Ksenia Nesterenko Soprano Biography Personal Life. Ten questions Winner "Big Opera" Ksenia Nesterenko

- How did your life changed after the victory in the TV project "Big Opera"?
"When I came to Saratov before that, I rested from the" Opera ", from the people who remove me take interviews. And now everything is the opposite: there it ended, and it began here. Everything is perceived here, as if I won in Eurovision! The attitude of people has changed. Some, it would seem, at all in any way do not relate, really hurt "why not we, why is she?!".

- By the way, where did your participation in the TV project begun?
- It began without my participation. Even the application for me was sent by my teacher Arkady Vladimirovich Filippov. When I learned, it was grieving, but I thought that I would not go anyway. And in two weeks they called me from the TV channel "Culture" and said that I had a preliminary listening and need to come to casting. The teacher said: "Okay, go, hang out." Seventy people gathered there, who were chosen from one and a half thousand. And they selected 12 participants.

- What can and what can not be a professional vocalist?
- You can do everything and nothing. For example, I do not drink alcohol at all, and some, on the contrary, "50 grams - and on the stage!". Ideally, you need to observe the voice regime, two days before a serious performance - not only not to sing, but also to be silent. How to communicate? Write SMS or wear a notebook with you. Do not be nervous…

- It turns out not nervous?
- In the latest programs, the "big opera" nerves have already passed. I was brought me behind the scenes of the 11th issue so that I could not think about anything else. I came out, disgraced, sang it wrong, did not answer the question, I still can not forget.

- In those moments, when you do not singer, are you? ..
- Conductor- "Khorovik", student-triethrower. I'm still a loving daughter, loving wife ... already a week, it seems! This is already about-go! I have long wanted to marry.
I want a big family, many children. At the same time, I see myself in the Opera Industry. And it must be organically intertwined with the family. I told my mother about it from ten years.

- Are you aware that the Internet discusses the connection of the victory of your victory with relation to the soloist of the Bolshoi Theater Evgeny Evgenievich Nesterenko?
- My dad from childhood told us that the outstanding bass Evgeni Evgenievich is our relative. Then, when we have already become mature, and I went to the musical environment, I learned that he had to me with a cousin. We are in the family of His honor and respect, but there were no more conversations on this topic. In general, in the conservatory, we have a phrase that I can study vocal art for Evgenia Evgenievich. Because he is so much correctly sings that his video can be used as a methodological manual. Singers with a more correct voice formulation, I did not see with a more pronounced technique. In general, related links are, but I do not impose my relationship.

- Do you know how to have people?
- It does not always work. I am a very peaceful person, hate scandals. But if people do not have to themselves immediately, I do not like forever. Here I am all in mom, like locomotive - if you start, then you will not stop.

- What is the role of the family in the life of Ksenia-artist?
If not my family, I would not even go to music. I have an older sister - a man who encouraged me with his example. I first went to my ballet, then on the piano, because I wanted to be like Lisa. And my mother and dad were constantly supported me. Therefore, in a music school, I received four musical education: ballet, piano, academic vocals and solo and choral folk singing.

- All life in music? Even in the courtyard did not have time?
- I managed how! In the intervals between classes in a music school. There was an ordinary post-Soviet childhood, I managed to play both hide and seek, and in the "war", and in the "Cossacks-Robbers".

- What would you like to change dramatically?
- I would like to make more justice in all areas. Because now there are so many customers who simply do not have to exist in some spheres. And it bothers it very much, does not give the way to young and strong people who could and would like to achieve much.

On the eve of the new year, Ksenia Nesterenko from Saratov became the winner of the International Competition "Big Opera", conducted by the federal TV channel "Culture". The identity of the laureate has caused great interest among users of social networks from Russia and other countries that have arranged the Csenia real interviews. We publish the most interesting questions and answers, keeping copyright spelling and punctuation.

How old are you and where did you study? And who?

I'm 19 years old. I study at the fourth year of the Saratov State Conservatory named after L. V. Sobyanov at the Faculty of Middle Professional Education of the Conductor-Choir Office. My teacher on vocal - Arkady Vladimirovich Filippov, pedagogue on conducting - Anata Viktorovna Nikolaev.

It would be interesting to listen to the time when your talent began to open.

My mother first realized that I would be a singer as soon as I was born and cried (laughs). And I myself thought about it, probably, in 5 years, when it was time to decide which school to go and what to do in addition to school. At first they were given to the choreography, but then the music happened to which we have been inseparable. Another schoolgirl I took part in the Lydia Ruslanovova competition in his native Saratov, competed with very strong vocalists. Perhaps it was at that moment I realized that there was something in me.

I have a question about Piano on the upper notes. Is it from nature so beautiful or is it all worked out?

My Piano - entirely and completely merit of my teacher and the result of our many years of work. At first, I didn't get anything at all, something began to appear just a few months ago. Therefore, there is no secret or the gift of nature here - only work, work and once again work.

How many hours a day do you do vocals? And in what mode do you live in general?

I am engaged in different ways, I can not do anything at all, and I can sing for 3 hours. My regime - it got up and ran, I do not sit on the spot. In general, I'm terribly lazy.

Ksenia, why are you striving in life? What is the goal in creativity? What is an incentive for creativity? At what point do you feel the highest happiness? In addition to vocals, what gives joy in life?

In life, I strive to a big family, and in creativity - to a successful career. Successful career for me is, first of all, recognizing itself as a standing vocalist and theatrical actress, and secondly, recognition of the public, of course. I want the public to listen to me and heard what I'm trying to convey to her. Probably, this is the main goal and a dream, if we talk about creativity and profession.

When I can't do something, I ask myself: do you want to throw out all these years of study in the garbage basket? This is where the second breathing is turned on, an incentive appears. After all, I sing so many years, I study the musical letter, just not to part with it!

Everything that happens in my life gives me joy. Even negative moments. They make it possible to understand that I am a living person. If I get into contrast situations, it is also good, it means that I don't live in vain. I am a public person, I start to get used to it, treat with gratitude to the Almighty.

I am insanely liked your performance! You are a tender beauty with a stunning voice and charisma! Do you do sports how to spend your free time? What kinds of art love? Are artistic exhibitions visit?

My relationship with sports resemble a picture of a cardiogram. At some point I light up, a desire appears to go to the fitness club, doing exercises, and then I bravely blow, and I don't need anything - again your favorite sofa, blanket and cats. I have very little free time, but when a minute appears, I can afford the walks. I love ballet and rhythmic gymnastics, I love to watch figure skating. Painting love, I attend exhibitions, but rarely. In Moscow, I really want to go to the Tretyakov Gallery.

Ksenia, did you ever have doubts that you chose the right way, thoughts try to try yourself in another profession? (If so, what did you want to do?) How much does competition feel on the project and in general in the opera profession?

Yes, such thoughts visit me. When something once again does not work, I think: did I go there? But these thoughts quickly disappear, and everything returns to the circles. In grade 9, I wanted to go to study at the philologist, as I love Russian and literature. And also, perhaps it will seem strange, I would like to try myself in the profession of surgeon.

On the project we are all strong, talented. I do not think that we are rivals, we are allies. Therefore, there are no competitors here and can not be. We communicate very well. I generally do not search for competitors in life. I am not interested in me. I am engaged in self-development, and competition is something at the level of natural selection.

What is the heroine of Opera close to you in spirit? What is your party dream? Which vocal parties do you like to perform more: which are close to the inner world, or on the contrary, in contrast, which are absolutely not characteristic? Which of the executable parties is most unusual and requires greater sincere reincarnation?

Of course, I like the parties that are close to my inner world. For example, in Opera "Ruslan and Lyudmila" I love the party of Lyudmila very much. She is so living, playful, especially in the performance of Anna Netrebko. Antonida from "Life for the king" I am pleased to fulfill. In general, I love Glinka. I also like Violetta Valerie from Traviata. A handsome character and, despite her ancient profession, she is very noble. Her party is amazing!

I do not like the batch of Lauretta ("Janni Skisci"), I do not feel in it at all. Mimi from "Bohemia" I can not understand and see myself in this role. Although in voting, these two parties are very suitable for me, and the teacher tries to convince that this is mine.

A dream party, which is completely not suitable for me by voice from nature, is Vanya from Ivan Susanin, and another Countess from the "peak lady". I madly love these images, I want to try them out, but not fate.

What helps you to fight excitement before going to the scene?

I have no recipe. I always worry and very afraid of the scene.

Do you believe in superstitions and signs?

I never keep in a broken mirror. If the black cat overtakes the road, go back. If I scatter the salt, falling asleep with sugar, we collect a wet cloth and washed under water. And if I forget something and come back home, I still seek in the mirror. It turns out that I am a superstitious person (laughs). And I also have my own sign. When I miss classes, then on this day I will definitely meet all my teachers.

Based on personal experience, tell me how to build a child's love for the opera without harm to the psyche of the child himself, his parents and neighbors in the auditorium.

I think Opera is not children's art. In order to correctly understand it and start relateing to it positively or negatively, you need to grow. I myself came to the opera not immediately. My first experience - "Sadko" - was unsuccessful: I didn't like the opera at all. Then I began to visit other productions, began to get to the bottom, to understand what and how they sing. From 10 years I listened to Anna Netrebko and Galina Kovalev, imitated them. I think the child needs to gradually teach good music, to acquaint with different performers and be sure to instill good taste.

According to users of social networks Facebook and Instagram, he became the first winner of the competition # Siere-timing Sunrogram. Today Ksenia answered the questions that our viewers and readers left in the comments to her photograph.

@MoresalVatore: How old are you and where did you study? And who?
- I'm 19 years old. I study at the fourth year of the Saratov State Conservatory named after L. V. Sobyanov at the Faculty of Middle Professional Education of the Conductor-Choir Office. My teacher on vocal - Arkady Vladimirovich Filippov, pedagogue on conducting - Anata Viktorovna Nikolaev.

@marie_barakova.: It would be interesting to listen to the time when your talent began to open.
"My mom first realized that I would be a singer as soon as I was born and cracked (laughs). And I myself thought about it, probably, in 5 years, when it was time to decide which school to go and what to do in addition to school. At first they were given to the choreography, but then the music happened to which we have been inseparable. Another schoolgirl I took part in the Lydia Ruslanovova competition in his native Saratov, competed with very strong vocalists. Perhaps it was at that moment I realized that there was something in me.

@Amodonna: Ksyusha, you are a big one. The whole conx for you is mountain)) And I have a question about Piano on the upper notes. Is it from nature so beautiful or is it all worked out?)))
- My Piano - entirely and completely merit of my teacher and the result of our many years of work. At first, I didn't get anything at all, something began to appear just a few months ago. Therefore, there is no secret or the gift of nature here - only work, work and once again work.

@Fufikc.: How many hours a day do you do vocals? And in what mode do you live in general? Very interesting! Thank you!)
"I am doing differently, I can not do anything at all, and I can sing for 3 hours in a row. My regime - it got up and ran, I do not sit on the spot. In general, I'm terribly lazy (laughs).

@annabazhan.: Ksenia, why are you striving in life? What is the goal in creativity? What is an incentive for creativity? At what point do you feel the highest happiness? In addition to vocals, what gives joy in life?
- In life, I strive to a big family, and in creativity - to a successful career. Successful career for me is, first of all, recognizing itself as a standing vocalist and theatrical actress, and secondly, recognition of the public, of course. I want the public to listen to me and heard what I'm trying to convey to her. Probably, this is the main goal and a dream, if we talk about creativity and profession.
When I can't do something, I ask myself: do you want to throw out all these years of study in the garbage basket? This is where the second breathing is turned on, an incentive appears. After all, I sing so many years, I study the musical letter, just not to part with it!
Everything that happens in my life gives me joy. Even negative moments. They make it possible to understand that I am a living person. If I get into contrast situations, it is also good, it means that I don't live in vain. I am a public person, I start to get used to it, treat with gratitude to the Almighty.

@ kartinka_81.: I am insanely liked your performance! You are a tender beauty with a stunning voice and charisma! Do you do sports how to spend your free time? What kinds of art love? Are artistic exhibitions visit?
- My relationship with sports resemble a cardiogram pattern. At some point I light up, a desire appears to go to the fitness club, doing exercises, and then I bravely blow, and I don't need anything - again your favorite sofa, blanket and cats. I have very little free time, but when a minute appears, I can afford the walks. I love ballet and rhythmic gymnastics, I love to watch figure skating. Painting love, I attend exhibitions, but rarely. In Moscow, I really want to go to the Tretyakov Gallery.

@ kama.urman.: Ksenia, did you ever have doubts that you chose the right way, thoughts try to try yourself in another profession? (If so, what did you want to do?) How much does competition feel on the project and in general in the opera profession?
- Yes, such thoughts visit me. When something once again does not work, I think: did I go there? But these thoughts quickly disappear, and everything returns to the circles. In grade 9, I wanted to go to study at the philologist, as I love Russian and literature. And also, perhaps it will seem strange, I would like to try myself in the profession of surgeon.
On the project we are all strong, talented. I do not think that we are rivals, we are allies. Therefore, there are no competitors here and can not be. We communicate very well. I generally do not search for competitors in life. I am not interested in me. I am engaged in self-development, and competition is something at the level of natural selection.

mordashka13.: What is the heroine of Opera close to you in spirit? What is your party dream?
darya_kulinkovich: Which vocal parties do you like to perform more: which are close to the inner world, or on the contrary, in contrast, which are absolutely not characteristic? Which of the executable parties is most unusual and requires greater sincere reincarnation?
- Of course, I like the parties that are close to my inner world. For example, in Opera "Ruslan and Lyudmila" I love the party of Lyudmila very much. She is so living, playful, especially in the performance of Anna Netrebko. Antonida from "Life for the king" I am pleased to fulfill. In general, I love Glinka. I also like Violetta Valerie from Traviata. A handsome character and, despite her ancient profession, she is very noble. Her party is amazing!
I do not like the batch of Lauretta ("Janni Skisci"), I do not feel in it at all. Mimi from "Bohemia" I can not understand and see myself in this role. Although in voting, these two parties are very suitable for me, and the teacher tries to convince that this is mine.

@angelina_from_heaven.: Which party for Ksenia is the closest soul, her heart? And is there an image / role that she is not yet ready to try, but dreams of it)? Thank you).
- A dream party, which is completely not suitable for me in a voice from nature, is Vanya from Ivan Susanin, and another Countess from the "Peak Lady". I madly love these images, I want to try them out, but not fate (laughs).

@ koshka.iris: Ksenia, what helps you to fight excitement before going to the scene?
- I have no recipe. I always worry and very afraid of the scene.

@Torbirun: Do you believe in superstition and signs, if so, then what?
- I never keep in a broken mirror. If the black cat overtakes the road, go back. If I scatter the salt, falling asleep with sugar, we collect a wet cloth and washed under water. And if I forget something and come back home, I still seek in the mirror. It turns out that I am a superstitious person (laughs). And I also have my own sign. When I miss classes, then on this day I will definitely meet all my teachers.

@Elenakesss.: Banal question: if on a deserted island allowed to take one book ... What?
- A book that I did not read is preferably a thick, in several volumes. For example, "War and Peace", "Anna Karenina" to take a bad head and not bored alone.

@Valery_Kambalin.: Hello, Ksenia! Do you like the work of Lyubov Kazarnovskaya? And who are you - a singing actress or playing singer? ;-)
- I am not familiar with the work of Lyubov Kazarnovskaya to judge him.
I'm still learning and I can not answer unambiguously on this question. The singer should be able to sing everything: and sing, and play, and dance.

@glebati_art: What (what) do you imagine the perfect singer (singer)? Which singers most satisfies this ideal, in your opinion?
- For me, an opera singer is ideal, who perfectly knows his voice and knows how to contact him correctly, which can also be launched, which competently combines everything and does not relocate. I like the work of Anna Netrebko, Maria Callas, Christina Doytek, Dmitry Khvorostovsky, as well as my grandfather Evgenia Evgenievich Nesterenko.

@mary_from_december.: Based on personal experience, tell me how to instill a child's love for the opera without harm to the psyche of the child himself, his parents and neighbors in the auditorium? Thanks in advance)
- I think the opera is not children's art. In order to correctly understand it and start relateing to it positively or negatively, you need to grow. I myself came to the opera not immediately. My first experience - "Sadko" - was unsuccessful: I didn't like the opera at all. Then I began to visit other productions, began to get to the bottom, to understand what and how they sing. From 10 years I listened to Anna Netrebko and Galina Kovalev, imitated them. I think the child needs to gradually teach good music, to acquaint with different performers and be sure to instill good taste.

Results of the competition # Siere-timing Software

Ksenia chose two questions that she liked a little more than others: about the role / image, which she is not yet ready to try, but dreams of him, and how to instill a child's love for the opera. We congratulate the authors - @angelina_from_heaven and @mary_from_december - with a victory in the competition and give them gifts from our partners - the perfume-cosmetic company Giorgio Armani Beauty and the brand of professional products for Matrix hair.

Fame came to Ksenia Nesterenko after the victory in the TV project "Big Opera" in 2016. Being the most young participant in the competition (at the time of Ksenia's contest was only 19 years old), she became a winner and winner of the Grand Prix, winning in the audience.

In 2017, Ksenia Nesterenko receives I Award in the Manhattan International Music Competition in New York and in the same year there is an internship at the Academy of the Liric Opera Monte Carlo (Monaco).

Currently, she is studying at the I course of the Saratov State Conservatory named after L. V. Sobyanov, and is also a soloist of the Saratov Academic Opera and Ballet Theater. In the theater, she performed the parties in the Operators Don Juan Mozart (Donna Anna), "Secret Marriage" Chimaroza (Carolina), "Life for the king" Glinka (Antonida), "Traviata" Verdi (Violetta), "Peak Lady" Tchaikovsky ( Prilep), in the Operette "Gypsy Baron" Strauss (Arsena). In the concert repertoire of the singer - works of Bellini, Verdi, Pucchini, Guno, Delibe, Massne, Donizetti, Mozart, Strauss, Glinka, Roman Corsakov, Tchaikovsky, Rakhmaninov, Dunaevsky, Khrennikov and other composers.

Ksenia Nesterenko leads an active concert activity. Her performances were held with the famous teams of our country: the National Philharmonic Orchestra of Russia, the State Symphony Orchestra "New Russia", the Symphony Orchestra of the Ministry of Internal Affairs, the State Chamber Orchestra "Virtuosos of Moscow" and the Orchestra of the St. Petersburg State Theater "Music-Hall". The singer collaborated with Vladimir Spivakov, Denis Vlasenko, Felix Arananovsky, Fabio Mastrygelo and other conduits.

Tigran Ohanyan

Tigran Ohanyan became one of the winners of the TV project "Big Opera" in 2016, by the time he had already had the experience of scenic speeches and participation in contests. Tigran is the owner of a special prize of the Delphic Games in Yerevan (2010), the bronze medalist of Delphic Games in Astana (2012). He was awarded a special prize at the contest of young opera singers in St. Petersburg (2013) and the title "The most promising young tenor" at the international competition of Opera singers named after Ya. Vitols in Riga (2015). In 2016, he received a special prize of the international competition named after Galina Vishnevskaya in Moscow, became the owner of the Grand Prix of the International Christmas Competition of Vocalists in Minsk, and also awarded the prize of the President of Armenia. At the competition "Big Opera", in addition to the title of Laureate, Tigran Ohanan was also awarded a special prize of the jury.

Tigran was born in 1994 in Yerevan. In 2016 he graduated with honors from the Yerevan State Conservatory named after Komitas (class of Rafael Aquaker). He participated in the program of young artists of the Houston Grand Opera (2014), participated in Montserrat Caballe master class (Yerevan, 2014). Currently, Tigran is an artist of the Youth Program of the National Academic Opera and Ballet Theater named after A. Spendiaov (Yerevan).

In 2015, he performed the Party of Stepanos Shaumyan in Opere A. Tigranhanyan "David-Beck" in the B. Britten Theater of the Royal College of Music in London. In 2016, he made his debut from the first large role on the stage of the Yerevan Philharmonic Spear of Rudolph in the "Bohemian" Puccini with the State Philharmonic Orchestra of Armenia under the leadership of Eduard Topchean. Then the role of a young gypsy was followed by Rakhmaninov on the stage of the Yerevan Opera House, the execution of the "Requiem" of the Noborik in the concert of the Armenian Genocide, participation in a solemn concert on the occasion of the arrival in Yerevan Pope Francis. In 2017, Tigran Ohanyan performed at the Bolshoi Theater of Belarus (the duke's party in Rigoletto, Verdi), the State Chapel of St. Petersburg (Tenor Party in Requiem and Verdi), opened the concert season at the J. Verdi Theater in Trieste, Lensky's Svet Opera Tchaikovsky "Eugene Onegin" (Conductor Fabrizio Maria Carminati).

National Philharmonic Orchestra of Russia

National Philharmonic Orchestra of Russia It was established in January 2003 by the Ministry of Culture of Russia on the instructions of the President of the Russian Federation V. V. Putin. The Best representatives of the orchestral elite and talented young musicians are combined as part of the NFF. During the years of active creative life, the NFF managed to become one of the leading symphony orchestras of Russia, to win the love of the public and recognition of professionals in their own country and abroad.

The orchestra is headed by the world famous violinist and conductor Vladimir Spivakov. Outstanding conductors of different generations are collaborating with the orchestra, including Michel Plasson, Vladimir Ashkenazi, Kshyshtof Pendertsky, James Connon, Okko Kamu, Yucca Pekka Sarasta, Alexander Lazarev, John Nelson, Jan Latam Konig, Alexander Verdnikov, Tugan Sokhiyev, Ken David Mazur, Simon Gutetz, Stanislav Kochansky, Alexander Soloviev and others.

The stars of the world opera scene and glorified soloists, instrumentalists: Jessie Norman, Placido Domingo, Kiri, Dmitry, Dmitry Domingo, Kiri, Dmitry Flores, René Fleming, Ferrucco Formantto, Marcelo Alvarez, Mattias Gurna, Ildar Abdrazakov, VIOLET URMAN, Ramon Vargas, Evgeny Kisin, Vadim Repin, Gil Shaham, Arkady Volodya, Martha Argeryich, Renault and Goatsence, Pierre-Laurent Emar, Victoria Mullov and many others. Norma Netrebko, Hibl, Hislis, Albina Shagimuratov, Vasily Ladyuk, Dmitry Korchak, Denis Matsuev, Alexander Gindin, Denis Matsuev, Alexander Gindin, John Lill, David Garrett, Alexander Gavrilyuk, Vadim Gloupman, Sergey Dogadin, Nikolay Tokarev, Alexander Romanovsky, Alexander Ramm.

The repertoire of the orchestra covers the period from the early classical symphonies to the latest essays of modernity. For the 16 seasons, the orchestra presented many extraordinary programs, unique subscriptions and concert series, carried out a number of Russian and world prime ministers. Confirming its status and name, the National Philharmonic Orchestra of Russia gives concerts and holds festivals not only in Moscow, but also in various regions of the country, laying routes to its most remote corners. Every year, the NFF participates in the International Music Festival of Vladimir Spivakov in Colmar (France). The orchestra is regularly toured in the USA, Western Europe, Japan, China, CIS and the Baltic countries.

In May 2005, the company Capriccio. Released CD and DVD with a record of the concert for the Yellow Star Orchestra Isaac Schwartz performed by the NFOR running Vladimir Spivakov, who the composer devoted this work. In 2010-2015 NFF recorded several albums for the company Sony Music. With the writings of Tchaikovsky, Rakhmaninov, Roman Corsakov, Griga, etc. in 2014-2018 A number of records of Russian music under the label released Spivakov.Sound., including the Opera "Yevgeny Onegin" Tchaikovsky (in the main parties - Hibl of Herrisaw, Dmitry Korchak, Vasily Ladyuk).

The special activity of the NFF is the support of talented young musicians, creating conditions for their creative realization and professional growth. In the 2004/05 season, on the initiative of the director of Norm, Georgy Ageev in the orchestra, there was no analogues in the orchestral world a group of conductors-interns. Many group members have achieved great success on a professional field, held leadership posts in leading creative teams and became owners of prestigious awards. In the 2017/18 season, the conductor of the new convocation was headed by Alexander Soloviev and Georgy Ageev.

In 2007, Nfor became the owner of the grant of the Government of the Russian Federation. Since 2010, the National Philharmonic Orchestra of Russia is the owner of a grant of the President of the Russian Federation.

Vladimir Spivakov

Outstanding violinist and conductor Vladimir Spivakov Brightly realized his multifaceted talent in the musical art and many spheres of public life. As a violinist Vladimir Spivakov passed a brilliant school at the famous teacher, professor of the Moscow conservatory Yuri Yankelievich. No less influenced by the outstanding violinist of the twentieth century David Sustrakh.

In 1960-1970, Vladimir Spivakov became the laureate of prestigious international competitions named after Marceryit Long and Jacques Tibo in Paris, named after Niccolo Paganini in Genoa, named after P. I. Tchaikovsky in Moscow and the contest in Montreal. In 1975, after triumphant solo performances in the United States, a brilliant international career of the musician begins. He performed as a soloist with the best symphony orchestras of the world under the control of the outstanding conductor of the twentieth century - Evgenia Svetlana, Cyril Kondrashin, Yuri Temirkanova, Mstislav Rostropovich, Leonard Bernshene, Sejsessi Ozawa, Lorin Maazel, Carlo Mary Julini, Kurt Mazura, Riccardo Chiai, Claudio Abbado And others. Since 1997, Spivakov has played on the violin of the work of Antonio Stradivari, who handed it to the life of the use of patters - fans of his talent.

In 1979, Vladimir Spivakov, a chamber orchestra "Virtuosos of Moscow", created a chamber orchestra, a conductor and a soloist, created a group of musicians-like-minded people. He studied by conducting conductors in the Professor of Israel Gusman in Russia, took lessons from Leonard Bernstein and Lorin Maazel in the United States. Bernstine in friendship and faith in the future of the musician gave him his conductor wand, with which spirits speak to this day.

In 1989, Vladimir Spivakov headed the International Music Festival in Colmar (France). Since 2001, in Moscow, once every two years, the festival "Vladimir Spivakov invites" with the participation of the Korifeev of World Performing Arts and Rising Stars (since 2010, the festival also passes in the regions of Russia). Repeatedly the musician participated in the jury of famous international competitions (in Paris, Genoa, London, Montreal, Monte Carlo, Pamplona, \u200b\u200bMoscow), in 2016, organized an international competition of violinists in Ufa.

For many years, Vladimir Spivakov is engaged in public and charitable activities. In 1994, the International Charitable Foundation Vladimir Spevakova was established, whose activities were marked by the Government Prize of the Russian Federation in the field of culture. Modern composers have repeatedly dedicated to the musician their works, among them Alfred Schnitke, Rodion Shchedrin, ARVA PRIA, Isaac Schwartz, Vyacheslav Artyomov.

In 2003, Vladimir Spivakov became the artistic director and the chief conductor of Russia created by him the National Philharmonic Orchestra and the President of the Moscow International House of Music. In 2011, he entered the Council for Culture and Art under the President of the Russian Federation. Extensive musician discography includes more than 50 CD; Most records issued by firms BMG Classics, RCA Red Seal and Capriccio.. Many entries were awarded prestigious premiums, including Diapason d'OR. and Choc.dE.lAMusique.. C 2014 Maestro Releases Records With Nfor Under Own Label Spivakov.Sound..

Vladimir Spivakov - People's Artist of the USSR, Russia, Armenia, Ukraine, Republic Dagestan, Kabardino-Balkaria, Bashkortostan Republic. Awarded the State Prize of the USSR, the Order of Friendship, the Order "For Services to Fatherland" III, II and IV degree, Higher Orders of Kyrgyzstan, Ukraine, Armenia, Italy, France (including the Order of the Honorary Legion), as well as many other honorary awards and titles and ranks . In 2006, Vladimir Spivakov for the "outstanding contribution to world art, activities in the name of the world and the development of the dialogue between cultures" was recognized by the artist of the world of UNESCO, in 2009 awarded the Gold Medal of Mozart of UNESCO.

In 2012, Vladimir Spivakov was awarded the State Prize of Russia "For outstanding merits in the field of humanitarian activity" (the awards were awarded in different years Holy Patriarch of Moscow and All Russia Alexy II, Alexander Solzhenitsyn, Valentina Tereshkova, King of Spain Juan Carlos I and President of France Jacques Chirac ).

Young, talented, beautiful and very purposeful - so in a few words you can characterize the ascending Saratov Opera Diva. The owner of one of the lightest and movable female votes - the lyrical soprano - Ksenia Nesterenko is only 19 years old. Despite the youth, behind the shoulders of the Faculty of Middle Special Education of the Saratov Conservatory are dozens of prestigious contests and awards. From October of this year, our dredge experienced its strength in the popular TV project "Big Opera" on the TV channel "Culture" and not just experienced, but became his finalist. Behind the title of the best, famous professional artists of the theaters of Russia and near abroad were fought. From the first performances, beautiful, like the obese of nightingale trill, Ksenia's voice became a favorite by the number praise from the jury. Even piano on the upper notes is given to our countrywoman easily and easily. However, as the girl is recognized, it is not a natural talent, but the result of a large and painstaking work.

Listen to Ksenia Nesterenko and look at it - solid pleasure. "Big Opera" is, first of all, a very beautiful project. Luxury outfits and delightful performance of the best opera aria of the world - all this is like a fairy tale. It is hard to believe that after performances, the fabulous Princess Ksenia turns into a conventional Saratov student who is easily lost in a crowd of classmates. It is not surprising that most Saratovs about the successes of our countrycraft do not know practically nothing. The project "Big Opera" is not too famous in the regions. And it is a little offensive. For example, the finalist from Belarus, Tenor Yuri Gorodetsky in his native country is hardly a national hero. Although there are advantages in this situation. Ksenia Nesterenko does not suffer from stellar disease.

Love for high-quality music from a girl since childhood. She never listened to Pops, but he knew the party of her idiot Anna Netrebko and Olga Perettakko.

In the family Ksenia sing love everything. And although her parents could not be engaged in favorite business professionally (Mom Ksenia economist), there are opera stars in their family. It is said that the famous opera singer, a teacher of the Vienna Music Academy Yevgeny Nesterenko, who is called the second Shalyapin, is said to her relative in the paternal line.

Grand opera

The pupil of the Engels School of Arts at once in the 4th grades - piano, ballet, folklore and academic vocals - Ksenia Nesterenko continued his studies at the department of choral conducting at the Faculty of Special Education of Shanov's SGK.

I wanted to go to vocals, but my mother and my teacher on choral singing convinced me that it was dangerous for voice - tells Ksenia. - Previously, and in a conservatory took from 18 years to not injure bundles. And yet the vocals for me is the main part of my career.

Even before entering the music school, Ksyusha listened to the records of Galina Kovaleva and Anna Netrebko and independently tried to make a voice. But the main note in the vocal experiments of Ksenia made her teacher on the vocals of Arkady Filippov. After a few months, Nesterenko took 1st place in a prestigious musical competition. It was Arkady Filippov and sent the records of his talented student to the project "Big Opera". The abilities of the student of the Saratov Music School struck the most experienced Matters of Opera Art, and she was invited to casting.

Recall, the next season of the project "Big Opera" started in October on the TV channel "Culture". Today, this is the only professional teleconcurs of young opera performers in Russia, who, in fact, is an opera "stars factory". The main goal of the project is to open up new names of talented vocalists and attract Russians to a large opera.

In the program of contestants, the most famous arias and duets from classical Russians, Western European, Soviet works, as well as duets from popular musicals and operetta. At the same time, all foreign works are executed in the original language.

This year, about 1,500 young performers from Russia and the near abroad filed applications for participation in the "Great Opera". The jury selected only 12 people. These are professional and titled artists of theaters. Among them was our young countryman Ksenia Nesterenko. Her voice data was highly appreciated by Dmitry Bertman, director and Khtruce Moscow Music Theater "Helikon-Opera" and part-time one of the jury members.

Starting from the second ether, the contestant with the smallest number of points leave the project, "explains Ksenia. "We assured Arkady by Vladimirovich that I would get to the 2nd, well, a maximum of the 3rd round, and only two programs were preparing. But I gained points and passed on.

The judges hit not only the talents of the Saratov student, but also the amazing professional calm, with whom she went on the stage under the suce's dozen TV cameras. However, Ksenia itself admits that there is emotions, it just succeeds to hide them.

Help SP ___
Ksenia Nesterenko was born in Engels. Laureate I degree VII of the regional festival-competition "Path to Success" (Saratov, 2014) Laureate III degree IV International Competition-Festival "Spring Chime" (Saratov, 2014) Laureate I degree of the International Competition-Festival "on the wings of talent" (Saratov, 2014) Holder of the Grand Prix and the title of "Prima Opera" of the International Competition-Festival "Chorus Inside" (Budapest, 2015). Speakers in the Saratov Conservatory solo, as well as with various teams and musicians.

The most difficult thing for me is the waiting for the scene, "she says. - The excitement can affect the voice, I am a very strong person and can not show it.

Get an education - my goal!

Like each TV project, the "big opera" is a lot of difficulties that the audience do not guess. It happens that the recording of programs is stretched to deep night, but artists, despite fatigue, it is necessary to look and sing on "excellent." Added the strength to our countrywood approval of the jury. In the judiciary "Great Opera - 2016", together with Dmitry Bertman, the Romanian opera singer Nelly Mirichyu, Belgian Tenor Axel Evert and Honored Artist of Russia Marina Meshcheryakova. The project Sati Speivakova and Andrejs Zhagros are leading.

In the 9th issue of the Ksenia project performed the most complicated Aria "Norm" Casta Diva "from the Opera of Bellini, and the jury first squinted her for the wrong choice. For this product, a young girl lacks experience and age.

I sang this ary two years ago at the competition in Hungary and received the Grand Prix, - says Ksenia. - Therefore, it took, it seemed to me for a proven material. Compressed and strict project conditions do not allow you to adjust the program. Even the recommendations that I received from the jury, we did not have time to apply. But I tried. Aria Antonida from the "life for the king" I was learned in two weeks, and Waltz Juliet was for 3 hours.

Easy and air juliet performed by Ksenia again made her favorite jury. Thus, our countryman reached the final of the project, where he became the youth of the youngest and the only representative of the weak gender and also the only Russian woman.

Ksenia's final, together with Arkady, Filippov prepared the ideal program for the young performer - the opera hat - Romance Juliet from the Opera Bellini "Montecs and Kapulenti" - and Aryetta Snow Maiden from the Opera of Roman Corsakov.

In the hall of the capital of the Bolshoi Theater, where the project was completed, our hare was supported by her mother and fiance. By the way, Mom Elena Viktorovna is the main ideological inspirer and PRAIK Ksenia from the very beginning of the project.

The final gala concert was to be broadcast on the live on December 26, but because of the mourning for the died in the Russian aircraft Tu-154, the live broadcast was canceled. The concert program has changed. Maestro Vladimir Spivakov began the evening from the minute of silence, after which the "Lacrimosa" sounded. Opera Diva Hermzava was performed in front of the audience. Behind the scenes of hiblah admitted that he was delighted with the "big opera" and very sympathizes Ksenia Nesterenko

Wonderful girl! This is my energy! This is the purest spring, which will sound many more years. God forbid her good luck! "," Said the singer.

Recall that SMS voting ended on December 26th. In the morning, on Tuesday, it became known that our Ksenia Nesterenko became the winner. Spectators saw the project final in the post on November 27. By the way, while the audience chose the winner of the "Big Opera", our countryman had time to play along with Madrah Vladimir Spivakov in the New Year's blue light on the Culp channel.

In creative harmony

Winter holidays Young Opera Diva will spend with relatives in Engels. Now Ksenia is preparing for the wedding. Her chosen is the young artist of the Saratov Opera House Andrei Potaturin. By the way, after the success of its half in the "Great Opera", he also thinks about participating in the project. Not far from the student from the student Nesterenko the winter session, where she also had to work hard, so the girl's vacation will be short.

Despite the fact that Opera Matters in one voice recommended Ksenia to participate in the prestigious international opera competitions, she herself believes that it still needs to learn from Saratov teachers. Marina Meshcheryakova advised Ksenia to build her career in accordance with the repertoire suitable for her voice and age. The winner of the project has already decided to enter the conservatory and dreams of further conquering the opera scene.

The holders of the "soprano" great set, and to succeed, you need to attach an incredibly much effort. - Therefore, my priority goal today is to get a decent musical education, and then I am ready to work a lot! I do not dream, I put the goals in front of him! Of course, I have a purely female dreams of a big and friendly family, for example. What will happen in my career, I do not know, but it is ready to work a lot, look for my repertoire. As Axel Evert said to me: "It is better to sing the right arias in" caress "than unsuitable in the bathroom." The ideal of the opera singer is a performer who perfectly knows his voice and knows how to contact him correctly, which can and to be launched, but not losing creative harmony.