Description of the painting of Edward Mana "Bar in Foli - Berger. Pictures of Impressionists Unusual Pattern Signature
Award the long-awaited second reward for the portrait of the hunter on Lviv. Pertuise. After that, Mane becomes outside the contest and can exhibit its paintings, without any permission of the jury of the cabin.
Manna is decided to make something completely unusual for the art salon, at the beginning of 1882, where his paintings will appear with a special mark "V. TO".
Do you believe in astrology and predictions of the stars? Millions of people trust forecasts that make up various astrologers. Guru among such predictors is Pavel Globa. No one knows more about the stars of the stars than the globa.
To him, finally, the long-awaited glory comes, but his illness progresses millet inexorably and he knows about it and therefore, he is gnawing. Mana is trying to resist severe illness. Is it really not able to raise the disease?
Mana decides to collect all his strength and will, he is still trying to bury it early. It can be seen in the cafe "New Athens", in the cafe Bad, at Tortoni, in Foli-Berger and his friend. He tries all the time to joke and ironize, having fun about his "immense" and jokes about his leg. Mane decides to carry out its new idea: draw the scene from everyday Parisian life and depict the view of the famous bar Foli Berger, in which the charming girl is sunson, in front of numerous bottles. The girl knows many regular visitors of the bar.
Picture "Bar in Fouls Berger"This is a product of extraordinary courage and picturesque detullness: a blond girl stands behind a bar, behind her a large mirror, which reflects the big hall of the institution with the public sitting in it. She has an ornament on a black velvet on her neck, her gaze is cold, she is stadding still, she looks indifferently on others.
This complex plot of the canvas is moving away with great difficulty. The artist beats over him and repeats repeatedly. In early May 1882, Mane gives the picture and becomes happy contemplating it in the cabin. Over his paintings, no one laughs more, all of his paintings are considering with great seriousness, they begin to argue about the real works of art.
His last work "Bar in Foli-Berger" created as if she slipped with a life that was so valued, which was so admired and thought a lot. The work has absorbed all the fact that the artist was looking for so long and found in any inconspicuous life. The best images burst together to be embodied in this young girl, which stands in a noisy Parisian Kabash. In this institution, people are looking for joy contacting with themselves similar, here the seeming fun and laughter reigns here, a young and sensitive master opens the image of a young life, which is immersed in sadness and loneliness.
It is difficult to believe that this work was written by a dying artist to which any hand moved pain and suffering. But even before death, Edward Mana remains a real fighter. He had to go through a difficult life path before he discovered the true beauty that he was looking for his whole life and found it in ordinary people, finding in their soul the inner wealth to which he gave his heart.
Today we will talk about the picture of Edward Mana Bar in Foliger1882, which became one of the famous masterpieces of world art.
In 1881 in the French SalonE. Mane Award the long-awaited second reward for the portrait of the hunter on Lviv. Pertuise. After that, Mane becomes outside the contest and can exhibit its paintings, without any permission of the jury of the cabin.
E.Mane Portrait of a hunter on Lviv.
The long-awaited glory comes, but his illness progresses simply inexorably and he knows about it and therefore, he is given to the longing.
In September 1879, Mane had the first acute attack of rheumatism. It was soon that he was ill at attacking - disruption of coordination of movements. The disease has quickly progressed, limiting the creative possibilities of the artist
Mana is trying to resist severe illness. Is it really not able to raise the disease?
Work on the picture.
Mana decides to collect all his strength and will, he is still trying to bury it early. It can be seen in the cafe "New Athens", in the cafe Bad, at Tortoni, in Foli-Berger and his friend. He tries all the time to joke and ironize, having fun about his "immense" and jokes about his leg. Mane decides to carry out its new idea: draw the scene from everyday Parisian life and depict the view of the famous bar Foli Berger, in which the charming girl is sunson, in front of numerous bottles.
The girl knows many regular visitors of the bar.
Picture "Bar in Fouls Berger"This is a product of extraordinary courage and picturesque detullness: a blond girl stands behind a bar, behind her a large mirror, which reflects the big hall of the institution with the public sitting in it. She has an ornament on a black velvet on her neck, her gaze is cold, she is stadding still, she looks indifferently on others.
This complex plot of the canvas is moving away with great difficulty.
The artist beats over him and repeats repeatedly. In early May 1882, Mane gives the picture and becomes happy contemplating it in the cabin. Over his paintings, no one laughs more, all of his paintings are considering with great seriousness, they begin to argue about the real works of art.
His last work "Bar in Foli-Berger" created as if she slipped with a life that was so valued, which was so admired and thought a lot. The work has absorbed all the fact that the artist was looking for so long and found in any inconspicuous life.
The best images burst together to be embodied in this young girl, which stands in a noisy Parisian Kabash. In this institution, people are looking for joy contacting with themselves similar, here the seeming fun and laughter reigns here, a young and sensitive master opens the image of a young life, which is immersed in sadness and loneliness.
It is difficult to believe that this work was written by a dying artist to which any hand moved pain and suffering. But even before death, Edward Mana remains a real fighter. He had to go through a difficult life path before he discovered the true beauty that he was looking for his whole life and found it in ordinary people, finding in their soul the inner wealth to which he gave his heart.
DESCRIPTION OF THE PICTURE
One of the most famous Cabarets of Paris, the end of the nineteenth century is depicted on the canvas. This is a favorite artist's place.
Why did he like to go there? The bright life of the capital was preference to mana over a calm household dimension. He felt in this cabaret, better than at home.
Sketches and billets to the picture, apparently, Mane did right in the bar. This bar was on the first floor of variety. Sitting to the right of the scene, the artist began to make blanks to the canvas. After, he turned to Bartishe and his good friend, with a request to pose him in his workshop.
The basis of the composition was to become a friend of Man and Barmetr, standing at each other. They must be passionate about to communicate with each other. Found sketches Mana confirm such an intention of the master.
But Mana decided to make the scene somewhat more meaningful than she was. In the background there was a mirror that displays crowds of visitors filled with a bar. Opposite all these people, Barmers stood, she thought about her, being behind the bar. At least around fun and noise, bartialish does not have anything to the crowd of visitors, she hovers in their own thoughts. But the right one can be seen, as if her own display, only she talks with one visitor. How to understand it?
Apparently, the picture in the mirror, these are the events of the past minutes, and in reality, is shown that, the girl thought about the conversation that occurred a few minutes ago.
If you look at the bottles on the marble bar, it can be noted that their reflection in the mirror does not match the original. The reflection of the bartenders is also unreal. She looks straight on the viewer, while in the mirror she faces face to a man. All these inconsistencies make the viewer think about, the real or imaginary world depicted mana.
Although the picture is very simple in the plot, but it makes every viewer think and think about something. Mana handed the contrast between the cheerful crowd and a lonely girl, located among the crowd.
Also in the picture you can see the artist society, with your muses, aesthetes and their ladies. These people are in the left corner on the canvas. One woman holds binoculars. This reflects the essence of society who wants to look at others, and will be exposed to themselves. At the top of the left corner seen the legs of the acrobat. And the acrobat, and the crowd of funny people, no longer, scrub the loneliness and sadness of the bartinest.
The date and signature of the wizard is displayed on a label of one of the bottles, which stands in the lower left corner.
The peculiarity of this picture mana, in its deep sense, a variety of characters, and secrecy. Usually the paintings of the artist did not differ in such characteristics. The same picture transmits many depths of human thoughts. In the cabaret there are people of different origin and position. But all people are equal, in their desire they have fun and spend time.
And what do you think? What are the impressions of this picture?
Eduard Mana. Bar in "Foli-Berger". 1882 Institute of Art Kurto, London.
Eduard Mana wrote his picture "Bar in Foli-Berger at the end of his life, being already a very sick person. Despite its illness, he created a picture that differs from all previous works.
Basically, its work is unambiguous and concise. "Bar in Foli-Berger, on the contrary, encompasses a number of mysteries that do not give rest to the not indifferent observer.
The picture shows the Girl-saleswoman Bar in the famous still cafe-variges "Foli-Berger" (Paris, ul. Rishe, 32).
Here the artist loved spending time, so he was very familiar to him. So the cafe looks in reality:
Cafe-cabaret "Foli-Berger" in Paris these days 
Cafe-cabaret "Foli-Berger" in Paris today (internal interior) Real girl and mirror
The main riddle lies in the difference between what the bar and saleswoman looks like in the foreground of the picture compared to their display in the rear mirror.
Pay attention to how thoughtful and even sad girl saleswoman. It seems that she even has tears in their eyes. In the setting, variety it should be smiled sooner and flirt with visitors.
This, by the way, occurs in the reflection of the mirror. The girl slightly leaned toward the man's buyer and judging by a slight distance between them, their conversation is intimate.
Eduard Mana. Bar in "Foli-Berger" (fragment). 1882 Institute of Art Kurto, London. Unusual signature picture
Bottles on the bar stand also differ in their location from displayed in the mirror.
By the way, the date of writing a picture and his signature mana put directly on one of the bottles (the gloss bottle of pink wine): MANET. 1882.
Eduard Mana. Bar in "Foli-Berger" (fragment). 1882 Institute of Art Kurto, London. What makes Mane wanted to tell us with the help of these mysteries? Why is the girl in front of us even differ from the one that is displayed in the mirror? Why are items on a bar rack change their location in reflection?
Who posted mana?
The artist posed the real saleswoman named Suson from the cafe "Foli-Berger". The girl was well acquainted mana. 2 years before writing the original painting, he painted her portrait.
It was an ordinary practice for artists: to have a portrait of a model in case of her failure to pose. To always be able to finish the picture.
Eduard Mana. The model for the painting "Bar in Foli-Berger". 1880 Museum of Art at the Palace of the Dukes of the Burgu, Dijon, France. Perhaps the Suson shared with Maen his vital history, and Manne decided to portray her inner state and the role of the coquette, which she forced to play a bar counter?
And maybe we are afraid of what is happening in the present time, and in the reflection - the last girl is, so the image of objects is different?
If you continue this fantasy, it can be assumed that in the past the girl was too close to the gentleman. And it turned out to be in position. It is known that the saleswomen in such varieties were called girls who "served drinks, and love."
Mr., of course, did not break his legitimate marriage because of the maiden. And as often happens in such stories, the girl was alone on his hands with a child.
She is forced to work to somehow survive. Hence sadness and sadness in her eyes.
X-ray picture of the picture
Another unusual and hidden painting detail we can see thanks to the X-ray. It can be seen that in the original version of the picture, the girl holds hands crossed on the stomach.
Today we will talk about the picture of Edward Mane Bar in Foli -Berger 1882, which became one of the famous masterpieces of world art.
In 1881, in the French salon, E. Mana hand a long-awaited second award for the portrait of the hunter for Lviv. Pertuise. After that, Mane becomes outside the contest and can exhibit its paintings, without any permission of the jury of the cabin.
The long-awaited glory comes, but his illness progresses simply inexorably and he knows about it and therefore, he is given to the longing.
In September 1879, Mane had the first acute attack of rheumatism. It was soon that he was ill at attacking - disruption of coordination of movements. The disease quickly progressed, limiting the creative possibilities of the artist. Mana is trying to resist severe illness. Is it really not able to raise the disease?
Work on the picture.
Mana decides to collect all his strength and will, he is still trying to bury it early. It can be seen in the cafe "New Athens", in the cafe Bad, at Tortoni, in Foli-Berger and his friend. He tries all the time to joke and ironize, having fun about his "immense" and jokes about his leg.
He decides to carry out his new idea: draw a scene from everyday Parisian life and depict the view of the famous bar Foli-Berger, in which the charming girl is sunson, in front of numerous bottles. Many regular guest visitors know.
The painting "Bar in Foli-Berger" is a product of extraordinary courage and picturesque subtlety: a blond girl stands behind a bar, behind her a large mirror, which reflects the big hall of the institution with the public sitting in it. She has an ornament on a black velvet on her neck, her gaze is cold, she is stadding still, she looks indifferently on others.
This complex plot of the canvas is moving away with great difficulty.
The artist beats over him and repeats repeatedly. In early May 1882, Mane gives the picture and becomes happy contemplating it in the cabin. Over his paintings, no one laughs more, all of his paintings are considering with great seriousness, they begin to argue about the real works of art.
His last work "Bar in Foli-Berger" created as if she slipped with a life that was so valued, which was so admired and thought a lot. The work has absorbed all the fact that the artist was looking for so long and found in any inconspicuous life.
The best images burst together to be embodied in this young girl, which stands in a noisy Parisian Kabash. In this institution, people are looking for joy contacting with themselves similar, here the seeming fun and laughter reigns here, a young and sensitive master opens the image of a young life, which is immersed in sadness and loneliness.
It is difficult to believe that this work was written by a dying artist to which any hand moved pain and suffering. But even before death, Edward Mana remains a real fighter. He had to go through a difficult life path before he discovered the true beauty that he was looking for his whole life and found it in ordinary people, finding in their soul the inner wealth to which he gave his heart.
DESCRIPTION OF THE PICTURE
One of the most famous Cabarets of Paris, the end of the nineteenth century is depicted on the canvas. This is a favorite artist's place.
Why did he like to go there? The bright life of the capital was preference to mana over a calm household dimension. He felt in this cabaret, better than at home.
Sketches and billets to the picture, apparently, Mane did right in the bar. This bar was on the first floor of variety. Sitting to the right of the scene, the artist began to make blanks to the canvas. After, he turned to Bartishe and his good friend, with a request to pose him in his workshop.
The basis of the composition was to become a friend of Man and Barmetr, standing at each other. They must be passionate about to communicate with each other. Found sketches Mana confirm such an intention of the master.
But Mana decided to make the scene somewhat more meaningful than she was. In the background there was a mirror that displays crowds of visitors filled with a bar. Opposite all these people, Barmers stood, she thought about her, being behind the bar. At least around fun and noise, bartialish does not have anything to the crowd of visitors, she hovers in their own thoughts. But the right one can be seen, as if her own display, only she talks with one visitor. How to understand it?
Apparently, the picture in the mirror, these are the events of the past minutes, and in reality, is shown that, the girl thought about the conversation that occurred a few minutes ago.
If you look at the bottles on the marble bar, it can be noted that their reflection in the mirror does not match the original. The reflection of the bartenders is also unreal. She looks straight on the viewer, while in the mirror she faces face to a man. All these inconsistencies make the viewer think about, the real or imaginary world depicted mana.
Although the picture is very simple in the plot, but it makes every viewer think and think about something. Mana handed the contrast between the cheerful crowd and a lonely girl, located among the crowd.
Also in the picture you can see the artist society, with your muses, aesthetes and their ladies. These people are in the left corner on the canvas. One woman holds binoculars. This reflects the essence of society who wants to look at others, and will be exposed to themselves. At the top of the left corner seen the legs of the acrobat. And the acrobat, and the crowd of funny people, no longer, scrub the loneliness and sadness of the bartinest.
The date and signature of the wizard is displayed on a label of one of the bottles, which stands in the lower left corner.
The peculiarity of this picture mana, in its deep sense, a variety of characters, and secrecy. Usually the paintings of the artist did not differ in such characteristics. The same picture transmits many depths of human thoughts. In the cabaret there are people of different origin and position. But all people are equal, in their desire they have fun and spend time.
Text with illustrations and discussion of painting.http: //maxpark.com/community/6782/content/3023062
from Impression / FR./ - Impression (1874-1886)
Direction in art originated in France. This name, the style that has had the most serious impact on the development of world art, thanks to the sarcastic label invented by Louis Louroy, who came up with a sarcastic label. Mockery of the truncated title of the picture of Claude Monet "Impression. Sunrise" (Impression. Soleil Levant) later turned into a positive definition: it clearly reflects the subjectivity of the vision, interest in a specific moment of constantly changing and unique reality. Artists, from the challenge, accepted this epithette, afterwards he had taken root, lost his original negative meaning and became active. Impressionists tried to convey their impressions of the world as accurately as possible. For this purpose, they refused to comply with existing painting rules and created their own method. Its essence came down to the transfer with the help of separate smears of clean paints, an external impression of light, shadow, on the surface of the items. Such a method created in the picture the impression of the dissolution of the form in the surrounding light-airspace. Claude Monet wrote about his work: "My merit is that I wrote directly from nature, trying to convey my impressions of the most non-permanent and volatile phenomena." The new course was distinguished from academic painting both in technical and ideological terms. First of all, the impressionists abandoned the contour, replacing it with small separate and contrasting strokes, which they imposed in accordance with the theories of the color of Chevreil, Helmholtz and Ore. The sunbeam is split into the components: purple, blue, blue, green, yellow, orange, red, but since blue is a kind of blue, then their number is reduced to six. Two paints laid nearby enhance each other and, on the contrary, when mixed, they lose the intensity. In addition, all colors are divided into primary, or basic and dual, or derivatives, with each twin paint is additional to the first: blue - orange red - green yellow - purple, thus it became possible not to mix paint on the palette and get The desired color by the correct imposition of them on canvas. This later became the reason for the abnormal.
Artists: Paul Cézanne, Edgar Dega (Edward Henri Paul Gauguin), Edward Mane (édouard manet), Claude Monet (Oscar-Claude Monet), Berthe Morizo \u200b\u200b(Berthe Morisot), Camille Pissaro ( Jacob Abraham Camille Pissarro), Pierre Auguste Renoir (Pierre-Auguste Renoir), Alfred Sisley.
Exhibitions: Everything was eight, the first one took place in 1874 in Paris, in the studio of the Nadar photographer, Kapuchin Boulevard, 35. Subsequent exhibitions, up to 1886, in various salons of Paris.
Texts: J.A. Kastanyari "Exhibition on Kapuchin Boulevard. Impressionists", 1874; E.Dyuranti "New Painting", 1876; Tyur "Artists-Impressionists", 1878.
Description of some works:
Pierre Auguste Renoir "Ball in Moulin de la Gaette", 1876. Canvas, oil. Paris, Museum d'Ors. The famous establishment of Montmartre "Moulin de La Gaette" was considered not far from Renoara housing. He went there to work on, and friends depicted in this picture, often helped him wear canvas. The composition is composed of a variety of figures, it creates a complete feeling of the crowd, captured by the joy of dance. The impression of the movement, which is full of picture, occurs due to a dynamic style of painting and light, freely falling glare on faces, costumes, hats and chairs. Like through the filter, he passes through the foliage of the trees, changes the chromatic gamut in the kaleidoscope of reflexes. It seems that the movement of the figures continues and enhance the shadows, everything together is connected in thin vibrations that transmit the feeling of music and dance.
Pierre Auguste Renoir "Ball in Moulin de la Gaette", 1876
Eduard mana "Bar in Foli Berger", 1881-1882. Canvas, oil. London, Gallery of the Kurto Institute. It is difficult to determine the definite genre of the last big picture Mana - "Bar in Foli-Berger" exhibited in the cabin in 1882. The picture is peculiar to the image of the life, and the portrait, and still life, which acquires a completely exceptional here, although not paramount importance here. All this is united in a scene of modern life, with extremely prose-scene motivation (which can be the chamber of the saleswomen for a bar of the bar?), Proved by the artist into the image of high artistic perfection. The mirror behind the bar stand, behind which there is a nameless heroine of the canvas, reflects a crowded hall, luminous chandelier, legs under the ceiling of the acrobatki, a marble board with bottles and the girl itself, to which Mr. in the cylinder is suitable. For the first time, the mirror forms the background of the whole picture. The space of the bar, reflected in the mirror behind the back of the saleswoman, expands to infinity, turns into a sparkling garland of lights and color glare. And the viewer facing the picture is involved in this second environment, gradually losing the feeling of the face between the real and reflected world. A straight look of the model violates the deceptive extension (L'Absorption) - the traditional reception of the record of the main character of the picture concentrated by their affairs and as if not a noticeing viewer. Here, on the contrary, mana uses direct sharing views and "explodes" the closedness of the image. The viewer is involved in an intense dialogue and is forced to explain what is reflected in the mirror: the relationship between the wax and mysterious character in the cylinder.