Famous Buryat sculptor. Dasha Namdakov - Exhibition "Nomad

Sculptor Dasha Namdakov

Dasha Namdakov - buryat artist and sculptor . Photo 2004 Despite the pronounced national flavor of the works of the Buryat sculptor Dasha Namdakov, he is perceived as a representative of universal culture. He is met everywhere. "Dasha, all is well. It is a pity that you are not a Chinese! And all the same you are ours! " - They say the Chinese.

Dasha Namdakov Or Datini Baljanovich Namdakov, born in the Buryat village of Ukork, which in the Chita region, in 1967. He was a sixth child in a large family. Mastery for Dasha came with genes, as the entire genus of this artist and the sculptor was engaged in forging and jewelry. The father of this sculptor cut out Buddhist symbols and various deities from the tree.

Having absorbed with the milk of the mother.
- I had a full-fledged rich world, just a giant, which was saturated with all sorts of spirits, animals, creatures. And when I went to school, I was told: "The whole world is fitting on this sheet, everything else will throw out of the head. This is your patient imagination. " And the world rose to this sheet. I am 44 years old and all my life I fight, how to get rid of this sheet, which limits me - Dasha Namdakov is divided - everyone I can, owes his parents, his homeland.
The genus of Namdakov belongs to the Kasnetsov-Darkhanov kuznethe, revered in Buryatia, "Darhate". The blacksmith craft at Buryats was considered to be God's gift: "According to the command of Western Tangria, the Kuznets God sent his children to the land to teach people to the forge craft, this art began to be inherited by descendants" (strings from legend Buryat). Dasha Namdakova's father - Master for all hands: did furniture, fabric carpets, engaged in painting, cut out of the tree sculpture of Buddhist deities and Tangki (Buddhist icons). Dasha invested in such an environment absorbed all the best.

He studied at the Krasnoyarsk State Art Institute, after the end of which moved to Ulan-Ude.

Below, we give with Dasha Namdakov interview, which Elena Preobrazhenskaya took. (Source: Preobrazhenskaya E. Plastic Buddha. / Elena Preobrazhenskaya. / / Peasant woman. - 2004. - № 1 - p.68-71)

Dasha Namdakov. Archer. 2000.

The sculptor Dasha Namdakov is unusual in everything. An exotic name that sounds completely like Dasha-Nima and in translation means "Lucky Sun", the parents gave him to the Council of Buddhist Lam. In his history there is a hard disease, removed, as he believes, the curse that followed recovery and success is the one that is sometimes waiting for the whole life. But the most important thing and truly magical is his work.

Shamans, warriors, princes, beasts, birds, perfume of nature, trees - its ordinary heroes. Bronze is a favorite material. Today, Dasha Namdakov is more than popular and in demand. Exhibitions of the sculptor are held with constant success. He was invited to cooperate the largest galleries of the world. It was his work that became the prizes of the International Environmental Film Festival and a number of contests. The State Hermitage acquired Dasha sculptures for its exposition, not to mention the collectors of Europe, Japan, Germany and the United States. Three sculptures of Dasha Namdakov are in the personal collection of Vladimir Putin.

- What was it for the situation?

I grew up in such a world that the usual person is just unfamiliar. Born in the village of Ukurik, in the Chita region, that near Buryatia. Our land is saturated with myths, legends, legends. There they believe in spirits, shamans, witchcraft. Although they believe it is not even quite a suitable word. As residents of ancient Greece and did not think to doubt the existence of gods, their will, spirits, dragons, all sorts of unclean, quite comfortably existing in such a system of the world, about it so live and Buryats. And the man who grew up and living outside the Buryat land is difficult to perceive all this.

- And you really had to become a shaman, not a sculptor?

I have powerful shaman roots. But since childhood, I sought to be another: to be an artist, realize myself in visual art. In general, we were brought up like this: never scolded, never beat, never advised anything. For example, I was seriously engaged in boxing and very well saw that parents belong to this disapprovingly. I did not say a single word, but I felt their extreme discontent.

- But did you ignore it?

The fact is that I was forced to play sports, I needed to fight well to survive. At seven years I came to the boarding school, orders in which are quite comparable to army. This cruel world has become a contrast to the world of my early childhood, filled with beauty, fairy tales, communication with nature. I think that the disease that has pursued me up to youthful age and which many have taken to the category of PR techniques, was not least caused by this dissonance. And shamans, curses prescribed by them methods of treatment - all this was also present and completely logically imposed on the life situation. I am a very sensitive person, and I was extremely difficult among rudeness and cruelty. I had to learn to defend yourself.

- How was artistic education inside the family?

My parents are peasants, but the father at the same time is the Buddhist artist. Not an artist by profession, he always painted, cut out from a tree for Buddhist temples. Such an artist can only be a believer. All upbringing in the family signed children - and we are eight people - it is on artistic creativity. We were all sculpted, cut the wood, painted the fabric wool, coins for metal. Sitted in a circle and fabric, for example, a carpet. Father gave a certain topic, and each in its own way of its fabric part of the general pattern. In the same way, they painted: each in the measure of his forces performed that fragment of the general picture, which he was on the shoulder. So I always dreamed of being the artist.

Dasha Namdakov. Ritual. 2001.

- Buddhist artist?

You see, this concept - Buddhist art - has its own specificity. Everything that the Buddhist artist does, subordinate to one goal: to express the attitude of the sincerely believer person to religion. The little child is God, all he does is absolutely devoid of sinfulness. And from this point of view, everything that I did then, in childhood, was much closer to Buddhist art. But you need to understand: what I do today is what is represented in my exhibitions and in the catalogs is absolutely secular creativity. There is a huge number of nuances, which, in fact, make a sculpture of religious or secular. In order to seriously deal with Buddhist art, I need a lot of learning in more detail and deeply - traditions, story ... The slightest mistake entails the punishment - this is a look at the work of Buddhist. Religious things are designed to strictly match the canon. Today I do not feel ready, quite mature for this kind of work. I left it for later, the time will come, and I will do the really Buddhist plastic. Probably for a person far from the Buddhist environment, any exotic - Mongolian, Tibetan, Buryat and Buddhist. I was born in this cultural tradition, grew up in it, and, apparently, all I do, will carry a somewhat exotic, and for the amateur is the Buddhist echo. Even if I woof, it is impossible to get rid of it.

In Buryatia, I lived in an absolutely closed space, did not know in America or in Europe, in Moscow, it was a couple of times and not for a long time. I did not see the museums of the world, did not have a particularly clear idea of \u200b\u200bcontemporary art. But, you know, sometimes it seems to me that if I had rotated in a more open environment since childhood, I would not have the way I was. My work would be mediocre and faceless, it would be difficult for them to catch my individuality. Of course, information is necessary, it is impossible, and it is impossible to artificially protect yourself from it. But some closure allowed me to fully absorb in myself, survive and feel the culture and history of Buryatia, my native people.

Dasha Namdakov. PEARL. Bronze, 2oo1. Female images in the sculptures of Dasha Namdakov Chaste, gentle and lyric.

- But at the same time, did you get a classic art education?

- Yes, I graduated from the Branch of the Sculpture of the Krasnoyarsk Art Institute. But, as you can see, academic education did not adjust my own copyright look, did not make my work more European, did not deprive them of what is called "ethnic flavor". It is possible, I am graduated from any of the more authoritarian schools of painting - say, Surikovsky Institute in Moscow or the Academy of Repin Arts in St. Petersburg, everything would be somewhat different. There, in any case, until recently, they taught hard enough. Frequently from the influence of a certain school in painting is difficult: we know a lot of examples when the whole flow of students writes as their teacher - and nothing can be done about it.

In this case, do I need to study the artist? Not in this threat to its originality?

To do anything, it is necessary to have a specific database. At the Institute I got purely academic skills: an image of light, shadow, proportions, plastic tricks. Mastering all this at the art gives freedom in the expression of the idea. But the study did not affect my perception of the world. I was very lucky with teachers. Among them were, for example, people like Eduard Pakhomov and Azat Bayarlin, they themselves quite recently graduated from the rope and did not try to somehow influence their students from the standpoint of authority, did not apply themselves as mentors. Influenced, to educate in art - the case is extremely responsible, and they, fortunately, understood. We are more friendly friendly than students' apprenticeship. But after the Institute had to be engaged in the most different things, including those who do not have any attitude towards visual arts. After all, I graduated from the institute in 1992, remember that it was a crisis, uncertainty. In addition, it was in Ulan-Ude, and not in Moscow. If there were wealthy foreigners interested in painting, then everything was much more difficult there. In any case, it was not realistic to earn any art. But I had to contain a family. And I, for example, engaged in business - traded tea. Everything was. I was very lucky: my wife always supported me. She accountant, then worked in the banking structure and did not dive me, did not make me go and whatever money for money. My wife said to me: "Wait, let him not now, but later your time will come."

Dasha Namdakov. Queen. 2001. Graceful movements of flexible cats are energetic. Developed musculature and released claws for a minute do not allow to domestic in the fact that the maternal instinct of black panther is strong, and it is dangerous to someone who can pose a threat to her offspring.

Dasha Namdakov (Dashima Baljanovich Namdakov) (r. 1967, Village Ukurik Chita region) - Russian sculptor, artist, jeweler, member of the Union of Artists of Russia.

Dasha Namdakov was born in the Buryat village of Ukurik, in Transbaikalia. The full name is Dashima (Dasha Nima) - "Lucky Sun". He was a sixth child in a large family of Balzhan and Buda-chanda Namdakov, who had eight children.

Family D. B. Namdakov belongs to the ancient respected family - Kuznetsov-Darkhanov "Darkhate". Of these families, the best jewelers, masters and artists always went out. Only them allowed to work with fire, a sacred election symbol.

Gengizhan

According to the religion of Namdakov - Buddhist. The artist's father carved Buddhist symbols from the tree, figurines Lam and deities.

Buddhism found a deep reflection in the work of Dasha. On the question of what role Buddhism is played in his works, he replied that he was even strange to hear such a question as a Buddhist. On the wall of Datsan in St. Petersburg there is a marble board-baself in memory of the first abbot of the temple performed by the artist. Traditional images of his work are visible immediately - these are nomads, warriors and riders, sacral figures, magic women, generic patrons Buryat: Totem animals and mythological creatures. The viewer appears deformed, curved, elongated characters with disproportionate parts of the body, for example, elongated necks and elongated limbs. Almost all of them have Asian features of the face.
Tsoi A. Dasha Namdakov conquered the State Hermitage Mermitage // New Buryatia. - 2010. - March 1.

Until seven years, Namdakov did not speak Russian, lived in the house of ancestors. In this regard, he later noted:

"I had a full-fledged rich world, just a gigantic, which was saturated with all sorts of spirits, animals, creatures. And when I went to school, I was told: "The whole world is fitted in this leaf, everything else will throw out of the head. This is your patient imagination. " And the world rose to this sheet. I am 44 years old and all my life I struggle, how to get rid of this sheet, which limits me, to all that I can, owes my parents, my homeland. "

Dasha Namdakov began working in the workshop of the Buryat sculptor G. Vasilyeva in the city of Ulan-Ude. In 1988, he entered the Krasnoyarsk State Art Institute, studied by artists and sculptors L. N. Golovnitsky (who came to teach to Siberia from Leningrad), Yu. P. Ishkhanova. After graduating from the Institute of Exteronic, returned to Ulan-Ude.

In the 1990s. Dasha Namdakov opened a small jewelry workshop in Ulan-Ude. "This money and part of the salary of my wife, who then worked in Sberbank," he later recalled, "we spent bronze. But casting from this material is a whole technology. It is impossible to do it one - you need people who need to pay salary. In general, I think that we would have much more sculptors if it was possible to organize this process easier. "

In 2000, the first personal exhibition of Dasha Namdakov in Irkutsk was held.

According to Dasha, the results of this exhibition became a big surprise for him. He considered it that his art is interesting only to Buryats and Mongols, residents of the Irkutsk and Chita regions, but no more. And after that, the work of the Creative Fate of Dasha sharply went up: he moved to Moscow, his exhibitions regularly pass in European countries and Asia, in America.
- Rich-Cork A. Decorations of the Buryat Master are the mind of Turman and glucose // Publishing Group "Number One"

Works D. B. Namdakov were made in artistic casting techniques, forging and mixed technique. The works are made of bronze, silver, gold, copper, precious stones, as well as from the bone (mammoth tusle), horsehair and wood. Sculpture, jewelry, graphics and tapestries have a pronounced unique authentic style, based on elements of national culture, traditions of Central Asia, Buddhist motives.

The works of Dasha Namdakov are stored in the Foundations of the State Hermitage Foundations, the Russian Ethnographic Museum in St. Petersburg, the Museum of the Art of the Nations of the East, the Museum of Contemporary Art in Moscow, in the museums of many countries of the world, including - in Tibet House (New York) and Museum of Arts (Guangzhou, China). Sculptures are available in private collections V. V. Putin ("Element"), M. Sh. Shaimiev ("Rider"), Yu. M. Luzhkov, R. A. Abramovich ("Evening", "Old Warrior"), others Representatives of the elite of Russian politics and business, as well as in private collections in Germany, France, Belgium, Switzerland, Finland, Japan, USA, Taiwan. The works of D. B. Namdakov have such different in the nature of famous and influential people like Gerhard Schroeder, the star of Country music Willie Nelson, as well as the actress of the mind of Tourman. In London, on April 14, 2012, the monumental sculpture of Genghis Khan Dashi Namdakov was established. Sculptures D. B. Namdakova "Masks" and "Actor" were the prizes of the All-Russian Festival of Modern Dramaturgies. Vampilova (Irkutsk, 2002, 2003), and the sculpture of the "host" - the International Documentary Film Festival in Irkutsk (2002). In 2003, he was awarded the Silver Medal of the Russian Academy of Arts.

Since 2004, D. B. Namdakov lives and works in Moscow.

In 2007, he carried out the art design of the film "Mongol". In March 2008, D. B. Namdakov received "for the best work of the artist" in this film "Nika-2008" award, as well as the "White Elephant".

On July 30, 2008, the workshop of the sculptor was robbed (and not only jewelry, but also forms for their manufacture). "All we have worked in five years," said D. B. Namdakov, "they took one night. Some people, of course, are very rich - give them a health god. At first we had a panic, but then we calmed down. After all, it was not only my work, but also my colleagues - jewelers and stone masters. But we set the task and on time executed a collection of re-".

For the exhibition cycle in 2009, D. B. Namdakov became the winner of the Government Prize of the Russian Federation in the field of culture.

From December 21, 2007 to January 13, 2008, a personal exhibition D. B. Namdakov was held in the State Tretyakov Gallery in Moscow, where his work was exhibited for the previous seven years.

In November 2008, in the Irkutsk Regional Art Museum. V. P. Sukacheva opened the exposition of Dasha Namdakov "Transfiguration".

From February 26 to April 4, 2010 in St. Petersburg, in the State Hermitage, with the support of OJSC Atomenergomash (Rosatom State Corporation), in the context of the masterpiece of the archaeological collection, the exhibition D. B. Namdakova "Nostalgia on the origins was exhibited. Universe nomads Dasha Namdakov. "

From June 1 to July 31, 2011 - in Kazan, in the National Art Gallery "Khaziné", the exhibition D. B. Namdakov "Universe of the Nomad", which was visited by the President of the Republic of Tatarstan R. N. Minnikhanov, State Counselor of the Republic of Tatarstan M. S. Shaimiev and Chairman of the State Council of State Tatarstan F. Kh. Mukhametshin and other officials. In total, more than four hundred people were attended at the opening of the exhibition, the total number of visitors was about 4.2 thousand people.

Amazon

Running

Rich bride

Great champion

Wellex

Vision

Warrior Chingiskhana

Memories of the future

Rider

Garuda

Pearl

Priestess (mistress Taiga)

Eclipse

Astrologer

Centaur

Space step

Nomad

Lama with gong

Lama with a drum

Lama with tambourine

Africa's face

Archer 1.

Madonna with a bird

Boy on a cat

Mammoth

Meditation

Mystery

Monument Jer-Ana (Earth-Mother) in Astana

Sage

Nude with pearl

Abduction

Warrior

Light Shambala

Steppe Nefertiti

Steppe wind

Element

Rapid

Sacrament

Uligishshin

Smiling

Ust-Orda

Master

Queen

Chingiz Khan (figurine)

Youth

Rage

Malakshina Darima

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Ministry of Education and Science RB

Dzhidinsky district

MBOU

"Tsagatuskaya Secondary School

Name N.S. Soborova "

XIV Republican Scientific and Practical

conference of students

according to the humanitarian disciplines "Siberian Spring"

Nomination: Culturalology

Subject: "Buryat sculptor Gennady Vasilyev and his images on the Dzhidinskaya Earth"

Performed : Malakshina Darima, student of the 8th grade

Phone: 89085914415

Head : Baldanova Bayarma Dashievna,

teacher of the Buryat language and literature.

Home address. Tsagatuy, ul. Youth, 20.

Phone: 89024506965

2012-2013 academic year

Introduction

1. Famous Buryat sculptor Gennady Vasilyev
2. Production of Gennady Vasilyeva on the Jedinskaya Earth

• The Buryatia has a monument to the first scientist.
• The image of Burin-Khan.
• Original imageBuddha Shakyamuni.
• Good realist

Conclusion

References

Applications

Introduction

Every people rightly proud of their famous people, major scientists, public figures. 190 years ago in the Buryat Ulus Ichotuy, on the shore of a quick-wire jea, flowing into the Blue Selengu, was born a mischievous darkness boy named Dorji. Neither the peers with whom he played, nor neighbors, in the eyes of which he grew, nor father and mother could not know that he would be in the future the first Buryat scientist, a talented easter. We, the Jedinians, last year, celebrating the anniversary of Dori Banzarov, was rightly proud of their countryman, which in the context of tsarism was able to break through the way to the scientific world and become the most famous scientist.

Jubilee "Bannzarovsky Readings" passed under the mottoand we decided to conduct research work on Gennady Vasilyev, the author of the monument to Trazhi Banzarov, established at his small homeland, also on other sculptures created on the initiative of Matthew Rabdanovich, who adorn our area.

Purpose of work: to find out the history of the creation of sculptural compositions Gennady Vasiliev in our area.

Tasks:

1. Find on the Internet materials about Gennady Vasilyev and about his works;
2. Analysis and processing of materials;
3. Registration and formulation of conclusions;
4. Drawing up a guidebook

I read on the Internet that "in the Dzhidinsky district over the past 5 years there has been a positive dynamics of increasing tourist service volumes. According to domestic tourism, the annual increase in the flow of tourists is an average of 10%, and on the entrance 4%. In connection with the low money income of the population, internal tourism is gaining more and more development. " And therefore, great interest for tourists will present our guide to commemorative places created by the sculptor Gennady Vasilyev, will give the opportunity to develop internal and external tourism. In thatthe relevance of our work.

Object of study:"Memorable Places of the Jedinsky Valley",

Subject of study:Sculptures Gennady Vasilyev

When performing the work, the following were used.methods:

Theoretical method:collecting materials about the author of sculptures, and its work, the study and processing of collected materials on the topic. (Internet, school and rural libraries.)Practical method:Drawing up a guide to commemorative places, Created sculptor Gennady Vasilyev And about his author.

Practical significance of the work:The guidebook is important for the future development of educational tourism in the territory of the Dzhidinsky district.

About the famous Buryat sculptor Gennady Vasilyev.

Before, I did not know about this great man of our republic, although his works of culture saw many times in magazines, in books, etc. After studying the materials about him from the Internet, I learned a lot.

Creativity of the Honored Artist of Russia, Corresponding Member of the Russian Academy of Arts, Sculptor Gennady Vasilyeva, for three decades already has a leading place in the pictorial arts of the republic. Many sculptures of the sculptor are devoted to the eternal and gracious for the artist the topic of childhood, which passes the red thread through his creative biography. In the work "Boy with a bird" we see the "magical moment" - the state of surprise and the concentration of the child, carefully holding in rukakh tiny feathered creation. In the composition "Children of Taiga" shows a touching meeting of young people of people and animals: a boy and a dealer trustfully pulls each other, experiencing mutual curiosity and friendliness. "Horse riding training", depicting a household scene of the transmission of primary skills to a child, contains the idea of \u200b\u200bthe generations relay, the continuity of traditions and experience from the Father to the Son.These and many other plots, according to the author, he absorbed on the course of his own childhood, which was held in the village of Khandagai of the Golumetsky district of the Irkutsk region. Then he witnessed the scenes,n. on the basis of his futuresculptures "two stubborn",when a boy and a goat do not want to give way to each other, and "who is stronger?", where young wrestlers find out the prestigious male question among themselves.

The first secrets of the man-made craft in those distant years, the boy opened his grandfather - a hereditary blacksmith. And the interest in artistic work I instilled a relative of the maternal line - Painter Roman Sidorovich Merdygeev, who was in his time at the origins of Buryat professional arts along with such classics of national culture, as Ts.Sampilov, Pavlov, A. Zhangalov, I. Daduyev.

After graduating from 1962, the Lomonosov School of Bone Threads in the Arkhangelsk Region, G. Vasilyev worked for several years a restorer in the Museum Foundations of Buryatia. In everyday communication with the relics of Buddhism, the works of Buryat folk art, the young sculptor deeply penetrating the culture of the East, the knowledge of national mythology and aesthetics, acquired the valuable experience of the artistic processing of traditional divecular materials. On this basis, the city of Vasilyeva has formed its own system of views on the art of brewing, with whom an incomparable creative hand writing. He is firmly engaged in the position of traditionalism, he remains faithful to this area for three decades to a row.

His works decorate the interiors of public buildings and natural landscapes, marvel the memorial places of our city and rural settlements of the republic. These are decorative masks based on the Popular Epos "GESER" in the State Buryat Academic Theater of the Drama named after H.N. Namsarayev, carved wooden panel "Nature of Buryatia" in the dining room of the Sovmina, animalistic sculptural composition "Deer" at the entrance to the selenginsky bridge near the village of Wahmistrovo, a monument to A.U. Momodogo in the center of the capital of the republic and many others.

"Each era should have their own face," the sculptor convinced. - "No
the unified city planning program is significantly impoverished by the urban environment. IN
modern civilized city, and in the resort area in particular, it is necessary
the creation of garden-park sculptures consistent with the current spirit of the time
cultural traditions of the region. Epos, folklore, Buryatia ecology provide
wide opportunities in choosing animal and genre motifs
images. A comprehensive solution to this problem will make it possible to make more attractive and colorful appearance of our city, aesthetically reflects the place of mass recreation and resort zones of the republic. "

The skillful arms of the brew was subject to various materials - metal, marble, concrete. However, Gennady Georgievich emphasized a tree for himself, and above all - our Siberian cedar. "This is a soft, supportive material in processing material with a unique texture and plasticity," explained the sculptor. Gennady Vasilyev was a permanent participant in the artistic workmen held in the republic, in the country and abroad. Three of his works are "Patron Animals", "Mother", "Arkankan" are located in the State Tretyakov Gallery, about two dozen - in the Republican Art Museum named after the Ts.Sampilov, as well as in other cities of the country and foreign collections. Awarded for the creative merits of the State Prize of the Republic of Belarus, the sculptor actively worked in the role elected to them, every time surprising the audience with the freshness and originality of ethnic images of their heroes.

To the question: "What principles do you guide personal work?" Gennady Georgievich answered: "I try so that the sculpture was whole, expressive, shaped. To be with the go, she was reading as a Buryat sculpture and at the same time was the author recognizable. " "Does your work need a special state that is called inspiration?" "Yes, be sure," he said. - "It is very important to be able to put the goal and emotionally enter the image. Already initially need to see in the material, in a piece of wood sculpture, movement. If you do it cold, sluggishly, the result is also the result. It is always necessary to approach work with the desire, with a light. "

The professional authority of the Buryat sculptor emphasizes the fact that it was a permanent member of the zonal exhibition committee for about two decades. As a corresponding member of the RAH, Vasilyev, during his lifetime, led regular exit activities. He participated in the "elite" academic exhibitions organized against the background of the field sessions of the Academy of Arts in Moscow, St. Petersburg, Krasnoyarsk. Being a recognized master of the sculptural genre of the republic, he passed his knowledge and experience to students of JGC. One of his first students - Dasha Namdakov, as we know, have already grew up in an independent "star" of plastic art, whose exhibitions are successfully held throughout the world.

Matthew Choibonov revives the Jedinsky steppe sculptures of the heroes and gods.

Lama, the poet and the Cossack General Matvey Choibon revitalues \u200b\u200bthe sculptures of the heroes and gods the Gedi Steppes. Bator is a huge bogatyr, sacrificing on the Smolito-black horse near the Holy Mountain of Burinhankhan, arises in front of the traveler, as if a fabulous character. This is the most memorable and magnificent sculpture of all monuments erected by Matvey Choibon. Its author, as, however, the rest of the monuments is the sculptor, Academician Gennady Vasilyev.

"Burinhankhan will protect our people and the purity of the Jedinskaya steppe," says Matvey Choibon. - During the war years, he saved his sons. They had a vision of the rider on a Smolisto-black horse and a loud voice was heard: "Leave from here!". And only the fighters left this place, as a squall fire immediately collapsed on this place!» Not far from Burinakhan, near the village of Borgoy, Lama, the poet established the sculptures of the five lanes running towards the sacred mountain. In addition, Matvey Randanovich on his own funds and with the support of sponsors erected the sculpture of Buddha Shakyamuni on the ridge, dividing the Jedinsky and Selengsky districts. And in the village of Upper Thai, the busts of Dugarzhapa Dashiyev, the People's Artist of the USSR, Nadidan Gedunova (Stepanova) and Soda Budajapov, People's Artists of Russia.And that is not all. Matvey Rabdanovic is directly related to the construction of 34 sts in the southern regions of the republic and 5 stupas in the Republic of Tyva. Obviously, the love of monumental art among the famous Lama and Chairman of the Union of Writers of the Republic developed a long time ago. While still the abbot of Sartul-Gahetui Datsan in the Dzhidinsky district, this monastery was rebuilt on his initiative, and his courtyard was decorated with a variety of sculptures from Buddhist mythology. Friendship of the two great people Matthew Rabdanovich and Gennady Georgievich gave us to the Jedinians such beautiful creations who will delight our eyes for the century, but the most important thing is to protect us.

In Buryatia, a monument to the first scientist of the republic is established.

Almost two years ago, a sculpture depicting Dori Banzarova appeared in the Dzhidinsky district of Buryatia. On June 10-11, 2010, the Dzhidinsky district of the Republic of Buryatia celebrated the 75th anniversary of his birth. As part of the anniversary of June 11, the grand opening of the monument to the first Buryat scientist Dorni Banzarov took place. "The opening of the monument was made possible thanks to national assistance," General Cossack troops of Matvey Choibon said "Inform Polish Online". - Means collected the whole world. The entrepreneurs of Buryatia, the Irkutsk region, the Trans-Baikal Territory were helped, the residents of the district carried money. Collected more than 500 thousand rubles. " "A sculpture with a height of 2.5 m is made of artificial stone in the workshop of the Union of Artists in Ulan-Ude," said the author of the monument, the famous Buryat sculptor Gennady Vasilyev. - A pedestal of a height of 3.15 m was built by residents of the village of Nizhiyu under the direction of the head of the settlement of Sergei Tsybikov. Work continued on 21 days. " According to the sculptor, the monument is made in a classic style. On the monument, Dorni Banzarov is depicted in the Irkutsk period of life, in his right hand, the scientist holds a pen, in the left - revealed book. On the marble plate of the pedestal, the inscription was carved with gold letters: "The outstanding son of the Buryat people, the first Buryat scientist Dorni Banzarov, 1822-1855, from grateful countrymen." A monument was established at his homeland, in the Dzhidinskaya steppe, approximately 3 km from the village of Nizhulyui, a few hundred meters from the Voltraße "Ulan-Ude - Zakamensk", near the Sarbaduh-Khutul Mountain. Sculpture looks toward the mountain Burin Khan.

At the solemn opening ceremony of the monument was attended by representatives of the People's Church of Buryatia, head of the administration of the President and Government of Buryatia Peter Soskov, head of the Jedinsky district Vitaly Batodorzhiev, director of the Institute of Mongolia, Boris Baris Bazarov, high-ranking officials, public figures, scholars, businessmen. There were also guests from Mongolia, Taiwan, Moscow, Irkutsk, cheats and other regions of Russia. After the opening of the monument, a scientific and practical conference dedicated to the life and work of the first Buryat scientist took place.

Burin Hana

Mount Burin-Khan - one of the five greatest shrinesAsia Located in the Borgoy steppe, near the villageInzageatuDzhidinsky districtBuryatiaon the watershed riverJeeda And the dark.

Burin Khan translated fromburyat language means - "Perfect, Valid Khan", the king to all not only his surrounding mountains, but also the mountains of everythingTransbaikalia. It stands out among them not only by the height and greatness, but also by the beauty, wealth of its flora and fauna.

The mountain consists of three related vertices: southern, northern and medium. The highest and most honorableburyats - southShe is actually called Burin-Khan. Secondarity -north Top, she is called Khansha. And between them is the vertex, whose name is a son.

From the south-eastern side of the mountain, on a small terrace, at an altitude of 1600 meters above sea levellakewhere there are 12 smalloblocated in a circle and one big. Each person is honored separately.

This mountain worship Buryat gifts living in Borgoy and Selenga valleys. Worship and sacrifice is carried out by the second number of the last summer monthlunar calendar. On both sides of Burin-Khan (from Western Inzageatui, Borgoy, Luchi and Eastern - Iro, Udung, Tashir, Selendum) every year men rises, thank the owner of the mountain for life, asking for blessings to their children and the whole edge.

Gennady Vasilyev was performed by the sculpture of Burin-Khan at the foot of the Saint Mountains of the same name. The initiator of the creation, as mentioned above, the sculpture was Matvey Rabdanovich Choibon. The sculpture was completed and open on August 16, 2009. Today, the Mountain rises the sculpture of a huge height, squeezing on a resin-black horse, 5.5 m height, made of concrete and artificial stone. It personifies the image of a sacred mountain.A 5-meter giant, folklore bogatyr on a huge black horse, unexpectedly arise before the dyed travelers. Now one of the most impressive sculptures "Burin-Khan" stands in the middle of the steppe and protects everyone from evil spirits, protects our relatively happy life.

Original imageBuddha Shakyamuni.

Validated for the creative merits of the State Prize of the Republic of Buryatia, the sculptor actively worked in the roles elected to them, every time surprising the audience with the freshness and originality of ethnic images of their heroes. His work created in October 2008 is evidence. itStatue of Buddha Shakyamuni.It is located on the ridge that divides two areas of the Republic of Buryatia. It is standing on the passage of the impressive sizes of the monument Buddha Shakyamuni, and protects the peace of all travelers.

In 1973, Vasiliev, as part of the delegation of Soviet artists, went to Czechoslovakia. Stopped in the so-called Park zone on the full provision of the host. But in two months of free stays, guests had to pay their jobs. Vasilyev went with a full suitcase tools - a hatchet, chisels, knives and other things. And along with them one Hungarian sculptor drove. Soon he says Vasilyev: "I made an excellent sculpture! Come on - Rate! " The work was represented by two painted drawers, incomplete from the boards and delivered to each other. I looked at Vasiliev on his work and just shook my head: "Sorry, Ishthan, but I'm not strong in abstraction!". And Hungarian received a fee for the work and stated in Holland. And Vasiliev has cut their sculptures from the tree for two months. But they turned out very successful. This is to the fact that Gennady Georgievich always performed his work from the soul, from the heart. Therefore, he became an academician.

Good realist

Driving past the village of Borgoy, on the turn to the village of Inzageuly, the attention of each person is attracted by the jumping lasies-roe. Growing in the direction of Mount Burin-Khan beautiful 5 lanes harmoniously fit into the surrounding steppe, merge with nature, as if with a deep antiquity, they were fighting here, which saw, according to legend, Great Genghis Khan. Vasilyev is a realist, and to achieve similarity with nature is not a problem for him. Not everything, probably, know that the legendary "deer" over Selengoy is the work of Vasilyeva and that it was almost a little, did not kill for it. And put the composition in the 70s of the last century. Then they built a new bridge over Selengu, and the high rock over it successfully approached the role of pedestal. At the time when the installation of the composition was completed, he was shot. The bullet was chilling about the rock and ricochet went towards the river. The author and workers lay down. It turned out that it was passing by the driver pulled out Winchester. Seeing sculptures in the rays of the rising sun, he accepted them for living deer!

These sculptures are monumental, internally stable, founded. They are firmly standing on Earth, as if grew out of it. This earthly attachment of sculptural images is a characteristic feature of Vasilyev's creativity. It manifests itself even in such temperamental plots as the running Lani, like running horses - the master is particularly tied to them.

Creativity of the Honored Artist of Russia, a corresponding member of the Russian Academy of Arts for more than three decades, is really deservedly occupied by a leading place in the visual arts of the republic. As art historian Margarita Khabarova says: "The range of his work is wide and diverse. Works created by Vasilyev, modern, independent and original. He does not imitate blindly old samples, does not borrow from antiquity to the forms, nor manners, no style, and at the same time in its sculptures there are no formal admissions with plastic volumes. "

His works next to us. They decorate our natural landscapes, marvel the memorial sites of the Dzhidinsky district.

Conclusion

After completing the work, I came to this conclusion. Undoubtedly, Dori Banzarov, is one of the outstanding figures of the Russian headplane of the first half of the XIX century, whose name the Buryat people should always be proud of. But we must also be proud of those people who have invested all the forces, all their talent for us, for the future generation, leaving behind the great creations. We must at all centuries to highly honor the memory of our first scientist Banzarov, also the memory of a great man, the mature of the sculptural genre of the Republic of Gennady Vasilyeva, equal to them, to extend and promote their livelihoods and creative heritage.

References

1. Bogomolova I.I. "The exhibition dedicated to the 70th anniversary of the Buryat sculptor Vasilyeva. Material with internet
2. Konchanin E. "Legends of Wise Budamshuu." Material with internet
3. Materials with internet

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On the Djidinskaya Earth, the guidebook of the work of Vasilyeva Gennady Georgievich

Sculptor Gennady Vasilyev Figure Famous in the artistic world. Born on February 2, 1940 in the village of Handagai of the Goloomtsky district of the Irkutsk region. He lived and worked in Ulan-Ude. In 1962 he graduated from the Lomonosov School of Art Thread on Bone (Arkhangelsk Region). Republican Prize of the Buryat ASSR 1981 for the sculptural works of "Children of Taiga", "Workers ZMMK", "Meeting" and "Speaker". Buryatia Buryatia 1975 for the sculpture "Taming of Fire", "Head of Buryata". Honorary diploma of the Presidium of the Supreme Council of the Buryat ASSR 1982 for the design of the interiors of the Buryat Academic Drama Theater them. X. Namsarayev. Among the main works are also sculptural compositions: "motherhood" (1978), "Mother" (1987), "Arkansk" (1990), "Chabank" (1990), "Who will win?" (1990), "Dancing Horses" (1996). Corresponding Member of the USSR (1988) , Branch "Ural, Siberia, Far East". Honored artist RSFSR (1986). People's Artist of the Buryat ASSR (1979). Chairman of the Board of the Union of Artists since 1991.

Sculptor among his works

Buddha Shakyamuni Buddha Description: Buddha statue at the border with Selenginsky district. Sculpture author: Gennady Georgievich Vasilyev Time of creation: October 2008 Author: Arkady Zarubin

Description: Lans running towards Mount Burin-Khan Sculpture author: Gennady Vasilyev Creation time: August 2009 Author: Arkady Zarubin "Inzaganud"

Description: Monument to the first Buryat scientist Banzarovan author of the sculpture: Gennady Georgievich Vasilyev Time of Creation: June 11, 2010 Author: Arkady Zarubin Monument to the first scientist

The work was performed: Malakshina Darima, a student of the 7th grade MBOU "Tsagatuskaya secondary school" of the Dzhidinsky district of the Republic of Belarus.

On June 23, the third sculpture of the famous Buryat sculptor Dasha Namdakov finally took a place at the Kazan family center on the banks of the Kazan. This is a female zilant, at the feet of which two cubs are sacrificed.

Despite the awesome look, Mama Zilantich looks quite peacefully. Perhaps such perception contributes to the cubs, and her posture herself - she sits, pursing his front paws as a cat.

According to workers from the workshop of Namdakov, another sculpture, this time Zilant-male, will be installed at the bowl tomorrow, on Friday, and on Saturday a solemn opening of the composition will be held, reports Business Online.

It is assumed that the mythical animals installed at the entrance to the Family Center will protect newlyweds from adversity. It is worth noting that the building of the Kazan registry office was also built on the Namdakov project. Form of the Palace of Marriage in the form of a bowl symbolizes the Tatar boiler - Kazan, which decorates a metal bas-relief with cruel bice. The building is crossed by the building, near the palace, the square is broken, the embankment is equipped. At the entrance to the registry office will establish zilants and leopards sculptures (silant - in Tatar legends and fairy tales of a creature having a drawing of a dragon). The symbols of Kazan and Tatarstan will stand in pairs and are combined under the general name "He and she".

"It has nothing to do with Turks"

In one of the publications, the publication also provides comments from various cultural figures of Tatarstan.

I have not yet seen these sculptures, however, if you focus on the past works of Dasha, then the chipping of our region is not very cool. Each person has a predisposition for something. Someone at the top of us in the Kremlin fell in love with him, here and pull it. I believe that 80 percent of the population does not recognize him, "said Tatar architect, Edge Sergey Sanachin.

He woke his fantasies on fantasy. It has the right to exist if a person is in the castle buys, in a private collection. And the increase in its sculptures was not originally intended. He is very chamber. Desktop figures, on the podiums, on the stands - it really works. But not every sculpture can increase. She becomes a monster. I did not really agree with the "keeper." If you remember, he is drilling, and this is completely different culture. To the Turks, it has nothing to do. It's not close to me, "the artist shared, the head of the CSK" Change "Ilgizar Khasanov.

I have not seen sculptures while the sculpture, but the stylistics, in which Dasha Namdakov works, do not support, especially in the urban environment. This sculptor began working as an artist of chamber plastic, which is intended for the interior. There is a jewelry approach. And monumental art has its plastic laws. His attempts to work in this area are estimated by some specialists as unsuccessful, "said art historian, teacher KGASU Gusel Faisrakhmanov.

Dasha Namdakov is a wonderful sculptor, and his sculptures are completely wonderful, leopards and silants may well fit into the bowl. And the fact that there is an indignation in society about his work is that it may be misunderstanding. If the work causes indignation, it means that it happened artistically, "Viktor Timofeev said.

While you can only talk about the fact that the sculptures of Dasha Namdakov are more animalistic, more to the pagan, Mongolian style. And as far as it is accepted in the republic, where Islam and Christianity are quite a long time ago, and, accordingly, cultural paradigms are a question. There is always part of people who will perceive it negatively, there are most urban passengers to which there are 80 percent of the population, which are mostly visited by the house, work and the store, they will not even notice the appearance of data of sculptures, - said the coordinator of the Applied Urbanist Center Kazan, CPU researcher at MVSHSEN Marya Leontiev

"I think the gods would be offended by me,
If I said, not a happy person.
I always felt - I "behave" in life.
I was lucky to people.
I do what I can and love.
Sculpture are my poems, poetry in volume.
It happens, people are looking for their handwriting, their own style.
I never searched him.
Wrote and worked as breathing - what I live.
This is my world that exists in me inside.

But creativity is not all life. I love my family, I like to travel,
I traveled a lot of light, with greed discovered peace for myself. I am interested in everything in this life, it is interesting to live ".

"The artist with a limitless fantasy, an incredible, fascinating, mystical, - without these already familiar with him, the epithets cannot do. His people and animals are flying like a steppe wind, they are frozen in deep thoughtfulness. Even fantastic images look so reliably. As if the artist did them from nature. They do not look badly.
And they also have a huge advantage ... - They are all from bronze, albeit different colors ...
And even if not everything is clear in the work, you still can not pass by. It will stop you and make you think, feel and admire the craftsmanship of the author. When the artist comes from his roots and desires, and not woven in the tail of Western fashion, dreaming to surprise everyone, then in the end the monument to Genghis Khan appears in London. "

Genghis Khan (2011), Bronze; cast, patination, 243 x 260 x 180 cm

Genghis Khan (2011), marble arch, London, installation date - 2012
Bronze; casting, patination, 471 x 465 x 585 cm

The grand equestrian statue depicts the rider in the armor of the medieval warrior-Mongol, with a hand-sided hand, in a state of deep reflection. Proud landing, power of the body and confidence emanating from all the appearance of this hero, testify to his dignity, the power of the spirit, a debt and a difficult path. The magnificent horse under it froze, lowering his head, and the wind trepal flowing mane.
Despite the abundance of decorative details: gilded bales of horse harness, relief scenes of the torque of animals, a special "ancient" patina braided hair, - we have a convincing and one-piece image of the Mongolian Hero, who has entered the history of world civilization. The horse under the rider seems like the throne, and the man himself - the deities of Corvenker.
In 2012, the equestrian statue was established from the London City Council of Westminster near the marble arch within the city of the city of Sculptures held in the city of the festival. The five-meter bronze statue was cast in Italy, delivered to the UK in parts and stood in this place until September 2012, after which she went on other cities of the world - in 2012 it was celebrated the 850th anniversary of the famous conqueror. (The statue weighs 2714 kg without pedestal).

Haneshaim (2008), Astana, Kazakhstan, installation date - 2008
Bronze; casting, patination and gilding, 1000 x 1200 x 900 cm

The composition weighing 15 tons includes a grand figure of the symbolizing fertility of a bull that serves as a support for protected by two leopards with swords in the throne gripped pasteings, on which the legendary Queen Hanshaim is worthy.
According to legend, his numerous victories, the ancient ancestors of the current Kazakhs, Saki nomads were obliged to courage and valor of the famous Amazon Tomiris. Under its leadership, the scattered tribes united and formed one of the first states in Kazakhstan. The image of Tomiris is connected in the consciousness of the people with the image of all the legendary women entering the history of the country. The monument was created as a tribute to a woman - ancestor and defender.
The sculptural composition is stylized under the ancient monuments of the front east, distinguished by gradation and epic static.

The monument that is the Sakian Queens of Tomiris, stands on a gigantic bull (a bull with a length of 10m, and the span of the horns of about 7 m).

Bronze monument "Golden Shorey". The height of the sculpture is more than 6 meters, and weight is more than 5 tons. It was cast in Italy and parts transported by the sea to Russia.
Kuzbass, Mountain Borea .

Before installation in Kuzbass, the monument was presented in Parco De La Versiliana (Italy). Another name is the mistress of taiga. The monument is an image of a strong beast - the old elk with a girl on his back. This image is associated with an ancient legend of amazing edge. Drawings on the horns, as the epistles of the ancestors, the drawings of the bronze era. These are symbols of the sun and fertility. Some parts of the sculpture, after its installation on a hill in Kuzbas, covered with gold. This is done in order for the surrounding landscape and rays of the sun to create an additional effect of the "Golden Shorei" perception.

Golden Shorey (2010), Bronze; casting, patination and gilding
615 x 702 x 654 cm

At the heart of the author's plan lies the desire to transfer to the means of monumental plastic. The representation of people living in the reornium, about the beauty and magnitude of this ancient edge embodied in the image of its legendary progenitor.
The mythical ancestor-totem appears in front of the audience in the guise of a mighty elk, which the inhabitants of Taiga worshiped. An animal figure with beautiful splashing horns symbolizes the rich history of this protected land. The planes of the horns are made by graphic images of scenes from everyday life, akin to so-called petroglyphs, or rocky patterns, in which cosmogonical symbols and magic signs of primitive crops are easily guessed.
Riding on los sits a girl with a bowl in his hands. This is an allegory of a kind greeting, invitations and at the same time a symbol of communication of the real Golden Shoria with its distant past. In the sacred bowl burns with natural gas "Eternal Flame".

Four friendly (Tunshee), (2008), Aginsk, Russia, installation date - 2008
Bronze; Casting, Patinating, 480 x 215 x 106 cm

The sculpture decorates the terrain, where Buryats-nomads were settled since ancient times. This edge became famous for the distribution center of Buddhism in Transbaikalia. Until now, there are many old datsans, who for several centuries have been a stronghold of education and association of Buryat giving birth, communicated with the National Culture with the Buddhist World.
Standing on a small village square The sculptural composition goes back to the plot known in Buddhism. It embodies the images of parable about faith, the union of all living beings in achieving a noble goal. We have several allegorical animals that formed a pyramid, getting together onto the backs, and as a result, got the desired fruit.

"Purpose". Sculpture from the exhibition "Universe of a nomad"

"Memory"

Mystery

"Meditation"
Sculpture from the exhibition "Universe of a nomad"

"Master"
Sculpture from the exhibition "Universe of a nomad"

Tsar Bird (2007)
Bronze; casting, chasing, patination, 90 x 77 x 48 cm

"Amazon"
Exhibition "Universe of a nomad"

Evening, 41x81x17 cm

Element, 88x30x25 cm

Sewer, 44x80x57 cm, Horse Changgishan

Mother, 41x111x29 cm

Archer, 44x80x27 cm.

Grand Champion, 47x31x23 cm

Old warrior keeper

Old warrior, 70x30x17 cm

Keeper.
The winged predator from the Feline family is not threatened to us, but evil forces.

Running, 90x37x30

Sage

Flight

Madonna with Bird Flying

Africa's face

Steppe Nefertiti

Abduction, bronze; casting, patination, 72,5 x 200 x 55.5 cm

Queen, 33x80x27

Pearl II, 123x38x26
Is it a girl? The flutter skirt is one of the whole. And what for the strange rush on the body? On the head is not the hair, disheveled by the wind, but the sink ... Does the pearl splash itself revealed his flaps in front of us?

Dasha Namdakov - Russian sculptor, schedule and jeweler, member of the Union of Artists of the Russian Federation. Born in 1967 in the Chita region, graduated from the Krasnoyarsk Art Institute. In 2003, Dasha was awarded the silver medal of the Russian Academy of Arts for the works presented at the personal exhibitions in Moscow.
In recent years, Dasha held more than 15 personal inserts in the largest museums of the world: the State Tretyakov Gallery and the State Museum of the Peoples of the Nations of the East in Moscow, the Center for Tibetan Culture "Tibetan House" in New York, the Beijing Museum of World Arts, Museum of Art Guangzhou in China , National Art Museum. Casteeva in Almaty in Kazakhstan, etc.
Dasha's works are in personal collections of the President of the Russian Federation Vladimir Putin, the former President of Tatarstan M.Sh.Shaimieva, the former mayor of Moscow Yu.M. Luzhkov, heads of the Chukotka Autonomous Okrug R.A. Abramovich, etc., in private collections in the United States, Germany, France, Great Britain, Belgium, Switzerland, Japan, China and Taiwan, Singapore.

Parents taught Dasha: "You can not want something too much in this life. If you start to put some supernators - everything collapses. Live calmly, give the flow of the river life, have fun. " And he is guided by this rule all his life.
And the gods help him. Not in vain it was so unknowing - a lucky sun.

artist's website:
http://www.dashi-art.com/

Sources:

http://vakin.livejournal.com/401178.html

http://www.khankhalaev.com/body.php?mx\u003dmaterial&lang\u003dru&mi\u003d64&smi\u003d1&w\u003d1366&h\u003d768&

http://irinadvorkina.livejournal.com/55012.html

detailed biography is still here: