Shcherbakov, Mikhail Konstantinovich. Biography New records of old songs

27.09.2020

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Mikhail was born in Obninsk. He studied in the fourth Obninskaya school and graduated from 1980. Already in the eighth grade, as Shcherbakov says, he began writing serious songs. In the last grade, he began to make the first records, as there was always the need to listen to himself from. To his surprise, all records were instantly separated.

In those years, a beginner bard has not been able to work on a word, moreover, it did not consider it necessary. He does not remember his early songs, never fulfills, although in that period they were written more than a hundred songs.

His company surrounding him was quite serious. It is these people who were inspired by Mikhail to start learning academic wisdom. It was they who were given to understand the novice bard that his none of them would be perceived seriously and would not communicate with him on equal until he finished the university. Where exactly do, Shcherbakov was still. The best among all was considered MSU. That's where Mikhail went. An important for him was also the fact that this university was not far from the Kiev station. For him, as for arriving, this factor was a value. He was nineteen when he became a student of Moscow State University, enrolling at the Faculty of Philology. The diploma was received by Shcherbakov 1988. Bard remembers what he studied without differences. Study at the university has affected him positively, since at that time he read a lot.

Home Career Singer Mikhail Shcherbakova

After the end of Moscow State University, Mikhail Shcherbakov became a professional executive author. He began to perform at concerts. Sometimes it was solo performances, sometimes - along with Mikhail Starodubtsev. With the same Starodubtsev, they made records.

All my life, this poet and the performer earned exclusively literary labor. Although immediately after Moscow State University, he worked in the position of the artistic director of one of the music teams, and he does not want to remember what it does not want to remember.

The genre in which Shcherbakov works, he himself calls just a "song", without going into such concepts as "author's song" or "self-made song".

The word Bard to Shcherbakov is not very applicable, it is "narrow" for him. It is more correct to call it a poet, which serves as poetry. He understands his occupation as a kind of mission, refers to him with full responsibility, putting forward high quality requirements.

Scherbakov began very early and immediately powerfully. Already in his first songs it became clear that this is a talented author and performer. Since he did not start any of the bards. Mikhail argued his identity, his topic and his own intonation. These topic and intonation turned out to be clear and close to the eighties, since their inner world is expressed in his songs, it is possible to say the world if not a whole generation, then a considerable part of it.

Mikhail Shcherbakov - Trumpeter

Mikhail Shcherbakov - the established bard, verses and music of which are not bare. He found his audience that continues to expand.

Shcherbakov never gives an interview, believes that journalists invade his personal life. Because of this, little is known about some of his views on some things and events, about some details of life. Julius Kim responds about Shcherbakov, as an assertive and convincing bard. Bulat Okudzhava said that this bard has prospects. And Alexander Dulov was surprised that with such complex verses at Shcherbakov a huge number of admirers. His creativity continues to cause hot spores. Opinions about it are different, up to the opposite.

Shcherbakov repeatedly said that he began to write, being influenced by Kim. Some early poems are clearly confirmed.

Mikhail Shcherbakov - Cherry Jam

I must say that in the eighties with his work, all intellectual youth was familiar. He himself, he never introduced any community, did not participate in contests or festivals. His topic is the meaning of life, love and death. The text of his songs is impossible to retell shorter than the author wrote, and its melodies are practically impregnated.

Mikhail Shcherbakov Currently

Scherbakov constantly explores and explores Russian, as well as the features of his sound, all this is reflected in the sound of poems. For example, he likes how Jamb sounds, it is when he sing him, but not say. We can say about the work of early Scherbakov that he was focused on Russian classics, on its shaped row and theme. In later essays, this connection with Russian classics is more noticeable, Chekhov's sadness, and Tolstovsky removal are heard in them. Moreover, Scherbakova's language is a bit to innovations, he is rich in the exquisite archaic turnover of the past and the last centuries.

It can be said that the style of Shcherbakov focuses on the plasticity of the imagination and demonstrating the wealth of the language. Songs of this bard may seem difficult to perceive, but could they be so popular if they were too complicated.

Personal Life Mikhail Shcherbakova

Shcherbakov lives and writes in Moscow. It is known about his personal life to be extremely small, as the poet himself refuses the interview.

Mikhail Konstantinovich himself devotes himself to writing poems and everything. It can be called one hundred percent bard, as in life is his only occupation.

Biography

Speakers at concerts solo (with an acoustic guitar), or with the participation of Mikhail Starodubtsev (acoustic guitar, piano, back-vocal), with which it collaborates since 1981. All records are also made with the participation of Starodubtsev, mainly under the synthesizer (from the mid-1990s ). Scherbakov sometimes takes part in the records and concerts of Julia Kima.

Discography

License albums

They went out in the first half of the 1990s only on cassettes, almost all the material was subsequently overwritten and published on CD:

1 - songs 1981-1985, record 1985
2 - songs 1983-1986, recording of the early 1990s
3 - songs 1987-1990, recording of the early 1990s
4 - songs 1989-1990, early 1990s
5 - songs 1991-1993, records of the mid-1990s
6 - songs 1989-1994, records of the mid-1990s
7 - Songs 1993-1994, Posts of the mid 1990s
8 - songs 1982, 1990 and 1994-1995, records of the mid 1990s

Albums of the mid 1990s

Cherry Jam (1994) - Songs 1983-1988, recording 1990 (© GP Melodia), acoustics
Other Life (1994) - songs 1986-1994, records 1993-1994.
Balagan 2 (1996) - songs 1983-1993, recording 1996 (© "Output"), acoustics
City City (1996) - Songs 1993-1995, records 1994-95.
This should happen (1996) - songs 1986-1994, records 1992-1995.
Spell (1996) - songs 1982 and 1989-1995, records 1992-1995.
I erected a monument (1996) - songs 1985-1991, record 1996
Whole summer (1997) - songs 1995-1996, record 1996

Most of the material of these albums was subsequently overwritten or reissued on other albums.

Albums with new material (under the synthesizer)

False step (1999) - songs 1997-1998, recording 1998
Déjà (2000) - songs 1998-2000, recording 1999-2000.
If (2003) - songs 1999-2002, recording 2002
District center (2006) - songs 2003-2005, recording 2005
Alien music and not only
- part 1 (2010) - Songs 2006-2010, Record 2008-2010. with 5 bonus tracks (from the album "if")
- part 2 (2013) - Songs 2006-2013, Writing 2013 with 4 Bonus Tracks (3 - from the album "If, 1 - new)
- part 3 (2015) - Songs 2006-2015, Record 2015 with 7 Bonus Tracks (all those who remained not reprinted from the album "If")
Horticulture (2017) - songs 2010-2017.

Archive entries

Chanson (1999) - songs 1981-1983, records 1983-1985, released Igor Gryzlov (as noted on a disc cover - with the consignment of the author)
Ark tireless 1 (2001) - songs 1983-1990, records 1987-1990, acoustics
Ark tireless 2 (2001) - songs 1983-1990, recording 1990, acoustics
Balagan 2 (2001), reprint of the album "Balagan 2" (1996) with Bonus Track (6 songs, record 1996)

New records of old songs

(under the synthesizer, except for the album "Favorites, part 2")

Favorites, part 1 (1999) - songs 1982-1996, record 1999
Favorites, part 2 (2000) - songs 1983-1999, recording 2000, acoustics
Once (2002) - a new version of the album "City City", with a changed order of songs and a bonus track (1 song), records of 1999 (from the album "Favorites, part 1") and 2001
On foot from the east (2004) - songs 1982-1995, records of 1999 (from the album "Favorites, part 1") and 2003
Suppose (2004) - songs 1982-1995, records 1999 (from the album "Favorites, part 1") and 2003
Whole summer (2005) is a new version of the album, records of 1999 (from the album "Favorites, part 1") and 2004-2005, with bonus tracks (3 instrumental compositions converted from songs 1980-1984)

Collections

In 2003, a collection of Scherbakov was released in the Russian Bards series, compiled from records from the albums "Favorites, Part 1", "Once", "false step", "Déjà".

Stages of a creative path

1978-1981 - more than 100 songs were written, most of which the author considers "non-existent." In his current repertoire, these songs are usually not included.
1982-1988 - about 100 songs are written, 80 of them were subsequently published on CD, about 20 songs of this period The author continues to perform at concerts, sometimes apologizing about the imperfection of texts; There are about 10 poems of this period who did not become songs.
1989-1995 - about 130 songs are written, 128 of them published on CD; The books "Cherry Jam" were released, "no and there was no poison" (both 1990), "Other Life" (1996).
1996-2005 - written and published (by spring 2006) 80 songs; New records are also published about 120 previously written songs.
2006-2011 - 18 new songs were written and filled at concerts, of which 11 entered the album. The book "Thirteen Discs" (2007).
2012-2017 - 27 new songs performed at concerts with different frequency and released on CD are written.

Criticism

I especially flatter me mention next to Shcherbakov, which I consider unconditional genius, the main phenomenon in modern Russian poetry, without any discounts on the genre. He may not be a song, but it was poetry that moved forward, inventing his insane aspect, and he only helped the guitar. True, I do not think that we have direct similarities,<...> - But if there is, it is happiness.

The man was conceived in the calculation of difficult times, in the calculation to be the best border in Russia ... But then Russia turned out to be unclear what, and bards became incomprehensible than. And Shcherbakov here chose such a way - it goes into some very distant spheres, very bravely experiments with a meter and rhythm. Yes, he has a lot of failures, but nothing can be done - a person develops.

The fact is that the word "bard" to Mikhail Shcherbakov, oddly enough, is not so easily applicable as many of the names already listed by me. The word "Bard" is a little bit narrow for him. Of course, first of all, this is a poet. And his attitude to business is called very high and very much, it seems to me, the exact word: "ministry".<<...>\u003e This is more than the poetic need to write poems and songs. This is the concept of his business as a certain mission, with a very high responsibility and with a very high demand for the quality of this case. That's what, it seems to me, distinguishes Misha from the general brotherhood of bards.

Lucinal, Oh, Lucked Mikhail Shcherbakov - Simply His songs, simple and understandable. And the fact that his words are folded, too, understandable and quite simple. It only seems that Sherbakov's songs are complicated - they would have been difficult, there would be such a loud and terrible popularity of this, in general, quiet genius. It seems that the rhythm of his verse is complicated - see how easy it is to track, followed by imitators, how easily adopt lovers of his songs ...

One and a half decades ago, his guitar clearly and clearly stated that the author's song had not only a glorious past - Vysotsky and Victor, not only the present continued - Kim and Ivasi, but also a brilliant future.

It was Shcherbakov that the future was headed, and it was his "cherry jam" Bulat Okudzhava called the new classic of the author's song.

It is believed that the decisive influence on the creative Manner Shcherbakov was given Vysotsky and Kim. Having touched the impudence, I note that the semantic load does not carry this approval - as, however, any "shared place". For everyone who listened and heard their songs, Vysotsky and Kim had a decisive effect. In the work of Shcherbakov, the dashes inherent in the songs of Vysotsky, I, honestly, I do not see at all (Vysotsky, as a rule, had an impact on people more personally-forming than song-forming). But with the songs of Kim, Shanson Shcherbakova is at least one very significant overall feature - absolute freedom of text and melody.

And Julius Chershanovich, and Mikhail Konstantinovich are amazingly incompatible with whatever they are common and, without Bearing this word, generally accepted schemes. However, if the kim's neglect of stereotypes is expressed in speaking and underlined drama of his songs (rhyme is not being danced - yes, it is in fact! Normal people still say prose), Shcherbakova has this freedom to the absolute discrepancy and relaxation of the fencer, flawlessly Putting a sword. The sharp and irreversible change of the melody, the hot flick of the poetic size, the inexplicable metamorphosis of the lyrical hero - and all this right in the middle of the song ...

Maybe precisely because of this indescribable grace of Shcherbakov and is considered "difficult"? Throw if his song, his poetics and melody from the first execution take almost any audience, what kind of complexity is it? ..

Special beauty, slimness and simplicity to the texts of Shcherbakova gives a complex rhyme. Rhyme intrachno, for example.

Best days

And, whatever the fault wherever the warlord led,

Wait how much water, how much trouble is ...

Rhyme paradoxical and composite:

A La Guerre Comme A La Guerre, yes.

Let Gerd pay.

And from these tears let

Grow roses bush ...

By the way, there was another great bard who voted with rhyme, played with her at hide and learning, - Leonid Semakov. Other lines of Shcherbakov were built almost in Semakovsky Pekals - but, God, how different the intonation of these authors is a frank mockery challenge against the cold grace of Estet! No, no, I regain again - no comparison, the author's song is good, which is diverse.

By the way, the popularity of Shcherbakov in the environment of fans of the author's song gave rise to a phenomenal situation - his songs are literally "monopolized" this environment, they sing almost exclusively Shcherbakov. Even a tip-protest appeared: "To sing to us, only so not Shcherbakov ..." I myself, hitting the nineties for the charm of these songs, almost abandoned my own creativity and switched to the performance; Sherbakov's songs pulled in my repertoire of interest on eighty. It was a creative almost death. In order to break out from under the influence of the author "Trubach", I had to finally write a song a la Shcherbakov:

I was not a liar - but I was afraid of truth,

And, preferring to serve some strangers,

I forgot me bitter ballads

And sang someone else's dead heads ...

Despite the fact that the whole song from the beginning to the end was imitated, I like it so far - maybe, just because of the similarity of Shcherbakovskaya. And - this is healing like this - then I managed to make immense admiration for the songs of Shcherbakov a little less global, and instead of almost the only one he again became one of many.

Here you are laughing - and for me it was a real victory. Exit from dependence, finding freedom.

Learn to my experience. Do not let the genius be brought over you - dispersed ...

In general, the widest popularity of Shcherbakov records - it is records, that is essential! - I am glad to extremely. During the time when television monopolized the information environment, at times, momentaryness and caries reign in times, when eighty percent of traffic is porn, - in these troubled times, it turns out, it is possible to be the ruler of the DUM due to tape recorders and players.

Maybe this is a sign of what is possible and quite "other life" ...

# # # #

Mikhail Shcherbakov songs
Natalia. 31.12.2019 05:56:51

I completely accidentally heard the name of Mikhail Sherbakov from a stranger and from the hunger of the auditory and the spiritual listened to his songs. And everything ... disappeared for everything else for a year and a half ... After all, this is a special world, where the word reigns (that for me the main thing in the song) and there is no like that! I love Veronica Valley - so exactly, in a feminine, only she could talk with the female part of my personality, but Mikhail Konstantinovich delivered inexplying pleasure to my intellect, my spirit and a very Russian soul. The originality of the genius and at the same time, such a deep and heavenly relationship with the geniuses of our great literature of the left geniuses and the geniuses still unbounded ... Lord, thank you, the merciful, for giving us this miracle - Slovo.

`Yes Nor a word in simplicity ...`

It was Shcherbakov that the future was headed, and it was his "cherry jam" Bulat Okudzhava called the new classic of the author's song.

Special beauty, slimness and simplicity to the texts of Shcherbakova gives a complex rhyme. Rhyme intrachno, for example.

And, whatever the fault wherever the warlord led,

Wait how much water, how much trouble is ...

Rhyme paradoxical and composite:

A La Guerre Comme A La Guerre, yes.

Let Gerd pay.

And from these tears let

Grow roses bush ...

I was not a liar - but I was afraid of truth,

And, preferring to serve some strangers,

I forgot me bitter ballads

And sang someone else's dead heads ...

Here you are laughing - and for me it was a real victory. Exit from dependence, finding freedom.

Learn to my experience. Do not let the genius be brought over you - dispersed ...

Maybe this is a sign of what is possible and quite "other life" ...

# # # #

Shcherbakov, Mikhail Konstantinovich

basic information
Mikhail Konstantinovich Shcherbakov

Date of Birth
Country	Russia
Professions
Genres

Mikhail Konstantinovich Shcherbakov (R. March 27 ( 19630327 ) , Obninsk, Kaluga region, RSFSR, USSR) - Russian poet, author and artist songs.

Biography

Discography

License albums

They went out in the first half of the 1990s only on cassettes, almost all the material was subsequently overwritten and published on CD:

1 - songs 1981-85, record 1985
2 - songs 1983-86, early 90s
3 - songs 1987-90, recording of the early 90s
4 - songs 1988-90, recording of the early 90s
5 - songs 1991-93, records of the mid-90s
6 - songs 1989-94, posts of the mid-90s
7 - songs 1993-94, records of the mid-90s
8 - songs 1982-95, Mid-90 recording

Albums of the mid 1990s

Another life (1994) - songs 1986-94, records 1993-94.
City city (1996) - songs 1993-95, records 1994-95.
This should happen (1996) - songs 1986-94, records 1992-95.
Spell (1996) - songs 1982-95, records 1992-95.
I erected a monument (1996) - songs 1985-91, record 1996
Whole summer (1997) - songs 1995-96, record 1996

Most of the material of these albums was subsequently overwritten or reissued on other albums.

Albums with new material (under the synthesizer)

False step (1999) - songs 1997-98, recording 1998
Déjà (2000) - songs 1998-2000, recording 1999-2000.
If (2003) - songs 1999-2002, recording 2002
District center (2006) - songs 2003-2005, recording 2005
Alien music and not only
- part 1 (2010) - songs 2007-2010, recording 2008-2010. With 5 bonus tracks (from the album "If")

Archive entries

Chanson (1999) - songs 1981-83, records 1983-85, released Igor Gryzlov (as noted on a disc cover - with the author's connivance)
Ark tireless 1 (2001) - songs 1983-90, records 1987-90, acoustics
Tire Ark 2 (2001) - songs 1983-90, recording 1990, acoustics
Balagan 2 (2001), reprint of the album "Balagan 2" (1996) with Bonus Track (6 songs, record 1996)

New records of old songs

(under the synthesizer, except for the album "Favorites, part 2")

Favorites, part 1 (1999) - songs 1982-96, record 1999
Favorites, part 2 (2000) - songs 1983-99, recording 2000, acoustics
Once (2002) - a new version of the album "City City", with a changed order of songs and a bonus track (1 song), recording 2001
On foot from the east (2004) - songs 1982-1995, records of 1999 (from the album "Favorites, part 1") and 2003
Suppose (2004) - songs 1982-1995, records 1999 (from the album "Favorites, part 1") and 2003
Whole summer (2005) - a new version of the album, recording 2004-2005, with Bonus Trek (3 instrumental compositions converted from songs 1980-1984)

Collections

In 2003, a collection of Scherbakov was released in the Russian Bards series, compiled from records from the albums "Favorites, Part 1", "Once", "false step", "Déjà".

Stages of a creative path

1978-1981 - more than 100 songs were written, most of which the author considers "non-existent."
1982-1988 - about 100 songs are written, 80 of them were subsequently published on CD, about 20 songs of this period The author continues to perform at concerts, sometimes apologizing about the imperfection of texts; There are about 10 poems of this period who did not become songs.
1989-1995 - about 130 songs are written, 128 of them published on CD; The books "Cherry Jam" were released, "no and there was no poison" (both 1990), "Other Life" (1996).
1996-2005 - written and published (by spring 2006) 80 songs; New records are also published about 120 previously written songs.
2006-2011 - 18 new songs were written and filled at concerts, of which 11 entered the album. The book "13 disks" (2007).

Shcherbakov, Mikhail Konstantinovich. Biography New records of old songs

Read also

Home Career Singer Mikhail Shcherbakova

Mikhail Shcherbakov Currently

Personal Life Mikhail Shcherbakova

Biography

Discography

License albums

Albums of the mid 1990s

Albums with new material (under the synthesizer)

Archive entries

New records of old songs

Collections

Stages of a creative path

Criticism

Best days

# # # #

`Yes Nor a word in simplicity ...`

# # # #

Biography

Discography

License albums

Albums of the mid 1990s

Albums with new material (under the synthesizer)

Archive entries

New records of old songs

Collections

Stages of a creative path

Links