The best chanson of France and their songs. List of singers chanson different periods french chanson women
In France, almost all genres and music styles are presented. But the song genre, however, as around the world, here is the most popular. There are a lot of bright performers in the country in the genre of Chanson, but French chanson is very different from our country's performers. The bottom line is that this music retains the national, inherent in the French song features and does not allow the effects of the development trends of world show business.
Perhaps the reason lies in great popularity worldwide French cabaret arising in the past century and being the country's business card. This type of art has become self-sufficient flow and has characteristic, very bright features.
Synthesis with other directions is sometimes simply impossible due to inconsistencies and disharmony, which is unacceptable in music. It is this identity that makes the hits of French singers-chanson incredibly popular and executable at all times.
Very bright stars are shining in the chaise of world art and jazz french singers. If in the 70s and 80s this style was art for chosen and real gourmets from music, then over time, he began using mass art techniques.
Although most likely, this stage began to apply jazz execution techniques.
Be that as it may, modern music not only France, but also around the world, is distinguished by merging all styles and directions. As a result, the most beautiful songs and bright talented performers appear.
Many modern French singers received world fame. Some can be found literally according to the first notes, thanks to the bright memorable voice timbre.
French singers famous worldwide
The name in the past century threatened around the world. Unique, wonderful voice timbre and a special charm of the singer drove away women of the entire planet.
Dassin's hits such as "Excuse me Lady", "BIP-BIP", "ça m'avance à quoi", "Les Dalton" and others are constantly and modern performers, our generation listens these songs with pleasure, sometimes not even knowing, Who is their author and first performer.
Joe Dasssen was born in 1938 in New York, the mother of the future star was a famous violinist, the director's father, when young Joe was 12 years old, the family moved to France. Most likely, it is the parent genes and education that played a decisive role in choosing a profession. Joe Dasssen starred all his life and wrote wonderful songs.
Franco Canadian singer and actor Garu I woke up by the famous after the execution of the role of Quasimodo in the musical "Notre Dame de Paris". The name of the singer Pierre Gang, he was born in 1972. Low with a light hoarse voice, the highest skill of execution brought Garu in a series of world stars.
The acting career is also very successful. To date, the singer has released 8 albums.
Gregory Lemarchal Born in 1983. The singer became famous in a very young age thanks to an incredible talent, mobile and bright voice.
In early childhood, the boy had a rare genetic disease that affects the work of the lungs. Despite this, Gregory was able to achieve very high results in vocal skill and pleases his fans with very touching and honest songs.
The incurable disease carried the life of the singer in 2007, a posthumous album "La Voix D'Un Ange" (Voice Angela) in 2008 received a platinum award for a million sold copies in Europe.
Popular French singers
With French music at all times will be primarily associated Edith Piaf. In the civilized world there is no man who did not hear the unique voice of this ingenious woman.
The real name of the singer and actress Giovanna Gassing, she was born in 1915. Childhood and the youth of the future world star passed in a terrifying poverty and deprivation, this was the cause of weak health, which caused terrible torment throughout his life and served as a premature death.
Milord songs, "Padam Padam", "Non Je Ne Regrette Rien" are known to almost everyone, regardless of age and musical taste.
The brilliant invariably attracted the attention of the public in extraordinary vocal data, scandalous events and a saturated personal life.
Patricia Kaas. It is one of the brightest and interesting singers of our time. Despite the fact that the singer is counted for the genre of Chanson, her style with only French charm connects Chanson, jazz and pop music.
It is in this that the special style of Patricia Kaas, the singer was able to mix the styles incompatible, and she succeeded very tasty.
The world saw 10 albums, each of which is a reference to the refined taste and high mastery. The singer touches a lot and gives concerts around the world.
From the discoveries of our century, the asterisk of modern French singers, which is considered one of the most promising young singers, and Zaz.Mixing very boldly and talented chanson, folk, jazz and acoustic music.
Of course, the above-mentioned singers and singers a list of talented and popular musicians of France is not limited.
More information about the classic and modern performers, representatives of rock and rap directions This country presented the world an incredible number of very high quality and beautiful music. Listening to her, we have the opportunity to touch at least a minute to the unique and sophisticated world of Grace and Sharma.
French clip - Video
Listen to the beautiful song "My Angel" performed by Golden Voice Gregory Lemarchal
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ChansonTopic 5. Author's song Author's song, or Bardian music is a song genre, which emerged in the middle of the 20th century in different countries. Its distinctive features is to combine in one person of the author of music, text and artist, guitar support, priority of the significance of text in front of music. In Russia, the urban romance and song thumbnails of Alexander Vertinsky can be considered precursors in the author's song. At first, the foundation of the genre was student and tourist songs, differing from "official" (spread through state channels) by the dominant personal intonation, alive, informal approach to the topic. Separate works of the genre appeared in the 1930s (composed of P. Kogan and G. Lepsky romantic songs, the most famous of which became "Brigantine", as well as the early songs of M. Ancharov). The songs of Geology Nikolay Vlasova (1914-1957) - "Student farewell" ("You will go to the northern deer, I will go to the distant Tourkestan to the Northern Olympics, and others actually put the beginning of the tourist song. Special fate of the songs of Evgenia Agranovich, who began writing songs since 1938. The songs of this generation of this generation from those who sounded on the official channels, and were often written by a flute of already well-known melody: for example, the classics of the tourist and the author's song is the "Baksanskaya" - a song written by Mountaineers in the winter of 1943 in the melody of the famous Tango B. Terentyev "Let the days pass " But the well-known song "Blue Watch" (the first version of the text, written by a professional composer, was again written and was again replaced by the "people", which went throughout the country) and the symbol of the Blocade Leningrad "Volkhovskaya Tagged" (on the melody of the song "Our toast "). Most often (although not always) performers of the songs of this genre are at the same time authors and poems, and music from here and the name. In the early 1950s, a powerful copyright layer appeared in a student environment, in particular, at the Biology Faculty of Moscow State University (the famous authors of this Pleiada became the city of Shangin-Berezovsky, D. Sukharev, L. Rozanova) and in the Pedagogical Institute. Lenin (Y. Vizbor, Yu. Kim, A. Yakushev). The author's song in the mid-1950s acquired wide popularity, with the advent of a tape recorder. At this time, Yuri Vizbor, B. Okudzhava, N. Matveyeva and A. Dulov began to systematically compose. As far as is known, the clubs of amateur songs arose with the filing of the KGB and to be aware, and in order to still listen to real songs ... Later, Vladimir Vysotsky, Alexander Galich, Vladimir Turyansky, the classics of the genre, in the 1960s - 80s, Viktor Berkovsky, Sergey Nikitin, Alexander Gorodnitsky, Vadim Egorov, Alexander Lobanovsky, Aron Krupp, Evgeny Kleachkin, Yuri Kukin, Alexander Mirzian, Vladimir Berezhkov, Vera Matveyev, Victor Luferov, Alexander Tkachev, Peter Starchik, Alexander Sukhanov, Vladimir Lanzberg, Veronica Valley , Alexander Dolsky, Leonid Semakov, in the 80s and the 90s, Mikhail Shcherbakov, Lyubov Zakharchenko and Creative Duetaleks Ivashchenko and Georgy Vasilyeva ("Ivasi") were added to them. It is less known that the songs of their own essay, including popularly well-known, wrote and "clean" poets - for example, Valentin Berestov, Gleb Gorbovsky ("When the night lanterns are swinging ...", "Pavilion Beer-Water ..."), Victor Sosna ("Founders flew towards the station ..."). The author's song was one of the forms of expression of the Sixtiets. In the development of the author's song, several stages can be distinguished. The first stage - the romantic, whose leader was B. Okudzhava, lasted about the mid-1960s. The main sphere of the realization of the romantic start was the "Song of the Wanders" with the central images of friendship (friend) and roads as the "lines of life" - the paths in the unknown and path to self-knowledge. At this stage, the author's song practically did not go beyond the limits of the environment given by its environment, spreading "from the company to the company" to the company, or in tape recorders. She was publicly executed extremely rarely and, again, almost exclusively "in his circle" - in amaterable student "views", "cabbagers" of creative intelligentsia, etc., as well as on tourist towers, which gradually turned into the festivals of the author's song . At this stage, the authorities almost did not pay attention to the author's song, considering the harmless manifestation of amateur creativity, an element of intellectual life. The mansion, however, stood bitter and satirical songs A. Galich, who is already at the beginning of the 60s. ("Personal Waltzok", "Ask, boys", "for seven fences", "red triangle", etc.) turned to a sharp criticism of an existing building with unheard of courage and frankness. From the mid-60s. To ironic, and later and frankly satirical interpretation of the surrounding life, Yu. Kim ("Talking two pokcs", "Two imitations Galich", "My Mother Russia", etc.). A row of songs A. Galich ("We are not worse than Horace", "I choose freedom") and Yu. Kima ("Imitation of Vysotsky", "Law Waltz") were directly dedicated to Soviet dissidents. The aesthetics of the "protest song" was continued by V. Vysotsky. He expanded the intonation techniques (so, his intonational find - having grunted consonants) and the vocabulary of the song, including an extensive reservoir of reduced vocabulary. An important place in the work of many bards occupied the topic of the Great Patriotic War. At the same time, unlike the heroic pathos of the song "Official Culture", in the author's song, the "human aspect" of war caused by her suffering, its anti-humanity ("Goodbye, boys! "B. Okudzhava," Ballad of Eternal Fire "A. Galich," It happened, men left "V. Vysotsky and many other songs). Seeing exposure strength such The author's song, the authorities passed to her persecution. The doors of concert organizations (in 1981, after the XXV of the Moscow Swell, the WCSPs are sent to the regions, prohibiting any sites for stage performances by Julia Kim, Alexander Mirzian and Alexander Tkachev, publishing houses, Radio and Teastudia), closed They were expelled from creative unions, pushed themselves into emigration (A. Galich), they were in print in print, etc. At the same time, thanks to "Magnitisdat", they knew it, they sang, listened, rewriting each other. On the life of the author's song In 1979-1990, a regular samizdat newspaper MENESTLEL wrote the Moscow Club of the Amateur Song (since 1979 - Chief. A. E. Krylov, since 1986 - B. B. Zhukov), spreading in photos and photocopies countrywide. However, the attitude of the state to the authors was far from unity. Thus, the Union of Writers held an extremely hostile position - "what these are singing poets"; At the same time, the union of composers did a lot for the authors of the amateur song, believing that their creativity, with all the self-sufficiency of their melodies, compensates for some disregard of mass song, which appeared in professional composers in the 60s compared to pre-war time (in particular, The opinion sounded in the famous documentary film 1967 "I urgently requires a song"). With all the prohibition measures for other lines, S. Nikitin's songs, V. Berkovsky, A. Gorodnitsky, A. Dulova and others regularly included in the world-textual collections of mass songs, manufactured by the IC. And such a well-known author of the 70s and 80s like Evgeny Bachurin, the union of composers actually became a producer - released his first vinyl album, and soon the second. Also, no persecution of the author's song influenced the frequency of the appearance of Sergey Nikitin. Among the works of professional composers of the intrusion of the author's song, Mikael Tariverdieva sounds recognizable, Alexandra Pakhmutova and Andrei Petrov. The authorities tried to master the author's song from the inside, taking under the "roof" of the Komsomol spontaneously arising everywhere "Clubs of amateur (initial - student) song" (SSP). But it was not too good. Having matured the "bards" - the genre -annologists continued to develop a lyrical line, but nostalgia was more clearly sounded in it, bitterness of losses and betrayals, the desire to keep themselves, their ideals, a thinning circle, anxiety in front of the future - moods summed in a chased line B. Okudzhava: "We take hands, friends, so as not to disappear one by one." This lyric and romantic line was continued in the work of S. Nikitin, A. Dolsky, V. Valina, as well as Bard Rockers (A. Makarevich, B. Grebenchikov). Since the beginning of the 1990s. The development of the author's song has passed into a calm bed. The number of "singing poets" and their performing skills, the number of their professional organizations, concerts, festivals sold by cassettes and disks; Even a kind of "classic" of the author's song (popular albums of the songs of our century) is drawn up. Dedicated by the author's song transfer on radio and television: for example, Mikhail Kochetkov organized and led the TV shows about the author's song "Home Concert" on the TV channel Ren TV, and from December 1995 on the Commercial TV channel "TeleExpo" he lived a song transmission with participation Bardov "Glukhary's nest" - a project that has eased later to the famous Moscow Bard Cafe with the same name; Concerts of the author's song and interviews with executive authors periodically broadcasts TV channel "Culture"; On the radio "Echo of Moscow" there is a weekly concert of the author's song on requests, which leads Natella Boltanskaya. The most famous authors of the 2000s are usually considered the city of Danish, O. Medvedev, T. Shaov and O. Chikina. For a wide range of bard song lovers in 2001 in the village of Listvyanka of the Irkutsk region, Evgeny Kravkl and his friends were completed and opened "Theater of the author's song on Baikal". History In other countries, the author's song is not a phenomenon of only Russian culture. This phenomenon arose in the 1960s at the same time in different countries. Everywhere authors performers ( Liedermacher. - in the GDR and FRG, cantautor - in Italy and Latin America, aUTUR-COMPOSITEUR-INTERPRèTE - in France, singer-Songwriter. - In the US) sang songs of their own essay under the guitar. Everywhere, such poets with guitars were deeply connected with the local tradition, but at the same time their songs have made the criticism of society and the state - no matter, socialist or capitalistical, were an experiment with different genres and possessed a tremendous ability to create alternative audiences (primarily youth). The popularity of the author's song was connected with the global surge of the youth socio-political movements of the 1960s - the beginning of the 1970s (see, in particular, the article of the 1968 protests), with the advent of new left in the West, as well as the dissident anti-communist movement in Central Europe. The prisoner of Berrtold Brecht and Hans Eisler appeared in the 1930s of this direction. Creativity Edward Stakhura and Yatsek Kachmarsky in Poland, Karel Wing and Yaromer Nogavitsa in Czechoslovakia, Wolf Burman in GDR Iphranza-Joseph Degenhardt in Germany, George Brassense in France, Luigi Tenko and Fabrizio de Andre in Italy, Viktor Hara in Chile, Phil Oaks, Petya Sigger, Toma Pacston and Boba Dylan in the United States contributed to the formation of a critical and democratically organized public in these countries that took the copyright rituals, collective hearing of tape records and independent, amateur singing in companies. Also simple, but emotional melodies, the chorus were an incentive to joint singing at concerts, the performers themselves called for this. In Cuba Songs Carlos Puebla and the Segnundo company in his genre were similar to the author's song in other countries, however, it was an important difference that these performers were officially recognized by Fidel Castro regime, which used them to increase their popularity both on the Cuba itself and abroad. In the countries of the Socialist Camp, as a result of the Censored Policy of the authorities, the extension of the author's song took the form of semi-official festivals and meetings, concerts on private apartments, home tape recorders, which were distributed free among friends and acquaintances or bought on the "black market". Outside the "socialist camp", concerts and sound recordings of the author's song were quite legal, but still the connection between the author's song and the musical industry has never been any strong, and "barrier policy" of television and radio companies in the USA, Germany, Italy and France For a long time, who did not want to provide the air from the author's song with her sometimes acute and unpredictable social criticism and risky, carnival humor, also attached to it in these countries a certain aura of "illegality". In Chile, after the military coup in 1973, all public execution nueva Cance First were under the strictest prohibition, and almost all the well-known "poets with a guitar" were forced to leave the country, the most famous of them, Victor Hara, was killed almost immediately after the capture of power by the military. Only after 1975, Nueva Cancion came out of a deep underground, but then their authors were forced to use Ezopov language. Neither the audience of "poets with a guitar" nor their colleagues welcomed their professionalization and their rapprochement with the world of pop music. The first public speech of Bob Dilan with an electric guitar at the festival (eng.) Russian. In Newport in 1965, it was a violation of this taboo and was met by the public a deafening whistle. Genres and terms of a clear and unified terminological system associated with song genres still do not exist. Sometimes the terms "author's song" and "bard song" are used as synonyms. But, for example, Vladimir Vysotsky categorically did not like him to be called "Bard" or "Menstrel". The chronicles show that in the 1950s and early 1960s, the term "amateur song" was most commonly used in relation to the genre - it, in particular, the authors themselves were used. The question of the name of the song genre was not immediately interested in fans of the author's song. As Igor Karimov writes in his book "History of the Moscow PSP", the abbreviation of Pispus used in the late 1950s, but at that time deciphered as "a student competition". In the History in the history of the KSP conference on amateur songs in Petushki (May 1967), the issue was discussed focused. Options "Guitar Song", "Amateur Song", "Tourist Song" and a number of others. According to the results of the meeting, the name "amateur song" was chosen, and the value of the "Club of the Amateur Song" was entrenched behind the combination of PCP. At the same time, in May 1967, the first general inception of the KSP took place. At the junction of the author's song and folk music in the 90s, Menstrellel movement was formed, associated with fans of role-playing games and historical reconstruction. His representatives - Tam and Yovin, Chancellor GI, Aire and Saruman, Elhe Nianna and others, perform acoustic songs of their own essay, often on the subject of medieval fantasy (most advantage of works by J. R. R. Tolkina). Topic 6. Panorama of the main directions in the field of world popSymbol of elegance of a thin taste, eldest of 14 children in a bricklayer family and the golden voice of France - eternally young Mirey Mathone Recently celebrated its 66th birthday. For our listeners, she forever became one of the symbols of the French chanson. Chanson, chanson ... Spirit of Paris and the heart of France.
As a music genre, Chanson (Chanson - Song) has two meanings: the secular polyphonic song in the style of the Middle Ages and Renaissance or the French pop song - Music Cabaret. In the classical understanding of chanson, the main thing is the text of the song, the author was most often performer. Maurice Chevalier, Edith Piaf, Anna Marley, Yves Montan., Charles Aznavour - Loud names of the classic chanson. But a very little time passed and to the number of chanson delivered all the perforous pop-speaking pop songs. Names of the Mirey Mathieu, Joe Dassin, Dalida, Patricia Kaas steel for us synonymous with French chanson.
When Mirey Mathieu in 1965 first appeared before the viewers with the song Jezebel.Her presentation was produced by a real furyor. It seemed that Edith Piaf was revived three years ago. It seemed that her voice came back to the world again in this little, fragile, as he Edith a girl. The similarity of voice and execution was amazing. But John Sark, Impresario of Mirey Mathieu, forbade her even listen to the records of Piaf, he believed that then she would not do his style, but would become a pale shadow of the Great Singer.
Mirey Mathieu and Edith Piaf. One song, one music, two destinies
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Here you are what, cute baby! And notice, I will not add Piaf. Because between you both big difference. Baby Piaf walked along the shadow side of life, and you, the Mirley, let's go on the sunny side (Maurice Chevalier)
More than 100 million plates and thousands of songs in different languages \u200b\u200bof the world made Mirere Mathieu Ambassador of the French song. Small, fragile, elegant, how can not be more suitable to the tender word chanson Mirey Mathieu became the prototype of the France symbol - Marianna. In 2005, a series of concerts took place in the Paris Olympia " 40 years of love and excitement. "
Famous duet Eternal lovein the performance of Mirere Mathieu and Charles Aznavour, recognized as the best pop artist of the XX century.
Another name in the Gold List of French Chanson - Charles Aznavour, French chanson and an actor of Armenian origin. Its real name is Shaunar Vakhnak Aznavuryin. The son of Armenian emigrants from Tiflis, who began singing at 9 years old, Charles Aznavour created more than 1000 songs performed by them and about 60 roles in the cinema. In 82, he went to Cuba, where he wrote an album Color Ma Vie.. World premiere of new songs took place in Moscowwhere he gave the only concert.
How to talk about French graders and chance and not remember this name? Joe Dassin - Joseph Iira Dasssen. Short human life, but the long memory of his songs that continue to live. Dassin's voice is a soft baritone, with light hoarse, his
amazing artistry, heartfelt performance and elegance on the stage are the present skill of the outstanding artist Chanson.
Chanson, chanson ... Spirit of Paris and the heart of France.
What is chanson, the story of chanson
"For the first time, we first met through our eyes ... This melody will forever remain for me for me about our first kiss ... Do you remember how we danced on graduation under these rhythms?" The song is memories. Hearing your favorite melodies, we cry and smile, we carry out in the past, to once again feel the whole range of emotions of the earned events. The song is a life concluded in 7 notes. Especially brightly you feel when you listen to chanson. The fate of this musical genre is full of incredible moments and discoveries that we offer to learn right now.
On the turning of culture
If you ask a Russian man what Chanson is, he will surely answer: "Blessed Songs." Yes, Russian reality left his mark on the perception of this genre. But this opinion is far from the truth. Say out loud the word "chanson". Soft, gentle, singered, it is not associated with a gross "blatant".
Motherland Chanson - France. From French, the word is translated as a folk song. Given the culture of the country in which this genre originated, it is easy to guess that romanticism is characteristic of chanson. Let's see why the history of this musical direction began.
It sounds incredible, but Chanson is rooted in the 12th century. At that time, drovers or lyrical poets began to appear in France. They composed poems in which the most touching feeling came - love. The work of the Trumpets described simple plots, which is characteristic of folk poetry. Music was superimposed on the verses under which the people sang and danced. Songs were multi-voice. They were singing several people at once, glading surrounding their works.
In the next century, the storyline was enriched with knightly and religious motifs, in general, life changed around - and songs changed. Initially, Chanson was faceless. Find any records about the first chanson is impossible. Later, poems began to record with the assignment of authorship. One of the early representatives of the genre is considered to be Guillaume de Masho.
As the music genre, Chanson developed only by the end of the 19th century. Folk art led artists in ... Cabaret. It was here that the French enjoyed touching and exciting melodies that were inextricably linked with lyrical verses.
Speaking about the early development of Chanson, it is impossible not to remember the Aristide Broan. He performed in the famous cabaret "Black Cat" and was known not only for his songs, but also a memorable way: Aristide always spoke in a black coat, on top of which a long red scarf was thrown. It is worth noting that he wrote in the Paris Argo - the specific language of a certain closed group, with its vocabulary and phonetics.
The second sign figure - Jeanne-Florentina Bourgeois. This romantic singer performed under the pseudonym Mustenduet. She had a chance to participate in the show of the famous Cabaret "Moulin Rouge", whose artistic director it became in 1925. The most famous bourgeois song was written under the influence of feelings: Parting with Maurice Chevalé led to the creation of "Monhomme", which is familiar with fans of French chanson.
Music is not static. It changes under the influence of new trends. At the beginning of the 20th century, the world began to conquer jazz rhythms. They were not easy to sound everywhere. They created a new culture, brought something new to the already established musical directions. As the result - the updated Chanson, in which jazz motifs clearly sounded, and interesting duets. So, the famous French chanson Charles Tren performed with Jazz Pianist Johnny Hess. The duet "Charles and Johnny" pleased the public for three years. The first concerts were given in 1933, the last - in 1936. Why did the musicians cease to cooperate? Everything is simple. In 1936, Charles Tren called to the army, where he wrote the most heartfelt and lyrical songs, not without the participation of jazz rhythms.
By the way, the beginning of the 20th century is noteworthy not only by the influence of other musical directions on the development of chanson, but also the release of this genre beyond the limits of the cabaret. Melodic songs begin to fulfill in concert halls.
Cabaret style assumes lightness and some kind of comic, which was noted in the French songs of that period. Its entertaining, the entertainment character Chanson has lost after World War II. Tragic events, swelling all Europe, did not pass without a trace and for the world of music. To write songs, chanson choose deeper, heartfelt plots, which, in combination with the appropriate musical accompaniment, forced to revise views on this genre. Chance's character becomes serious. The artist authors affect the life of ordinary people in the songs, express dissatisfaction with the authorities. Do it sometimes boldly and bold. This is characteristic, for example, for the work of Boris Vian.
After the end of the war, Georges Brassine begins to speak. His creativity is noteworthy in that he did not write his own poems. Georges composed melodies to Victor Hugo, Antoine Field, Francoise Viyon and other poets.
The post-war time is connected with one name in the history of the French chanson - with the name. She begins to actively tour from the mid-40s. And after all, there are those who do not know that popular songs "Non, JeneRegretterien" or "Padam ... Padam ..." is chanson. Thanks to Edith Piaf Chanson of this period gets the name "female".
The second half of the 20th century is, in some way, the new heyday of the genre, who presented the world Joe Dasshen , Iva Montana , Charles Aznorvura , Enrico Masias, Laru Fabian , Dulida , Mirey Mathone and other performers. It is difficult to find a person who at least casually heard "UNE VIE D`mour", "Les Champs-élysées", "Pardone Moi" or "La Vie En Rose". Not even knowing the language, you understand that these songs about love - the feeling that I want to experience again and again. Is it worth wondering the popularity of the classic French chanson in the real days? Not.
For modern chanson, two ways are characteristic. On the one hand, the performers adhere to the traditions of the genre, and recording companies produce discs with the hits of the past decades, on the other hand, felt merging from electronic music, such as in the works of Benjamin Biola, and other destinations. So, mix genres prefer Isabelle Daffraua , Kamiy Dalma. This is the so-called "new chanson" characteristic of French youth. In any case, the genre does not lose its charm, trepidation and romanticism than and captivates the hearts of music alphas around the world.
Arriving like a folk or folk genre, chanson has undergone significant changes. He experienced the influence of social events, various musical trends. He became more professional and flawless. Medieval and new chanson are already two different concepts combined by one basis. About what is it is, we will talk now.
Still, what is Chanson?
Chanson is a national trait of French culture. The main principle of this genre is that the author is usually performed by the author. At the same time, the music is neutral from the text, which is a specific plot. Each song is a kind of story, with your emotions and images.
We list the peculiarities of the French chanson to even better understand this genre:
realistic - in other words, these are songs about life. If you trace the biographies of famous chanson, it is not difficult to allocate one pattern: the performers shift their lives, their luck and misfortunes, successes and losses on the notes. It turns out that the compositions are "charged" with real, sincere emotions, which bribes millions of fans;
poetry. For the classic chanson, the predominance of text over music is characteristic. The latter acts as a framing. Music accompaniment emphasizes the emotional component, creating a harmonious work;
content and depth of text. Light texts that do not carry deep experiences and thoughts, usually belong to chanson, because this genre has another orientation. Easy is more characteristic of a pop song. The boundaries between these genres are very conditional, but it does not prevent the name of the modern French performers, chanson, albeit with the stretch. By the way, abroad the chanson is called all French-speaking singers.
Realistic, poetry and meaningability - this is the basis that does not change since the times of the pipes. So that neither happens with musical accompaniment, the palm of the championship holds the text. It is he who pays special attention to the classic chance.
Is there a Russian chanson?
It is mistaken to assume that the so-called "Russian chanson" originated in the early 90s. His development had to be at the end 18 and the beginning of the 19th centuries. At this time, performers, under the influence of a melodic French song shed. A little later, they began to be associated with folk songs, they began to sound the flavor of urban culture, for example, Odessa and St. Petersburg, and national. He did not pass the Russian chanson and restaurant life. The main component of the song was the sense load, like the French.
So it turns out that chanson on our way is a combination of scattered crops in one genre. This also includes city romances, and bard songs, and the very "blatant." But why exactly became so obviously associated with Russian chanson?
The substitution of concepts occurred in the early 1990s. Crisis, unemployment, high growth of the crime - so lived Russia at that time. It is not surprising that music with captivity began to fill out public consciousness. To raise sales of thymus songs, the producers began to call them chanson to the French manner. Still, "Russian chanson" sounds much harder and more beautiful than "Blatnilla." Music dubious quality came to replace the sophisticated and mental songs behind bars.
Music researchers recommend separating thymus, bard songs and romances. Despite the overall component - the story is different genres that characterize Russian culture. And Chanson was and remains French, which does not prevent us from enjoying touching and exciting compositions with a specific accent.
The future of French chanson is drawn differently. Some believe that he may well displace pop music, others believe that the genre is lost against the background of modern sound. Argue and understand who is right, and who is not, you can long. Instead, it is better to include the records of French performers and plunge into the world of own experiences and emotions. After all, it was for this that Chanson was created.
Chanson translated from French means a song. At first glance, a frivolous musical genre has a fairly large story. Even in the 10th century, poems and epic songs appeared (Shanson de Geste), who chanting brave and valiant knights - defenders of France appeared. And the Franco Flemish composers of the Netherlands school are considered by the Rodonarchists of this musical genre.
Already in the 16th century, music in style that can be considered a classic chanson was created by the French Renaissance era composers as Jequene, Sermizi, Mulu, Serrton, Cotelet, Lenzhen, Gudimel, and in early 17th century these compositions gradually wounded with song-rusted genres . At the end of the 19th and early 20th centuries, pop songs appeared in France, the authors of which are chanson - French pop singers, performers and genre songs in the style of "A Lia Montmartre".
After the First World War, the rhythms of the overseas focus and tango are included. In the songs of French performers, notes of these incendiary melodies are also heard. But the French always remained original, and singers of that time - Mustenget, Moris Chevalé, Josephine Becker - worked in the style of the Review - a small theatrical-circus idea close to the cabaret, the British Music Hall or American Water Water. The 30-40th years of the 20th century were marked by the appearance of Edith Piaff, which is rightfully considered in France the founder of a modern pop song. In the songs, Piaf reflected the life of herself and the life of each Frenchman, so the songs themselves are so loved in France, and far beyond. The songs of Piaf were distinguished by sincerity, emphasized the vivid voice and sensuality of execution. Not one generation of French performers has grown on such songs as " NON, JE NE REGRETTE RIEN », « Padam, Padam », « Milord. », « LA VIE EN ROSE »(Listen online online by clicking on the link).
After the Second World War, the Pleiada of such chanson, like: Georges Brassens, Jacques Brel, Charles Aznava, Leo Feppe, Baptis Wiened, Yves Montan. The best traditions of the French author's song are connected in their work: the lyrics of execution, some intimacy and elusive musicality.
But the French chance is difficult to speak at all, in order to try to understand it, it is necessary to touch the most striking representatives of this genre.
Charles Aznavour Immediately after the end of the war, along with his friend and the accompanion of Pierre Rochem, the thresholds of the Paris night clubs and variety were insets. Sometimes they allowed them to go on stage, sing a few songs and earn a few francs. Sometimes it turned out to sell a song-friend. Friends composed them in a huge apartment of Rocha in the center of Paris. One of these songs is "drunk" - became a hit in the execution of George Ulmer.
Some of their concerts in the Parais restaurant visited the Piaf itself. After acquaintance with the musicians, she suggested them to perform in the first separation of their tour. However, the tour was very short, Piaf flew into America, and Aznavour and Roche remained in Paris, collect money on the road beyond the ocean. With difficulty, coming to the United States, and finding Piaf there, the musicians realized that the joint tour would not be, and on the Council of the singer they went to Canada, where they expected an unexpected success. The legendary singer was in many respects insolent to the work of Charles, he wrote a few songs for her: " Jezebel. ", COMPAGNONS DE LA CHANSON. After gap with Piaf, Aznavour began the solo career. His songs are performed by many talented chanson of that time: Julietary Greco, Betho, Patasha. Song " J "ai bu ", Recorded by George Ulmer, was awarded the Grand Prix, as the best disc of 1947. Subsequently, Aznavour wrote not one dozen songs, which became not only the pearls of the French chanson, but also world famous hits, among them: "SA Jeunesse", "Parce Que", "Sur Ma Vie", "APRES L" AMOR ", "La Boheme" , « Comme Ils Disent. », « She. "And of course the immortal" UNE VIE D'Amour "He sounded in the Soviet film" Tehran-43 "and Spetya Aznavour himself in Russian (" Eternal Love ").
Another famous far beyond France is chansonier - Yves Montan. It can also be attributed to the discoveries of Edith Piaf. "When he was singing, he recalled Edith Piaf," I immediately got under his charm. The distinctive personality of the artist, the impression of power and masculinity, beautiful artistic hands, an interesting expressive face, a heartfelt voice ... ". Edith Piaf handed him a particle of his talent. She taught Iva Montana with the beauty of singing, which made him great. With the name IV Montan are associated international hits " Sous Le Ciel "De Paris, "Les Feuilles Mortes », « C'est Si Bon. », « Les Grands Boulevards. », « A paris. "And many more surprisingly melodic and lyrical songs characteristic of the French chanson of the 40s - 60s of the last century.
Another bright representative of the French chanson is Born in Belgium Jacques. He did the first records in 1953. Recorded and drove to conquer Paris. For about a year, Jacques spent the night in the attic and unsuccessful thresholds of concert halls and Cabarets of Paris. However, despite the merciless criticism of his songs, he continued to write songs. He was supported by the musician Brasrec, the singer Juliette Greco, who included his songs into his repertoire, and, of course, Jacques Canetti, who, did not return the vocals of the Filipse skeptics and insisted on the record of the first disk of Jacques in 1954. Among the songs of this album is allocated only one - "Useful video
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