How to understand what you have a beautiful voice. How to develop a voice for singing; How to find out if you have a voice? How to check if there is hearing and voice - expert comments

I understand, since you went to read this article, you concretely concerns the definition of your voice or identify the voice of your student. This topic, as you understand, is very long and I will not go to delight into the differences in the votes on their spinning or the magnitude of which I already wrote in the article ". I think you are interested, it is the definition of voice by type, i.e.:, Etc. By the way, you can not write here about the characteristics of various votes you can familiarize yourself with them in detail in the section "", that information, I hope you will also help you. I think it is generally difficult to overestimate.

I will immediately say that it is impossible to read the text and getting out due to a computer table or remove the phone from which you read it, find out the way, how without having a vocal school just take and identify your voice type. I can only help those who at least somehow is educated who has guesses, etc. In general, that would eat, I will simply explain the ways that teachers identify the voice of the student, and you already decide, and if you stay, do not sure, then the road to music school or to a private teacher singing you ordered.

So. Now actually a set of features, according to which the type of voting is determined:

1. 1. Timbre.Well, of course, the first to what they look - this is the sound, color, the thickness of the breast and head registers of the voice, what to say there, if Magomaev, for example, was a baritone, then this purely baritone timbre is not confused with anything, of course, some tenors can portray low Bariton notes, but it will be clamped, little lying, not painted. Conversely, Bariton will not be able to portray the ease and stream of the upper formants, which tenor will demonstrate. The same story with soprano and mezzo, yes, in principle, with any voices. In general, experienced teachers determine the voice of the student's voice, just on the inner sensations and intuition, because so much votes have already heard for life that it is almost impossible to deceive their hearing.
2. 2. Transition notes.In each voice there are transition notes, "bridges" between registers, head and chest. There is also the theory that in each voice there are 3 registers and disputes on this topic still stretch in centuries, now is not about it. One way or another, these adapters have and sprinkled them, just as possible, at least not with 100% confidence, but still determine the type of voting, for example, in the tenor Transitional notes Mi-Fa # of the first octave, at Baritona Rem Octaves, transition notes Mezzo: Repends the second octave bembol, at the soprano Mi-Fa # second octave, etc. That's a good idea for the next article there was a transitional tones. But it should be remembered that the experienced singers of transitional tones do not feel and simply forget about them.
3. 3. Range.Probably, this is the most stretchable criterion in this list. In the initial stage of teaching singing, the range, mostly small in all, and anything does not say anything, but as for the opera singers, their ranges are often 2.5 - 3 octaves, and therefore This is not a criterion. Many mezzo sing in Tssatura Soprano, and vice versa, the counterparts can get the top notes of mezzo, the tenor to get the notes of baritones, bass can sing in the tessetia of baritons, etc. Of course, these abilities are not all, but still they are. Good singers always have a large range and do not get anywhere from it.
4. The structure of the larynx and ligaments.Sometimes there were anymore that Foniatria allegedly can, looking at the bundles to predict the voice of the singer or do the same in size and shape of Kadyk. Allegedly at tenors, Kadyk is small and barely noticeable, and the bass are big, etc. But inspected at least with a couple of dozen singers, you immediately understand that this is far from the way and the type of voice does not depend on the structure of the larynx, but as for the ligaments, then this criterion can not mean anything as well. In the end, if the structure of the ligaments plays a role, then they need to evaluate their size, thickness, strength, elasticity, mobility, etc.
5. Body type.The myth that Metzo-soprano and the tenor must be complete, and bass and colorautres are necessarily skinny and also has no place as a reasonable and proven theory of voice definition, because according to statistics in this theory there will be more than half of exceptions, and therefore the theory is not It makes sense.
6. The ability to withstand the temptation. As for this ability, everything is clear here, meaning the singer's ability for a long time to sing in a highly high or low tessecture.

For example, if Bariton is able to take tenor notes, and even the timbre is similar to dramatic tenor, this does not mean that he is tenor, because, as not to twist. But at the tenor, sometimes, the tessetura of the whole work is so high that the ability to take a high note to take a high note, but the tenor is so arranged that he is under the power to withstand high testicular throughout the entire opera, etc. Although of course I already wrote about singer , who could give odds to many tenors and he took up to # 2 octaves, which seems incredible simply.

Is it worth making a conclusion from the foregoing that every person himself makes his voice from scratch? - "Not! sure". Because even despite the fact that individually all these factors are not significant, in the aggregate they give rise to a whole science "Definition of Voice". Nature still invested in each of us a special list of abilities and best to disclose what is already there and even it may not be enough of life, not what would have for the transformation of themselves.

Velvety or sonorous voice, ability to hurt for living with their singing - genuine skill. Some people have this gift from nature, others need to study long and persistently to at least close to the ideal. It also happens that a person has a musical rumor, but voice ligaments are not developed enough and singing is not as much as I would like. Such people will help long and stubborn workouts on the development of their vote. After all, voice ligaments are also muscles that can be developed and train.

The main thing that should be remembered by starting the voting exercises is the need for proper breathing. It is from him to start training. After all, if a person breathes incorrectly, his votes will never reach the desired level. To learn to breathe correctly, you can try to walk around the room, counting inhi and exhalations. In the first two steps - inhale, on the second - exhale. But it is only in the first days of classes. Gradually, it is necessary to increase the gaps between the breath and exhale to ten steps. Also useful is the following exercise: you need to get up straight, put your legs on the width of the shoulders, and the hands are connected to the lock and raise up. Babying back, do inhale, and in exhale to lean forward. With a slope at the same time with exhalation, various vowels are pronounced: "A-A-A", "U-U-U", "O Oh-o," and-and and "," E-E, ". Regular performance of these simple exercises is the first stage, how to develop a voice for singing. It is advisable to perform these and subsequent exercises before the mirror to ensure that the diaphragm works.

For those who set themselves the goal, how to develop a voice for singing at home, it is worth moving on to the following exercises - progress to the syllables. It is best to use such sounding that contains simultaneously ringing and deaf consonants in combination with vowel sounds. For example: TKP, TKP, THPA, TKPO, TCPU. If at first it is difficult to remember, you can write them in advance on a sheet of paper and read out loud. Also help to strengthen voice ties. There are a lot of them, so you can choose those that most like. For example: "Bobra wandes in the random cheese. Beavers brave, but for Bobryat good." It is best to find such patters that contain different sounds and sounding. It is necessary to pronounce them in a different pace: starting with slow and gradually increasing.

It is useful to read out loud various works: both poems and prose. At the same time, you need to monitor the diction and clearly pronounce every letter, learn to put logical stress in the right places. It is better to do this by writing on the voice recorder to be able to listen to your voice and understand what errors are allowed during the reading process. At first, it is possible to read literature to loudly ten - fifteen minutes, but gradually increase the time to an hour and more.

It helps well for the development of voice directly singing, ranging from the merger, ending with the execution of the musical works themselves. The splashes can be the most different: the same syllables who pronounced out loud, but saven in different tones. It should be started with a low tonality and finish so high as soon as it turns out. So you can define your range. Sometimes the usual breathing through the nose helps lower the voice. Also for this purpose will help an easy exercise, which is called the buzz. It is necessary to press the chin to the chest and simply make the sound: "f." If you do the buzz every day, it is quite quickly possible to notice the result. So, knowing these simple techniques, how to develop a voice for singing at home, you can make your voice more sound and strong.

Surely most people who have decided to deal with singing, the same question arises as to check the voice. In general, a lot about the voice is known to extract the appropriate literature or use the Internet. However, any person who is fond of vocals naturally interests his native voice. That's about it and talk.

How to check availability

First of all, it is necessary to hang and write a simple melody on the voice recorder or a simple gamut. It may happen that from the first time you will not work. All because, most likely, your hearing is still small, and the voice is not coordinated with him.

After listening to the record for the first time, you will probably not recognize your voice. This is because in reality, a person hears himself through the bone, but the surrounding the performer knows easily.

If listening to the recording, you managed to hear fake notes, which did not feel during the version, you can safely count on the fact that you still have a rumor. If there were no falsehood, then you are the owner of natural developed coordination of voice and hearing.

You can refer to friends who are engaged in music. They will probably help you in the question how to check if there is a voice. For this you need to work out with the musician and try to repeat the voice of the played notes.

In addition to friends, you can always turn to the teacher of singing at school, or to the teacher on vocal in a music school. A professional vocalist will help to deal with your voice capabilities and change it for the better. With the question, how to test your voice is also advisable to refer to the doctor to the Phone. Most of these specialists are privately cooperating with musical educational institutions.

Even if you are from nature are not the owner of a strong voice, it does not prevent you from singing. Voice parameters can be easily corrected and develop in the process. The reason why you cannot study vocals can serve as the pathology of the hectares that are responsible for the formation of votes.

Perhaps in the shower or in the car you are like rock star, but sometimes it is difficult to objectively assess our own vocal abilities. It turns out that it is quite realistic to evaluate yourself if you learn how to listen to and hear. Record yourself to the voice recorder and pay attention to the tone, the height of the sound and the ability to control the voice. Good news is that everyone can learn how to sing well. Follow simple recommendations to develop your vocal data.

Steps

Part 1

Rate the total tone and voice timbre. The timbre is the overall characteristic of the voice of the voice. If you fall into all notes, but the tone or the timbre does not correspond to the song, then the execution will sound not in the best way. Pay attention to how clearly and consistently you emphasize the vowel sounds, how fully use your voice register and how to play rhythmic nuances (adapt the voice to various execution styles).

• When evaluating the timbre, pay attention to the softness or rigidity, sharpness or smoothness, strength or weakness of the voice.

Part 2

How to learn to sing better

1. Use the audition. Listen to a short melody or sound, then mentally imagine this melody or sound in full silence. Next, imagine how you sing this melody and do not publish any sound. Finally, spoil the melody or sound out loud.

   Private music teacher

   Annabeth Novitski - Private Texas Music Teacher. He received a bachelor's degree in music at the University of Carnegie Mellona in 2004 and a master's degree in Music in Vocal Art at Memphis University in 2012.

   Private music teacher

   Annabet Novitski, private vocal teacher: "Despite the fact that some people sing better than others from nature, this skill can be developed and improved. If you love to sing very much, come to the point with the mind and work regularly. "

   Daily use your range and technique. Some people better than others control their vote from nature, but practice is useful to every singer. Continue to learn to control the breath, develop voice and rumor, as well as find that musical style that best suits your timbre.

   • Music talent often develops in parallel musical giftedness. Get acquainted with vocal technicians and learn how to use a voice as a tool. The more you know about different components of the right execution, the more effective will be your classes.

2. Vokal's lessons. If you find a person who will teach you to use the voice as a tool, then your singing will improve significantly. Choose a tutor, which will teach you not only to correctly enter the notes, but also be able to develop the general execution technique. A good teacher will tell you how to stand right, breathe, move and read notes during the execution of vocal parties.

   • If your friends attend vocal lessons, contact them for recommendations. You can also rely on feedback from the head of the choir, local groups and ensembles.
   • Many teachers spend a trial lesson for free or at a reduced price. Visit trial lessons from several teachers to choose the best option. Teacher inspired you? Talked most of the classes? Focused only in voice or also paid attention to the execution technique?

3. Learn to take constructive criticism. If you have a wonderful singing voice, it will already be known to you, as well as the reverse situation. As a novice guitarist has to endure an awkward stage, when he still does not own the tool and does not always fall through the strings, so the singers should work hard to improve their voice. Such skills are not given to a person since birth, but are acquired by hard work.

   • If someone told you that you do not know how to sing, but you have a strong desire to learn, then continue to work on your voice without dot. Do not listen to ill-wishers. There are people who will never learn to sing, no matter how hard they tried. If this is the case, then you will know about it.

4. Sign up for music school or local choir to practice sing and develop your voice. Work in the choir is an excellent way to improve your vocal skills. You will be aware of the opinion of the head of the choir and other participants about your abilities, and you will also get a chance to work in the team. Often inexperienced performers are more comfortable to sing along with other people and not becoming the center of attention of critics.

   Continue regularly learn and practicing to improve your execution technique. If you decide that you do not have innate abilities, but you like to sing, then continue to work. The teacher will help extract the maximum result from your capabilities. The joy of singing is available to everyone.

Part 3.

How to check your innate abilities

1. Pass the test for musical deafness. Music deafness - inability to correctly perceive the height of sounds. On the Internet you can find several tests that will allow you to identify such a problem. Find out whether you can distinguish high and low notes or you enter those 1.5% of the population that suffer from "amusion" and cannot recognize height, tone and even rhythm.

   • Most online tests consist of several short passages of famous songs and motifs. Listen to the excerpt, and then specify whether it was correctly executed.
   • Music deafness does not mean that you have a bad voice, but limits your ability to adjust the voice under a specific song or melody.
   • Similarly, difficulties in trying to control your singing voice do not mean that you have musical deafness. Good performance depends on a variety of factors. It is possible that you just need to work more.

2. Find out the opinion of people you trust. Like singing in the presence of friends and relatives, turn on the record of your voice in the closest people to find out their opinion. If your friend sings well, then ask him about technical aspects. If the listener is not familiar with vocal techniques, then find out the first reaction.

   • Choose people who will give you an honest answer and the opinions of which you trust. It is better not to contact a person who will praise or criticize you anyway.

Answer:

Many women love to sing in the shower, but how to understand whether there is a voice? It has long been proven that a person hears himself as not like the people around him. The resonance in the sinus sinuses is to blame. People hear themselves through the bone. In order for a person to find out how to perceive the skin surrounding it, you can write a voice even to the most ordinary voice recorder.

With the first listening to the record, many are horrified by their voices. This is due to the fact that people cannot recognize their timbre. A stranger is not surprised by anything, because the voice on the record will be accustomed to him.

After listening to your singing, you can hear Flame, which was not originally felt. If a person recognizes it, it means that he has a hearing after all. Otherwise, it is not worth upset. Most likely, the coordination of hearing and voices can be developed from nature.

In order to finally make sure whether there is a voice, you need to contact a professional musician or vocalist teacher. It is clear that their services will cost a lot of money, but what you can't do in order to start a musical career. It is not necessary to contact specialists from higher educational institutions, you can choose a teacher from a music school or school.

How to check if there is hearing and voice - expert comments

It is not worth throwing music, thinking that there is no hearing and voices. Just need to develop them. Let's give a few recommendations how to check if there is hearing and voice:

• one person plays a note on the piano, the second she listens and remembers it. Then the keys will be pressurized until the second person hears the desired notes. If you get on the sound to determine the note, it means that there is hearing;
• one man silently performs some kind of rhythm on the table with a pencil for ten seconds. The test followers trying to reproduce this rhythm. Over time, you can complicate the musical pattern;
• if the subject is able to play the piano, you can hold a musical dictation. The teacher plays in turn of single sounds. The subject is trying to get a voice in unison those sounds that hear;
• the vocalist plays the piano, the test is trying to write to the notebook heard notes. Then the vocalist checks errors.

In the case when something does not work, experts advise not to lower the hands. Sooner or later, it turns out, the main thing is that there is a desire to develop. Just need to practice slightly. Voice and rumors are laid in human nature. People who have less developed, have to make a lot of effort to improve them.