Picture of privala hunters Description Pictures. Perov, Picture of "Prival Hunters": Description, Interesting Facts

Picture of privala hunters Description Pictures. Perov, Picture of
Picture of privala hunters Description Pictures. Perov, Picture of "Prival Hunters": Description, Interesting Facts
Privala hunters , 1871 Canvas, oil. Tretyakovskaya Gallery, Moscow

"Prival Hunters" - Picture of the Russian artist-Movie Vasily Grigorievich Perova, written in 1871 and relating to the late period of artist's creativity.

Vasily Perov, Privala hunters , 1877 Canvas, oil. State Russian Museum, St. Petersburg

Picture plot

The picture shows three hunters who carry a conversation. The main feature of the painting is the psychological portraits of heroes: one of them (left) - an elderly, experienced hunter, apparently, from the indispensable nobles with enthusiasm and passion telling about their hunting "exploits", the second (in the second plan) - middle-aged, in the Russian peasant clothes, incredulously and with a smisker listening to hunting bikes of their interlocutor, the third (right) - dressed "with a needle" a gulling young newcomer, with a thrill listening to the Rosskazni of the first hunter, so confused him that he even forgets to light the cigarette in his right hand harvested in the left Spirit.

All this scene occurs against the background of a rather gloomy autumn landscape, which makes an alarming shade into its comic content.

It is also curiously a combination in the picture and genre household painting, landscape, and still life from hunting things and game.

"Prototypes" pattern characters

In the image of the narrator of Perov, D. P. Kuvshtinikov - a physician known in Moscow and a big fan of a rifle hunting. After in 1871, the picture was written and exhibited at the first mobile exhibition, the name of Dmitry Pavlovich Kruvinikov became popular in literary, artistic and theatrical circles. His apartment in a small three-minded lane was the place where writers, artists, artists gathered. Here were often V. G. Perov, A. P. Chekhov, I. O. Levitan.

One of the friends of D. P. Kuvshinikova was a doctor and an amateur artist Vasily Vladimirovich Bessonov. In 1869, Pereov wrote a portrait of Bessonov, which was then exposed at the World Exhibition in Paris along with the Wallery Hunters. The doctor V.V. Bessonov became the prototype of the Skeptic Hunter.

In the image of a young hunter, the picture author depicted a 26-year-old N. M. Nagornin - a friend and colleague Kuvshinikov and Bessonov. In 1872, Nikolai Mikhailovich married Barvara Vasilyevna Tolstoy, the niece of the Great Writer. In the early 90s of the 19th century, Nagornov becomes a member of the Moscow City Administration.

Here, some of his Moscow friends, V. G. Pereov captured in the images of "Prival Hunters". This confirms in his memoirs and Anna Nikolaevna Volodicheva - Daughter N. M. Nagornov. In November 1962, she wrote art historian V. Mastefarov, who studied the creativity of V. G. Perov and other artists:

"Kuvutynikov D.P. was one of my father's nearest friends. They often traveled to the bird hunting. The Father had a dog, and therefore we were going to: Dmitry Pavlovich, Nikolai Mikhailovich and Dr. Bezonov V. V. They are depicted perovy ("Prival Hunters"). Kuvutynikov D. P. tells, father and Bessonov listen. Father - carefully, and Bessons - with distrust ... "

Critics

Critics estimates were ambiguous. So, if Stasov highly appreciated the picture and compared it with the hunting stories of Turgenev, then Saltykov-Shchedrin criticized her: the writer appeared unnecessary to the faces of the heroes. Fedor Mikhailovich Dostoevsky in his diaries also mentioned the picture:

The picture has long been known to everyone: "Prival Hunters"; One hot and tallerly lying, the other listens and believes from all his might, and the third does not believe anything, it's implied immediately and laughs ... what the beauty!<…> We almost hear and know what he says, we know the entire turn of his lies, his syllable, his feelings.

Notes

Categories:

  • Pictures by alphabetic
  • Pictures of 1871
  • Pictures of 1877.
  • Pictures of Vasily Pereova
  • Pictures from the collections of the State Tretyakov Gallery

Wikimedia Foundation. 2010.

Around this work, Masters Vasily Perov from the moment of her appearance burned serious passions: V. Stasov compared the canvas with the best hunting stories I. Turgenev, and M. Saltykov-Shchedrin accused the artist in excessory theatricalization and unnatural character. In addition, in the "Prival Hunters", everyone was easily recognized by real prototypes - familiar Perov. Despite ambiguous evaluation of critics, the picture became incredibly popular.



V. Perov. Self portrait, 1870. Fragment

Vasily Perov himself was a passionate hunter, and the topic of hunting was well acquainted. In the 1870s. He created the so-called "hunting series": Pictures of "birds", "Fisherman", "Botany", "Dovenik", "Fishing". For the "bird" (1870), he received the title of professor, as well as the teacher's place in the Moscow School of Painting, Scary and Architecture. But the brightest and recognizable in this cycle was certainly the picture of the "Prival Hunters".

V. Perov. Birds, 1870.

The fabulously was first exhibited in the 1st mobile exhibition and immediately caused controversial responses. Critic V. Stasov admired work. M. Saltykov-Shchedrin criticized the picture for the absence of vitality and vitality, for the lack of emotions: "As if there is some actor when showing a picture, to whom the role is prescribed to speak aside: this liar, and this lung, inviting the viewer does not believe the liar Hunter and enjoy the chamber of the Novice Hunter. Artistic truth should speak for itself, and not with the help of interpretations. " But F. Dostoevsky did not agree with critical reviews: "What is the beauty! Of course, the Germans will also understand, but they will not understand how we are, that it is Russian and what he is lying in Russian. After all, we almost hear and know what he says, we know the entire turn of his lies, his syllable, his feelings. "

Left - D. Kuvutynikov. Right - Central Character * Prival Hunters *

The prototypes of hunters became real people who familiar Vasily Perov. In the role of "the blister", the doctor of Dmitry Kuvutynikov spoke, the doctor Dmitry Kuvhatinikov, a big fan of a rifle hunting - the one who served as a prototype of Dr. Smoke in the "jump" Chekhov. Kruvinikova's wife Sofya Petrovna was a hostess of a literary and art salon, in which V. Perov, I. Levitan, I. Repin, A. Chekhov and other famous artists and writers.

Left - V. Pereov. Portrait V. Bezonova, 1869. Right - an incredulous listener, one of * Prival Hunters *

In the image of an ironicly smiling hunter, Perov depicted a doctor and an amateur artist Vasily Bessonov, and a prototype for a young hunter, navigating the hunting bike, served as a 26-year-old Nikolai Nagornov, the future member of the Moscow City Government. This confirms in his memoirs and A. Volodicheva - daughter Nagorninov. In 1962, she wrote art historian V. Mastefarov: "Kuvshinikov D. P. was one of my father's nearest friends. They often traveled to the bird hunting. The father had a dog, and therefore we were going to: Dmitry Pavlovich, Nikolai Mikhailovich and Dr. Bezonov V. V. They are depicted by Perov ("Prival Hunters"). Kuvutynikov tells, Father and Bessonov are listening. Father - carefully, and Bessonov - with distrust ... ".

V. Perov. Privale Hunters, 1871. Fragment with Great

Gestures characters are of great importance in this work, with the help of which the artist creates psychological portraits of his heroes: the spreaders of the narrator illustrate his "terrible" story, grinning commonerly scratching his head, the left hand of a young listener is tensely compressed, the right hand with a cigarette froze, which gives Interest and innocent horror with which he listens to noby. The hunters depicted in the lower left corner could well become an independent still life with a game, but all the attention of the artist intentionally focused on the faces and arms of the characters, allocating these accents with bright light.

I. Kramskaya. Portrait V. Pereova, 1881. Fragment

Nowadays, the reproductions of this painting became a traditional gift for avid hunters. The canvas written by V. Perov, in 1871, is now in the Tretyakov Gallery in Moscow, and a copy created in 1877 is in the State Russian Museum in St. Petersburg.

V. Perov. Prival Hunters, Copy 1877

Plot

What good hunting costs without gatherings with a tale of Baj? Vasily Persov as a passioned hunter and himself had more than once at such meetings, almost certainly also traveled adventure stories about the power of the beast, he was deleted and good. That enthusiasm, which is read on the faces of heroes, causes the viewer to the dialogue, we are involved in the scene, as if we read the lips that Bayun says.

"What is the beauty! Of course, the Germans will also understand, but they will not understand how we are, that it is Russian and what he is lying in Russian. After all, we almost hear and know what he says, we know the entire turnover of his lies, his syllable, his feelings, "the picture praised Fyodor Dostoevsky.

"Prival Hunters." (Wikipedia.org)

Contemporaries easily found out in the heroes of familiar artists. In real life, all three were comrades and colleagues. A doctor of Dmitry Kuvutynikov praised the narrator, for the "experienced" - the doctor Vasily Bessonov, for a beginner - a 26-year-old doctor Nikolai Nagornov. Together with Perov, they often went to hunt.

The still life is discharged in detail. Not good borrow forgotten for a fascinating story. However, is the narrator and his listeners experienced? Excellent gun lies casually in the grass, which is unable. The horn, which was used on the pith hunt, looks superfluous - there are no signs of flocks, that is, the inventory was collected, not particularly understanding his purpose. Heel has a high shoe, which is not convenient on the hunt. Obviously, none of the hunters are a master, all of them are amateurs.

The paints of the landscape and the hare-rusak are among the production say that events occur late autumn. However, the Ryabchik, lying immediately, makes it clear that the artist himself imposes to us: they could not be on one hunt killed and forest bird, and the hare - the inhabitant of fields and steppe zones.

The landscape, which here fulfills the role of the "listener", was completed by Alexei Savrasov. About this pen reported in one of his letters, while not specifying which volume of work was performed by Savrasov.


"Books", 1870. (Wikipedia.org)

The "Prival Hunters" canvas created in the late period of Perov's creativity. At this time, the artist departs from her habitual, the heavy peasant lobe, the hypocrisy of the authorities and clerks, the general uncommonness of the country. The image of a contemplator peasant in unity with nature is coming to the fore.

Fate artist

Vasily Persov as an illegitimate son of the Tobolsky prosecutor received the name of his godfather - Vasilyev, and the pseudonym, with whom he entered the history of art, he gave a deque, who trained literacy: "Won as the letters displays beautifully, it was quite born with a pen in her hand. And therefore I will call him perov. "


"Rural procession for Easter." (Wikipedia.org)

In the orphanage, Vasily family often moved: the father was fired from the service and it was necessary to set up in a new way. At 10 years old, the boy fell asp, which affected his eyesight - completely it was not restored.

Already in childhood, Vasily decided to become an artist. He was sent to learn to Arzamas, but from school were expelled to the plate of hot porridge, launched in a single-handler. At 19, he entered the Moscow School of Painting, Drainies and Architecture. It was hard to live. In winter, he even missed classes - nothing to go in the frost. It was hard enough to pay for classes and apartments, lived the injignment. If it were not for the help of one of the teachers, Perov could not finish the course.

Perov was one of those rare painters to whom the retirement trip to Italy did not benefit. He returned ahead of time, saying that he did not understand Europe and could not create something worthwhile. The remainder of the life of Perov spent in Moscow, where, despite growing popularity, continued to fight poverty.


"Troika". (Wikipedia.org)

At the initial stage of the movement of the Movies of Perov, worked closely with them. But as soon as I realized that their exhibitions do not bring so necessary financial peace to him, left a partnership. The last decade of the life of Perov marked with a state close to depression: he ruled early works, looking for new ideas. Those stories that made him the name - the life of the streets, the faces of ordinary people, the grayness, dirt and poverty, about which some did not speak, and others did not know at all, - no longer fascinated by the artist. He was disappointed. Perov tried to express himself in historical painting, in genre scenes, but many of his ideas remained at the stage of sketches. The last work of the artist became a large-scale canvas "Nikita Eat".

In 1882, during his beloved Hunt Perov, the disease was colded, the disease was developing in a car, from which the artist died in 48 years.


Around this picture Vasily Pereova Since its appearance, serious passions were burning: V. Stasov compared the cloth with the best hunting stories I. Turgenev, and M. Saltykov-Shchedrin accused the artist in excessive theatricalization and unnatural character. Besides, in "Prival Hunters" Everyone was easily recognized by real prototypes - familiar Perov. Despite ambiguous evaluation of critics, the picture became incredibly popular.



Vasily Perov himself was a passionate hunter, and the topic of hunting was well acquainted. In the 1870s. He created the so-called "hunting series": Pictures of "birds", "Fisherman", "Botany", "Dovenik", "Fishing". For the "bird" (1870), he received the title of professor, as well as the teacher's place in the Moscow School of Painting, Scary and Architecture. But the brightest and recognizable in this cycle was certainly the picture of the "Prival Hunters".



The fabulously was first exhibited in the 1st mobile exhibition and immediately caused controversial responses. Critic V. Stasov admired work. M. Saltykov-Shchedrin criticized the picture for the absence of vitality and vitality, for the lack of emotions: "As if there is some actor when showing a picture, to whom the role is prescribed to speak aside: this liar, and this lung, inviting the viewer does not believe the liar Hunter and enjoy the chamber of the Novice Hunter. Artistic truth should speak for itself, and not with the help of interpretations. " But F. Dostoevsky did not agree with critical reviews: "What is the beauty! Of course, the Germans will also understand, but they will not understand how we are, that it is Russian and what he is lying in Russian. After all, we almost hear and know what he says, we know the entire turn of his lies, his syllable, his feelings. "



The prototypes of hunters became real people who familiar Vasily Perov. In the role of "the blister", the doctor of Dmitry Kuvutynikov spoke, the doctor Dmitry Kuvhatinikov, a big fan of a rifle hunting - the one who served as a prototype of Dr. Smoke in the "jump" Chekhov. Kruvinikova's wife Sofya Petrovna was a hostess of a literary and art salon, in which V. Perov, I. Levitan, I. Repin, A. Chekhov and other famous artists and writers.



In the image of an ironicly smiling hunter, Perov depicted a doctor and an amateur artist Vasily Bessonov, and a prototype for a young hunter, navigating the hunting bike, served as a 26-year-old Nikolai Nagornov, the future member of the Moscow City Government. This confirms in his memoirs and A. Volodicheva - daughter Nagorninov. In 1962, she wrote art historian V. Mastefarov: "Kuvshinikov D. P. was one of my father's nearest friends. They often traveled to the bird hunting. The father had a dog, and therefore we were going to: Dmitry Pavlovich, Nikolai Mikhailovich and Dr. Bezonov V. V. They are depicted by Perov ("Prival Hunters"). Kuvutynikov tells, Father and Bessonov are listening. Father - carefully, and Bessonov - with distrust ... ".



Gestures characters are of great importance in this work, with the help of which the artist creates psychological portraits of his heroes: the spreaders of the narrator illustrate his "terrible" story, grinning commonerly scratching his head, the left hand of a young listener is tensely compressed, the right hand with a cigarette froze, which gives Interest and innocent horror with which he listens to noby. The hunters depicted in the lower left corner could well become an independent still life with a game, but all the attention of the artist intentionally focused on the faces and arms of the characters, allocating these accents with bright light.

because of what Levitan was going to call Chekhov for a duel

Most of the outstanding people, including writers, composers, actors, artists, were avid hunters and counted this hobby the best time and the most inspiring moments in life. The description of the hunt is present in recognized literary classics - Tolstoy, Turgenev, Hemingway. The topic of hunting also often fascinated the great artists. On our expanses of one of the most famous paintings dedicated to the hunt, Basil Vasily Perov "Prival Hunters", the second name - "Three Hunters".

Picture "Three Hunters"

A little about the author - artist Vasily Perov

Vasily Grigorievich Perov was a very passionate and passionate nature hunter.

In recent years, he even became a correspondent for the magazine Sabaneev "Nature and Hunting", where not only wrote interesting, but also posted a cycle of theoretical articles about the hunt. Of course, your favorite occupation could not not be captured on the artist's canvases. In the 70s, he creates a series of paintings dedicated to nature and the attitude of people with her - these are such a canvas as "pigeon", "fisherman", "bird", "nerd". And the most famous from this cycle was the painting "Prival Hunters". Two pictures were written by the author: one is stored in Moscow at the State Tretyakov Gallery, and the second - in the St. Petersburg Russian Museum.

At the first exhibition, the picture has made a lot of noise. Because of her, many artists and critics thought.

Stasov was in admiration and said that this plot is as good as Turgenev. But Saltykov-generous she did not like. The writer said that there is no directness in it, they say, the artist has already been very deliberately showed one hunter in the liar, the second is a gurgling newcomer, and the thing shows the whole view that this is exactly the case.

What saw the audience in 1871 at the exhibition?

It was then that the picture was exhibited for the first time. The main thing that struck the public of those times is an interesting plot and psychological portraits of actors on the canvas.

Three hunters are located on the outflow and dull autumn of nature on the habit. The characters depicted in the painting are real people, the artist's friends who served as the prototypes of hunters. The hunt was clearly successful - in the foreground we see and some kind of bird. We also see other hunting attributes - rifle, horn, network and yagtdash. Elderly Hunter - judging by clothes from the nobles, but not like, tells another bike and obviously in the spirit of Baron Münhausen. His burning eyes and active gestures suggest that the story about the story has been very exaggerated.

The second character is a young hunter, dressed expensive, with a needle, listens carefully and looks at sight - believes every word of the story. The expression of his face indicates that the whole story of the old narrator he trustfully takes for a clean coin.

Nearby is a simple peasant, the clothes can be seen that it is most likely a rod. He moved a hat with a hat, and smirks, scrubbing his ear with incredulously. Heard around him, he has already heard and knows that these stories are much diverted with the fact that he saw his own eyes on a lot of numerical hunting. He clearly laughs at the gullibility of a young hunter. It even seems that he thinks about his own and no longer draws attention to the stories of the old Barin.

Some critics in the plot saw the entire life cycle of a person: youth, the greedyly learning world, absorbing everything with a sincere faith. Next comes maturity and experience when everything is questioned, and nothing is accepted on faith. And maturity is replaced by old age, which lives more by memories of the past.

At first glance, it creates the impression of calm and carelessness on the canvas. But if you look closely at the plot, you can notice anxiety and anxiety in nature.

The birds are circling in the sky, the sky tightened clouds, the wind rose - obviously, the thunderstorm approaches. As opposed to the drama of nature, hunter poses are completely carefree. The author managed to truly brilliantly connect the dramatic background and almost anecdotal plot.

The great success of the picture and forced the Perov to make a copy from her.

Modern history painting

On this, the story of three prival hunters has not ended. Since the appearance of the picture, she became very beloved in the people. Thousands of copies were made based on the plot of Perov, the image was transferred to tapestries, mats, bedspreads. There is a picture even on candy candy. This cute trinity is embroidered, appliques do, burn out and recently even tattooed on the body. The city of Yekaterinburg has a monument to the plot "Hunters". There was a lot of ridiculous and not very caricatures, paroding the plot of the paintings. It turns out that Perov brilliantly coped with the task, since the picture covered his own history and many parallel tasks.

Interesting facts associated with the picture "Prival Hunters"

This is a very interesting point. For those years that the "Prival Hunters" are on storage in the Russian Museum, they were transferred several times from the hall to the hall. And the staff noticed that the paintings always have much warmer than in the halls. It is not known a reason and caretaker. And the excursions were constantly going to groups from this picture. It was decided to study it more thoroughly. Scientists have identified affecting facts. First, it turned out that the temperature of the canvase itself and the air next to it is always almost 3 degrees higher than in the entire room, although this was not observed with neighboring paintings. The clock installed nearby was a failure - mechanical slowed down, and the electronic stopped working. People also feel strange changes in the body - their hair and nails are growing faster.

When the picture was taught by X-rays - everyone was shocked: the printed shot showed not hunters, but ... the Yalta conference - the figures in accuracy became similar to Stalin, Churchill and Roosevelt. When we left the map of Europe onto a tracing, it turned out that "Stalin" on the canvase indicates the line of the second front. Oddly enough, scientists have found many more, as they claim prophecies on this canvas - encrypted mathematical formulas, astronomical facts, even the exact scheme of the Bermuda triangle.

True, this or fiction, believing or not - the case of everyone, but you can always admire the masterpiece - you can always.