Stick in a fairy tale on a torture kettle. Hidden meaning in Russian folk tales

03.03.2020

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In the Russian folk fairy tale, "on a voluntary class", it is told about a simple guy from the peasant family named Emely. In the family of his Emely, he was considered a man inhabit, and he did not have a physical work for physical work. Most of all loved Emel on the furnace to lie down. Large works were worth a persuasion to do something at home. He agreed to do this, only if the hotel promises him.

Once it was possible to raise the emel from the furnace and send it to the water river. It was winter. He took the buckets and the ax and went to the river. On the river, he not only cut off and scored the water, but he managed to catch a pike with his bare hands. Pike turned out to be not simple, but magic. She said to Emela cherished words that any desire perform. Emelya immediately guess that the buckets with water went home themselves.

Then the magic words helped firewood smoking. And when the firewood ended, Emel on only sleigh, without horses, went to the forest. In the forest, the ax for firewood himself was disturbed, the firewood themselves in Sanya developed and Emelya returned home.

The king himself recognized about unusual cases of Emetel. He ordered Emel to deliver to him to him. Emelya and here showed up. With the help of magical words, he went to the king straight lying on the furnace. In the Palace of Emele Tsarevna, I liked it, and he again the words of magic used to fall in love with the royal daughter. I did not like such a candidate in the king. Emel deceived soared and together with the princess in a barrel on the sea sent.

When Emelya woke up in a barrel, he was not confused, but asked the waves and the wind to throw him ashore, and free from the barrel. At the request of Tsarevna, Emelya guess to build a rich palace on the bank, and he himself became a handsome man.

By the palace, somehow the king was driving. Emelya invited him to visit and the king saw how he became rich and strong. The king was frightened, asked for forgiveness from Emelie and gave the kingdom to Emeyla, and he gave her daughter for him.

This is the summary of the fairy tales "by whining kettling."

The hero of the fairy tale, the simple peasant son of Emely, was not so stupid man. Becoming the owner of the magical words, he showed an incomplete fantasy, coming up, how can the hard peasant work be eased.

First of all, the tale teaches us attentiveness. If Emel were not attentive man, he would not have noticed a pike hole. The tale teaches us also to be agile and resourceful. Emely, noticing the pike, not confused and caught her with bare hands. It can be said that he literally "caught good luck for the tail" and, as a result, he got the opportunity to work wonders. It should be noted that in this fairy tale, the pike symbolizes the nature around us. Carefully watching the phenomena of nature, people gradually recognized her secrets, and invented many useful things - the wheel, self-deviating carts, many other useful things, and even learned to fly in the sky, like birds.

The main meaning of the fairy tale "By whining class" is that the happiness of man depends on him itself. If you do not know what to wish, then nothing will be. Emelya, although presented to us as a nonsense space, I wanted happiness, and he got it. And everything is judged, as they say, according to the final result.

Of course, in real life, we do not catch the magic pike, but in order to succeed in life, you need to imagine well what you need to strive for. Emelya knew what he wanted, and managed to correctly take advantage of the new features that Pike gave him.

My love for fairy tales does not raise anything, it's my childhood! First, my mother told me, and at six years I have already learned to read. A little later, we bought a player and a bunch of children's plates. For Soviet times it was a very cool acquisition! I still remember how, what voice, with what intonation to whom and what he said to one or another hero; We can say that I have heard the plates to the holes. Some unknown inner feeling I understood the power of fairy tales and their height power.

Therefore, now it is so insulting to read modern analyzes of the wise narratives, only the outer side is demonstrated in these pseudo-disims, and the entire hidden meaning is lost completely. Such "analyzes" are not just ridiculous, they are satisfied with dilatancy! Like, that hero is lazy, and that hardworking, this greedy, and this life punished ... Tales are not at all about it! A similar approach diminishes and completely distorts the meaning of the fairy tale, turns an important "educational material" into an entertaining and insignificant in meaning of history. Although in fact the tale is a collection of archetypical wisdom, knowledge of the device of the world, a device of life, and each individual.

And I want to show today how strikingly wise and deep can be the usual Russian fairy tale, on the example of everyone a good acquaintance and unfairly commemorative history "by whining kettling."

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Emelya - who is he?

What you thought, remembering this character. Just honestly! Most likely, like the majority - Lazy, Lododer, no talents outstanding, lies on the furnace, demonstrates a very passive way of life, and then caught a pike guy and became the royal son-in-law! Lucky! And also, most likely, you thought that this is a typical plot for a Russian person, sit even in place and wait for "successful circumstances", or when "come and everything will be offered." Yes, indeed, most often such a interpretation is found. Moreover, some parents intentionally do not read a fairy tale about Emel so that the child does not have learned bad!

Unfortunately, it is because of the inability to explain and interpret a fairy tale, parents deprive children of the opportunity to touch the ancient archetypical wisdom. But we will fix this shortcoming, and "stupid" story about the lazy Emeyla will turn into a storehouse of human knowledge. Let's look deeper on the plot of this amazing fairy tale. How does it begin?

"There was an old man. He had three sons: two smart, and the third is a fool of Emelya. Two senior work, and Emel lies all day on the stove, it does not want to know anything. "

It is only worth asking themselves the question: who agreed to feed the Lodody? Work for two and share with a lesioned piece of bread? Why does the oven you will not be removed by the pancake? Probably not so simple.

The fact is that "three brothers", often mentioned in most Russian fairy tales, and that's the two senior reasonable, "normal", workers, and the third - the fool of some unsuccessful turned out - these are not three personalities, but three sublocities, Three parts of one person. And all events occur ... inside the mind.

The older brothers symbolize our rational part, manifested mental functions. They live according to a given standard, go beyond the footpaths, perform a strictly set task: you need to work - go to work, it is necessary to marry - marry, in general, they do everything as the society tells. And, if a person does not develop if it does not seek self-knowledge and periodic outputs from the zone of standard functions "on a latter road", it stuck in this role. You observed such people, rational, unresponsive feelings who fear foolishly look. They are so clapped in their framework, in captivity of their thoughts and fear "What people will tell about me," they do not have enough energy or forces on creative bursts.

And what about Emel? Lies on the furnace and sleeps all day. Who is he in our story, this main character? He is the younger brother, symbolizes our shadow undeveloped mental function. That is why he is still passive, he "lies on the furnace" and does not prevent the eldest brothers to work. So what kind of functions hides this layer?

The famous psychologist Carl Jung revealed 4 mental functions in man: thinking; feelings; intuition; feeling.

Most often, man relies on one of them, it is the main leading. Two more play a supporting role, and the last fourth function is hidden, it is in the shade of consciousness. And the stronger the main function, the more deeply in the unconscious (in the shadow) is hidden. It seems to be asleep inside the person, exactly like Emelya on the furnace.

In my experience, in our material age most often such a shadow side of the personality are feelings, although there can be any of the four listed functions. A person denies everything connected with a hidden part of the person, suppressing it. No wonder our loaf and fool lay on the furnace, in a dark corner almost under the ceiling, where he does not interfere with anyone, and it is almost not visible. However, a holistic person can only become an intelligence when it gets his weak function from the shadow and it will start using it. Four-wheeled car can not go on three wheels. Even if she moves from the place, and even if theoretically be able to roll somewhere, the speech is not about speed or about comfort.

Therefore, the task of a person is to show a hidden, get a secret, elevated depressed. It is this information that is encrypted in a fairy tale "by whining kettling." It is necessary to just be able to read the true meaning behind the rows, to understand the symbolism to get into the essence of this fairy tale. But since most of the ancient wise knowledge of modern generations lost, I will have to restore the symbolism of this fairy tale and its true meaning. I will have a conductor in this fabulous drama.

Emel on the furnace

Please note, Emelya sleeps not easy on the lay, namely on the furnace. The furnace is a special place in the Russian isa, it is a cormalier and a heating station. This is a refuge, protection and simultaneously feeding. The furnace warms the Emel, cares about him. The oven is a maternal symbol, very often in Russian fairy tales talking about the Mother Furnace. In this case, the fairy tale sends us to the archetype of Mother Mothers or, if applied to the term introduced by Karl Yung, then to the Great Mother.

This archetype also consists of 4 parts (components): two of them are a good mother, young and old, the Virgin and the young fairy. Others two are a bad mother, also young - Lilith, Shamakhan Queen, and the elderly - an old witch. You can see this archetype in various interpretations. For example, in fairy tales about the magician of the Emerald City, you can see the four wizards, evil ginger and Bastinda, and good - Willius and Stella.

So, Emelya rests on the furnace. It warms and feeds the symbol of a good great mother. The furnace creates the inner paradise to which we strive to all our own nature at any age. This returns us to the resource time when we were children, did not carry any responsibility when infantility was the norm of age. This archetype is embedded in the personality structure and has both a positive and negative aspect. It warms and keeps himself.

In addition, the furnace has long been a sacred symbol. You can draw attention, most often in the pictures where people lying on the furnace are depicted, you can see old men and children. The fact is that the furnace could not have sex. That is, adults did not sleep there. The oven in this case implies the underdevelopment of one of the mental functions, the childhood of consciousness, the immaturity of Emelie, so he sleeps on the furnace.

It is up to time until time feeds from this source and constantly strives for it. He, as if inextricably linked with the mother's object and does not want to leave him at all. This manifests itself a negative effect of archetype of the Great Mother on Emel:

Emelya, Emelya, what are you lying on the furnace? Let's go to the king.
- I'm warm here ...

In real life, these are dependent relationships with the mother. If life flows at the rolling rut, then the Emele does not need to get up, you can sleep clean. And he would sleep so to deep old age if not a magical kick. In a fairy tale, this happens when the older brothers left for the bazaar. That is, the symbolically, the main function has ceased to command a person. This is possible during stress or, on the contrary, a relaxed state. Baba remained for the elders - their wives, daughter-in-law emetelins. They symbolize one of the aspects of Anima, the inner woman of the person. Anima is a female spontaneous irrational sensual part. She feels like and lives. Intuitively, the daughter-in-law encourage him to get off the oven, weaken the dependence on the mother of the furnace. In the fairy tale it looked like this:

They are with requests for Emele. Let's approach:
- Would you go, Ememyushka, for water!

Water appears in the fairy tale, too, it is no coincidence. She and the urgent need of all living things, and at the same time - a symbol of feelings in man. As you know, the world of women is the world of feelings. Recall at least the expression "fellowship" or constant mention of the dependence of the female mind from the emotional state. Thus, the daughter-in-law (one of the aspects of Anima) is trying to pull into the world of senses, to push it from a dead point, and to feed themselves.

And it was winter, the river frozen completely. Transfer from a fabulous language to what happens in real life - so often happens when a person is too much material, does not see the benefit from the sensual world when he is cut off from his inner sensuality.

Emelya stabbing scrap to cut ice. We again see another accurate hint. As you know, "running life leads, and resisting drags." So this world is arranged, which, I want or not, but life will definitely post the emotional dead man with the need to show feelings. And at the end of the fairy tales, we will see it again, but without hints, and in the very bare form. But so far to the final far, and we only observe how Emelya begins to slander through the thickness of the insensible ice.

This is a very important feeling when a person begins to show his feelings, the time of magic comes, the world opens in a different light and literally filled with paints. The sphere of emotions and feelings is of great importance, at all times, even the most ascetic and cruel always existed theater, music, artistic art. The soul of man is striving for the beautiful, and in contact with him blooms. The man's soul asks love and is transformed under its influence. Recall at least Lyudmila Prokofievna from the "Service Roman". As she crossed out all the personal pain, causing her pain, and became a sort of emotional sugar inside, the old woman outwardly, and as heard at the end of the film, when he allowed himself to love Novoseltsev.

Emelya and Pike

So, Emel was driven from the furnace and forced to go to the corruption. And no, to gain water, but go home, Emelya Medlit. Although it is absolutely irrational: cold, fishing it seems like no one planned, so why delay? Emel in this case opposes counterweight efficiency. Did the case? Run further! You need to plan everything, have time to reach, teleport. Faster, better, more, even to the detriment of relationships. Figure, fast-facing film, fast food. Children are more likely to develop intelligence, in 2 years to read and write with two hands, and spit on feelings, it is necessary to suppress that they should not be supervised.

And I am sure that if since childhood, develop emotional intelligence, will significantly reduce the number of unfortunate people. An intuitive spontaneous part knows that without a periodic slowdown in life, nothing grand is made. And the patience of youth is rewarded!

"I saw Emelya in the corruption pike."

Pike, of course, arose here either not by chance. It is often found in Slavic mythology, in proverbs, in riddles, in fairy tales and signs. Recall at least the pike helped Ivan-Tsarevich to take possession of the wicked death, the swan, cancer and pike, which pulls into the water. Yes, and Pescar wisely, too, pike ate. Shchuchye jaw was a faith, her ancestors hung on the entrance gate.

Why was such attention manifested to this fish? For a variety of reasons. In principle, the fish itself is a multi-valued symbol: on the one hand she is an assistant, and on the other hand it is a voracious interest. This is a symbol of fertility, in any dream book it is written that to see the fish is to pregnancy. But not everything is so linear. In this fairy tale in Pike, the idea of \u200b\u200bself - central archetype in Yunga is embodied. "The self is the image of God; At least she is indistinguishable from him. " K. G. Yung

This is a very powerful structure inside personality, core, such a system-forming principle. Who of us would not like to chat with God and ask about the fulfillment of desires? Everyone wants, but not everyone can. And the point is not completely chosen, the fact is that only an open sincere holistic personality is ready to hear the voice of God in himself. He is very quiet, you have to be attentive to myself and understand yourself. And also important confidence and confidence in the eligibility of their desires.

And if this is not the case, then remember at least an old woman from a fairy tale about fisherman and fish, she so dreamed that in the end there was nothing to do with anything. The poor inner world of the ambitious old woman did not allow her to take advantage of the ahershetypical energy, she simply crossed her.

So, Emely, having decided that since the oven was driven, then it is worth doing something more than just water to dial - caught a pike. And I decided to let her on the ear. But Pike spoke with him, Russians, read, understandable for Emelia. Emely heard his true inner voice. This is probably most often for such simple-fools, which are often found in fairy tales. Ivanushka spoke with Sivka-Bourke, Ivan-Tsarevich communicated with a gray wolf. And Emel agreed with Pike. The meaning is that all these heroes are combined with one sign: an unmandant consciousness. Pike marked as an unknown speaking creature, and also promised the fulfillment of all conceivable and unthinkable desires. And Emelya immediately starts to see: "I want the buckets to go!". Later, he will again show his irrational side, ordering: "Well, the ax, the ax, the violas, the road, yes, the sleep!", And then it will turn on something unexpected at all: "Let the royal daughter love me!" The rational person will never go so, he simply will not be able to imagine that he, some kind of buckthorn, can wipe on love princes. And Emelya can - and achieves his!

But while I barely received your capabilities of Emelya checks yourself on insignificant desires, are executed or not? Does the truth said Pike? All comes true, buckets go, and water does not spill. The ax Rubit - and firewood themselves are stacked. And what is Emely? And he jumped back to the oven! He needs to be laid in the soul all that has just happened.

Emelia's initiation

After some time, the daughter-in-law send the emel into the forest for firewood. And in the yard of winter. Winter forest symbolize the archetypical energy of an evil mother, death, in contrast to a good mother - oven. Therefore, in Russian initiative fairy tales, a trip to the Winter Forest is often found. For example, everyone is well remembered "Frost" fairy tale (with my analysis it is possible) or "Mother Methelia" in German interpretation. The initiation of the depressed part occurs. That is, this inner part it is time to say goodbye to the dependence on the mother, acquire weight inside the person, go out into people. Of course, Emelya does it with reluctance, and even the daughter-in-law laugh at him: Gathered, and the horse is not ground in Sani! But Emele does not need a horse, he controls his intention by his intention, suppressing many people at the same time. Understanding that it will not be so easy for him, makes a topor to cut the baton "Such to raise the rape."

A baton in a fairy tale symbolizes the masculin (male) beginning, a hint of communication with the inner man - animus. At the request of Emelia, she treats the tumaks of everyone who dreamed of swinging the hero. Including, gets a secondary royal officer. It is impossible to succeed in life without relying on the male beginning, on aggressive energy, and yes, Emelya does it at the beginning by the barbaric way, as if he was adjacent to free. Timing Tumakov, he will seem to try himself in this unexpected role, as well as shawl with buckets. And then, when he gets to curb this power and start to manage it, it consumes aggressive masculinity into a positive channel, for example, to get out of the barrel with the princess and build a dwelling.

King

The king learned about all the practices of Emelie, and now his task is to deal with who led the Kavardak here, and also uses forbidden witchcraft. What kind of troubles smiled here? - indigumes the king. Translated into the language of characters is the ego (Z. Freud, K. G. Jung), this is what we think about yourself and want to think about us so about us. These are the external qualities for which we rely. The ego feels that something does not happen in his diocese, there is something that he does not know, in theory you need to "cut without proceedings", but curiosity takes the top, who is this troubled-Emelyan?

We find out that in the service of the king there are different people, there are, for example, a rude general and cunning "scoring" noble. This is our super ego, the function of internal control, on one side of the hard (general), and on the other mild and persistent (scoring noble). Who achieved the result and led Emel to the palace? Of course, scoring. It is very much like the Arkan "power" from Tarot's cards: to tame a lion, you need to act soft and cunning. But who said that the trick is bad? Sometimes soft power is more important than coarse. For example, to master your aggressive qualities, you also need to act calmly. This is demonstrated in the failure of the actions of the officer. Having come and driving, starting to insult Emel, he eventually left with anything. And as I started, self-confidence and rushing!

Are you a fool of Emel? - From the threshold offends his officer.
Emel asks:
- And what are you talking about?
- Dress Rather, I'll take you to the king.
- And I'm reluctant ...

And all, the conversation ends on this. In life as well. If a person acts as an oven athlet, he simply is sent according to a well-known, but obscene address. In this case, we laughed at the officer, he himself fool himself, came to someone else's house and immediately began ...

And in life, if you carefully look at, make the same mistake. For example, weighing only make that they constantly scold for the eaten bun, then for the unwillingness to get up an hour earlier and run somewhere. How constantly call yourself fat and nasty, pigs and rags. And immediately go, disappointed in themselves and desperate, to have a sense of own inferiority - self-educated and treble. But as soon as you recognize your weakness and cease to pour into the address of your own body, it becomes easier so magically, the attacks of wild hunger are passing, because excessive appetite is unfulfilled emotional hunger, which closes the vicious circle. You scold yourself, and soothing the furious consciousness, which received a portion of the negative - and now, with the help of sweet taste and promised by advertising "Paradise Delight", it is unsuccessful trying to restore the spiritual balance.

Trikster

An archetype of the Triker is also manifested, this is especially seen when he is aboven by Emel, to fulfill the order of the king: "Deliver alive or dead!" And in the first of their meeting, the scalrid seduces the emel sweets and the Red Kaftan - the most welcome attribute! In the old day, the red color could wear only kings and jesters, and no one else had neither red caftans or the shoes of this color. Red was a symbol of an inviolable free person, and who else had freedom except the king and the jester - the only one at the courtyard who could say the monarch to the truth.

For Emeli, getting this red kaftana is also a symbol, this is a recognition of liberation from the claims of the court queen-ego. A very important point, because it is the ego that does not recognize the depressed part of the person: it throws a shame, as it believes, because I am not like that (greedy, angry, lazy, sensual or insensible). Therefore, the ego is afraid and trying to not notice the hidden part.

To meet with the ego - a trip to the king - our Emely is not yet sufficiently strong, this part of the person did not strengthen, so he decides to go to the furnaces. It reminds me of a plot of another magic fairy tale - "Vasilisa Wheaves", and that moment when stepmother sent Vasilis behind the fire to Baba Yaga. Vasilisa then took a doll with him - maternal blessing. That is, with the blessing of Mother Emelya rides the palace for the first audience with his ego.

It is worth paying attention to an interesting point: Emel is already able to manage his desires and receive what he wants, he has a "magical word". Nevertheless, he is seduced by the strongest of the greatest (although it can "find" the same caftan "to themselves), but he needs gifts from the king. And Emelya rides. Although his self-pike can already allow him to be the power of the king, as the monarch, even if he ended with the authorities, but it does not go to the furnace. Why? Everything is simple, Emely still insufficiently believes.

Emelya and Tsar

Memiela and King meeting are also indicative. To the monarch, some kind of prostacle does not show any respect. He must be obeyed in the idea, but this does not happen. "Do not make yourself a cumira," says one of the commandments. The one who mastered the strength of his intention, desire, does not recognize any authorities on himself.

Moreover, at the courtyard of Emel met with his anime - the inner woman, he really liked. At the same time, the Durak Emel does not feel any unworthy of the royal daughter, he cannot rationally assess the abyss among himself and the daughter of the monarch. Therefore, falls in love with the Mari-Tsarevna with a spell. Symbolically, Marya-Tsarevna sees the wealth of the inner world of Emelie, he sees his huge potential, she herself is not averse to whine such a groom. But Emel turns out to be not ready for such feelings, so he hastily leave the palace and lies on the bottom to assimilate (live) the experience of interaction with other people.

Now back to the analysis of the meeting of Emelie and the king. Ego considered confused by a self-adolescent fool. It happens when we open the ability to talk nonsense, to be funny, awkward in the most inappropriate moment. We don't want to take ourselves at this moment, and if we come across such a person who repeats all of our absurdity, cutters them, we immediately begin to hang on it. In fact, we laugh at ourselves, but they drive all the idea that they can be so.

That is why the king ordered the Emel to peak, glorify him with a traitor-daughter in a barrel and throw in the open sea. Out of sight, out of mind! In other words, the king suppressed all the thoughts of his qualities that were seen in the image of Emelie. The sea here acts as a symbol of unconscious. That is, the feelings occurred. But no matter how! It is clear that they did not share anywhere, only floated on the other shore with the help of the magic power of Emelie.

The king ego does not want to leave the throne, not in his interests the connection of Maryi-Tsarevna with Emes, but he already feels that he came to his hour. It's time to leave a crowded throne and give it to the young. So after the fortieth of the crisis of a man "sausage", in the crisis of the fatal feature begins the full one of the personality! Questions arise: "Why am I here? Who am I? What is life / death? What is my purpose? " There are no answers ...

And here, as a ray of the Sun of the Golden, comes awareness that not all in the power of the ego, that there is something else over him, some kind of indomitable force. According to Jung - this is a self. And the ego is surrendered to the mercy of the self, and here, feeling his weakness after the threats of harmful healed handsome-Emelie: "All your kingdom and ruffle!", The king gives up, approving the marriage of Emelie and her daughter. Thus, it remains alive and serves as a new king - Emela, symbolizing a mature personal person at the end of the fairy tale.

Healing personality

The word "healing" is one-called with "integrity". And the fairy tale of Emele is an excellent metaphor of the hero path, the healing of his personality. If she annoys you, then you can say with a high probability that the events occurring in a fairy tale reflect those processes that are now curly in your soul. And at the same time completing the process of reluctant to you, as reluctant to make melee with a furnace, to break away from the mother's umbilical cord, becoming an adult, to call things with their own names. Then let your Anima encounter you from a fashionable way, as it was with Emes!

I hope that you have been convinced of the need for a deeper study of fairy tales created for self-knowledge and study of centuries-old wisdom ancestors, an understanding of the architectural depth of the unconscious. Develop and contempt with fairy tales!

And what kind of fairy tale is your beloved or on the contrary unloved? What other of them will I write in my next article?

Illustrations of Vladislav Erko

Elena Rud.

1. Information about fairy tale.

2. Plot fairy tales

3. Main and secondary heroes fairy tales.

4. Basic hero Tales - Emel.

1. Information about fairy tale"By schuchy Venyu» .

We already know fairy tales go from the people, some come up with writers. As appeared story"By schuchy Venyu» ? this story It is a product of folk creativity. It has several variations: « Emelya and Pike» , "Nesmeyana Tsarevna"but everywhere the main heroes of Emelya and Pike.

Russian ethnographer Afanasyev, following the example of others talenikov(Brothers Grimm, Charles Feather) Traveled around the country and collected folk art. Sometimes somewhat changed the name of the history of individual elements. Thanks to him learned about fairy tale« Emelya and Pike» .

The following writer, who redid a familiar plot, became A. Tolstoy. He added literary beauty to her and returned tale old title"By schuchy Venyu» And made it more interesting, for children. Upgraded story Quickly scattered in Moscow and St. Petersburg, and local theaters even added a new performance to their repertoire.

By fairy tale shot cartoons: in 1957 Soyuzmultfilm, 1984. Sverdlovsk film studio. Famous Alexander Row in 1938 removed skaz"Nesmeyana Tsarevna".

2. Plot fairy tales

"By schuchy Venyu» - This is magical story, her hero Emelyawho was lucky enough to catch a speaking pike. With the help of Pike, he performed all his desire: buckets themselves carry water, Sanya ride themselves without a horse, the furnace itself takes the main hero to the Palace to King. The plot is simple, but in it hid a deep meaning.

Emelya - This is the youngest son in the family, a sort of fool, who all says goodbye and comes with hands. He is lazy and is indifferent to everything that happens around. But when something interests him - he is hunting for his business. He was not lazy and caught a pike, and even his hands - this is not easy! So he is also strong and deft. But he is also kind - left a prisoner alive. And thanks to the fact that now all his desires were performed, he achieved a lot and even won the princess and became a good one.

3. Main and secondary heroes fairy tales.

1. Emelya 7.. Middle Brother's wife

2. King 8. Scoop (3)

3. Marya - Sarere 9. Officer

4. Senior Brother 10. Peasant girls (2)

5. Middle Brother 11. Pike

6. Senior Brother's wife 12. Guards (2)

4. Basic hero Tales - Emel.

Emele the main character of the fairy tale"By schuchy Venyu» , caught a speaking pike and with her who performed his desires. At first glance, he looks like a lazy and leier, who does not seek anything in life, but causes a sympathy with his smell and optimism. But he is also kind - he lets fish back into the river. You can not judge people in appearance, as a result Emelya It turned out to be at all a fool and helped him in full pike. Emelya And pike becomes friends.

Hero fairy tales"By schuchy Venyu» Made with tissue, syntheps, kapron tights, cap is connected. But like Emel without stove. The stove made out of the boxes that pasted the paper and painted a gouache.

Publications on the topic:

Dear Colleagues! I present to your attention a layout on a fairy tale "By whining velin". Layout created from shoe box. The background was.

"By whining kettle" "" Bobskoy grains "in winter when the fantasy becomes darkens very early, what can be done with their own hands? BUT.

Pedagogical essay "How to raise the hero" The kindergarten is held in the kindergarten in the patriotic education of preschoolers. On the pedset, it is decided to introduce children with heroic people.

Pedassport of the pedagogical project "I live on the street of the hero" The business card of the portfolio of the pedagogical project "I live on the street of the hero." Author (s) of the project Familia, name, patronymic of Teslenko Natalia Vladimirovna.

The coality of the project Pre-school age is the age of personality formation, character, it is at this age that the horizons are intensively expanding.

Scenario of the New Year's theatrical presentation "by whining kettling" Scenario of the New Year's fairy tale "By whining omen" 2013 - 2014 Uch. Year Purpose: - Maintain and strengthen the traditions of the New Year celebration.

Vladislav Lebedko. Together with Evgeny is found.

Sacred meaning of Russian fairy tales.

Research by the Magic Theater

Each famous Russian folk fairy tale has its own clear semantic life and sensual space. There are several levels of semantic scenes, several levels or layers of information about the device of peace, humans, human society and the basics of life processes, deeply hidden and unfolding layers, are the key or entry into a special state, the state of insight and integrity. There is not a single random empty word or image in the fairy tale, and each image has several levels of meaning and several semal interrelations with other images, and participates in the mapping and formation of many meanings. And they can be disclosed for a very long time; We had a job, until the strength had enough and the overall sense of understanding was preserved. Moreover, the strength and desire ended in approximately simultaneously - just by the end of the passage of several of the most prominent and explicit layers of meaning. We finished when a sense of completion of the process came, but it was clear to everyone that there is still a lot of things. After completing the process of disclosing a fairy tale, on all participants, a very benevolent bright and joyful state descended, the fairy tale lived in us and shone us with their light.

The very first fairy tale was the disclosed in this way was "Ryabina", in other versions, simply "egg". We do not bring it here, firstly, because there is already a good printed interpretation and, secondly, because this fairy tale is so brilliantly simple that its interpretation can be reduced either to two or three stricmes or write a whole book. Two or three lines are these: in the fairy tale, "Ryaba chicken" tells about how in the world of people they originated - a method of thinking appeared - not direct, but through samples, fingerprints of previously meaningful. And the perception of the world, thus distorted, people lost a vision.

The study of the fairy tale "By whining kettling".

In one village there was an old man. He had three sons: two smart, the third is a fool of Emelya.

The older brothers work, and Emelya all day on the stove lies and does nothing.

I once left the brothers at the bazaar, and women, daughter-in-law, let's send it:

- "Go, Emel, for water." And he from the stoves: - "reluctance" ...

- "Go, Emelya, and then the brothers from the bazaar arrive, the hotels will not be brought to you."

- "Okay".

What is this daughter-in-law? Why do they scare the emely by the deprivation of hotels? And what is it for the brothers? Why are Emale reluctance to go for water? Is it a regular laziness or something else?

Tears of Emel from the stove, shoved, dressed, took the buckets and the ax and went to the river.

I burned the ice, burned the buckets and put them, and he himself looks into the hole. And he saw Emelya in the corruption pike. I was illuminated and grabbed the pike in my hand: - "Here the ear will be sweet"!

Emelya - Fool - In order for the mind to prevent him from seeing peace and learn. Smart thinks that he already knows what he needs and, therefore, he does not study and does not see the world, and for ease he drives him under his ideas and sees what he wants to see or what he decided to see.

The brothers it is such - smart - and they work in society and for society so that it is appreciated and approved; And these "benefits" of the daughter-in-law are seduced by Emel. He learns himself, lying on the stove.

Winter - free time from harvesting suffering, the right time for teaching, and it, teaching, begins when there is a soul desire for him. Emelya was attentive to the world, he listened and felt the world, and therefore saw a pike in the hole - here the pike, among other things, is marked, a rather rare, but real, chance to realize himself or spirit, soul in herself. And a vigilant Emel took advantage of them - grasped attention (here with hand) something in his consciousness and in its inner world.

"Emelya, Emelya, let me go to the water, I will do you all that you wish."

Why didn't Emelya surprised that Pike says? Again, the question is - what is this pike such that performs wishes? And what kind of intention and state shows Emely, when concludes an agreement and checks its observance?

He was ready, because he was not surprised. He knew or felt the spirit of the Spirit, the language of intention, and therefore impassively checked what it is for the power, threatening to cook pike. And the power showed itself.

"Okay, just show first that you don't cheat me, then I will let go." Pike asks him: - "Emelya, Emelya, tell me - what do you want now?

And why, after all, he let go of a pike, although he could cook it? And the answer was found on this question: it turned out that the manufacture of the ears would mean a stop in knowledge at the level of mastering by some craft, allowing to be fed, live. Emelya was not a fool, and went further, overcoming the call of primary needs. And learning to take them and satisfy them.

- "I want the buckets to go home, and the water would not have spacing" ...

Schuku himself says: - "My words remember: when you want - tell me only:" By whining the vein, in my opinion ". Emelya and says: -" At the time of a whiteway, the buckets, in my opinion, go home "... Just said - the buckets themselves and went uphill. Emelya put a pike into the hole, and he himself went beams. Walk buckets on the village, the people are divided, and Emel goes from behind, laughing ...

"By whining omen, in my desire" means the unity of the soul and spirit, that is, the soul tells to want, and the Spirit spends this will. Do not want to be completely impossible and it's better to want to be right, in harmony with a pure - mental rally, which also displays the world soul, its essence, desire and device. And the awareness of his soul makers was also awareness of the animation of the world.

Buckets have entered the hut and themselves became a shop, and Emelya climb on the oven.

Was a lot of time, it's not time - the daughter-in-law say to him: - "Emelya, what are you lying? Would go to the firewood. " "Lack of reluctance" ... "" Do not disturb firewood, brothers from the bazaar arrive, they will not bring the hotels. "

And yet - who are these bubbles? Why did everything happen without a father, who would be remembered why then at the beginning? What hotel brothers should bring? What do firewood mean?

Baba daughter-in-law turned out to be natural natural body needs for life without the satisfaction of which, hunting is to do or reluctance - no matter, no one can live normally, even the great Ascetic Buddha one fine day has become food and confessing moderation in everything. Father, of course, means Creator and therefore is clearly not present, but it is at the beginning of a fairy tale marked. The brothers are both other people who are busy in society (they have no time to study themselves) and, at the same time, the society itself, which represents the unwillingness to agree with him, the danger. But if Emel cooperates, that is, walks behind water, firewood, etc., he cares about himself, then he albeit "fool", but not crazy, and you can not touch him, let him live. Gifts are promised, it is here for the approval of other people.

Ever reluctance to sink from the furnace. He remembered about Pike and Slowly says:

- "By whining vein, in my opinion - I look, the ax, the shaking of firewood, and the firewood - go in the hut and put in the oven ...

The oven here means the self, God's spark, the inner fire, the light and the space of their consciousness, in which Emelya sought to be all the time and went out from there with the visible reluctance, especially at first, and only to commit the most necessary actions. That is, he was busy with almost constant self-pressing.

- "Yes, then what?" - "How are we on what? .. Is our business in the forest for firewood ride?" - "I'm reluctant" ... - "Well, there will be no gifts."

But, nevertheless, the world regularly reminds of itself, and the case is no longer water - here the symbol of the spiritual depth and strength of the soul and the spirit as a valid unit. It concerns firewood, which here also mean the experiences of the world's events to maintain the inner divine fire - a living interest in the world, and knowledge about the external world, which also have to minimize, like firewood, peculiar attention. But now it is much easier, since a new way of reflection and accomplishment has been mastered - not chaotic and instinctive as before, but the unity of conscious desire and intention. Here daughter-in-law needs just taught him how to satisfy them. Emelya, it was, I tried this thing to blame on them, but it was not there, the laws of nature could not disrupt anyone, and it is not necessary, naturally naturally. Here the fairy tale teaches and this is obvious - no need to fight with your nature, it is better to follow it.

The daughters opened the gate, and Emelya speaks slowly: - "By whining the vein, in my opinion - go, Sani, in the woods themselves" ...

The ride behind the gate means the beginning of the necessary, though forced work on the awareness of the outside world. By this point, Emel has already learned to manage himself - the gate was discovered by the daughter-in-law, the horse, that is, the usual attention is not needed, it means that some internal forces have already been obedient to his will. Sunny journey here means the journey of consciousness at the same time and in the external and in the inner world, which displays external.

Sani themselves and went to the gate, yes so quickly - do not catch up with the horse.

And in the forest it was necessary to go through the city, and then he remembered a lot of people, suppressed. The people scream: "Keep it! Catch it!", And he knows Sani drives. He arrived in the forest: - "At a prominent velinist, in my opinion - an ax, the violas of the firewood, and you, the firewood, ride themselves in Sanya "... The ax began to chop, prick dry wood, and the firewoods themselves are lying in Sani and ropes. Then Emelya ordered the topor to cut the baton to himself - such a raise to raise. Sen on WHO: -" For a whiteway Sani, home "...

Why go to the forest through the city? Why do people put people in it? What is this city, what kind of people? The city is the world of ordinary people, which Emelya, being a man himself, can not be able to bear consciousness in his journey. People in the city are the guys of human, the larvae created for the deception, which essentially put it is not a pity, even though they are worried and threaten with disgrupters. A baton is the strength and means of the transformation of a larva, which is only power, effort is done.

Sanya rushed home. Again, he drives Emelya for the city, where the divecha remembered, suppressed a lot of people, and there they are waiting for him. Calculated Emel and drags with WHO, scold and beat. He sees that it is bad, and slowly: - "By whining the vein, in my opinion - well, a club, a broken boc". Dubinka jumped up - let's bang. The people rushed away, and Emel came home and climbed into the oven.

Why exactly the sides are broken and not to drive, for example?And simply the sides - the edges - the most obvious symbol of the form, and you should not kill very larva, they for some reason are needed. And not a simple thing is a thing, working with licensions and images, it is necessary to repeat it, break through the effort, with a fight - so great the binding strength of images.

How long, briefly - he heard the king about the emesteen tries and sends an officer after him: to find it and bring him to the palace.

An officer arrives in that village, enters that hut, where Emel lives, and asks: - "Are you a fool of Emel?" And he from the stove: - "What do you want for?" - "Dress Rather Rather, I'll take you to the king." "" And I reluctance "... an officer got angry and hit him on his cheek." And Emelya speaks slowly: - "By whining the vein, in my Wannu - a double, breaking his sides," ... Dubinka jumped up - and let's bother the officer, he was abandoned.

"The fool" is already here something like a title or status, and by the way, the Emel did not call here - "I am a fool", he immediately began to look at the root. Dubinka as a strength of transformation of the Lichin, which, in turn, are created for public - hierarchical use, and here it also helped overcome the pressure of the society in the person of the officer. That is, Emelya has proven its independence and independence from the opinion of society, independence from public thinking. He showed the king his self, is that it is worth learning on.

The king was surprised that his officer could not cope with the Emes, and sends the most scorious one: - "Bring to me to the Palace of Fool Emel, and then I will rent my head with my shoulders." Bucked up the wideline Izyumu, prune, gingerbread, came to that village, entered the hut and began to ask the daughter of the daughter, which loves Emel.

"Our Emelya loves when he is affectionately asked yes red caftan ascend," then he will do everything that will not ask. "

Diffeline noble means the strength of a completely different order. This mind is a manager who plans and ponders actions, organizes events, comprehensiles and understands the causes and investigations and is able to deal with them. For him, the result is important, not a way, and there is a wide variety of ways to achieve a goal.

The scoring noble understands that I will not take a force, and promises food, caftan cap and boots, that is, bodily and sensual satisfaction and satisfaction of vanity. This attracted Emel on the natural tendency of people to pleasure and because of his novelty and unknown, and was another test test. In addition, Emelya understood well what the matter goes.

Why on the furnace, not on the sleigh, for example, and not with an avoiding together?Here, complex mixing of the meaning turned out. The oven here acts as a symbol of the internal force of the dust - the inner space, which is mastered, is conscious to which the owner is. And why not the whole hitch? But because you can get to meet with the king with what the king himself. Izba, in this case, there is not only an internal space that is subject to check, but the whole world of Emelie, and at that time he was not yet the owner. So I decided to go not to the stove and show the power, because I already understood and anticipate that he was waiting for him. And it is waiting for his dedication to the king.

The king looks out the window, is divided: - "What is the miracle?" The scaldable one is responsible for him: - "And this is an emelya to the furnace goes to you."

The king, though the king, and also not ready for such a manifestation of Emeli's self, he needs to comprehend what he was doing that he did through the mind - scorched Velmazby.

The king came out on the porch: - "Something, Emelya, for you a lot of complaints! You suppressed a lot of people. " - "Why did they climb under Sani?"

Very indicative dialogue: it is said that a lot of people are depressed somehow, as if not about people. The actual violator would have been punished and without the king. And then the king personally checks the strength and ability of Emeli to realize, destroy and create images, including social. Emelya clearly shows strength, but not quite a skill: why did they climb under Sani? Which allegorically means - I have power, and I can direct it to achieve my goal, albeit straight and hard, inesently, but I can. The king is here and in general in a fairy tale - a teacher, a mentor who owns knowledge, a spiritual father. And not the head of the state as a community. Although of course there were different emes ...

It is also traced here, firstly, the recognition of the current king, and secondly, the lesson for managing force.

At this time, the royal daughter was glared on him the window - Marya-Tsarevna. Emelya saw her in the window and says slowly: - "By whining the vein, in my opinion - let the royal daughter love me" ... And I said again: - "Stay, oven, home" ... The oven turned and went home, went home In the hut and became for the previous place. Emelya again lying-lie down.

Note that the king completely without objections released the Emel and did not oppose his departure on the stove, as it was performed that it was done - Emel was checking and communicated with the king not at the social level, but in the language of forces, because so unceremoniously and short.

And the king in the palace cry and tears. Marya-Tsarevna is bored by Ever, can't live without him, asks her father, so that he gave her for the Emel to marry. Then the king worn, shouting and says again as many nobles. - "Stay, bring me a living or dead Emel, and then I will take off my shoulders."

It turned out to be encrypted here: comes such a time when the teacher also needs to learn. Living or dead means emel in feelings, or under the contract. Because the ability at the king himself lacks here, and he does not know about it. And the king, teaching the student, the exam for ownership of art himself.

Bucked scalid wedlan's wines of sweet and different snacks, went to that village, entered that hut and began to sweat emeel. Emelya got drunk, ate, Zahmel, and went to bed. And the nobleman put it in the wagon and brought to the king. The king immediately ordered to order a big barrel with iron hoops. It was planted by Emel and Mariu-Tsarevna, scratched and the barrel was thrown into the sea.

Why did the king go, in fact, to kill her daughter, and Emeley, although before it did not attempt on it? Why in a barrel in the sea, not in the fire, for example, or cave or river?The king across the random item arranged Emely another check - on the temptations of the body and feelings. Worked troublelessly. Here is the condition of man from the body and its needs. As well as show periods in the development of consciousness and self-awareness and rebirth after traveling in a state of integrity - in the sea of \u200b\u200bfeelings. The sea here is a collective unconscious or the world of Previews, Emelya - the Spirit forgot himself. And the teacher simultaneously gives Emele a lesson to remember himself. Marya Tsarevna is a soul that felt and remembering himself and knowing life. She can't live without the Spirit. The king - the teacher, knew that would be the result of a trip. It also shows a slice of real life - as real kings for the sake of power or whims do not spare at times and their children. The tale teaches to see life and several meanings immediately and, taking everything as it is, not to confuse one with another.

How long is it briefly - Yemel woke up; Sees - dark, closely. - "Where is me?"

And he is responsible: - "boring and nausea, Emeyelushka! We scrambled us in the barrel, threw in the blue sea. " - "And who are you?" - "I am Marya-Tsarevna." Emelya says: - "By whining vein, in my opinion - the winds of the violent, roll off the barrel on the dry coast, on the yellow sand" ...

Warm winds poured. The sea was excited, barrel thrown into a dry shore, on yellow sand. Emelya and Marya-Tsarevna came out of it.

The soul helped the spirit to remember himself in the side of the sobrase and gave the power to wake up, wish and reborn, gain independence.

- "Emeyelushka, where will we live? Build some kind of hut. "

- "And I am reluctant" ... here she began to ask him to ask him, he says, he says: "By whining the velinist, in my opinion," the stone palace with a golden roof "... He said - a stone palace with gold appeared. roof. Circle - Green Garden: Flowers flower and birds sing.

Which is a hut, not a palace, - for some reason asks Tsarevna, it seems to be accustomed to the palaces. It doesn't need a lot in a holistic heart with the heart to start. She is so good. But it was here a kind of checking on a misery, suddenly, the Emel will not be afraid not to remember what force and the ability to own and build no matter what the hut is not a palace. Emel passed and this exam.

How can you build so and where? No other way as thought in his mind.

Marya-Tsarevna from Emers entered the palace, got from the window. - "Emelyushka, and you can not become a handsome to you?" Here Emel thought it for a short time: - "By whining the vein, in my opinion, it's a kind of good young, writing with a handsome man" ... and became Emely, that in a fairy tale, not to describe in a fairy tale.

When it comes to a self and inner transformation, Emely immediately agreed, that is, he saw, recognized and accepted the divine beauty of the world and himself, which he recalled the soul, saw God in himself. He transformed internally. Obviously, this is a special action, maybe even its goal, and it completes the entire chain of transfigations of Emetel.

And at that time the king went to hunt and sees - it is worth the palace, where there was nothing before.

- "What is this unfortunate without my permitting on my land built the palace?"

And sent to learn-ask: "Who are these?"

Why did the king rode on the hunt, and not for fishing or the embassy somewhere?The usual life of the Earth Kings is also displayed here, but also shows the space of O-hot, in which other kings live - the kings of themselves. They live in O-hot, that is, they do what they want. And so, in this world of hunting one king, Unnamed (apparently, because this is a symbol of the teacher) I saw another hunt - now I am also transformed internally, a full king, who has passed all the tests of Emelie, and decided to check if he was not unwell. That is, it is fully knowledgeable by Emelie. Nevezhi is something different: not knowing some rules. That is, here is the final exam and the final recognition of the right of Emeli to the kingdom. This right must be witnessed to another king.

The ambassadors ran, steel under the window, asked. Emelya answers them:

"Sistay the king to visit me, I will tell him." The king came to visit him. Emelya meets him, leads to the palace, planting at the table. Start they to appear. The king eats, drinks and not put pressure: - "Who are you, kind well done?" - "And remember the fool of Emel - as I came to your ovens, and you told him with my daughter in a barrel to scramble, throw in the sea? I am the same Emel. I want - all your kingdom of fire and ruin. "

And here the last time Emel passes the exam and shows his strength and that now he can cope with all the kingdom. Previously, I could not, and there was no speech about it.

The king was very frightened, it became forgivers to ask: - "Marry my daughter, Emeyelyushka, take my kingdom, just do not goubi me!" They arranged a feast to the whole world. Emelya married Marya-Tsarevne and began to manage the kingdom.

It was just "to destroy the king" (the image of the king of the owner - the Creator as a stage of personal evolution) could be the non-acceptance of the kingdoms of the kingdom, and the life with its laws of transition and continuity is clearly shown here, to grow and develop, multiply knowledge and skills. Be the king on earth and owner.

Here and the fairy tale is the end.

So inener, simple seemingly a fairy tale, turned out to be an exact guidebook and pointer on the path of man to myself, to God, to the meaning of life.

The original is taken by W. animamarina. In the study of the fairy tale "By whining kettling"

Beautiful! Thanks for the AFEPUCMKA link
http://www.proza.ru/2009/05/24/1110
I copy only about one fairy tale, and there is still there.
That was how I thought that "by whining kettle" - about the ability to listen to their desires and follow them and its essence, and here even deeper.

Vladislav Lebadyko
Sacred meaning of Russian fairy tales.

"By whipping a blessing."

In one village there was an old man. He had three sons: two smart, the third is a fool of Emelya.
The older brothers work, and Emelya all day on the stove lies and does nothing.

Who is Emely, why the fool and why it is on the stove, and not on a shop, for example. And so almost all the fairy tale ... And why does nothing? Here is the first question that arose. And what's the brothers for work do?

I once left the brothers at the bazaar, and women, daughter-in-law, let's send it:
- "Go, Emel, for water." And he from the stoves: - "reluctance" ...
- "Go, Emelya, and then the brothers from the bazaar arrive, the hotels will not be brought to you."
- "Okay".

Tears of Emel from the stove, shoved, dressed, took the buckets and the ax and went to the river.
I burned the ice, burned the buckets and put them, and he himself looks into the hole. And he saw Emelya in the corruption pike. I was illuminated and grabbed the pike in my hand: - "Here the ear will be sweet"!

Why exactly in winter there is an action? Why not in the forest of Emel went, and did not speak with the leisher or tree? Why exactly with fish dealt? Where did the pussy from the winter in the hole, are known that pikes, like every fish for the winter in the pit on the bottom hiding? Why did Yemele looked into the hole, after he scored water? It was possible to go home, most likely to the oven ... Further: as it is so - obvious, like, a fool - a duplicate - Liegehogok, Emelya not only saw a pike, but also turned out to be so agile and cleft, which managed to grab the pike from the water that in real The world is probably possible for read masters? What kind of pike is such that you can snatch out of the hole, and what is it for a hole where such pikes are found? Maybe these are symbols of something? What? Why does the pike tell a human voice? Is it possible? In the fairy tale, each ridiculous, or somehow different from the generally accepted, smooth, simple sense, serves as an indication of the entrance to the deeper layers of the essence. There are fairy tales consisting of almost some of the misfortunes and, nevertheless, living in the eyelids, for example, the same "Ryaba chicken". And what does the desire of the sweet ears of Emete? After all, it is clear that the hole and pike symbolize something. Maybe the ear is also a symbol?
Emelya - Fool - In order for the mind to prevent him from seeing peace and learn. Smart thinks that he already knows what he needs and, therefore, he does not study and does not see the world, and for ease he drives him under his ideas and sees what he wants to see or what he decided to see.
The brothers it is such - smart - and they work in society and for society so that it is appreciated and approved; And these "benefits" of the daughter-in-law are seduced by Emel. He learns himself, lying on the stove.
Winter - free time from harvesting suffering, the right time for teaching, and it, teaching, begins when there is a soul desire for him. Emelya was attentive to the world, he listened and felt the world, and therefore saw a pike in the hole - here the pike, among other things, is marked, a rather rare, but real, chance to realize himself or spirit, soul in herself. And a vigilant Emel took advantage of them - grasped attention (here with hand) something in his consciousness and in its inner world.

Suddenly, Pike tells him a human voice: - "Emelya, let me go to the water, I get to you." And Emelya laughs: - "What can I use me? No, I will carry you home, I drove into the daughter-in-mind of the ear to cook. There will be a sweet ear. " Pike prayed again:
"Emelya, Emelya, let me go to the water, I will do you all that you wish."

"Okay, just show first that you don't cheat me, then I will let go." Pike asks him: - "Emelya, Emelya, tell me - what do you want now?

It is - not that "you need" and then "what you want now," the pike asks and it can be seen that it is connected with the desires of the soul, with wants, with hunting and not with duties, that is, the strength of the buyer belongs to the inner world of man To his mental states and gust. Simply put, the pike fish reflects the soul of a person - Emelie in this case, floating in the global soul, and alert - attentive Emel acts as a symbol of a student of the student of themselves in this world. And he learns to listen to and aware, see their desires, their strength, is the simplest, saints, natural desires. And not the image that is needed in order to become strong or smart. Those simple wishes and feelings that we, in the modern world, on the contrary, hide deeper, trying to be someone as the best, but not. Pike-soul taught Emel to be just herself.
And why, after all, he let go of a pike, although he could cook it? And the answer was found on this question: it turned out that the manufacture of the ears would mean a stop in knowledge at the level of mastering by some craft, allowing to be fed, live. Emelya was not a fool, and went further, overcoming the call of primary needs. And learning to take them and satisfy them.

- "I want the buckets to go home, and the water would not have spacing" ...
Shchuk himself says: - "Memories of my words: When you want - tell me only:" By whining the vein, in my opinion. " Emelya and says: - "By whining the vein, in my opinion, go to the buckets, the buckets themselves" ... just said - the buckets themselves and went uphill. Emelya put the pike into the hole, and he himself went beams. Walk buckets on the village, people divided, and Emel goes from behind, laughing ...

What does the desire mean - so that the shoulder go to go home, and what does it mean, "at a prominent class in my desire"? What does the pike symbolize here and what is my want? Why people are divided into what is happening, it seems to be clear - a miracle, but then there is a sense - people are surprised by the simple and easy to satisfy the internal desires, Lada in themselves, apparently, not everyone has it. Emelya released a pike into a hole, that is, he complies with the agreement, he is honest and the topics shows an animation world that you can cooperate with him. The next layer of meaning - he, faced with the power of the soul, realized her essence and realized that it was impossible to own it, it is impossible to keep it in the ultrasound, but you can only touch and skip, spend through yourself, and therefore has become a contempor, he understood that there is always He always has a river and can always go to the corruption ...
"By whining omen, in my desire" means the unity of the soul and spirit, that is, the soul tells to want, and the Spirit spends this will. Do not want to be completely impossible and it's better to want to be right, in harmony with a pure - mental rally, which also displays the world soul, its essence, desire and device. And the awareness of his soul makers was also awareness of the animation of the world.

Buckets have entered the hut and themselves became a shop, and Emelya climb on the oven.
Was a lot of time, it's not time - the daughter-in-law say to him: - "Emelya, what are you lying? Would go to the firewood. " "Lack of reluctance" ... "" Do not disturb firewood, brothers from the bazaar arrive, they will not bring the hotels. "

And yet - who are these bubbles? Why did everything happen without a father, who would be remembered why then at the beginning? What hotel brothers should bring? What do firewood mean?
Baba daughter-in-law turned out to be natural natural body needs for life without the satisfaction of which, hunting is to do or reluctance - no matter, no one can live normally, even the great Ascetic Buddha one fine day has become food and confessing moderation in everything. Father, of course, means Creator and therefore is clearly not present, but it is at the beginning of a fairy tale marked. The brothers are both other people who are busy in society (they have no time to study themselves) and, at the same time, the society itself, which represents the unwillingness to agree with him, the danger. But if Emel cooperates, that is, walks behind water, firewood, etc., he cares about himself, then he albeit "fool", but not crazy, and you can not touch him, let him live. Gifts are promised, it is here for the approval of other people.

Ever reluctance to sink from the furnace. He remembered about Pike and Slowly says:
- "By whining vein, in my opinion - I look, the ax, the shaking of firewood, and the firewood - go in the hut and put in the oven ...

Emelya on the furnace and forgot about the pike and about its possibilities, and was obviously not tied to the possession of the force that this place the fairy tale is underlined for the second time. Lyzhka on the stove, he was busy. Namely, the consciousness of himself, a wanderland in the world of their consciousness ...
The oven here means the self, God's spark, the inner fire, the light and the space of their consciousness, in which Emelya sought to be all the time and went out from there with the visible reluctance, especially at first, and only to commit the most necessary actions. That is, he was busy with almost constant self-pressing.

The ax jumped out from under the shop - and on the courtyard, and let's do the firewood, and the firewood themselves go to the hut and climb the oven. Many, whether the time has passed - the daughter-in-law says again: - "Emel, we no longer have firewood. Come to the forest, violaby. And he from the stoves:
- "Yes, then what?" - "How are we on what? .. Is our business in the forest for firewood ride?" - "I'm reluctant" ... - "Well, there will be no gifts."

Nothing to do. Tears of Emel from the furnace, shoved, dressed. I took the rope and ax, went to the courtyard and sat down in Sani: - "Baba, revole the gate!" The daughter-in-law says to him: - "What are you, foolish, sat down in Sani, and the horse is not ground?" - "I do not need a horse."
The daughters opened the gate, and Emelya speaks slowly: - "By whining the vein, in my opinion - go, Sani, in the woods themselves" ...

Why exactly the sides are broken and not to drive, for example? And simply the sides - the edges - the most obvious symbol of the form, and you should not kill very larva, they for some reason are needed. And not a simple thing is a thing, working with licensions and images, it is necessary to repeat it, break through the effort, with a fight - so great the binding strength of images.

How long, briefly - he heard the king about the emesteen tries and sends an officer after him: to find it and bring him to the palace.

The king is the owner, the real lord. Something he was interested in Emelin Trading. For some reason, he does not make it sharpened by Emel in Ostrog, for example, but send an officer to bring Emel to him. Here, the officer is a symbol of the simple strength of the hierarchical social management and management and, at the same time, his appearance is the first test, since the king does not intend to destroy Emel, and the king's Emelya is needed for some reason. What for? The king is needed a decent successor.
An officer arrives in that village, enters that hut, where Emel lives, and asks: - "Are you a fool of Emel?" And he from the stove: - "What do you want for?" - "Dress Rather Rather, I'll take you to the king." "" And I reluctance "... an officer got angry and hit him on his cheek." And Emelya speaks slowly: - "By whining the vein, in my Wannu - a double, breaking his sides," ... Dubinka jumped up - and let's bother the officer, he was abandoned.

The king, as the ruler, immediately felt the successor (so immediately reported the figures - performers of roles), but the order there is order - from simple to complex and from small to the big one, because the officer was first, - we note that without troops, that is, a peculiar symbol Dedications.
Diffeline noble means the strength of a completely different order. This mind is a manager who plans and ponders actions, organizes events, comprehensiles and understands the causes and investigations and is able to deal with them. For him, the result is important, not a way, and there is a wide variety of ways to achieve a goal.

Diffory Weljab gave Emeyle Iisha, prune, gingerbread and says: - "Emelya, Emelya, what are you lying on the furnaces? We will go to the king. " - "I am warm here" ... - "Emelya, Emelya, the king will be good to feed you," Please will go. " - "And I am reluctant" ... - "Emelya, Emelya, the king you will give you a red caftan, a hat and boots." Emelya thought, thought: - "Well, okay, you go ahead, and I will fall for you."
The scoring noble understands that I will not take a force, and promises food, caftan cap and boots, that is, bodily and sensual satisfaction and satisfaction of vanity. This attracted Emel on the natural tendency of people to pleasure and because of his novelty and unknown, and was another test test. In addition, Emelya understood well what the matter goes.

I left the noble, and Emel also flew and says: - "By whining the veliny, in my opinion - well, the furnace, go to the king" ... Here the corners were shrinking, the roof was shried, the wall flew out, and the furnace sama went on Street, on the road, straight to the king.
Why on the furnace, not on the sleigh, for example, and not with an avoiding together? Here, complex mixing of the meaning turned out. The oven here acts as a symbol of the internal force of the dust - the inner space, which is mastered, is conscious to which the owner is. And why not the whole hitch? But because you can get to meet with the king with what the king himself. Izba, in this case, there is not only an internal space that is subject to check, but the whole world of Emelie, and at that time he was not yet the owner. So I decided to go not to the stove and show the power, because I already understood and anticipate that he was waiting for him. And it is waiting for his dedication to the king.

The king looks out the window, is divided: - "What is the miracle?" The scaldable one is responsible for him: - "And this is an emelya to the furnace goes to you."

The king, though the king, and also not ready for such a manifestation of Emeli's self, he needs to comprehend what he was doing that he did through the mind - scorched Velmazby.

The king came out on the porch: - "Something, Emelya, for you a lot of complaints! You suppressed a lot of people. " - "Why did they climb under Sani?"

To fall in love with Mariu-Tsarevna Emely could not if she did not love him. Here in the royal court, in dedication, and the Emeley took a date with his inner female part - Anima. Only above it is really dominated, to give it to manifest. And he understood it. It was time to gain not only strength, but also internal integrity. He realized that it was not necessary for love for love, it was necessary. In this: "Let the royal daughter love me" and there is permission to love himself - the word "let". And here there is another layer of meaning - the beginning of aware of himself to the king.
Note that the king completely without objections released the Emel and did not oppose his departure on the stove, as it was performed that it was done - Emel was checking and communicated with the king not at the social level, but in the language of forces, because so unceremoniously and short.

Why did the king go, in fact, to kill her daughter, and Emeley, although before it did not attempt on it? Why in a barrel in the sea, not in the fire, for example, or cave or river? The king across the random item arranged Emely another check - on the temptations of the body and feelings. Worked troublelessly. Here is the condition of man from the body and its needs. As well as show periods in the development of consciousness and self-awareness and rebirth after traveling in a state of integrity - in the sea of \u200b\u200bfeelings. The sea here is a collective unconscious or the world of Previews, Emelya - the Spirit forgot himself. And the teacher simultaneously gives Emele a lesson to remember himself. Marya Tsarevna is a soul that felt and remembering himself and knowing life. She can't live without the Spirit. The king - the teacher, knew that would be the result of a trip. It also shows a slice of real life - as real kings for the sake of power or whims do not spare at times and their children. The tale teaches to see life and several meanings immediately and, taking everything as it is, not to confuse one with another.

How long is it briefly - Yemel woke up; Sees - dark, closely. - "Where is me?"
And he is responsible: - "boring and nausea, Emeyelushka! We scrambled us in the barrel, threw in the blue sea. " - "And who are you?" - "I am Marya-Tsarevna." Emelya says: - "By whining vein, in my opinion - the winds of the violent, roll off the barrel on the dry coast, on the yellow sand" ...
Warm winds poured. The sea was excited, barrel thrown into a dry shore, on yellow sand. Emelya and Marya-Tsarevna came out of it.

The soul helped the spirit to remember himself in the side of the sobrase and gave the power to wake up, wish and reborn, gain independence.

- "Emeyelushka, where will we live? Build some kind of hut. "
- "And I am reluctant" ... here she began to ask him to ask him, he says, he says: "By whining the velinist, in my opinion," the stone palace with a golden roof "... He said - a stone palace with gold appeared. roof. Circle - Green Garden: Flowers flower and birds sing.

And at that time the king went to hunt and sees - it is worth the palace, where there was nothing before.
- "What is this unfortunate without my permitting on my land built the palace?"
And sent to learn-ask: "Who are these?"

Why did the king rode on the hunt, and not for fishing or the embassy somewhere? The usual life of the Earth Kings is also displayed here, but also shows the space of O-hot, in which other kings live - the kings of themselves. They live in O-hot, that is, they do what they want. And so, in this world of hunting one king, Unnamed (apparently, because this is a symbol of the teacher) I saw another hunt - now I am also transformed internally, a full king, who has passed all the tests of Emelie, and decided to check if he was not unwell. That is, it is fully knowledgeable by Emelie. Nevezhi is something different: not knowing some rules. That is, here is the final exam and the final recognition of the right of Emeli to the kingdom. This right must be witnessed to another king.

The ambassadors ran, steel under the window, asked. Emelya answers them:
"Sistay the king to visit me, I will tell him." The king came to visit him. Emelya meets him, leads to the palace, planting at the table. Start they to appear. The king eats, drinks and not put pressure: - "Who are you, kind well done?" - "And remember the fool of Emel - as I came to your ovens, and you told him with my daughter in a barrel to scramble, throw in the sea? I am the same Emel. I want - all your kingdom of fire and ruin. "

Emelya invites teachers personally to his world so that he looked and appreciated everything as it is. He comes and evaluates. Both first pretend that they do not recognize a friend, and maybe they really do not recognize the king by Emel. This shows the completeness of the changes that occurred from the rates and their depth.
And here the last time Emel passes the exam and shows his strength and that now he can cope with all the kingdom. Previously, I could not, and there was no speech about it.

Forgiveness to ask - also sacral inner act - the old king, who raised a full-fledged successor - a student, understands that he can leave, and he cleans the soul by permission and repentance, transfers the kingdom to the young Emeyale and goes on a fiery journey, the famous and mysterious fiery transition to him will help make a student. Therefore, Emelya says that the fire is smeared, shows that he owns fire, and not water threatens, for example.
It was just "to destroy the king" (the image of the king of the owner - the Creator as a stage of personal evolution) could be the non-acceptance of the kingdoms of the kingdom, and the life with its laws of transition and continuity is clearly shown here, to grow and develop, multiply knowledge and skills. Be the king on earth and owner.

Here and the fairy tale is the end.

So inener, simple seemingly a fairy tale, turned out to be an exact guidebook and pointer on the path of man to myself, to God, to the meaning of life.