simonon in the Ancient Roman Romano Theater, a series of regular Shakespeare Festivals opens. The play is played even on the city square of Dante, in a natural framing. It is interesting to note the earlier performance, remembered by Veronez, thanks to the participation of the then very young, and in the future, the Italian actress Eleanora Duze. In 1873, at the age of 14, with a bouquet of white roses, bought by it in front of the play on the street, Eleanor played Juliet on the stage of the ancient Verona Arena. It was so penetrated into the heroine and atmosphere of the city, which felt truly Juliet. In that evening, the audience enthusiastically said: today Juliet rose in Verona! This significant episode is described in the novel of Gabriel D'annzio "Fire" (1900g.)

In England in 1882, on the stage of the London Theater Lyceum Piece was with a big sweep of Henry Irving (he played the role of Romeo): Luxury scenery, the facade of the house Capulates copied from the real Verona Palazzo, the image of Juliet (Ellen Terry) in the spirit of Prerafaelite Madonna, Choir In the appearance of Dante. Two years later, the role of Juliet in this performance was performed by Stella Campbell.

In the twentieth century, an outstanding performer Romeo's role became A.Moissi in the statement of 1907, implemented by M. Reongard. In 1929, John Gilgud and Adel Dixon participated in the production of the tragedy in the English stage. In 1935, in the theater of Old Vic, the famous actors of Shakespearera repertoire Lawrence Olivier and John Gilgood, alternating, played Romeo and Mercutio in the formulation of Gilguda (from Puggy Eshkroft - Juliet).

Gilgood later wrote about their duplication of Romeo's role: "Lorry's great advantage I had to be in his mighty vitality and passionism. In the role of Romeo, love scenes were treated with his truth and gentle, the tragic tranquency tried deeply. I had an advantage over him in the usual The ability to handle verse and in the fact that my production was. "

In 1940, Lawrence Olivier spoke in "Romeo and Juliet" with his future wife Vivien Lee. Olivier, besides, was the director of these performances and put all the savings in the production. The criticism was unfavorable, and the performances almost did not have success, although they were visually beautiful, and the appearance of Wivien Lee, as noted, corresponded to the image of the heroine.

The famous executor of the role of Juliet on the Western scene in the 60s was Dorothy Tyutin. The director of the second half of the 20th century, all bolder tried to find a lively, fresh look at the heroes of Shakespeare tragedy and enable the viewer to guess the historical costumes and decorations of the thought and feelings of today.

Example: The performance of the Shakespeare Memorial Theater in the formulation of Glen Bayem Show, demonstrated in Moscow in 1958. Also, Franco Dziffieldlli with its significant statement of 1960 in the London theater of Old Vic (John Strade - Romeo, Judy Dench - Juliet), which had a sensational success. In 1964, the same performance was delivered to Jeffirelli in Italy (in Verona, then in Rome), and in 1966 he was shown on the Moscow scene. In this formulation, the features of the future famous film play made by the director in 1968 are already visible.

We will move now to our country ...

There are several Russian translations of the Shakespeare "Romeo and Juliet" tragedy. First - I. Okovshenko 1839; Then - N. Grekov 1862; A. Radlova 1865; B. Pasternak 1943; Toshkina-Cupelik 1957 and, of course, there is still (for example, recent - E.Savich).

Recently, in theatrical productions and films, Boris Pasternak is increasingly used. It is believed that this text is closest to today's speech, and the loud name of the translator, apparently, is important.

Already in the 19th century, the play of Shakespeare was set in many cities of Russia. The roles of Veronian lovers were once: urine (small theater, 1824), Fedotova, Yermolov, Lensky (1881) and Ostyzhev (1900) - artists who have become proud Russian theater. Of the many performances of the Soviet period, we note the most famous.

The rapid performance of the theater of the Revolution (now the Mayakovsky Theater), delivered by Alexei Popov in 1935 with Mikhail Astangov and Maria Babanova in high roles. The play went to Radlova. Note "Romantic stamps", A. D. Popov wrote: "Romeo and Juliet dying, no matter how much of their historical future." The performance was conceived by him as a social tragedy. To identify her essence, Popov tried to sharpen conflicts in the play as much as possible, and it was sometimes the topic of love. It was noted that Atestangs in their performance brought Romeo with the Hamlet, playing spiritualized intellectual under the oppression of hopelessness. Babanova did not seem to see the image of Juliet. Her heroine is a poetic, captivative and smart child with a persistent character. It was noted that the scenery of I. Yu. Shlephenov to the spectral was impressive.

In the play of the Theater named after the Lensovet 1937 (Statement of S. E. Radlova) The image of Romeo, embodied by B. Sirnov, as opposed to Astangovsky was full of joy, youth, life and deprived of a sense of doom.

In 1955, the tragedy was set in Riga #, in the Latvian Art Theater. Ya. Rainis. Director - Eduard Smilgis. The play in the romantic drama style: a lot of music, singing, dancing, comic scenes. Romeo played Eduard Pavoul. Juliet was Via Artman - the most famous on the film "Theater". Her frarative and elegant Juliet, who conquers the charm of a playful teenager at first, then grown into the heroine.

In 1956 in the theater. Vakhtangova Performance "Romeo and Juliet" was raised by the director I. Rapoport. The role of Juliet in it was performed by Galina Pashkov and Lyudmila Celikovskaya. Romeo played Yuri Lyubimov and Vyacheslav Dugin. Music D. Kabalevsky sounded in the performance. Artist - V. Romadin.

1964 - Igor Vladimirov's statement in the Lensovet Theater. Translation Radlova. Romeo - Barkov, Lorenzo Vzhenov, Benvolio - Ravikovich, Juliet - Alice Freundlich. The authors of the play refuse traditional scenery. Instead, symbolic details are used: metal stained glass windows, silica lamps, bowls with fire resembling an era. The music of Andrei Petrova complements the atmosphere of the performance. Having achieved naturalness, the characters act in an emphasized simple and relaxed manner. The game of Alice Freundlich is originally. Her Juliet is determined, mocking and immersed in reflections. In minutes of spiritual stress, she does not exclaim, and, as if clinked from the feeling that covered her. The performance responded in its own way the requirement of time, persistent search for new in the classics.

Here is what the director Efros writes in the book of his memories: "I rehearsed Romeo and Juliet for a total of more than 10 years. It turned out several performances during this time, and the Italian film appeared (Dzeffirelli - Avt.Sight) - I wanted something more serious - This is not a romantic poem, and protest against hatred and violence - Love Romeo and Juliet, if you can put it, consciously, they did not twist in the clouds, they stood on earth, they knew how to fight and hate, but they were the color of the nation, and therefore It was difficult for them in that veron. "

So he conceived heroes in his performance Anatoly Efros. In 1970, his Juliet embodied in the theater at the Small Bronnaya Olga Yakovleva. Until now, we wrote about the productions that could not see themselves, the information about them is drawn by us from the Shakespeare collections of different years. The performance provided by Epros in 1982 on television, we looked carefully. Cast: Romeo - Alexander Mikhailov (Alyosha from Formulas of Love), Lorenzo - Alexander Trofimov (Richelie from "Three Musketeers"), Juliet - Olga Sirin, who remembered us as Gretchen in Telepostanovka M. Kazakova "Scenes from Faust".

When you look "Romeo and Juliet" Dzheffirelli, then you become like an accomplice of action, and it activates you as a viewer. The impression is such that everything you see is performed here and now - in your presence, and may end it, and maybe otherwise. Other sensation caused the performance of Epros. Here we are clearly separated from what is happening, and feel like the fact. It seems as if the story of Romeo and Juliet is unfolded before his eyes, and someone's story about it as an already accomplished the tragic event. Everything goes like through the haze, thoughtfully and predetermined. And from the very beginning there is no heroes of real joy and delight. Juliet, just met Romeo, already drops the first drops of tears: "What am I starting, when so scary?" In any case, this is a very copyright, and it felt that the director heard a lot about the fate of heroes. However, you can somehow see this performance on TV screens and make your own conclusion.

We looked at the child (grade 8) on January 22, 2019 in one breath of the tragedy of William Shakespeare "Romeo and Juliet" in the formulation of Valery Belyakovich. The work takes place at school in grade 8. A really excellent finder finder and the opportunity for teenagers to understand Shakespeare deeper - to combine prose and poetry in the play! Show the abyss enmity and tragedy also helped music ... In some moments, she just turned the whole soul. The last minutes inscribed with tears ... At the same time, some casual scenes from the life of heroes are so thin and ironically described that the hall, applauding, laughed from the soul! Thanks to the actors for these emotions! Full house!

Anastasia, September 29, 2018

Before the goosebumps from the first minute and to the end! The classic is immortal, especially in this performance! Bravo!

Oksana

Beautiful performance. Were the whole class (8th), because According to the program we pass. Children looked with great interest. Excellent acting game, as well as musical accompaniment.

Marina T.

Yesterday I visited MCAT them. M. Gorky, "Romeo and Juliet". 3.5 hours flew unnoticed - a good game of actors, they managed to force the viewer to experience various emotions.

Romeo and Juliet, MCAT. M. Gorky. Very impressed the production of V.R. Belyakovich. Nothing superfluous, only the acting game is strong, shrill, emotional! 3 hours in one breath!

Katerina

I have reduced the 8th grade, "Romeo and Juliet" they are now undergoing the school program. Reviews in children are different. I liked the boys: dynamically and mostly in prose. But girls, especially those who are very reverent about the original - categorically no. They already presented everything in their own way. It seems to me that these are two sides of the same medal: girls do not agree precisely with the simplification that boys approved. In general, the performance looks easily, the children were not distracted and no noise. And different points of view, our teacher of literature was sincerely glad - it will be that to discuss in the lesson.

Svetlana

She walked to a play with a bit mixed feelings, as he read a lot of different reviews about him. We went together with my daughter, she was 15 years old, this work was held in the framework of the school program in the 8th grade, and she really wanted to see the performance. As for decorations - yes, however, there are practically no of them, there is only a set of several iron arched gates that workshops are played. At the beginning of the first act, I did not have enough scenery and some brightness, the richness of the paints or something, because the action takes place in the burning Italy. But then, believe me, it moves to the latest plan. I liked the combination of prose and poetry and the fact that the most famous scenes from the story read, as in the original it is written. The second act looks in one breath, the last minutes - so generally with tears. Impressed to trembling! I will say this: the hall exploded with applause. So many colors were presented with actors! Recommend!

Vyacheslav Spesivtsev is perhaps almost the most consistent rebellion at the Russian theater field. Nonconformism of the famous figure manifested itself in this formulation. The performance is traditional in content and contemporary in shape. The gloomy Verona most likely at night bikers with rampant passions. Fashionable motifs in the music for the spectral also give him an actual accent. Mat presents its version of Romeo and Juliet, both inexperienced viewer and avid theater. To the excitement accompanying this production, the walls of Matt are already accustomed. Excess ticket is asked in the range of the quarter around the theater. And the passages into the hall are clogged with the withdrawal chairs and simply sitting on the steps of the audience.

Such demand is justified by several factors. First, the tragedy of Shakespeare about young lovers here is already four hundred years of age enjoys the constant popularity of young people, for at this age every love seems the only and unique (whatever way it is). Secondly, along with professional artists, many key roles in the performance were performed by studios, for which young spectators were pretty preserved. Thirdly, this theater project is presented in the new interpretation in the spirit of the 21st century, saturated with modern rhythms and materials, and, of course, new human relationships. Expectations of the audience are justified quite. Avant-garde director, unusual set design, suits, saturated with jeans, leather and metal, modern, very successful musical design and, finally, the inspirational game of artists find an understanding and a hot response in the hall. In the play, the stage asceticism of the Studiorsky Theater is mixed with modern entourage. On an almost empty scene dressed in modern costumes Actors Close-up Served Shakespeare Word. Modern dresses significantly shift the problems of the play in our day.

The creators of the performance will undoubtedly be able to affect some invisible nerve in the souls of modern Romeo and Juliet, who caused them a complex gamut of feelings: compassion, tenderness, irony, admiration and, God knows what else! Cold world of meaningless enmity generates a fragile flower of feelings. The sad story of two young hearts, which from the first meeting began to beat into unison, played against the background of hard, wealth of rectilinear relations. Inspirational impulses and street scuffle, self-denial and murder, loss and suffering, humiliation and fear that fell on the fate of two young people, make them be strong, looking for a way out, choose between well-being and love, together with which death comes. Concentrated action and intense internal life of heroes are displayed in alarming and tuming, incendiary and lyrical melodies. In one work, the plot of Shakespeare and the musical eclectic, represented by modern motifs, met. Ancient, a well-known story is told by the language of today's youth, and the music makes the world of feelings of Shakespeare's heroes understandable and relatives.

Probably, this work was staged a record number of times if even the backward Hollywood felt the topicality of this eternal storyline. Some believe that the idea of \u200b\u200bthe performance and its form are borrowed by Hollywood theater. These statements are based on the lack of information about the theater: our performance in the work of more than 25 years and therefore, of course, is primary. We even have specific suspicions on the account of the reverse plagiarism and the person knows, (we will not call names, just a "good man") which, most likely, and took the modern explication of the play of Shakespeare to the West. But we are not a claim - let them use, we have enough ideas for everyone.

William Shakespeare

Duration: 3 hours with intermission

New scene

People's Artist of Russia Mark Posovsky presents his gaze on the immortal tragedy of Shakespeare. It will be a classic play reading: with medieval costumes, fights on the swords, dancing. Music will be one of the main actors: the performance will decorate fragments from Fantasy Overtakes P.I. Tchaikovsky "Romeo and Juliet". Mark Rosovsky spoke about the idea of \u200b\u200bthe performance: "They said that when Vysotsky played Hamlet, he spoke not only from his acting" I ", but also" on behalf of the generation. " We need to try to do this. Performing Romeo and Juliet, we must remember what is happening today on our street and especially - not on ours. Never before, humanity did not need it in the culture of revival! I would like to make "Romeo and Juliet" by a play that stumbled upon our time - so that Shakespeare was heard ... "

Comments on the Speckle Romeo and Juliet

Romeo and Juliet| Comment left: The object is not found (2019-04-19 at 17:50)

The tragic and breathtaking story "Romeo and Juliet" makes the viewer plunge into the head and penetrate the bright emotions of the main characters ... After watching this play in the theater "At Nikitsky Gate", my heart just shouted from delight and beauty as actors themselves and sets in general !! As far as each role was perfectly played as talented and very charismatic actors
Personally, I stayed under an incredible impression of the performance !! This is exactly what is called - professionalism!

"Love has no age..."| Comment left: Maria Fedosova (2019-01-06 at 07:30)

Liked very much! First of all, it should be noted the careful attitude of the theater to the text of W. Waxpiera. As for the actor game, it is always 5+ here. Especially liked Mikhail Naminin (Romeo) and Sandra Eliava (Juliet). Mark Rosovsky managed almost tangible to highlight the extreme youth of the main characters of the tragedy, otherwise the phrase is usually: "She has no 14 years old" - just words and nothing more. Here, the heroes literally growled before our eyes under the influence of love. The performance looks in one breath, despite the fact that more than 3 hours continues. In general, I got great pleasure!

Romeo and Juliet| Comment left: Matalytskaya Anna (2018-03-10 at 22:18)

I visited the whole family a premiere show of the play "Romeo and Juliet" in the theater in the Nikitsky gate.
Perfect performance! For a long time I did not receive such pleasure from the classics!
For the first time in life, I felt that Romeo and his friends were 16 year old naughty boys, and not magician men. Juliet is beautiful!
Very interesting dynamic scenery.
The performance looks very easy, in one breath!
Many thanks to Mark Posovsky! Very loved his beautiful, cozy theater. We looked at many performances, and they all leave an unforgettable impression!

Romeo and Juliet| Comment left: Mila_m. (2018-03-09 at 10:54.)

English playwright William Shakespeare, who was born in 1564, wrote a genius tragedy of Romeo and Juliet. On March 5, the general rehearsal of this performance took place in the "At the Pokrovsky Gate" theater. The head of the theater Mark Rosovsky introduced the audience with the creators of this production, noted that the music of the Great Tchaikovsky will sound, and wished the artists and viewers of a successful run.
Everyone knows this sad story of crazy passion, love and death. Show the whole storm of feelings boiling in Verona, managed the artists of the theater. The performance captures from the first minutes. Igor Klimov perfectly prepared battles and fencing, servants and main characters showed amazing possession of fighting and swords. On the stage everything was valid. Balletmaster Anton Nikolaev decorated the performance by dancing, giving the flavor of the IV century. Evgenia Schulz made a performance colorful, all the costumes of the heroes exactly corresponded to the spirit of this story. Juliet has changed the outfit several times, I really liked it. Alexey Delbin made a saturated sound at the level of modern blockbusters. The work of Alexander Kuznetsova, the lighting workshop, was invisible, which means everything was perfect, harmoniously and moderately. All Assistants Mark Rosovsky Bravo!
Artists were wonderful. Their play was held in the tension of the audience all three hours. We laughed and cried, worried and rejoiced. It is impossible to celebrate one or two, all excellent points!

Mark Grigorievich, you have a beautiful theater, interiors, furnishings serving staff. Live long and further prosperity to your brain.