Russian musical society. Russian Music Society (RMO) In which year, Russian music society was created

03.11.2019

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Russian music society(RMO; from 1868 - Imperial Russian Music Society, IRMO), Music and Education Organization in Russia The second half of the 19th - early 20th centuries., The goal of making serious music available to the general public and promote the spread of musical education.

Petersburg and Moscow branch of the IRMO opened, respectively, in 1859 and 1860; They were headed by Brothers Rubinsteins - Anton Grigorievich in St. Petersburg and Nikolai Grigorievich in Moscow. The society was under the auspices of the imperial family (the August Chairs were the Grand Duchess Elena Pavlovna, the great princes Konstantin Nikolayevich, Konstantin Konstantinovich and others). There were three categories of membership: honorary, valid (paying an annual monetary fee) and executive members. At the head of each department stood the Board of Directors; Usually, the prominent role in it was played as musicians and patrons (in particular, in Moscow, the directors were N.V. Alexseev and S.N.Trevyakov; with their help the building was bought, where the Moscow Conservatory is now placed).

Symphony assemblies of the IRMO (10-12 subscription concerts in the season and emergency meetings with major premieres or the participation of outstanding performers) were held in St. Petersburg and in Moscow in the halls of urban noble assembly, subsequently in the halls of the conservatorium. The first concert of the RMO took place on November 23, 1859 in St. Petersburg under the direction of A.G.Rubinshtein. The main conduits of the RMO in St. Petersburg were (consistently) A.G.Rubinshtein, M.A. Balakirev, E.F.napolnik (1839-1916), subsequently different Russians and foreign conductors, including G. Bulov, V.I. .Safons (1852-1918), A.B. Hesin (1869-1955); In Moscow - N.G.Rubinshtein, M. Grademansdurfer (1848-1905), V.I. Safonov, M.M.Ippolitov-Ivanov. Often, Moscow musicians appeared in St. Petersburg, and in Moscow - Petersburg; There was a program exchange; Large foreign tourists performed in both capitals. IRMO also conducted chamber concerts (about the same number as symphony). The main part of the repertoire in the first decades of the existence of the Company was Western classical music, works of modern foreign authors (Schuman, Berlioz, Wagner, Leaf), as well as Glinka and Dargomyzhsky; Over time, the new essays of Russian authors began to be performed (so, the symphony debuts of the Mussorgsky and Roman-Kororsakov took place in RMO concerts; there were for the first time many works Tchaikovsky, etc.). In the 1860s, RMO conducted performing and composer competitions, throughout the existence of society regularly published reports on its activities.

The Moscow and Petersburg branches were the founders of the conservatories of the two capitals and carried out leadership them. During the 1860-1890s, the IRMO and public music classes and public music classes were opened in a number of cities of the country (Kiev, Kazan, Kharkov, Nizhny Novgorod, Saratov, Pskov, Omsk, Tobolsk, Tomsk, Tambov, Tiflis, Odessa, Astrakhan and dr.); In most cases, these classes have been transformed into collections and conservatory over time; The provincial branches also conducted concert activities. The main Directorate of the RMO was to manage them.

Society ceased to exist after 1917.

Russian Music Society (from 1869 - Imperial Russian Music Society, IRMO, RMO).

Created in 1859 in St. Petersburg at the initiative of A. G. Rubinstein and Music Group. and societies. figures on the basis of the symphonic approximation that existed before. According to the Charter (approved in May 1859), RMO was aimed at "promoting the spread of musical education in Russia, to promote the development of all branches of musical art and encourage capable Russian artists (writers and executors) and teachers of musical subjects." The educational nature of the RMM activity is expressed in the words of one of its organizers by D. Stasova: "Make good music available to the public." Concerts were arranged for this, uch were opened. Institutions, competitions established competitions for the creation of new products. The activities of the RMO from the very beginning came across serious organizational and in particular the material difficulties, to overcome the reasons managed only through the help of the patrons and the promotion of the "special imperial surname" (formally headed about as Chairman and his deputies). This put the RMM dependence on the conservative tastes of the highest arrival. spheres that partly reflected in concert programs. At the head of the RMO, the Committee of Directors stood, to K-rye, A. G. Rubinstein, who actually headed by the work of Oba, Matv. Yu. Vilygorsky, V. A. Kologryvov, D. V. Kanshin, D. V. Stasov. The first sym. The concert (assembly) of RMO took place under UPR. A. G. Rubinstein Nov 23. 1859 In the Hall of the Noble Assembly (here the concerts of RMO were held in subsequent years). Chamber evenings began to be held from Jan. 1860 In the hall D. Bernardaki. Up to 1867 SIMP. The concerts were led by A. G. Rubinstein, after his departure from the PMO Post Ch. Conductor was held by M. A. Balakirev (1867-1869), which in many respects updated the repertoire of concerts, including the MN. Sovr. Op., E. F. Director (1870-1882); Subsequently, prominent Russian was invited. and foreign. Conductors, including L. S. Auer, X. Bulove, X. Richter, V. I. Safonov, A. B. Hessin.

In 1860, RMO opened in Moscow, headed by N. G. Rubinstein. Symph. Concerts that began from 1860 under his leadership were held in the column hall of the noble (noble) meeting. After the death of N. G. Rubinstein, the conduits were M. Ermansdurfer (1882-89), V. I. Safonov (1889-1905), M. M. Ippolitov-Ivanov (1905-17); There were also tourists. An important role in the activities of Mosk. RMO played P. I. Tchaikovsky, which was part of the directors for a number of years, later - S. I. Taneyev. Intensive was conc. RMO activities in St. Petersburg and Moscow; Concerts were also held in the halls at the new premises of the Conservatories - Petersburg (from 1896) and Moscow (from 1898 in Malom and from 1901 in the Big Halls). On average, 10-12 "regular" (subscription) Simults took place annually. concerts and as many chamber in every city; "Emergency" concerts with the participation of outstanding performers were also suitable. The orchestra had musicians ch. arr. imp. T-ditch; Representatives of Rus prevailed among soloists. Execute. Iska Va, among the first Pianists A. G. and N. G. Rubinsteins, C. Yu. Davydov, V. Fitzengagen, pianist and violinist brothers I. and V. Vavansky, Scripache L. S. Auer and Dr. Orchestras led MN. The largest conductors and composers of Russia and other Europe. countries, including A. K. Glazunov, S. V. Rakhmaninov, N. A. Rimsky-Korsakov, A. N. Scriabin, S. I. Taneyev, P. I. Tchaikovsky, as well as , A. Dvarak, G. Malener, R. Straus, etc.

OSN. The place in the programs of concerts of RMO was given to classic. Music (I. S. Bach, L. Beethoven, G. F. Handel, J. Gaidn, V. A. Mozart) and Op. it. Romantics (F. Mendelson, R. Schuman). For the first time in Russia, they sounded here. Zap.-Europe. Authors of that time (Berlioz, R. Wagner, F. Sheet). Rus. Music was presented in the Osn. cit. M. I. Glinka and A. S. Dargomyzhsky; Premieres of Symph also took place. and chamber op. composers of the "mighty bunch" (1st Symphony A. P. Borodin, "Antar" N. A. Rimsky-Korsakov). Later, the works of I. Bramza, M. Rehea, R. Strausa, K. Debussy and others. Cube. composers; So. The place was given to Rus. music. From 1863, publicly available concerts were arranged. In 1860-66, RMO held contests Rus. composers (see contests).

Another important part of the activities of the RMO was the foundation in 1860 in St. Petersburg and Moscow Muses. Classes served as the basis for the creation of the first conservatories in Russia, which opened in St. Petersburg (1862) and Moscow (1866) and the largest centers of the music. Education in Russia.

In the first years, both Oba in St. Petersburg and Moscow existed independently, however, as the power of the RMO spread throughout the country, the metropolitan circulation, as well as newly discovered, became referred to as departments. In 1865, a new charter was adopted and the main Directorate of RMO was established, the coordination of the activities of provincial branches was established to the Q-Roy. They were created in most major cultural centers - in Kiev (1863), Kazan (1864), Kharkov (1871), Nizhny Novgorod, Saratov, Pskov (1873), Omsk (1876), Tobolsk (1878), Tomsk (1879), Tambov (1882), Tbilisi (1883), Odessa (1884), Astrakhan (1891) and other cities. During the 2nd floor. 19th century RMO played a leading role in the music. Life of both St. Petersburg and Moscow and the whole country.

Open with MN. Branches of RMO music. Classes in some cases gradually rose into accounting, and in the largest centers were transformed into the Conservatory - Saratov (1912), Kiev and Odessa (1913), Kharkov and Tbilisi (1917). In the new charter, 1878 paid special attention to the situation and rights of uch. establishments. The provincial branches mostly experienced chronic. Lack of qualified musicians and premises for concerts and classes. Government subsidy, issued by RMO, was extremely insufficient and was provided in the main metropolitan branches. Kyiv, Kharkov, Saratov, Tbilisi and Odessa branches were the most wide concert activity, they arranged 8-10 concerts for the season. The work of the offices was poorly coordinated, which had a negatively affected on the formulation of teaching in schools and music. Classes: up to con. 19th century Uch. The institutions had no general uch. Plans and programs. On those held in con. 19 - Nach. 20 centuries. In St. Petersburg, the congresses of the directors of the music. Classes and uch, only the first steps to correct the position were made. Established in 1891 the post of assistant chairman of the music. Parts MN. The years remained vacant (in 1909 this post occupied S. V. Rakhmaninov).

Despite the MN. The difficulties of existence, conservatism and the reactionality of the main Directorate, RMO, reflecting the educational aspirations of advanced societies. Circles, played a progressive role in the development of Rus. prof. MUZ. Cultures, distribution and propaganda music. Production, marked the beginning of the systematic. conc. Activities contributed to the growth of music. - Education. institutions in Russia and identifying nat. MUZ. Achievements. However, since the late 80s. RMO could not meet the requirements of a growing democratic. audience; Concerts and uch. The institutions remained accessible only for a relatively narrow circle of intelligentsia and representatives of the bourgeoisie. In con. 19th century All sorts of music begin to be created and developed. Organizations more democratic. Type and RMM gradually loses its monopoly position to the music. life of the country. In 1915-17, attempts to reorganize and democratization of the OB-WA are being taken, remaining unsuccessful. After the Oktyabrsky revolution, RMO has stopped existence.

Russian music society (RMO; Since 1868. Imperial Russian Music Society, IRMO) - Russian musical and educational society, operating from the second half of the XIX century - before the beginning of the 20th century, to promote the dissemination of musical education, introduce the general public to serious music, "promoting domestic talents."

The society was under the auspices of the imperial surname (the Great Princess Elena Pavlovna (1860-1873), the Grand Duke Konstantin Nikolaevich (1873-1881), the Grand Duke Konstantin Konstantinovich (from 1881), etc.). At first it was called "Russian Music Society" (RMO) and the first 10 years (1859-1868) operated under this name.

History [ | ]

Led. kn. Elena Pavlovna

Anton Rubinstein

The idea of \u200b\u200bcreating a musical society of the All-Russian scale arose in the salon of the Great Princess Elena Pavlovna. As a result, during the period of public lifting of the end of the 1850s - early 1860s, at the initiative of the Great Princess, Elena Pavlovna, Anton Grigorievich Rubinstein, Yulia Fedorovna Abazy and other music and public figures in Russia appeared a society that was destined to play a crucial role in raising all domestic musical culture.

Petersburg Department of RMO[ | ]

Formally, society was created in the form of resumption of the "Symphony Society". To do this, on January 27, 1859, one of the last directors of this society, the first former members of his members were collected by Count M. Yu. Wielgorsky and five directors were chosen to reconsider and change the charter. Favorites in this way, amounted to the first committee of the directors of the future "Russian Music Society", were the actual founders of it; These were: M. Yu. Vilygorsky, D. V. Kanshin, V. A. Kologryvov, A. G. Rubinstein and V. D. Stasov. The first Symphony Meeting of the RMM was held under the control of A. G. Rubinstein on November 23, 1859 in the hall. Chamber evenings began to be held from January 1860 in the hall of D. Bernardaki (the house known "by F. K. Petrovo-Solovovo" - Nevsky Prospect, 86).

Until 1867, A. G. Rubinstein was led by symphony concerts, then M. A. Balakirev (1867-1869), E. F. Director (1870-1882) and others.

Moscow branch of RMO[ | ]

The first symphony assembly of the Moscow branch, which was the beginning of public activities, took place on November 22, 1860 in the small hall of the noble assembly. Already in the first year, 350 members consisted in the Moscow branch of the RMM, and after 6 years there were 1,300 people.

The revival of the department began with the creation of a student N. Rubenstein M. Gamburg music classes per year. With departure M. Hamburg in 1888, the department soon ceased its activities and was soon closed.

In 1895, the department was recreated by S.M. Somov, who became Chairman of the PMM Department. In city as a conductor, the Symphony Orchestra was invited to Voronezh composer, Cello S.V. Zaramba .. Actively participated in the activities of the Voronezh branch of RMO Vitold Ganibalovich Rostropovich.

The Voronezh branch from September 1, 1913 to September 1, 1914 consisted of 33 members, arranged 7 regular music assemblies, 3 chambers, 3 lectures with music illustrations, 1 chamber morning and 1 musical morning on the opening of the building of the music school.

RMO in other cities of Russia[ | ]

The PMO offices were also discovered in other cities of the Russian Empire - in Kiev (1863), Kazan (1864), Kharkov (1871), Nizhny Novgorod, Saratov, Pskov (1873), Omsk (1876)., Tobolsk (1878), Tomsk (1878), Tomsk ( 1879), Tambov (1882), Tiflis (1883), Odessa (1884), Astrakhan (1891), Poltava (1899), Samara (1900) and others.

All-Russian choir society[ | ]

40 years after disbanding the Russian music society during the period of the October Revolution, RMM functions were revived in the activities of the All-Russian choir society, which was formed on June 10, 1957 by the decision of the Council of the Minister of the RSFSR at the request of the Ministry of Culture of the USSR and the Union of Composers of the RSFSR. In 1959, the first congress of the new organization was held in the Great Hall of the Moscow Conservatory, at which the tasks of the Company included the development of artistic education and education in the country, as well as improving the professionalism of choral groups. A. Sveshnikov led the following formulation of the main objectives of the new society:

Promoting a wide development of choral amateur amateur, aesthetic education and extracurricular education of children and young people, an increase in the skill of professional choral groups.

The members internally become both professional and amateur choral groups, choral artists, choral singing lovers. He headed in the prominent representatives of the choral art: A. Sveshnikov, A. Yurlov, A. Novikov, V. Sokolov and N. Kutuzov.

All-Russian Music Society[ | ]

In 1987, the All-Russian Choir Society was transformed into the All-Russian Music Society. According to the Charter of the New Creative Union, adopted at the first congress of the organization on March 21, 1991:

WMO is a successor in EMP and the heir of the spiritual traditions of the Russian musical society, founded in 1859.

As a public organization, WMO united representatives of both musical and choreographic culture on the voluntary basis. It entered both professional musicians and teachers and music lovers, singing and choreography.

The definition of WMO targets were among the following items:

Since 1991, WMO takes into its ranks of preferred representatives of music arts with the award of the titles "Honored Worker of the All-Russian Music Society" for outstanding achievements in the field of musical enlightenment, promoting musical culture, and victory for international, or All-Russian musical competitions. Candidates for the award of the title are nominated by members of the WMO, prominent figures of culture and art through the regional representative offices of the Company and are approved by the Presidium of the All-Russian Music Society in Moscow, which limits the award of the titles of Honored WMO 20 nominees per year.

At the meeting of the III Congress of WMO, the Chairman of the Board of the Company was elected national artist of Russia, Professor, member of the Council under the President of the Russian Federation for Culture and Art of N.N. Kalinin. And in 2005 he was changed by composer A.I.Zhidkov in this post.

In 2005, the basis of WMO's activities is the common educational program of the Russian music society, which consists of six major sections: 1. Festivals and contests; 2. Music chronicle of Russia; 3. Children's creativity; 4. Publishing; 5. Master classes and seminars; 6. Capital construction.

The modern composition of the Company includes 27 WMO regional offices and 11 production plants. To a large extent WMO operates through the work of 11 creative commissions, which were created under the auspices of the Company's Management Board and are engaged in propaganda and development of academic opera and choral singing, instrumental music, choreography, musical and aesthetic education of the younger generation, musical sociology and local history.

In 2010, during the fifth Congress of WMO, the original name of the Russian Music Society (Creative Union) was returned and a new edition of the Charter of the Organization was adopted. In the same year, concerts in honor of the 150th anniversary of the creation of a Russian music society took place at the Dubrovka Theater Center.

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The idea of \u200b\u200bcreating a musical society of the All-Russian scale arose in the salon of the Great Princess Elena Pavlovna. As a result, during the period of public lifting of the end of the 1850s - early 1860s, at the initiative of the Great Princess, Elena Pavlovna, Anton Grigorievich Rubinstein, Yulia Fedorovna Abazy and other music and public figures in Russia appeared a society that was destined to play a crucial role in raising all domestic musical culture.

Petersburg Department of RMO

Formally, society was created in the form of resumption of the "Symphony Society". To do this, on January 27, 1859, one of the last directors of this society, the first former members of his members were collected by Count M. Yu. Wielgorsky and five directors were chosen to reconsider and change the charter. Favorites in this way, amounted to the first committee of the directors of the future "Russian Music Society", were the actual founders of it; These were: M. Yu. Vilygorsky, D. V. Kanshin, V. A. Kologryvov, A. G. Rubinstein and V. D. Stasov. The first Symphony Meeting of the RMO was held under the control of A. G. Rubinstein on November 23, 1859 in the Hall of the Noble Assembly. Chamber evenings began to be held from January 1860 in the hall of D. Bernardaki (the house known "by F. K. Petrovo-Solovovo" - Nevsky Prospect, 86).
Until 1867, A. G. Rubinstein was led by symphony concerts, then M. A. Balakirev (1867-1869), E. F. Director (1870-1882) and others.

Moscow branch of RMO

The first symphony assembly of the Moscow branch, which was the beginning of public activities, took place on November 22, 1860 in the small hall of the noble assembly. Already in the first year, 350 members consisted in the Moscow branch of the RMM, and after 6 years there were 1,300 people.
The revival of the department began with the creation of a student N. Rubenstein M. Gamburg music classes per year. With departure M. Hamburg in 1888, the department soon ceased its activities and was soon closed.
In 1895, the department was recreated by S.M. Somov, who became Chairman of the PMM Department. In city as a conductor, the Symphony Orchestra was invited to Voronezh composer, Cello S.V. Zaramba .. Actively participated in the activities of the Voronezh branch of RMO Vitold Ganibalovich Rostropovich.
The Voronezh branch from September 1, 1913 to September 1, 1914 consisted of 33 members, arranged 7 regular music assemblies, 3 chambers, 3 lectures with music illustrations, 1 chamber morning and 1 musical morning on the opening of the building of the music school.

RMO in other cities of Russia

The PMO offices were also discovered in other cities of the Russian Empire - in Kiev (1863), Kazan (1864), Kharkov (1871), Nizhny Novgorod, Saratov, Pskov (1873), Omsk (1876)., Tobolsk (1878), Tomsk (1878), Tomsk ( 1879), Tambov (1882), Tiflis (1883), Odessa (1884), Astrakhan (1891), Poltava (1899), Samara (1900) and others.

All-Russian choir society

40 years after disbanding the Russian music society during the period of the October Revolution, RMM functions were revived in the activities of the All-Russian choir society, which was formed on June 10, 1957 by the decision of the Council of the Minister of the RSFSR at the request of the Ministry of Culture of the USSR and the Union of Composers of the RSFSR. In 1959, the first congress of the new organization was held in the Great Hall of the Moscow Conservatory, at which the tasks of the Company included the development of artistic education and education in the country, as well as improving the professionalism of choral groups. A. Sveshnikov led the following formulation of the main objectives of the new society:
Promoting a wide development of choral amateur amateur, aesthetic education and extracurricular education of children and young people, an increase in the skill of professional choral groups.

The members internally become both professional and amateur choral groups, choral artists, choral singing lovers. He headed in the prominent representatives of the choral art: A. Sveshnikov, A. Yurlov, A. Novikov, V. Sokolov and N. Kutuzov.
All-Russian Music Society

In 1987, the All-Russian Choir Society was transformed into the All-Russian Music Society. According to the Charter of the New Creative Union, adopted at the first congress of the organization on March 21, 1991:
WMO is a successor in EMP and the heir of the spiritual traditions of the Russian musical society, founded in 1859.

As a public organization, WMO united representatives of both musical and choreographic culture on the voluntary basis. It entered both professional musicians and teachers and music lovers, singing and choreography.
The definition of WMO targets were among the following items:

Since 1991, WMO takes into its ranks of preferred representatives of music arts with the award of the titles "Honored Worker of the All-Russian Music Society" for outstanding achievements in the field of musical enlightenment, promoting musical culture, and victory for international, or All-Russian musical competitions. Candidates for the award of the title are nominated by members of the WMO, prominent figures of culture and art through the regional representative offices of the Company and are approved by the Presidium of the All-Russian Music Society in Moscow, which limits the award of the titles of Honored WMO 20 nominees per year.
At the meeting of the III Congress of WMO, the Chairman of the Board of the Company was elected national artist of Russia, Professor, member of the Council under the President of the Russian Federation for Culture and Art of N.N. Kalinin. And in 2005 he was changed by composer A.I.Zhidkov in this post.
In 2005, the basis of WMO's activities is the common educational program of the Russian music society, which consists of six major sections: 1. Festivals and contests; 2. Music chronicle of Russia; 3. Children's creativity; 4. Publishing; 5. Master classes and seminars; 6. Capital construction.
The modern composition of the Company includes 27 WMO regional offices and 11 production plants. To a large extent WMO operates through the work of 11 creative commissions, which were created under the auspices of the Company's Management Board and are engaged in propaganda and development of academic opera and choral singing, instrumental music, choreography, musical and aesthetic education of the younger generation, musical sociology and local history.
In 2010, during the fifth Congress of WMO, the original name of the Russian Music Society (Creative Union) was returned and a new edition of the Charter of the Organization was adopted. In the same year, concerts in honor of the 150th anniversary of the creation of a Russian music society took place at the Dubrovka Theater Center.

Russian music society (from 1869 - Imperial Russian music society, IRMO, RMO) - Russian musical and educational society, operating from the second half of the XIX century - before the beginning of the 20th century, to promote the dissemination of musical education, introduce the general public to serious music, "promotion domestic talents. "

In St. Petersburg, in the house of Counts of Wielgorski, in 1840, a "symphonic music society" was formed, which, due to lack of funds, was closed in early 1851. It was replaced, created in 1850 in the house of Prince A. F. Lviv (the author of the anthem "God, King Khinga"), "Concert Society", which every year during the Great Post organized three concerts in the hall of the court chapel. At the same time, regular university concerts (about ten concerts per season) began to be arranged for the dangerous part of the public, called "Musical Exercises of Students St. Petersburg University". In addition, symphony concerts began to be arranged by the Directorate of Imperial Theaters, under the control of K. B. Schubert and K. N. Lyadov.

The idea of \u200b\u200bcreating a musical society of the All-Russian scale arose in the salon of the Great Princess Elena Pavlovna. As a result, during the period of public lifting of the end of the 1850s - early 1860s, at the initiative of the Great Princess, Elena Pavlovna, Anton Grigorievich Rubinstein, Yulia Fedorovna Abazy and other music and public figures in Russia appeared a society that was destined to play a crucial role in raising all domestic musical culture.

I.E. Repin. Portrait of the composer Anton Grigorievich Rubinstein. 1887.

The society was under the auspices of the imperial name (the Great Princess Elena Pavlovna (1860-1873), Grand Duke Konstantin Nikolaevich (1873-1881), Grand Duke Konstantin Konstantinovich (from 1881), etc.). At first, it was called "Russian Music Society" (RMO) and the first 10 years (1859-1869) operated under this name.

Led. kn. Elena Pavlovna

Society opened in St. Petersburg in 1859; On May 1, 1859, his charter was approved by the emperor

According to the Charter, RMM aimed to "promote the spread of musical education in Russia, to promote the development of all branches of musical art and encourage capable Russian artists (writers and performers) and teachers of musical subjects." The educational nature of the RMM activity is expressed in the words of one of its organizers by D. Stasova: "Make good music available to the public." Concerts were organized for this, educational institutions were opened, competitions were established to create new works.

Anniversary concert dedicated to the 145th anniversary of the founding of the Russian Music Society

Big Hall of the Moscow Conservatory. P.I. Tchaikovsky

The activities of the RMO from the very beginning came across serious organizational and especially material difficulties, to overcome which was managed only through the help of patrons and promoting the "special imperial surname" (formally headed society as chairman and his deputies). At the head of RMO, the Committee of Directors, which included A. G. Rubinstein, who actually headed the work of society, Matv. Yu. Vilygorsky, V. A. Kologryvov, D. V. Kanshin, D. V. Stasov. The first symphony concert (assembly) of the RMO was held under the control of A. G. Rubinstein on November 23, 1859 in the Hall of the Noble Assembly (here the RMO concerts were held in subsequent years). Chamber evenings began to be held from January 1860 in the hall D. Bernardaki. Up to 1867, symphony concerts were led by A. G. Rubinstein, after his departure from the PMM post. Conductor occupied M. A. Balakirev (1867-1869), which in many respects updated the repertoire of concerts, including modern works, E. F. Director (1870-1882); Subsequently, prominent Russians and foreigners were invited. Conductors, including L. S. Auer, X. Bulove, X. Richter, V. I. Safonov, A. B. Hessin.

Directorate of RMO in 1909.

Sit, on the left: S. M. Somov, A. I. Vyshnegradsky, A. K. Glazunov, N. V. Artsybushev, M. M. Kurbanov. Stand on the left: V.P. P. P. P. Pliskovsky, I. V. Shimkevich, M. L. Necheller

In 1860, RMO opened in Moscow, headed by N. G. Rubinstein. Symphony concerts, which began from 1860 under his leadership, were held in the column of the noble (noble) meeting. After the death of N. G. Rubinstein, the conduits were M. Ermansdurfer (1882-89), V. I. Safonov (1889-1905), M. M. Ippolitov-Ivanov (1905-17); There were also tourists. An important role in the activities of Mosk. RMO played P. I. Tchaikovsky, which was part of the directors for a number of years, later - S. I. Taneyev. Intensive was the concert activities of the RMO in St. Petersburg and Moscow; Concerts were also held in the halls at the new premises of the Conservatories - Petersburg (from 1896) and Moscow (from 1898 in Malom and from 1901 in the Big Halls). On average, 10-12 "regular" (subscription) symphonic concerts and as many chamber in each city took place every year; "Emergency" concerts with the participation of outstanding performers were also suitable.

String Quartet of the St. Petersburg branch of the Russian Music Society (RMO), 1880s. From left to right: Leopold Auer, Ivan Pickel, Jerome Weikman, Alexander Verzhbilovich.

The orchestra had musicians mainly imperial theaters; Among the soloists were dominated by representatives of Russian executive arts, including Pianists A. G. and N. G. Rubinsteins, Cellos K. Yu. Davydov, V. Fitzengagen, pianist and violinist Brothers I. and V. Vavansky, Skrepache L. S. Auer and others. Orchestras led many largest conduits and composers of Russia and other European countries, including A. K. Glazunov, S. V. Rakhmaninov, N. A. Rimsky-Korsakov, A. N. Scriabin, S. I. Taneyev, P. I. Tchaikovsky, as well as Gllyoz, A. Dvarak, M. Maler, R. Straus, and others.

BZK. Rachmaninov | Symphony No. 2 minor, Op. 27 (1907). Conductor Vladimir Fedoseev

The main place in the programs of concerts of RMO was given to classical music (I. S. Bach, L. Beethoven, F. Gendel, J. Gaidn, V. A. Mozart) and the writings of German romantics (F. Mendelssohn, R. Schuman). For the first time in Russia, the works of Western European authors of that time were sounded here (Berlioz, R. Wagner, F. Sheet). Russian music was represented mainly by the writings M. I. Glinka and A. S. Dargomyzhsky; Premieres of symphonic and chamber compositions of composers of the "mighty bunch" composers (1st Symphony A. P. Borodina, "Antar" N. A. Rimsky-Korsakov). Later, the works of I. Bramsa, M. Rehea, R. Straus, K. Debussy and other foreign composers were fulfilled; A significant place was given to Russian music. From 1863, publicly available concerts were arranged. In 1860-66, RMO held contests of Russian composers.

I.Brams Symphony No. 2 D Major, Op. 73.

Concert Symphony Orchestra of the Moscow Conservatory,

Conductor Dmitry Polyakov

Big Hall of the Moskovo Conservatory

Another important part of the RMO activity was the foundation in 1860 in St. Petersburg and Moscow of the music classes who served as the basis for creating the first conservatory in Russia, which opened in St. Petersburg (1862) and Moscow (1866) and became the largest centers of musical education in Russia.

In the first years, both societies in St. Petersburg and Moscow existed independently, however, as the power of the RMO is spreading throughout the country, the metropolitan circulation, as well as newly discovered, began to be called offices. In 1865, a new charter was adopted and the main Directorate of the RMO was established, whose task was to coordinate the activities of provincial offices. They were created in most major cultural centers - in Kiev (1863), Kazan (1864), Kharkov (1871), Nizhny Novgorod, Saratov, Pskov (1873), Omsk (1876), Tobolsk (1878), Tomsk (1879), Tambov (1882), Tbilisi (1883), Odessa (1884), Astrakhan (1891) and other cities. In 1901, the Company's branch and musical classes appeared in the provincial center of Eastern Siberia - Irkutsk. In the Urals, the first branch of the IRMO arose in 1908. In Perm. On the course of the 2nd floor. 19th century RMO played a leading role in the musical life of both St. Petersburg and Moscow and the whole country.

A film about the history of the Saratov Conservatory. L.V. Shanovova

Open with many branches of RMM music classes in some cases gradually rose into the schools, and in the largest centers were transformed into the Conservatory - Saratov (1912), Kiev and Odessa (1913), Kharkov and Tbilisi (1917). In the new charter of 1878, special attention was paid to the situation and rights of educational institutions. The provincial branches mostly experienced chronic drawback in qualified musicians and premises for concerts and classes. Government subsidy, issued by RMO, was extremely insufficient and was provided in the main metropolitan branches. Kyiv, Kharkov, Saratov, Tbilisi and Odessa branches were the most wide concert activity, they arranged 8-10 concerts for the season. The work of the offices was poorly coordinated, which had a negatively affected on the formulation of teaching in schools and music. Classes: up to con. 19th century Educational institutions did not have common curricula and programs. On those held in con. 19 - Nach. 20 centuries. In St. Petersburg, the congresses of the directors of the music. Classes and schools were made only the first steps to correct the position. Established in 1891 the position of Assistant Chairman for Music For many years remained vacant (in 1909 this post took S. V. Rakhmaninov ).

Despite the many difficulties of existence, RMO, reflecting the educational aspirations of advanced public circles, played a progressive role in the development of Russian professional musical culture, in the distribution and promotion of musical works, laid the beginning of a systematic concert activity, contributed to the growth of music. Educational institutions in Russia and the identification of national musical achievements. After the Oktyabrsky revolution, RMO has stopped existence.