Artists Vasnetsov and Bilibin Biography. Ivan Bilibin Artist

Ivan Yakovlevich Bilibin - famous russian artist, illustrator. On August 4, 1876, in the village of Tarhovka, St. Petersburg province - went away on February 7, 1942 in Leningrad. The main genre in which Ivan Bilibin was worked, the book schedule is considered. In addition, he created various paintings, Panel and made scenery to theatrical productions, was engaged in creating theatrical costumes.Still, most of the fans of the talent of this wonderful Russian artist-Slavist, knows him according to the deserves in the visual arts. I must say that Ivan Bilibina had a good school to study the art of painting and graphics. It all started with the drawing school of society the promotion of art. Then the artist's workshop A. Ashbe in Munich; In the School-workshop of Princess Mary Tenisheva, he studied painting under the leadership of Ilya Repin, then, under his leadership, there was a higher art school of the Academy of Arts. Most of his life I. Ya.Bibin lived in St. Petersburg. He was a member of the Unification of the World of Art. Began to show interest in the ethnographic style of painting after he saw the picture of the great artist Viktor Mikhailovich Vasnetsov "Bogatyri" at one of the exhibitions. For the first time, he created several illustrations in his recognizable "Bilibinsky" style after accidentally hit the village of Egna in Tver province. A Russian depthint with her dormant uncompressive forests, wooden houses, similar to those of Pushkin's fairy tales and paintings by Viktor Vasnetsov, inspired him as his originality that he, who would not think that, he began to create drawings. It is these drawings that have become illustrations for the book "The fairy tale about Ivan-Tsarevich, a fire-bird and a gray wolf." It can be said that it is here, in the heart of Russia, in its distant, wounded in the forests, settlements, and the whole talent of this wonderful artist manifested itself. After that, he began to actively attend other regions of our country and write more and more new illustrations for fairy tales and epics. It was in the villages that the image of ancient Russia was still preserved. People continued to wear ancient Russian costumes, held traditional holidays, decorated at home intricate carvings, etc. All this captured Ivan Bilibin on his illustrations, making them on the head above the illustrations of other artists thanks to realism and precisely fitted details. It is creativeness - these are the traditions of the Old Russian folk art on modern way, in accordance with all the laws of book graphics. What he did is an example of how modern and culture of the past by our great country can coexist. Being, in fact, an illustrator of children's books, he attracted his attention to the much greater public of the audience, critics and connoisseurs of the beautiful. In particular, thanks to such as this artist, many of our compatriots began to be interested in past, engage in the problems of history and restoration of traditions, customs of their ancestors. The bilibin has illustrated such fairy tales as: "The fairy tale of Ivan-Tsarevich, a fire-bird and a gray wolf "(1899)," Tale of Tsar Saltan "(1905)," Wolga "(1905)," Golden Cockerel "(1909)," The Tale of the Golden Cockerel "(1910) and others. In addition, he made the covers of various magazines, including: "World of Art", "Golden Fleece", the edition of "Rosehnik" and "Moscow Book publishing". Hello Ivan Yakovlevich Bilibin is famous for its illustrations in the traditional Russian style. After the February Revolution, he painted a two-headed eagle, who first was the coat of arms of the temporary government, and from 1992 to this afternoon decorates the coins of the Bank of Russia. The great Russian artist in Leningrad died, during the blockade on February 7, 1942 in the hospital. The last work was the illustration for the episodes "Duk Stepanovich". He was buried in the fraternal grave of professors of the Academy of Arts near the Smolensk cemetery. Genial words Ivan Yakovlevich Bilibina: "Only quite recently, exactly America, opened the old artistic Russia, Vandali crippled, covered with dust and mold. But she was beautiful, so beautiful that It is quite clear the first minute gust of those who opened it: Return! Return! ".

Ivan Yakovlevich Bilibin - Russian artist, schedule, theater artist, a member of the "world of art", the author of illustrations to Russian fairy tales and epics in a decorative-graphic ornamental manner based on the stylization of the motives of Russian folk and medieval art; One of the largest masters of the national-romantic direction in the Russian version of Modern style.

Biography of the artist

Ivan Bilibin was born on August 16 (August 4, in the old style) of 1876, in Tarhovka, near St. Petersburg. The leaving from the ancient merchant race. He studied at the Anton Azhbe Studio in Munich (1898), as well as at the School-workshop of Princess Mary Clawidiyevna Tenisheva in Ilya Efimovich Repin (1898-1900). He lived in St. Petersburg, was an active member of the Unification of the World of Art.

In 1899, Bilibin arrives in the village of Egypture of the Allbonesk district of Tver province. Here, for the first time, he creates illustrations in the later "Bilibino" style to his first book "Tale of Ivan-Tsarevich, Fire-Bird and Gray Wolf".

During the 1905 revolution, the artist creates revolutionary caricatures.

From 1907, Bilibin teaches a class of graphic art at the Society Society for the Promotion of Arts, continuing to teach until 1917. Among His students in school were G.I. Narbut, K.S. Eliseev, L.Ya. Hoorch, A. Rosileht (August roosileht), N.V. Kuzmin, Rene O'Connell, K.D. Voronetz-Popova.

In 1915, he participates in the establishment of the Society for the Renaissance of Art Rus, along with many other artists of his time. After the October Revolution, Bilibin leaves in the Crimea in Baliman, where he lives until September. Until December 1919, he was in Rostov-on-Don, then with the retreat of the White Army hits Novorossiysk.

February 21, 1920 On the steamer "Saratov" Bilibin sails from Novorossiysk. Since 1920, he lives in Cairo. In Egypt, Bilibin is working on sketches of panels and frescoes in the Byzantine style for mansions of rich Greek merchants.

In February 1923, Bilibin marries Artist Alexandra Vasilyevna Shchchatikhina-Pototsk. In the summer of 1924, traveling from Syria and Palestine. In October 1924, settled in Alexandria. In August 1925, Bilibin moves to Paris.

In 1936, the artist returns to his homeland and settled in Leningrad. Bilibin teaches in the All-Russian Academy of Arts, continues to work as an illustrator and artist of the theater.

Bilibin died in Blocade Leningrad on February 7, 1942 in the hospital at the All-Russian Academy of Arts. He was buried in the fraternal grave of professors of the Academy of Arts near the Smolensk cemetery.

Creativity Ivan Bilina

Bilibin began to draw very early, and subsequently said this: "As far as I remember, I always painted."

As an artist, an exhibition of works by V. M. Vasnetsov in the halls of the Academy of Arts (1898) produced on Bilibina. The national and romantic direction in the then painting captured it as a supporter and the continuer of the "contour line", which so fond of 100 years before this Fedor Tolstoy and which became the texture basis of the picture in modern bilibin artistic style "Modern".

Illustrations for six Russian fairy tales (starting with the first and most notable "fairy tales about Ivan-Tsarevich, a fire-bird and a gray wolf"), published from the press in 1901-1903, immediately made the name of Bilibin known. But he reached a full-fledged social significance and creative height: two illustrative cycle "Pushkin" "Tale of Tsar Saltan" and "Tale of the Golden Cockerel" were acquired by the Russian museum of Alexander III and the Tretyakov Gallery, respectively.

Ivan-Tsarevich and Firebird Ivan-Tsarevich and Vasilisa Lovely Ivan Tsarevich and Tsarevna Frog

After the February Revolution, Bilibin drew a drawing of a double-headed eagle, which was used as the coat of arms of the Provisional Government, and since 1992, this eagle is located on the coins of the Bank of Russia.

Book, magazine and newspaper illustration amounted to only part of the professional life of Bilibin.

Since 1904, he declared himself and as a high-detached theater artist, an expertise of ancient costumes of different peoples, but above all Russian. Starting cooperation with the newly organized in St. Petersburg ancient theater (the idea of \u200b\u200bdirector and theorist of the theoretter N.N. Evreinov), Bilibin participated in Anterprise S. Dyagilev, creating sketches of Russian costumes to opera M. M. M. M. M. Boris Godunov (1908), Spanish Costumes to Comedy Lope de Vega "Ovechy Source" and to the Calderon Drama "Purgatory of St. Patrick" (1911), and Ave. The Arts of the Bilibin Decorator brightly demonstrated in the famous layout of N. Rimsky-Korsakov "Golden Cockerel" (production at the Moscow Theater with . Zimina in 1909).

There are Bilibin and work related to church painting. In it, he remains himself, retains an individual style. After leaving St. Petersburg, Bilibin lived in Cairo for some time and actively participated in the design of the Russian house church in the clinic room, arranged by Russian doctors. According to his project, the iconostasis of this temple was built.

There is his footprint and in Prague - he performed sketches of frescoes and iconostasis for the Russian temple at the Olshansky cemetery in the capital of the Czech Republic.

Bilibinsky style

For the Bilibino drawing, a graphical representation is characterized. Starting work on the drawing, Bilibin pounced the sketch of the future composition. Black ornamental lines clearly limit colors, set the volume and perspective in the sheet plane. Filling with watercolor paints of black and white graphic pattern only emphasize the specified lines. For the framing drawings of bilibrium generously uses an ornament.

Interesting facts from Ivan Bilibina

Ivan Yakovlevich Bilibin was going to become a lawyer, diligently studied at the Faculty of Faculty of St. Petersburg University and successfully graduated from the full course in 1900.

Ivan Yakovlevich Bilibin - famous russian artist, illustrator. On August 4, 1876, in the village of Tarhovka, St. Petersburg province - went away on February 7, 1942 in Leningrad. The main genre in which Ivan Bilibin was worked, the book schedule is considered. In addition, he created various paintings, Panel and made scenery to theatrical productions, was engaged in creating theatrical costumes.

Still, most of the fans of the talent of this wonderful Russian knows him according to the merits in visual art. I must say that Ivan Bilibina had a good school to study the art of painting and graphics. It all started with the drawing school of society the promotion of art. Then the artist's workshop A. Ashbe in Munich; In the School-workshop of Princess Mary Tenisheva, he studied painting under the leadership of Ilya Repin, then, under his leadership, there was a higher art school of the Academy of Arts.

Most of his life I. Ya.Bibin lived in St. Petersburg. He was a member of the unification of the World of Art. Began to show interest in the ethnographic style of painting after saw on one of the exhibitions a picture of the great artist Viktor Mikhailovich Vasnetsov "Bogatyry". For the first time, he created several illustrations in his recognizable "Bilibino" style after accidentally fell into the village of Exga in Tver province. A Russian depthint with her dormant uncompressive forests, wooden houses, similar to those of Pushkin's fairy tales and paintings by Viktor Vasnetsov, inspired him as his originality that he, who would not think that, he began to create drawings. It is these drawings that have become illustrations for the book "The fairytale about Ivan-Tsarevich, a fire-bird and a gray wolf." It can be said that it is here, in the heart of Russia, in its distant, wounded in the forests, settlements, and the whole talent of this wonderful artist manifested itself. After that, he began to actively attend other regions of our country and write more and more new illustrations for fairy tales and epics. It was in the villages that the image of ancient Russia was still preserved. People continued to wear ancient Russian costumes, held traditional holidays, decorated at home intricate carvings, etc. All this captured Ivan Bilibin on his illustrations, making them on the head above the illustrations of other artists due to realism and precisely fitted details.

His creativity is the traditions of the ancient Russian folk art on modern way, in accordance with all the laws of book graphics. What he did is an example of how modern and culture of the past by our great country can coexist. Being, in fact, an illustrator of children's books, he attracted his attention to the much greater public of the audience, critics and connoisseurs of the beautiful.

Ivan Bilibin illustrated such fairy tales as: "The fairy tale of Ivan-Tsarevich, a fire-bird and a gray wolf" (1899), "Tale of Tsar Saltan" (1905), "Wolga" (1905), "Golden Cockerel" (1909 ), "Tale of the Golden Cockerel" (1910) and others. In addition, he made the covers of various magazines, including: "The World of Art", "Golden Fleece", the publication of "Rosehovnik" and "Moscow publishers".

Not only with its illustrations in the traditional Russian style, Ivan Yakovlevich Bilibin is famous. After the February Revolution, he painted a two-headed eagle, who first was the coat of arms of the temporary government, and from 1992 to this afternoon decorates the coins of the Bank of Russia. The great Russian artist in Leningrad died, during the blockade on February 7, 1942 in the hospital. The last work was the illustration for the episodes "Duke Stepanovich". He was buried in the fraternal grave of professors of the Academy of Arts near the Smolensk cemetery.

Ingenious words Ivan Yakovlevich Bilibina: "Only quite recently, exactly America, opened the old artistic Russia, Vandali crippled, covered with dust and mold. But she was beautiful under dust, so beautiful that the first minute gust of those who opened it was completely understood: Return! return!".

Ivan Bilibin paintings

Baba Yaga. Illustration to the fairy tale Vasilisa beautiful

White rider. Basilisa beautiful fairy tale

Stock Illustration To Wolga

Illustration to a fairy tale white duck

Tale of Marya Morrevna

Illustration to a fairy tale about the golden cockerel

The Tale of Tsar Saltan

Illustration for a tale of tsar Saltan

Tale of Ivan Tsarevich, Fire-Bird and Gray Wolf

Illustration for a fairy tale about Ivan Tsarevich, a fire-bird and a gray wolf

Illustration To Fairy Tale Pries One Clear Falcon

Fairy Tale: I don't know where

Illustration To Fairy Tale Sister Alyonushka and Brantz Ivanushka

Illustration To Fairy Tale Tsarevna Frog

Koschei the Immortal. To the fairy tale of Marya Morrevna

Red rider. Illustration to the fairy tale Vasilisa beautiful

In my opinion, there is no better illustrator fairy tales than V. M. Vasnetsov, well, except I. Bilibin. About it Next Page.

Victor Mikhailovich Vasnetsov (1848-1926) - one of the first Russian artists who spread the framework of the usual genres and showed a fabulous world, illuminated by the poetic fantasy of the people. Vasnetsov One of the first Russian artists turned to the recreating the images of folk fairy tales and epic in painting. His fate was as if he was designed to be a singer of a Russian fairy tale in advance. His childhood passed in the harsh picturesque Vyatka region. A word of staring, telling the children of fairy tale, the narrative of the stray people who have seen in their century, according to the recognition of the artist himself, "forced themselves to love the past and the present of my people, largely identified my way." Already at the beginning of his work, he created a number of illustrations to "Sky-Gorbunkka" and "Fire Bird". In addition to fairy tales, he has works dedicated to the heroic images of the epic. "Vitya at the crossroads", "three heroes". The famous canvas "Ivan Tsarevich on the gray wolf" is written on the plot of one of the most famous and common fairy tales reproducible in the 18th century chest editions.

"Tsarevna-Nesmeyana"

In the royal chambers, in the princely parses, in high ten, Nesmeyan-Tsarevna was conquered. What she was living, what kind of entertainment, what a luxury! Just a lot, everything is what the soul wants; And never smiled, never laughed, as if her heart was not happy with her.

Here and merchants, and boyars, and foreign guests, musicians, dancers, jesters and crumbs. Sing, dumbfound, laugh, barchats on the hurs who are in what is much. And at the foot of a high terme - a simple person, too crowd, laugh, shout. And all this is a squash - for the princess, the only royal daughter. She sits on a carved white throne at the window. "Total, there is everything that the soul wants; And never smiled, never laughed, as if her heart was not happy with her. " And what is here, in truth, rejoice, if no one ever talk to her souls, no one is suitable with a pure heart?! Everyone is only noisy, in the grooms are rushed, they try to teach themselves in the best light, and there is no case to anyone before the princess. That's why it is nemedaana, until the only one, the long-awaited, who will give her a smile instead of junning, heat instead of indifference. And he will come, necessarily, because the fairy tale affects.

"Koschey immortal and beauty beloved"

Just managed to leave from the courtyard, and Koschey into the yard: "A! - He speaks. - Russian kosku smells; To know, you have Ivan-Tsarevich. " - "What are you, blasting immortal! Where to see Ivan-Tsarevich? He remained in the forests of dense, in the muds of Vseazuchi, they still have animated animals! " They began to dinner; For dinner, a beloved beauty asks: "Tell me, the blasting is immortal: where is your death?" - "What do you, stupid woman? My death is tied in a broom. "

Early in the morning goes to the wagon. Ivan-Tsarevich came to ackless beauty, took that broom and pure gold brightly sentenced. Just managed Tsarevich to leave, and Koschey into the yard: "A! - He speaks. - Russian kosku smells; To know, you have Ivan-Tsarevich. " - "What are you, blasting immortal! I myself flew in Russia, the Russian spirit gripped - from you with Russian spirit and smells. Where can I see Ivan Tsarevich? He remained in the forests of dense, in the muds of Vseazuchi, they still have animated animals! " It's time to dinner; The beloved beauty was sat on the chair herself, and he planted on a bench; He looked under the threshold - lies the broom gilded. "What's this?" - "Ah, Koschey Immortal! You yourself see how I read you; If you are dear to me, and your death is your way. " - "Stupid Baba! I joked, my death in the Dubov Tyna was embellished. "

"Princess Frog"

Consider the reproduction of the painting V. Vasnetsova "PIR" (p. 19 textbook).
If there is an opportunity, it would be interesting to compare this picture with an illustration made to this episode of the fairy tales I. Bilibin.
Illustrations of Bilibin in the frame of the plant ornament very accurately reflect the content of the fairy tale. We can see the details of the costumes of the heroes, the expression of persons of surprised boyars and even the pattern on the bunch of daughter-in-law. Vasnetsov in his picture is not delayed on the details, but perfectly transmits the movement of Vasilisa, the passionateness of musicians who seem to catch their legs to the tact of the dance song. We can guess that the music that Vasilisa dances, funny, mischievous. When looking at this picture you feel the character of the fairy tales.
- Why does the people call Vasilis Will? What qualities do the people glorify in the image of Vasilisa?

Picture V. Vasnetsova creates a generalized image of an excellent princess: next to her Huslarians, people. Illustration of I. Bilibina specifically depicts the episode of the Pir: in the center - Vasilisa is disgraced, on the manual of the hands of which miracles occur; Around people affected by what is happening. There are different types of work here:

1. Describe orally what you see on each of the pictures (heroes, furnishings, the appearance of the surrounding people, their mood, prevailing paints).

2. Compare the image of Vasilisa to Vasnetsov and Bilibin. Do you imagine the main character of the fairy tales?

"Carpet plane"

The fantasy of the people created a fairy tale about a flying carpet. You see the two pictures of Vasnetsov with this name - early and late. On the first of them, proudly well done from the carpet-plane looks at the expanses of the Russian Earth who emitted below. A nonsense northern nature served as an artist with a background for the painting. River sparkle, lakes, a dark wall stands the forest, accompany the carpet of huge birds. Bright fire burns in a cage caught hero-bird. About wisdom, power, dexterity People tells it a canvas. The second picture is brighter, colorful. Bright sunset rays, cutting the clouds veil, have become a good picture of the picture. Nature through the clouds seem to be bright, juvenile juicy, maybe, because the characters descended closer to it. And a girl with young men in sparkling, embroidered with gold clothes do not seem outsiders on the canvas. Their young faces are beautiful, they gently bent each other, personifying loyalty and love.

Alyonushka, Snow Maiden, Elena Lovely - these fictional images and portraits of Vasnetsov's loved ones "In the Spirit" of women - Elena Prahova, Faith and Elizabeth Grigorievna Mammoth, portraits of his wife, daughters, nieces from different sides lack what is called the Russian Women's Soul, which becomes for Vasnetsov by the personification of the Motherland, Russia.

Alkonost. In the Byzantine and Russian medieval legends, a wonderful bird, a resident of Iria - Slavic Paradise. She has a female, body - bird, voice sweet, like love itself. Hearing singing an alconus from delight can forget everything in the world, but there is no evil from her, unlike Sirin.

The alkonost carries eggs on the edge of the sea, but does not raise them, but immerses in the seabed. At this time, seven days there is a windless weather. According to the ancient Greek myth, Alkion, the wife of Keik, having learned about the death of her husband, rushed into the sea and was turned into a bird called alkion (rowfine).

It is depicted on a coarse-half-colored semi-semi-semi-semi-semi-alley with large multi-colored feathers and a girlish head, an autumn crown and halo, which is sometimes placed a brief inscription. In addition to the wings, Alconos has hands in which she holds paradise flowers or a bundle with an explanatory inscription. She lives on a paradise tree, on the island of Buyan with Sirin's bird, has a sweet voice, like love itself. When she sings, he does not feel herself. His wonderful singing all in the world will take advantage. With her songs, she consults and future joy towers. This is a poultry of joy.

But Sirin, Dark Bird, Dark Strength, Messenger of the Lord of the Underground World. From the head to the belt Sirin - a woman of incomparable beauty, from the belt - a bird. Who listens to her voice, forgets everything in the world and dies, and there is no strength to make him not listen to Sirin's voice, and death for him in this moment is true bliss. The distance in the famous dictionary explained like this: "... mythic and church bird owls, or Filin, Pugchacha; There are chest paintings depicting paradise birds with female faces and breasts"(V. Dal" Explanatory Dictionary of the Living Great Russian "). In Russian spiritual verses, Sirin, descending from Paradise to Earth, enters people with their singing. In Western European legends, Sirin is the embodiment of an unhappy soul. This is a bird sorrows.

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MBOU SOSH № 2

Performed
Student 3 "in" class:
Gazimagomedova Kistaman
Makhachkala
Victor Vasnetsov and Ivan Bilibin brought to the audience a whole string of fairy tale heroines.
In addition to the "pain of indescribable", it was still to shine with these magic devies:
each is your own character and own unique story.

The tsorevnayagushka is able to conclusions: on the feast in one sleeve the bones will put down, in another wine
loss; Then it will go to dance: waving the forest and water with his right hand, waving the left
flight different birds.
Unnamed fabulous red maiden to find his friend's finistasnyy falcon,
three pairs of iron stupid shoes, three copyright croutons and three cloaks
stonewood; And his achieved - such a character stubborn.
The princesses are unmeasured everything in life is there, except good mood.
And the beautiful princess from the fairy tale "White Duck" was enchanted and for a while
turned into a duck.
Both artists stubbornly worked on their heroin to correctly dress: Clearly,
that Tsarevna Nesmeyana will not wear a sundress and lapti simple girl Vasilisa, but
The princess is not offered the same dress that is nonsense. But this is not enough: it was necessary
view the audience, what fabulous palaces look like.
Vasnetsov first had to solve this question when Savva Mamontov started at himself
at home to put on Christmas "Snow Maiden" A. N. Ostrovsky, and Vasnetsov instructed to write
decoration (and also play the role of Santa Claus). "To the hour or up to two nights, it happened, write and
we are engaged in a wide painting brush around the canvas, distinguished on the floor, remembered
artist, and you do not know what to come out. " Onto wrote the chambers of the fabulous king Berendeya, and
it came out like the chambers of the real king, the Old Russian, who lived in the XVII century: ceilings
painted, walls with flowers and herbs are painted; Arches, figured columns, and outside the windows -
high "tent" roofs.
Therefore, to be closer to the fairy tale, the artist scribes were interested in how people
they lived earlier, what things used and how the lifestyle did it better.
Bilibin traded Russian north: watched as "vintage, conceded churches
rushed to the shores of the northern rivers, as wooden utensils are placed in the spacious
northern hollow and how rustic shchegoli dressed in their vintage outfits "(this
the words of the artist himself). He not only traveled, but also performed a scientific task:
collected for the Russian Museum in St. Petersburg Talented Local Products

masters, photographed the ancient wooden churches and chapels. He became present
connoisseur ancient architecture, ancient costume and peasant life. And B.
bilibino books The fabulous world is created from historically precise details. You can N.
doubt: so how dressed Vasilisa beautiful, dressed and ordinary, not fabulous
girls.
Vasnetsov also acquired various vintage items. In his workshop, he had a backset with
the pallet is an iron rack, in which Lucina clapped: the beaches burned, gave the light, and
calcles fell into the pallet where water was poured. There were real huslies and large, out of the long
times, a chest with "sun", and weapons are two toporicsekis. Touching it
things, the artist fell into the fabulous world much faster than before. By the way,
the sharpness was the blasphemy of the immortal (we saw it in the picture).
In the chest that stood in the house of Vasnetsov, costumes were kept. Not all of them were by
true old, mostly sewed relatives and picturesque friends for
home theater performances. In the same costumes, friends and relatives posed
Vasnetsov for the painting "Sleeping Tsarevna".
To the fabulous princess, the artist at the end of life is so used to the fact that the paintings left with them
in his workshop comes. Everyone thought he had not finished his job. But probably
the main reason in the other: these, such different, princes supported it in sadness and
joy.