Musical works about the native nature. Musical works about Nature: a selection of good music with a story about her

20.06.2020

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Pictures of changing the seasons of the year, the rustle of foliage, bird votes, splashing waves, the murmur of the stream, thunderstorms - all this can be conveyed in music. Many famous were able to do it brilliantly: their musical works about nature became a classic musical landscape.

Natural phenomena, musical sketches of the plant and animal world appear in instrumental and piano works, vocal and choral writings, and sometimes even in the form of program cycles.

"Seasons" A. Vivaldi

Antonio Vivaldi

Four three-part violin concerts of Vivaldi, dedicated to the times of the year, without a doubt, the most famous musical works about the nature of the Baroque era. The poetic sonnets to concerts are written, as it is considered to be the composer himself and express the musical meaning of each part.

Vivaldi passes with its music and thunder-rolls, and the noise of rain, and the rustle of the leaves, and the birds trill, and the dog Lai, and the uphold of the wind, and even the silence of autumn night. Many remarks of the composer in the score directly indicate or another phenomenon of nature, which must be depicted.

Vivaldi "Seasons of the Year" - "Winter"

"Seasons" J. Haydna

Josef Gaidn

The monumental oratorio "Seasons" was a peculiar result of the composer's creative activity and became a genuine masterpiece of classicism in music.

Four seasons are consistently appeared before the listener in the 44th pictures. Heroes Oratori - rural residents (peasants, hunters). They know how to work, and have fun, they have no time to indulge. People here are part of nature, they are involved in her annual cycle.

Haydn, like his predecessor, widely uses the possibilities of different tools for the transmission of nature sounds, such as summer thunderstorms, rogue of grasshoppers and frogs.

Haidna's musical works about nature are associated with people's life - they are almost always present on his "paintings". For example, in the final of the 103th symphony, we are as if we are in the forest and hear hunter signals, for the image of which the composer resorts to a well-known means. Listen:

Gaidn Symphony No. 103 - Final

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"Seasons" P. I. Tchaikovsky

The composer elected the genre of piano miniatures for his twelve months. But the same piano is capable of transmitting nature paints no worse than the choir and orchestra.

Here is a spring jurisdiction of the lark, and the joyful awakening of the snowdrop, and the dreamy romance of white nights, and a livelot of a bootman, striking on river waves, and field works of peasants, and the psovy hunting, and anxious and sad autumn fading nature.

Tchaikovsky "Seasons of the Year" - March - "Song of Lyonk"

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"Carnival of animals" K. Saint-Sansa

Among the musical works about nature, the mansion is the "big zoological fantasy" of Saint-Sansa for the chamber ensemble. The disadvantage of the plan defined the fate of the work: "Carnival", whose score of Saint-Sans even forbade publishing during life, was completely performed only in the circle of the composer's friends.

Original instrumental composition: In addition to stringed and multiple winds, there are two piano, chest and such a rare tool, like a glass harmonic.

In the cycle of 13 parts, describing different animals, and the final part, which combines all the numbers into a solid product. It's funny that the composer is taken to the number of animals and beginner pianists, diligently playing gammas.

Carnival's comicness emphasize numerous musical alluses and quotes. For example, "Turtles" are performed by the Offenbach Kankan, only several times slowdown, and the double bass in the "elephant" develops the theme of the Berliosovsky "ballet of the Sylves".

Saint-Sans "Carnival Animals" - Swan

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Sea Element N. A. Rimsky-Korsakov

The Russian composer knew about the sea not at the time. Mademaryan, and then Michman on the clip of "Almaz" he did a distant path to the North American coast. Favorite seaside images arise in many of his creations.

Such is, for example, the topic of the "ocean-sea of \u200b\u200bblue" in Opera "Sadko". Literally in several sounds, the author transmits the hidden power of the ocean, and this motive permeates the entire opera.

The sea reigns in the Sadko's Symphony Music Picture, and in the first part of Schöherazada Suite, "Sea and Saintbads a ship", in which the calm replaces the storm.

Roman-Korsakov "Sadko" - the accession of the "Ocean-Sea blue"

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"The ruddy glow was covered with the East ..."

Another favorite theme of musical works about nature is the sunrise. Here immediately come to mind the two most famous morning topics, something incense with each other. Each in its own way defias the awakening of nature. This is the romantic "morning" E. Grieg and a solemn "Dawn on the Moscow River" M. P. Mussorgsky.

At the Migra, the imitation of the shepherd horn picked up with string tools, and then and the whole orchestra: the sun rises over the harsh fjords, and the murmur of the stream and singing of birds is clearly heard in music.

The dawn of Mussorgsky also begins with the shepherd melody, in the string orchestral sound as if the ringing of bells is woven, and the sun is closed above the river, the sun covering the water with gold ripples.

Mussorgsky - "Khovanshchina" - the introduction of "Dawn on the Moscow River"

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List all in which the theme of nature is developing is practically impossible - this list will turn out too long. Here you can include the concerts of Vivaldi ("Nightingale", "Cuckoo", "Night"), "Bird Trio" from the sixth symphony of Beethoven, "Flight of Bumblebee" Roman-Korsakov, "Golden Fish" Debussy, "Spring and Autumn" and "Winter Road »Sviridov and many other musical pictures of nature.

Svetlana Lukyanenko
Consultation "Nature in Music, Music in Nature"

Consultation "Nature in Music, Music in Nature"

What is music? Music is a type of art. The means of sending mood and feeling in music are specially organized sounds. The main elements and expressive means of music are: melody, rhythm, meter, pace, dynamics, timbre, harmony, tools and others.

Music is a very good agent to educate an artistic taste in a child, she is able to influence the mood, in psychiatry there are even special music therapy. With the help of music, you can even affect the health of a person: when a person hears fast music, he has a pultsee, he rises, he starts to move and think faster.

Music is made to divide in genres and species. Musical works of each genre and species, as a rule, to easily distinguish each other due to the specific musical properties of each

What is nature? Interesting and fascinating question. At school in younger grades, we once studied such an item - Nature. Nature is a living organism that is born is developing, creating and creates, and then dies, and the fact that she created millions of years either flourishes further in other conditions or dies along with it.

Nature is the outside world in which we live; This world is subordinate to the laws unchanged over millions. Nature is primary, it cannot be created by a person and we must perceive it as a given.

In a narrower sense, the word nature means the essence of something - the nature of feelings, for example.

Nature sounds served as the basis for creating many musical works. Nature is powerful sounds in music.

The music was already among the ancient people. Primitive people sought to study the sounds of the surrounding world, they helped them to navigate, learn about the danger, hunting. Watching the objects and phenomena of nature, they created the first musical instruments - drum, harp, flute.

Musicians have always studied from nature. Even the sounds of the bells, which are distributed in church holidays, sounds due to the fact that the bell created the likeness of the bell flower.

Nature and great musicians studied: Tchaikovsky did not leave the forest when he wrote children's songs about nature and cycle "Seasons". The forest suggested him the mood and motifs of the musical work.

The list of musical works about nature is great and diverse. I will give only some works on the spring topic:

I. Gaidn. Seasons, h. 1

F. Schubert. Spring Son.

J. Bizet. Pastoral

Sviridov. Spring Cantata

A. Vivaldi "Spring" from the cycle "Seasons of the Year"

V. A. Mozart "Parish of Spring" (Song)

R. Schuman "Spring" Symphony

E. Grieg "Spring" (Piazza Piazza)

N. A. Rimsky-Korsakov "Snow Maiden" (Spring Fairy Tale)

P. I. Tchaikovsky "It was early spring"

S. V. Rakhmaninov "Spring Water"

I. O. Dunaevsky "Murchat Brooki"

Astor Piazzolla. "Spring" (from "Seasons in Buenos Aires")

I. Strauss. Spring (FRHLING)

I. Stravinsky "Spring sacred"

Sviridov "Spring and sorcerer"

D. Kabalevsky. Symphony poem "Spring".

S. V. Rakhmaninov. Spring - Cantata for Bariton, Choir and Orchestra.

And so you can continue for a long time.

It should be noted that the composers perceived and reflected images of nature in their works in different ways:

b) Pantheistic perception of nature - N. A. Rimsky-Korsakov, Mahler;

c) the romantic perception of nature as a reflection of the inner world of man;

Consider the "Spring" plays from the cycle "Seasons" P. I. Tchaikovsky.

"The seasons" Tchaikovsky is a kind of musical diary of the composer, imprinuable his heart episodes of life, meetings and paintings of nature. The encyclopedia of the Russian manor life of the XIX century, St. Petersburg city landscape can be called this cycle of 12 characteristic patterns for piano. His images are captured by Tchaikovsky and endless Russian expanses, and the village life, and the pictures of the St. Petersburg city landscapes, and the scenes from the home musical life of Russian people of that time.

"Seasons" P. I. Tchaikovsky

Composer Peter Ilyich Tchaikovsky elected the genre of piano miniatures for his twelve months. But the same piano is capable of transmitting nature paints no worse than the choir and orchestra. Here is a spring jurisdiction of the lark, and the joyful awakening of the snowdrop, and the dreamy romance of white nights, and a livelot of a bootman, striking on river waves, and field works of peasants, and the psovy hunting, and anxious and sad autumn fading nature.

12 Pieces -12 pictures from the Russian life of Tchaikovsky received with epigraphs from the poems of Russian poets:

"At Camelka." January:

"And peaceful bliss corner

The night dusk dressed.

In the fireplace goes out of the light,

And the candle is naggore. "

A. S. Pushkin

"Maslenitsa". February:

"Soon the carnival bridge

Wreck off a wide feast. "

P. A. Vyazemsky.

"Lark song". March:

"The field is taken by flowers,

In the sky there are light waves.

Surface larks Peña

Blue abyss full "

A. N. Maikov

"Snowdrop". April:

"Blue clean

Snowdrop: flower,

Or beside a density

Last snowball.

Recent Tears

About the mountain was

And the first dreams

About happiness in the other. "

A. N. Maikov

"White Nights". May:

"What is the night! For all what a burden!

Thank you, my native impact edge!

From the kingdom of ice, from the kingdom of blizzard and snow

How fresh and clean yours departs May! "

"Barcarol". June:

"Let's go ashore, there waves

Feet will be loss,

Stars with mysterious sadness

Will shine above us "

A. N. Plenev

"Song of Kosary". July:

"Cut the shoulder breathing your hand!

You smell in face, wind from noon! "

A. V. Koltsov

"Harvest". August:

"People families

Accepted to press

Mow under root

Rye high!

In the whale frequent

Sheaves are folded.

From the whole night

Music hits. "

A. V. Koltsov

"Hunting". September:

"It's time, it's time! Rog tube:

Psari in hunting uloras

The light on the horses are sitting;

Broke jump on the samples. "

A. S. Pushkin

"Autumn Song". October:

Autumn, sucks all our poor garden,

Yellow leaves in the wind fly. "

A. K. Tolstoy

"On Troika." November:

"Do not look with longing on the road

And behind the troika, not in a hurry

And dreary in the heart of anxiety

Hurry up forever Copier. "

N. A. Nekrasov

"Sky". December:

Once in the baptisman evening

Girls gadal

For the gate shoe

With my legs threw. "

V. A. Zhukovsky

"Lark song". March.

(audio and video app)

Lark - a field bird, which in Russia is honored as a spring poultry. Her singing is traditionally associated with the arrival of spring, awakening from winter hibernation of the whole nature, the beginning of a new life. The picture of the spring Russian landscape is drawn very simple, but expressive means. The entire music is based on two topics: annealing lyrical melody with a modest accompaniment and the second, related to it, but with big takeoffs and a wide breathing. In the organic weave of these two topics and various shades of moods - dreamily sad and light - the conquering charm of the entire play is. Both themes have elements that are reminded TRELL Spring Lark song. The first theme creates a peculiar framing by a more unfolded second topic. Concelted the play by the thieves of the Trell Lark.

April. "Snowdrop"

(audio and video app)

"Carnival of animals" K. Saint-Sansa

Camille Saint-Sans among musical works about nature is a "big zoological fantasy" of Saint-Sansa for chamber ensemble.

No. 1, "Introduction and the royal march of a lion", consists of two sections. The first immediately adjusts the comic way, in the second section the most trivial marchs, rhythmic and melodic

No. 2, "Chicken and Rooshi", are built on a sound-shock, favorite by the French Clavesicians of the end of the XVII - the first half of the XVIII centuries. The Saint Sanxes echoes the piano (the pianist plays with one right hand) and two violins, to which the Alt and Clarinet later join.

In number 3 appear "Kulans - animals are fast

No. 4, "Turtles", contrast the previous

No. 5, "Elephant", uses a selection parody. Here the piano accompanies the solo of double bass: the lowest instrument of the orchestra, heavy and low-modular.

"Elephant" (audio and video app)

In No. 6, Kangaroo, jumping exotic Australian animals are transferred to Stakkato chords.

No. 7, "Aquarium", draws a silent underwater world. Smoothly flowing overflowing passengers.

No. 8, "Character with long ears", now instead of two pianos, two violins sound, and their jumps on huge intervals in a free tempo imitate the crude donkey.

No. 9, "Cuckoo in the depths of the forest", again based on a sound resistance, but a completely different warehouse.

In No. 10, the "poultry house", solo another wooden tool - flute, as if an executing virtuoso concert accompanied by strings. Her graceful twitter merges with the bellows trills of two piano.

No. 11, "Pianists",

№ 12, "Fossils", another musical parody

No. 13, "Swan", the only serious number in this comic suite paints a light ideal. In the amazing beauty of the singement melody of the cello, supported by a smooth swaying accompaniment of two pianos, the characteristic features of the composer style are concentrated.

No. 14, the detailed finale, uses all the tools, up to silent the flute-piccolo, and some themes of previous numbers, which gives the motley alternation of the variekrastructural images known integrity. The frame is the initial topic of the introduction, which opens the final. Like refrain, another Boyky Cacan sounds, and there are already familiar characters between his repetitions: the kulans are rushed, the chicken jacket, jump kangaroo, screaming donkey.

"Swan" (audio and video app)

For a hundred years, "Swan" remains the most popular play of Saint-Sansa. His arrangements are made almost for all existing tools, vocal processing "Swan - above the water", "Lake Grez" and even "Mother of Cabriña, Holy XX century." The most famous ballet number "Dying Swan", who became famous for this music by the famous Russian choreographer Mikhail Fokin for Anna Pavlova, one of the best ballerinas of the beginning of the 20th century.

And in conclusion, I would like to note that all writers, composers, artists, as convinced connoisseurs of genuine beauty, prove that the influence of a person in nature should not be destructive for her, because every meeting with nature is a meeting with beautiful, touching the secret .

Love nature means not only to enjoy it, but also carefully treat it.

Man is a single whole with nature. He will not be able to exist without it. The main task of a person is to preserve and multiply its wealth. And at the moment Nature really needs care.

After personifying nature, music can make a person think about her fate.

1.3 Nature in music

In the history of culture, nature was often the subject of admiration, reflections, descriptions, images, a powerful source of inspiration, one mood, emotions. Very often a man sought to express his feeling of nature in art, his attitude towards her. Pushkin can be remembered with its special attitude to the fall, many other Russian poets, in whose work, nature occupied a considerable place - Feta, Tyutchev, Baratyan, Blok; European poetry - Thomson (cycle of 4 poems "times of the year"), Jacques Delilil, lyrical landscapes of G. Heine in the "Book of Songs" and much more.

World of music and the world of nature. As a lot of associations, the DUM, emotions occurs in a person. In diaries and letters P. Tchaikovsky, you can find many examples of its enthusiastic attitude towards nature. Like the music about which Tchaikovsky wrote that she "opens to us inaccessible in any other sphere the elements of beauty, the contemplation of which is not temporary, and forever my life with life", nature was in the life of the composer not just a source of joy and aesthetic pleasure, but What is able to give "thirst for life." Tchaikovsky wrote in the diary about his ability "in every leaflet and flower to see and understand something inaccessible to the beautiful, the enthusiast, pretty, who gives the thirst of life."

Claude Debussy wrote that "Music is just the art that is closest to nature ... Only musicians have the advantage to catch all the poetry of the night and the day, land and the sky, recreate their atmosphere and rhythmically transfer their immense ripple." Impressionist artists (K. Mone, K. Pisarro, E.Many) were striving to transfer their impressions of the environment and, in particular, nature, were observed for its variability depending on the lighting and time of the day and sought to find new means of expressive painting .

The theme of nature found an expression in the work of many composers. In addition to Tchaikovsky and Debussy, here you can remember A.vivaldi (Software concerts "Night", "Storm at the Sea", "Seasons"), Y. Hydna (Symphony "Morning", "Powel", "Evening", Quartet "Lark "," Sunrise "), N. Rimsky-Korsakov (Sea Images in Sadko and Sherryzade, image of spring in the" Snow Maiden "), L. Bethoven, M. Irall, E. Griga, R. Vagner. To understand how nature the topic can be expressed in music, as nature is connected with music in the work of various composers, it is necessary to refer to the specifics of music as a type of art, to its expressive and visual capabilities.

"Music - a feeling experienced and designated by means of a melodic image, just as our speech - the thought of experienced and marked through the language," the Swiss conductor Anermere spoke about music; Moreover, he considered music not just an expression of the feeling, but the expression of man by means of feeling.

L. Tolstoy called the music of the "transcript of feelings" and compared it with the forgotten thoughts, about which you remember only what they were character (sad, heavy, dull, funny) and their sequence: "First, it was sad, and then calmed down when you remember so This is absolutely what music expresses "," so wrote Tolstoy.

D.Shostakovich, reflecting on music, also writes about the relationship of the feelings, emotions of man and music: "The music not only awakens the feeling dormant until time in man feeling, but also gives them an expression. It allows you to pour out what has grown in the heart, which has long been asked To the world, but did not find out. "

These reflections of the artist musician, the writer and the composer are surprisingly similar. All of them agree on the understanding of the music as the expression of the feelings, the inner world of man. At the same time, there are so-called software music, that is, a music that has a verbal program that gives the objective and conceptual concretization of artistic images.

Composers quite often in their program names refer to listeners to any specific reality phenomena. What way in music related, first of all, with the inner world of man, is possible a possible software and such a close relationship with specific phenomena of reality and, in particular, with nature?

On the one hand, nature acts as a source of feelings, emotions, the mood of the composer, which is based on the basis of music about nature. Here and manifests the most expressive possibilities of music, which constitute its essence. On the other hand, nature can perform in music as an image of the image, displaying its specific manifestations (birds singing, sea noise, forests, thunder rollers). Most often, music about nature is the relationship of both the other, but since the expressive possibilities of music are wider than fine, they most often prevail. Nevertheless, the ratio of expressiveness and pictusivity in software musical works in composers is different. Some music about nature is almost entirely reduced to the musical display of mood inspired by it, with the exception of some visual strokes (sometimes the visual elements in such music are completely absent). Such, for example, Tchaikovsky's program music about nature. Others, with undoubted priority of expressiveness, sound-proceeding elements play a significant role. An example of such music can serve, for example, "Snow Maiden" or "Sadko" N. Rimsky-Korsakov. So, the "Snow Maiden" researchers are even called the "bird operator", as the sound recording of birds is a kind of leitmotif through the entire opera. "Sadko" is called "Sea Opera", since the main images of the opera are somehow connected with the sea.

In connection with the question of the ratio of expressiveness and pictusivity in software music, we remind the article "On imitation of music" of the Berliosis, which allocates two types of imitation: physical (directly soundness) and sensitive (expressiveness). At the same time, under the sensitive or indirect imitation of Berliosis, I meant the ability of music with the help of sounds "to awaken such sensations, which in real reality may occur otherwise as with the rest of the senses." To the first condition for the use of physical imitation, he considered the need for such imitation to be only a tool, and not the goal: "the most difficult to use imitation of measure and on time, constantly observing that it does not occupy the place that the most powerful All means - the one that imites the feelings and passions - expressiveness. "

What are the means of pictorial music? Fine possibilities of music are based on associative ideas that are associated with a holistic perception of reality by a person. So, in particular, many reality phenomena are perceived by a person in the unity of auditory and visual manifestations, so any visual image can cause the sounds in memory, which are connected with it, and, on the contrary, characteristic of any phenomenon of reality sounds cause a visual representation about him. So, for example, listening to the murmur of the stream, we imagine myself a stream, listening to the thunder we represent a thunderstorm. And since the previous experience of perception of these phenomena is different from all people, the image of any signs or properties of the subject causes the bird's singing in the consciousness of a person can be associated with the edge of the forest, with another - with a park or lime alley.

Such associations are used in music directly through sound resistance, that is, playback in the music of certain sounds of reality. In the 20th century, with the advent of modernist tendencies, composers began to use the sounds of nature in their works without any transformation, reproducing them with absolute accuracy. Prior to that, the composers sought only essential features of natural sound, but not to create a copy of it. So, Berlioz wrote that imitation should not lead to a "simple copy of a simple copy of nature", but should be, at the same time, quite accurate, so that the listener could understand the intention of the composer. " R. Shtraus also believed that it was not too fascinated by copying the sounds of nature, arguing that in this case only "second-rate music" could be obtained.

In addition to the associations arising from the use of sound-powered music capabilities, there are also associations of another kind. They are more conseen and cause in the presentation not the entire image of any phenomenon of reality, but some kind of its quality. These associations arise due to the conditional similarity of any signs or properties of musical sound, melodies, rhythm, harmony and one or another phenomenon of reality.

Therefore, the concept of the objective world is often used to describe sound. The basis for the occurrence of associations can serve, for example, such properties of musical sound, as its height (perception by man changing the frequency of sound oscillations as its increase or decrease); Volume, strength (just like calm, tenderness is always associated with a more quiet speech, and anger, indignation - with more loud, in music these emotions are transmitted to calm and clear or loud and stormy melodies); The timbres (they are defined as bell and deaf, bright and dull, formidable and gentle).

On the relationship of human speech, Intonation with music wrote, in particular, V.Vaslov: "She (music) embodies the emotional-semantic content, the inner world of man in a way, similar to what is embodied by all this in the intonation of speech (that is, through the change in the properties of those recoverable man sounds). " B. Asafiev, in turn, called the music of the "art of intonated meaning."

When displaying in the music of certain phenomena of nature, the same patterns act: a storm or thunderstorm here can be opposed to a quiet and peaceful morning or dawn, which is connected, first of all, with the emotional perception of nature. (Compare, for example, a thunderstorm from the concert "Seasons" A.Vivaldi and Morning E. Griga). In the emergence of this kind of association, melody, rhythm and harmony play a major role. So, Roman-Korsakov wrote about the possibility of a melody, rhythm to transmit various types of movement and peace. Mention of Roman-Korsakov and the harmony, orchestration and timbers as funds. He writes that harmony can transmit light and shadow, joy and sadness, clarity, confusion, and twilight; Orchestration and timbres - shine, radiance, transparency, sparkling, zipper, moonlight, sunset, sunrise.

How are the means of image in music related to expressiveness, which is its basis? In this case, it should be reappeared to the emotional perception of nature by man. Like birds of birds, rolled thunders and others associatively summarize, one or another picture of nature, and this image of nature as a whole causes a person this or that mood, emotion.

Sometimes the emotion associated with nature is the main object of displaying in software music about nature, and sound imagination in this case only specifies it, as if refers to the source of this mood, or there is no no. Sometimes emotion, expressiveness of music contributes to greater concretization of the image of nature. In this case, the composer is not interested in the emotion itself and its development, but emotional associations associated with any phenomenon of nature. For example, the image of the sea storm can give birth to some dark, even tragic emotions, associated with frenzy, stormy passions, the image of the river, on the contrary, is rather associated with calm, smoothness, dimension. There may be many similar examples of emotional associations. So, A.vivaldi sought to convey in the "times of the year" with musical means of summer thunderstorm, and one of the most important means of its mapping in music was the expression of those emotions that arise in a person in connection with this phenomenon of nature.

Sound image and sound resistance in music had a different meaning in one or another era, in one or another composer. It is interesting to note that sound resistance in music about nature was of great importance at the very beginning of the development of software music of this kind (in the work of Zhencen) and again acquired even more important in the work of many composers of the 20th century. In any case, the music about nature is, above all, the expression of the perception of nature by the composer, who wrote it. Moreover, the maintenance of musical aesthetics issues wrote that the "soul" of any art is "a unique vision and feeling of the world with artistic talent." .

"Music Landscape" has a centuries-old development history. His roots go to the era of Renaissance, namely in the 16th century - the heyday of the French polyphonic song and the period of creative activity of Clender Zheken. It was in his work that samples of a secular polyphonic song appeared for the first time, which were choral "program" patterns connecting bright visual properties with expressions of strong emotions. One of the characteristic songs of the chaison is the "singing of birds." In this work, you can hear the imitation of the skewer, cuckoo, organizes, seagulls, owls ... Reproducing the characteristic sounds of bird singing in the song, Jequen gives birds with human aspirations and weaknesses.

The appearance of songs, which expressed close attention to the outside world, the world of nature is not accidental. Artists of this time are referred directly to the world around the world, study nature, write landscapes. Italian humanist - architect, painter and musician - Leon Batista Alberti believed that learn from nature is the first task of the artist. In his opinion, the nature can deliver true aesthetic pleasure.

From the revival and "singing of birds" Zanecen turn to the era of Baroque and the "time of the year" Vivaldi. Under this name, his first 4 concerts for violin, string orchestra and harpsich, having Spring's program names, "Summer", "Autumn", "Winter" were known. According to L. Raaben, Vivaldi in its program works seeks, first of all, to the image of the world, to fixation in the sounds of nature paintings and lyrical human states. It is pictureness, the pictorialness he considers the main thing in the program concerts of Vivaldi. Of course, the program design of the composer applies to the external phenomena of reality: the phenomena of nature and household scenes. Picture - Writes Raaben - built on the use of associative capabilities of timbre, rhythm, harmony, melodies, emotions, etc. The image of nature in the "Days of the Year" is closely related to household scenes, drawing a person on the Nature Lon. In each concert cycle, the mood is expressed, which Vivaldi tied with one or another time of the year. In the "spring" -prompted, joyful, in the "summer" -elegic, sad.

In a completely different way, nature is revealed in Tchaikovsky's music. In the "days of the year" Tchaikovsky rarely, you can find plays, in which there are certain sound-imaging elements (singing of the lark, the ringing of the bell), but even they play the plays a secondary role; In most of the same plays, the pictusivity is absent. One of these plays is the "Autumn Song". Communication with nature here is only in the mood, which points out the image of nature. The Tchaikovsky perception of nature is deeply personally. The main place in music is occupied by emotions, thoughts, memories that the nature awakened.

Nature Images occupy a considerable place in the lyrical plays of the Grill. In them, Grieg sought to convey the elusive mood of nature. The program in lyrical plays is, first of all, a picture-mood.

A great place was taken by nature in the work and aesthetic views of the composer Debussy. He wrote: "There is nothing more musher solar sunset! For those who know how to look with the excitement - this is the most beautiful lesson for the development of the material, a lesson recorded in the book not sufficiently studied by the musicians - I mean the Book of Nature."

Debussy's creativity developed in an atmosphere of searching for new means of expressiveness, new stylistics, new directions in art. In painting it was the birth and development of impressionism, in poetry - symbolism. Both directions were directly influenced by the Review of Debussy. It was in his work that the basics of musical impressionism are laid. Debussy called musicians to learn from nature. It owns a huge number of instrumental plays, whose program headers are sent to a specific image of nature: "Gardens in the rain", "Moonlight", Suite "Sea" and many others.

So, a large number of works of software music devoted to nature, confirms that nature and music are closely related to each other. Nature often acts as an incentive of the composer's creativity, like a treasury of ideas, as a source of certain feelings, emotions, sentiments who fall into the basis of music, and as an imitation subject in relation to its specific sound. Like painting, poetry, literature, the music expressed and opoentized the world of nature with their tongue.

Considering the relationship between nature and music B. Asafyev wrote in his article "On Russian and Russian music": "For a long time - in childhood, I first heard the romance of Glinka" Lark ". Of course, I could not explain to myself what was for me The exciting beauty of the smooth paddy liked so much. But the feeling that he is poured in the air and comes from the air, it remains for life. And often later, in the field, hearing, how long the lark song is in fact, I also attended the Glinka melody at the same time. . And it seemed sometimes, in the field, in the spring, that it is only to raise the head and eyes to touch the blue sky, as in consciousness, the same native entanglement from smoothly alternating, waves of moving sounds of sounds will begin. "Zhavoron, I appreciated the songs then above nightingale. So in the music: the famous "nightingale of my, nightingale" Alyabyeva, that is, the sound-powded of the chronologically ahead of the "Lark" Glinka, seemed to me soulless, something like an artificial nightingale in the famous Tazzle Anders Ena. In the "lark" Glinka like fluttered the bird's heart, and sang the soul of nature. That is why he sang, voicing the azure, the larks or the Globinskaya song was heard about him, - the chest expanded, and the breath grew and grew.

The same lyrical image - the singing of the lark - in Russian instrumental music developed Tchaikovsky. In the cycle for the piano "Seasons" he dedicated to March "Lyonka's song", this an elegue of Russian spring and spring, with its tender flavor and expressiveness of the bright bears of northern days. "Lyonki's Song" in the piano "Children's Album" Tchaikovsky, where the melody also arises from a hint of the bird songs, sounds a call and lighter: I remember the wonderful picture of Alexey Savrasov "Graci flew", from which it is correct to start the history of the development of the modern Russian landscape.

Currently, many regional environmental problems are developing threatening pace to global and become universal problems of the Earth's population. The rapid increase in consumption caused by, in particular, the growing increase in the population of the planet, naturally, causes a constant increase in production capacity and the degree of negative impact on nature. The depletion of natural resources and the productive layer of the soil, the pollution of the oceans, freshwater, which leads to a decrease in the reserves of drinking water, the refinement of the ozone shell, global climate change and many other environmental problems concern each state on Earth. In the aggregate, these problems create a constantly deteriorating habitat of the person himself.

The environmental state of the environment in Russia and our Yaroslavl region makes a significant contribution to the preservation and development of global environmental problems. Pollution of water, atmospheric air and land harmful to plant and animal peace and for humans substances in many regions of Russia have reached the limit levels and indicate an environmental crisis, and this requires a fundamental change in the entire policy of environmental management. All this is directly related to the process of environmental education and education of the population - their complete absence or insufficiency gave rise to consumer attitude towards nature: people are cut off, which are sitting. The acquisition of environmental culture, environmental consciousness, environmental thinking, ecologically justified relations with nature is the only way for human society from the situation, because what is the person, such and its activities are also the environment. And the human activity, his lifestyle and act depends on its inner world, from how he thinks, feels, as he perceives and understands the world, in which he sees the meaning of life.

Chapter II. Environmental education of schoolchildren tools for music

Spirituality and morality, wide consciousness and horizons, civilization and education, careful attitude to the whole living and surrounding, that is, culture and consciousness are modern person and society in times. Therefore, cultural and ecological education and education, a positive attitude to life, a landmark for true values, to create and creativity should begin from the first years of life and go through all the stages of preschool, school and post-school education. The root of this education should be the process of education in man of non-coming values \u200b\u200b- beauty, good, truth. And first place should belong to the beauty, which, since childhood, napping the heart and consciousness of man will determine his thinking, consciousness and actions. These non-leaving human values \u200b\u200bare formed, first of all, with the help of humanitarian knowledge, with the help of immortal works of art.

Memory. Excursions contribute to the formation of the environmental consciousness of students. Thus, an important form of extracurricular work aimed at the formation of an ecological culture of younger schoolchildren is a tour of nature. Among the forms of extracurricular work on the course "Surrounding World" T.I. Tarasova, P.T. Kalashnikova et al. Allocate ecological and local historical research work. ...

Knowledge of students, but also awaken their feelings, thoughts, encourage them to think about the various issues of harmony and unity of all created on the planet. Of great importance for the formation of environmental concepts have an environmental game, tasks for ecology. The purpose of the games is to introduce children with the main problems of nature conservation and their solutions. (See in Annex) Ecology Tasks ...

Music and other types of art

Lesson 26.

Subject: Landscape in music. Images of nature in the work of musicians.

Objectives of the lesson: analyze the diversity of music and visual arts; arguing about the community and difference of expressive means of music and visual art; Self select similar poetic and picturesque works to the topic studied.

Materials for lesson: portraits of composers, paintings of paintings, musical material.

During the classes:

Organizing time:

Hearing: M. Mussorgsky. "Gnome" from the cycle "Pictures from the exhibition".

Read the epigraph to the lesson. How do you understand it?

Recording on the board:

"So far there was no music, the human spirit was unable to imagine the image of the adorable, beautiful, completeness of life ..."
(I.V. Götte)

Message Topics Lesson:

Guys, what do you think, is there something in common in the image of nature in the pictures and in musical works? (We think that yes. Because nature transmits this or that mood. And what it is - you can hear in music and see in the picture.)

Work on the lesson.

1. Nature in art.

An image of nature in art has never been simple copying it. No matter how beautiful the forests and meadows are, no matter how the artists are the element of the sea, no matter how fascinating the moonlight soul, all these images, being captured on canvas, in verses or sounds, caused sophisticated feelings, experiences, moods. Nature in art spiritualized, it is sad or joyful, thoughtful or magnicity; She is as follows by her man.

Once you wake up in amazement,
You hear birds trills in the meadow.
And the heart creates in admiration -
Around everything in white and pink snow!
What happened overnight suddenly with nature?
Where so much light and heat?
Overcoming frost and bad weather
Fluffy foam cherry blossomed!
All the space flooded
Shooting flowers fountains in the embroidery!
Throwing the fragrant decoration
Welcomes Beauty Spring!
Smoking white flowers
Bride young to himself manit.
And freezes the heart under the branches.
Store love, hope and dream!

(T. Lavrov)

The theme of nature has long been attracted by musicians. Nature gave music sounds and timbres, who were heard in the singing of birds, in the murmur of streams, in the noise of thunderstorms.

Sound image as imitation of nature sounds can be found already in the music of the XV century - for example, in the choral plays K. Zheken "singing birds", "hunting", "nightingale".

Hearing: K. Zheken. "Birdsong".

Gradually, in addition to imitating the sounds of nature, the music has learned to cause visual impressions. In it, nature not only sounded, but also played with paints, flowers, glare - became visible.

There is even such an expression - "Music painting". This expression of the composer and criticism of A. Serov is not just a metaphor; It reflects the increased expressiveness of music that discovered another figurative sphere - spatial-visual.

2. Seasons.

Among the bright musical paintings associated with the image of nature, the cycle of P. Tchaikovsky "Seasons". Each of the twelve plays of the cycle represents the image of one of the months of the year, and this image is most often transmitted through the landscape.

According to the program proposed by the music publisher, he wrote his famous piano cycle. In these small plays, resembling musical watercolors, the mood of the season is reflected - winter feces, spring freshness, summer expanse, autumn sadness. The composer puts all his huge love in them to the whole native - to the Russian person, Russian nature, Russian customs. Each of the twelve miniatures is presented by the title and epigraph, which reveal the nature of the music, lines from the poem of Russian poets.

Despite the poetic source, the music of Tchaikovsky is brightly picturesque - and in a generalized-emotional plan associated with the "way" of each month, and in terms of musical image.

Here, for example, the Piece "April", which is given by the subtitle "Snowdrop" and predicted the epigraph from the poem A. Makov:

Bluish, clean
Snowdrop-flower,
Or beside a density
Last snowball.
Latest horses
About the mountain was
And the first horses
About happiness in another ...

As often happens in lyrical poetry, the image of early spring, the first spring flower is associated with the awakening of the forces of a person after winter stupor, the dusk of frost and blizzard - to new feelings, light, the sun.

Hearing: P. Tchaikovsky. "April. Snowdrop "from the piano cycle" Seasons of the Year ".

How did this work sounded, what feelings wanted to give the composer with his music? (The music sounded very gently, light. It seemed that the flower really stretches to the sun and gradually dismisses his petals. The middle part sounded somewhat excitedly, hear the murmur of the stream, the ripping drops.)

That's right, the lines of the poet Maikova are implemented in a delicate melody that transmits the living breath of spring. We seem to see a small helpless flower that makes the light from under the snow.

"The protocol truth is not needed to anyone," said Isaac Levitan. Your song is important in which you sing a forest or garden path. " Look at the reproduction of the painting "Spring. GREAT WATER ", Surprisingly light, pure tones found a composer for transmitting later spring. Remember another painting of Levitan, which has a musical name. ("Evening ringing", this picture also sounds.)

Levitan is rightly called an unsurpassed mood master in painting. He is often compared with Tchaikovsky, in whose music, the Russian nature found a surprisingly heartfelt expression. And the artist, and the composer, every means of his art, managed to sing his song in art - the lyrical song of the Russian Soul.

3. Images of nature.

If Tchaikovsky's Music - with all its bright pictusivity, is still aimed at the transfer of mood, the experience caused by the first bloom of spring, then in the work of other composers, you can find a bright visual image, accurate and specific.

Ferenz Sheet wrote this: "The flower lives in music, as in other art types, for not only the" experience of the flower ", his smell, its poetic charming properties, but the form itself, the structure, flower itself vision, as phenomenon It can not not find his incarnation in the art of sound, because it finds an embodiment and expression, without exception, which may experience, survive, consider and feel a person.

Flower shape, the vision of the flower is tangible present in joining the ballet I. Stravinsky "Spring sacred". The amazing phenomenon of nature is the dissolving buds, stalks - captured in this music transmitting, according to B. Asafiev, "Action of Spring Growing".

The initial tag-naigry, executed by FAGOT, in its outlines resembles the structure of the stalk, which constantly stretches, rushes up. Just as the stalk of the plant gradually turns the leaves, the melodic line throughout the sound also "facing" melodic pegs. Spear shepherds are gradually turning into a thick musical tissue, in which the bird chirping is heard.

Hearing: I. Stravinsky. "Kiss of the Earth" from the ballet "Spring Sacred".

"The landscape does not have a goal," Savrasov said, "if he is only beautiful." There should be a soul history in it. It should be a sound that meets heart feels. It is difficult to express the word, it looks like music. "

Total lesson:

The landscape in music, probably, you can like the landscape in the works of painting - so diverse paintings of nature, which composers treated. Not only seasons, but also times of day, rain and snow, forestry and sea elements, meadows and fields, earth and sky - everything finds their sound expression, sometimes literally affecting the visual accuracy and power of influence on the listener.

Questions and tasks:

Is it possible to assume that the landscape in art is an exact copy of the picture of nature?
Why can a musical landscape like a landscape in visual art?
What will appear April in the play P. Tchaikovsky from the cycle "Seasons"? What feelings do this music cause?
Why is the music I. Stravinsky perceived as a real "picture of spring growth"?
Pick up poetic and picturesque works on the landscape theme that you know.
Make a task in the "Musical Observation Diary", p. 28.

Presentation

Included:
1. Presentation - 15 slides, PPSX;
2. Music sounds:
Mussorgsky. Pictures from the exhibition. Two Jews, Rich and Poor (2 version options: Symphony Orchestra and Piano), MP3;
Tchaikovsky. Seasons. April - Snowdrop (2 version options: Symphony Orchestra and Piano), MP3;
Stravinsky. Kiss of Earth from Spring Spring Ballet, MP3;
Jequen. Bird singing, mp3;
3. The accompanying article is the lesson, DOCX.

"In the kingdom of Berendea. Poets and composers about nature "

Literary and musical composition

Objectives: restoration of the natural relationship of children with Russian nature, with the historical and cultural values \u200b\u200bof Russia; Education from schoolchildren feeling patriotism, love for native nature, poetry, music.
Equipment and decoration: The hall is decorated in a Russian style, on the wall - the name of the holiday in the framework of the Russian ornament; Posters with statements of Russian poets about nature, musical works about nature, presentation of portraits of poets and paintings of Russian nature, children in Russian costumes.

Event flow

Sounds music. Video clip "Happiness of the Russian Earth"

Lead 1.
"Motherland!" - We pronounce,
And in the eyes of thoughtful we
Guckling slowly
And the ray is smoked in the dawn.

Lead 2.
The river is remembered, probably
Clean, transparent to the bottom,
And earrings glow on the willow
And in the grass, the path is visible.

Lead 1.
"Motherland!" - We are talking, worried,
The distance without the edge is visible.
This is our childhood, our youth.
That's all we call fate.
Motherland! Fatherland Holy!
Armor, groves, shores,
Field from wheat golden,
Blue from the moon stack.
Sweet smell of bevelled hay,
Conversation in the village of Naraspov,
Where the star at Stanka sat down,
Before the ground, almost almost loss.
Motherland! Land of fathers and grandfathers!
We fell in love with these clovers,
Spring freshness of tastes
From the edge of the ringing bucket.
It takes up hardly
And forever will remain holy ...
The land is the fact that the birthplace called

Kohl will have to protect the heart.

Lead 2. . What is the Motherland for man? What does he consider his homeland? The country in which was born? House in which lives? Birch at the native threshold, the place where his ancestors lived?

Video clip "Where are you born"

Lead 1. . Look around: What a lovely, amazing world of us surrounds -lesa, fields, seas, oceans, mountains, sky, sun, animals, birds. This is nature. Our life is inherent from her. Nature feeds us, sew, clothes. She is generous and disinterested. Our Russian nature, full of poetry and charms, touches and worries every person who loving his homeland has a beneficial effect on his soul.

Lead 2.

The beauty of Russian Nature is an inexhaustible source of inspiration for poets, artists, composers. Many poems, paintings, musical works were born due to love for her.

Reader

Wave rolls behind wave

In an immeasurable ocean ...

Winter replaced in spring

And less frequent hurricane;

Does not wait ruthless time

It is in a hurry for a term;

Fields and Niv of the rich burden,

While whining snowball disappeared

Flowers cheerful nature,

Severe a dense boron,

Meets noisy morning

Pernaya birds Thunder Choir;

They sing her anthem brought

In the glory of God and father

And gentle a song cherished

Sad singer.

Beautiful blue sky

Everywhere cool and peace

And generous sun gold

Nources the earth with warmth

Necessary, gracious;

From impregnable embroidery

Aromatic air flows

On the kingdom of light and spring.

Widely, proudly sickly,

Leaving the old Brecha

Through the snowy Niva

Transparent river flowing

And everything blooms, and everything is fine!

But where w Wyime, where the next winter is

Where is the ridiculous riders,

Where is the sad glow of grave darkness?

Winter passed. Spring will pass

Summer is gold,

Nature, joy is full,

Sighs good enough at rest.

But not for long; No, again

Dreamed, by will

Releader winds will whistle

And swing swing in the field.

And the hill is dense boron,

He will wake, like a wolf hungry,

And from the height of the desert mountains

It becomes in the fall of cold;

And again a gloomy darkness

Sparks your cover sad

And Almighty Winter

Caught in the sabotage of the funeral -

Blooming meadow, green boron

And all faded nature

And make the tops of the mountains

And snacks with frost water;

And after the wonderful beauty

Nature will be sad again;

So life: il May flowers,

Or swollen grave ...

("Spring" N.A.Nekrasov)

Reader

Nature music! I will listen to you ...

Not silent, the song sings

The whole world about life, which he breathes,

And that blessed who listens and hears.

Oh how much he recognizes and understand

Divoring the way to the sounding world of harmony,

Incomprehensible poems, unknown symphony!

(Alexey Pheezhnikov)

Song "Seasons" with a video clip

Lead 2.

Spring. The sun shines brighter than in winter, it became warmer, the snow darkened and donkey, the streams ran, the day was added, it became longer, and the night is shorter, the spring heaven becomes high and blue.

Lead 1.

In nature, it often happens that snow suddenly comes up before warming, and nature will come true. This is told in the poem of a wonderful Russian poet.Fedor Ivanovich Tyutchev which surprisingly vividly drew such weather changes in the spring, her struggle in winter.

Reader

"Winter is not angry ..."

Winter is no wonder angry,
Passed her time -
Spring is knocking in the window
And drives off the yard.

And everything has risen,
All nudifies winter out -
And the larks in the sky
We raised the sober.

Winter is still cotton
And for spring grumbling.
She laughs in her eyes
And the forest is only noise ...

And, the snow is capturing,
Lasted, running,
In a wonderful child ...

Spring and grief little:
Washed in the snow
And only the rush has become
Nighting the enemy.

Reader

F. I. Tyutchev. Spring Water Video Clip. Reads artist.

Still in the fields white snow,

And the water is noisy in the spring -

Run and wake a sleepy brag,

Run, and shook, and say ...

They say to all ends:

"Spring is coming, spring goes,

We are young spring messengers

She sent us forward!

Spring goes, spring goes,

And quiet, warm May days

Ruddy, light dance

Walking fun behind her! .. "

Lead 1.

Fragment of a puppet play

"With love for nature" - Twitter birds.

Lead 2.

A portrait of the poet is displayed on the screen.

Great Russian poetNikolay Alekseevich Nekrasov He loved and widespread folk tales, proverbs, riddles, songs, well, knew the native Russian language in his work. To the title of his poem "Green Noise", the poet made such a note: "So the people call the awakening of nature in the spring."

Pictures of the forest - the clip "In the field of Bereza stood"

Reader "Green Noise"

There is a buzzing noise,

Green noise, Spring Noise!

How milk lured

Facing gardens cherries

Tihochonko noise;

Priges a warm sun,

No funny

Pine forests,

A number of new greens

Will love the song

And linden pale

And White Berezonka

With green oblique!

Malaya straws cohesive

Noise cheerful male ...

They noise in a new way,

In new, spring ..

Go-buzz, green noise,

Green noise, Spring Noise!

Lead 1.

A portrait of the poet is displayed on the screen.

Athanasius Afanasyevich Fet. - a sophisticated lyrics endowed with ingenious giving. Many of his poems entered the Golden Fund of Russian Poetry. The works of feta are affected by emotionality, light mood, a kind of transmission of shades of mental life, a subtle sense of nature, the beauty of the melodies. The poet seeks to capture and touch the beautiful. His poems - about the beauty of the world, about the harmony of human feelings.

Among the earliest works are poems dedicated to the beauty of nature, the change of seasons.

Pictures of artists about spring. "Spring". Chopin.

Reader

"Spring"

Already the willow is all fluffy

Spread around the circle;

Spring again fragrant

Owned the wing.

Stanny Tuchka rushing

Warmly illuminated

And in the soul again ask

Pleny dreams.

Everywhere diverse

Painting is busy looking

Summit crowd idle

People, something glad,

Some kind of secret thirst

The dream is broken -

And over my soul

Spring swears.

Reader

More May night

What night! On all some kind of nonsense!

Thank you, my native impact edge!

From the kingdom of ice, from the kingdom of blizzard and snow

How fresh and clean yours departs May!

What night! All stars to one

Heat and krotko in the soul look again,

And in the air for the song of the nightingale

Alarm and love is dealt.

Birchs are waiting. Their sheet is translucent

Shyly manitis and techite gaze.

They are trembling. So the virgin newlywed

And pleased with her joy.

No, never gentle and disembodied

Your face, about the night, could not tomorrow!

Again to you I am going with the unwitting song,

Unwashed - and the latter may be.

Edward Grieg "Morning"

Reader

This morning, this joy,It's power and day, and light,This blue archThis is a cry and string,These flocks, these birds,This voice is written,These willows and birch,

These drops are these tears,This fluff is not a sheet,These mountains, these doings,These midges, these bees,This zyk and whistle.

These dawns without eclipseThis sigh of the night serenities,This night is without sleep,This meal and heat bed,This fraction and these trills,It's all - spring.

Leading

Slavs considered themselves an integral part of nature, worshiping the sun.

Video clip and fragment from the movie "Snow Maiden". The same rite occurs on the scene - the stage of episode.

Leading

Alexey NikolaevichPlescheev, Ivan Savvich Nikitin, Ivan Alekseevich Bunin loved Russian nature. Dedicated her poems

Alexey Nikolayevich Plescheev

A portrait of the poet is displayed on the screen.

Reader

"Spring"

Again in spring the window my smelled,

And it breathes more beautifully and free ...

In the chest of longing the oppressive fell asleep,

Roy Light Dum goes to shift to her.

Snow ... icy icy

Do not sparkling waves ...

And the plow waiting for distant, dumb

Fields of my sides.

In the field! In the field! Familiar Nature

To her red shy manit ...

In the field! there is a song of the risen people

Free and powerful sounds.

Reader

"Spring" A.N.Plechev Clip "Symphony of Spring"

Snow melts, streams run,

The window did the spring ...

Shovely will sentence

And the forest will dress foliage!

Chista Heavenly azure

Warm and brighter the sun has become

It's time for the blizzards of evil and storm

Again for a long time passed.

And the heart is very so in the chest

Knocks As if waiting for something

As if happiness ahead

And she took the winter of care!

All faces are fun look:

"Spring!" - You read in every gaze.

And the one's holiday is glad to her

Whose life is only a grievous work and grief.

But frisky kids ringing laughter

And carefree birds singing

I say that most

Nature loves an update.

Reader

A portrait of the poet is displayed on the screen.

I. S. Nikitin "Adjust: Spring is coming"

Full, the steppe is my sleep, sleeping dust:

Winter Mother Kingdom passed,

Dries the tank tablecloth desertless

Snow disappeared - and warm, and light.

Awaken and cleaned dear,

In a beloved beauty, show

Approach your chest ant

Like the bride, in flowers are surrounding.

Adjust: Spring is coming,

Caravan caravas fly

In bright gold, the day is drowning,

And streams on ravines are noisy ...

Soon the guests will gather in you,

How many nests will watch - look!

What sounds are poured for songs

Day-day, from dawn to dawn!

A portrait of the poet is displayed on the screen.

Reader

I. A. Bunin "Large rain in the forest green ..."

Large rain in the forest green

Avumel for slim maples,

Forest colors ...

Hear? - Single song is pouring,

Carefree is distributed

Large rain in the forest green

Avumel for slim maples,

Dee the Heaven clear ...

In every heart occurs -

And tomit and fascinates

Your image, spring!

About the hope of gold!

Grove dark, thick

Deceived you ...

You sounded a lot of song -

And in Dali Ugas!

Lead 1.

The educational value of the poetry of Alexander Sergeevich Pushkin is huge. No poet created such a wise and bright landscape lyrics. "Pushkin is an emergency phenomenon ... This is a Russian man in his development, which it may be, will appear in two hundred years." N. V. Gogol.

A portrait of the poet is displayed on the screen.

Reader

A. S. Pushkin. "Gonyami with weed rays ..." (from the novel "Eugene Onegin"

Gonimy rays,

From the surrounding mountains already snow

Fucked with muddy streams

On rummaged meadows.

Smile clear nature

Through the dream meets the morning of the year;

Sinea shook heaven.

More transparent forests

As if the fortune is greine.

Bee for tribute field

Flies from Celi wax.

Valley dry and motley;

Herds are noisy and nightingale

I sang in silence nights.

Reader

How sad it is your sense,

Spring, spring! It's time for love!

What a languid excitement

In my soul, in my blood!

With what heavy diesel

I enjoy Dunzen

In my face having fun

On the village of rural silence!

Or I am alien to pleasure

And everyone who pleases, lives,

All that bother and glitter

Gave boredom and tomorrow

Per capita dead long ago

And everything seems to me dark?

Lead2

The poems of Sergey Alexandrovich Yesenin - sincere confession of his romantic soul, which attracts primarily the manifestation of the best human feelings. The attractive force of the Yesenin poetry in this piercing sincerity.

A portrait of the poet is displayed on the screen.

Reader

"Cherry"

Cherryumuch siny

With spring bloom

And golden branches,

What curves, curled.

Circle Dew Medunica

Slides on the crust,

Under her greenery spicy

Shins silver.

And near, Protalyanka,

In the grass, between the roots,

Runs, flowing little

Silver stream.

Heart cherry

Having fun

And Golden Green

On the sun burns.

Rucching Raduchheu wave

All branches emphasize

And spiritually under the rager

She sings songs.

Songs are sounded on the verses of S.A. Jeshenina "Bereza", "Cherry".

On the screen, pictures with the image of nature, churches, etc. are displayed on the background of music and when changing pictures, children utter text.

Student 1. Unsurried widest fields. Swimpberry birch. River spills. Steppes immense space. This is Russia.
Pupil 2. You look into a clear blue sky. You go to forest paths. Sit at cool river. This is Russia.
Student 1. The ancient walls of the Kremlin. Brilliance of domes over temples. Life passed trail. And this is Russia.
Pupil 2. Mother's hands. Her songs from your cradle. Easy bread for a festive table. This is also Russia.

Music and showing pictures stop.
Student 1. deep seas
Pupil 2. Wide our fields
Student 1. abundant, native,
Choir. Nice, Russian Earth!