Musical accompaniment. The meaning of the word accompaniment in the dictionary of music terms
Any song will sing if the Contractor suggest support in the form of accompanying instrumental support. What is called accompaniment? The accompaniment is the harmonic support of a song or instrumental melody. In the article we will talk about how to choose accompaniment to the song.
In order to choose the accompaniment, it is necessary to be guided by the two basic principles that are used when writing music. First: absolutely any product is obeying certain musical laws. And the second: these patterns with ease can be violated.
Required basics for selecting accompaniment
What do we need if we decided to choose the accompaniment to the song? First, the vocal melody of the song - it must be recorded by notes, or at least you need to learn how to play it well on the instrument. This very melody will have to analyze and first of all sort out, in what a tonality it is written. As a rule, the most accurately determined by the last chord or a note that the song is also almost always the tone of the song can be installed by the very first sounds of its melodies.
How to choose accompaniment to a song?
Immediately, before picking up the accompaniment to the song, you need to listen to it completely and smash it into parts, that is, for example, on a verse, chorus and, maybe losing. These parts are well separated from each other, because they form some harmonic cycles.
The harmonic base of modern songs in most cases of the same type is simple. The basis of its structure is usually a chain of repeating segments, called "squares" (that is, the rows of repeated chords).
The next step of the selection is to reveal these the most repetitive chains of chords first in the checkout, then in the chorus. Determine the tonality of the song, relying on the main tone, that is, a note from which the chord is built. Then it should be found on the tool in low sounds (bass) to merge with chord in the selected song. From the found notes should build all consonance. This stage should not cause difficulties, for example, a note "before" was determined by the main tone, the chord will be either minor or a major.
So, everything is decided with a tonality, now we will use knowledge about these delicacies. All her notes should be written, and relying on them to build chords. Listening to the song Next, we define the moment of changing the first consonance and, changing the alternately of our tonality, we select suitable. Following this tactic, we select further. At some point you can see that chords begin to repeat, so the selection will go much faster.
In some cases, the authors of the music change the tonality in one of the verses, do not be afraid, mainly a decrease in tone or halfone. So you should also define a bass note and to build consonance from it. And subsequent chords should be transposed into the desired tonality. Having reached the chorus, guided by the same selection scheme, we solve the task. The second and subsequent plotters are likely to be executed by the same chords as the first.
How to check the selected accompaniment?
At the end of the picking chords, the work should be played from beginning to end simultaneously with the record. If a mistake chord is heard somewhere, mark the place without stopping the game, and return to this place after the completion of the work. Featuring the desired consonance, play a job again while the game does not sound identically original.
The question of how to pick up the accompaniment to the song will not cause complications if from time to time to increase its musical literacy: learn, not only read notes, but also to deal with what chords, tonality, etc. You must always try to train auditory memory, through the game of well-known works and selection of new, ranging from simple and ending with the selection of complex compositions. All this at a certain point will allow to achieve serious results.
Did you think about accompanying the singer (soloist) on the piano and would like to learn this, mainly at home. The skill of the piano game as escort includes the usual skill of the game on the piano, but there are things that are very different from the solo game. You will soon realize that accompany the singer on the piano easier than to play solo - using some basic principles.
Steps
Accompaniment with chords
- Play sheet music from "melodies" at the same time as the singer voicates them,
- Or asks "Temp" in those places where the soloist focuses on slow and fast parts, etc.
- Or adjust the "rhythm" when the singer interprets slow and fast parts,
- Thus, you do not decide what will be the "style" ... Do not work the singer. Discuss it with your soloist! Most soloists want you to follow them, but some may need you to keep a steady rhythm (a little bit like the drums do), so they remain in the right direction. All people are different, so all you need is just asked. A qualified soloist will be able to tell you that for him or her will be best. As a rule, you play "Accompagnato" - follow everything that makes a soloist (tempo and common style) by performing a song.
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As the main technique, play not defiantly (not too loud). Imagine that you are accompanying in a group where the guitarist slightly moves the chords, while the drummer uses the brushes or chooses a soft style of play, etc., but, of course, some singers, as an alternative, can stick to the style in which the tools are heard Pretty loud ...
Break the chords (Arpeggio as a brand, beating) so that it was " notlike "BAM, BAM... "And as an accompanist facilitate or just use one hand to play - explain in more detail below. Accompaning on the piano, often use both hands for turning around parts, left or right hand combine options, ideas, how to read music and adapt to that What makes a soloist, realizing his style and reacting to the tempo, rhythm and style for rumor. You probably need (but not necessary) I will need to play with both hands Introduction and ending.
To accompany on the piano, use one hand. Of course, you need to learn much more to be a good accompaniment. Look at the chords in the "Councils" below.
- It is not easy to play chords slightly with one hand - mostly with the help of 3 tones called treiama chords (see chords and draw the shape of chords on the fingers and hands - in the section "Tips" below)
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Learn to break the chord in Arpeggio, which means the sound of the chord notes in the sequence, and not at the same time .
- Do not take the whole chord immediately.
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Practice the passage of notes, sharing or moving with hand and fingers: Passing each chord, play notes separately.
- Do not make chords sliding sounds .
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Imagine a picture in the mind, as the fingers form "shape"
- every three note chord, like a 3-toothed plug or tripod and
- four note chord (7th), like a fork with four teeth.
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Try to play "Near" the average note before, below the octave (or may be higher) to harmonize with the singer (AMI).
Learn to receive chord from key signs. You will see a picture in key signs, how they progress on each fifth key / note in the "quint circle".
- Thus, each key in the musical interval (distance) is called fifth From the next key (only countdown , not a share).
- In key signs that contain a bembra's key, the key is called the "Barol to the left of the last bembra's". Key signs with four bembre, si, mi, la, re, for example, is the key of the labell.
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Write the chords over the words on the written or printed page, as they do for the guitar. There is a studio-professional way to do this using the designations Nashville chordami . This is for the rhythm section (usually consisting of piano, guitars, drums and bass). Musicians train to be able to improvise, representing a chord combined with other tools. This numbered recording method allows musicians who are familiar with keys and chords play the same song in any tone , without knowing written notes.
Use various styles of playing on the piano on the rumor, and thus you change the pace and chord, as well as to change the tonality up or down as needed. This is not an amateur trick - it is free Software created by the Harvey Mudd Cellge Computer Programming Department for this type of notable work used by orchestras, etc. .
Leave the melody singer, and thus your chord will sound cleverly and rhythmically during vocal (something like a brandy, playing rhythm). Thus, you press individual chord notes, as already said, using the form of arpeggio (also called broken chords). In short, this technique as the essence of the idea.
- Please note that the "quint circle" scheme is based on counting each fifth note . In any part of "la" to "salt" - then the notes can be viewed as the beginning of the formation of a circle. After Salt, consider la, s, up Re, and so look at the circle and Salt "and" re "will be fifas because there are 3 notes between them (counting 1, 2, 3, 4, 5), back or forward.
- Thus, you can count five in the music alphabet: ignoring three notes between the first and fifth. Then look at the circle and you will see "Re and La will be fifth : Re , mi, fa, salt,La . So the keymark model works, and it shows how the circle got its name.
Maintenance of the singer on the piano - is approximately the same as the game on the guitar. So you follow behind the singer, not:
Help the singers learn to harmonize
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Show two and more performers by the Harmony of the Three Most Main Chords: "1,3,5" chords (which are simply to major or tru major or a major salt), not having digesters, a bemole, etc. 1 is a "root" (fundamental) note. 3 is a "third", or a note 2 places above. 5 is a "fifth", which is located on 4th place up from the root and on 2 place from 3. Each missed note is called interval (creating a pleasant separation between those that sounded).
Demonstrate chords to singers and help them hear how various combinations of notes (chords) sound together. It is easier to learn the basics of consonance, listening to the notes performed on the piano. Then someone can start singing together with piano notes. Then they can go to joint singing with another singer.
- A good way to distinguish between 2 or 3 singers when each sings the melody to octave above or lower than the other, just sings in unison, but not consistently.
- For example: a man sings the melody to octave below "against" the female soprano in unison (not consistently). Singing in unison is a "layering", and can strengthen the sound as in the choir (but a duet, a trio or quartet usually do not sing in unison, except for some special effects).
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Harmonize with singing "on the melody", but in a little higher or lower to create chord with voices.
- But if the soloist sings a consonant note instead of a melody, it is a form of singing not in the key ...
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Explore the main 1,3,5,7 chord notes (up to7, F7, Sol7 - see the section "Tips" below), as a group, and then you can help singers harmonize, consistently passing every note chord; Then they to study them in chord (and so they hear harmony) among votes. Bad harmony is incompatible, and thus move from a note of one to a note of someone else (outside the key).
- If you have more than 3 people, then there may be 2 or more those who sings with notes, as in the choral group. If you feel the basics of harmonization "1, 3, 5 and 1, 3, 5, 7" you can experiment with other types of notes in other chords that have sharp dishes or a bemole.
Combination
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Chords usually consist at least from the "three" notes / steps / tones (let's call them) sounding together. If you are talking only about two notes that had to sound, then they are known as interval (like distance).
Accord to, executed from the note "pre-salt-re" indicate the shapes and planes, forming various chords. Double-click on the photo to enlarge it.
An image of "chord figures" with your fingers and hands
Two main applications will work for all major, small 7 chords ...
ORF accompaniment, -A. Specographic dictionary of Lopatin
- ACCOMPANIMENT in the big encyclopedic dictionary:
(Franz. Acccompagnement from Accompagner - accompany), 1) Harmonic and rhythmic support of the main melodic voice. 2) accompaniment with one or more tools, ... - ACCOMPANIMENT in the Big Soviet Encyclopedia, BSE:
(Franz. Accot-Pagnement, from Accompagner - accompany), musical accompaniment. There are 2 species a.: Macing with soloist (singer, instrumentalist) or a group of performers (ensemble, ... - ACCOMPANIMENT in the encyclopedic dictionary of Brockhaus and Euphron:
(AccompagNamento, Acccompagnement) - a musical term that denotes the maintenance of melodies, which is mainly its harmonic decoration, as well as support for vocal parties tools. Accompaniment ... - ACCOMPANIMENT in the modern encyclopedic dictionary:
(French Accompagnement, from Accompagner - accompany), musical accompaniment (instrumental or vocal) solo party or parties (for example, the piano party in ... - ACCOMPANIMENT
[from French accompagnement] Music, accompanied and harmoniously supplemented the main voice; Music, accompanied by singer (solo), soloing tool or choir (for example, party ... - ACCOMPANIMENT in the encyclopedic dictionaries:
a, MN. No, m. musical accompaniment. Sing under a. Guitars. Under a. Cannonada, skirmish (Ind.: Under the sounds of canonades, ... - ACCOMPANIMENT in the encyclopedic dictionary:
, -A, m. Musical accompaniment. Sing under a. piano. Under a. Rain (back: with rain sounds). II adj. Accompanent, "... - ACCOMPANIMENT in the big Russian encyclopedic dictionary:
Accompaniment (Franz. Accompagnement, from Acccompagner - accompany), harmonic. and rhythm. Maintenance Osn. melodic vote. Accompanying one or several. Instrast, and ... - ACCOMPANIMENT in the encyclopedia of Brockhaus and Efron:
(AccompagNamento, Acccompagnement)? The musical term denoting the maintenance of melodies that is mainly its harmonic decoration, as well as support for vocal parties tools. ... - ACCOMPANIMENT in the full accentuated paradigm on the link:
accompaniment "NT, accompaniment" NTU, the accompaniment "NTU, the accompaniment" NTTU, the accompaniment "NTU, the accompaniment" NTU, ACCOMPENE "NTTU, ACCOMPENE" NATTU, ACCOMPOME "NTTU, ACCOMPOME" - ACCOMPANIMENT in the popular intelligent encyclopedic dictionary of the Russian language:
-And, only units. , m. 1) musical accompaniment of singing, declamation or musical instrument. Sing under the accompaniment of the guitar. Synonyms: under the "dying (... - ACCOMPANIMENT in the new foreign word dictionary:
(FR. Accompagnement) to music. the work is harmonious support that complements the main (melodic) voice; Music accompanying singer (solo) soloing music. Tool ... - ACCOMPANIMENT in the dictionary of foreign expressions:
[FR. Accompagnement] to music. the work is harmonious support that complements the main (melodic) voice; Music accompanying singer (solo) soloing music. Tool or ... - ACCOMPANIMENT in the Synonyms Dictionary Abramova:
cm. … - ACCOMPANIMENT in the dictionary of synonyms of the Russian language:
auto accompaniment, ... - ACCOMPANIMENT in the new intelligent-word-formative dictionary of the Russian language Efremova:
m. 1) Music support of the solo vocal or instrumental party, the main theme or melody of the musical work. 2) over. Action, phenomenon accompanying ... - ACCOMPANIMENT in the dictionary of the Russian language of Lopatina:
accompany`irt, ... - ACCOMPANIMENT in the full spelling dictionary of the Russian language:
accompaniment, ... - ACCOMPANIMENT in the spelling dictionary:
accompany`irt, ... - ACCOMPANIMENT in the dictionary of the Russian language Ozhegova:
musical accompaniment to sing under a. piano. Under a. Rain (over.: With sounds ... - ACCOMPANIMENT in the modern explanatory dictionary, BSE:
(Franz. Accompagnement, from accompagner - accompany), 1) Harmonic and rhythmic support of the main melody voice. 2) accompaniment with one or more tools, ... - ACCOMPANIMENT in the explanatory dictionary of Ephremova:
accompaniment m. 1) Music support of a solo vocal or instrumental party, the main theme or melody of the musical work. 2) over. Action, phenomenon, ... - ACCOMPANIMENT in the new Russian English language dictionary:
- ACCOMPANIMENT in a large modern explanatory dictionary of the Russian language:
m. 1. Music support of the solo vocal or instrumental party, main theme or melody of a musical work. 2. Turn. Action, phenomenon accompanying ...