Artist V. A.

(1780 – 1857)

Among the Russian painters of the first half of the 19th century, Vasily Andreyevich Tropinin especially the dear to us for that recognized by the heart a sense of national, which permeates his work: excellent in artistic portraits of contemporaries, typical images of Russian life and household scenes.

The role of tropinin and in the general process of democratization of domestic art, in the formation of a realistic method. The charm of the artist's creative individuality is deeply connected with the Russian culture of his time, his artistic legacy is the natural and necessary link in the overall flow of national development.

Tropinin belongs to all of Russia, but maybe Moscow has the greatest right to consider him. Here, the artist's granteed to give full force, here he lived most of his life. It is no coincidence that it is in Moscow that a stunning Museum V.A.Tropinin and artists of his time is opened.

For painting Tropinin is characteristic of the limit simplicity. The artist believed that the portrait should be idle, simple and as close as possible to the actual appearance of a person.

It is characterized by a mixture of genres, where the portrait is organically connected to the household setting. Everywhere there is a type in combination with a certain action, as a rule, simple and unequivocal.

From all these canvases, without exception, itifies peace by peace, comfort, comfort ... Tropinin reminds us of the value of every minute of our vehicles. The nature of the artist's dating was such that in his canvases he reflected life in poetically, and not critically. Tropinin said so: "Who loves to look at angry, cloudy faces in life?"

But the life of the artist himself was not easy. The artist was born 17 (28) in Martha in the village of Karpovo, the Childgy parish of the Novgorod province in the family of serf. Only due to its talent, hard work and persistence managed to break into success against the adverse circumstances of his life.

Consisted of "outsiders" by the student of the iah (1798-1804) in the portrait class at S.S. Ishukina. In 1804, according to the will of the host, Graphy I. I. Morkov, moved in his estate in the Podolsk province and lived in Ukraine (1804-1812 and 1818-1821). In the spring of 1823 Vasily Tropinin got free, lived and worked in Moscow.

In the fall of 1823, for the portrait of E.O. Golovnikov (GTG), the paintings "Lace" (GTG) and the "old manure" (MRM) recognized as "appointed" in academicians. For the program "Portrait K.A. Lieberhet" (RAH) in 1824 awarded the title of academician.

Portraitist, wrote landscapes, genre and religious compositions. Participated in the exhibitions, participated in the activities of the Moscow art class.

1. Tropinin Vasily "Portrait of an unknown in Lace Chepts" 1800-E canvas, oil 61x53 State Tretyakov Gallery 2. Tropinin Vasily "Portrait of A.I.Tropinina" about 1809 canvas, oil 51,5х40.4 State Tretyakov Gallery

3. Tropinin Vasily "Dionysus with a goat" 1802-1804 paper, graphite and Italian pencils, chalk 59,5х44 State Historical Museum 4. Tropinin Vasily "Portrait of an unknown umbrella in hand" 1810 canvas, oil 130x93 Meeting A.Smusikova

5. Tropinin Vasily "Hand" end of the 1800s - early 1810s canvas, oil 60,3x45.7 State Tretyakov Gallery 6. Tropinin Vasily "Boy with a gun. Portrait of Prince M.A. Bolensky (?) "About 1812 Tin, oil 14x12 Museum V.A.Tropinin and Moscow artists of his time

11. Tropinin Vasily "Portrait of Count I.I. Morkov" Not earlier than 1815 Canvas, oil 34.7x29.5 State Tretyakov Gallery 12. Tropinin Vasily "Portrait of the Countess N.I. Mistorkova. Etude "between 1812 and 1815 canvas, oil 50.7x22.2 State Tretyakov Gallery

13 .. Tropinin Vasily "Family portrait of carrot graphs" 1815 Canvas, oil 226x291 State Tretyakov Gallery 14. Tropinin Vasily "Family portrait of carrot graphs (in the process of restoration)" 1815 Canvas, oil 226x291 State Tretyakov Gallery

Vasily Andreevich Tropinin (March 19, 1776, p. Karpovo, Novgorod province - May 3, 1857, Moscow) - Russian painter, master of romantic and realistic portraits.

Vasily Andreevich Tropinin was born (30) March 1776 in the village of Karpovo Novgorod province in the family of serf, Andrei Ivanovich, who belonged to Count Anton Sergeevich Mini. The daughter of the count married an outstanding commander I. M. Morkov, and the village of Tropinin and he himself became Morkov's property. Vasily other serfs hated, as his father was an old-age, but Vasily never complained about the beating and mockery of serfs, including the fact that he had painted people from childhood and discovered their characteristic features in their drawings.

Around 1798, Vasily was given to training for the end to Petersburg, as the confectionery case also required the ability to portray the figures of people and animals. After his confectionery training, the cousin of the Count Morova convinced to give a born talent and a tendency to draw a young woman in the St. Petersburg Academy of Arts. Here he was engaged in S. S. Schukin. But when Vasily took the first place in the competitions of the Academy twice and, at the tradition of the tradition, he had to get free, instead, in 1804 he was withdrawn to a new estate of the Count Markov - a Podolsk village of Cook in Ukraine - and became a servant, a shepherd, architect at the same time, artist graph. A freeing settlement was married for him, and the husband and wife should have had an equal status according to the law, but instead of the provision of freedom of Tropinin, the Count recorded in his serfs to his wife, their children were to become an eternal fortress Morovka and his heirs. But Tropinin as a kind person in his memoirs wrote that he was grateful to the owner, as Ukraine made him a big artist.

He had a son - arseny. Until 1821, he lived mainly in Ukraine, where he wrote a lot from nature, then moved to Moscow along with the family of carrots.

In 1823, at the age of 47, the artist finally gets freedom - under the influence of new trends, the count freely lets him to the will. After some time, his relatives become free. In September 1823, he presents the advice of the St. Petersburg AH paintings "Laneby", "the beggar of the old man" and "The portrait of the artist E. O. Svotzov" and receives the title of a designated artist. In 1824, for the "portrait of K. A. Leberehta" he is assigned the title of academician.

Since 1833, Tropinin has been engaged in a public basis with students who opened in Moscow of a public art class (subsequently the Moscow School of Painting, Scary and Architecture). In 1843 he was elected by an honorary member of the Moscow Art Society.

Tourinin has created more than three thousand portraits. He died 3 (15) May 1857 in Moscow. Buried at the Moscow Vagankovsky cemetery.

In 1969, the Museum of V. A. Tropinin and Moscow artists of his time was opened in Moscow.

The page shows the pictures of Tropinin Vasily Andreevich, whose feature, undoubtedly, is elegant aesthetics, tenderness, openness and simplicity of people. The artist can be called sentimentalist.

But Tropinin did not embellish the face on his portraits, he was exactly so seen.

And about this testifying the most famous paintings of the Tropinin: "Lace", "gold co-extension", "sparkle". In addition to tenderness and warmth in these paintings, Tropinin chances the love of everyday work, the ability to receive joy and satisfaction from work.

A special place in the works of tropinin is occupied by portraits of children whom he wrote with special love. "Peasant boy with a toporist", "Girl with a doll", "Boy with a silem", "girl with a dog", a portrait of a son and other portraits permeated with innocence, immediacy and dreaming.

Self portrait Tropinin.

In the photo Painting "Woman in the window". Tropinin.

The portrait was written by the "Tambov Treasury" Lermontov. Sincere, simple woman with direct interest looks at the world from the window.

In the photo Picture "Girl with a dog." Tropinin.

The girl presses a frightened dog. And her rather surprised and interested glance. Light image of a baby girl in the picture.

Tropinine paintings with sentimental children, gentle and cute. Loved the artist of children!

La view. Tropinin.

The most famous picture of the artist!

It shows a simple and kind girl, with love lace busy. She climbed his eyes from work and looks at the included interest with playful interest. She and work is interesting, and people.

Tropinine paintings are filled with warmth and tenderness.

Self-portrait on the background of the window overlooking the Kremlin

Good-natured look at the artist!

Guitar player. Tropinin.

The artist repeated guitarists more than once. In this picture, a young man looks at the listener, who just performed on the guitar a melody of his own essay. His look is dreaming and gentle. The situation around the relatively and relaxed, the guitarist himself in a simple home coat.

Ordinary, but meaningful life!

Tropinin paintings are gentle and meaningful.

Girl with doll. Tropinin.

Like a girl to play with a doll. Gently so she keeps her in her hands. A cute baby!

Portrait of Alexander Pushkin.

Portrait of hersova with daughter.

Tropinine paintings are filled with love and warmth especially for children!

Portrait of the Son of the Artist, Arseny

Looking like a son on father!

On the photo Portrait of a bullov. Tropinin.

Bruhlov holds a folder with canvas in his left hand, and in the right brush.

In the photo, the picture "Beggar Old Man."

For the picture, this Tropinin received the title of academician. Work to order. The topic is uncharacteristic for the artist.

In the photo, the picture "Old Soldier". Tropinin.

In the photo Painting "Boy with Schegul".

Holds a boy in the right hand of a little squint. Left and cage for it. With surprise, the boy looks somewhere aside.

In the photo "Peasant Boy with Topor".

Adorable baby is already working. On his right shoulder, he has a hatch, on the head straw hat, decorated with flowers. Look asked somewhere in the distance. Clean and innocent of his eyes.

All paintings of the tropinine with children are chisty and innocent!

In the photo the picture "Girl with a pot of roses." Tropinin.

Biography of Vasily Tropinin, obeying the laws of the romantic era, develops into a slim history - the history of talent, which, thanks to persistence and hardworking, breaks through the most adverse circumstances.

Certificates of his people who knew him draw the artist with a good friend, responsive and sensitive. This impression of his personality is completely correlated with the impression that was born of his art. Portraits of tropinine are easy to learn at the complacent expression of a person inherent in his characters. He endowed his heroes with his own tranquility and benevolence.

Vasily Tropinin was born on March 30 in 1780 (1776) in the village of Karpovka Novgorod province fortress Count A.S. Mini. Subsequently, he moved into possession of the graph I.I. Morovka in the composition of the dowry for her daughter of Miniha, Natalia. His father, managing the count, was received by the faithful service, but without children.
Tropinin also visited the boy in Novgorod in Novgorod, and then when the ability to draw the drawing was obvious, he was given to the pupil of the confectioner to the House of Count Zavadovsky in St. Petersburg.

Moving to Petersburg had tremendous importance for tropinine. After numerous requests of the carrots, agreed to determine to learn the painting of his talented serf. The Imperial Academy of Arts did not bother to athlete academic classes as "outsiders", volunteering students.
Tropinin passed the drawing classes and entered the workshop of portrait painting, which was headed by S.S. Schukin. It is significant that in the 1810s in the portrait class of Schukin, students and pensioners were asked the following topics: "Return of the warrior to his family", "Russian peasant wedding", "Russian peasant dance" and "burning on maps". Thus, Schukin focused his students on the truthful transfer of scenes of people's life. In the workshop of Schukin, the stylistic and technical foundations of Tropinine painting were also laid. Being a serf, Tropinin lived in the teacher's house, the colors of him, stretched and primed the canvas. From here - a certain similarity of the palette of artists. Tropinic favorite comparison of reddish-ocher tones with deep olive-green and light bluish-gray is in mind one of the best works of Russian painting of the turn of the 18th and XIX centuries - Schukin Schukin.

According to Nikolai Ramazanov, who first stated the biography of the artist, Tropinin, "the softness of his character and permanent love for art soon acquired a friendly location and respect for the time at the time in sight of the best students of the Academy: Cyprosen, Varek, Skotnikov. He was favorite academy professor. At the academic exhibition of 1804, his picture "The boy who tastes about his deceased bird", written in the picture of Grees, was noticed by the Empress itself. About Tropinin spoke as "Russian Gree". This painter Tropinin copied and quoted all his life. Frenchman J.-B. Greaz was then in Russia very popular. The Russian viewer was impressed by the sentimental sensuality of his works.

As a listener of the Academy, Tropinin was able to join world artistic culture. The Academy of Arts has a significant meeting of paintings by Western European masters. Pupils of the Academy also copied from paintings that were in the Imperial Hermitage. According to the copies of Tropinin, you can judge its prevailing interest in the Dutch and Flemish masters - Rembrandt, Jordanus, Tenirsu. If the Sentimentalist-enlightenment worldview was brought with Great Tropinin, inherent in both of them, then in the works of the Dutch and Flemadse, he found support for its realistic orientation, in the field of genre.

He studied brilliantly and soon received a silver and gold medal. As a student of the Academy, Tropinin was in the center of the artistic life of St. Petersburg. In addition to Schukina, he communicated with Egorov, Shebeyev, Andrei Ivanov, Ugryumov and Duien.

Schukin told Count Morko about the success of his fortress, and that ... withdrawn the tropinine from the Academy. He was prescribed to go to Ukraine, in Podolia - to a new carrot estate. The graph needed a fortress artist, a manor painter, and not one of the best portraits of the era, how he eventually became. The knowledge with which Tropinin came out from the Academy differed from the usual academic program. According to his early drawings, it can be concluded that he did not study the anatomy, little visited the classes of drawing from nature, poorly owned the perspective and art of the composition. Insufficiency of academic education Tropinin overcame for many years. The early creativity of tropinine is very uneven.

In the estate of carrots Vasily, they were given to understand that he was only fortified, and was appointed to the post of confectioner and Lacey. In addition, his duties included to perform copies from the paintings of Western European and Russian artists who later decorated the Morovka House, to paint the local church and write an icon for her, as well as to work on the gallery of family portraits of their owners.

Follow-up without a small twenty years, with small breaks, Tropinin lived in Ukraine, in the estate of Markov, a dice. Unfortunate and kind on kind, Vasily Tropinin with humility transferred the vicinity of fate, did not harm himself, did not fall into depression from the consciousness of the inconsistency of his own dating and the provision he occupied, on the contrary, perceived the stay in Ukraine as a continuation of training, a kind of internship. "I studied little at the Academy, but I learned to Malorossy: I wrote without a holiday there, and these my works seem to be the best of all I still have written me," he remembered later.

Among the works of this period, a group portrait of a carrot family (1813) was preserved, etudes from Ukrainian pastures and elderly peasants, an image of a rural wedding.
The beauty of the National Little Russian type has captured, somewhat idealized, in the paintings "Ukrainian girl with a podality" (1800-E), "Boy with a pity" (1810th), "Ukrainian with a stick", "sparkle" (both 1820s) And others. In an effort to create live, relaxed images, the artist claims the purity and integrity of folk characters. The flavor of these works is soft, muted - sulfur, oath, green tones prevail.

Images of peasants, household folk scenes are known in the XVIII century. However, these were episodic phenomena; They did not have national traditions and were perceived by contemporaries with a tint of exotics. Only in the XIX century on the basis of the peasant themes, a constant, developing direction of Russian art begins to approve. Hardening of this direction in the second half of the 1820s is associated with the works of A. G. Venetsianov, and then his students.
The Tropininsky cycle directly precedes Venetsian. And as Venetsianov opened the national character and life of the Russian people with society, so Tropinin opened the people and nature of Malorussia, this "Russian Italy", according to the expression of contemporaries. Inconsibly more modest in all respects of the work of Tropinin did not provide such an obvious influence on the subsequent Russian painting, as the work of Venetianov, but the artist stands at the origins of the same progressive direction associated with the image of people's life. Further development it received in line with the realistic art of the XIX century.

Traces of active work on the Ukrainian theme detects a tropinine graphics. In his watercolors and figures of the 1810s - the beginning of the 1820s there are images of women in a Ukrainian suit, humpback violinist, teenagers, shepherds, Ukrainian peasants. The best genre sketches of the artist - "Jacia" and "from the World Judge" - are also associated with Ukraine.

A picturesque sketch of the harvest scene and two preparatory pencils sketch are preserved. The artist managed to convey the significance of peasant labor.
The plan directly preceded by the picture of Venetsianov "on the harvest. Summer" will penetrate the same epic configuration.

In 1807, under the leadership of Vasily Andreevich, the construction of the Cucavian Church was completed. Under its consecration, Tropinin was an obvenue with Anna Ivanovna Katina, a free settlement, which was not afraid to marry a serf artist. In love and harmony, they lived almost fifty years.

The Patriotic War of 1812 has changed the peaceful course of Cucava life. "On August 6, the silence of Shalwievka (Morkov's estate in four versts from the catwalk) was violated by the gulfed bell," writes Ramazanov. Feldgerer who arrived from St. Petersburg announced the order of Alexander I, who, according to the choice of the Moscow nobility, appointed Morovarov head of the Moscow militia. The Count immediately left the dice, and his property instructed the tropinine to take into Moscow by the Obooz. The fastener artist went after the graph and there was a long time on the wage covered by Russia. Tropinin was among the first inhabitants entered into Moscow after a fire. In the summer of 1813, the militia returned home. Tropinin's efforts Moscow House of Carrots was ready to receive hosts. However, during the fire, all the artist's work there were burned in it.

Years from 1813 to 1818 were very fruitful for the artist. Moscow came to himself after the invasion of Napoleon. In the mid 1810s, he posed the publisher P.P. Beketov, who conceived a series of engraved portraits of famous Russian figures. Then your portrait of a tropinine orders the most famous poet I.I. Dmitriev. These early portraits, waist on a neutral background, go back to the traditions of the Russian chamber portrait of the 18th century. Gradually, the circle of tropinin customers expands. He writes portraits of the heroes of the Patriotic War - Generals I.I. Alekseeva, A.P. Urusova, F.I. Talyzin, P.I. Bagration.

In 1821, Tropinin was forever spread with a cushion. Return to Moscow was joyful for him. In Moscow, respecting and popularity in Moscow, the artist nevertheless remained serfs, which caused surprise and discontent in the circles of the enlightened nobility. Especially clapped for Tropinin A.A. Tuchkov - General, hero 1812 and collector, p.p. Svignin, N.A. Mikes. However, the Count of Carrots did not hurry to give free painting, talent and
The human qualities of which he really appreciated. This happened only in 1823. The wife and son of Tropinin Arseni remained in the serf addiction for another five years.

With the support of Schukin and Publisher, a repeatedly helped by the artist, Tropinin in September 1823 presented his work to the Council of the St. Petersburg Academy of Arts and soon awarded the title of "Gazed in Academician" for the paintings "Laneby", "Beggar Star" and "Portrait of Engraving E.O. . Skotnikova. "

In 1824, the "Portrait of Medaller K.A. Leberehta" Tropinin was recognized as an academician portrait painting. The Council of the Academy of Arts offered him to stay in St. Petersburg and accept the position of professor. But the cold officials of St. Petersburg and the prospect of the official service did not attract the artist. In the fact that Tropinin chose Moscow, several important factors played a role. And purely personal - in Moscow there lived the family of his former owner of the Count I. Morkov, the serfs of which remained the wife and son of the artist, and a clearly felt tropical feeling of freedom, which gave him Moscow life, as well as a new artist's desire to ensure independent professional position. Art in Russia has always been a state of state. The Imperial Academy of Arts distributed state orders, "pensioners" and subsidies and determined the fate of artists. Tropinin, living in Moscow exclusively by private orders, managed to conquer the glory of one of the best portraits, to create an independent position that very few Russian artists possessed.

Vasily Andreevich took the niche in Moscow cultural life, who was empty, and became the most famous Moscow portraitist, reflected in the images of contemporaries and harmony, and the inconsistency of Moscow life.

Living and working in Moscow, Tropinin did not participate in academic exhibitions and, as a result, remained almost unchanged criticism related mainly to the Academy and its shows. However, this circumstance did not prevent his recognition at all. He enjoyed the fame of the best portrait of both the customers and professionals. Karl Brullov, refusing to write portraits of Muscovites, said: "You have our own excellent artist."

In Moscow, Tropinin settled in the house of Pisareva on Lenzka, near the Big Stone Bridge. Here, in his workshop, he wrote the famous portrait of A.S. Pushkin. In early 1827, Pushkin ordered a tropinine portrait for a gift to his friend Sobolevsky. In this portrait, the artist with the greatest reactedness expressed his ideal of his free man. He wrote Pushkin in a bathrobe, with an estaguted gate of shirt and casually touched by a scarf tie. Tropininsky Pushkin is not at all landed - he is so agreed by the greatest that it seems impossible to disturb his meditation. Special impressiveness, almost monumentality inform the poet's image Proud posture and a steady posture, due to which his homely bathrobe is likened to a solemn antique tog.

This portrait had a strange fate. A few copies have been made from him, and the original itself disappeared and appeared only many years later. He bought him in the Moscow Changer Lava Director of the Moscow Archive of the Ministry of Foreign Affairs M.A. Obolensky, whom Tropinin wrote when he was still a child. The artist was asked to confirm the authenticity of the portrait and notify it, since he was very spoiled. But Tropinin refused, saying, "that does not dare to touch the features, laid from nature and more than a young hand," and just cleaned it.

In 1830-1840, there are the largest number of portraits written by tropical. About the artist said that he rewrote "literally all of Moscow." It has a wide and varied circle of customers. Here and the first persons in the city hierarchy, public people, individuals - nobles, merchants, as well as spiritually close tropinine actors, writers, artists. Among them, "Portrait of S.S. Kushnikova" (1828) - the former Military Governor of Moscow, a member of the Council of the Moscow Educational House, and the "Portrait of S.M. Golitsyn" (after 1828) - "The Last Moscow Velmazby", the Trustee of the Moscow Training District, Chairman of the Tsvetchensky Council. Prince Golitsyn loved Tropinin and patronized him. The same relations of the patronage and respectful friendship tied the artist with A.A. Tuchkov. Gradually, tropinine becomes very wide. To fulfill orders, he was invited to the society of agriculture lovers, a parking society. He also wrote portraits of famous actors of the Small Theater M.S. Shchepkin, P.S. Mochalova, Actor of St. Petersburg "Alexandrinka" V.A. Karatygin.

The peaceful course of Moscow life stuck the arrival of Karl Pavlovich Bryullov in December 1835. Losts in honor of the famous painter were arranged by the Moscow Art Class, an art lovers and collector Egor Ivanovich Makovsky, the sculptor Vitaly. Makovsky also brought Bryullov to a tropinine workshop.
Ramazanov recalls: "Karl Bhorlov, struck in the older unusual clarity of the mind, fresh memory of all the oldest, warmth of feelings, a lively look at the art and amazing about him about it, loved the tropinine with all the soul and a rare day did not visit him. Not once happened that, The invited to the luxurious lunch of the aristocrat, Bryullov changed this word and came to divide the simple soup and porridge from Vasily Andreevich. Bryullov highly appreciated the art and human charm of the first Moscow portraitist. And Tropinin was delighted with his famous fellow craft. Communication with Carl Pavlovich did not pass for him without a trace. The influence of Karl Bullov rolled throughout the Russian art of the 1830-1840s. Tropinin also appears products of a large size with all admission and accessories of a large front portrait. In the portrait of the Bullov himself (1836), the artistic impact of the artist Tropinin emphasizes the magnificent background of the ancient ruins, they saw grape vines, smiling. "Portrait of P.N. Zubova" (end of the 1830s) composition almost exactly repeats the "portrait of A. Persovsky", written by Bryrylov in 1836 in Moscow. However, the comparison of these portraits is not in favor of a tropinine, who did not quite manage to cope with a large portrait form. (At the same time, the "Portrait of A.A. Perovsky" in a bathrobe could be written by Bullyl under the influence of Moscow impressions, and in particular from the works of Tropinin).

The merits of Vasily Andreevich Tropinin in front of Russian visual arts remained unnoticed. In 1843, he received official recognition - Moscow Art Society elected him with his honorable member for "zealous assistance to the benefits and prosperity of society and the school, with it consisting." This society was created in 1833 by the efforts of artists and lovers of art and thanks to the "enlightened sympathy of individuals." His chairman became Moscow Governor Prince D.V. Golitsyn. Close Tropinin People are artists E. Makovsky, F. Kyunel, K. Rabus, Sculptor I. Vitaly - were founders of society. Officially, the teacher of the Tropinin school was not, but he often visited the drawing classes, helped novice artists with his advice and used among them a huge authority.

Among Tropininsky Self-portraits (1810s, 1824, 1830s) the most symbolized "Self-portrait with brushes and palette on the background of the window overlooking the Kremlin" (1844).
Self-portrait was written by order of society. In Nim, Tropinin not only announces his life vocation, but also approves the creative credo of a truly Russian artist - it's not by chance that he shows himself against the background of the Kremlin, an ancient national monument. Vasily Andreevich depicted himself in a worker, with brushes and palette. The artist has an open person who has a large inner strength to himself, which turned out to be able to fulfill his destination and retained loyalty to art, despite all the peripetics of his fate.

Vasily Andreevich Tropinin lived a long creative life. His art was in intensive interaction with the aesthetic ideals of the era. Being the "last son of the XVIII century", at the end of life, he caught the main trends in the middle of the XIX century - loyalty of nature, an analytical view of the world - and closely approached the critical realism of the second half of the century.
He died on May 3, 1857, buried at the Vagankov cemetery.

Centre.smr.ru\u003e Win / Artists / Tropinin ... tropinin.htm

The task of this article is to find out the reason for the rest of the famous Russian portrastructure artist Vasily Andreevich Tropinin on his full name code.

Watch pre-"Logical" about the fate of man. "

Consider the full name code tables. \\ If on your screen will be offset numbers and letters, put an image to match the scale.

19 36 51 67 77 91 101 115 118 119 137 147 159 169 179 180 194 199 216 222 228 231 241 265
T r o p and n and n in and with and l and y and n d r e e v and h
265 246 229 214 198 188 174 164 150 147 146 128 118 106 96 86 85 71 66 49 43 37 34 24

3 4 22 32 44 54 64 65 79 84 101 107 113 116 126 150 169 186 201 217 227 241 251 265
In a s and l and y and n d r e e v and h t r o p and n and n
265 262 261 243 233 221 211 201 200 186 181 164 158 152 149 139 115 96 79 64 48 38 24 14

Tropinin Vasily Andreevich \u003d 265 \u003d 169 myocardial ischemia + 69-ischemia.

265 \u003d 198-Exodus from heart attack + 67-myocar \\ yes \\.

198 - 67 \u003d 131 \u003d lethal.

265 \u003d 201-lethal outcome + 64-Ishmi \\ I \\.

To clean the conscience, check the correctness of this approval:

10 35 41 54 64 96 10 35 41 54 64 96 109 119 134 145 146 163 168 169
And sh e m and me and sh e m and me m and o k a r d a
96 86 61 55 42 32 169 159 134 128 115 105 73 60 50 35 24 23 6 1

Reference:

Myocardial diseases, muscle tissue, may occur unexpectedly from any person. One of them is ischemia. There are no borders of this ailment, as it affects people of different position and age. Sometimes it is called coronorosclerosis or coronary disease.

Ischemic myocardial disease arises due to its insufficient blood supply. This means that the amount of oxygen delivered to the muscle does not meet its needs. Simply put, oxygen is learned less than necessary.
Cardio-Life.ru\u003e ishemiya / miokarda.html

Clinical signs of ischemia

The term "myocardial infarction" implies the death of cardiomyocytes due to ischemia, which is the result of the inconsistency between blood flow and the need for it. In the clinic, Icymia can be suspected, based on the history of the disease and ECG data.

Sudden heart death, cardiac arrest (often with symptoms characteristic of myocardial ischemia) ...
Health-ua.org\u003e Archive\u003e Urgent / 104.html

265 \u003d 179- \\ 169-interruption of life + 10-and (shemia) \\ + 86 -... Shemia.

179 - 86 \u003d 93 \u003d heart attack.

The following picture is obtained:

In the proposal Tropinin Vasily Moving the two last digits: 169 + 179 \u003d 348.

Moving two digits: 96 Ischemia + 86 -... Shemia \u003d 182.

Submount: 348 - 182 \u003d 166 \u003d 93-infarction + 73-myocardium.

265 \u003d 166 myocardial infarction + 99-quickly, over.

166 - 99 \u003d 67 \u003d died, deprived of life \\.

265 \u003d 67-died + 198-sudden death.

198 - 67 \u003d 131 \u003d starvation of MiOk \\ Arda \\ \u003d Mio \\ Card's infarction \\.

251 \u003d Vessel Vessel narrowed \\ in \\
_______________________________________
24 \u003d CE \\ RDCA \\

251 - 24 \u003d 227 \u003d disadvantage of oxygen.

265 \u003d 227-lack of oxygen + 38-MIO \\ Card \\.

Death Date Code: 03/05/1857. This \u003d 03 + 05 + 18 + 57 \u003d 83 \u003d deprivation of \\ life \\ \u003d ... NFARTT.

265 \u003d 83 + 182- \\ 89-end + 93-infarction \\.

Death Day code \u003d 96-third, ischemia, sudden + 46th, infa \\ rt \\ \u003d 142 \u003d MiOk \\ Arda infarction \\.

The code of the full date of death \u003d 142-th of May + 75-heart- \\ 18 + 57 \\ - \\ death code \\ \u003d 217.

217 \u003d Cum from heart attack.

265 \u003d 217 + 48-kidding \\ em \\.

Code of the number of full years of life \u003d 164-eighty + 44-one \u003d 208 \u003d 115-Missile + 93-infarction.

265 \u003d 208-eighty one + 57-bed \\ Yinik \\.

We watch column:

107 \u003d 44-one + 63-death
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164 \u003d eighty

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Vasily Andreevich Tropinin (March 19, 1776, p. Karpovo, Novgorod province - May 3, 1857, Moscow) - Russian painter, master of romantic and realistic portraits.

Biography of the artist

Vasily Tropinin was born on March 19, 1776 in the village of Karpovo Novgorod province) in the family of serfdom, Andrei Ivanovich, who belonged to Count Anton Sergeevich Mini. The graph gave A. I. Tropinin free, and all family members remained serfs and were transferred to the Count Morka as a dowry for the older daughter - Natalia; Andrei Ivanovich was forced to enter the service for the new owner, who made him a homework.

Around 1798, Vasily was given to the training of the Court, however, the cousin of Count Morovarov was convinced to give a born talent and a tendency to draw a young woman in the St. Petersburg Academy of Arts. Here he was engaged in S. S. Schukin. During his studies at the Academy, Tropinin acquired a friendly location and respect for the best students: Cyprosen, Varek, Skotnikov. At the academic exhibition of 1804, his picture was presented with the "Boy, thanks to his deceased bird", which was noted by the Empress.

In 1804, he was withdrawn to the new estate of the Count Morovka - to the Podolsk village, the cocking in Ukraine - and became instead of the deceased Father by the manager of the estate. Here until 1812 he married; He had a son - arseny. Until 1821, he lived, mainly in Ukraine, where he wrote a lot from nature, then moved to Moscow along with the family of carrots.

In 1823, at the age of 47, the artist finally gets freedom.

In September 1823, he presents the advice of the St. Petersburg AH paintings "Laneby", "the beggar of the old man" and "The portrait of the artist E. O. Svotzov" and receives the title of a designated artist. In 1824, for the "portrait of K. A. Leberehta" he is assigned the title of academician. Since 1833, Tropinin has been engaged in a public basis with students who opened in Moscow of a public art class (subsequently the Moscow School of Painting, Scary and Architecture).

In 1843 he was elected by an honorary member of the Moscow Art Society. Tourinin has created more than three thousand portraits.

In 1969, the Museum of V. A. Tropinin and Moscow artists of his time was opened in Moscow.

CREATION

Early works of tropinine are discreet in color scheme and classicistically static along the composition. The artist's work refer to romanticism. During this period, the master also creates expressive local, Little Russian images-type.

Being in St. Petersburg, he was in the middle of the townspeople, small and medium-sized landowners, from whom later and began to write portraits, which led him to realism. The author, in contrast to romantic portraits, tried to emphasize the typical of heroes. But at the same time, he sympathized with them, which was poured in the image of internal attractiveness. With the same purpose, Tropinin tried not to show the obvious social affiliation of people. Such works of the artist as "lace", "guitarist" and others belong to the "portrait-type". Tropinin depicted a concrete person, and he tried to show everything typical of this circle of people.

They seem to reflect some minutes of higher insight, when the artist with the only and unique ease and freedom is emptying the nature of this nature.

They are freshness, nonradiance of spiritual forces, the integrity and irrevomination of its inner world, love for people, the reserve of good.

In these canvas, the properties of his nature are manifested, widespread, faithful to his vocation, favorable to someone else's misfortune that sold many of the differences of everyday prose. Tropinin left the trace of his humane and, there may be a somewhat simple look at the world.

Over time in his canvases, starting with a trepidate-sincere portrait of the Son (approx. 1818, there is also a purely romantic feeling of the moving element of life. Such and invisibly visibly immersed in the creative element, as if attentive to Museum A.S. Pushkin in the famous portrait of 1823 (All-Russian Museum of Pushkin, Pushkin). Tropinin continues the line of the type portrait, in particular in the famous lace (1823, in the same place), causing his sentimentally poetic appearance. Turning to the genre, "nameless" image (guitarist, 1823, there, and many others), it usually, fixing success, repeats the composition in several options. He will vary repeatedly and its self-portraits.

Over the years, the role of the spiritual atmosphere, the "aura" of the image - a pronounced background, meaningful details, is only increasing. A better example is a self-portrait with brushes and a palette of 1846 (ibid.), Where the artist presented himself on the background of the window with a spectacular view of the Kremlin. A number of works Tropinin devotes to colleagues-artists depicted in work or in contemplation (I.P.Vitali, approx. 1833; KP Brulylov, 1836; both portrait in the Tretyakov Gallery; et al.). At the same time, the Tropininsky manner is invariably inherent specifically intimate, home flavor. Such, for example, "negligent portraits", with models, are emphasized, like Ravich, in a non-parade dress. In a popular woman in the window (based on the poem M.Yu.Lermontov Treasury, 1841, Ibid) This relay incessity acquires an erotic taste. Later entered the tradition of opposing "homemade" Poets of Torpinin's webs - as a special feature of the Moscow Romantic School as a whole - "Chopornia" of St. Petersburg.