Performance Crime and Punishment Baltic House. Crime and Punishment
Journalist Olga Komok, going to the Alexandrinsky Theater for "Crime and Punishment", states that the performance is a real test for the viewer. At least for a while.
In the Alexandrin theater and on The festival of the same name took place if not the most successful, then surely the loudest premiere of the year. Khuduku Hungarian National Theater Attila Vidnyansky put the Roman Dostoevsky "Crime and Punishment" as a opera. Yes, not any, and the most as far as there is a post-English: five and a half hours of epic acts, verbose heroes are not people, but the personification of any different ideas and moral and ethical concepts, boiling passions are not sent to everyday, but immediately in eternity ( or in the history of literature). And, of course, the music: she is the right ball on the stage of the dramatic theater, pushes forward the action, overwhelms the monologues of the characters with sound storms, makes you move the omnipresent Miman in prison tunches.
Miman and this also sings, as it should be opened. Living voices create charming counterpoint to the main phonogram (which is the encyclopedia of the Austro-German expressionism of the 20th century with the engagement of the Gregorian Choral and the well-known Baroque): What? Then from Russian church conscious, a little square folklore plus vocal crossing of Hit Amy Winehouse is a bonus for those Who decided to stay on the second branch of the "concert" after the 2.5-hour act.
Other bonuses in the second There is almost no act: in the first 2 hours, the public has already been charged with the Opera "Crime and Punishment". Black and white constructivism is very passing. Exquisite cheerful Mimans rolls up abstract fragments of human (human human?) Housing at every turn to the famous plot. Help to the main Russian novel is revealed by the utmost, artists pronounce the text of the classics with whole pages. Is that for the sake of accelerating the process, polyphonically superimpose each other: for example, the marmalands (Sergey Parshin) will be confessed in drunkenness, and parallel Mother Skolnikova (Maria Kuznetsova) reads the letter to his son. At first, monologues are richly illustrated: Sonya (beautiful in the artistic restraint Anna Blinov) depicts a story about his fall through plastic exercises. Studdered old women, and later and the dead man-marmalades do not leave the scene, as opera leitmotifs do not disappear from the score. The Skolnikov Salnikov's dream turns into a violent stage of the apocalypse, including for hearing of citizens who are not accustomed to the stadium level of Decibel.
All Parties of the Performance are painted In accurately according to the instructions of the composer, that is, the writer. Skinny Skinny Katerina Ivanovna (Victoria Vorobyeva) Takes up with children in the costumes of bunnies, Rassakhin (Viktor Shuralev) - Positive hipster in a T-shirt with Gagarin, Luzhin - Caricature on an official, Lebesyatnikov (Ivan Efremov) - idealist from those who in 1991 built The barricades at the White House, Svidrigaylov - the brilliantly disgusting, choreographically accurate Dmitry Lysenkov - does not come out of the pre-solder role for a second. Alive, independent hero does not even seem to the Raskolnikov himself - Alexander Polamyshev plays the soul, confused to the state of complete uncertainty. And only one actor (or character?) Requested on Dostoevsky in full: Vitaly Kovalenko turned the investigator Petrophry Petrovich in a kind of clown from the horror movie, a long-fashioned Snake-tempter with hysterical laughter and hospitals of a parody light lion. There is no role manages the artist, but quite the opposite.
In the second act this Snake moved into a Catholic rjaw and with the devilish pressure, shepts the splitties of thought already disorders - about the benefits of faith and repentance. About the same thing - in the forehead, long, without any tricks - broadcasts and Sonya. After the pollaric march of the characters in honor of all the evil and dead (with a scoring giant ax instead of a banner), the director seems to lose interest in filling the scene by movement. Walls do not ride, the choir dissolves in the dark. There comes a series of troubling solo. Each character is negotiated to the last breath, to the last note - a pure punishment for the viewer, falling on the subway. And when Svidrigaylov, made a widow, who climbs on the walls and riding on the floor, finally, it is shot at the same time with the sacramental Skolnikovsky "I killed!", And the light on the stage goes out, the forces remains only for the response sigh - "and thank God."
Select a fragment with the text of the error and press Ctrl + Enter
The "small dramatic theater" released the premiere of Roman Fyodor Dostoevsky "Crime and Punishment". The formulation of Vadim Skvirsky is based on the etude material of last year's release of the Lion Ehrenburg, the founder of NDT. No wonder that in the very play, the hand of the master is felt in everything, and the new "crime" easily enters the repertoire of the Ehrenburg Theater Studio.
On the stage - the eternal building forests, as it is impossible best to give this classic characteristic of the summer St. Petersburg: "Everywhere limestone, forests, brick, dust." The first on the background of these forests will appear the Lecturer, deprived of not only by beauty, but also by averaging of health. Her talidomid's impossible, the proud handle convulsively squeezes Tomik Dostoevsky, in which the "blue stocking" was looking for, but did not find truth and happiness. And therefore, she appointed herself the main accusatory man and the classic descendant.
- The world is not love and not God! - she stubbornly stog. - And aesthetics!
And at first, the appointment of the performance-lecture on Dostoevshchina "For Spectacle to Somehow, it seems straightforward, even mockery. Revelation conjugates only by the end of the performance. It is not for nothing that it says that laughter to the human soul can be made faster than by the edification, and the audience at the Skvirsky premiere is accurate. And no wonder: even a toothless daughterman of marmalades (Alexander Belousov), who has faded in front of the public before collapse from the second floor of forests.
But the main thing is not in the performance of the usual, and therefore there are already flat literary images that are hardly laughing during the reading of the novel. So, do not show the audience to the murder of the older agent, only the mountain lecturers lonely sublimates before falling from the invisible, but witted by the bloody stream of the ax. And here the viewer begins to come to the viewer that all global nonsense in the world are made with a serious expression of the face. And the opposition of acknowledged Lisube Lisubee, also killed by Raskolnikov (both heroines playing Julia Grishaeva), presents the viewer who imagines himself with an intellectual, solid puffy: stupidity in general a happy mind, at least in love.
And therefore, good and foolish Mother Skolnikova (Tatyana Vlasova), for which even Rodion (Kirill Kobzarev), unfortunately trying to put the idea ("fiction" from the word "think"!) Above life, climbs into a Viennese chair and recites poetry as in childhood Tighting the pants to the knees. And absolutely, ninely stupid Sonechka Marmaladov (Anastasia Aseeva), not a word that does not understand the Skolnikov, but it is these three women that love and the invisible wings of guardian angels come out.
Having disassembled Dostoevsky "According to the mind", the external lecturers, which is not enough in the life of a positive, rolling on emotions and instincts, will take: "People are looking for answers in books, and there is one big question!". But in order to achieve a response, it is necessary to correctly formulate a question. NDT succeeded, and the viewer will receive the answer.
On the small scene of the Baltic House Theater Aleksandrovsky Park, 4
"Crime and Punishment" - Lecture for Spectacle Somehow for Humanity based on Roman F.M. Dostoevsky. The performance was created by the young studio - graduates of L.B. Ehrenburg in Biims (2011 release) led by teacher, actor and director Vadim Skvirsky.
The duration of the performance is 3 hours 15 minutes. with one intermission.
"Crime and Punishment" is not quite a performance of a small dramatic theater, although it has all the branded signs of his style. This is a performance that was created by the forces of the young studio - graduates of L.B. Ehrenburg in Biiims (release of 2011) led by teacher, actor and director Vadim Skvirsky (familiar viewers on salty roles in the "three sisters", Luke in "On the bottom", Enrique - in "In Madrid, in Madrid!" And others .). In addition to new young actors in the play played and old-timers of NDT - Evgeny Karpov and Daniel Shigapov. It is painful, bitter, but at the same time - (as always in NDT) ironic and through the word funny story about finding landmarks, moral, spiritual, universal; about delusions and illusions; about freedom and love.
"The performance is very rich, and is truly funny. For the actors, you observe without breaking, they often react to each other, there are a single ensemble, young artists do not look "students" next to experienced Erenburg. You should write about every acting work separately, I want to disassemble every scene, I want to describe, fix, admire the actors and solutions (...). The genre of the play is indicated as "a lecture for consideration of somehow humanity." And we can say that, despite Irony, this task is performed. The amazing lecture on the powerlessness of words and ideas, about the power of life, about the "ridiculous and funny", in my opinion, really convinces, demonstrates his gaze on Dostoevsky in the best traditions of the Ehrenburg Theater, and "Somehow will poply", helps - if not everything Humanity, then the viewer of the small scene of the Baltic home. I want to sign up for the whole course of lectures. " Olga Izyumova, the blog of the Petersburg theater magazine
Diplomas and Prizes: An Independent Theater Prize of St. Petersburg "Bronze Lion" in the nominations: The best performance of small forms is "Crime and Punishment", the best male role - Daniel Shigapov (Raskolnikov), the best male role of the second plan - Evgeny Karpov (Pipfirya Petrovich), March 2014; IX International Youth Theater Forum "M.T.Contakt", Special Prize Specle "Crime and Punishment" - "Best Youth Performance" (Mogilev, Belarus, March 2014); IX International Festival of Student and Post-Ploma performances "Your Chance" (Moscow, May 2013). Grand Prix Speckle Vadim Skvirsky "Crime and Punishment".
Performance for spectators from 16 years.
Keywords: Crime and Punishment, 2018, Poster St. Petersburg, Ehrenburg Theater, a small dramatic theater, small dram Theater SPB, cost, ticket price, order tickets, buy tickets, address, how to get, cashier, contacts, billboard small dramatic theater, January, Feb
Performance - "Crime and Punishment"
Director - Vadim Skvirsky
Theater - Theater Studio is a small dramatic theater under the leadership of Lev Ehrenburg (St. Petersburg).
At the ninth festival "Your chance" in Moscow showed the play "Crime and Punishment" on the novel by F.M. Dostoevsky Theater Studio, a small dramatic theater (NDT) from St. Petersburg. The program to the spectrum is written that the performance was created on the basis of an etude material prepared in the learning process of the acting course L.B. Ehrenburg (release of 2011, Biims). Now the performance is already included in the repertoire of the NDT Theater Studio. The basic roles in the performance are performed by the former students of the course, some of which were adopted in the NDT theater-studio troupe, but two central, key roles are given to the leading (however, in NDT all leading artists) actors of the NDT Studio. Rodion Romanovich's role is performed by Daniel Shigapov, and the role of Petrophry Petrovich is performed by Evgeny Karpov.
Who is familiar with the work of Lion Ehrenburg and his theater knows that the theater has its own individual theater style. Style rigid, inquiring, meticulous, eaten, realistic, authentic, naturalistic. If you play a role, then do not play, but to live. If you fight, it is honest, to bruises and blood. If you love, then love to truly. The viewer should not be doubting in sincerity and honesty. Almost all performances of the NDT Theater Studio are played by the etuded method, i.e. There is no pass-through continuous action. The action unfolds and gains momentum from one etude to another. Someone like it, others on the contrary, such a style causes rejection and disappointment. The performances of the NDT Theater Studio are better to see it than a hundred times to hear them, in order to have their own opinion. And look at the NDT there is something, believe me.
After watching the play "Crime and Punishment", it is a feeling that the actor and director of the NDT Studio V. Scvirsky surpassed his teacher. But, alas, the born sensation is deceptive. The thing is that in his debut work V. Scvirsky invested himself, which is extremely commendable for the debut. I hope that the following performances in its production will be no worse than debut. The performance turned out to be strong, clear, built, played and logically finished.
Of course, it is clear that I wanted to say the director with my play. It can be seen that the novel "Crime and Punishment" is re-read and analyzed more than once. There are no passing scenes from the novel. Even the scene of the killing of the old woman is absent. The viewer will not have a question: why does this scene? The director selected consciously only those scenes, which in course the result are exposed to a logical chain of the performance.
The form of the performance is defined as a "lecture for consideration of somehow in all humanity." In the world of heroes of the novel of Dostoevsky spectators immerses the lecturer woman who knows and deeply understanding creativity not only Dostoevsky, but L. Tolstoy. These are her serious knowledge and help the audience to look at the novel on the other hand, i.e. To get away from the primary stereotypes of the school program.
The performance, first of all, is not a crime and punishment, but about the freedom of personality - in the actual and initial understanding of it. On relief from those ideas and words that interfere with being themselves - man. Kill false stereotypes. Still spcatle about the power of life. Raskolnikov went to this deliverance all the performance, trying to get away from the scene line of the novel. As he says: "As in the book - there will be no!". And the liberation occurred, but already in the final of the play at the Katorga. Raskolnikov saves the Sonechka from death, seeing a person in it. He arrives already as a person, saving her, giving her his clothes. Sonechka, sweetly falling asleep, recovering, lying on his side. The climax of lectures (performance) is universal liberation and worship. All the characters without exception.