The cooking "What is dangerous silent. Griboedov A.

Collection of Works: What is dangerous silent?

"Woe from Wit" is one of the most topical works of Russian drama. The problems set in the comedy continued to worry Russian literature many years after the appearance of the play. The Comedy shows the collision of the "century of the current" from the "century of the past" represented by the Chatsky and the Famovsky society. The play depicts the struggle of progressive forces with a serfdom.

The Mir of Famusovs consists not only of fantasy-foys like Famousov and a rockozuba, but also serving them, fading officials-silent. Who is so silell? This is a young man who since childhood learned the paternal covenant:

First, to please all people without rewriting -

The owner where will bring to live

Head, who I will serve with

A servant of him that cleans the dresses

Doorman, nobleman, to avoid evil,

Dog janitor, so that Laskov was.

The fulfillment of the paternal covenant - everyone to please - helped the silence and "rewarding to take and fun to live." If, for example, Maxim Petrovich deserved honor at the courtyard of Catherine II because "bravely sacrificed a backbone", then Molchalin acts more slyly and finely. Urchalin, he said, two talent: "moderation and accuracy". Secondly, he understood the spirit of Moscow Baria and his demands ("After all, they love the wordless"). This contributes to the fact that he becomes the right person, the right hand of his master Famusov. Sophia even idealizes their hero: "The enemy of keenness, always shyly, looked ..."; "compliant, modest, quiet, in the face there is a shadow of anxiety"; "From the old men does not stop on the threshold." In fact (and Chatsky understands this perfectly) Molchanin is a cunning, hypocritical, flattering, two-friendly person. He has an idea of \u200b\u200bhimself only with a successful career, a prominent position in society, wealth. He likes the maid of Lisa, and he cares for Sofia, as she is the daughter of the rich chief.

For the time being, Sofya can not see silence in his true light. And he is a big master profitable to show himself in the eyes of others. Only two characters have the opportunity to look into the true face of Molchalin. This is Chatsky and Lisa. Lisa he himself opens the "soul", his credo. Frankness with Liza is safe, as it will not give out. But Chatsky is dangerous, however, Molchanin believes that his rules are decenable: "In my summer should not be a mixed judgment. "... After all, it is necessary to depend on others," etc.

Molchanin is not small, pathetic. An imperceptible figure. This is cunning, cunning, sneaky liar, who in the name of his will sell anyone. Griboedov, the mouth of Chatsky, no wonder reader: "Solvellin bliss in the world!" It is imperceptible, quietly, such as Molchanin, reach "degrees of famous", sneak into power and become the fate of the fate of the people.

At the end of the comedy, Griboedov makes it cowardly to run the exposed silence and thereby contemptuously deal with him. The playwright wrote: "Every century has his silent ... Peer: You are surrounded by silent." Molchanin became a none denoteness of meanness and lactium. This is also talking about his last name. Molchanin became a symbol of slave silence, to which the arakschev, and then Nikolai I. Saltykov-Shchedrin so determined the danger of silent: "About happy, about the stockbed blissful silent! They are silently, not in a hurry to quarrel from one story in another .

Modern silent are dangerous because they are difficult to see, "service, modest, quiet, he is imperceptibly poured, carefully and without any noise, sells and betrays. A "Having reached the degrees of famous", silent "bliss in the world."

"Woe from the mind" is one of the most topical works of Russian drama. The problems set and comedies continued to excite Russian literature a lot of pet after the appearance of the play. The comedy shows the clash of the "century of the current" with the "century of last" represented by the Chatsky and the Famovsky society. The play depicts the struggle of progressive forces with a serfdom. The Mir of Famusovs consists not only of fantasy-foys like Famousov and a rockozuba, but also serving them, fading officials-silent. Who is so silell? This is a young man who since childhood learned the paternal covenant: first, to please all people without withdrawing -Howers, where I bring to live, the boss, with whom I will serve, his servant, who cleans the dresses, Swiss, janitor, for the escaucan evil, Dog janitor, so that Laskov was. The fulfillment of the paternal covenant - everyone cares - helped silence and "rewarding to take and having fun." If, for example, Maxim Petrovich deserved honor at the courtyard of Catherine II by the fact that "bravely sacrificed a backbone", then Molchanin acts more slyly and subtle. Urchalin, he said, two talent: "moderation and accuracy". Secondly, he understood the spirit of Moscow Baria and his demands ("After all, they love wordless"). This contributes to the fact that he becomes the right person, the right hand of his master Famusov. Sofya, even idealizes his hero: "The enemy of keenness, always shyly, looked ..."; "Compliant, modest, quiet, in the face there is a shadow of anxiety"; "From the old men does not stop on the threshold." In fact (and Chatsky understands this perfectly) Molchanin is a cunning, hypocritical, flattering, two-friendly person. He has an idea of \u200b\u200bhappiness is connected only with a successful career, prominent position in society, wealth. He likes the maid of Lisa, and he cares for Sofia, as she is the daughter of the rich chief. For the time being, Sofya can not see silence in his true light. And he is a big master profitable to show himself in the eyes of others. Only two characters have the opportunity to tighten the true face of Molchalin. This is Chatsky and Lisa. Lisa he himself opens his "soul", his credo. Frankness with Liza is safe, as it will not give out. But with Chatsky, it is dangerous, but Molchanin believes that his rules are very decent: "In my summer should not be mixed to have a judgment"; "... After all, it is necessary to depend on others," and others. Molchanin is not a small, pathetic, imperceptible figure. This is cunning, cunning, grazing liar, who in the name of its benefit will sell anyone. Griboedov, the mouth of Chatsky, no wonder to the reader: "Silent bliss in the world!" It is imperceptible, quietly, such as Molchanin, reach "degrees of famous", make their way to power and become the fate of deceitful people. At the end of the comedy, Griboedov makes it cowardly to run the exposed silence and thereby contemptuously straightens with him. The playwright wrote: "Every eyelid has his silent ... Peer: You are surrounded by silent." Molchanin became a none denoteness of meanness and lactium. This is also talking about his last name. Molchanin became a symbol of slave silence, to whom they were striving to teach Russia first Arakcheev, and then Nikolai Saltykov-Shchedrin so determined the danger of silent: "On happy, about the stockbed blissful silent! They are silently, not in a hurry to quit from one period of history to another. " Modern silent are dangerous that they are difficult to see. "Help, modest, it is imperceptibly depicted, carefully and without any noise is informing, sells and betrays. And "reaching the degrees of famous", the silent "Blessed in the World".

At the beginning of the XIX century, Griboedov was written by a comedy, which opened a new stage in the history of Russian literature. All characters are "grief from the mind" have historical and literary and universal importance. A special find of Russian playwright was the creation of a silence image. This hero combines all the negative qualities of a socio-psychological type, which today is very common in Russia. Ridiculous or terrible silence?

Selvian waters

A similar type of character became quite common in Russian literature. But for the first time with him, readers and theatrical spectators met precisely thanks to Griboyedov's comedy. The writer was able to generalize everything that was observed in society. With his light hand in literary criticism included such concepts as "Famovschina", "Molchlinity". They are not close at the meaning, but in the comedy "grief from the mind" are connected with each other.

Solvelin - a small man. But unlike Pushkin type, he does not humble with his social status and is ready to go on everything in order to rise in society. Father instilled him a slave job as a means with which you can achieve my goal. Ridiculous or terrible silence? The answer to this question, at first glance, it seems obvious. Secretary of Famusov may cause only contempt and irony. That is how the reader perceives him. It was funny and pitiful he appeared in the eyes and the main character of the comedy. But there is no unequivocal answer to the question: "Figure or scary of Molchanin?" The composition dedicated to the characters of Griboedov requires a deeper reading of the work. Because only after thinking and some analysis it comes to mind that this hero is not so harmless.

Careerism

Ridiculous or terrible silence? The essay of Griboedov is not just a comedy, in which the author talentedly ridiculed the vices of Moscow society. In it, the writer also raised the question of what feelings a person is convicted, striving for a career takeoff. The mistake of Chatsky was delusion about the secretary of Famusov. Molchanin is the "Cordless" man, but is able to achieve "degrees of famous". In his desire to make career there is nothing reprehensible if not complete the indifference to everything that happens around.

One of the critics noticed that Molchanin, having decided to make a career once, went along the way with which he would never turn. Even if his mother will die, his beloved woman will call for the rescue, and the whole world will spit him in his face, he will not retreat. The question of that ridiculous or terrible is terrible, based on this point of view, implies a unambiguous answer. Cynic careerists should be feared. Their plenty manners are not a reason for irony. After all, if such a silence is able to deceive others, sooner or later he will show his true face. And his face will be terrible.

Meanness

Chatskyi is opposed by the Famovsky world. It is impossible to say that Molchanin is part of the society of his mentor. He is just striving to become. But the confrontation between the main character and the secretary of Famusov is especially striking because these people belong to the same age category. But each of them chose his way in this world. One became a rebel and the consequencer. Another preferred to crumble and wait for a good moment when he will be able to get what he dreams about. Ridiculous or terrible silence? Can a snake that attached and at any time ready to bite, cause laughter? The answer to these questions is obvious. They will help to disclose an essay on the theme "Rapid or Scary of Molchanin".

Lacés

Molchanin is not aware of how it can, being a small official, to have his point of view. His pavement and desire to please take some comic forms. But ready to praise the smooth dog's noble lady's wool, play the role of in love in front of Sofia, condemn and criticize Chatsky. An essay on the theme "Menthon or Scary Molchanlin" is an analysis of the character, comparing it with other heroes, as well as thinking about who could be a similar person if his deception was found on time.

Faster creation

As already mentioned, Chatsky at the first meeting with silent was extremely mistaken. In his eyes, this man was insignificance and pitiful creation. Such a relation to silent was characteristic of Griboedovsky time. The type of young advanced nobleman was popular, which, having high ideals and brilliant education, will be able to ever change Russian society. The old aristocratic world served as contrasting such a type. Silence were in the shade. And this was the danger to which the author of the comedy "Mount from the mind" indicates. Ridiculous or terrible silence? The answer to this question is clear, it is worth only a little to dream. What would happen if the secretary managed to achieve the hands of Sofia, get into the range of Famusov? Surely the society, which was so unpleasant by Chatkom, ultimately would not be so dangerous as this silent, exclusively flattering young man.

Invulnerability

Created by himself, the image of the Smolennik delivers Sophia. Having read French novels, she is ready to believe in his pure thoughts and high feelings between people belonging to different social worlds. But the mask instantly flies with silence, only the person appears before him, which is lower in the status. The true face of this character can be seen in those actions where he communicates with Liza. The fact that the Secretary of Famusov is present, it becomes clear from his conversations with Chatsky. In the eyes of Molchalin, the main character is a loser, which means he is worthy of only contempt.

It should not be assumed that the exposure of silence will lead to the fact that it will disappear from the social scene. Only "crazy" Chatsky can leave her. "Figure or terrible silence?" - Writing-reasoning, which requires an understanding of the historical role of the heroes of Griboedov. At first glance, a unlucky careerist. In fact - extremely invulnerable scoundrels. Sooner or later he will achieve his goal. And, perhaps, terrible is not so silelly, as the time in which the lestings and careerists feel comfortably, and in which the truth is taken for madness.

"Woe from Wit" is one of the most topical works of Russian drama. The problems set in the comedy continued to worry Russian literature many years after the appearance of the play. The Comedy shows the collision of the "century of the current" from the "century of the past" represented by the Chatsky and the Famovsky society. The play depicts the struggle of progressive forces with a serfdom.
The Mir of Famusovs consists not only of fantasy-foys like Famousov and a rockozuba, but also serving them, fading officials-silent. Who is so silell? This is a young man who since childhood learned the paternal covenant:
First, to please all people without rewriting -
The owner where will bring to live
Head, who I will serve with
A servant of him that cleans the dresses
Doorman, nobleman, to avoid evil,
Dog janitor, so that Laskov was.
The fulfillment of the paternal covenant - everyone to please - helped the silence and "rewarding to take and fun to live." If, for example, Maxim Petrovich deserved honor at the courtyard of Catherine II because "bravely sacrificed a backbone", then Molchalin acts more slyly and finely. Urchalin, he said, two talent: "moderation and accuracy". Secondly, he understood the spirit of Moscow Baria and his demands ("After all, they love the wordless"). This contributes to the fact that he becomes the right person, the right hand of his master Famusov. Sophia even idealizes their hero: "The enemy of keenness, always shyly, looked ..."; "compliant, modest, quiet, in the face there is a shadow of anxiety"; "From the old men does not stop on the threshold." In fact (and Chatsky understands this perfectly) Molchanin is a cunning, hypocritical, flattering, two-friendly person. He has an idea of \u200b\u200bhappiness is connected only with a successful career, prominent position in society, wealth. He likes the maid of Lisa, and he cares for Sofia, as she is the daughter of the rich chief.
For the time being, Sofya can not see silence in his true light. And he is a big master profitable to show himself in the eyes of others. Only two characters have the opportunity to look into the true face of Molchalin. This is Chatsky and Lisa. Lisa he himself opens the "soul", his credo. Frankness with Liza is safe, as it will not give out. But Chatsky is dangerous, however, Molchanin believes that his rules are decenable: "In my summer should not be a mixed judgment. "... After all, it is necessary to depend on others," etc.
Molchanin is not small, pathetic. An imperceptible figure. This is cunning, cunning, sneaky liar, who in the name of his will sell anyone. Griboedov, the mouth of Chatsky, no wonder reader: "Solvellin bliss in the world!" It is imperceptible, quietly, such as Molchanin, reach "degrees of famous", sneak into power and become the fate of the fate of the people.
At the end of the comedy, Griboedov makes it cowardly to run the exposed silence and thereby contemptuously deal with him. The playwright wrote: "Every century has his silent ... Peer: You are surrounded by silent." Molchanin became a none denoteness of meanness and lactium. This is also talking about his last name. Molchanin became a symbol of slave silence, to which the arakschev, and then Nikolai I. Saltykov-Shchedrin so determined the danger of silent: "About happy, about the stockbed blissful silent! They are silently, not in a hurry to quarrel from one story in another .
Modern silent are dangerous because they are difficult to see, "service, modest, quiet, he is imperceptibly poured, carefully and without any noise, sells and betrays. A "Having reached the degrees of famous", silent "bliss in the world."

Comedy Griboyedov "Woe from Wit" is an outstanding work of Russian and world dramaturgy. The author puts and permits the problems important for his time: about the public service, about patriotism, about human relationships. He shows the grief of a smart man, ...

Comedy Alexander Sergeevich Griboyedov "Mountain from\u003e gives the truthful gallery of recognizable characters. Pass a hundred. Anniversary, but it is still interesting to readers, as it is created. On the genius, perfectly able to display the "eternal" human defensions and virtues ....

Comedy A.S. Griboedov "Woe from Wit" was created by the author for 8 years (1816-1824). It was a period when Russian literature is violently and actively developed. In less than half a century, she went away from classicism to sentimentalism, romanticism, realism ....

Apparently, Griboedov appeared in 1816. Begichev appears that "the plan of this comedy was made from him back in St. Petersburg 1816 and even wrote a few scenes; But I do not know, in Persia or in Georgia, Griboedov has largely changed ...

"Woe from Wit" is one of the most topical works of Russian drama. The problems set in the comedy continued to worry Russian literature many years after the appearance of the play. The Comedy shows the collision of the "century of the current" from the "century of the past" represented by the Chatsky and the Famovsky society. The play depicts the struggle of progressive forces with a serfdom.
The Mir of Famusovs consists not only of fantasy-foys like Famousov and a rockozuba, but also serving them, fading officials-silent.

Who is so silell? This is a young man who since childhood learned the paternal covenant:
First, to please all people without rewriting -
The owner where will bring to live
Head, who I will serve with
A servant of him that cleans the dresses
Doorman, nobleman, to avoid evil,
Dog janitor, so that Laskov was.
The fulfillment of the paternal covenant - everyone to please - helped the silence and "rewarding to take and fun to live." If, for example, Maxim Petrovich deserved honor at the courtyard of Catherine II because "bravely sacrificed a backbone", then Molchalin acts more slyly and finely. Urchalin, he said, two talent: "moderation and accuracy". Secondly, he understood the spirit of Moscow Baria and his demands ("After all, they love the wordless"). This contributes to the fact that he becomes the right person, the right hand of his master Famusov. Sophia even idealizes their hero: "The enemy of keenness, always shyly, looked ..."; "Compliant, modest, quiet, in the face there is a shadow of anxiety"; "From the old men does not stop on the threshold." In fact (and Chatsky understands this perfectly) Molchanin is a cunning, hypocritical, flattering, two-friendly person. He has an idea of \u200b\u200bhappiness is connected only with a successful career, prominent position in society, wealth. He likes the maid of Lisa, and he cares for Sofia, as she is the daughter of the rich chief.
For the time being, Sofya can not see silence in his true light. And he is a big master profitable to show himself in the eyes of others. Only two characters have the opportunity to look into the true face of Molchalin. This is Chatsky and Lisa. Lisa he himself opens the "soul", his credo. Frankness with Liza is safe, as it will not give out. But Chatsky is dangerous, however, Molchanin believes that his rules are decenable: "In my summer should not be a mixed judgment. "... After all, it is necessary to depend on others," etc.
Molchanin is not small, pathetic. An imperceptible figure. This is cunning, cunning, sneaky liar, who in the name of his will sell anyone. Griboedov, the mouth of Chatsky, no wonder reader: "Solvellin bliss in the world!" It is imperceptible, quietly, such as Molchanin, reach "degrees of famous", sneak into power and become the fate of the fate of the people.
At the end of the comedy, Griboedov makes it cowardly to run the exposed silence and thereby contemptuously deal with him. The playwright wrote: "Every century has his silent ... Peer: You are surrounded by silent." Molchanin became a none denoteness of meanness and lactium. This is also talking about his last name. Molchanin became a symbol of slave silence, to which the Arakschevs first to teach Russia, and then Nikolai I. Saltykov-Shchedrin so determined the danger of silent: "About happy, about the stockbed blissful silence! They are silently, not in a hurry to quit from one period of history in another. "
Modern silent are dangerous because they are difficult to see, "service, modest, quiet, he is imperceptibly poured, carefully and without any noise, sells and betrays. A "Having reached the degrees of famous", silent "bliss in the world."