Fost Yuri Nikolaevich. Selected works of Glinka

Favorites and most famous

works M.I. Glinka

I. Operas and essays for the scene 1) "Life for the king" ("Ivan Susanin") (1836), a large opera in 4 acts with an epiralogue. Libretto G.F. Rosen. 2) Music to the tragedy "Prince Kholmsky" N.V.Kolkolnik (1840). 3) "Ruslan and Lyudmila", a big magic opera in five acts (1842). Libretto V.F. Shirkova on the poem A.S. Pushkin. II. Symphony works 1) Overture-symphony for a circular Russian topic (1834), finished and tools V. Hestbalin (1937). 2) Brilliant Capricheo on the theme of Aragon Hoty (Spanish Overture N1) (1843). 3) Memoirs of the summer night in Madrid (Spanish Overture N2 for Orchestra) (1848-1851). 4) "Kamarinskaya", fantasy on the themes of two Russian songs, wedding and dance, for the orchestra (1848). 5) Polonaise ("Solemn Polish") on Spanish Bolero (1855). - 6) Waltz fantasy, scherzo in the form of a waltz for the orchestra (the third tool for the same name for F-but 1839) (1856) III. Chamber-instrumental ensembles 1) String Quartet (1830) 2) Brilliant divertiment on the themes from the opera "Somnambula" V. Bellini (1832). 3) Serenade for some motifs from the Opera "Anna Bolein" Donyzetti (1832). 4) Large sextet on its own topics (1832). 5) "PATETIC TRIO" (1832). IV. Works for piano 1) Variations on the theme of Russian songs, among the valleys of the flat "(1826). 2) Nocturne ES-DUR (1828). 3)" New Counterordans ", French Kadril D-DUR (1829). 4)" farewell waltz "(1831). 5) Variations on the song" Solovy "A.Alyabyeva. (1833). 6) Mazurka F-DUR (Mazurka dedicated to his wife) (1835). 7)" Melodic Waltz "(1839). 8) "Counsels" G-DUR (1839) 9) "Waltz Favorite" F-DUR (1839). 10) "Big Waltz" G-DUR (1839) 11) "POLONAISE" E-DUR (1839). 12) Nocturne "Separation" (1839). 13) "Monastery", countersdans D-DUR (1839). 14) "Waltz-Fantasy" (1839). 15) "Bolero" (1840) 16) Tarantella on the topic of Russian folk song " Berozon's field stood "(1843). 17)" Prayer "(1847). (For voice, choir and orchestra - 1855). 18) Copyright for piano Epilogue Opera" life for the king "(1852). 19)" Children's Polka "(On the occasion of the recovery of the niece Olga (1854) 20) Andalusian dance" LAS MOLLARES "(1855). 21)" Lark "(1840) (processing for F - Balakirev). V. vocal pro Looking with piano accompaniment 1) Elegy "Do not tempt me without need" (1825). The words E.A. Bratynsky. 2) "Poor singer" (1826). Slov V.A. Zhukovsky (1826). 3) "consolation" (1826). Shelova V.A. Zhukovsky. 4) "Ah you, dressed in, Krasno Maiden" (1826). Words folk. . 5) "Memory of the Heart". The words of K.N. Batyushkova (1826). 6) "I love, you told me" (1827). Slov A. Graim-Korsaka. 7) "Gorky, bitter me, Red Device" (1827). Shelova A.Ya. Roman Corsa. 8) "Tell me, why" (1827). Slov S.Golitsyn. 9) "Only MIG" (1827). Slov S.Golitsyn. 10) "What, the beauty of young" (1827). Slova A.A.Delveva. 11) "Grandfather, the girls once told me" (1828). Slova A.A.Delveva. 12) "Disappointment" (1828). Shelova S.G.Golitsyn. 13) "Do not sing, beautiful, with me". Gruzinskaya song (1828). Words A.S. Pushkin. 14) "Forget I" (1829). Slov S.G. Russia. 15) "Night Autumn" (1829). Slov A.Ya. Graim-Korsaka. 16) "Oh, you, night, night" (1829). Slova A.A.Delsign. 17) "Voice from the next world" (1829). Slov V.A. Zhukovsky. 18) "Desire" (1832). Slov F.Mari. 19) "Winner" (1832). Shelova V.A. Zhukovsky. 20) Fantasy "Venetian Night" (1832). Slova I.I. Kozlova. 21) "Do not say: love will pass" (1834). Slova A.A.Delveva. 22) "Dubrava Noum" (1834). Slov V.A. Zhukovsky. 23) "Do not call her heavenly" (1834). Words N.F. Pavlova. 24) "I just found out you" (1834). Slova A.A.Delveva. 25) "I'm here, Inesilee" (1834). Slova A.S. Pushkin. 26) Fantasy "Night-looking" (1836). Slov V.A. Zhukovsky. 27) Stans "Here is a place of a secret date" (1837). The words N.V.Kolkolnik. 28) "Doubt" (1838). Slova N.V.Kolkolnik. 29) "The fire is burning in the blood" (1838). Shelova A.S. Pushkin. 30) "Where our rose" (1838). Slova A.S. Pushkin. 31) "Hoodie Vielmi in half" (1838). Slov<украинск.> V.N. Zabella. 32) "Do not rubble, nightwood" (1838). Slov<украинск.> V.N. Zabella. 33) "Night Zephyr" (1838). Slov A.S. Pushkin. Wedding song (1839). Slova E.P. Orthodopchina. 35) "If I meet with you" (1839). Shelova A.V. Kozlova. 36) "I remember a wonderful moment" (1840). Words A.S. Pushkin. 37) "Farewell to Petersburg", cycle of 12 songs and romances (1840). The words N.V.Kolkolnik. 38) "How sweet with you to be" (1840). Slovy P.P.rew. 39) Recognition ("I love you, even though I mad") (1840). Words A.S. Pushkin. 40) "I love you, a cute rose" (1842). Slova I.Samarin. 41) "To her" (1843). Shelova A.Mitzkevich. Russian text S.G.Golitsyn. 42) "You will soon pose me" (1847). Slova Yu.V. Jadovskaya. 43) "I hear your voice" (1848). Slov M.Yu.Lermontova. 44) "Cooling Cup" (1848). Shelova A.S. Pushkin. 45) "MARGARITI SONG" from the tragedy V.Get Faust (1848). Russian text E.Guber. 46) Fantasy "About Honey Virgo" (1849). Shelova - Imitation of poems A.Mitzkevich 47) "Adele" (1849). Slova A.S. Pushkin. 48) "Mary" (1849). Shelova A.S. Pushkin. 49) "Finnish Bay" (1850). Words of P.G. Bodovsky. 50) "Ah, when I first knew" (1855). Stained Gypsy song on the words I.Dmitriev in the processing of M. Glinka. 51) "Do not say that the heart is painful" (1856). Slova N.F. Pavlova.

M. I. Glinka

The abstract on history executed: student 8 "b" class

Ministry of Education of the Russian Federation

High School number 5

Belorechensk

1999

Introduction

The beginning of the XIX century is the time of cultural and spiritual lifting of Russia. The Patriotic War of 1812 accelerated the growth of the national identity of the Russian people, his consolidation. The growth of the national identity of the people during this period had a huge impact on the development of literature, visual arts, theater and music.

Mikhail Ivanovich Glinka is the Russian composer, the investigator of Russian classical music. Operas "Life for the king" ("Ivan Susanin", 1836) and "Ruslan and Lyudmila" (1842) marked the beginning of two directions of the Russian opera of the folk musical drama and the opera-fairy tale, Opera-epic. Symphonic writings, including "Kamarinskaya" (1848), "Spanish Overtures" ("Aragon Hot", 1845, and "Night in Madrid", 1851), laid the foundations of Russian Simphonism. Classic Russian romance. The "patriotic song" of Glinka became the musical basis of the state anthem of the Russian Federation.

Childhood Glinka

Mikhail Ivanovich Glinka was born on May 20, 1804, in the morning at the dawn, in the village of Novospasska, who belonged to his father, the captain in resignation, Ivan Nikolayevich Glinka. This estate was in 20 versets from the city of Yelni Smolensk province.

According to the story of the mother, after the first cry of a newborn under the very window of her bedroom, in a dense tree, there was a ringing voice of the nightingale. Subsequently, when his father was not satisfied with the fact that Mikhail left the service and engaged in music, often used to say: "Not a gift from the nightingale in the window at his birth, so the screamer came out." Shortly after the birth of his mother, Eugene Andreevna, nee Glinka, passed the upbringing of the son of Fekle Alexandrovna, mother of his father. He spent about three to four years with her, seeing his parents very rarely. Primary education received at home. Listening to the singing of fortress peasants and the bells of the bells of the local church, early showed craving for music. He was fond of the game of the orchestra of fortress musicians in the village of Uncle, Athanasius Andreevich Glinka. Musical classes The game on the violin and the piano began pretty late (1815-16) and wore amateur character.

Musical abilities at this time were expressed by "passion" to the bell ringing. Young Glinka eagerly listened to these sharp sounds and skilled on 2 copper pelvices deftly imitate the stares. Glinka was born, spent the first years and received his first education not in the capital, and in the village, so the nature took him all those elements of the musical nation, which, no existing in our cities, was preserved only in the heart of Russia ...

Once, after the invasion to Smolensk Napoleon, the quartet of the cruise with the clarinet played, and the boy Misha remained in a feverish state. On the question of the drawing teacher about the reason for his inattention, Glinka replied: "What can I do! Music - my soul! " At this time, a governess appeared in the house, Varvara Fedorovna Klimmer. With her, Glinka was engaged in geography, Russian, French and German, as well as playing the piano.

The beginning of an independent life

In early 1817, parents decided to send him to a noble board. This guesthouse, open on September 1, 1817, at the Main Pedagogical Institute, was a privileged educational institution for children of nobles. After graduating, the young man could continue his classes for a particular specialty or to go to the public service. During the opening of the noble guesthouse, Lev Pushkin was entered there - the younger brother of the poet. He was for a year younger Glinka, and they, having become familiar, became friends. At the same time, Glinka met with the poet himself, which "guarded to us in the guesthouse to his brother." Gutener Glinka taught Russian Literature in the boarding house. In parallel with the study, Glinka took the lessons of playing the piano in Oman, Zeiner and S. Mayra is a rather famous musician.

In early summer, 1822, Glinka was released from a noble guesthouse, being a second student on the day of release with success played publicly piano gummel concert. Then Glinka entered the service office of the communication paths. But since she broke him away from music, he soon resigned. He was already an excellent musician in the boarding house, he was delightful playing the piano, and his improvisation was charming. In early March 1823, Glinka went to the Caucasus to help with mineral waters, but this treatment did not reconcile his health. In early September, he returned to Novospasskaya village and with a new zeal set for music. He engaged in music a lot and stayed in the village from September 1823 to April 1824; In April, he went to St. Petersburg. During the summer of 1824, he moved to Falieva's house, in Kolomna; For the same time, he met the Italian singer Belolli and began to study Italian singing.

The first unsuccessful attempt in writing with the text refers to 1825. Later he wrote an elegue "Do not tempt me without need" and the romance "Poor singer" on the words of Zhukovsky. Music was increasingly captured by the Duma and the time of Glinka. The circle of friends and fans of his talent expanded. He was known as an excellent artist and writer, both in St. Petersburg and Moscow. Encouraged by friends, Glinka composed more and more. And many of the early works Many have become a classic. Among them, romances: "Do not tempt me without need," "Poor singer", "Memory of the Heart", "Tell me, why", "do not sing, beautiful, with me," Ah, you, Dress, Krasno Maiden "," That beauty is young. " At the beginning of the summer, 1829 was published a "lyrical album", published by Glotka and N. Pavlishchev. In this album, for the first time, the romances and the dances of the Dancing Cotilion and Mazurka were printed.

First overseas journey (1830-1834)

In the spring of 1830, Glinka went to a long passage journey, whose goal was like treatment (on the waters of Germany and in the warmth of Italy) and acquaintance with Western European art. After spending a few months in Aachen and Frankfurt, he arrived in Milan, where he was engaged in the composition and vocals, the theaters attended the theaters, made a trip to other Italian cities. It was also assumed that the warm climate of Italy would improve his upset health. Having lived in Italy around 4 years old, Glinka went to Germany. There he met the talented German theorist Siegfried Den and for months he took his lessons. According to Glinka himself, Den led his musical and theoretical knowledge and skills to the system. Abroad, the Glinka wrote a few bright romances: "Venetian night", "Winner", "Patetic Trio" for Clarinet Piano, Fagota. At the same time, he originated for the creation of the National Russian Opera.

In 1835, Glinka married M. P. Ivanova. This marriage turned out to be extremely unsuccessful and overshadowed the life of the composer for many years.

Returning to Russia, Glinka with hobby began to compose Opera about the patriotic feat of Ivan Susanin. This plot suggested to write Libretto. Glinka had to contact Baron Rosen. This libretto glorified autocracy, so, contrary to the desire of the composer, Opera was called "Life for the Tsar".

The work premiere called at the insistence of the Directorate of Theaters "Life for the Tsar", January 27, I836 was the birthday of the Russian heroic-patriotic opera. The performance was held with great success, he was attended by the royal family, and in the hall among many friends Glinka was Pushkin. Soon after the premiere of Glinka was appointed head of the court singing chapel. After the premiere, the composer became interested in the idea of \u200b\u200bcreating a opera on the plot of Pushkin's poems "Ruslan and Lyudmila".

Back in 1837, the glint led the conversation with Pushkin about creating a opera on the plot "Ruslan and Lyudmila". In 1838, work began on writing,

The composer dreamed that Pushkin himself wrote a libretto for her, but the premature death of the poet was prevented by this. Libretto was created according to the plan composed of Glinka. From the people's heroic opera "Ivan Susanin". The operator Opera Glinka is not only a fabulous plot, but also development features. Work on the opera stretches for more than five years. In November 1839, exhausted by homemade turmoil and tedious service in court chapel, Glinka filed a reference to the director; In December of the same year, Glinka was dismissed. At the same time, Music was written to the tragedy "Prince Kholmsky", "Night-looking" on the words of Zhukovsky, "I remember the wonderful moment" and "Night Million" on the words of Pushkin, "doubts", "Lark". The written "Waltz Fantasy" for the piano was orchestral, and in 1856 he was converted into an extensive orchestral play.

November 27, 1842 - Exactly six years after the first stage of "Ivan Susanin" - the premiere of the second opera Ruslan and Lyudmila took place in St. Petersburg. Despite the fact that the royal family left the lie before the end of the performance, the advanced cultural figures met an essay with delight (although the unity of opinions this time was not due to the deep innovative character of drama). Soon the opera completely removed from the stage; Rarely put "Ivan Susanin".

In 1838, Glinka became acquainted with Catherine Curne, a daughter of the heroine of the famous Pushkin poem, and dedicated her to her inspired works: "Waltz fantasy" (1839) and a wondered romance for Pushkin poems "I remember a wonderful moment" (1840).

New wanderings (1844-1847)

In 1844, Glinka again leaves abroad, this time in France and Spain. In Paris, he meets the French composer Hector Berlioz. A concert from the works of Glinka was held with great success. On May 13, 1845, Glinka left Paris to Spain. There he got acquainted with the folk Spanish musicians, singers and guitarists, using the entries of folk dance, Glinka in 1845 wrote a concert overtoo "Aragon Khota" Returning to Russia Glinka writes another overture "Night in Madrid", at the same time, the symphonic fantasy "Camarinskaya »On the topic of 2 Russian songs: wedding lyrical (" from behind the mountains, high mountains ") and a bunch of dance.

Glinka Mikhail Ivanovich

Great Russian composer, founder of Russian classical music.

Biography

Children's and Youth Years

M.I. Glinka was born on May 20 (June 1) of 1804 in the village of Novospassky, near Yelni Smolensk province, in the estate of the Father, the captain in resignation, Ivan Nikolayevich Glinka. A painful and weak child, he was brought up with his grandmother (on his father), a steep and powerful woman, a thunderstorm of serfs and their loved ones. Primary education received at home. Musical classes with a governess invited from St. Petersburg, Barbara Fedorovna Clamer, a game on a violin and piano began fairly late (1815-1816) and wore amateur character. Musical abilities at this time were expressed by "passion" to the bell ringing, the Glinka knew how to deftly imitate the copper pelvits.

In early 1817, Glinka was taken to St. Petersburg, where he was placed in the newly Open Noble Pension at the Main Pedagogical Institute. This guesthouse was a privileged educational institution for children of the nobility. During the opening of the noble guesthouse, Lev Pushkin was entered there - the younger brother of the poet. He was for a year younger Glinka, and they, having become familiar, became friends.

At the same time, Glinka met with the poet himself, which "guarded to us in the guesthouse to his brother." In parallel with the study, Glinka took the lessons of the game on the piano. He studied music from the best Petersburg teachers of that time: the violinist Franz Bem, Pianist John Fild, Charles of Mayer. The Italian Todi M. Glinka began to study and sing. In the early summer of 1822, Glinka was released from the guesthouse, being one of the best disciples. On the day of the issue, he, together with his teacher, Meyer successfully played the piano concert of Hummel.

Creative years

The first experience of Glinka in writing music belongs to 1822 - the end time of the guesthouse. These were variations for the harp or piano on the topic of the opera of the Austrian composer Weigly "Swiss Family". From this point on, continuing to improve in the game on piano, Glinka pays more and more attention to the composition and soon compresses extremely many, trying his strength in various genres. For a long time, he remains unsatisfied with his work. But it was during this period that well-known romances and songs were written: "Do not tempt me without need" for the words E.A. Baratyansky, "Do not sing, beautiful, with me" for the words A.S. Pushkin and others.

In early March 1823, Glinka went to the Caucasus, on mineral waters, but this treatment did not correct his weak health. In September, he returned to Novospasskoye and with a new zeal set for music. He was engaged in music a lot and stayed in the village until April 1824, and then left for St. Petersburg and entered the Ministry of Communications Ministry (1824-1828). But since the service rejuvenated him from music, Glinka soon resigned. Gradually, Glinka dating circle in St. Petersburg goes beyond secular relationships. He meets Zhukovsky, Griboedov, Mitskevich, Delvig, Odoevsky. In April 1830, worsened health made Glinka to travel to Germany and Italy.

After spending a few months in Aachen and Frankfurt, he arrived in Milan, where he was engaged in the composition and vocals, the theaters attended the theaters, made a trip to other Italian cities. In Italy, Glinka studied Belkanto and Italian opera, met Bellini and Donizetti. Having lived in Italy around 4 years old, Glinka in July 1833 went to Germany. There he met the talented German theorist Siegfried Den and for several months he took his lessons. Abroad, Glinka wrote a few bright romances: "Venetian night", "Winner", etc. Then he had a thought of creating the National Russian Opera.

In 1834, he began working on Opera "Ivan Susanin", the plot of which Glinka suggested Zhukovsky. Glinka classes in Berlin were interrupted by the news of the death of his father. Glinka immediately goes to Russia. The overseas journey unexpectedly ended, but it basically managed to fulfill his plans. Returning to his homeland, the glint is taken for the composition of the Russian opera. Neither family losses (death of the father, and later and brother), nor dating and amur adventures (like history with a German Louise), nor walling and marriage could prevent this work.

(In April 1835, Marya Petrovna Ivanova, a milapidious girl, his distant relative, was herself, the policeman, his distant relative. But this marriage turned out to be extremely unsuccessful and overshadowed the life of the composer for many years).

Opera quickly advanced, but to make it performing it on the stage of the St. Petersburg Bolshoi Theater turned out to be difficult. Director of Imperial Theaters A.M. Gedeonov with great perseverance prevented the adoption of a new opera to the production. Apparently, in an effort to protect himself from any surprises, he gave it to the court of Kavosuser Kavos, who was the author of the opera on the same plot. However, Kavos gave the work of Glinka, the most flattering feedback and took off his own opera from the repertoire. Thus, "Ivan Susanin" was adopted for production, but Glinka was obliged to not demand for the reward opera.

The premiere of the opera "Life for the king" (in the following productions - "Ivan Susanin") was held on November 27, 1836. Success was huge. Glinka wrote his mother the next day: "Yesterday's evening finally accomplished the desire of mine, and my little work was crowned with the most brilliant success. The audience took my opera with extraordinary enthusiasm, the actors came out of their own zeal ... The Emperor Sovereign ... Thank you I was talking to me for a long time ... "

For the "life for the king" in 1837, the brilliant "night review" was followed and excellent "Heruvimskaya", written for St. Petersburg court chapel, where Glinka, after the brilliant success of his first opera, received the place of Kappelmeister (1837-1840). Back in 1837, Glinka led the conversation with Pushkin about creating a opera on the plot "Ruslan and Lyudmila". In 1838, work on the writing began, the composer dreamed that Pushkin himself wrote a libretto for her, but the premature death of the poet prevented this. Opera was created in the hard time for Glinka. He divorced his wife, and in November 1839, exhausted by homemade turmoil, gossip and tedious service in the court chapel, Glinka filed a reference to the director; In December of the same year, Glinka was dismissed.

In 1838, Glinka met Ekaterina Kern, the daughter of the heroine of the famous Pushkin poem, and dedicated her to her inspired works: "Waltz fantasy" (1839) and a romance for Pushkin poems "I remember a wonderful moment" (1840).

In the spring of 1842, Glinka completes the work on creating his second opera - "Ruslan and Lyudmila", which stretched more than five years. Her first representation took place on November 27, 1842, day a day 6 years after the premiere of "Ivan Susanin". However, the new Opera Glinka, in comparison with Ivan Susanin, caused stronger criticism. The royal family left the lie until the end of the premiere performance, soon the Opera was completely removed from the stage; Rarely put "Ivan Susanin". Composer is hard for it. In mid-1844, he takes a new long-term foreign trip - this time in France and Spain. Soon bright and diverse impressions return to Glinka high vitality. In 1845, he wrote a concert overture "Aragon Khota", and returned to Russia (1848), Glinka writes another overture "Night in Madrid" (1851), at the same time, the symphonic fantasy "Kamarinskaya" on the topic of Russian songs was written.

In May 1851, the mother of the composer died, E.A. Glinka. The resulting news was so shocked by the composer that his right hand took away. Mother was the closest man, and as it turned out to be difficult to live without her. Glinka was also not fifty, and his physical forces weakened. In 1852, Glinka hopes to fix health in Spain, but coming to Paris delayed there for two years. The last years of the life of Glinka lived in St. Petersburg, then in Warsaw, Paris, and since 1856 - in Berlin. He was full of creative plans, but lacked the strength to bring to the end of the intended works. Glinka all weakened, and 3 (15) February 1857 did not become it.

He died in Berlin, in a foreign land, away from relatives and loved ones. He was buried there in a modest grave at the Lutheran cemetery. In May of the same year, the younger sister of the composer Lyudmila Ivanovna Shestakova with friends transported the body to the Kronstadt steamer. On May 24, 1857, the coffin with the body of Glinka was lowered into Russian land at the Tikhvin cemetery of Alexander Nevsky Lavra in St. Petersburg. In 1859, on the grave of M.I. Glinka was opened a monument (arch. I.I. Gornostayev, SC. \u200b\u200bN.A. Laveretsky), and in 46 years old, in January 1906, near was buried and L.I. Shestakova. Graves of Glinka M.I. and Shestakova L.I. Initially, the composer and his sister were buried not far from the entrance to the cemetery, in 1936, during the reconstruction of necropolis, Prah M.I. Glinka and L.I. Shestakova was transferred deep into the cemetery, on the composer track.

Main works

Operas

"Life for the king" (1836)

"Ruslan and Lyudmila" (1837-1842)

Symphony works

Symphony into two Russian topics (1834, finished and orchestrated Vissarion Shebalin)

Music to the tragedy of N. V. Dollhouse "Prince Kholmsky" (1842)

Spanish Overture No. 1 "Brilliant Capriccio on the theme of Aragon Hoty" (1845)

"Kamarinskaya", fantasy into two Russian topics (1848)

Spanish Overture No. 2 "Memories of the Summer Night in Madrid" (1851)

Waltz Fantasy (1839, 1856)

Chamber instrumental writings

Sonata for viola and piano (unfinished; 1828, refined by Vadim Borisovsky in 1932)

Brilliant divertiment on the themes from the Opera Bellini "Somnambula" for Piano Quintet and Double Bass

Large Sextet ES-DUR for Piano and String Quintet (1832)

"PATETIC TRIO" D-MOLL for Clarinet, Fagota and Piano (1832)

Romances and songs

"Venetian Night" (1832)

"I'm here, Inesilla" (1834)

"Night view" (1836)

"Doubt" (1838)

"Night Marshmallow" (1838)

"The fire is burning in the blood" (1839)

Wedding song "Warming Terem is worth" (1839)

"Backway song" (1840)

"Recognition" (1840)

"Cool Cup" (1848)

"Song Margarita" from the tragedy Goethe "Faust" (1848)

"Mary" (1849)

"Adele" (1849)

"Finnish Bay" (1850)

"Prayer" ("per minute of life difficult") (1855)

"Do not say that the heart is painful" (1856)

national anthem of the Russian Federation

The patriotic song of Mikhail Glinka from 1991 to 2000 was the official anthem of the Russian Federation.

Memory

At the end of May 1982, a house-museum M. I. Glinka was opened in the native village of composer Novospassky

In 1907, the sister of the great composer L.I.Shetakova was founded by the school. M.I. Glinkov in the city of Lenna Smolensk region.

Monuments M. I. Glinka

In Smolensk, it was created on folk remedies collected by subscription, opened in 1885 in the eastern side of Garden Blonier; Sculptor A. R. Background side. In 1887, the monument was composite completed by installing openwork cast fences, the drawing of which was composed of a musical line - excerpts 24 of the composer's works

In St. Petersburg, built on the initiative of the city Duma, opened in 1899 in the Alexander Garden, at the Fountain before the Admiralty; Sculptor V. M. Pashchenko, Architect A. S. Lykin

In Veliky Novgorod on the monument "1000th anniversary of Russia" among 129 figures of the most outstanding personalities in Russian history (for 1862) there is a figure M. I. Glinka

In St. Petersburg, built on the initiative of the Imperial Russian Music Society, opened on February 3, 1906 in the square in the Conservatory (Theater Pl.); Sculptor R. R. Bach, Architect A. R. Bach. Monument of monumental art of federal significance.

In Zaporizhia, opened in 1956 opposite the entrance to the Glinka concert hall

In Chelyabinsk, opened on July 20, 2004 on the square in front of the Academic Opera and Ballet Theater; Sculptor Vardkes Avakyani, Architect Evgeny Aleksandrov

On May 20, 1899, the house in Berlin, where M. I. Glinka died, was immortalized by a memorial plane

Prizes and festivals named after M. I. Glinka

In 1884, M. P. Belyaev were established by Glinkinsky Prizes, which existed until 1917

From 1965 to 1990, the State Prize of the RSFSR named after Glinka existed

Since 1958, the All-Russian Music Festival named after M. I. Glinka is held in Smolensk

Since 1960, an international (previously All-Union) Wocalist Competition named Glinka is held

Movies about M. I. Glinka

In 1946, the artistic biographical film "Glinka" about the life and work of Mikhail Ivanovich was shot on Mosfilm

In 1952, Mosfilm released an artistic biographical film "Composer Glinka"

In 2004, a documentary film about the life and work of the composer Mikhail Glinka was filmed to the 200th anniversary of his birth. Doubt and passion ... "

Mikhail Glinka in Filateli and Numismatics

Russian Postmarks dedicated to the 200th anniversary of the birth of M. I. Glinka, 2004, (ITC (ITC) # 942-944; Michel # 1174-1176)

In 1951, the postage stamp of the USSR was released to the 175th anniversary of the Bolshoi Theater in Moscow, on which the portrait gallery of Russian composers heads the portrait of M. I. Glinka (ITC (ITC) # 1613; Scott # 1554)

In 1954, two postage stamps were released in the USSR, dedicated to the 150th anniversary of the birth of M. I. Glinka (ITC (ITC) # 1781-1782; Scott # 1723-1724), one of them shows a portrait of a composer, to another - Scene from Opera "Ivan Susanin"

In 1957, two postage stamps of the USSR were released on the 100th anniversary of the grade of the composer (ITC (ITC). # 1979-1980; Scott # 1907-1908)

In 1958, brands with a portrait of M. Glinka released Mail of Bulgaria (Michel # 1052) and Romania (Michel # 1712)

In 1991, within the framework of the "International Year of Russian Culture", the Ministry of Communications of the USSR released an envelope with the original brand, the original portrait of which served as a picture of I. Repin "M. I. Glinka for the writing of the Opera "Ruslan and Lyudmila", and on the envelope - the reproduction with the lithograph "Quartet M. Yu. Vilygorsky"

On May 20, 2004, Russian Post released three postage stamps to the 200th anniversary of the birth of M. I. Glinka. A portrait of M. Glinka was placed on one of the miniatures, on the other two - scenes from the operas "Ivan Susanin" or "life for the king" and "Ruslan and Lyudmila". On the coupon, uniting all brands in a single whole, placed facsimile composer and sheets with notes of the Marsham Marsham Marsh (ITC) # 942-944; Michel # 1174-1176)

On June 18, 2004, the Bank of Russia issued a commemorative coin with a denomination of 2 rubles

In 2004, B. G. Fedorov financed the chasing of a commemorative medal with the image of the composer in honor of the 200th anniversary of his birth.

In honor of M. and Glinka are named

State Academic Chapel of St. Petersburg (in 1954).

Moscow Museum of Musical Culture (in 1954).

Novosibirsk State Conservatory (Academy) (in 1956).

Nizhny Novgorod State Conservatory (in 1957).

Magnitogorsk State Conservatory.

Minsk Music School

Chelyabinsk Academic Opera and Ballet Theater.

Petersburg Choral School (in 1954).

Dnepropetrovsk musical conservatory. Glinka (Ukraine).

Concert hall in Zaporizhia.

State String Quartet.

Streets of many cities of Russia, as well as cities of Ukraine and Belarus. Street in Berlin.

In 1973, Astronome Lyudmila Black called the small planet in honor of the composer - 2205 Glinka.

Crater on Mercury.

Mikhail Glinka was born in 1804, in the estate of his father, in the Novospassky village in the Smolensk province. After the birth of the son, the mother decided that she had already done enough, and passed the little Misha on the upbringing of his grandmother, Fesill Alexandrovna. The grandmother flashed her grandson, arranged to him "greenhouse conditions", in which he grew up with a "mimosa" - a nervous and rampant child. After the death of the grandmother, all the gravity of the upbringing of the grudge son fell into the mother, who, we must give her due, the new forces rushed to re-educate Mikhail.

Playing the violin and on the piano, the boy began thanks to his mother, who saw in his son talent. First, Glinka learned the governess to music, later the parents sent him to the guesthouse in St. Petersburg. It was there that he met Pushkin - he came to visit the younger brother, a classmate Mikhail.

In 1822, the young man graduated from studying in the boarding house, but not going to throw music. He is musitis in noble salons, and sometimes leads the uncle orchestra. Glinka experiments with genres and writes a lot. He creates several songs and romances, well known in our days. For example, "do not tempt me without need," "do not sing, beautiful, with me."

In addition, he meets with other composers, and all the time improves his style. In the spring of 1830, the young man rides in Italy, delayed a bit in Germany. He tries his hand in the genre of the Italian opera, and its compositions become more mature. In 1833, in Berlin, he caught the news about the death of his father.

Returning in Russia, Glinka thinks about creating a Russian opera, and as a foundation, he takes a legend about B Ivan Susanin. Three years later, he finishes work on his first monumental musical work. But it turned out to be much more difficult to put it - this was opposed by the director of the imperial theaters. He believed that the glint was too young for the opera. Trying to prove it, the director showed Opera Katerino Kavos, but he, contrary to expectations, left about the work of Mikhail Ivanovich the most flattering review.

Opera took with delight, and the glint wrote a mother:

"Yesterday evening finally made my desire, and my little work was crowned with the most brilliant success. The public accepted my opera with an extraordinary enthusiasm, the actors came out of his own zeal ... The Emperor's sovereign ... Thank you and talked me for a long time" ...

After such success, the composer was prescribed by a drop-making of the court singing chapel.

Exactly six years after Ivan Susanina, "Glinka presented to the public" Ruslana and Lyudmila "to the public. He began working on her at the lifetime of Pushkin, but he had to finish the work with several little-known poets.
The new opera underwent brutal criticism, and the glint was seriously worried. He went on a big journey in Europe, stopping in France, then in Spain. At this time, the composer works on symphony. He travels to the end of his life, lingering in one place for the year or another. In 1856 he rides in Berlin, where he dies.

"Evening Moscow" recalls the most significant works of the Great Russian Composer.

Ivan Susanin (1836)

Opera Mikhail Ivanovich Glinka in 4 acts with an epilogue. The opera describes the events of 1612 associated with the campaign of the Polish gentry to Moscow. Deals with the feat of the peasant Ivan Susanin, who started the enemy detachment into the impassable thicket, and in the same place. It is known that the Poles walked to Kostroma to kill the 16-year-old Mikhail Romanova, who did not know that he would become king. The way they volunteered to show Ivan Susanin. The Patriotic War of 1812 has awakened interest in his history in people, the plots of Russian historical topics become popular. His opera Glinka composed twenty years after the opera Katerino Kavos on the same topic. At some point on the stage of the Bolshoi Theater, both the other version of the popular plot was also put on the scene. And some performers participated in both operations.

Ruslan and Lyudmila (1843)

Mikhail Glinka was born in 1804, in the estate of his father, in the Novospassky village in the Smolensk province. After the birth of the son, the mother decided that she had already done enough, and passed the little Misha on the upbringing of his grandmother, Fesill Alexandrovna. The grandmother flashed her grandson, arranged to him "greenhouse conditions", in which he grew up with a "mimosa" - a nervous and rampant child. After the death of the grandmother, all the gravity of the upbringing of the grudge son fell into the mother, who, we must give her due, the new forces rushed to re-educate Mikhail.

Playing the violin and on the piano, the boy began thanks to his mother, who saw in his son talent. First, Glinka learned the governess to music, later the parents sent him to the guesthouse in St. Petersburg. It was there that he met Pushkin - he came to visit the younger brother, a classmate Mikhail.

In 1822, the young man graduated from studying in the boarding house, but not going to throw music. He is musitis in noble salons, and sometimes leads the uncle orchestra. Glinka experiments with genres and writes a lot. He creates several songs and romances, well known in our days. For example, "do not tempt me without need," "do not sing, beautiful, with me."

In addition, he meets with other composers, and all the time improves his style. In the spring of 1830, the young man rides in Italy, delayed a bit in Germany. He tries his hand in the genre of the Italian opera, and its compositions become more mature. In 1833, in Berlin, he caught the news about the death of his father.

Returning in Russia, Glinka thinks about creating a Russian opera, and as a foundation, he takes a legend about B Ivan Susanin. Three years later, he finishes work on his first monumental musical work. But it turned out to be much more difficult to put it - this was opposed by the director of the imperial theaters. He believed that the glint was too young for the opera. Trying to prove it, the director showed Opera Katerino Kavos, but he, contrary to expectations, left about the work of Mikhail Ivanovich the most flattering review.

Opera took with delight, and the glint wrote a mother:

"Yesterday evening finally made my desire, and my little work was crowned with the most brilliant success. The public accepted my opera with an extraordinary enthusiasm, the actors came out of his own zeal ... The Emperor's sovereign ... Thank you and talked me for a long time" ...

After such success, the composer was prescribed by a drop-making of the court singing chapel.

Exactly six years after Ivan Susanina, "Glinka presented to the public" Ruslana and Lyudmila "to the public. He began working on her at the lifetime of Pushkin, but he had to finish the work with several little-known poets.
The new opera underwent brutal criticism, and the glint was seriously worried. He went on a big journey in Europe, stopping in France, then in Spain. At this time, the composer works on symphony. He travels to the end of his life, lingering in one place for the year or another. In 1856 he rides in Berlin, where he dies.