When picture was written. Portrait of a boy. Essay in the picture "Portrait of a boy Chelinishva

Portrait of Alexander Alexandrovich Chelischeva (it is called "a portrait of the Chelishchev boy") was created by the Cyprosensky in the years when he barely stepped on the path of the painter, but he had already won universal admiration.

Contact the image of the child was a bold step. Recall that the XVIII century did not know children's portraits. If such images meet, then small adults are depicted on them, and the era of romanticism, which opened the world of childhood, has not yet entered their rights. Cypriansky previously felt new trends, saw a deep and pure inner world in the child and displayed it on the canvas.

Alexander Chelischev lived 84 years old, the long life of a noble nobleman and a patriot. A year, when a portrait was created, he was already enrolled in the Puziest Corps, and in 1812, just during the beginning of the Patriotic War, he was released from there in the rank of ensign and sent to the 49th Hansky Regiment. After a month, a fourteen-year-old officer took part in the battle near Maloyaroslavets. He will have many more battles ahead ... With Russian troops, Chelshchev reached Paris. In 1820, he received the title Captain. The young officer made friends with the Decembrist Nikita Muravyev, who opened him a new world and fascinated by free-general ideas. Chelinishchev became a member of the Union of Benency, and after his dissolution joined the secret northern society. However, in active actions, as well as in the speech of the Decembrists, he did not participate. In general, this fact remained for him without consequences, although after the defeat of the rebellion of Chelinishchev was under a police supervision for some time. Soon he retired, happily married, led a serene and quiet life in a family circle.

But the boy, depicted in the portrait, does not know anything about how his life will be formed, it is still with trepidation and hopefully peering into its future. Without using picturesque tricks, Cyprosen creates a feeling of romantic rates. The picture is built on contrasts - dark hair and huge black eyes emphasize the pallor of a bright illuminated face of Chelinishchev, which seems still paler due to the dark background of the portrait. The same contrasts are present in clothes - white collar, a dark blue jacket, a scarlet vest. In general, in romantic painting, the origins of which stood Cyprosensky, the color played a very important role, helping to achieve the necessary mood. "Colorite is the music of painting," as the artistic criticism of the time said. The artist works dynamic, free strokes. The portrait turned out to be alive, "breathing." Chelishchev boy calmly looks at us from the canvas, but the emotion of the young soul is hidden behind this calmness, for which "new all impressions of being".

One of the best works that Cyproshensky drew - "Portrait of Chelishcheva". It is very difficult to overestimate the value of the picture, because thanks to her, the artist provoked a whole revolution in the world of painting, based on a new course - romanticism.

Work on the picture began in 1808. Young, but already quite famous portraitist draws a portrait of a twelve-year-old boy who is preparing to flow into the Piece Corps. The ready picture is submitted to the court to the public at the beginning of 1809, and almost immediately becomes a cult.

Of course, the portraits of children were before. But if someone from the artists decided to portray the child, he tried to make it as much as possible, to make an image as close as possible to the image of an adult. Childhood was not perceived as a special age, no one saw the inner world in the child, which praise the fans of romanticism. Kiprensky - the first artist, the decisive to create a full-fledged children's portrait.

The great future is prepared by Chelishchev. In 1812, the young man becomes a participant in the Patriotic War, later fate will bring him to the Union of prosperity, he will enter the northern society, who later organized the uprising of the Decembrists ... But it's all in the future. On the canvas we see not a man who experienced the burden and deprivation of war. Pictures the Cyproshenian portrait of Chelishchev, which is just starting to grow. In his head, adult thoughts are just beginning to slip, he does not even know about the tests prepared by fate.

The boy openly looks at the world. Its big, dark eyes radiate kindness, children's immediacy and naivety. Chubby lips seem to be awakening in a smile in which you still can not be reserved a few teeth. Bit the image of a boy's round face and a slightly disheveled hair. When looking at the portrait in my head, the picture arises: the guy is tired of posing, it breaks off and runs into the courtyard, and the artist remains in the workshop to modify the details.

But the childhood time is already running. Looking a look, the viewer may notice that the eyes of the child reflect something else. They are still dreaming, but we see that this is no longer childhood dreams. The boy is not so naive, as it may seem at first glance, the mind and strong will read in his image. An excellent completion of the image is a combination of colors chosen by the artist. Dark jacket, barely visible white shirt gates, and a scarlet vest gives the identity of the whisching of a mysteriousness.

The magnificent work that the World Cyproshensky presented, "Portrait of Chelinishcheva" depicts the moment of the child's transition in adulthood. Adult thoughtfulness and not yet past children's playfulness are incredibly combined in one person. This combination managed to catch the artist, he was trying to catch his followers, and thanks to him the picture was able to firmly establish himself as the first and unique manifestation of romanticism in Russian painting.

Now the picture is exhibited in the State Tretyak Gallery, its size is 48 * 38 centimeters.

Young, but already famous Kiprensky artist writes a wonderful portrait of the "Chelishchev Boy". It was one of the first children's portraits in Russia and the first portrait who announced the birth of a new direction in painting - romanticism.
How could an artist in a twelve-year-old boy guess the future outstanding person? Now this is a twelve-year-old boy, but after three years he will go to the Patriotic War, fight with Napoleon. Chelinishchev will be a member of the Decembrist uprising.
The boy looks calmly and straight. His black eyes are inquisitively peeled in the viewer. The oval person has not yet lost child swelling, but an extraordinary character is already visible. The picture is written on the opposition and unity of black, red and white colors.
The boy seems to be at the future where he must find his way. He is waiting for the Piece Corps, where they took only born boys and the walls of which a large number of wonderful, famous people came out. It was released by an incorrector in 49 Henser Regiment, took part in foreign campaigns as part of the Silesian army. Rested to Captain's headquarters in the Life Guard of his imperial high shelf. Translated to the Henser Regiment in the rank of Major. Participation in the union of prosperity on the highest command "left without attention"
After these events, he resigned and retired to his Medynian estate.
Such a way did the young man, depicted at one of the first children's portraits of the Cyprosen.

Description of the painting "Portrait of a Chelishchev boy" by the artist of Kyrenovsky.

Orest Adamovich (1782-1836) - Great Russian artist. It is considered one of the most gifted masters of a portrait genre in painting. For his creative life, he managed to write portraits of famous representatives of his time. The picture, about which it says here, is considered one of the most famous in the work of the Russian artist.

"Portrait of a boy A. A. Chelischev" - a picture that was written in 1808-1809. Portrait written by oil on wood. Dimensions: 48 × 38 cm. Currently located in the State Tretyakov Gallery, Moscow.

The picture immediately conquered the viewer, and remains one of the most important works in the work of the painter. This picture attracts attention to the boy himself, which combines both children's and adult features. Alexander Chelischev * here is only 10-12 years old, but in the picture he has thoughtful eyes and an image that is characteristic of images of portraits of adults.

For your time, the picture turned out to be quite original. The fact is that artists of that time portrayed children as miniature copies of adults, that is, without that children's naivety, evenness, desire to think and have fun, sometimes even without characteristic features of the appearance that the child is inherent. The features of this image are characteristic and for this portrait, however, the artist portrayed a boy with a feature characteristic of the child. Such a combination causes the feeling that the Chelishchev boy is trying to look like an adult, but remains a child, and it bribes the viewer, touches him for the most living in his heart.

Another distinctive feature of the portrait are unusually deep, thoughtful eyes. In large and black eyes, you can see the first wisdom root, the first signs of a person who can make something in life, which will leave his name in history forever. The boy will not yet touch all the lives of life, vices and temptations, because his look is clean and frank, without a shadow of the lucavia or attempt to give themselves a greater status. The boy looks at us the world openly. Despite the fact that the boy in the picture is still a few years old, and many of his peers in our time are still playing in toys and often do not think about something big and global, in the eyes and expression of the face of Chelishchev you can see that the boy is no longer a child. In this picture, the Cyproshsky was asked to capture the moment when the child becomes boys.

It is clear that A. A. Chelischev has a high origin. The boy has a beautiful hairstyle, which was not wearing ordinary children, dear clothes, a pale skin color with a blush, smooth posture, a special landing of the head, a look, executed pride and dignity.

* Picture depicted Alexander Alexandrovich Chelinishev (1797-1881). He was headquartered, a member of the Union of Benency, participated in the Patriotic War of 1812.

An outstanding representative of romanticism in Russia. He grew up in the family of the courtyard, but, as they believed, was the illegal son of the owner of the manor, who determined it to the Academy of Arts, gave him "free" and unusual last name. Having finished in 1803 the Academy, he became a portraitist.

As early as the teaching at the Kiprensky Academy was conquered by romantics. He was looking for her everywhere. After the tedious seating in the drawing classes, the Cyprosensky went to the Navel embankment, wandered over it and read the verses of the poems ... The Cyprosen's first of the Russian painters won European recognition. He was made an honorable order for a self-portrait for the Uffizi Gallery in Florence, where the self-portraits of all masters who deserved world glory are stored.

Cyprosen wanted to be brilliant not only in painting, but also in everyday life. He dreamed that Glory would give him wealth, carelessness, love, worship. In Rome, where he left to improve, the Cyprosen had to choose between the harsh life of a genuine artist and the gold-plated existence of a fashionable painter. Cyprinsky chose the latter. At that time, Romantic was already in the past, not finding supports in everyday life. A real life has come to change, where the heroes were real. Romance died. Together with her died and Cyprosensky.

Many biographers argue that Cyproshensky very drank at the end of life, and finished life almost under the fence. However, there is information that many facts in the biography of the Cyprosensky are controversial. Yes, by 50 he had fame, but there was no money. Orders have not been received. In addition, he was accused of murdering the simulator, although he was not attracted to criminal liability, and everyone who knew him did not believe such a charge, in the nature of the Cyprinsky was a very soft man, but the rumors, the stain remained ...

At the end of his life, he married a young Italian girl Marurochka, thinking to start everything in a new way. But it did not help. Marcchika did not understand him, even afraid, although he was grateful to him for not killing her with hunger. But this fact is disputed, in fact, Maruchet was very attached to the artist, he really loved her the only one. Nevertheless, they really needed money. Cyprosen has persistent depression. In addition, he strongly walked and fell ill.

In October 1836, the Cyprosensky died of inflammation of the lungs and was buried in the Church of Sant, Andrea Delle Fratte, in Rome, where a memorable stele was installed on the funds of Russian artists.

Six months after the death of the Cyprian widow of the artist, Anna-Maria (Maruchka) gave birth to a daughter. Russia appointed a small pension with a child with a child - 60 Chervonny per year. In addition, the widow sold the work of the Cyprosensky. Poverty The Cyprosen family did not threaten.

Gallery of the work of the Cyprosen is diverse. These are magnificent self-portraits, portraits of children and its contemporaries - poets, writers, state husbands, commander, fans of painting, merchants, actors, peasants, seafarers, Decembrists, artists, masons, sculptors, collectors, enlightened women and architects.

(Used, partly, material from the book I. Bocharov and Y. Glushakova "Cyprian")

This is the best creation of the Cyprosen, a portrait-picture, for which he first came to be fame and for which he received the title of academician. Portrait written in a new spirit. Romantic School: Full-length figure, in a portrait of a picturesque Gusar robe for a portraitist, through the nature of Portrayed to express the character of the entire young generation of the Russian military, who was in short, to defend the honor and independence of his homeland, turn the ridge to be considered an invincible enemy who conquered the whole of Europe.
Orest invested the whole soul in the picture. Occuping, standing, leaning on his left hand on the stone slab, and cool the curved right - on his own side, the handsome man - the saturated hussar with black curly curls and bundbanks. Golden sewing on Aloma Paradle Mentik, Gold Sabli, on the handle of which is resting to the brush of the left hand, and Ciiver. The soft light outlines the contour of the figure, reflected on the wall behind the head of the hussar. Caiver, carelessly abandoned on the stone ledge to the left of the figure, and a saber, on which the hussar is leaning with his left hand - all this eloquently speaks about the identity of the hero.
Davydov is depicted against the background of a scenery with thunderstorm clouds that foreshadow the cleansing thunderstorm. Thick shadows and sliding light spots are highlighting the figure of a warrior, contrasting the opposition of the red Gusar jacket and sparkling white losines in a dark landscape background give the image of Davydov a romantic emotion. In the work with exceptional force, the passion of the character of Davydov was transferred. She sings in all his appearance - in a somewhat picture post, in a hot look of dark eyes, in the recalcitable curls of the hair. In the picture, the artist wants to say about the desire of Davydov to a fee into the glory of the homeland, which is the personal happiness of this person.
It should be noted that there are still disputes who, from the Davydov family, who was friends with Kiprensky, he depicted in the portrait. The fact is that by the description of contemporaries, the image did not correspond to the end of any of the young Davydov. Most likely, this is still the collective image of the hero of war, which he resented to the Cyprosen.

One of the best works of the Cyprosensky. The artist depicted a portrait of a twelve-year-old boy who is preparing to enter the Piece Corps. The great future is prepared by Chelishchev. In 1812, the young man becomes a participant in the Patriotic War, later, will consist in the Northern Society of Decembrists. But this is in the future. Now we see a boy who has everything ahead, who is still going to grow up. The boy openly looks at the world. His big dark eyes emit kindness, children's immediacy and naivety. Puffy lips seem to be awake in a smile. Round face, slightly disheveled hair. So it seems that the boy is now getting tired of posing, it will be angry and run away. But the childhood time is already running. If you look closely, we can see that no children's dreams are reflected in the eyes. And the boy is not as naive, as it may seem at first glance, the mind and strong will read in his image. The image of the combination of paints chosen by the artist is completed: a dark jacket, barely noticeable gates of a white shirt, a scarlet vest - they give the portrait of Chelishchev not a mysteriousness.

The girl depicted in the portrait is the six-year-old Italian Marcchika, which took a special place in the life of the Cyprosensky. This is one of the most unusual love stories. In the first arrival of the artist in Italy, he was looking for a simulator for his painting. The choice fell on a small Italian girl Marcchuch, whose mother was poorly followed by the girl, behaved a messy lifestyle. Cyproshensky became sorry for the girl, and he accepted the hottest participation in her life. He took married to himself, brought up as a native child. And when he had to go home, he placed a girl in an educational house under the monastery.
And only after 17 years, having survived a lot of suffering, failures, disappointments, he returned to Italy and married her. Of course, it was impossible to call love in a generally accepted sense. Cypriansky hoped with the help of a young girl to establish a new life, and Maruchkaya was grateful to the artist for the patronage, for saving it from poverty and hunger. However, their hopes were not justified. Happiness lasted only three months. Yes, and happiness it was impossible to be called - the Cyprosen fell ill and it became worse, and Marcchika was afraid of him, he was incomprehensible to her. Portrait of a girl breathes tenderness, gullible sincerity. Symbolic image of colors - Mac-symbol of sleep and night, and carnation-symbol of innocence. It is felt that the portrait is inspired by unforgettable beings of the Renaissance.

This is one of the most significant lifetime images of the Great Poet. Pushkin himself really appreciated this portrait. It is known that the canvas Kikrenovsky ordered a friend Pushkin A.A.Delvig. However, after the death of a friend, Pushkin bought a portrait from the widow, paying a big amount at the time, although he did not need any means. The portrait always hung in the desktop of the Poet's St. Petersburg apartment.

The canvas is made in the scheme of black and brown tones, the courageous restraint of which is well emphasized by the flicker of red spots of the plaid lining of the raincoat ("Scottles"), blocked over his shoulder. Hands crossed on the chest give the figure confidence, courage. The work reveals the unshakable spirit of the poet into a serious way of testing, which fell into the share of the advanced forces of Russia after the defeat of the Decembrists.

Pushkin really liked the portrait, he devoted such lines to the Cyprosen:

Fashion lovers lung, though not Briton, not a Frenchman,

You again created, the wizard is cute, me, pet pure music,

- And I dare to grave, depressed forever from mortal bonds.

I see ourselves in the mirror, but this mirror flatters me.

It states that it will not be humiliated by an important anoid.

So Rome, Dresden, Paris it will be known in the future.(1827)

With Natasha Kochubey, the daughter of Viktor Pavlovich Kochubey, Prince, Count, Minister of Internal Affairs of Russia, Kiprensky met in the royal village, where she spent the summer with her parents. It was she who was "the first subject of Love Pushkin," and this feeling left in the soul as Natasha, and Pushkin, a very light trail. Natasha was per year younger than Pushkin, and in the year of the portrait of it was only 13 years old. She is still semi-sidelines. But it is at this age that girls so want to be adults.

Cypriansky with amazing spiritual delicacy managed to notice this and transfer it in his portrait. Touching-naive, comic-serious face of the girl, turned towards the interlocutor, is contaminating the viewer with confidence in people and faith in life. The entire appearance of Natasha breathes with such a cleanliness, such an openness of the soul, such an open heart, which seems to have written Pushkin's image of Tatiana Larina with her. It is easy to imagine that this is exactly the girl, like Natalia Kochubey, could say with the words of Tatiana to Onegin:

Other! .. No, I would not give my heart to anyone!

That in the highest is destined to the Council ... That will of the sky: I am yours;

The whole life was a guarantee of a diploma faithful with you;

I know you are sent to me by God, my keeper is my coffin ...

You were in the dreams to me, invisible, you were already miles

Your wonderful view of me Tomil, in the soul, your voice was distributed ...

As a model, the Cyprosen chose a young teenage girl. She calmly holds a basket with fruits in his hands. Behind her shoulders, the viewer recognizes the blue space of the Neapolitan Bay with a broken silhouette of Capri Island on the right and the protrusion of the Sraystinian Cape on the left. All the details of the clothing and decorations, carefully registered, give the color wealth picture and together with the background, emphasize that we are in front of us that the young Italian, written surrounded by the native nature, at the time of collecting the gifts of Italian land.

Ekaterina Telesova - the heiress of the impoverished nobleman. He graduated from the theater School in St. Petersburg. For the first time appeared at the St. Petersburg scene still as a student, in 1820. After graduation, the school acts in the ballet troupe of the St. Petersburg Bolshoi Theater. Perfect with great success. It was an elegant, attractive woman, slim, high. She was a Pantonymal dancer with extremely expressive facial expressions, possessed extraordinary ease of dancing. At the same time, Teleshova was a talented dramatic actress. In 1827, she received the title of court dancers. Catherine Telesova was unusually charming and had a huge success in men. Her patron and lover was the famous Count Mikhail Andreevich Miloradovich. Alexander Griboedov was in love with her, then another officer of the hussar regiment was. He dedicated her a poem after watching the play "Ruslan and Lyudmila":

Oh who she is? - Love, Harita, Ile Peri for the country

Eden left his native.

The finest cloud is accompanied and suddenly - like the wind of her flight!

The star crushes, instantly flashes, will disappear, the air is visiting

Stop over woven ...

Karl Pavlovich Brullov invited her for the painting "Italian at the fountain," and Cyprosen depicted in the image of a potion, one of her heroines.

In the civil marriage, Teleshova consisted of Giant A.F. Loschmarev, from which six children had. Ekaterina Teleshova died at the age of 53.

Parry portraits of spouses of Rosthopchiny really liked Muscovites, first of all, because the artist, retreating from the generally accepted rules, did not want to flatter his models at all and wrote them as they presented as an artist in life.
F.V. Rostopchin, Rose-colored, self-confident noble with a big bald bodies and eyes, skull depicts an artist sitting in a chair and immersed in reflections. But his eyes are strangely turned inside of himself, as a person who has conceived a person, and vigorously monitor something that happens somewhere aside. Because of his figure, there is no shadow of relaxation, it is full of hidden concern and tensions, exactly strongly compressed steel spring, ready to deal with it at any moment and release restrained energy.
Together with an extremely active, effective principle in the nature of Rostopnach, Cyprinsky frankly showed its discrepancy, shaviness, despotic features ...

Full opposite Fedor Vasilyevich is an image of his wife, fragile by addiction, with sloping shoulders, on the form of a silent person, which the artist portrayed with such a lost expression on the face, which seems like tears splash out of the eyes. But peeking more closely in this woman with a modest appearance, perhaps, even ugly, in her eyes notice the deep strength of spirit and character.
Ekaterina Petrovna, which, for a quiet temper and its unbelonged appearance in the salon, unfamiliar people took care of the servant, carefully protected the independence of their inner world. In 1806, she secretly switched to Catholicism, which for a long time no one, including her husband, did not guess. Countess, becoming a "versotrustee", which compromised her and without the unfaithful husband in the eyes of the king, confessed by Abbot Surwood, weekly having dinner Rostopchina, walking with him in extensive rest of his house and pretending to be a secular conversation with Jesuit. Over the years, its commitment to Catholicism has gained a fanatic character. She drew her daughter to Catholicism, a father's favorite, who was 18 years old from Chakhotka, which was a big blow for her husband, who died 2 years after his daughter's death. She did not even go to the funeral of her husband, explaining this difference in religions. At the end of his long life, Rostopina fell into mysticism and even wrote religious treatises in French.
I didn't know anything of this, but he managed to see my temper eye in Catherine Petrovna mystical inclinations and very subtly devoted to this viewer, loading the model his in the twilight, from where she appears like a vision in a glowing haps and collar lace, with a terrain Full religious ecstasy look ...