The attitude of Onegin to the plain nobility briefly. What seems to and how does the capital and local nobility differ in the novel "Eugene Onegin"? Exemplary word text
In this article, we offer you an essay about the nobility, which Pushkin shows in the novel "Eugene Onegin".
Nobility (higher light) in the novel "Eugene Onegin".
A.S. Pushkin in his novel "Eugene Onegin" depicted the life of the Russian nobility of the twenties of the XIX century. According to V. G. Belinsky, " he decided to imagine the inner life of this class ».
Special attention The author of the novel gives the St. Petersburg nobility, whose typical representative is Evgeny Onegin. The poet in all details describes the day of his hero, and the day of Onegin is a typical day of the capital's nobleman. Thus, Pushkin recreates the picture of the life of the entire St. Petersburg Society.
Pushkin speaks of the St. Petersburg Supreme Society with a fairing fraction of irony and without special sympathies, because the life of the capital's "monotony and sand", and "light noise" is very quickly bored.
Local, provincial nobility is presented in the novel very widely. This is Uncle Onegin, the Larina family, guests in the name of Tatiana, Zaretsky.
Bright representatives of the provincial nobility gather at Tatiana in the names: Grozdin, " the owner is an excellent, owner of the beggars "; Petushkov, " county France "; Flans, " heavy Gossip, Old Plut ". If the story of Pushkin introduces real historical persons, for example, Caverin, in this case, the author uses the names of famous literary characters: Cattlenins - the heroes of "inexpressible" Fonvizin, Buyanov - Hero "Dangerous neighbor" V.L. Pushkin. The author also consumes speaking surnames. For example, trick means " broken stick "- a hint that he cannot be accepted in a higher society, but in the province he is welcome.
The world of the local nobility is far from excellence, because there are spiritual interests in it, the needs are not determining, as they do not differ in the intelligence of their conversations:
Their conversation is prudent
About Senokosa, about wine,
About Psarn, about his relatives.
However, Pushkin writes about him with greater sympathy than about St. Petersburg. In the provincial nobility, the naturalness and immediacy as the properties of human nature remain.
The neighbors of a kind family,
Necanemonious friends.
Local nobles in the sense of the world weight, life was quite close to the people. This is manifested in relation to nature and religion, in compliance with traditions. The Moscow nobility of Pushkin pays less attention than Petersburg. It takes several years since Pushkin wrote the 1st chapter of his novel, and A.S. Griboedov finished the comedy "grief from the mind," but Pushkin makes it in the epigraph of the seventh chapter Griboyedovsky lines, thereby emphasizing that since then there has been little in Moscow. The second capital always differed by patriarchal. So, for example, Tatyana meets at the Tatyana Sedoy Kalmyk, and Fashion on Kalmykov was at the end of the XVIII century.
Moscow Nobility - the image is collective unlike Petersburg, where Eugene Onegin is the main character. Pushkin, speaking of Moscow, as if inhabiting her heroes of Griboedovskaya comedy, which did not change time:
But they are not visible to change,
All in them on the old sample ...
Appears in Moscow society and a real historical person:
To her (Tatiana) somehow the Vyazemsky hooked ...
But in Moscow, the same bustle, " noise, laughter, running, bows "Who leave indifferent and Tatiana and the author
Pushkin managed to give in the "Eugene Onegin" a detailed picture of the life of the noble class, and at the same time, according to Belinsky, and all of the society "in the one in which from the era chosen by him, that is, in the twenties of the current XIX century."
Here is the written characteristic of the highest society in the novel "Eugene Onegin".
The great Russian critic V. G. Belinsky did not accidentally named Roman A. S. Pushkin "Eugene Onegin" "Encyclopedia of Russian Life." This is also due to the fact that no product of Russian literature can compare with an immortal novel in the breadth of the coverage of the modern writer of reality. Pushkin describes his time, noting everything that was essential for the life of that generation: life and morals of people, the state of their souls, popular philosophical, political and economic flows, literary addictions, fashion, etc. During the action of the novel and in lyrical deviations The poet shows all the layers of Russian society, including the highest light of St. Petersburg, noble Moscow and the local nobility.
Petersburg of that time was a real center of cultural political life, a place where the best people in Russia lived. There "blown Fonvizin, a friend of freedom," they conquered the public of the princess and Istris. The author knew well and loved Petersburg, and therefore he was accurate in descriptions, not forgetting any "about salt of a secular anger" or about the "necessary fools", "starchy nahalah", etc. Petersburg is clearly focused on the Western lifestyle, and this It is manifested in fashion, in the repertoire of theaters, in the abundance of "invalid words". The life of the nobleman in St. Petersburg from morning to night is filled with entertainment, but at the same time "one-dimensional". With all his love for the northern capital, Pushkin cannot not be noted that it is the influence of the Higher Petersburg light that the system of education and education and lifestyle adopted in it impose an indelible imprint on the consciousness of a person, making it either empty and worthless or prematurely disappointed in life. The main hero of the novel - Evgeny Onegin is, of course, a capital resident, even though he is on the step above the secular society.
The eyes of a resident of St. Petersburg showed in the Moscow Roman - "Brides Fair". Moscow is provincial, in something patriarchal. Its image consists of nouns, which emphasizes the stillness of this city. And indeed, from the moment the mother of Tatiana left Moscow, in her essentially nothing has changed:
But they are not visible to change;
They are all on the old sample ...
Describing the Moscow nobility, Pushkin is often sarcastic: in the living rooms, he commetes the "incoherent vulgar nonsense" and notes with sadness that in conversations of people who meet in Tatiana's living rooms, "Thoughts will not bother for days."
Modern poet Russia - Russia Rustic, and Pushkin emphasizes this game of words in the epigraph to the second chapter. Probably, therefore, representatives of the security nobility are most brightly shown in the novel. Local nobles live once and for all initiated life order. In the shakers of his uncle, Onegin finds the "Calendar of the Osm Year", for "old man, having a lot of cases, did not look into other books." The life of the local nobility is unisexual, one day is similar to another, and the landowners themselves are "similar" one to another.
It differs from other local landlords only Vladimir Lensky, "with a soul of straight Ghettingen", and even then because he received education in Germany. However, Pushkin notes that, not the perception of Vladimir for a duel, he became such as all the location nobles, in twenty years later repeated the life of the old Larina or Uncle Onegin:
Would recognize life in fact
Gout for forty years had,
Saw, ate, missed, Tolstie, Harel
And finally in his bed
Died in in the middle of children
Flossy women and drugs.
Ironically describes Pushkin and a secular rustic society. It is no coincidence that some guests have the names of the Characters of Pieces Fonvizin. The provincial nobility is largely funny, ridiculous and pity and circle of their interests. Rustic life has, according to Pushkin, to ensure that from the world of romantic dreams, go to the world of everyday worries. But it is no coincidence that it is the "cute ideal" of Pushkin - Tatyana, in the upbringing of which the traditions of high education and folk culture are combined. According to Pushkin, it is the local nobility that lives in close proximity to the people, and therefore it probably laid the idea of \u200b\u200bthe revival of Russia, returning to the whole Russian, to our roots.
- "Eugene Onegin" is a realistic novel in verse, since. It was brought in front of the reader with genuinely live images of Russian people began the beginning of the XIX century. The novel has a wide artistic generalization of the main trends of Russian social development. We can say about the novel with the words of the poet itself - this is a work in which the eyelid and modern man reflected. " "The Encyclopedia of Russian Life" called V. G. Belinsky Roman Pushkin. In this novel, as in Encyclopedia, you can find out everything about the epoch: about the culture of the time, about [...]
- Over the novel "Yevgeny Onegin" Pushkin worked over eight years old - from spring 1823 to autumn 1831. The first mention of the novel we find in the letter of Pushkin to Vyazemsky from Odessa on November 4, 1823: "As for my classes, I am now writing Not a novel, but a novel in verses is a devilish difference. " The main character of the novel is Evgeny Onegin - Young Petersburg Hist. From the very beginning, the novel becomes clear that Onegin is very strange and, of course, a special person. Of course, he looked like people in something, [...]
- The initial intention of Pushkin regarding the novel "Yevgeny Onegin" was the creation of a comedy, similar to the "grief from the mind" of Griboyedov. In the letters of the poet you can find sketches to the comedy, in which the main character was depicted as a satirical character. In the course of work on the novel that lasted more than seven years, the author's intentions have changed significantly as its worldview has changed. By genre nature, the novel is very complicated and original. This is "novel in verse." Works of such a genre are found in others [...]
- Roman A. S. Pushkin "Eugene Onegin" - the work is unusual. There are few events in it, a lot of retreats from the storyline, the story seems to be cut into half. It is most likely due to the fact that Pushkin in his novel puts the problem of the task for Russian literature - to show centuries and people who can be called the heroes of their time. Pushkin is a realist, and therefore his heroes are not just people of their time, but also, if you can put it, the people of the society that gave rise to them, i.e. it is people and their [...]
- It has long been recognized that the novel "Eugene Onegin" was the first realistic novel in Russian literature. What exactly is meant when we say "realistic"? Realism suggests, in my opinion, in addition to the truthfulness of the details, the image of typical characters in typical circumstances. From this characteristic of realism, it follows that the truthfulness in the image of particular parts is the indispensable condition for the realistic work. But this is not enough. More importantly, what is contained in the second part of [...]
- Evgeny Onegin is a well-known work by A.S. Pushkin. Here the writer implemented the main idea and the desire to give the image of the hero of time, the portrait of his contemporary - man of the XIX century. Portrait of Onegin is an ambiguous and complex combination of many positive qualities and large flaws. The image of Tatiana is the most significant and important female image in the novel. The main romantic storyline of the Pushkin novel in verses is the relationship between Onegin and Tatiana. Tatiana fell in love with Eugene [...]
- Tatyana Larina Olga Larina Character for Tatiana is characterized by such character traits: modesty, thoughtfulness, trepacy, vulnerability, silence, melancholic. Olga Larán is a fun and wondrous character. It is active, curious, good-natured. The lifestyle of Tatiana leads the recovery lifestyle. Best pastime for her - alone with me. She loves to watch beautiful sunrises, read French novels, reflect. She is closed, lives in its own internal [...]
- I want to return to the Pushkin Word again and again and his wonderful novel in the verse "Eugene Onegin", where young people are represented by the 20s of the XIX century. There is a very beautiful legend. One sculptor sculpt out of stone a beautiful girl. She looked so alive that it seemed to speak now. But the sculpture was silent, and her Creator fell ill from love for his wonderful creation. After all, in it, he expressed his innermost idea of \u200b\u200bfemale beauty, put his soul and tormented that it would never be this [...]
- Spiritual beauty, sensuality, naturalness, simplicity, ability to sympathize and love - by these qualities A.S. Pushkin entered the heroine of his novel "Eugene Onegin", Tatyana Larina. Simple, externally, an unremarkable girl, but with a rich inner world, grown in a deaf village, reading love novels, loves terrible babysitting stories and believes legends. Her beauty inside, she is deep and bright. The appearance of the heroine is compared with the beauty of her sister, Olga, but the last, although beautiful outside, not [...]
- The famous Pushkin Roman in verses not only fascinated fans of Russian literature with high poetic skills, but also aroused disputes about the ideas that the author wanted to express here. They did not go around the disputes and the main character - Eugene Onegin. The definition of "extra person" was already attached to him. However, today interpret it in different ways. And this image is so multifaceted, which gives material for a variety of readings. Let's try to answer the question: in what sense of Onegin can be considered "external [...]
- Creating an image of his time and man of the era, Pushkin in the novel "Eugene Onegin" Donoz and personal understanding about the ideal of a Russian woman. The ideal of the poet is Tatiana. Pushkin so talks about her: "cute ideal." Of course, Tatiana Larina is a dream, the presentation of the poet about what a woman should be, so that she admired and loved. With the first acquaintance with the heroine, we see that the poet allocates her among other nobility representatives. Pushkin emphasizes that Tatiana loves nature, winter, sledding. Exactly […]
- Evgeny Onegin Vladimir Lensky Age Hero is more mature, at the beginning of the novel in verses and during dating and duel with Lensky for 26 years. Lensky Yun, he is also 18 years old. Education and education received a home education, which was typical for most nobility in Russia. The consistencytelusers "did not bother morally strict", "they scolded a slightly for the pranks", and it's easier to say the barchonka. He studied at the University of Göttingen in Germany, the Motherland of Romanticism. In his intellectual baggage [...]
- Let's start, perhaps, from Katerina. In the play "Thunderstorm" this lady is the main heroine. What is the problem of this work? Problems - this is the main question that the author asks in his creation. So here is the question of who will win? The dark kingdom, which is represented by the chinous of the county town, or a bright beginning, which is our heroine. Katerina Chista's soul, her tender, sensitive, loving heart. The heroine itself is deeply hostile against this dark swamp, but not fully aware of it. Katerina [...]
- Roman A.S. Pushkin introduces readers with the life of the intelligentsia at the beginning of the XIX century. The noble intelligentsia is presented in the works of Lensky, Tatiana Larina and Onegin. By the name of the novel, the author emphasizes the central position of the main character among other characters. Onegin was born in the ever rich nobility family. As a child, he was away from the whole national, in the detachment from the people, and Yevgeny had a French teacher. Eugene Evgenia Onegin, as well as education, was very [...]
- Evgeny Onegin is the protagonist of the eponymous novel in verses A. S. Pushkin. He and his best friend Vladimir Lensky appear as typical representatives of the noble youth, who have thrown a challenge to surrounding their reality and befriends, as if united in the fight against it. Gradually, the unaccepting of traditional hospitable noble leaves resulted in nihilism, which is brighter traced in the character of another literary hero - Eugene Bazarov. When you start to read the novel "Evgeny Onegin", then [...]
- Topics and problems (Mozart and Salieri). "Little tragedies" - the cycle of Pieces P-on, including four tragedies: "Surround Knight", "Mozart and Salieri", "Stone Guest", "Pier during plague." All these works were written during the Boldin Autumn (1830 this text is intended only for private use - 2005). "Little tragedies" are not a Pushkin name, it originated during publication and was based on the phrase P-on, where the phrase "small tragedies" was used literally. Copyright [...]
- Masha Mironova - the daughter of the commandant of the Belogorsk Fortress. This is an ordinary Russian girl, "round, rosy, with light rusia hair." For their kind, she was a cowardly: even a rifle shot was afraid. Masha lived quite closed, lonely; Grooms in their village was not. Her mother, Vasilis Egorovna, spoke about her: "Masha, a girl on granting, and what is the dowry? - a frequent comb, yes a broom, and Altyn money, with what to go to the bath. Well, if you find a kind person, otherwise Sydi Heads in the girls of New [...]
- A.S. Pushkin and M.Yu. Lermontov Outstanding poets of the first half of the 19th century. The main type of creativity in both poets is lyrics. In his verses, each of them described a lot of them, for example, the theme of freedom, the theme of the birthplace, nature, love and friendship, poet and poetry. All Pushkin verses are filled with optimism, faithfully in the existence of a beautiful on earth, bright colors in the image of nature, and Mikhail Yurevich is traced everywhere the theme of loneliness. Lermontov hero is alone, he is trying to find something in someone else's edge. What […]
- Introduction Love Lyrics occupies one of the main places in the work of poets, but the degree of its study is small. There are no monographic works on this topic, it is partly revealed in the works of V. Sakharov, Yu.N. Tynyanova, D.E. Maksimova, talk about it as a necessary component of creativity. Some authors (D.D. Good and others) compare the love theme in the work of several poets at once, characterizing some common features. A. Lukianov considers a love theme in Lyrics A.S. Pushkin through the prism [...]
- A. S. Pushkin - the Great Russian National Poet, the founder of realism in Russian literature and the Russian literary language. In his work, he paid great attention to the topic of freedom. In the poems of "Volost", "to Chaaadaev", "Village", "in the depths of Siberian ores", "Arion", "I am a monument to myself erectively ..." and a number of others reflected his understanding of such categories as "freedom", "VOLOSTI". In the first period of its work - the end of the end of the Lyceum and Accommodation in St. Petersburg- until 1820- [...]
Metropolitan and local nobility in Roman A. S. Pushkin "Evgenia Onegin"
Many pages of the novel "Eugene Onegin" are devoted to the image of the metropolitan and provincial nobility - a lifestyle, the businesses and tastes.
The poet was an opponent of home education. Superficial training ("something and somehow") becomes the beginning of the surface ratio of young nobles to art (Onegin yawns in the theater) and literature ("He could not have a Yamba from Chorea ... to distinguish"), the reason for the ladies ", Inability to work.
Describing the way of life of the metropolitan "Hard" (morning walk on the boulevard, lunch in a trendy restaurant, visiting the theater and, finally, a trip to the ball), the author in his departures gives an essay of secular morals ("Big Light Trudes!").
The author causes the contempt of the morals that reign in the Wednesday of "Svetkaya Cherni": the "cold-blooded debauchery" in this environment, the attitude towards love as to "Science", the dismissed virtue and "fashionable cost" of secular ladies:
They are harsh behavior
Frightening timby love
She was able to attract again ...
In the medium of "secular mobile" such high concepts as love and friendship are distorted. "Friends" from the number of secular mobile worms, and sometimes dangerous.
Uncommon, spiritually free, thinking natures are poorly fit into the restrictive framework of secular lzhamorali:
Fast shower negligence
Proud insignificance
Ile insults, Ile is laugh ...
The secular environment rejects independent minds and welcomes mediocrity. "Society" approves those
Who did not indulge in strange dreams,
Who is not strangering secular
Who in twenty years was Frant Il Vushka,
L in thirty profitable married ...
However, representatives of old nobility are also among the metropolitan nobles, in the environment of which the education and mind are valued, the nobility of the manner, a strict taste, the rejection of the vulnerable and vulgar - in a word, all that is customary to communicate with the concept of aristocracy. Becoming the princess, Tatyana "firmly to his role entered", became a genuine aristocrat. She learned to own himself, to restrain his feelings: "As she was, neither she was / surprised, he was amazed ... It preserved the same tone ..." The narration of the evenings in the house of Prince N. Pushkin recreates a special atmosphere of these secular rounds, on which There was a "color of the capital." The author admires the "order of slim oligarchic conversations," describes a relaxed conversation of guests, in which there is no "stupid chemmery", vulgar topics or "eternal truths".
Metropolitan nobility is a medium in which Onegin rotated for many years. It was formed by his character, hence he made life habits, for a long time identifying his fate.
The local nobility is represented in the novel, primarily the Larina's family, as well as the neighbors of Onegin (whom he avoided, fearing conversations "about Senokos, about wine, about Craarn, about his relatives"). On the example of the Larina family, the author talks about the lifestyle of the local nobles, about the circle of their reading, tastes and habits. Larina-senior married his will, at the insistence of parents. Initially, she "rushed and cried", being in the village; True virgin habits, she wore a narrow corset, wrote sensitive poems, called the servants to the French way, but later got used to her new life and was mastered in the role of the hostess. As many provincial landlords, Larina "autocarenly" managed his spouse and actively engaged in the economy:
She drove on the work,
Solished mushrooms for winter,
Led expenses, Brill Libi ...
Patriarchal lifestyle brings places with simple people. Tatiana washed with snow like peasant girls. The closest person for her is nanny, a simple peasant. The wife of Larina observe posts and celebrate the carnival, love "round swings", dance and reflubs. Their house is always open for guests. If Onegin, living in St. Petersburg, was eased exclusively dishes of French or English cuisine, then in the family of Larina, traditional Russian food was adopted. Onegin spent several hours before the mirror. Larin "in a bathrobe ate and drank", his wife wore fur cola and sharp. Describing the death of Larina, the author writes not without irony: "He died in an hour before dinner ...", emphasizing the characteristic feature of the local life: the time of all events (even death) is counting on food time. "The habits of Mila Starny" are preserved in the family of Larina, and after the death of the Father. Larina-Sr. remained the same friendly mistress.
However, life in the province has its own negative sides. First of all, this is a cutoff of the world, the cultural lag from the life of the capitals. On the name of Tatiana, the author leads the whole "color" of the provincial nobility - trifling, Buyanovy, cattle, cockpit ... Pushkin does not accidentally use here "defining" the names that remind the fired literary tradition of the XVIII century: the characters of the past century appeared on the "feast huge" .
Describing the noble estate in your novel, Pushkin avoids unambiguous estimates. The county depth, as well as the metropolitan light, is permeated with the contradictory influences of the past and present, reflects the bright and dark sides of life.
In the novel "Eugene Onegin" Pushkin outlines various stakes of Russian life: brilliant secular St. Petersburg, patriarchal Moscow, local nobles.
The poet's local nobility represents us primarily in the description of the Larina family. This is a "simple, Russian family," welcoming, the breadpage, faithful "habits of cute antiquity":
They stored in life peaceful
Habits of cute antiquity;
They have oily fat
Russian pancakes were found;
Twice a year they are govli;
Loved round swing,
Prototious songs, dance;
On the day of Tritizn, when the people
Yawning, listens to prayer,
Mighty on the bunch of dawn
They dropped the tears of three ...
In the life history of Tatianina Mother, we opens the frequency fate of the county lady. In his youth, she loved the novels (although they did not read them), had "secular" manners, "sigh" about the Guards Sergeant, but marriage changed her habits and character. Husband took her to the village where she was engaged in the house and farm, after throwing "corset, album, Princess Polina, the washers of sensitive notebook." Gradually, Larina got used to a new way of life and even became satisfied with the fate:
She drove on the work,
Solished mushrooms for winter,
Led expenses, Bril's foreheads,
Went to the bath on Saturdays,
Said Bila Hovering -
All this is a husband not asking.
A typical county lady in the novel appears Olga. "Always modest, always obedient, always as the morning of cheerful ..." - this is an ordinary, mediocre girl, simple-minded and innocent, both in his ignorance of life and in their feelings. She is not peculiar to deep meditation, strong feelings, any reflection. Having lost Lensky, she soon married. As Belinsky noted, she "became a doznut lad, repeating his mammy, with minor changes that the time required."
Description of the life of the Larina family, the mothers of Tatyanina Mother, her life in marriage, her authorities over their spouse trying through the author's irony, but Ironically, this "so much love." Fixing over his heroes, Pushkin recognizes the importance of those spiritual values \u200b\u200bthat are present in their lives. In the family of Larina, love reigns, wisdom ("The husband loved her cardiovascular"), the joy of friendly communication ("In the evening, sometimes the neighbors of a kind family converged ...").
As V. Non-1, the culmination of the episode of Larin is a tombstone inscription: "Smalled sinner, Dmitry Larin, Lord's slave and a brigadier, under the stone, the world." In these stitching, the worldview of Pushkin himself, the features of his nature, his scale of life values, where the priority is given to simple Orthodox life, love, marriage, family.
Entertainment of the Lifestyle Pushkin's List, portraying the village life of Onegin and Lensky.
Walking, reading, deep sleep,
Forest shadow, murmur jets,
Sometimes the whitefish is black
Young and Fresh Kiss,
Jedi obedient horse robust,
Lunch is pretty whimsical
Bottle of light wine,
Privacy, silence ...
But, giving tribute to simple soulful relations in the family of the Larina and the pretabes of the village life, the poet finds the shortcomings in the "cute heart of Starin." So, Pushkin emphasizes the low intellectual level of landlords, their low spiritual requests. Their interests are not further home care, economic affairs, the subject of the conversation is "Senokos", "Psarnnya", stories about "their relatives".
The most characteristic of the heroes of these outlined in the scene of the Bala, arranged in the Larina House on the occasion of the name of Tatiana:
With his spouse doodine
Fantastic trifles arrived;
Nails, the owner is excellent,
Owner of the beggars;
Cattle, couple gray
With children of all ages, counting
From thirty to two years;
County frank Petushkov,
My brother cousin, Buyanov,
In the Puhu, in the Cartome with the visor ...
And the retired adviser to flanges
Heavy gossip, old plow,
Grooming, bribemer and jester.
Here Pushkin creates images in line with a literary tradition. It outlines human types, already known to readers, and at the same time creates new, bright, characteristic, memorable images.
So, cattle, "Chet Sea", send us to the heroes of the Comedy of Fonvizin "Nepali". The adviser to Flyans reminds us of Griboedovsky Zagoretsky: "Heavy gossip, an old plow, a fitting, bribemer and a jester." The "county fourth" Petushkov then as if reincarnated in Manilov in the poem Gogol "Dead Souls." "Protein" Buyanov, "In Puhu, in the Cartome with a visor" - Portrait of Nozdrev. Nadies, "The owner is an excellent, owner of the men's men," as if precedes Plushkin's "leaning owner".
Wednesday is deeply alien to Tatiana, no wonder all these people resemble her monsters. D. Bonostu believed that in the images of the monsters who greeted heroine in a dream, was given a caricature for a small nobility. If we compare two disbuffs from the novel, we will really see explicit similarity in the descriptions. In the dream, Tatyana sees "guests" sitting at the table:
Lai, laughter, singing, whistle and clas,
Human sulfur and horse top!
Approximately the "same picture" appears before us, in the description of the name, arranged in the house of Larina:
Lai Mosek, Chmokhan Devitz,
Noise, laughter, crown at the threshold,
Bowlings, Guest Shaking,
Kormilitz Creek and crying children.
Critically evaluated the poet and the morals of the local nobles. So, the Zaretsky, a famous gossip, a duelist, "father of a single family," knows how to "smartly fool nicely", "Claims to silence", "friends to embroil the young and on the barrier to put them, Il to make them squeeze them, in order to chain threesome, and after secretly ... »Lies, intrigue, gossip, envy - all this is plentifully in a quiet county life.
Zaretsky interferes with the quarrel of Onegin and Lensky and one of his participation begins to "ignite passions". And the terrible drama is played between buddies, there is a duel, the outcome of which becomes Lensky's death:
Instant cold
Onegin to the young man in a hurry,
Looks, calling him ... in vain:
His is not. Judging singer
Found a missing end!
Drove the storm, the color is beautiful
Faded in the morning dawn
Flood of fire on the altar! ..
Thus, the "Court of Mille", "public opinion", "the laws of honor" - the eternal and unchanged categories in Pushkin almost for all styles of Russian life. And the local nobility here is no exception. Life in estates, among the beauties of Russian nature, flows slowly and secluded, tuning their inhabitants to lyrical swarms, but this life is full of drama. Here are also played out their tragedies and youthful dreams are rushing.
(376 words) Pushkin In his novel, "Eugene Onegin" depicts the metropolitan and local nobility, identifying similar and various features. In this analysis, we really see the encyclopedia of the Russian life, which V. Belinsky wrote about.
Let's start with the metropolitan nobility. The author notes that the lives of St. Petersburg "monotony and debris". This is a later awakening, "notes" with invitations on the ball, called evening or children's holiday. The hero reluctantly chooses any entertainment, then takes care of his appearance and rides. This is how the time spent almost all the noble society of St. Petersburg. Here people are accustomed to the exterior brilliance, care about the cultural and educated, so they devote a lot of time to conversations about philosophy, about literature, but in reality their culture is only superficial. For example, visiting the theater in St. Petersburg has been turned into a ritual. Onegin comes to the ballet, although it is absolutely not interested in what is happening on the stage. As for the spiritual life, Tatyana in the final calls the secular life to Masquerad. The nobility in the capital lives only with the faithful feelings.
In Moscow, according to the author, less complaints about high European culture. In the 7th chapter, he does not mention the theater, nor about literature or philosophy. But here you can hear a lot of woven. Everyone discusses each other, but at the same time all conversations are conducted within the framework of the received rules, so you will not hear a single living word in a secular living room. The author also notes that the representatives of the Moscow society do not change over time: "Everything is broken by Luker Lvovna, everything also lies Love Petrovna." No change means that these people do not live truly, but only exist.
The local nobility is depicted in connection with the rustic life of Onegin and the life of the Larina family. The landowners in the perception of the author are people simple and kind. They live in unity with nature. They are close to folk traditions and customs. For example, the Larina family says: "They kept in the lives of the peaceful habit of cute ancient." The author writes about them with a heavier feeling than about the metropolitan nobles, since life in the village is more natural. They are easy to communicate, are able to be friends. However, Pushkin does not idealize them. First of all, the landowners are far from high culture. They practically do not read books. For example, Uncle Onegin read only the calendar, Tatiana's father did not like to read, however, he "did not see harm in the books," therefore allowed the daughters to be carried away.
Thus, the landowners in the image of Pushkina are people good-natured, natural, but not too developed, and courtesy appear false, hypocritical, idle, but a little more educated nobles.
Interesting? Save on your wall!