Pozdeev Andrei. Price of talent: How much paintings are Andrei Pozdeev (and why so expensive)? Schedule of exhibitions

Andrei Gennadievich Pozdeev - a man extraordinary and artist unusual. The first is probably not so rarely in our country, where people are surrounded by people with incredible, fabulous biographies and incomprehensible, unsuccessful opportunities; But the second quality is quite noticeable there, where for many decades it was concerned that the "right" artists were released from educational institutions. Andrei Gennadevich in his own way is very correct, that is, a convinced, consistent, faithful to its own way. vocation, hard-haired, but his rules are not suggested by anyone, none of the exhibition frames are not laid; as an artist who is confident in the choice of his way, he belongs to the cohort of creative, therefore, there was a challenge people. Nevertheless, it was recognized (if I didn't even understand), took the union of artists, he has a spacious, light workshop in the center of Krasnoyarsk. Not that he stays at all do not know: Friends write about him, although little printed; several pictures of enthusiasts from the Siberian Salon showed in Moscow . But I must say that Pozdeev - one of the largest and most original artists of the country, would bring his art to the joy of countless lovers of art, and truly bitterly, that essentially acquaintance of the ethnic public with painting a large master remains ahead.

Andrei Gennadievich Pozdeev is amazing and the original is not at all because he wanted to be unlike others. Those who have sought such a desire who draw their originality from foreign magazine pages, are indistinguishable with each other. Pozddeev unique, since his whole amazing life was led to creativity, which could only merge with her. His Odyssey is the story of the wanderers and the vicissitudes, tragic and happy accidents, which fate of the people is full. The descendant of Siberian Square-Kuznetsov and Stolyarov, the greatness of a reference Pole, Pozdeev was born in 1926. The old way of life lost stability, destroyed, leaving scattered fragments of teams and families. The future artist was unreserved, studied at the FZO School, became an assistant to the Kochgar, worked, during the war years he learned the soldiers share in the Far East. Finally, fate led him to a children's art school, no longer at an early age, but attempts to learn further were unsuccessful: in the art institute, Pozdeev did not accept in Moscow or in Leningrad. It is difficult to say that it would be with the artist if he had taken to the institute, it would be possible to maintain his originality (someone managed, although not often); Anyway, Andrei Gennadyevich was granted himself and developed, like a rare flower, surprisingly to everyone who was lucky to see his car-tina. Oddly enough, the richest impressions of the worker, a soldier, the Russian scholars and passionwater did not become an ideal repertoire of his work, a permanent source of his images. Everyone experienced by Pozdeevsky unexpectedly cast in the fad of imagination, patterned fantasies, luxury gardens and flower beds of a free dream. This takeoff of imagination in the sullen and close dungeon of being well known to us in poetry, and in the novel,

and in painting; Unexpected here was the feeling of free, non-bath and joyful fantasy harvest, ascended over the impersonality and without life. This joy as a common emotional tone of creativity, as the high stress of the soul is almost incredible in our nera-dost time, but perhaps it is her most lacking for us to all, without now.

The overall impression of a happy dream, a joyful charm of painting, however, nothing in common has a desire to turn away from the actual, to forget about it, immersed in a kind of blissful sleep, in which art serves something like a narcotic drug. On the contrary, the beautiful fantasy Pozdeev, his dreams in reality and patterns, unrestrained squeezes - are not ghosts, no vision, not decorative entertainment: they have absorbed not only the magic of fiction, but also the whole life experience, all the experiences of the artist, even though And in the fabulously transformed world of Fan Tazia. Therefore, in painting, Pozdeev is felt not only the charm of life, but also bitterness, the pain of loneliness, and most importantly, the joy of the opening of the world is nano - away from the vulgar capital truths and from the usual lies.

The fate of Andrei Gennadevich was generally not the lungs, there were no smooth way in art. About thirty, he had to meet deaf misunderstanding; He was refused to recognize, in his paintings saw the edge of all the rules of universally accepted art, if only the departmental games adopted at zonal and regional exhibitions can be called art. But Pozddeev, a quiet, modest man, nailed by a person, did not think about how to mock, he just followed his talent, did something that could not but do. He was not understood, they were cried, but he did not understand those who picked him. It is difficult to understand the artist that he does not like him, because he is an artist, because his art obeys not a general discipline, but a powerful inner voice. Pozdeev has this voice, "demon", as his ancient philosophers called, especially strong.

Where did the artist brought his "demon"? Is there any way in the art of the road, for which no one ever walked? Here, life as it was a kind of experiment, which gave a dual result. Everything came out from under the brush of Pozdeev, is undoubtedly his Own, rendered to the creation of artistic fantasy himself: it belongs to him and the unusually ringing, festive inflorescence of clean paints, and the uniqueness of the decorative, carpet grace with drama and psychologism of the figurative paintings, and invented by the artist symbolic signs living their mysterious life. When Looking at the canvas of Andrei Gennadievich, you experience a barrier feeling of contact with the OSO, a distinctive type of art, which is organically inherent in the Krasnoyar Herweller. Many features peculiar to the work of Pozdeev are not absolutely unfamiliar world painting. In a certain sense, Pozdeev reminds that teacher of mathematics, which in the deaf Russian province independently opened the Differ Enactment, repeat the opening of Newton and Leibnia. But art is not mathematics, any independent discovery in it can become a unique revelation, if it is included in a new artistic as its organic part. You can learn, of course, in the paintings of Andrei Gennadevich, a cheerful and bold game of decorative consonance and exotic dreams, reminiscent of the collages of the Great Henri Matisse; Interest in the fancy sign of the sign, Hieroglyph Rodniths the Art of Pozdeev with Munich Expressionist Paulle Clee, with Catalan Surrealist Joan Miro, with some of the abstract expressionists of the 40s and 50s, as an American Mark Toby or Japanese Domoto More, and, of course, with Many young artists of our days. You can, however, and not remember how predecessors, with the creative-in which Pozdeev became acquainted when his art was already laying away. It is important that it was not lost in Siberian Dahls and hidden threads were associated with world artistic culture.

Siberian anachine and wizard, it is not desperate, however, a well-known figure of the home-grown prophet, preaching capital truths. Andrei Gennadyevich not only the original thinker, but also a sign, an explorer of the art of a sign, a hieroglyph, conditional symbolic

twin not yet cleared sense. At the same time, Pozdeevsky signs are the floor-noctural artistic creatures that live intense and joyful life and colors. Blue, grinding, red, green spots create an exciting sight, in the carpet patterns a restless and gloomy drama of being lucked. Pozdeev's canvases are sharply different from them similar to them arising in Europe, Ame Rica or Japan: they are not only a philo-sofa reflection on the contradiction of life and the vague aspirations of people, but also the feeling of direct touch-to-pain and uneaten-shim, bleeding wounds. Next to the Vi-Denia of the Happy, Blooming and Warm Country - Far Oceania or from Otroneous Subtropics - crosses of Golgotha \u200b\u200barise, similar to the antennas, stretching for long-range sound; The faces of Christ and Pilate float each other, like the Sun and the Moon at the time of eclipse. There are images, joyful and evils at the same time, as a large cloth "Tiger", joyful and disturbing, as a grandiose triptych "Creation of the World".

Among the numerous canvases Andrei Gennadievich Pozdeev there is a lot of images of human figures: sometimes it is symbols like "Adam and Eve", sometimes portraits. Here it is clearly expressed what the artist says: "When the picture took place, she becomes alive, her soul appears. . On portraits, the human soul is directly looking at us with eyes full of trust and hopes. The "married portrait" of 1984 was performed in the manner of a naive artist or child, but the strongest charming melody of the openness of the soul, gullibility, love, timid and happy faith in the future sounds in it. Self-portrait of 1985 is more geometrical, more firm and even barbed, but in The eyes of the same good faith, the same hope, living in man, hurt and mercilessly bitting life. "Gennady Danilovich" - a portrait of a father, written in 1974, is a more sad, skeptical fold at the eyes and mouth, ironically raised eyebrows, But the kindness and cordiality of the view seem indestructible.

Our country is great and rich in talents. It is rich in so much that the multiple struggle, which has been against talent, has not been able to destroy the merciless subordination of the dating general discipline, to even drown out the creative energy of Russian art.

A.M.Kantor. One hundred paintings by the artist A.G. Pozdeeva. Painting. Gallery City, 1992.

Andrei Gennadyevich Pozdeev was born in 1926 in the Krasnoyarsk Territory. He studied at the Krasnoyarsk Art School named after V. and Surikov. Awarded the silver medal of the Russian Academy of Arts. Personal exhibitions of the artist took place in the Museums of Tallinn and Riga, in the Russian Museum, in the State Tretyakov Gallery, in the Central House of Artist in Moscow. Pictures of Andrei Pozdeev are in many museums of the world, including the Tretyakov Gallery and in the Russian Museum. The name of Andrei Pozdeev today is known not only in Krasnoyarsk, but also far beyond our country. And the artist has become a worldwide recognized master while life, fame and wage came to him far from immediately. He walked to success with a long and thorny way, overcoming all sorts of unfair infancy of fate, experiencing and material deprivation, and a long-term categorical rejection of his creativity by power and colleagues in art ... Andrei's labor biography began with workers' professions. He studied in the FZO, worked as an assistant to the Kochgar. During the Great Patriotic War served in the Far Eastern Fleet. The life of life has become the chief teacher of the artist. He compiled painting on his own attended exhibitions, museums and galleries, studied the work of the great masters of the past, read books, wrote a lot from nature. Today, the creative heritage of A. Pozdeev is quite comparable to the categories of a space scale - it is so multifaceted, huge and originally. The artist left us hundreds of picturesque canvas, watercolor and pencil drawings. Perhaps, no one succeeded in so figuratively and emotionally about the past, and about the present, and about the future of humanity ... All possible genres, most different, sometimes completely opposite methods of art - all the same talented "intertwined" in the paintings of Andrei Pozdeev. The original talent of the artist manifested itself in the first works written in the distant forties. Already then, he creates magnificent landscapes, which is captured by the Krasnoyarsk beloved and its surroundings, wonderful portraits of countrymen, friends and simply their contemporaries - such unexpectedly frank, so psychologically precisely mixing the nature and inner essence of a person. When the artist achieved the highest perfection, the artist reached the highest perfection, the virtuoso equipment of the picture began to be even more completed by the bold searches in the field of color and form. Andrei Pozdeev was looking for new, bold, unconventional solutions in painting - this led him in the middle of the sixties to avant-garde painting. The transition from realism to the avant-garde was not an empty tribute to fashion, but the internal need of the artist: he found for himself new opportunities for creative experiments, expanded the genre diversity of his works. Now he is drawn not only to portraits, landscapes, plot sketches, but also writes pictures of pure philosophical content. There is only a few confident smears, mysterious signs and symbols, unexpected combinations of paints allowed him to tell a whole exciting story about the creation of the world and the joy of being. The object of his interests becomes a person surrounding society, the whole universe as a whole. What is the meaning of human life, what happens to a man after death? And that in general there is life and death, movement and peace, good and evil, space and time? The artist tried to find answer: these questions, addressing world history, literature, painting, mathematics ... Moral postulates, the spiritual revelations of mankind, open the laws of the Universe - all this was refracted through the consciousness of an extraordinary person, through the heart of an obsessed artist, for whom never existed In the art of irresistible prohibitions. The combination of more simplified images with a saturated flavor of the calls, fresh color solutions gave the work of Andrei Pozdeev a special unique charm, turned them into true artistic discoveries. This state of eternal search and creative experiment artist called a self-expression. This, in his opinion, is the essence of art and meaning. Big talent and strong character allowed the artist to remain honest and sincerely in his work. All experienced by him - and material deprivation, and the pain of loneliness - wrapped on the canvas not sullen and honeycomb intonations, but by life-affirming images. In the last years of life, Andrei Pozdeev stood on the threshold of some new discovery. But severe illness did not allow to come true. On July 12, 1998, the artist died. In his workshop, left the huge cloth with the mysterious name "flying" ... Article Irina exemplary, album "Siberian art"

Andrei Gennadievich Pozdeev On September 27, 1926 was born in the village of Nizhny Ingash Krasnoyarsk Territory in the family of postal officer Pozdeev Gennady Danilovich and his wife Evdokia Ivanovna. He was proud of his belonged to the original Siberian family, said: "I am the Yenisei tradan. In the family - blacksmiths, chapera-cabinetries. " Mother was native from the Angara River.
The family was constantly moving due to the work of the Father. They lived mainly in the villages according to Yenisei. From the early years, Andrei Pozdeev engaged in drawing. In 1937, he participated in the regional competition of a children's drawing dedicated to the century of Pushkin's memory, and for the portrait of the poet received a cash prize.
At the very beginning of the war, Andrei Pozdeev began working at the Combine factory. For having left for mom and grandmother, who lived then in the village of Tyujtte, received 6 months of prison on the "Stalin's Decree". In the colony constantly painted, drawing up wall newspaper and various "corners".
After the liberation, Andrei Pozdeev was aimed at studying in the craft school at the station Yenisei. In 1943 he went to the front volunteer. Was sent to the Far East. Participated in hostilities (communication in artillery). After the end of the hostilities served on Kuril
After demobilization on illness (tuberculosis), Pozdeev returned to the Krasnoyarsk Territory, in Minusinsk, where his family lived. In 1948 he participated in the exhibition of minusin artists.
From 1948 to 1953 he received art schools of Sverdlovsk and Leningrad. Every time I did, but was forced to return due to the exacerbation of diseases.
After moving to Krasnoyarsk in 1950, Andrei Pozdeev was adopted in the artist's partnership and entered the children's drawing school, which was completed in two years. His teacher was Andrei Prokofievich Rezoroshko.
C1956 Andrei Pozdeev began to work in the artist-copist artist.
In the fall of the same year, Pozdeev participated in the exhibition of works by Siberian artists, which was held in Irkutsk, and was adopted by a candidate for the members of the Krasnoyarsk Organization of the Union of Artists of the RSFSR. The candidate was delayed until 1961.
In the 60-70s, Andrei writes a lot from nature the city, and its surroundings. In addition to the streets of Krasnoyarsk, captured in watercolors and drawings, at the same time the artist written a large series of works with the name "Caltat" (by the name of the river in the State Reserve "Pillars").
Andrei Pozdeev participated in the regional and zonal exhibitions (there were 31), from 1964 to 1997, 11 personal exhibitions were also held: Krasnoyarsk, Novosibirsk, Norilsk, Tallinn, Moscow, St. Petersburg, Zelenogorsk. The artist appreciated the exhibitions, they helped summarize the made and find new creative outlets. In 1983, two paintings were presented at the exhibition "Soviet Russia" - "Dandelions", "Kuzmichye Polyana". Andrei Pozdeev participated in all-Union exhibitions: "Exhibition of works of young artists of the Soviet Union to the World Festival of Youth and Students", Moscow, 1957 and the All-Union Art Exhibition "40 Years of the VlKSM", Moscow, 1958
All my life Pozdeev wrote flowers. In different years, he wrote them in different ways and created a huge number of paintings with the name "Bouquet" or "Flowers".
In the 80s, the Bible and books on Holy History entered the circle of reading Andrei. Esoteric literature also caused great interest. In the new workshop, obtained by the artist in 1980, as a result of rethinking this literature, a cycle of works was created, which included such pictures as: "Calvary", "Praying about the Bow", "Creation of the World", the cycle "Man's life" other.
In 1991, exhibitions in Moscow (CDH, 1993) and St. Petersburg (State Russian Museum, 1996) were organized, albums were issued, several television programs were created, articles were published in central art journals.
Official recognition of Pozdeev began with the first personal exhibition in Moscow in 1993. According to her results, he was nominated for the competition. State Prize. In 1998, Andrei Pozdeev was awarded the diploma and a silver medal of the Russian Academy of Arts.
July 12, 1998 A.G. Pozdeev died in his workshop in Krasnoyarsk.
Since 1992 To present, 12 personal albums A.Pozdeev: "100 paintings by A.G. Pozdeev" (1992); "Andrei Pozdeev. Space and time "(1993); "Andrei Pozdeev. IZZ collection of S. Sumitzova "(1997); "Andrei Pozdeev. Meeting from Khm them. V.I. Surikova "(1999); "Portraits of Andrei Pozdeev" (2001); "The world of Andrei Pozdeev" (in 3 t.): "Painting" (vol.1) (1999), "Graphics, Watercolor" (vol.2) (2001), "Archive, memories" (t. 3) (2002); "Andrei Pozdeev: human life" (2004); "Graphics Andrei Pozdeev" (2005); "Kaltat Andrei Pozdeev" (2006), "Print Graphics Andrei Pozdeev" (2009).

Andrei Gennadievich Pozdeev (September 27, 1926, the village of Nizhny Ingash Krasnoyarsk Territory, the USSR - July 12, 1998, Krasnoyarsk) - Russian and Soviet artist. Member of the Union of Artists of the USSR (since 1961).

Biography

Born in the family of postal officer Pozdeev Gennady Danilovich and his wife Evdokia Ivanovna.

He worked as an assistant to the Kochgar. During the Great Patriotic War served in the Far Eastern Fleet.

Painting began to comprehend independently: attended exhibitions, museums and galleries, studied the work of the great masters of the past, read books, wrote from nature. Subsequently graduated from the Krasnoyarsk Art School named after V. I. Surikov (Teacher - A. P. Dzhadzhnos).

Andrei Pozdeev about his understanding of the artist's creativity:

... The artist as a person is more individual. It allows himself what other people may not allow. But it lies a big duty: to give out, what it is. He is exposed, he is "naked". And he is obliged to have a head, think like a philosopher. Thought philosophers - an incredible thing. They talk about the same, but each from their individuality. And I still have to transmit color. And I must, if I "got" into this business for life - and here there is little life, - all the time to improve and develop until the very last day, how much the fate is released.

Personal exhibitions of the artist took place in Tallinn museums (1984; with the assistance of O. Substibi) and Riga, in the State Museum, in the State Tretyakov Gallery, in the Central House of Artist in Moscow. Pictures of Andrei Pozdeev are in many museums of the world, including the Tretyakov Gallery and in the Russian Museum. The significant assembly of paintings by the artist is in the meeting of the Krasnoyarsk State Art Museum named after V. I. Surikov.

Andrei Gennadyevich Pozdeev is included in the international artistic rating (the World History of Artists of the XVIII-XXI centuries, forming the world artistic legacy).

The artist died on July 12, 1998 in his workshop in Krasnoyarsk. He was buried at the Badalyk cemetery.

Some pictures

• "Crossroads" of 1957 to., M. KGMM. V. I. Surikova
• "Sails" 1959 to., M. Kghm them. V. I. Surikova
• "Evening. Parking Taxi "1958 x., Mg kgm them. V. I. Surikova
• "Ready to the flight" 1959 x., Mg kghm. V. I. Surikova
• "Warm day" 1959 to., Mg kghm. V. I. Surikova
• "Piercer" in 1959 to., Mg kghm. V. I. Surikova
• "Old Town" 1960s. Kghm them. V. I. Surikova
• "Yenisei. Embankment "1960s. to., mg kghm them. V. I. Surikova
• "City Landscape" 1962 KGKHM them. V. I. Surikova
• "On the Yenisei" 1963 to., Mg kgm them. V. I. Surikova
• "Sails" of 1965 x., Mg. KGM. V. I. Surikova
• "City landscape" of 1965 KGKHM them. V. I. Surikova
• "May Day" of 1965 GGM them. V. I. Surikova
• "Prospekt Mira" 1967 KGKHM them. V. I. Surikova
• "Landscape with a red house" 1968 KGKHM them. V. I. Surikova

Evangelical cycle "Life":

• "Composition". 1990. Canvas, oil. 140 x 140 cm.
• "Calvary". 1989, canvas, oil. 150 x 150 cm
• "Human life" 1989. Canvas, oil. 140 x 140 cm. (7 paintings)
• "Christmas". 1989, canvas, oil. 140 x 140 cm.
• "Elders". 1980. Canvas, oil. 110 x 110 cm
• "The Last Supper" 1989 canvas, oil.
• "Bowl". 1990. Canvas, oil. 130 x 140 cm.
• "Ascension". 1989, canvas, oil. 140 x 140 cm.
• "Planet". 1990. Canvas, oil. 150 x 150 cm.
• Eva and Snake. 1996. Canvas, oil. 150 x 150 cm.

Albums

Extreme albums Andrei Pozdeev:

• "100 paintings by A. G. Pozdeev" (1992)
• "Andrei Pozdeev. Space and Time "(1993)
• "Andrei Pozdeev. From the collection of S. Exodinova "(1997)
• "Andrei Pozdeev. Meeting from Khm them. V. I. Surikova "(1999)
• "Portraits of Andrei Pozdeev" (2001)
• "The World of Andrei Pozdeev" (in 3 t.):

• "Painting" (1999)
• "Graphics, Watercolor" (2001)
• "Archive, memories" (2002)

• "Andrei Pozdeev: human life" (2004)
• "Graphics Andrei Pozdeev" (2005)
• "Kaltat Andrei Pozdeev" (2006)

Awards

Silver Medal of the Russian Academy of Arts.

Memory

• Monument A. G. Pozdeev in the historic center of Krasnoyarsk - on the avenue of the world near the Pedagogical University. The opening of the monument took place on September 27, 2000. Authors - Architect Mikhail Merkulov and Sculptor Yuri Zlin. During the existence of the monument in the part of the citizens and many visitors have a tradition: passing by the monument, it is necessary to lose his nose. The statue was subjected to vandalism - unknown twice crawled umbrellas. For the first time, the umbrella was lost, the second time the sculpture element was detected and returned to his place.

Russia

Andrei Gennadievich Pozdeev (September 27, 1926, the village of Nizhny Ingash Krasnoyarsk Territory - July 12, 1998) - Russian and Soviet artist. Member of the Union of Artists of the USSR (since 1961).

Biography

Born in the family of postal officer Pozdeev Gennady Danilovich and his wife Evdokia Ivanovna.

He worked as an assistant to the Kochgar. During the Great Patriotic War served in the Far Eastern Fleet.

Painting began to comprehend independently: attended exhibitions, museums and galleries, studied the work of the great masters of the past, read books, wrote from nature. Subsequently graduated from the Krasnoyarsk Art School named after V. I. Surikov (Teacher - A. P. Dzhadzhnos).

Andrei Pozdeev about his understanding of the artist's creativity:

... The artist as a person is more individual. It allows himself what other people may not allow. But it lies a big duty: to give out, what it is. He is exposed, he is "naked". And he is obliged to have a head, think like a philosopher. Thought philosophers - an incredible thing. They talk about the same, but each from their individuality. And I still have to transmit color. And I owe, if I got into this case for a lifetime - and here there is little life, - all the time to improve and develop until the very last day, how much the fate is released.

Personal exhibitions of the artist took place in the museums of Tallinn and Riga, in the State Russian Museum, in the State Tretyakov Gallery, in the Central House of Artist in Moscow. Pictures of Andrei Pozdeev are in many museums of the world, including the Tretyakov Gallery and in the Russian Museum. The significant assembly of the artist's paintings is in the meeting of the Krasnoyarsk State Art Museum. IN AND. Surikova.

He died on July 12, 1998 in his workshop in Krasnoyarsk. He was buried at the Badalyk cemetery of the city of Krasnoyarsk.

Some pictures

Evangelical cycle "Life":

• "Composition". 1990. Canvas, oil. 140 x 140 cm.
• "Calvary". 1989, canvas, oil. 150 x 150 cm
• "Human life" 1989. Canvas, oil. 140 x 140 cm. (7 paintings)
• "Christmas". 1989, canvas, oil. 140 x 140 cm.
• "Elders". 1980. Canvas, oil. 110 x 110 cm
• "The Last Supper" 1989 canvas, oil.
• "Bowl". 1990. Canvas, oil. 130 x 140 cm.
• "Ascension". 1989, canvas, oil. 140 x 140 cm.
• "Planet". 1990. Canvas, oil. 150 x 150 cm.
• Eva and Snake. 1996. Canvas, oil. 150 x 150 cm.

Albums

Published 11 albums Andrei Pozdeev:

• "100 paintings by A. G. Pozdeev" (1992)
• "Andrei Pozdeev. Space and Time "(1993)
• "Andrei Pozdeev. From the collection of S. Exodinova "(1997)
• "Andrei Pozdeev. Meeting from Khm them. V. I. Surikova "(1999)
• "Portraits of Andrei Pozdeev" (2001)
• "The World of Andrei Pozdeev" (in 3 t.):

• "Painting" (1999)
• "Graphics, Watercolor" (2001)
• "Archive, memories" (2002)

• "Andrei Pozdeev: human life" (2004)
• "Graphics Andrei Pozdeev" (2005)
• "Kaltat Andrei Pozdeev" (2006)

Awards

Memory