The work of impressionists in the main headquarters. Impressionists in the Hermitage: famous artists and their paintings, location, exhibition places, exhibition operation and the date of the Hermitage Pride - our

10.07.2019

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Impressionism is a light air creativity of dreamers and finely felt natures. After all, the image transmits a momentous impression that artwork captures forever. The reader is probably interesting, whether such creations are presented in the Russian city of the arts and its richest treasury. Having rushing you: in the Hermitage, they are waiting for their audience! In the article we will analyze in detail where to find them which collection is presented.

French art in the Hermitage

The world community believes that Hermitage for today is one of the richest wareboards of the creations of impressionism and postmingness. The collection contains genuine masterpieces created by French artists at the border of the XIX-XX centuries.

Exposure is curious. It is based on the fresh and flooded landscapes of France. A variety of portraits of Parisians with the fascinating viewers of the face. Aesthetic delight complements the majestic types of Gaenovskaya Polyesia, which does not leave anyone from the audience indifferent.

It should be noted that 39 halls are assigned to French art in the Hermitage! In the main headquarters you can see the creations of French masters, starting with the XV century. They are located on the third floor of the world-famous Russian museum. The Hermitage is kept the richest collection of French art from all existing outside of this country!

And on what floor in the Hermitage Impressionists? You should rise by 4th floor to enjoy the "air creativity". With the creations of Impressionists and postming by the wonderful works of the masters of the last century - Matisse and Picasso. There is also a widescreen exhibition of contemporary art called "Manifesto 10". It presents the creations of the Russian representatives of new trends in art - famous Malevich and Kandinsky.

Impressionists in the Hermitage

What artists are presented in this wonderful Russian museum? Imagine impressionists in the Hermitage:

Claude Monet (8 works).
Renoir (6 paintings).
Van Gogh (4 canvases).
Gaugugen (15 works).
Roden (9 sculptures - marble, gypsum, bronze).

In addition, on the fourth floor of the Hermitage, you can find 37 Clotts Henri Matisse and as much

The French art of the last centuries is presented in the main Hermitage headquarters with the following wonderful names:

Lefevre, True, Lyter, Sovne, Gerard, Gro, Liberty, EGR, Prudon, etc.
You can get acquainted with romanticism in French art on the works of Delacroix.
Barbizona painting - delightful landscapes of Krediti, Rousseau, Dupre.
Part of the exposure is devoted to such a well-known flow as symbolism. These are the works of De Shevane, Redon.
You can get acquainted with the work of artists of the Nabi Group - Denis, Bonnar, Vuyar, Russel.
Formism in the works of the wonderful A. Matisse.
Cubism in the work of Picasso.

Works of impressionists

Let's see what pictures of Impressionists in the Hermitage today are pleasing visitors:

Paul Cesanne - "Girl for Piano."
Renoir - "Girl with fan", "in the garden", "Child with a whip", "Portrait of J. Samari".
Camille - "Montmartre Boulevard".
Claude Monet - "Waterloo Bridge with a fog effect", "Machine field in the lively", "Corner of a garden in Monger", "Lady in Saint Address."
Gogen - "Taitian" paintings.
Van Gogh - "bush" and other best works of the master.

Collection History: Dar S. I. Shchukina

Being a subtle connoisseur of art, the collector managed to immediately recognize, what significance for world arts have unpleasant contemporaries of the creation of impressionists. Sergei Ivanovich's paintings bought both artists themselves and traders of painting. Activities and enterprising Schukin the latter called "Dickup" - for disadvadances in transactions.

Sergey Ivanovich was often in Paris, where he was able to acquire the original canvas of Gauguen, Monet, Picasso, Renuara, Degas, Van Gogh, Pisserro, Cezanna. It is known that on his order they wrote Panel Matisse, Villard, Bonnar.

The testament was made, according to which the collection of works of French artists collected by him was to move away from St. Petersburg. It has 225 works in it!

Collection history: Dar I. A. Morozova

Ivan Abramovich Morozov began collecting his delightful collection, carried away by the domestic painting. However, the connoisseur also attracted air french impressionism. Surprisingly, his artistic tastes practically coincided with the preferences of Sergei Ivanovich Shchukin, even Ivan Abramovich was under 17 years old. It is important to say that, raging its collections, patrons were guided by no means material considerations.

I. A. Morozov most appreciated the work of Bonnar - in his collections more than three dozen works of this master. He was also fond of paintings by Denis, Matisse canvas, Taitian plots of Gauguin, Van Gogh's works. At the time of joining the Bolsheviks, there were 135 paintings and sculptures of French masters.

During the years of Soviet power, the Morozov and Schukin collection were distributed between the Hermitage and Pushkin Museum in Moscow. However, the work of impressionists for many years dust in the repositories, since there were disagreeable artistic views of socialism. Interest in them began to wake up only in the middle of the last century.

Today, the collection of Impressionists' masters took its deserved place in the Hermitage - she spread out almost completely on one of the floors of the museum.

Contact Information

The exhibition of impressionists in the Hermitage is open all year round. The schedule of her work, thus, completely coincides with the schedule of the Museum itself:

Tuesday, Thursday, Saturday, Sunday - 10: 30-18: 00.
Wednesday, Friday - 10: 30-21: 00.

The cost of the ticket is about 300 rubles. For some categories of persons, preferential tickets are available and free entrance. Specify the details at the office of the Hermitage.

The museum (main headquarters) is located on Palace Square (House 6/8). The nearest metro station is "Admiralteyskaya", "Nevsky Prospect". And where in the Hermitage Impressionists? The collection of French artists is looking for the 4th floor of the museum.

Now the reader knows where to find impressionists in the Hermitage. We can admire the pictures of French artists thanks to two Russian pheetsents - S. I. Schukin and I. A. Morozov.

During the straight line with the president, the director of the Moscow State Museum of Fine Arts, Irina Antonova asked Vladimir Putin to recreate the State Museum of New Western Art.

The famous collection of French painting of the late XIX - early XX century, collected by Moscow merchants Morozov and Shchukin, until 1948 formed a separate museum, and then distributed to the decision of the Communist Guide between the Hermitage and the State Museum of Fine Arts. Pushkin. Opened in 1956, the exposition of the third floor of the Hermitage dedicated to Impressionists is one of the main attractions of St. Petersburg.

The presence of this collection in the Hermitage Halls had a huge impact on the development of the art of St. Petersburg for the second half of the XX century.

In the past century, Russia experienced a revolution, nationalization, war, the change of the capital. After 1945, Soviet museums and libraries received many "trophy" artifacts. Return to the state of almost fifty years ago means to begin the process of an infinite, inexperienced flowing of artistic values \u200b\u200bfrom the city to the city, from the country to the country.

It is known that most of the collections of provincial museums are formed on the basis of the Ermitage storerooms, the State Russian Museum and the Tretyakov Gallery. What prevents from returning them back? The issue of restitution arises in relation to the pre-revolutionary owners and collectors. Why not return the collection of Schukin and Morozov to their descendants - let them decide their fate, give in the Orsay Museum or the Tate Gallery. The offer of Irina Antonova is a dangerous precedent leading to chaos.

In Soviet times, cultural values \u200b\u200bmoved mainly not from Moscow to Leningrad, but from Leningrad to Moscow. The New Capital was sent to the Academy of Sciences, archival collections, which were the three largest repositories, most of the collections of the Guards Regiment Museums, a significant part of the collection of the Hermitage itself. Therefore, in the event that the Commission created by order of the President decides on the part of the Schukina-Morozov collection to Moscow, it would be natural to consider the return on the banks of the Neva what was given to Moscow.

For our city, the disappearance of the original Renuara, Matisse and Picasso's original is tantamount to the first-mounted copper rider, Rostral columns and burials of emperors. This is an irreplaceable blow to the culture of the city and the historical memory of people living in it.

We ask to suspend the work of the Commission and not consider the Antona question given by the Lord as obviously absurd.

During The Recent Direct Line TV Programe on 25 April 2013, in Which Members of the Russian Federation Vladimir Putin With Their Views and Concerns, Irina Antonova, Director of the State Museum of Fine Arts in Moscow (The Pushkin Museum) BEGAN LOBBYING THE STATE MUSEUM OF MODERN WESTERN ART, CLOSED IN 1948.
In itSelf, this request Might Seem Innocuous. The Holdings of the State Museum of Modern Western Art, Founded in 1928, Were Made Up Works of Art from Two Private Collections Nationalized in The Early Soviet Period and Once Owned by Ivan Morozov and Sergei Shchukin. The Museum Was Housed in The Mansion That Had Formerly Been The Home of Ivan Morozov. HOWEVER, After the State Museum of Fine Arts Was Closed, Its Holdings Were Split Up, with Part of the State Museum of Fine Arts. The Remaining Works of Art from The Morozov and Shchukin Collections Have Been, Since 1956, Exhibited in the Top-Floor Galleries of the State Hermitage in St Petersburg (Formerly Leningrad), Where The Have Come to Be An Integral Part Of The Museum's WORLD- Class Collections, And Are Regarded by Both Locals and Visitors As One of the Artistic Jewels of St Petersburg, Akin to the Bronze Horseman and St Isaac's Cathedral. What Irina Antonova IS Demanding Is Nothing Less Than The Surrender by The Hermitage of Its Most Famous Modern Paintings, Its Entire Holdings of Major Post-Impressionist Works, Including Matisse's La Danse.
IF These Artworks Are Returned to Moscow on The Grounds That This Is Essential For The Integrity of the Original Collections, Then This Will, In Effect, Be An Attempt to Annul The Importance of the Historical Processes of War And Revolution That Precipitated Their Arrival in State Hands to Begin with. The Logical Next Step Must BE A Re-Examination of the Status of All Other Artworks Transferred Into Russian Museums In The Soviet Period. In addition, The Removal of the Artworks to Moscow Would be a Huge Bowow to the Status of St Petersburg's Museum Collections. Since 1917, much of the city's movable heritage has been removed to Moscow, including large sections of the pre-revolutionary government archives and public records, many of the artefacts once owned by regiments, and significant items from the former royal collections, not to speak Of Countless Items from the Hermitage's Own Collections. IF The Works of Art from The Shchukin and Morozov Collections Go to Moscow, Then The Hermitage Will Be Entitled to Demand The Return of the Works of Art That Were Removed from There In The Pos-Revolutionary YEARS AND SENT TO THE NEW CAPITAL.
In Short, Irina Antonova's Demands Will Set An Inflammatory Precedent, and Risk Causing Chaos in the Russian Museum World. We Are Astonished and Appalled That A Government Commission Schald Have Been Set Up to Investigate The Feasibility of this Proposal, Which Is Clearly Both Mischievous and Absurd. We Urgently Request You to Disband The Committee and To Confirm That The Rightful Place for these Post-Impressionist Masterpieces is the Hermitage.

To whom:
MEDINSKY Vladimir Rostislavovich, Minister of Culture of the Russian Federation

I ask you to prevent the transfer of the part of the Collection of Schukin-Morozov from the Hermitage to Moscow.

During the straight line with the president, the director of the Moscow State Museum of Fine Arts, Irina Antonova asked Vladimir Putin to recreate the State Museum of New Western Art.

The presence of this collection in the Hermitage Halls had a huge impact on the development of the art of St. Petersburg for the second half of the XX century.
The movement of this collection would be a tragedy for the city.

We ask to suspend the work of the Commission and not consider the Antona question given by the Lord as obviously absurd.

Yours faithfully,
[Your name]

The luxurious museum, one of the most visited and loved by many residents from different parts of Russia and the Earth. The exposition of its main headquarters is assessed as the richest world treasury of impressionismist and post-acceptance art.

The collection is decorated with genuine masterpieces of Monet, Renoara, Sislai, Pissarro, Cesanna, Van Gogh and many other outstanding masters, who worked at the turn of 19-20 centuries.

Inspecting the work of bright representatives of these flows, visitors can disclose the features of the new artistic language of the transfer of unique and at the same time actual worldview views of artists.

At the basis of the exposition - landscapes of France, filled with the golden rays of light and fresh air, portraits of Paris's inhabitants, whose mysterious features are left indifferent, as well as types of Gaenovskaya Polyesia, attracting gaze pristine and conson with the environment.

Hermitage assembly

Museum presents masterpieces in the following quantities:

8 paintings of Claude Monet;
6 Renoara wastes;
4 works Van Gogh;
15 works of Gogen;
37 paintings of Henri Matisse and Pablo Picasso;
9 marble, bronze and gypsum sculptures of Rodin;
as well as many other artistic works of great masters.

Art of France

It is worth noting that the art of France, starting from the 15th century, occupies 39 museum halls, due to which the exposition has become the largest in the world organized outside the native country. On the 3rd floor, the works of French painting and sculptures of the 19th century are presented.

The works of French Impressionists and post-migrassionists are exhibited in the halls of the 4th floor . Some of them are assigned to Matisse, Picasso and other masters of the 20th century. Since 2014, the shown of the large-scale exhibition "Manifesto 10" has been opened. In addition to the works of Matisse and Picasso, here you can see "Composition No. 6" Kandinsky and "Black Square" Malevich.

The basis of the exposition of French painting in the middle of the XIX - the beginning of the twentieth centuries make up pictures of mastted artists - Claude Monet, Auguste Renoire, Alfred Sisley, Camille Pissarro, Cezanne fields, Onor houses, Henri Fannature, Vincent Van Gogh, Gauguen fields andwith private collections Schukin and Morozova.

Start meeting

In the ambiguity of the halls of the main headquarters, the richest exposition of French impressionists and post-impassionists was exhibited for everyone. The overwhelming number of works was included in the private assembly of industrialists and collectors - Ivan Abramovich Morozova and Sergey Ivanovich Shchukin.

Being subtle connoisseurs of the beautiful and genuine, they managed to understand how great the contribution of impressionists and post-imagressionists in art. Petshenate collected their collections on the bitches, buying pictures from painting traders and the artists themselves. Thus, the important components of the artistic wealth of the Hermitage exposition of impressionists and postimipresions were purchases and gifts from domestic collectors.

The active and enterprising industrialist, a subtle and exquisite fan of Painting Sergei Ivanovich Schukin, oddly enough, called "dicker", first of all, for his stubbornness in transactions, and also for the fact that he, they say, whipped "art trash" and nothing sense in art.

Schukin was often in Paris, where the cloths were scared by artists, merchants and signs of painting. So, in his mansion appeared paintings by Monet, Renoara, Pissarro, Degas, Cezanne, Gauguen, Van Gogh, Picasso, as well as panels, specially ordered from Matisse, Bonnar, Villard.

According to the will, compiled by Shchukin in 1908, his collection after death had to retire the city. After 10 years, there were 225 works of French painting.

Continuing his brother Alexei Vikolovich, who created the Museum of Porcelain,Ivan Abramovich Morozov collected paintings of domestic artists. Later he became interested in impressionism and replenished the family artistic treasury by the works of the French masters of modern destination.

Although he was for seventeen years old, Schukin, artistic hobbies and views of both patrons coincided. They were guided by intangible considerations. The arrival of the Bolsheviks of Morozov had a collection of 135 canvases and sculptures.

Morozov liked the work of Bonnar, from which over three dozen works was included in the collection. It was in Morozov's mansion a series of decorative works from Maurice Denis.

When Schukin presented Matisse Morozov, the latter collection was replenished with three canvases depicting African landscapes. Morozov was interested in the Taitian works of Hogen, he was also fond of Van Gogh.

Under the Soviet government, the meeting of both patrons was nationalized and transferred to the Hermitage and Pushkin Museum. But they were deposited by the fate of dust in the repositories until the middle of the last century, since at the dawn of socialism, immature builders of communism advanced L "Art Français (French art) was evaluated.

Today, on the 4th floor of the General Staff, the "Gallery of Memory of Sergey Schukin and the Morozov Brothers", where the work of impressionists, postpressionists, artists of the Nabi Group are exhibited.

In general, the Hermitage Assembly of the works of Cezanna, Gauguen, Mark, Bonnar, Matisse, Picasso and the rest of the great French painters and portraitists of the 19-20 centuries so luxurious, which is deservedly attributed to the most important and largest world collections, taking into account their own art arsenal in their homeland.

Impression Concept

Impressionism translates from French as a "impression." This Art-flow was born in France at the end of the 19th century. Artists with impressionist glances, protesting against the embellishment of the life of art akademism, turned to a kind of transmission of reality. They worked exclusively from nature, natural landscapes were used for landscape creations.

They wanted to show the natural grace and the desire for change, excellently depicting airiness and sunshine, sophisticated shades of light and paints.

The original tonality and freshness of paintings, the optical perception of natural scenes impressionists gave impetus to the development of the flow, which expanded the verge of possible painting.

The focusing on the color perception of the world and the care of the conceptual significance of the phenomena was the reason that the artists began to combine the images created by them into one.

Therefore, there is no plot painting in impressionism. Impressionism methods are not aimed at the "exposure" or "exposure" of individuality, displaying a large scale events. This is despite that the conflict of that era was the greatest. Hence the accusation, which sounded to the works of impressionists, about them, allegedly, remoteness from life.

The name of the flow arose from the name of the MONE picture "Impression. Sunrise". It was the central work of the Paris exposition of 1874. What caused Furore. One journalist with a big sarcasm called the above-mentioned artist and others with him - "Impressionists".

Current - "post-impression"

Englishman Roger Fry used this word, criticizing the 19-20 centuries modern at the time of the flow appeared in French art at the turn.

After the publication of the "manifesto symbolism" sea masses, the Era of the Spirit-Creator was marked. Taking the color components of purity and dies from impressionism, postpressionism is engaged in finding stable values. Masters work are saturated with philosophy and symbolism. The work of Toulouse-Lotrek, Cezanna, Van Gogh, Gaugugen, sulfur, Xinyak, Pissarro, and other authors are counted to the postmingnessism.

The postpressionists differed from impressionists with their desire to display not momentary moments, and the most eternity, as if they had owned secret knowledge about the universe.

The principles of postpressionism influenced the formation of Formism, cubism, expressionism and other currents, formed the basis of the development of modern painting.

Conclusions from what

The Hermitage Assembly from the family treasures of Schukin and Morozova is the unique works, masterpieces from famous masters. Private collections were replenished with these art connoisseurs when the artistic works of Impressionists and post-imagressionists were not recognized as a public or specialists. Today these flows are relevant than ever. They are part of the development of painting. But most importantly, they serve people who are not indifferent to great art.

So, we got (finally !!!))) to the halls with the pictures of impressionists and post-mixing. They are located on the 4th floor. According to my observations, everyone goes there)). At least already at the entrance, the guard occurs to questions as "inturists" and our citizens - "4 floor, elevator from the second floor")).

We went there "long way" that I showed to you in previous posts. Therefore, the 4th floor is already tired. And, frankly, a big impression on me the collection of impressionists did not produce ... We are spoiled by the collection of the Pushkin Museum and, without offense, it is richer and more interesting. There are many paintings here, but they, as I would say, "no stars." But this is only my opinion, I do not pretend to anything. It seemed to me that a lot is secondary. But it is always interesting to look. Moreover, there are unconditional masterpieces in the collection (the same "Jeanne Samari" Renuara, "Lady in the garden" Monet, "Girl with a fan" Renuara ...)

There are a lot of rooms. Everything is awesome by the authors - Matisse, Picasso, Gauguin, Van Gogh, Renoir. Cezanne, Monet ... There are many places, the paintings are spacious. But in some races, the wave is such that the paintings under the glass (!!!) are godlessly glad (if they are located opposite the windows) and it is difficult to watch.

I needed that the "main visitor" examined everything and amounted to the presentation.

"Oh, Mom! Checkered !!!"))), it seems he still got involved in this direction of painting))

Picasso with an amateur absinthe.

When I'm talking about glare, it looks like this.

Pictures of Gogen seemed to me very dark. This is not the work of the camera, it is such dark color paintings.

With surprise, it was arguing with this bouquet of rowan fields of the Gaugaen. Uncharacteristic plot for him)).

Cezanne interesting. There are two rooms Cezanna. By the way, all the halls and their location can be viewed on the Hermitage website, the Hermitage site is very informative, it is worth going before visiting. But only he loads so hard, so I give direct links to these halls.

Two Renuara Hall. There is something to see, but in Pushkinsky, the collection of Renoir paintings is more interesting.

That's what upset me is the hall of Claude Monet. I waited more, as I love MONE very much. You can see this hall on the site of the museum that's what is exhibited there? "Misty picture" Bridge Waterloo ", a few small landscapes, two large and terribly glare canvas with landscapes and an unconditional masterpiece" Lady in the garden "covered in the very corner ...

This two landscape in the first half of the day is impossible to look. Pictures under glass, opposite huge windows ... glare from all sides. Already at the exit from the Hermitage I bought postcards with these landscapes ---- to consider)). Consider the postcard!)) Wonderful. Pictures on beautiful postcards)). In the hall it is not visible. And this is Monet, where color is the main thing.

And this is the "lady in the garden" with a superbly transmitted light. But she "lives in the corner" outside the door ... I would not at all so milked these works. But who will ask me)))))))))))))

Hermitage celebrates its 250-year-old anniversary, and this was the reason for the fact that three famous pictures of Claude Monet were sent from Switzerland: "Squares", "Rueny Cathedral" and "Garden in Zhiverny". These canvases belong to the Bealer Foundation. Some enemies can say that Monet and enough in the Hermitage collection, and what it is compared to the past arrival of amazing Cavago.

But it is precisely for these canvas to cost. These are the pictures that are not in the exposition of the museum. Elderly Monet is constantly engaged in incomprehensible than, but one exactly is his personal interests. If you look at the other hand, this exposure is some similarity conversation about money. The whole thing is that various works of masters are sold and bought on this money. First buy, then sell more expensive. And this exposure is the brightest example of such purchase - sales.

A little bit about the Bayer Gallery

The Gallery of Ernst Bayeler began its life in 1952. He, being a student, began collecting books of old masters of various genres. Then, throwing this thing, he switched to more profitable, that is, a collection of classic style graphics collection. As its development develops, Ernst has become one of the largest dealers based on the traditions of the best auctions. Now his collection of gallery has grown to huge sizes, and is firmly holding its position.

With its decision to set pictures of Monet in the Hermitage, he thus showed that simple collecting will lead to greater profits. It is necessary to arrange a small show of his paintings, so that people could not only get acquainted with the works of art, but also the picture itself acquires its certain value.

A few words about the pictures

It is the pictures of Claude Moneta are in great demand for the purchase. This is the best investment of funds. The canvases that were brought from Switzerland do not have such a great value in the history of artistic craft, but they have become a certain symbol of wealth among the entire art market.

The whole value of all paintings by Monet is that the artist wrote several series. The acquisition of the entire series is an exceptional course in the trading market. Three these pictures attract their saturated colors and light. It seems that the picture is lit from the inside. Monet tried to catch the escorting moments of the natural nature of the world. In all of his paintings, Monet put his own soul, tried to show people all the painting of the surrounding world. So, for example, in the picture "Sweets", you can see the relaxed and affectionate light of the summer, thanks to which anyone who saw the canvas departs from him with the feeling of the joy of life and the peace of one's own soul.