Gamma Fa-Dieze Minor: varieties, signs, sober, parallel major. Alteration Signs (About Diez, Bemole, Becar) ATTENTION! Increased complexity

When studying solfeggio, students have to face a variety of gamps. One of them is F-Dieze Minor - and will be considered in our article. It is too complicated, since it contains only three signs with the key, unlike the Ham and sequences that may have up to seven main signs, not counting the doubles and double-bemoli.

Fa-Dieze Minor: Signs

Gamma is the most ordinary minor sequence, and, as already mentioned, it contains only three signs in the form of digesters: Fa, up and salt.

Based on this, the whole sequence is built. It is referred to as F # Moll or Fis-Moll, which is accepted in guitar score or chord application.

Tonic is the Note of Fa #, subdominant - SI, Dominant - up to #. At these three steps, the main sober gamma is being built, as will be said below.

Parallel Major

Like everyone else, Gamma Fa-Dieze Minor has a parallel major. This is a la-major. Definition technique is very simple. So, for the minor, it follows from the last sign to build a halftone upward. In our case, it is halftone from salt #, which gives a pure note of la.

To determine the parallel minor, you can use two methods. The first implies the construction of a small prison down from the tonic (in our case, from a clear note la we get Fa #. The second method is that in signs to count the third right. This will be the desired minor corresponding to the magazine.

Many composers appealed and appeal to these tonalities. Among the Russian classics, they are also quite a lot, because these tones have a very warm sound for human hearing.

Varieties of minor gamma

Like any other minor gamma, Fa-Diez Minor has three main varieties: natural, harmonic and melodic.

The difference between these types of hammer sequences is that in the natural minor directly and reverse order is played without changing signs.

In the harmonic range, during the construction of a direct and reverse sequence, the VII step increases on the column (for the Gamma Fa-Dieze Minor we get MI #).

As for the municipal minor, the VI and VII steps increase on the rising gamma game, and with a downward increase - the increase is canceled (the Bekar sign is installed in the gamma itself). For Fa # Minura, these steps are re and mi.

Minor chords and sober: general principles of construction

If you look at the construction of sober and chords, the general principle is that when creating a chord to a sober simply added note with a shift up or down. In the simplest case, it is a tonic, octava above. But, depending on the type of chord, the interval between the notota, from which the construction is made may be different.

In the case of a gamma, Fa-Dieze Minor, tonic sober contains the types of Fa #, la and up to #. If it is, for example, built with the first octave tonic, the addition of phase in the second Octave and gives the simplest chord.

For a sober-based subdomiton, it will be a combination of notes Si-Re-Fa #, for dominant - up to # -sp # -Col #. Please note: the sober on the V stage is always built on the basis of a harmonic minor, since it is this step that is responsible for the sound of the dominantxpekkord, and in it, as you know, the VII step rises on the halfone.

In general, for all minor sober, which are built up, there is a single rule. A small policy is first built from the main note, and from the next - the big term. If you look at the construction of a sober down, it is not difficult to note that it is one of the appeals (when each sober is built from each of the following notch with the transfer of the previous one to the octave above).

So it turns out that sober down from Toniki Fa-Diez gives a combination of Fa # -Do # -l, but only two octaves below, rather than the standard appeal up. When constructing down, clean quart quartes are used first, and then a large prigation is added to it.

Instead of pre-school

If you look at the Gamu Fa-Diez Minor, it is very popular among many composers and performers, only due to the fact that it corresponds to the parallel la-maghor. This is especially manifested among guitarists, since the La Major itself applies to the most simple chords and takes only three fingers on the second Lada with the clamping of the second, third and fourth string.

The situation is somewhat more complicated with F-Diez Minor, because to extract the standard chord it is required to master the reception of Barre.

Pianists, this minor gamma, even with high-speed performance, does not cause any particular difficulties.

On the use of this tonality in conjunction with a parallel major, a lot of examples can be given, even rockers performing Music in the style of GLEM or soft metal, most of them turn to these gamma and sequences based on them. In addition, both tonality are suitable for both men's and female votes. It is not surprising that it is in these genres that most of the compositions are found based on the standard "Italian square" (La Major Fa # Mi-Major) and its varieties.

In this article, we will continue the conversation about a good letter - we will study the signs of the alteration. What is an alteration? Alteration - this is a change in the main steps of the skeleton (the main steps is to re mi fao salt ). What exactly changes? Their height changes and a little bit name.

Sharp - this is an increase in sound on the half bemole - Lowering it on the halfthon. After the note is changed, one word is simply added to its basic name - respectively, the diezer or a bembol. For example, pre-Diez, Fa-Diez, La-Beleol, Mi-Barole etc. In the notes, the dieza and bemoli are designated by special signs that are also called diemi. and bleols. Used and one more sign - natural, He cancels any alteration, and then, instead of Dieza or Bemol, we play the main sound.

See how it looks in notes:

What is halftone?

Now we will deal in everything more. What are these halftones? Semitone - This is the shortest distance between two adjacent sounds. Let's look at everything on the example of the piano keyboard. Here is an octave with the signed keys:

What do we see? White keys we have 7 pieces and on them are the main steps. It seems to be between them and so quite a brief distance, but, nevertheless, there are blacks between white keys. The black keys are 5. It turns out that a total of 12 sounds in octave, 12 keys. So, each of these keys in relation to the nearest neighboring is located at half a distance. That is, if we play all 12 keys in a row, then we will play all 12 halftone.

Double Diez and Double B Flat

In addition to simple digesters and bemoles in musical practice applied double Dieza and Double Bemoli.. What is a duplicate is double changes in steps. In other words, double Diez. increases the note at once on two halftone (that is, for a whole tone), and double Bemol - lowers a note on the whole tone ( one tone is two halftone).

Natural - This is a sign of cancellation of the alteration, it acts in relation to the doubles is absolutely the same as to ordinary dieons and bemarins. For example, if we played fa-Dubl Diezand then after a while before not F Becar appears, we play a "clean" note "F".

Random and key signs

So, let's sum up.

We talked about alterations: I learned what an alteration and which there are signs of alteration. Sharp - this is a sign of raising on the halfone, bemole - this is a sign of lowering notes on the half, and natural - Alteration abolition sign. In addition, there are so-called duplicate: double Diez and Double B Flat - They increase or lower the sound immediately for a whole tone (whole tone - These are two halftones).

That's all! I wish you further success in mastering musical letters. Come to us more often, we will disassemble other interesting topics. If you liked the material, click "I like" and share information with friends. Now I suggest you to distract a little and listen to good music in the excellent execution of a brilliant pianist of modern Evgenia Kisin.

Ludwig Van Beethoven - Rondo "Rage about the lost penny"

In the magical and amazing world of music, every step brings new impressions, unique emotions. Despite the seeming insignificance of the distance to the adjacent Piano key (halftone) - it is the smallest move of music, this interval is very significant if we talk about the harmonic component.

Music angles

You can spend a parallel with a photo: one step to the side carries the change in the angle, and the object is poring in a completely different, the unprecedented light.

And since the sound waves and light - the driving force of photography, from the point of view of physics (and with the exact sciences, as you know, to argue uselessly), this is the phenomena of one order and are often subject to the same laws, it means that the indicators can cause similar effect.

Wisdom of classics

This circumstance, as a rule, neglect pop songwriters, whose creations, at the request of the artist, can be transposed into any tonality. Using our system of images, you can like such a composer to the photographer who is indifferent if the frame is unattended or crossed - after all, he also removes the same landscape.

The classic composers, and after them and the entire academic school were well aware of the circumstance stated above, especially since among them scientists in the field of physics, chemistry met. Classics very checked to the question about choosing the tonality of their works. The tonality often included them in the name itself, which means that it could not be changed along the whims of one or another capricious performer.

Multicolored music

And such outstanding musical art figures, like Scriabin, Roman Korsakov, being endowed with the so-called "color hearing", perceived every tonality as a certain color gamut.

The phenomenon of non-ferrous hearing is explained by the existence of the psychological phenomenon of "synesthesia", denoting the process of involuntary response of one type of receptors for irritation of the other.

Alexander Nikolayevich Scriabin used the term "color-duality" to designate the color gamut inherent in a particular musical tonality. It is not interesting that the word "tone", which is the root of the lexeme "Tonality" is also used in visual art and photographs.

In addition to the color associations, Scriabin emphasized the tonality with such epithets as "spiritual" tonality, such as Fa-Diez Minor, Fa-Diez Major and "Earth, Material", among which D Major, F-Major and others.

Floweronality

Colors, in turn, for Scriabin, were the symbols of the fundamental components of the universe. So, the red in this system is associated with the "color of hell", purple and blue - indicate the spiritual component of being. Based on this unique worldview, Scriabin wrote a symphonic poem "Prometheus". In the score of this work, in addition to the tools of the Symphony Orchestra, the Light Party was included. At the premiere of "Prometheus" in 1910, a light-music equipment was used for the first time in history. This event anticipated the widespread use of such equipment during concerts today, as well as all sorts of laser show.

However, Scriabin was deeply mistaken, arguing that the flower perception of all owners of such a hearing is no different from each other.

Many composers had an individual vision of sounds and tonalities, sometimes radically different from the presences of Scriabin.

A bit of theory

In this article, we will consider only one tonality - F-Dieze Minor - and compare the ideas about this tonality in different composers.

For a start, we present a small theoretical certificate of the degree of tonality. It has a Latin designation FIS-Moll. The tonality of Fa-Dieze Minor signs with the key - Fa digesa, up and salt. Casual marks can vary depending on the type of minor (natural, harmonic, melodic, etc.). Gamma Fa-Diez Minora (Natural) consists of the following sounds:

• phase;
• sOL-DEZ;
• pre-diez;

Despite the fact that this tonality is not among the most common, there are many samples of musical art, written in this vein. Among the well-known musical works written in this tonality: "Sonata for Piano No. 1" Shuman, Etudes Fa-Diez Minor Scriabin and Leshgorn. You can not get around the "Concert for Piano with Orchestra Op. 20" Scriabin. Also widely known "Prelude Fa-Diez Minor No. 1" Rakhmaninova.

Taste and color ...

So, Alexander Nikolayevich Scriabin gave the following characteristics of the ph-diez minor's tonality: the tone of Fa-Diez saw him in bright blue color. This color composer called "color of pure consciousness."

It is worth noting that Scriabin called his "Sonatu Fa-Dieze Minor for Piano No. 3, Op. 23" "" state of the soul ", where each of the four parts is named after a certain mental experience.

Nikolai Andreevich Rimsky-Korsakov saw this tonality in a pale-grayish-greenish color.

Soviet composer Boris Vladimirovich Asafiev compared Fa-Diez Minor with a skin of mature orange.

Belgian composer and the musicologist Auguste Gevart, who did not have a colored hearing, but who made his system, consisting exclusively from the kennels of the major Lada, wrote that the expressive potential of Minor was not distinguished by special wealth, unlike Major. Fa-Diez Minor, in his opinion, dim, foggy and blurry.

In 1977-1978 Students of the Tver Music School of Music I. Bykkova, M. Dobrynskaya, T. Zaitseva, E. Zubryskova, S. Shcherbakova, N. Yakovlev set forth the purpose of refuting the statement of Gevarta, and during the analysis of a number of musical works to identify the characteristics of the circle of minor tonalities. In the course of this study, F-Diez Minora was given a characteristic "excited".

The following conclusion is logical: how many composers are so many opinions. This is how different can be Fa-Dieze Minor! Instrumental music is mostly abstract and perceived subjectively. But in this and consists of her charm!

Chord F is the very reception of Barre, whom all newcomers are afraid. You can avoid it, thereby limiting your repertoire. But, if you really want to learn to play a guitar, then sooner or later you will have to learn to play Barre. Especially since nothing complicated in it. If you do regularly, then quickly master the chord F.

Applications and record chords

Chords are indicated by capital latin letters (A, B, C, D, E, F, G). F is a F-Major. Additional letters and numbers after a capital letter indicate a particular variation of the chord. For example, the letter M is that it is minor consonance. Number 7 on the fact that it is septakord, etc.

Unlike the piano keyboard, the guitar vulture allows you to play the same consonance in different positions. To specify how the chord must be played, the application is used. It looks like this.

On the application is depicted, in which the grid you need to press a concrete string.

The structure of major and minor sober f

F-Major (F) consists of sounds: f (f), to (c), la (a).

F-minor (FM) consists of their sounds: f (F), to (C), Salted Diez (G #).

Notes included in consonance should be memorable to play a chord anywhere in the griff. It is very useful when you play an ensemble or rock band with two guitar.

F (F-Major) and FM (F-Minor) on the guitar

Take the guitar in your hands and start clairing the appliques of chords.

Fa Major in the first position

Take Barre on 1 Lada. Middle fingers press 3 strings on 2 Lada, ring finger and a little finger place on 3 Lada, on 5 and 4 strings.

Play chord. Surely the first two strings sound deaf or not sound at all. If this is true, then bend a bit and remove the index finger towards the guitar deck. Find the optimal position at which all the strings sound. At the same time, in no case turn your index finger into a curly claw. It must be or straight or smoothly bent.

IMPORTANT! Position of thumb

When playing chords from Barre, put a thumb in the middle of the back of the griff. So your effort will focus on the fingers, and not on the brush and forearm. In such a position, the hand will tire much less.

Fa-minor in the first position

Fm from F differs only by the position of the middle finger. With the game of minor sober, it remains free.

F 3 Lada

You can take F from 3 Lada. At the same time, the applicature will be similar to the form of re-magazine. Try to put your fingers as shown in the image below, and play chord.

FM on 3 Lada

The Minor sober FA from 3 Lada has a chord form of re-minor. In practice, it is not applied due to the fact that it is inconvenient to move to other consonents from this position.

F with small barre on 5 Lada

And this variation F is similar to D Major. Only played not at 1, but on 6 Lada.

FM on 5 Lada

Such an unusual Application FM can be found only in the compositions of guitar frisms like Robert Fippa and Frank Zapap. The usual guitarist Fa-minor will never play.

F and FM C Barre in the eighth position

Applications F and FM from Barre in 8 positions are used when playing an electric guitar in cases where the tool needs to give a brighter tool sound.

Applications look like this.

Major sober.

Minor sober.

F and FM after 12 Lada.

After 12 Lada, all the appliquers of chords are repeated, because notes are repeated on a guitar jiff. They only become an octave above. For example, F on 17 Lada looks the same as on 5.

If it does not work to play a tru major

Newbies usually postpone the study of Fa-Major to the last. If you are hard to clamp Barre, there is another way to play a tru major in the first freaks. Look at the applicature and hold the strings as shown.

Note, the first 2 strings must be clamped with one point finger.

IMPORTANT! About difficulties

Anyway learn Barre. The fashion game described above is needed that your learning does not slow down. But this application is not a full-fledged substitute for the usual Fa-Major.

Popular Cord Variations F

Because the consonance f is played with barre, popular variations are not too much. In practice, guitarists use variations with dieza and quintakcord. Less often - Nonakkord and Septakkorda.

Large major septakkord Fa (F7)

Application of this variation looks like this.

To get F7, clamp F and remove the Miseinette with the griff.

Fa-Dieze Minor (F # M)

Fa-Dieze Minor is the most popular variation of the consonance F. It is clamped as well as Fa-minor, but not on 1 Lada, but by 2.

Big Nonaccord Fa (F9)

F9 is clamped as F7 with a maizin for 1 string, 3 ways.

Quintakkord Fa (F5)

Please note that only three strings need to play in Quintakcord. The rest you must be swirling the palm of the left hand.

Quintakcord F5 can be played both in 1 and in 8 positions.

1 position

8 Position

In the music environment, Quintakcords are called "quints" or "Power chords" (from English Power Chords).

INTERESTING.

Some guitarists omit 6 string to tone below. Thanks to this, Quintakcord can be closed in one finger.

This reception is called Drop Tyun. It is often used by musicians working in heavy genres of rock music.

Exercise "Popular Sequences"

Before studying the study of songs with F, spend a little time to exercise transitions from Barre to open chords and back. The biggest problem of newcomers is the inability to quickly hold all the strings by index finger and put the remaining fingers at the right positions. But you can get rid of this problem only with regular training.

Below the sequence of chords whose game you need to practice.

Sequences with open chords

The most popular progression: Am F C E.

Having having learned this combination of consonance, you easily play such songs as "everything goes according to plan", "I was looking for you," "Slistered", "my enemy, be afraid of me", "half" and still dozen others.

Combination: Dm F E.

Playing this sequence, you work out the transition DM - F, and then F - E. When you first shift the position, do not break the middle finger from 3 strings. Move only index and nameless fingers and a little finger. With a second change of position, simply shift the hand without changing the position of the fingers.

It turns out that Mi-major you clamp medium, nameless fingers and a little finger. It is incorrect from the point of view of the Application E, but very convenient in practice.

Sequences from Barre

The first sequence from Barre: F C G.

When you play it, you work out the transition from one type of barrel to another. If you plan to ever take into the hands of the electric guitar, then you will definitely need to master this sequence.

Next number of chords: AM, G, F, E.

Here all chords need to play with Barre. It turns out that you are moving down the vulture. In this order, these 4 chords played from Barre, sometimes called the "Spanish sequence".

The third progression with Barre includes a diezer chord: F # M, BM, A, G.

If you have mastered the two previous progression of chords, then this will be played at all. F # M is often found in songs. And almost always he goes paired with BM.

Tip: Think Fashion

When you are going to play some song, before starting execution, look at the consonance sequence. Imagine how you will replace one chord to others. Determine convenient positions. Where to play with open strings, and where to get Barre.

It is better to sit half a minute, studying chords than to stay in the middle of the song, picking up the desired appliqué.

In the future, when you already have a certain experience, the whole process of analyzing sequences will occupy the share of seconds. But at the beginning of training it is worth paying more time.

Popular guitar songs using chords F

Below is a list of popular songs in which F, F7, F # M, FM are found. First, take 1-2 songs first. Learn them so to play in memory. Repertoire Expand gradually. Try to add only those songs that you like. Because they are nicer to play.

• Chizh. - "Phantom"
• civil defense - "Everything goes according to plan"
• Tef - "Oh-yo"
• Bi-2 and Chicherina - "My Rock and Roll"
• Night sniperss - "You gave me roses"
• Army song - "When order"
• Buckwheat - "Love me Love"
• Nirvana. - "Smells like Teen Spirit"
• Movie - "Blood type"
• King and the Clown - "Jump from the cliff"
• Lyube - "You carry me, river"
• Beetles - "Battery"
• Aria - "Lost heaven"
• Movie - "Calm night"
• 5'nizza. - "Soldier"
• 25/17 - "Star"
• A. Prikhodko - "Vera"
• Natalie - "Oh, God, what a man!"
• M. Krov - "Roll"
• "Golden ray of sunshine"

Attention! Increased complexity

If you feel the strength, then try to play the entrance riff songs "Song 2" groups Blur. In this composition, the Quintakkord F. is used.

Tonality F DUR (F-Major) and F Moll (Fa-minor)

The table shows the consonance that can be used when playing in tonalities F.

• Although F-Major is often used in songs, the compositions are very rarely starting with this consonance.
• Among all chords, the FA variation (Fa-Diez, Fa-Dieze Minor) is most often used in popular music (for example, Movie - "Blood type", RAGE AGAINST THE MACHINE - "Bulls on the Parade", etc.).

What you need to remember

1. F-Major with Barre can be replaced with another application, but only at first.
2. Having learned F-Major, you can play from Barre and any other chord. This technique will significantly expand your technical capabilities.
3. In chords, it needs to be remembered only by one application (from Barre on the first Lada).
4. The combination of am, f, c chords allows dozens of popular songs to play.