The most famous hero of Ryazanov's films. Top most famous films Eldar Ryazanov

© Intera press service

On November 18, the famous director Eldar Ryazanov would be 91 years old. Hundreds of millions of people love him for the films "Beware of the car", "the incredible adventures of Italians", "Forgotten Melody for Flute", and showing the "Irony of Fate" on the eve of New Year's Eve has become a tradition for many years. On the eve of the birthday of the director, Inter TV channel will show 4 films shot by Ryazanov. On November 17, at 8.45, see the "hussar ballad", at 10.45 - the film "Girl Baz Addresses", at 12.30 - "Give a plaintive book", and 14.10 - "Beware of the car".

We collected the brightest quotes of Eldar Ryazanov and the heroes of his films.

True lives of Eldar Ryazanov and his heroes: Best quotes © Intera press service

Rules of life Eldar Ryazanov:

• Where is Humor - there is really true.
• There are no unimportant periods in life.
• Those who constantly scold our generation seems to have forgotten who raised him.
• Children can not be a barrier map of politicians.
• When timid people come out of themselves, they should be watched.
• To find out everything, it is enough to tell someone alone.
• People are divided into those who live to retirement, and the rest.
• There are things that should not make money profit. Because they bring another profits - not material, but spiritual. It can not be measured by any money.
• I look with despair on how artistic image, idea, sympathy, mercy, spirituality go out of our cinema. And evaporating from the movies, they leave and from the consciousness of people.
• What tried me in the fifties, the sixties, the seventies and the eighties are the same trowed and a huge number of people, most. Today, such as me, less and less. Fellini said in the eighties: "My spectator has already died." This is a terrible truth.

True lives of Eldar Ryazanov and his heroes: Best quotes © Intera press service

Rules of life Heroes Ryazanov:

• I do not like to joke, and people do not give people.
• Babo-Yagu will not take on the part - to bring up in your team.
• Comrades! There is a setting fun to celebrate the new year! We must have our New Year's Eve evening so that no one would say anything.
• If a person morally decomposed, it is necessary to say about it, and not laugh, you understand. ("Carnival Night")
• What kind of nasty is your fading fish!
• The truth can not be offended, even if she is bitter. ("The Irony of Fate")

True lives of Eldar Ryazanov and his heroes: Best quotes © Intera press service

• Stand! Do not raise your hands! You will not wash them all your life!
• If a woman with such external data fights for the truth, it is probably not married. ("Garage")
• One hundred grams is not a stop screw: you twench - you will not stop! ("Train Station for Two").

True lives of Eldar Ryazanov and his heroes: Best quotes © Intera press service

Breast forward!

Chest? You flatter me, faith.

All are flattened!

• Quietly around, just not sleeping badger. He hung her ears on bitches and dances quietly around.

What about the circus?

The circus is quite enough in life.

Not only do you like, coward and fuck, - you are also a dracne!

Yes, I am a strong nut!

("Love affair at work")

True lives of Eldar Ryazanov and his heroes: Best quotes © Intera press service

• It is necessary to marry on orphan.
• You are lying, and you do not fight!
• Man like none of the living creatures loves himself to create additional difficulties.
• Listen, I got great. I have to put myself in a horizontal position. ("Watch out for the car")

As it should be a great comedic, the films of Eldar Ryazanov are as ridiculous as sad. It is no coincidence that its own books about the cinema directed by the director: "The sad face of the comedy" and "Funny weightless stories." Through humor and lyrics, the director goes to the drama and even the tragedy. In the images of horrible characters of his films, the results of the eternal conflicts of the internal and external world are viewed, and the comic strings lead heroes to the need to revise values, then to rhetorical issues of life. What is curious, Comediographer Ryazanov became hardly not contrary to his will - the classic of the humorous genre of the Stalinsky sample Ivan Pyriev literally forced (and then only from the fourth attempt) of the young producer to take up the "carnival night". True, it is unlikely that Pyrievs, whose heroes did not know despondency, could assume that his "heir" will add to the life-affirming genre of notes of intellectual melancholi.

However, Ryazanov's films are not only comedy, but also fairy tales. The director is rightly called the "Creator of Soviet Folklore". Together with the constant co-author, the screenwriter Emil Braginsky, Ryazanov regularly took stories and images from life, then attached to them the form of sustainable plots and, finally, generously decorated with elements of romance and lyrism (the space of action is poetic, and the heroes are sure to wait for the Happ-END). Thanks to this approach at the junction of reality and fiction in Cinema Ryazanov, recognizable Soviet and Russian archetypes were reflected: intellectuals, minor employees, bureaucrats, bums, "new Russians". An ordinary reality in the director's films recognizable and at the same time is idealized, and this is probably the reason for the constant demand of his paintings at the widest viewer.

Eccentric and Social Satire

Interrelated comedy elements present in all Ryazan films are eccentric and satire. The director regularly applied to the parody image of reality, thus striving to make existing order. Estatedrigious Igor Ilinsky in the "carnival night", which creates a cartoon image of a bureaucrat and thundering the trend of petty regulation by the state of public life. Grotesque Zagazka "" - the hero turns out to be the same apartment as his own, only in another city. At the same time, socio-political criticism is also obvious - satire on the Soviet traditions of urban planning and in general, the formal, dismissive attitude of the state to man. In the "garage" there is a fairly conditional peripetia for the reconstruction of the scheme of work of totalitarianism, where the comfortable conditions for the existence of some are inseparable from the infringement of others. It is impossible, however, not to note that the best works of Ryazanov are those where the eccentric is not exacerbated to the extreme, and the social satire is not expressed with a literal, but an ezopov language. Starting with the "Forgotten Melodies for the Flute", these elements are expressed more brightly. The result is known to all - with the advent of such rolls the best films of the director remained behind.

Humanization: Small People and Defense Effect

Eldar Ryazanov managed to humanize the Soviet cinema. Walking by the rotation of the pathoral heroic tradition of the revolutionary avant-garde and Stalinist Academism, the director returned to the screens of the "little man" in the face of romantic poor poor, modest employees, unlucky intellectuals and modern Don Kihotov. Turning to the canons that pretended by Pushkin and Gogol, Ryazanov from the painting in the picture was a portrait of a man of a low social situation, nothing to be out of sightless, but good, in his own wonder charming and deserving his own share of happiness. As a result, while one part of the multi-million Ryazan audience could associate himself with heroes, the other could not sympathize with them. What is interesting, in part the same applies to both conditionally negative heroes: all sorts of passing, careerists, snobs, bureaucrats and other "USER". Even exposing them, the director sought to find something human, worthy of understanding and condescension.

Camera and poetry of the city

A red thread through all the work of Ryazan is a kind of space conflict. Most of the action in its paintings unfolds in the scenery of the usual viewer of the household environment: standard planning apartments, facilities of institutions and research institutions, restaurants, stations and the like. Limited spaces in the "Irony of Fate", "Garage" and "Dear Elena Sergeyevna" director as if he emphasizes the state of non-free, in which we find heroes. It should be noted that these spaces are always thoroughly thought out and overwhelmed with metaphor objects, not only by employees eloquent signs of their era, but also complementary characteristics of heroes.

Scene from the movie "Service Novel" (1977)

The contrast of claustrophobic spaces serve more rare personnel. Ryazanov - director-urbanist, who managed to create his own, lyrical vision of the city, whether Lviv, Kostroma, Leningrad or Moscow. Let's say in the "official novel" director and operator Vladimir Nakhabtsev managed to snatch special poetry in the chaotic rhythm of the life of the capital. And the autumn shots of the first snow, perhaps, are still continuing to work on the romantic image of Moscow.

Aphorisms

Another secret to the popularity of Ryazanov films is an abundance of replicas, instantly left the screen into the people. "There is a setting fun to celebrate the New Year"; "The bosses need to know in the face"; "You are lying, and you do not wade"; "I sold my homeland for the car"; "I have a good salary. Little, but good "- Dozens of similar aphorisms come to each of the paintings of the director. They appeared with the most different ways: some were born at the desk, others were accidentally overheard, the third became acting expression. Anyway, in them, in them, the talent of Ryazanov and its co-authors focused on and transfer the characteristics of the character of the character and the conditions surrounding it. In other words, the director understood perfectly well that one exact replica sometimes could be advantageous and informatives of a whole episode.

Collective hero

This feature of Ryazanov films is probably rooted towards the work of his master, Sergey Eisenstein. Of course, the "collective chief hero" in that radical form, which is present in the "Potemkin's" battleship "," Ryazanov will not meet, but, nevertheless, the director's tendency to multiphiguric compositions is obvious. For example, already in the "carnival night" the question of the chief hero is discussion - although most viewers seem to be Lena Krylova-Gurchenko, Ryazanov himself considered the leading character of Ogurtzova-Ilinsky. In the "Irony of Fate", the "official novel" and "train station for two" the main character can be called steam room - two characters, speaking at first antagonists, gradually discover increasing similarities, becoming inseparable. In other pictures - in the "garage", "heavens of promised" and "old klyachers" - the boundaries of the single main character are blurred and at all for half a dozen characters, together forming a single portrait of a particular social or age group. Ryazanov even called the roles in these pictures "episodic main" roles.

Working with actor and stars

On the set Film"Garage" (1979)

Like, Ryazanov is an acting director for whom the most important performer in the frame. What is clear, because the central theme of his creativity is a person and human relationship against the background of historical peripetias and specific social circumstances. It is widely known that Ryazanov managed to make friends with most actors. As a rule, it was an important step before the start of collaboration. At the same time, on the site, the director was seriously serious and increased demanding, believing that the response from the viewer can call the actor only if it will "fully fit in the skin skin" and at the same time "laid out to the end, without sparing yourself." However, it did not prevent spontaneity. "I really love similar" discharges "when they are really improvisational, not planned" - spoke Ryazanov. That was how some famous episodes were born - for example, the famous phrase Yuri Yakovlev in the "Irony of Fate": "Oh, the warmth went!".

Considering that Ryazanov's film was lazy for more than half a century, it is noteworthy that in his paintings played their best roles of dozens of largest movie stars of several cinematic eras. In the 50s - Nikolai Rybnikov and Yuri Belov, in the "thaw" of the 60s - Oleg Borisov and Innokenty Smoktunovsky, in the "stagnant" 70-80-E - Andrey Soft and Andrei Mironov, Alice Freindlich and Larisa Guseeva, Nikita Mikhalkov and Oleg Basilashvili, in the restructuring - Leonid Filatov and Marina Neoulova. Ryazanov debuted Sergey Jurassic and Anatoly Papanov, Lyudmila Gurchenko and Larisa Golubanka. The veterans of the screen, the stars of the 20-30s Igor Ilinsky, Erast Garin and Nikolai Crochekov, have gained his second breath. He also revealed the dramatic potential of the comedians Yuri Nikulina, Evgenia Leonov and Yevgeny Evstigneev. Finally, such characteristic performers like Leah Ahacedzhakova, Valentin Gaft, Yuri Yakovlev, Georgy Burkov and Svetlana Nevolyaeva became the permanent participants of his paintings. It is not true, strikingly, how high concentration of iconic names occurred only to one directorial biography.

Kameo.

Continuing the acting topic, remember Ryazanov. Starting with "Give a plaintive book," the director often appeared in the frame of his own paintings in microscopic and, as a rule, wordless roles. Some of these kameo are no more than jokes "for their own." Other are symbolic: for example, in "Dear Elena Sergeyevna", Ryazanov appears in the image of a neighbor, requiring teenagers to stop noise - so the director speaks directly about his conflict with the young generation. The third race of Kameo carries a weighty storyline. So, in the "garage" hero Ryazanov, who slept all the intrigues, turns out to be "happy our" who exclude from the cooperative in the lot. But, perhaps, the most famous chameo of the director - in the "Irony of Fate", where he appears for a few seconds as a traveler Zhenya Lukashin.

Songs and music

An integral element of cinema Ryazanov - songs. It was so led from the "carnival night", in fact, the musical that continued the tradition of films Grigory Aleksandrov and Ivan Pyriev, - the heroes early or late to sing. Music is justified by the plot: characters are provided by the participants of the stage action or, finding in the corner of the guitar, through the song they are trying to express intimate. The number of hits that came out of Ryazan paintings are calculated by tens: New Year's anthem "Five minutes" from "Carnival Night", "Waltz of a Delivery" from "Beware of the car", "With me, what happens" from the "Irony of Fate", "Nature has no Bad weather "From" Service Roman "," Do not be afraid of life to change "from" Station for Two "and many others. Here Ryazanov found famous co-authors: Anatoly Lepina, Andrei Petrov and Mikael Tariverdiyev - composers, prone to a song form. Petrov collaborated with Ryazan longer - almost forty years for fourteen tapes. The secret of such a durable union, it is necessary to believe in a special lyrical intonation and a certain extent of the illustrative idea of \u200b\u200bRyazan cinema.

Workingolism

Eldar Ryazanov is often called a happy director. He would still, because he practically did not know downtime, after half a century, twenty-five gaming full-length paintings (this is in addition to working on television, literary activities and poetry). At the same time, Ryazanov, like all his colleagues, came across the charms of Soviet filmmaking: censorship, state intervention in the creative process and even the prohibitions ("man nowhere" lay on the shelf for a long time). The reason for the same enviable productivity, it is necessary to believe it is simple. And it is not only in stable success in the rental and status of the Matra, which to a certain extent facilitated the launch of new projects. Ryazanov explained his health and the impossibility of not creating: "When I shoot movies, I just have no time to hurt. As soon as the film ends, the disease and the thrust begins to crawl out of all the cracks. Therefore, for me - this is a recipe only for me - I have to work all the time. "

On November 18, the wonderful Russian film director Eldar Ryazanov would have been 90 years old. The range of emotional saturation of his films is unusually wide: from the tragic "cruel romance" to the unrestrainedly cheerful "carnival night". The fact that Ryazanov is a real master can be guessing for the fact that the "Liverchi" of his characters and quotes from his work: here you and jokes about the lieutenant Rzhevsky on the edge of the foul (who does not remember, where does this lieutenant come from?), And "What is the disgusting that your fading fish!" Together with the whole of the Trinity of Lovers Zhenya and Nadi and Unhappy Ippolit, and the motto "Freedom Yury Delubo!" ...

All Ryazanov's films are a kind of "painted pictures from life." They are realistic, but a little bit fabulous. They are requested, but not at all moral. His heroes sometimes may look very ridiculous, but through all their insights, he drives a reminder of things for truly serious and important.

1. Yuri Delochkin

Objectively speaking, Yuri Kidkin is not a positive hero. For an instant, imagine such a person in life: climbs into the privacy of people, collects a dossier on them, and then justice is preferred, instead of conveying criminals in the hands of justice. Remember Kant: "You should always come so that the Maxim of Your Will serves as the basis for universal legislation." This is what kind of society succeed, if universal legislation becomes challenging the cars at the thieves, even if we transfer money for the wicked well-paid good in need? Chaos. Life in concepts.

But there is one trait in a deckup, which overlaps all its flaws. And makes a similar to whistle. The quest for truth determines all its being. It is for that he and drive. The tragedy of a dealer is that the law does not have time for him in his utopian pursuit of truth.

And for us, all the same, this is obviously a nutty, forgive me for the prison expression, the hero is a reminder. A reminder of how important sincerity and clarity in the "distinction of spirits" are important. The fact that in relation to the evil there is no place to compromise. Let the method that choose a dechor and controversial, but the goal is true.

1. Kornet Shuryochka

The film "Hussarskaya Ballad" is practically anthem to female equality (except for the fact that women are not at all obliged to be afraid of mice, this is how now it is customary to speak, false gender stereotype).

The beginning of the XIX century, that is, the time when you think about the equality of the floors is just ridiculous. The girl who trained in fencing and horseback riding fits perfectly into the situation of the Patriotic War of 1812 and wipes the nose of young and experienced officers. Shurochka is not just successfully pretending to young men - she makes real feats, it is honored by a well-deserved award, she continues military service ...

The author of the scenario, Alexander Gladkov, argued that his shrochemia was not at all written off from the "first woman officer" of the Russian army of the Hope of Durov. Indeed, there are more things in the roschka that we would be called "rudeness", and dedication is the same. And this is a huge lesson.

For her cunning, actually stands simplicity. At first she rushes over a self-confident fiance, but soon her game turns into complete dangers of life. Shurakah makes it very clear that a person should appreciate what he did.

Nothing prevents the girl who owns the skills of the military, save the imperial adjutant. The tree is known for the fruit, and not in shape.

1. Nadia Shevelev

Actually, "Irony of Fate, or Enjoy Your Ferry" - the film is frankly harmful. Let's start with the fact that it is impossible to get drunk so terribly, even for the new year (especially on the day before). In addition, it is very sorry and Gali, the bride of the zhmy, and Ippolit, the groom Nadi. They are not completely guilty that their alleged future spouses will meet their fate in a fabulous New Year's Eve and leave them without the slightest regret. They say, in the modern sequel, the "irony of fate" still it turned out that Nadya returned to Ippolit, and Zhenya to Gale, and it is very realistic. But it will be in twenty years, but for now - turn to the original.

The New Year's Eve described in the film is extremely Mesborn, and it's not so easy to understand the character of the heroes. But Nadi has one inalienable quality - kindness.

This is not the obsessive guest with the police, especially when he begins to behave frankly indecently, throwing out the portrait of her groom and so on. It is goodness (and not only because he annoys her in her own apartment) She is ready to lend him money to a ticket to Moscow. She, in the end, sings just good and bright songs!

And in the junction of her kindness merges with the hope of a miracle. Drunk, but the wise Ippolit directly and honestly admitted that breaking the relationship in one night - you can build - no. But hope too wanted a fairy tale and a miracle. She takes the groom's briefcase with a broom and goes to Moscow. Just return the forgotten broom. And the miracle happens.

1. Novoseltsev

"What can be instructive in this weak-speaking peasant - neither fish nor meat?" - The reader will be surprised. In vain.

"Service Roman" is one of the best and deep works of Ryazanov. With all the unrealisticness of what is happening: the ugly clarops in the princess swans do not turn into a one-time male attention, non-obvious men are not turned into macho from sympathy from the head. But the essence is causing it ingenious: we all need love, attention and care. Only they are moving the mask of the Mamra with an excellent noble appearance given by Lyudmila Prokofievna Great actress Alice Freundlich. Only they make an invisible employee of a senseless institution by a courageous and open person.

It is not so simple to guess that it is not so simple, as it seems, it is already possible for the fact that he is not a widower - he sudes children from the "wounded wife." And this is "plus one to karma," people who live in computer games say. The point is not that the new-seater is a vengeful beacon that does not allow the unfortunate cooling (and maybe not stupid, but simply loved the other - not a great sin in the era of stagnation was officially divorced) Mother to raising children. The fact is that the mother does not appear over the film and is not mentioned. At least once in conversations with colleagues, Anatoly in the hearts threw her guard of children from kindergarten or school. Or what is trying to sue.

No. Novoselites - a decent father, very precisely understanding his duty to the abandoned mother of children.

Novoselites are a decent person. He categorically does not want to embellish for the head for the sake of raising on the Council just a dishonest friend of Samokhanov. His awkward attempts to attract her attention to themselves - only evidence that the inability to lie under the lack of breathing.

Finally, when the novel is already developing "on a full coil", the new sells again manifests their decency, this time already in relation to a red-friendly colleague, disgraced self-driving when he gives the latter. What, Anatoly did not understand that Samokhvalov and his lay down? Yes, he just did not think about it. He thought about offended by any woman's naive in love.

The end of the history is natural. New schools, even a dedicated "friend" can prove their "iron lady" the power of their feelings. Yes, on hysterics, yes with a scandal. But I was able. Because it is based on its character - not a softness, but a steel rod of decency.

1. Elena Pavlovna Malaev

"Garage" - no comedy, but the tragedy of Soviet life. People for the sake of good turn into something scary. Fortunately is the garages for which the highway should pass. In our time, people would have arranged a scandal, they would write to blogs, to Facebook, Putin - and would have achieved not compensation, so public attention. But on the calendar - deep stagnation, the end of the seventies. The management of the team simply offers victims. And the team is ready to collect these victims.

And then there is a small and not very beautiful woman, which no one in the victims applied to this circus of the human relationship. Elena Pavlovna Malaeva, a junior researcher, childly naively declares that so dishonestly, locks the room where the meeting takes place, and requires to understand. By the way, I feel great to "figure out" and not in its favor.

Oh, and she will receive for her belly. They wrap, the gossip about her personal life will publicly dissolve, not even her child. She would get angry, throw the key and go out: "Decide, as you know, you can throw me out." But no. Malaeva is capable of insult, but not capable of pride or anger. She, too, like the first one of our hero - a born challenger.

The "garage" ends as sadly as "Beware of the car" - the truth could not be restored. None of anything was excluded from among the shareholders a sleeping head of the insect department (the case occurs in the mysterious health of animal protection from the environment). But at least two steps, with the help of Elena Pavlovna, they managed to do - put "thoughts", and not those who could not protect themselves.

Was Eldar Alexandrovich Christianin, I do not know. But he endowed his heroes with simple human virtues. Which are essentially Christian.

On November 18, the famous director Eldar Ryazanov would be 91 years old. Hundreds of millions of people love him for the films "Beware of the car", "the incredible adventures of the Italians", the "forgotten melody for the flute", and the show of "Irony of Fate" on the eve of New Year's Eve has become a tradition for many years. On the eve of the birthday of the director, Inter TV channel will show 4 films shot by Ryazanov.

On November 17, at 8.45, see the "hussar ballad", at 10.45 - the film "Girl Baz Addresses", at 12.30 - "Give a plaintive book", and 14.10 - "Beware of the car".

We collected the brightest quotes of Eldar Ryazanov and the heroes of his films.

Rules of Life Eldar Ryazanov

- Where is Humor - there is really true.
- Notable periods in life does not happen.
- Those who constantly scolds our generation seems to have forgotten who raised him.
- Children can not be a barrier map of politicians.
- When timid people come out of themselves, they should be watched.
- To know everything, it is enough to tell someone alone.
- People are divided into those who live to retirement, and the rest.
- There are things that should not make money profit. Because they bring another profits - not material, but spiritual. It can not be measured by any money.
- I look with despair on how artistic image, idea, sympathy, mercy, spirituality go out of our cinema. And evaporating from the movies, they leave and from the consciousness of people.
- What tried me in the fifties, the sixties, the seventies and the eighties are the same trowed and a huge number of people, most. Today, such as me, less and less. Fellini said in the eighties: "My spectator has already died." This is a terrible truth.

Rules of Life Heroes Ryazanov

- I myself do not like to joke, and people will not give
- We will not take Babu Yagu from the side from the side - to bring in your team
- Comrades! There is a setting fun to celebrate the new year! We must hold our New Year evening so that no one would say anything
"If a person morally decomposed, it is necessary to say about it, and not to laugh, you understand.
("Carnival Night")

- What kind of nasty is your fuel fish!
- The truth can not be offended, even if she is bitter.
("The Irony of Fate")

- Stand! Do not raise your hands! You will not wash them all your life!
- If a woman with such external data fights for the truth, it is probably not married.
("Garage")

- One hundred grams is not a stop screw: you twench - you will not stop!
("Train Station for Two")
- Breast forward!
- Chest? You flatter me, faith.
- All are flattened!

Quietly around, just not sleeping badger.
He hung her ears on bitches and dances quietly around.

- What about the circus?
- The circus is enough for me in life.

- Little thing is that you are a blister, coward and fuck, - you are also a dracne!
- Yes, I am a strong nut!
("Love affair at work")

- It is necessary to marry on orphan.
- You are presented, and you do not fight!
- man like none of the living creatures loves himself to create additional difficulties
- Listen, I got great. I have to put myself in a horizontal position
("Watch out for the car")

Despite the age, many films Eldar Aleksandrovich remain if not relevant, still loved for their warmth, mentality and inner mischief

Frame from the movie "Zigzag Good Luck"

Eldar Ryazanov has a special relationship with New Year's miracles, and we have repeatedly mention this holiday in the context of His films, but start with the comedy of 1968 Zigzag Good Luck. The protagonist of the picture, the photographer of Oheshnikov performed by the rapidly gaining popularity of Evgenia Leonov, in pre-holiday days wins big money in the lottery. The trouble lies in the fact that he took the money for a happy ticket from a common money accumulated by all employees of the photographer. Nowadays, from such a string, an adventurous adventure comedy could be made, but Ryazanov went on a more romantic path - in the plot it was more interested in the external wealth of heroes, but their inner state.

Key phrase: "It has long been known: the money spoil a person. But the lack of money spoils him even more. "

Kameo Ryazanov: not.

Frame from the movie "Covered"

Special Pitals Pital and Italy, immediately several of his films are somehow connected with this southern European country. For example, the "heavens of the promised" to some extent are the paraphrase of the film "Miracle in Milan" directed by Vittorio de Sika. The latter was a story of a fantasy of the ascension, so the decision of the jury of one of the international festivals to hand over Ryazanov's prize for the best fantastic film has caused a sarcastic laughter from the director - for him, the promised heavens were hardly a documentary about the new Russia, in cruel transition The economy of which there was no place too much. The tape was supposed to become another work of George Burkov, who was prepared by the role of the president, but shortly before the start of the shooting, the actor first hit the hospital, and then died.

Key phrase: "The country is my native country, a lot of forests, fields and rivers, I don't know another such country ... I don't know the other ... There's no country now! Never!"

Kameo Ryazanov: Man in a cafe.

Frame from the film "Dear Elena Sergeyevna"

Perestroika and new Russian years were generally given to Eldar Alexandrovich hard, from the director he was forced to retrain in the producer, and in the administrator, and in the manager, which could not do not affect the creative gusts. However, there is in the restructuring of the country and plus, she forced and Ryazan himself rebuilt - to remove the drama about young people. The idea to film the play Ludmila Razumovskaya emerged from Ryazan back in the early 80s, but then the leadership of Mosfilm did not allow the picture so sharp towards schoolchildren. But with the coming to power of Gorbachev censorship fell, and Ryazanov issued one of the brightest, but undeservedly accustomed attention to work with the brilliant Marina Neelan in the lead role. Valeria Gai Germanic, Ivan Tverdovsky and Andrei Zaitsev just now managed to approach the same depth of understanding the inner world of adolescents.

Key phrase: "You are not a woman, you notebook in a cell!"

Kameo Ryazanov: Neighbour.

Frame from the movie "Sleep the word about the poor hussar

Censorship left his mark on tragicomedy "Sleep the word about the poor hussar." First, Ribert refused to shoot Mosfilm, and Ryazanov had to work with televisers. Secondly, a strict scenario commission introduced Grigory Gorin and Eldar Ryazanov to the script a lot of edges that took place in plot holes, which had no time or funds. Finally, the finished film is the leadership of Goskino, too, "Pokromosalo", having deprived the tape of the tragic deep finals. However, even in these conditions, Ryazanov remained at the height - the brilliant acting works of Valentine Gafta and Stanislav Sadalsky, deep meaning and convex characters, branded Satire and the intervention of historical facts and personalities in the canvas of the story - all this forces the audience to run to the screens at the first sounds of entering City of the Gusar Shelf.

Key phrase: "Well, you don't make my regiment. My eagles do not read newspapers, did not see books in the eyes - no ideas do not have! "

Kameo Ryazanov: Confectioner.

Frame from the movie "Starry-Robbers"

In our rapid time, under the pressure of energetic youth for her workplace, not only a pensioner is not easy to stay, but also to the one who barely passed over forty. During the time, Soviet danger to lose the job was not so great, but the fear of being thrown out of the cozy world of their habits, skills and acquaintances was the same strong as now. In 1971, Eldar Ryazanov, together with his friend, Emil Braginsky wrote the scenario of the film "Old Mutniki", raising the theme of the investigator sent to his retirement, and releaseing a film, the director earned the nationwide love of the older generation. The magnificent duet of Yuri Nikulina and Evgeny Evstigneev would have done alone with any tasks, but the brilliant second actor plan makes the picture at all unforgettable.

Key phrase: "Actually, it is wrong that the pension is given in old age. It is really necessary to give it from 18 to 35 years. The best age. These years and work sin, you need to deal with only a personal life. And then you can go to the service. Anyway, no sense of life. "

Kameo Ryazanov: Passers around the windows of the prison.

Frame from the film "Cruel Romance"

Ryazan tapes rarely aroused controversy in critics or between the audience, but the "cruel romance", the free interpretation of the plays of the Ostrovsky "Dustpannica", truly shut down the public and gave rise to full cultural wars. On the one hand, the picture received several awards, and the readers of the main newsrodu of the country "Soviet screen" called the "Romance" film of the year, on the other - criticism, especially theatrical, in the anger trampled posters and praised their hair from anger on Ryazanov, significantly shifted accents placed by Ostrovsky, and actually changed the interpretation of the plot. All angry attacks "Shark Feather", however, instantly dissolve in the air with the first gypsy chords of the picture, and the works of Alice Freundlich, Nikita Mikhalkov and Andrei Mikov, entered the textbooks of acting skills - the movie turned out to be soulful.

Key phrase: "I was looking for love and did not find it ... I looked at me and look like fun. So I will look for gold. "

Kameo Ryazanov: not.

Frame from the movie "Forgotten Melody for Flute"

It is difficult to imagine, but the "Amoral History" play, the scenario of the film "The Forgotten Melody for Flute" was founded, was written by Ryazanov and Braginsky back in 1976. Of course, then it could not be any speech about her production, but with the proclamation of the era of publicity, the embodiment on the screen of satirical history about the contradiction of the officials and simple people became for Ryazan a matter of honor. Alas, but the work on the picture seriously undermined the health of the director, on the shooting of Eldar Alexandrovich suffered a stroke and combined work with rest in the hospital. Surely Ryazanov wanted to change the country, make it cleaner, more open and sincere, but the harsh time moved these dreams - the officialhood became even more, the gap between the leadership and the people was only intensified, and the current poverty and next to the scarcity of the life of the Soviet man .

Key phrase: "We can not be in the collective farm - we do not know how to do anything. We are finally ruined to them. They breathe breathe to incense. Sorry for collective farms. "

Kameo Ryazanov: Astronomer.

Frame from the movie "Hussar Ballad"

Today's pathos celebration of the Jubilees of many makes think about how deeply and seriously we are immersed in the affairs of the past days and how badly imagine our future. In the Soviet years, the anniversary of the anniversary were easier (except, perhaps, the celebration of the day on November 7), and the anniversary could well mention a light comedy. Eldar Ryazanov's Music Film "Hussar Ballad", for example, came out to the 150th anniversary of the Borodino battle, and his premiere passed on the day of battle, on September 7, but compare it with the current "Vasilisa", "battalion" or "battle for Sevastopol" will not rise Hand is a completely different approach to history. "Ballad" - a playful appeal to the brightest feelings, elegant stimulation of patriotic sentiment and faith in great love, what is often not enough modern ribbons about the combat merits of our Motherland.

Key phrase: "Cornet, are you a woman?"

Kameo Ryazanov: not.

Frame from the movie "Garage"

Today to offer to watch the film "Garage" by a fourteen-year-old schoolboy tantamount to demonstrates him tapes about the life of a tropical tribe, and in the original language and without subtitles - no matter what happened! And this is true: Well, who is now happy remembering the deficiency of meat on the market, about business trips to collective farms, about communist Saturdays and trade union charges - time has changed radically. But for those who in their lives managed to stand in the lines behind the Sinah Kuras, who found the coupons on soap or postcards with the number of the queue on the Czech headset, the Garage remains the real nostalgic encyclopedia of Soviet life, the catalog of what we happily get rid of, But with tenderness I remember.

Key phrase: "Yes, what? How can I drive me out? I sold my homeland for the car! "

Kameo Ryazanov: Head of insects department.

Frame from the film "Station for Two"

Using rabid popularity in Motherland, Ryazan rarely had the pleasure of presenting their paintings by foreign spectators, especially from the countries of the so-called capitalist world. And yet his work in Europe is not left unnoticed - the Melodrama "Station for Two" in his competitive program selected the prestigious Cannes Film Festival. No prizes in France did not receive our tape, but inside the union she did not have it, the tape was the best film according to readers of the Soviet screen, and Lyudmila Gurchenko was recognized as the best actress. And all that happened absolutely reasonable. Indeed, the tape is not very clear abroad, too much in it "Soviet nuances", which make it nothing comparable to our compatriots, but for the talented performance of their role to the beloved Ryazan actress Lyudmila Gurchenko and do not sink - here's Really symbol of a Soviet woman, lonely, loving who worked.

Key phrase: "I was those who ordered to do something, goat? I told melons to spin! And what did you do? "

Kameo Ryazanov: Deputy Head of the Station.

Frame from the movie "Carnival Night"

If we talk about Lyudmila Gurchenko, then her brilliant comedy debut cannot be discharged, which coincided with the full debut of Eldar Ryazan himself, - Musical "Carnival Night." The picture about the collision of two generations, who wanted to celebrate a common holiday in their own way, has dozens of analogues, from the old "republic's republic" to the recent "bitter", but even in a number of the top ten "Night" colleagues towers a beautiful tower. A rare director can boast that his first film becomes the leader of the rolled, but Ryazan with ease overwhelmed this line. Infrequently in the paintings of the debutants agree to play deserved masters, but Sergei Filippov, and Igor Ilinsky, and Igor Ilinsky came to the "carnival night". Finally, remember the magnificent song "Five minutes" from the movie - She still motivates and raises the mood. And this is 60 years after entering the screens!

Key phrase: "The speaker will make a report, short so, for forty minutes, more, I think it is not necessary."

Kameo Ryazanov: not.

Frame from the movie "Service Romance"

It is no secret that many scenarios of Ryazan films rose from its own plays written in co-authorship with Emil Braginsky. Naturally, the plays often fell on theatrical layouts before becoming the property of the State Film Fund, and among the productions there were very talented. But not in the case of the "colleagues", the forerunner of the "service novel". The play went around many theaters, but none of the directorial solutions satisfied Ryazanov, and then the producer decided to transfer his story to the big screen, the benefit of the actors were ready to go for Eldar Alexandrovich in the fire and in the water. The lyric comedy became one of the favorite paintings of Soviet women, talented by Freindlich and a soft couple, whose energy was largely built on the improvisations of actors, turned into a standard of the romantic heroes of the LED. And how they scattered around the world phrase from the movie ...

The key phrase: "We call it" Our Mumra ". Of course, for the eyes. "

Kameo Ryazanov: Bus passenger.

Frame from the movie "Beware of the car"

For the scenario of the lyrical comedy "Beware of the car" Eldar Ryazanov and Emil Braginsky (this is their first joint work) sat back in 1963, but to promote the history of modern Robin Hood, who hijaches the car from Zhulikov and transmitting money for them to orphanages, It turned out to be difficult. Only after the script converted into the story was published in the magazine and received positive feedback from the country's heads, the film was given green (actually black and white) light. Ryazanov stood before the most difficult choice, who to give the role of a dealers - Yuri Nikulin Waterloo was tried on her. "Sergey Bondarchuk. The producer of the European partner Dino de Laurentis was dissatisfied with the script, but when Ryazanov added a few action-scenes to the script with a plane and pursuit and introduced into the plot of live lion, the parties agreed and the joint work started. Tape Pepsit celebrities, the shooting was held in the most recognizable places of Leningrad, many tricks performed the actors themselves - the Spirit is still capturing from such a film. The "Italians" became one of the most cash comedies filmed by the USSR in conjunction with the film companies of other countries.

Key phrase: "Yes, with what here I am, you look that you have on the roads going on!"

Kameo Ryazanov: Doctor on the wing of the aircraft.

Frame from the film "Irony of Fate, or Enjoy Your Ferry!"

Here, without which movie Ryazanov is absolutely impossible to imagine, so this is without the "irony of fate." The song "I asked Yashenya", wet from the tears of the hippolyte and the 3rd street of builders became the same inherent attribute of the New Year's festive table, like tangerines, champagne and Bengal lights. No matter how many years in the Internet, nemativa splashed about what Infantil is in fact Lukashin and how frivolously behaves Nadia, a couple of Heroes Andrei Mikov and Barbara Brylski still remains loved by millions of spectators. From year to year, the TV channels are fighting for the right to broadcast this film Ryazanov at that same hour when the chimes are trying twelve times to once again demonstrate a miracle of unexpected love, the brilliance of the sincerity and the nobility of adventurism. The championship in his charts, we, no doubt, give this hymn of healthy self-irony and readiness for New Year's adventure.

Key phrase: "What a muck, what kind of nasty is your bay fish ..."

Kameo Ryazanov: Passenger aircraft.