School encyclopedia. The most famous paintings by Albrecht Dürer

Albrecht Durer was born in Nuremberg on May 21, 1471. His father moved from Hungary in the middle of the 20th century and heard the best jeweler. There were eighteen children in the family, the future artist was born third.

Durer from early childhood helped the dad in the workshop on jewelry work, and he laughed in his son high hopes. But this dreams did not come true, because the talent of Dürer of the younger manifested itself early, and the Father has come torturing that the child will not become a jewelry master. At that time, the workshop of the Nuremberg artist Mikhael Volhegemut was very popular and had an impeccable reputation, which is why Albrecht aged 15 years was sent there. Volgahemut was not only an excellent artist, but also skillfully worked on wood engraving, copper and perfectly handed over his knowledge to a truly student.

Having finished learning in 1490, Durer wrote his first picture "Portrait of the Father" and went on a journey in order to take skills from other masters and gain new impressions. He visited many cities of Switzerland, Germany and the Netherlands, increasing its level in the visual arts. Once in Colmar, Albrecht had the opportunity to work in the workshop of the famous painter Martin Schongauer, but he did not have time to meet with the famous artist personally, because a year earlier Martin died. But the amazing work of M. Schongauer greatly influenced the young artist and was reflected in the new paintings in an unknown style.

While in Strasbourg, in 1493 Durer receives a letter from his father, where he reported on the agreement of the marriage of his son on a friend's daughter. Returning to Nuremberg, the young artist played a wedding with Agnes Frey, a doctor's daughter, mechanic and musician. Thanks to the marriage, Albrecht raised his social status and could now have his own business, since the family of his wife was respected. The artist drew a portrait of a spouse called "My Agnes" in 1495. You can not be called a happy marriage, because my wife was not interested in art, but they lived to the very death together. The spouses were childless and did not leave the offspring.

The popularity outside of Germany came to Albrecht with copper and wooden engravings in a large number of copies when he returned from Italy. The artist opened his own workshop, where he published engravings, in the very first series of his assistant was Anton Coberger. In his native Nuremberg, Masters had more freedom, and Albrecht applied new techniques in creating engravings and began selling them. A talented painter collaborated with famous masters and performed work for famous Nuremberg publications. And in 1498 Albrecht performed xylography to the publication "Apocalypse" and received European fame. It was during this period that the artist joined the circle of Nuremberg Humanists, who headed Kondrat Thtchis.

After in 1505, Dürer was met in Venice and took respect of both honor, and the artist fulfilled the altar image of the "holiday of rosets" for the German church. When having acquainted here with the Venetian school, the painter changed his work manner. The creativity of Albrecht was very highly appreciated in Venice, and the Council offered money for the content, but the talented artist still went to his hometown.

The glory of Albrecht Dürer increased every year, his work was respected and recognizable. In Nuremberg, he acquired a huge house in Cissergass, in which you can visit today, there is a Dürer House-Museum. Having met with the emperor of the Sacred Roman Empire Maximilian I, the artist showed the two portrait of his predecessors drawn in advance. The emperor was delighted with the pictures and immediately made his portrait of his portrait, but could not pay on the spot, so I began to pay Durer annually a decent prize. When Maximilian died, the award stopped paying, and the artist went on a journey to restore justice, but he failed. And at the end of the trip, Albrecht fell ill with an unknown disease, perhaps with malaria, and suffered from the attacks of the remaining years.

Dürer worked for his last years of life as a painter, one of the important paintings is considered to be presented to the city council "four apostles". Researchers of the works of the famous artist come to disagreements, someone sees four temperaments in this picture, and someone is the response of Durer to disagreements in religion. But Albrecht took his thoughts in the grave about this. Eight years after the disease, A. Durer died on April 6, 1528 in the city, where he was born.

Albrecht Durer is a German painter and the famous European master of xylography, one of the greatest Western European Masters of the Renaissance era, was born on 21 May 1471 from the Nativity of Christ in the city of Nuremberg. At the time, when apple beds were flowing, and the smell of young greenery was spilled in the air, the next child and parents prayed to God were born in the family of Durers, so that he left him alive. Obviously, at this time the Great and Almighty was in a good location of the Spirit and left the blessing in the blessing baby, because of 19 children who made his mother Barbara Durer, in the end, survived only one.

It is very early to his vain, but a very purposeful father, and Little Albrecht himself, they realized that he would not be a master of the master and would not extend the father's case. The older Dureru was very much likely, because he spent almost half of his life to become a full-fledged citizen of Nuremberg, but he managed to consider in his son a tendency to understand the beautiful, so I gave him to study for the leading Nuremberg artist Michael Wolhemut.

Under the guidance of an experienced master, the young durer managed to master painting, but also craft engraving on wood and copper. After completing education, he went on a journey through the cities of Germany, and then further, to Switzerland and the Netherlands. This trip took four years that were very fruitful, because the young artist continued to cultivate in painting and art processing Engravings Returning to his native Nuremberg, young Albrecht married almost immediately and healed his home. However, even a young wife could not stop him from a trip to Italy, which he undertakes shortly after marriage.

Acquaintance with the art of famous Italians Manteny, Lorenzo di Credit, Polaimolo and other masters, made an indelible impression on Düreir and spur in him the desire to create himself. He returns to his hometown, full of intentions and plans, and the next decade of his creative life was the most rich and fruitful. In the period from 1495 to 1505, a significant part of the engraving was created, which were later recognized. In 1505, Durer once again visits Italy, it may be in the hope that this blessed edge of artists and musicians will once again nourish it with inspiration.

In 1520, he comes a trip to the Netherlands, where he infected with an unknown disease that will torment him until the end of life.

Durer - painter and schedule

For his not very short creative life, Durer left a rather rich heritage. His self-portraits, whom he wrote several in different periods of his life is very interesting. These works do not simply reflect the change of physical age and the growth of Dürer's skill as an artist, but fix the change in the worldview of him as a person.

The first self-portrait of Albrecht wrote aged 13. This is a very simple drawing with a silver pencil of a sensitive young man. On the next "self-portrait with a carnation" for 22 years. This is a young man in silent clothes with well-kept hair and openly looking, a bold look inherent in youth. After five, another "self-portrait" appears. On this canvas Durer - a successful person who managed to grasp "Fortune". Here he reminiscent of a rich bureager than artisan or a person of art.

In 1500, Durer writes the famous "self-portrait in the image of Christ". Here, instead of ordinary self-confidence - the sobriety and straight is a rich personality intelligence, in the image of Christ the artist is trying to express the idea that in his craft he is akin to God.

During his stay in Venice, Durer creates one of the most beautiful pictures, "holiday ropes". Her plot is taken from mystical spiritual practice, which was preached by the monks from the Dominican Order. They believed that reading the prayer with the help of a string helps the believers of Catholics penetrate not only mentally, but also spiritually. Only instead of beads that are used in other religions, the monks-Dominicans represent wreaths of scarlet and white roses. It is this moment that the artist depicts. The picture causes a feeling of joy, holiday. This is one of the best images of the Virgin Mary with an infant Jesus.

The ruler of Venice offered Dürer to stay in the service, promising a worthy remuneration for his art, but the artist returned to his homeland, where he met old age and death on April 6, 1528.

• Few people know that the last years Durer was fond of improving the defensive fortifications of cities and castles, and it belongs to the authorship of a new type of fortification, which he called Baste, or Bastion.

Durer Albrecht (1471-1528) -

german artist

Albrecht Durer. Self-portrait at 26, 1498

Born on May 21, 1471 in Nuremberg. First, the young man of jewelry was trained by his father, and in 1486 he entered the picturesque workshop M. Volhegemut, where he took the principles of late Gothic. Work performed by Durer during the years of training travels at the Upper Rhine (1490-1494), typical of German art XV century, who combined the features of Gothic and Renaissance.

Visiting Italy (1494-1495 and 1505-1507) and the Netherlands (1520-1521) increased the interest of Durer to science. He inlent into nature and developed the doctrine of proportions. In addition to the huge number of fine works, Durer left a large theoretical heritage ("Manual for Measurement", 1525; "Guide to strengthen cities", 1527; "Four books about the proportions of man", 1528). The artist works a lot on the scenery ("Type of Trinity", Watercolor, 1495; "House of Pond", watercolor, about 1495-1497).

Its compositions are clear, logical and accurately worked.

("Dresden Altar", about 1496;

altar Pumengers, 1502-1504;

"Worship of Trinity", 1511). In the "worship of the Volkhvov" (1504), it uses the coloristic achievements of the Venetian school. But, unlike the emotional Italians, Dürer on Gothically tough and detailed.

In a series of engravings on the "Apocalypse" tree (1498), he turned to the topic of the world, the presentation of the time of change. In subsequent cycles - "Large Passions" (about 1497-1511), "Life of Mary" (about 1502-1511), "Small Passions" (1509-1511)., "Saint Eustiatry" and "Nemesis "(1500-1503) - the skill of Durer reaches perfection. But the so-called workshops of Engraving 1513-1514 are considered to be the top of his work. ("Horseman, Death and Devil", 1513; "Melancholy", "Holy Jerome", both 1514).

Durer a lot of time devoted to the study of a naked figure, his interest in the anatomy was scientific and embodied in copper engravings

(Adam and Eva, 1504).

It uses in engravings and traditional motives of people's life ("Three Peasants", about 1497; "Dandy peasants", 1514). Also, the durer is also suitable for a portrait ("Portrait of the Father", 1490; "Women's Portrait", 1506; "Portrait of Mother", 1514; "Portrait of a Young Man", 1521; "Portrait of Erasma Rotterdam ", 1526).

In 1526, the artist creates the last work - a picturesque composition-diptych

"Four Apostles"

Durer won an honorary position in his hometown, fame in Germany and abroad. He was friends with the most prominent scientists, received orders from the emperor, princes and rich burghers.

Pictures of Albrecht Dürera

Albrecht Durer - Nursing Madonna

Madonna with a baby holding a pear half

Madonna and Child (Haller Madonna), c. 1498, Oil On Wood, 50 x 39 CM, National Gallery of Art, Washington

Albrecht Durer __ "Holiday wreaths from roses" or "Christmas holiday" / Fragment / (Rosenkranzfest) _ 1506

Martyrdom of ten thousand Christians

Worship of St. Trinity

ADORATION OF THE MAGI, 1504, OIL ON WOOD, 100 X 114 CM, Galleria Degli Uffizi, Florence

The Seven Sorrows of The Virgin Mother of Sorrows / Seven Sorrow Mary, Central Part, Grieving Mother

Portrait of Johann Cleberger

Portrait of Venetian

Portrait of Emperor Maximilian I

Portrait of a male on a green background.

PORTRAIT OF ELSBETH TUCHER

Head of women.

Virgin and Child Before An Archway

Portrait of a girl with braided hair

Portrait of Barbara Dürer

PORTRAIT OF A MAN WITH BARET AND SCROLL

PORTRAIT OF A Young Fürleger with Loose Hair, 1497, Oil On Canvas, 56 x 43 CM, Städelsches KunstInstitut, Frankfurt

Portrait of an unknown in the Red Mantle (St. Sebastian)

Albrecht Durer is a multi-faceted master, a real universal person who is considered "Northern Leonardo da Vinci."

He showed himself in painting, drawing, engraving, exlebris, stained glass. Durer received fame as a mathematician (first of all, a geometer). He performed three famous wood engravings, with the image of the South and Northern Hemispheres of the Star Sky and the East Hemisphere of the Earth. Created several treatises that were the first in the north of Europe by works dedicated to theoretical systematization of knowledge of art. Created the work "Guide to the measurement of a circulation and a ruler", intended primarily for artists. In the last years of his life, Albrecht Dürer paid a lot of attention to the improvement of defensive fortifications, which was caused by the development of firearms.
In the field of printed graphics, Durer also did not know equal - he was recognized as a European-level master in the field of xylography.
Albrecht Durer (1471-1528) - German painter and schedule, one of the greatest masters of the Northern Renaissance.

Albrecht Durer. Self-portrait (1500). Old Pinakotek (Munich)

Early years and youth

A. Durer was born in Nuremberg in 1471 in the family of Jewelira from Hungary Albrecht Dürer. There were 18 children in the family. Albrecht Jr. was the third child and the second son in the family.

A. Durer. Barbara Dürer, nee Holper, artist's mother. German National Museum (Nuremberg)

A. Durer. Albrecht Durer Senior, Father of the artist. Uffizi (Florence)

Initially, Durers filmed half the house at the lawyer and the diplomat Johann Pirkheimer. His son, Johann Willibald, became one of the most enlightened people in Germany, Dürer was friends with him all his life.
Albrecht attended Latin school. Jewelry did not attract him, he chose painting. At the age of 15, Albrecht entered the workshop of the famous Nuremberg artist of the time Michael Wolgemut. There he also mastered the wood engraving.

Travels

In 1490, Dürer's travel began, the purpose of which was the acquisition of skills from the masters of Germany and other countries: Switzerland, the Netherlands. In Alsace, he mastered the technique of copper engraving from Ludwig Schongauer. In Basel, he worked at Georg Schongauer over the creation of a new style book illustration. It is assumed that the Durer took part in the creation of famous engravings on the tree to the "ship of fools" Sebastian Brant.

Illustration of A. Dürera

In Strasbourg, A. Durer created his "self-portrait with Chertopolok" (1493) and sent it to his hometown.

Perhaps this self portrait marked the beginning of a new stage in the artist's personal life and was intended as a gift to his bride, because In 1494, he returned to Nuremberg and soon married her father's daughter, a medical doctor, musician and mechanic, Agnes Frey.

A. Durer. Agnes Dürer. Figure Feather (1494)

The social status of Durera rose with marriage - now he had the right to make his own business. But the family life of the artist was not happy because of the difference in the characters and views of the spouses. They did not have children.
In 1494, Dürerge went to Italy. And in 1495, he opened his own workshop in Nuremberg and over the next 10 years he was engaged in engraving. Later he was engaged in engraving on copper. Durer created 15 xylography for the book "Apocalypse". They brought them European fame. Illustrations and other works were created, including ancient authors.
In the last decade of the XV century. The artist created several picturesque portraits and self-portrait.

A. Durer. Self portrait (1498). Prado Museum (Madrid)

In 1502, his father died, and Albrecht took care of the mother and the two of his younger brothers (Endres and Hans).
In 1505, Dürerge went to Venice and stayed there for 2 years. He met the works of artists of the Venetian school, and this had an impact on his picturesque manor. A special impression was made on him paintings by Giovanni Bellini.
Further, the artist visited Bologna, Padua, Rome.

Dürer House Museum

Returning to Nuremberg, Dürer bought a house in Cissergass, currently this is the Dürer House Museum.
By order of the Nuremberg merchant Mattias Landauer, he wrote an altar "Worship of the Holy Trinity".

Altar Landauer (1511). Museum of Art History (Vienna)

But his main efforts were aimed at improving engraving skills, and from 1515 - etching (variation of engraving on metal).
From 1512, the chief patron of the artist becomes Emperor Maximilian I.

A. Durer "Portrait of Maximilian I"

Durer begins to work on his orders: performs the "triumphal arch", engaged in monumental xylography (3.5 m x 3 m) composed of penetrations from 192 boards. The grand composition in honor of Maximilian was intended to decorate the wall. The ancient Roman triumphal arches served as a sample for her. In 1513, he, together with other artists, took part in the illustration (drawings of the pen) of one of the five copies of the "prayer room of Emperor Maximilian."

Page from prayer room

In 1520, the artist, together with his wife, traveled to the Netherlands. Here he worked in the genre of a graphic portrait, met with local masters and helped them in work on the triumphal arch for the solemn entry of Emperor Charles. In the Netherlands Durer, the famous artist, was everywhere welcome guest. Magistrate Antwerp even wanted to keep it in the city, offering annual content in the amount of 300 guilders, a house as a gift, support, payment of all its taxes. But in 1521 Durers returned to Nuremberg.

last years of life

In the last years of life, Durer worked a lot like a painter. One of the most important paintings of the last years - Diptych "Four Apostles", which he presented to the city council in 1526. It was his last work. In the Netherlands, Dürer fell ill with an unknown disease - perhaps it was malaria. From the attacks of this disease, he suffered until the end of his life. Until recent days, Durer prepared his theoretical treatise on proportions to the press. Albrecht Durer died on April 6, 1528 in his native Nuremberg.

Artistic Creativity Albrecht Dürer

Painting

Painting Durer dreamed of engaging since childhood. His scenic work is distinguished by non-standardity of thought, constant search for expression.
Being in Venice, the artist created the painting "Christ among teachers" (1506).

Board, oil. 65x80 See Tissén Borneis Museum (Madrid)

Durer in this picture depicted the plot from the Gospel, telling about how Joseph, Maria and 12-year-old Jesus arrived in Jerusalem to celebrate Easter. When the time came home, Jesus remained in Jerusalem. Three days of concerned parents were looking for him and, finally, found in the Jerusalem temple for a dispute with scientists: "Three days later, they found him in the temple sitting in the midst of teachers who listen to them and asking them; All those who had listened to him were reasoned and answering it. "
The artist refuses to detail and, depicting a close-up of the face of the wise men and Christ, makes you feel "the voltage of the dispute." In the center of the composition - the hands of Jesus, leading the score of their arguments in conversation, and the hands of one of the teachers, testifying to "nervousness and embarrassment". This sage is a bright caricature appearance, which gave rise to multiple interpretations. There is an assumption that Durer illustrated the theory of four temperaments underlying human characters.
He created a lot of altar images.

Altar Geller (1507-1511)

"Altar Geller" ("Altar Ascension Mary") - the altar image in the form of Triptych Albrecht Dürer created together with Matthias Grünevald for the request of Patricia Jacob Geller for the Church of the Dominican Monastery in Frankfurt am Main. Part of it is preserved only in a copy made in the XVI century. Artist Iobst Harrich.

Albrecht Durer "Four Apostles" (1526). Butter. 215x76 cm. Old Pinakotek (Munich)

The picture (diptych) consists of their two vertical narrow flaps, fastened with each other. On the left sash, the apostles John and Peter are depicted, on the right - Mark and Paul. Apostles are in the same space, stand on one floor. Composite and spiritually they are one. Durer creates an artistic example of human characters and minds, fixed in high spheres of spirit - this is the presentation of the master about such a person as he should be.
The picture of Durer gave his native Nuremberg, she was in the town hall's hall, where the most important affairs of urban self-government was solved. Maximilian I demanded sending a picture to Munich.
In the mature age, Durer worked a lot over the portrait and continued the tradition that pretended in the painting of Northern Europe: the model was depicted in a three-hard turn on the background of the landscape, all the details were worked out very carefully and realistically.
With the name of Durera, the formation of the North European autoportist as an independent genre is connected.

Pictures of Albrecht Dürera

Durer as an artist most revealed precisely in the figure, because His picturesque works mostly depended on the arbitrariness of customers, and in the figure it was free.
About a thousand Dürer drawings, including his student work, have survived. The artist's drawings depict landscapes, portraits, sketches of people, animals and plants. Animalistic and botanical drawings are marked by observation, loyalty to the transfer of natural shapes of the object of the image.

A. Durer "Zayats". Paper, watercolor, gouache, bleel. 25.1х22.6 cm. Albertin Gallery (Vienna)

Graphics of Albrecht Dürera

After entering the light of Apocalypse, Durer became famous in Europe as a master engraving.
Albrecht Durer created 374 xylocraviors and 83 copper engravings. Printing schedule has become the main means of earnings. In addition to traditional biblical and new antique, Durer developed in engraving and household plots.
The masterpiece of the cutting engraving on metal is read by the Engraving Dürer "Adam and Eve" (1504).

A. Durer Adam and Eve (1504)

In 1513-1514 Durer created three graphic sheets, masterpieces of the cutting engraving, which included in the history of art called "Workshops Engravings": "Knight, Death and the Devil", "Holy Jerome in the cell" and "Melancholia".

A. Durer "Melancholia". Copper, cutting engraving. 23.9x18.8 cm. State Hermitage (Petersburg)

"Melancholy" is considered one of the most mysterious works of Durera, it stands out by the complexity and non-obvious idea, the brightness of the symbols and the allegories.

Albrecht Dürera exjibrisa

Exlimbars - Bookmark certifying the owner of the book. Exclibris is pasted or stamped on the left head of the book.
In total, 20 exlebris of the authorship of Durera, from them - 7 in the project and 13 ready-made. The first exjibris Durer did for his friend, writer and Bibliophile Willibald Pirkheimer. Own exlebris with the emblem of Durers, the artist performed in 1523. The image of an open door on the shield indicates the name "Durer". Orline Wings and Black Leather Men - Symbols of South Herametric Heraldry; They also used the Nuremberg family Durer's mother.

Coat of arms of Albrecht Durera (1523)

Durer was the first artist who created and used his coat of arms and the famous monogram (a big letter A and inscribed in it), later he had many imitators.

Monogram Dürera

Stained glass windows Albrecht Dürera

It is not known whether Durer took a personal part in the works on the glass, but there are many sketches for their sketches.

"Moses, receiving ten commandments." Stained glass window in the drawing of Albrecht Dürer for the Church of St. Jacob in Straubing (1500)

Albrecht Dürer was a famous mathematician (geometer), made up a magic square: located numbers from 1 to 16 so that sum 34 is obtained not only when they are added vertically, horizontally and diagonally, but in all four quarters, in the central four-brief and even The addition of numbers of four angular cells. The sum of any pair of symmetrically located relative to the center of the square of numbers is 17.

Magic Square Dürer (fragment of his engravings "Melancholy")

Albrecht Durer (1471-1528) is a German engraver and painter, one of the largest masters of xylography.

Childhood, family

One of the greatest artists of Renaissance was born on 21 May 1471 in Nuremberg. His father was a jeweler who moved to Germany from Hungary. Hungarian surname Auntosh (Weng. AJTO - "Door") Albrecht Dürer Sr. translated into German as Türer, later she was transformed into Dürer. His mother Barbaru Holper The future artist described as a pious woman who tried to punish his children often and diligently. In the family of Durers, 18 children were born, but survived only 8. Albrecht was the third child.

Study

In 1477, Albrecht began to attend Latin school. In addition, the father taught his son jewelry. Nevertheless, Albrecht decided to engage in painting. As a teenager, he wrote his self-portrait (1484) and "Madonna with two angels" (1485). When Albrecht turned 15 years old, he began learning from the Nuremberg artist M. Volhegemut. In his workshop Durer studied painting, as well as engraving on copper and wood. According to art historians during this period, he worked on some engravings for the "book Chronicles" H. Shedel. In particular, over the gravury, known as the "Dance of Death".

According to tradition, the study was supposed to end the journey to which Durer went in 1490. Albrecht Dürer's student ride lasted about 4 years. During this time, he visited Switzerland, Germany and the Netherlands. In 1492, Dürerge was delayed in Alsace, where she worked in the workshop of Schongauer for some time. He then moved to Basel. Here he participated in the creation of engravings to the "ship of fools" S. Brand. For some time, Durer spent in Strasbourg, where he created his "self-portrait with a thistle" (1493). The last creation was a gift for the bride Dürer.

Engraver

1495 - Durer opens his own workshop in Nuremberg, where he creates most of his engravings. He tried a lot of new techniques in the technique of engraving and opened the sale of the first prints

1498 - The book "Apocalypse", for which Durer made 15 xylography. The latter brought him wide fame.

1500 g. - Appeared the book "Passion of St. Brigitta. " For her Durer performed 30 engravings. During this period, he also joins the Nuremberg Humanists, whom Konrad Thttis was headed.

1501 - Durer engraves published by Thtchis "Collection of comedies and poems" Rosvita.

1504 - creates Engraving "Adam and Eve", which is considered one of the masterpieces of the cutting engraving on the metal.

1507-1512 - Performs a series of religious engravings "Small Passions", "Large Passions" and "Life of Mary".

1512 - the Emperor Maximilian I. The Emperor Maximilian I. Dürer was participating in the work on the Triumphal Arch, monumental xylography, which was made to order the emperor.

1513 - takes part in the illustration of the "prayer room of Emperor Maximilian." In 1515, the emperor appointed Albrecht Dürer lifelong pension.

1513-1514. - Creates 3 graphic sheets, which in the history of art are known as "workshops of engravings": "Saint Jerome in the cell", "Knight, Death and the Devil" and "Melancholia". The last engraving became famous thanks to the "magical square" shown in its background.

1515 - performed 3 engravings depicting the cards of the Northern and South Hemisphere of the Starry Sky and the East Hemisphere of the Earth.

1515-1518. - Begins to work in the new technique - etching. Dürer etching are made on iron boards.

Durer made a lot of effort to achieve mastery in engraving, considering it in a true way to material well-being and recognition. He was the first German artist who simultaneously worked in both types of engravings - on honey and on the tree. The realization of the Durer engraving was engaged in his mother and wife. His engravings could often be found at Nuremberg fairs, Augsburg and Frankfurt am Main. In addition to engravings at the beginning of the XVI century, Dürer works on exjibris. At the moment, 20 exlebris created by him is known. The first exjibris Albrecht Durer made Willibald Pirkheimer for his friend.

Painter

1494-1497 - Created a portrait of the Saxon Kurfürst Friedrich III.

1498 - wrote his self portrait.

1499 - created a portrait of a trade agent O. Cherrel and his father.

1500 G. - FRIDRICH III Polypties "Seven Sorrow" for the Kurichurst Saxony

1504 - to order said Saxon Kurfürst, wrote a picture of "Waughs".

1505 - staying in Venice, commissioned by German merchants, he fulfilled the picture of the festival of wreaths from roses. Durer believed that it was this work that made many of many recognize him not only with an engraving, but a painter.

1506 - Durer returns to his native Nuremberg.

1509 - elected a member of the Big Council of Nuremberg.

1511 - to order a merchant Mattias Landauer writes an altar "Worship of the Holy Trinity".

1518 - Durer represents Nuremberg on Reichstag in Augsburg. Here he writes portraits Yakova Fugger, Maximiliana I and other well-known participants in the congress.

1526 - Durer creates the "Four Apostles" diptych.

Personal life

In 1494, Durer married the will of his father. Agnes Frey took place from the old Nuremberg family. Until the wedding day, the young people did not see. Although Durer sent his bride his self portrait. By marriage, the artist referred without much enthusiasm, although the will of the Father did not oppose. After all, only a married artist was considered the master according to the rules. Immediately after the wedding, Durer went to Italy to improve his skills. Spouses had no children. According to Durer, the real artist must protect himself from women: "Do not live with them together, not see them and not even touch."

Albrecht Dürer died on April 6, 1528 from the liver disease. He was buried at the Nuremberg Cemetery "Johansfridhof" near the grave of his friend V. Pickhaimer.