- (from Franz. Vaudeville) - the view of the comedy: a play of an entertainment or an entertaining intrigue and an uncomfortable household plot, in which the dramatic action is combined with music, songs, dancing.
Dictionary of literary terms.
2012
See also interpretations, synonyms, the meanings of the word and what is waterville in Russian in dictionaries, encyclopedias and reference books:
VAUDEVILLE in the literary encyclopedia: . - The word comes from the French "Val de Vire" - the Virgin Valley. Vir - River in Normandy. In the XVII century ...
VAUDEVILLE in the big encyclopedic dictionary: (Franz. Vaudeville from Vau de Vire - Vir River Vis in Normandy, where folk songs - water waters were distributed), ...
VAUDEVILLE in the Big Soviet Encyclopedia, BSE: (Franz. Vaudeville), light comedy play with songs-tickets and dancing. Motherland V. - France. The name comes from the valley of p. VIU (Vau ...
VAUDEVILLE in the encyclopedic dictionary of Brockhaus and Euphron: Franz. The word vaudeville comes from the word Vaux-de-Vire, that is, the valley of Vira in Normandy, the birthplace of the national poet of Olivier Bolshelana, ...
VAUDEVILLE in the modern encyclopedic dictionary: (French VAUDEVILLE, from Vau de Vire, literally - Vir River Valley in Normandy, where 15th centuries were common ...
VAUDEVILLE [French VAUDEVILLE] 1) Street city song 1 6 V. in France; 2) Small theatrical Piece of Lung, Comedy Character with Purchasing ...
VAUDEVILLE in the encyclopedic dictionaries: , I, m. Short comic play, usually with singing. Waterville - related to water, watervilleam; like waterville. || Wed Musical ...
VAUDEVILLE in the encyclopedic dictionary: [DE], -I, m. Short comic play, usually with singing. II adj. Water, ...
VAUDEVILLE in the big Russian encyclopedic dictionary: Vaudeville (Franz. Vaudeville, from Vau de Vire - Vir River Vis in Normandy, where in the 15th century. Nar. ...
VAUDEVILLE in the encyclopedia of Brockhaus and Efron: Franz. The word vaudeville comes from the word Vaux-de-Vire, that is, the valley of Vira in Normandy, the birthplace of the national poet of Olivier Bolshelana, ...
VAUDEVILLE in the full accentuated paradigm on the link: water "Lee, Water, Water, Water, Water, Water, Water, Water, Water, Water, Water, Water, Water, Water, Lamov, Lamov, Lamovy, ...
VAUDEVILLE in the popular intelligent encyclopedic dictionary of the Russian language: [DE], -I, m. Piece of a light comedy character with an entertaining intrigue, in which the dialogs alternate with singing of bakers and dances. Plot …
VAUDEVILLE in the dictionary for solving and drafting scanvords: Musical ...
VAUDEVILLE in the new foreign word dictionary: (FR. VAUDEVILLE) 1) Street city song in France 16th century; 2) a lung play, comedy with bosses and dances; ...
VAUDEVILLE in the dictionary of foreign expressions: [FR. VAUDEVILLE] 1. Street city song in France 16th century; 2. Pieces of light, comedy character with poples and dances; 3. ...
VAUDEVILLE in the Synonyms Dictionary Abramova: see spectacle, ...
VAUDEVILLE in the dictionary of synonyms of the Russian language: waterword, spectacle, television, farce, ...
VAUDEVILLE in the new intelligent-word-formative dictionary of the Russian language Efremova: m. 1) A short dramatic work of a light genre with an entertaining intrigue, twice and dance songs. 2) Study. Joking Water Song, Joking ...
VAUDEVILLE in the dictionary of the Russian language of Lopatina: water'ev'il, ...
VAUDEVILLE in the full spelling dictionary of the Russian language: waterville, ...
VAUDEVILLE in the spelling dictionary: water'ev'il, ...
VAUDEVILLE in the dictionary of the Russian language Ozhegova: short comic play, usually with ...
Waterville in the Dalya dictionary: husband. , Franz. Dramatic spectacle with songs, singing, and the opera and the opener is all laid on the music. Waterville, relating. to water waters ...
VAUDEVILLE in the modern explanatory dictionary, BSE: (Franz. Vaudeville, from Vau de Vire - Vir River Vis in Normandy, where 15th century folk songs were distributed), ...
VAUDEVILLE(Franz. Vaudeville), a magnitude of a light comedy play or a performance with an entertaining intrigue or anecdotal plot, accompanied by music, purchases, dancing.
Waterville originated and formed in France (actually, the name itself comes from the Vir River Valley in Normandy, - Vau de Vire, - where in the 15th century. People's poet songwriter Olivier Baslin lived). In the 16th century "Watervilles" called mocked street city songs-couplets, as a rule, ridicuing the feudalists who became the main enemies of the monarchist power in the era of absolutism. In the first half of the 18th century The watervilles began to call the charges with a repeated refrain, which were introduced into fair views. In that period, the genre was determined: "Presentation with watervilles" (i.e., with bonding). By the middle of the 18th century. Waterville stood in a separate theater genre.
Early waterville is closely associated with synthetic fair aesthetics: buffonade, Pantomimoy, eccentric characters of the People's Theater (Harlequin, etc.). His distinctive feature was a topicality: the couppers were performed, as a rule, not on the original music, but on familiar popular melodies, which, undoubtedly, made it possible to prepare a new presentation for a very short time. This attached to water extraordinary mobility and flexibility - it is not by chance that the first flowering of Waterville falls on the years of the French bourgeois revolution (1789-1794). The possibility of an immediate response to the events of the events made a hydroevil the campaign tool of revolutionary ideology. After the revolution, the waterville loses paphos and topical sharpness; However, its popularity does not fall, but, on the contrary, it increases. It was in Waterville that there is a passion for a joke, Kalambura, wit, that, according to A.Gezen, "is one of the essential and beautiful elements of a French character." By the beginning of the 1790s, the popularity of Waterville in France is so great that the Actors' Actors Theater Actors opens the Waterville Theater (1792). Following it, other watering theaters are opening up - "Trubadurov Theater", "Theater Montanxier" and others. And the genre itself gradually begins to penetrate into the theaters of other genres, accompanying the "serious" plays. The most famous French authors of Waterville - Eugene Skreb (who wrote in the 18th century - independently and in collaboration with other writers more than 150 watervilles) and Eugene Labish (19th century). It is noteworthy that the screenshots and the labis are maintained and currently retain their popularity (Soviet television film Straw Hat According to the play, E.Labishes gladly look at the audience not one ten years old).
The French water department gave impetus to the development of the genre in many countries and had a significant impact on the development of the European Comedy of the 19th century, and not only in dramaturgy, but also in its stage incarnation. The basic principles of the structure of the genre - the rapid rhythm, the ease of dialogue, live communication with the viewer, the brightness and expressiveness of characters, vocal and dance numbers - contributed to the development of the synthetic actor, which owns the receptions of external reincarnation, rich in plastic and vocal culture.
In Russia, Waterville appeared in the early 19th century, as a genre, developing on the basis of a comic opera. A.Griboyedov, A.Pisarev, N.Nekrasov, F.Koni, D. Salegin, V.Sollogub, P. Kratygin, P. Grigoriev, P. Fedorov, and others have contributed to the formation of the Russian Dramatic School of Waterville. Stage history of Russian waterville. The pleiad of brilliant Russian comedian actors is widely known, in which Waterville was the basis of the repertoire: N. Dyur, V.Asenkova, V. Zhivokini, N. Samulov, etc. However, the largest actors of the realistic direction worked and not less successful in water waters: M.Stskin, I.Sosnitsky, A. Martynov, K. Klamov, V. Davydov, etc.
However, by the end of the 19th century. Waterville practically comes off the Russian scene, displaced both by the rapid development of the realistic theater, and - on the other hand, no less turbulent development of operetta. At the turn of the 19-20th centuries, perhaps the only noticeable phenomenon of this genre was ten single acts A. Chekhov ( Bear, Sentence, Anniversary, Weddingand etc.). Despite the refusal of traditional couplets, Chekhov retained a typical water-watery structure of its one-act plays: paradoxicity, rapidness of action, the surprise of the junction. However, in the future, A.hehhov leaves the watervillery tradition, in their later plays developing the dramaturgical principles of a completely new type of comedy.
Some revival of the Russian waterway tradition can be found in 1920-1930, when A. Faiko worked in this genre ( Teacher Bubus), V.Shkvarkin ( Someone else's child), I. Ilf and E.Petrov ( Strong feeling), V.Katayev ( Quadrature Circle) And others, however, no further development in its pure form did not receive, in the 20th century. More than more popular, other, more complex comedic genres - socially accusatory, eccentric, political, "gloomy", romantic, fantastic, intellectual comedy, and tragicomedia, were used.
Tatyana Shabalina
Waterville is called the "Heart of the American Show Business", - he was one of the most popular types of entertainment in North America for several decades. From the beginning of the 1880s and until the 1930s in the United States and Canada, the "Waterville" is referred to as theatrical and pop views (musical-holly and circus). Each similar performance was a set of separate, not connected by any common idea of \u200b\u200bperformances of the most different actors: popular and classic musicians, dancers, trainers, fockers, acrobats, juggles, humorists, artists-simulators, Masters of burlesque, - included the numbers of the "staged song", Sketchi And scenes from popular plays, demonstration performances of athletes, minstrels, lectures reading, demonstrating all sorts of "Celabriti", Friki and freaks, as well as - film display.
In Russia
"... Would you like to listenAdorable waterville? " and graphSings ...
The next stage of the development of Waterville is the "little comedy with music", as the Bulgarian determines it. This hydroville received special distribution from about the 20s of the XIX century. Typical specimens of such waterville Bulgarian believes the "Cossack-poem" and "Lomonosov" Shakhovsky.
"Cossack-poems," F. Vigel writes in his "notes", is especially noteworthy in that the first staged to the scene under the real name of Waterville. From him, this endless chain of these light works was stretched. "
Criticism
Usually water was translated from French. "Alteration on Russian morals" of French watervals was limited mainly by the replacement of French evidence by Russians. N. V. Gogol in 1835 he lists in his notebook: "But what happened now, when a real Russian, and a few more stern and distinguished by a kind of nationality, with his hard figure, began to fake under the putimetra scarcation, and our fat, But a sweeterous and smart merchant with a wide beard, who does not know anything on his leg, except for a heavy boot, would put on a narrow shoe and stockings à jour instead, a different, even better, would leave in the boot and began to be in the first pair to French cadrille . But almost the same our national watermen. "
"... LSTERTER, LOOK - WATERblindOther six to music are cladOthers clap when they give it ... "
The most popular authors of the waterville in the XIX century were: Shakhovskaya, Khmelnitsky (his water waters "Air locks" retained until the end of the XIX century), Pisarev, Koni, Fedorov, Grigoriev 1st, Grigoriev 2nd, Solovyov [an ambiguous link], Kratygin ( Author "Vitzmundyr"), Lensky, Korovkin, etc.
Sunset
Penetration into Russia In the late 1860s from France, Operetta weakened the passion for the waterfront, especially since all political expression was widely practiced in the operetta (there are also very vigilant censorship), and especially topical (in the same water type) couplets. Without such locks, the operetta then did not think. Nevertheless, the waterville is still long enough in the repertoire of the Russian theater. Its noticeable wilting begins only with the eighties of the XIX century. However, during this period, the brilliant samples of the genre of Waterville were created - in particular, the jokes of A. P. Chekhov "On the Harm of Tobacco", "Bear", "Proposal", "Wedding", "Anniversary".
In the same period (the end of the XIX - the beginning of the 20th century), Waterville occupies a large place in the national drama of other peoples who inhabited the Russian Empire, in particular the Ukrainian and Belarusian - "where sausage yes Chara, Svar will come true there," "Fashionable" M. P. Staritsky, "To the world" L. I. Glibova, "On Audit", "Balests of Sotsky Musia", "For orphans and God with Kalito", "Warbar's invasion" M. L. Kropyvnytsky, "On the first golyanka" with . V. Vasilchenko, "On Muller", "Moroka", "Patriots" A. I. Olesya, "Pinskogo Shory" V. Dunin-Martinkevich, etc.
see also
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Notes
Literature
Beskin E. HISTORY OF THE RUSSIAN THEATER. - M. ,.
Beskin E. Nekrasov -damaturg // Worker of Enlightenment. . № 12.
Varnake B. V. HISTORY OF THE RUSSIAN THEATER. Kazan ,. Part II.
Vigel F. F. Notes. M. ,. T. I.
Vsevolodsky-Gerzross. History of the Russian Theater: 2 tt. - M. ,.
Gorbunov I. F. Lensky, Dmitry Timofeevich // Russian Starina. . T. 10.
Grossman L. Pushkin in theatrical chairs. - L.
Ignatov I. N. Theater and viewers. M.,. Part I.
Izmailov A. Fedor Koni and Old Waterville // Yearbook of Imperial Theaters. . T 3.
Tikhonravov N. S. M. S. Shchepkin and N. V. Gogol // Artist. . Kn. V.
Shchepkin M. S. Notes, letters and stories M. S. Shchepkin. St. Petersburg.
Links
Korovyakov D. D. // Encyclopedic Dictionary of Brockhaus and Efron: in 86 tons. (82 t. And 4 extra). - St. Petersburg. , 1890-1907.
The article uses the text from the literary encyclopedia 1929-1939, which switched to the public domain, as the author - Em. Beskin - died in 1940.
Theatrical art
Theatre
Pierre after the walling of Prince Andrei and Natasha, without any obvious reason, suddenly felt the impossibility of continuing his former life. No matter how firmly he was convinced of the truths open to him by his benefactor, no matter how joyfully, it was the first time of hobbies the inner work of the self-improvement, which he looked with such a heat, after the engagement of Prince Andrei with Natasha and after the death of Joseph Alekseevich, which he received Lime almost at the same time, - all the charm of this former life suddenly disappeared for him. One custody of life remained: his house with a brilliant wife, who was now the Milosts of one important person, acquaintance with all St. Petersburg and a service with boring formalities. And this former life suddenly with an unexpected illness was introduced by Pierre. He stopped writing his diary, avoided the society of the brothers, began to go to the club again, began to drink a lot again, again it became closed with idle companies and began to lead such a life that Countess Elena Vasilyevna found it necessary to make him a strict remark. Pierre felt that she was right and not to compromise his wife, went to Moscow. In Moscow, as soon as he drove into his huge house with dried and drying princes, with a huge courtyard, as soon as he saw - driving around the city - this Iverly chapel with countless lights in front of golden rizam, this Kremlin square with unexpressed snow, these cabesters And the lach tugs of Sivzyev, he saw the old people of Moscow, nothing wishing and anywhere who lives lives her age, saw the old women, Moscow Baryn, Moscow balls and the Moscow English club, - he felt at home, in a quiet shelter. He became late in Moscow, warm, habitual and dirty, as in the old coat. The Moscow society is all, ranging from the old woman to children, as his long-wait guest, which the place was always ready and not occupied, - took Pierre. For Moscow light, Pierre was the most cute, kind, smart cheerful, generous eccentric, scattered and spiritual, Russian, old cut, Barine. His wallet was always empty, because it is open to all. Benefishes, bad paintings, statues, charitable societies, Gypsies, schools, subscription lunches, couments, masons, churches, books - no one and nothing has fallen a refusal, and if he would not have two friends who have taken a lot of money from him and taking him under their custody, he would distribute everything. There was no dinner in the club, no evening without him. As soon as he fell into his place on the sofa after two bottles of Margo, he was surrounded, and the convictions, spokes, jokes were tied. Where they quarreled, he is one of her good smile and by the way said joke, Mirill. Masonic canteens lodges were boring and sluggish, if it was not. When after idling dinner, he, with a good and sweet smile, giving rise to the requests of a funny company, rose to go with them, joyful, solemn cries between young people were heard. On the ballas he danced, if he did not take a cavaller. Young ladies and young ladies loved him for what he, not causing anyone, was equally kind, especially after dinner. "Il Est Charmant, Il N" A Pas de Sech ", [he is very nice, but does not have sex,] talked about him. Pierre was a retired good-naturedly working out his age in Moscow, a chamber, which hundreds were. As if he was horrified, if it were seven years ago, when he just came out of the border, someone would tell him that he had nothing to look for and inventing that his river had long been broken, was defined either, and that, as he was not Whether he will be the fact that everything was in his position. He could not believe it! Isn't he wanted all his soul, then to produce a republic in Russia, then to be Napoleon himself, then a philosopher, then tactic, the winner of Napoleon? Didn't he see the opportunity and passionately wanted to keep the vicious genus human and bring himself to the highest degree of perfection? Didn't he accomplish the schools and hospitals and released his peasants to the will? And instead of all this, here he is, a rich husband of the wrong wife, a chamber of resignation, loving to eat, drink and unbuttoned to disinhibition easy government, member of the Moscow English club and all the favorite member of the Moscow Society. He could not reconcile with that thought that he had the most retired Moscow chamber, whose type he was so deeply despised seven years ago. Sometimes he consoled himself with thoughts that this is just so, depression, he leads this life; But then his other thought was terrified, that so, deposit, no longer how many people were, as he, with all his teeth and hair in this life and in this club and came out from there without one tooth and Volos. In minutes of pride, when he thought about his position, it seemed to him that he was completely different, specially from those retired chamber meters, which he despised before that those were vulgar and stupid, satisfied and calmed down with their position, "And I am now everything is unhappy , I won't want to do something for humanity, "he said himself in minutes of pride. "Or maybe all those comrades, just like me, beat, were looking for some kind of new, their road in life, and as well as I am the force of the situation, society, the breed, that spontaneous force against which not The rural man, they were given there, where I and I, "he said herself in moments of modesty, and eating several time in Moscow, he did not despise already, but began to love, respect and regret, as well as herself, his own comrades . At Pierre did not find, as before, minutes of despair, Handers and disgust for life; But the same disease, expressed before sharp seizures, was vanned inside and did not leave him for a moment. "For what? What for? What is happening in the world? " He asked himself with bewilderment several times a day, involuntarily since the meaning of life phenomena; But the experience knowing that these were not answers to questions, he hurriedly tried to turn away from them, took the book, or hurried to the club, or to Apollo Nikolayevich talk about urban gossip. "Elena Vasilyevna, never loved anything in except for his body and one of the most stupid women in the world," Pierre thought - it seems to be a riding mind and refinement, and in front of it. Napoleon Bonaparte was despised by everyone until he was great, and since he became a pathetic comedian - Emperor Franz seeks to offer him his daughter to illegal spouses. The Spaniards fuss of the Molves through the Catholic clergy in gratitude for the fact that they won the French on the 14th of June, and the French fighters molbs through the same Catholic clergy that they won the Spaniards on the 14th of June. Brothers My Masons swear in the fact that they are all ready to sacrifice for the near, and do not pay one ruble for the fees of the poor and intriguish the Astrey against the seekers of manna, and cotton on the present Scottish carpet and the act of which the one who does not know the one who He wrote him, and whom no one needs. All we confess the Christian lawsuit of the offense and love to the neighbor - the law, as a result of which we have erected forty-forty-forties in Moscow, and yesterday they were kept the whip of the fizzly man, and the minister of the same law of love and forgiveness, the priest, gave kissing a soldier in front of execution " . So I thought Pierre, and this whole, general, everyone recognized as a lie, as he was accustomed to her, as if something new, every time amazed him. "I understand this lie and confusion, he thought," but how I tell them everything I understand? " I tried and always found that they in the depths of the soul understand the same as I, but try only not to see her. It became so necessary! But me, where do I go? " Thought Pierre. He experienced the unfortunate ability of many, especially Russian people, - the ability to see and believe in the possibility of good and truth, and too clearly see evil and lies of life in order to be able to take serious participation in it. Every region of labor in his eyes was connected with evil and deception. What he tried to be, for which he was taken - evil and lies repelled him and blocked him all the ways of activity. Meanwhile, it was necessary to live, it was necessary to be busy. It was too scary to be under the oppression of these unsolvable issues of life, and he was given to the first hobbies to just forget them. He traveled to all sorts of societies, drank a lot, bought paintings and built, and most importantly read. He read and read everything that came down at hand, and read so, having arrived at home when Lakes still undressed him, he, already taking the book, read - and from reading it went to sleep, and from sleeping for chatter in the living rooms and club, From the chatter to Kuta and women, from the kita again to the chatter, reading and guilt. Drinking wine for him became more and more physical and together moral need. Despite the fact that the doctors told him that with his campsive, wine is dangerous for him, he drank a lot. He became quite good only when he himself, without noticing how, tilting into his big mouth several glasses of wine, experienced a pleasant warmth in the body, tenderness to all his neighbors and the readiness of the mind to surfaction to respond to any thought, not deepening her essence. Only drinking a bottle and two wines, he was vaguely realized that he was tangled, a terrible knot of life, which was terrified before, not so terrible, as it seemed to him. With noise in the head, chatting, listening to conversations or reading after dinner and dinner, he was indifferent to this node, some side of him. But only under the influence of wine, he told himself: "It's nothing. This is, I'll tell me - here I have an explanation. But now there is no time, - after I think about it all! " But this after never came. On an empty stomach, in the morning, all previous questions were as unresolute and terrible, and Pierre had enough enough for the book and rejoiced when someone came to him. Sometimes Pierre recalled the story hearing about how in the war of soldiers, being under the shots in the cover, when they have nothing to do, carefully seek their own lesson in order to easier to endure the danger. And the Pierier, all people were presented with such soldiers who saved from life: who are ambiguous, who are cards who are the writings of laws who are women who are toys who are horses who are politics who hunt, who is wine, who are state affairs. "There is no insignificant nor important, anyway: if only you can escape from it,"! Thought Pierre. "I wouldn't see her, this terrible". "
At the beginning of winter, Prince Nikolai Andreich Bolkonsky and daughter came to Moscow. According to his past, in his mind and originality, especially on the weakening of the Emperor Alexander's reign by the reign of Emperor, and by the anti-French and patriotic area, which reigned at the time in Moscow, Prince Nikolai Andreich was immediately the subject of special respect for Muscovites and the center of the Moscow opposition to the government. The prince is very old on this year. It has sharp signs of old age: unexpected falling asleep, the forgetfulness of the nearest events and memorandums to long-standing, and children's vanity, with whom he took the role of the head of the Moscow opposition. Despite the fact that the old man, especially in the evenings, went to tea in his fur coat and puddled wig, and started touched upon by someone, his rippled stories about the past, or even more dismissed and sharp judgments about the present, he initiated in all his guests The same sense of respectful respect. For visitors, the entire old house with huge tremors, pre-revolutionary furniture, these lacquers in Pudner, and the last century itself, cool and smart old man with his gentle daughter and a pretty French man who fished in front of him, represented a majesticly pleasant spectacle. But visitors did not think that besides these two hours, during which they saw the owners, there were another 22 hours a day, during which the secret inner life was going on. Recently, in Moscow, this inner life became very heavy for the princes Marya. She was deprived of the world of their best joys - conversations with God's people and privacy - who refresh her in the Bald Mountains, and did not have any benefits and the joys of the capital's life. In the light she did not go; Everyone knew that his father was not letting her without himself, and he himself could not ride in unhealth, and she was no longer invited for lunches and evenings. The hope of marriage of Princess Marya completely left. She saw that coldness and binding, with whom Prince Nikolai Andreich took and planting young people who could be grooms who were sometimes in their home. Friends of the Princess Mary were not: in this visit to Moscow, she was disappointed in their two closest people. M Lle Bourienne, with whom she before, could not be quite frank, now she became unpleasant for some reason she began to give away from her for some reason. Juli, who was in Moscow and to which the princedar of Marya wrote five years in the rock, turned out to be completely someone else, when Princess Marya came together with her personally. Juli at this time, on the occasion of the death of the brothers, having made one of the richest brides in Moscow, was in all the height of secular pleasures. She was surrounded by young people who, as she thought, suddenly appreciated her advantages. Julie was in that period of the oldest secular young lady, which feels that the last chance of marriage came, and now or should be decided by her fate. Princess Marya, with a sad smile, recalled on Thursdays, that she was now not to write to whom, since Juli, Juli, from the presence of which she had no joy, was here and seen her every week. She, like an old emigrant, who refused to marry a lady, from which he spent several years his evenings, sorry that Jules was here and some kind of writing. Princess Marya in Moscow did not have to talk to, no one to believe his grief, and griefly added a lot of new things during this time. The return time of Prince Andrei and his marriage was approaching, and his instructions to prepare to that father not only was not fulfilled, but the case was completely spoiled, and the reminder of the decisive Rostova took out the old prince, and so most of the time was not in the spirit . New grief, which recently, for the Princess Mary, were the lessons that she gave the six-year-old nephew. In his relationship with Nichochka, she learned with horror in itself the property of the irritability of his father. How many times she told themselves that it was not necessary to allow themselves to be hurt learning a nephew, almost every time she sat down with a pointer for the French alphabet, she wanted as soon as possible, easier to spend his knowledge of his knowledge in a child who was already afraid that here is aunt It will become angry that at the slightest inattention from the side of the boy, he walked, hurried, grieving, hovered his voice, sometimes he jerked him by the hand and put in the corner. Putting it into the corner, she herself began to cry over her evil, bad nature, and Nichushka, imitating sobbing her, without any allowance left the corner, came to her and pulled out her wet hands from his face, and consoled her. But more, most of all, grief delivered to the princes the irritability of her father, always directed against his daughter and recently recently to cruelty. If he had forced her all nights to put the bows, if he beat her, forced to carry firewood and water, "she would never have come to mind that her position was difficult; But this loving tormentman, the most cruel from what he loved and for that tormented himself and her, - deliberately skilled not only to insult, humiliate her, but also to prove to her that she was always to blame for her. Recently, a new feature has appeared in it, most of all tormented by the Princess Mari - it was his larger convergence with M Lle Bourienne. Came to him in the first minute to receive the news of the intention of his son, the thought of the joke about the fact that Andrei marries, he himself marries Bourienne, - apparently he liked him, and he is stubbornly (as it seemed to be Marya) only In order to insult her, showed a special affection to M Lle Bowurienne and showed his discontent to her daughter to roll out love for Bourienne.
What is "waterville"? How the word is written correctly. Concept and interpretation.
Vaudeville VAUDEVILLE. Waterville call a dramatic collision in comedy plan (see comedy). If the comedy dramatic struggle should not be cruel, then it is even more applied to the water waters. Here, usually, a comedy violation of any very minor social norm, for example, the norms of hospitality, good-neighborly relations, etc. Due to the insignificance of the violated norm, waterville is usually reduced to a sharp short collision - sometimes to one scene. V. Volkenstein. \\ Waterville's history. Etymology of this word (VAUX-DE-VIRE, Virgin Valley) gives an indication of the initial birth of this type of dramatic creativity (G. Vir is in Normandy); Subsequently, this word through the distortion was comprehended by Voix De Ville - a rustic voice. Under the hydroevil began to understand such works in which the phenomena of life are determined from the point of view of naive rustic views. The light character of the content is a distinctive feature of the waterville. The creator of the waterville, which characterizes these works on the part of its content, was the French poet of the XV century Le-State, which was later mixed with another poet Olivier wishes. Le-State Farmers collector Vaux de Vire Nouveaux. These light comic songs in the spirit of the Le-Gu and the Bolshal were made in Paris the property of wide urban masses, thanks to the fact that they were on the bridge of the Pon Negmeni. In the XVIII century, the woodwork, the fuselier and Durneal in the imitation of these water waters began to make plays of the same content. The text of waterville is accompanied by music from the beginning of the second half of the XVIII century. The musical performance of watervals contributed to the fact that the entire text was written in verses ("Melnik" Ableximov). But soon, with the fulfillment of water waters, artists began to be made to the text in the prosaic form of change - improvisation on the current malice of the day. This gave the opportunity to the authors themselves alternate verse with prose. From that time, the branching of the water waters begins for two types: on the actual water and operetta. In Waterville, conversation prevails, and in operetta - singing. However, the operetta began to differ in its content from waterville. It is paroded by different phenomena of life. Such is the operetta Khmelnitsky (beginning of the XIX century): "Greek Bedding or Iphigencies in Tavrid" and later: "Orpheus in hell", "Beautiful Elena", "Market Daughter", "Sightbirds", "Geisha", etc. . After this differentiation of the water waters, it remains at first a joking image of life in general urban class, and then medium and minor bin. The ease of water was also facilitated by the fact that it was compiled in case for the adequacy of the artist or artist, and he was mostly sufficient after a serious drama or tragedy. This determined the insignificance of its volume, although they were known not only by trichat, but even a five -active (Waterville of Lensky out of 5 acts - "Lev Gurych Sichkin or provincial debutant"). The insignificance of the volume of waterville required a special coincidence of the comic element relatively to the comedy. Therefore, the hyperbolicity of the Commission led the rapid development of action. At first, the water was written by verses, then the poems began to alternate with prosaic dialogues - with the indispensable repetition of the same bakers with the appeal to the public; Often the most couplets were called water wakes. In the late Time, the plots and music became optional. We had Khmelnitsky, Shakhovskiy, Pisarev, Field, Kratygin 2nd, and others. In the era of reforms, Waterville lost its meaning, giving way to operetta. In most cases, water was driven by plays, more often from French, but alien names were often reworked into Russian. In the form of Waterville Chekhov wrote his jokes: "Bear" and "Offer". Yves. Lyskov.
Vaudeville - Waterville m. Franz. dramatic spectacle with songs, singing, and the opera and the lap everything is put on the music ... Explanatory Dictionary of Daly
Vaudeville - Franz. The word vaudeville comes from the word Vaux-de-Vire, that is, the valley of Vira in Normandy, place P ... Encyclopedic dictionary F.A. Brockhaus and I.A. Efron
Vaudeville - (Franz. VAUDEVILLE) Light comedy play with dance and dance songs. Motherland V. - Fr. ... Big Soviet Encyclopedia
Vaudeville - Waterville, Waterville, m. (Fr. vaudeville) (Theater.). Farca comic play, original. With ... Explanatory Dictionary Ushakov
Vaudeville - m. 1. A short dramatic work of a light genre with an entertaining intrigue, twging songs ... Explanatory Dictionary of Ephraim
Vaudeville - Waterville (French Vaudeville, from Vau de Vire, literally - Vir River Valley in Normandy, where 15 ...
Dictionary Ushakov
Vaudeville
water waters, waterville, husband. (franz. vaudeville) ( theatre.). Farca comic play, origin. With singing of bakers.
Etymological Dictionary of the Russian Language
Vaudeville
French - Vaudeville (comedy with songs and purchases).
This word is French by origin, appeared in Russian in the modern meaning of the "dramatic work of the comedy genre with the singing of merry versions" in the XVIII century.
The initial meaning of the word is "People's Song" - is known in the language from the XVI century.
According to scientists, the French word who served as the basis of borrowing was formed on behalf of its own: Norman location called De Vire, which became famous for fun songs and their performers.
Derivative: waterville.
Terminological Dictionary-Thesaurus for Literary
Vaudeville
(franz. VAUDEVILLE) - view of the comedy, lightweight, entertainment play of domestic content, based on entertaining intrigue and combining a witty dialogue with music and dancing, cheerful couples-couplets.
RB: childbirth and literature genres
Rod: Comedy.
PERS: E. Labish, V. Shakhovskaya, E. Skrib, D. Lensky
* Waterville - the younger brother of the comedy, a unlobs and good-natured merryless, not claiming deep generalizations and serious thoughts. In Starin, Vaudeville included couplets and dances, executed in the course of action by the versators. Later, Waterville was freed from dance and singing and transformed into one act (rarely more) a joke's play. An example of such watervals can serve Chekhov Bear, offer, anniversary (S.S. Vorovatov). *
Dictionary of musical terms
Vaudeville
(from fr. VAUDEVILLE) - A view of a light comedy with bonds executed to the music. It was distributed in France in the second half of the XVIII century. In Russia appeared at the beginning of the XIX century. The music of A. Verst, A. Alyabyev, and others in the late XIX century, wrote to water wakes. A musical comedy and operetta come to a shift. Currently, the waterville is rare ("Lev Gurych Sichkin" A. Kolccher, the text of V. Dykhovichny and A. Slobodsky).
Lexicon Jazza
Vaudeville
Vaudeville
In the modern ways - the born of a household comedy with musical rooms, purchasing, dancing, pantomimes and tricky scenes. In the US, received widespread t. American Masculla (and as his variety - Negritansky waterway), the specificity of which is associated with the national characteristic features of Fabules and Music, with access to local folklore and domestic material, as well as with the influences of the Mentrel Theater (see Minister Show).
Explanatory Dictionary of the Russian Language (Alabugina)
Vaudeville
I, m.
Short comic play, usually with singing and dancing.
* Put waterville. *
||
arr.waterville,y ,y.
* Water watery. *
Cinema: Encyclopedic Dictionary (ed. 1987)
encyclopedic Dictionary
Vaudeville
(Franz. Vaudeville, from Vau de Vire - Vir Vir Vyan in Normandy, where 15th century. People's Songs - Watervira were distributed),
view "Comedy Regulations" With songs-bonding, romance and dancing. Originated in france; with nach 19th century Got a pan-European distribution. The flourishing of the Russian waterway - 1820 - 40th. (A. A. Shakhovskaya, D. T. Lensky, P. A. Karatygin, F. A. Koni, N. A. Nekrasov, etc.). Classics of the genre - E. Skreb, E. M. Labish.
Final boss song in the play-waterway.
Dictionary of Ozhegov
Water ANDL. [dE. ], I, m. Short comic play, usually with singing.
|
arr.mooring Aya, OE.
Dictionary Efremova
Vaudeville
m.
Short dramatic work of a light genre with entertaining intrigue, pop-top and dancing songs.
study. Joking water woven song, joking couplets.
Encyclopedia Brockhaus and Ephron
Vaudeville
Franz. The word vaudeville comes from the word Vaux-de-Vire, that is, the valley of Virance in Normandy, the birthplace of the national poet of Olivier Bolshalna, who here first began to decide the humorous songs called water waters, and later water waters. In the XV and XVI table. These songs - water-based, who were found by unknown authors in a satirical and humorous spirit about various events of political life, became very popular in France and were hung up with stray singers, by the way, on the Pont Nhof Bridge in Paris (from here they began to call them Pon Nooda).Sometimes, however, V. did not have a satirical content and was a simple feasting funny song. As the best Civilians of V.-songs in the XVIII century. Pyron, Panar and Kolle, who have printed them in "Almanach Des Muses" are known. In 1792-1793 Two books appeared: "Constitution en vaudevilles" (Merchant) and "La République en vaudevilles", in which new institutions were depicted in humorous form.
The transformation of water-mounted songs into a special kind of dramatic works occurred not earlier than the XVIII century. Entrepreneurs of fair theaters sometimes inserted into the plays suitable songs-in. Since 1712, Lesazh, Fuselyeee and Durneal began to compose the plays with watervilles; Lesje published Collection: "Thé âtre de la Foire Ou L" Opéra Comique, Contenant Les Meilleures Pièces, Qui Ond Été Représentées Aux Foires de Saint German et de Saint Laurent Avec Une Table De Tous Les vaudevilles. Et autres airs etc. "(Paris, 1721-37). In 1753, Vade made the first attempt to specifically order music to the Les Troqueurs composed by him. Seden, Anse, Favar, and others followed his example; music for them wrote Gretri, Fildor, Montsigny, and others. Little little new music outlined the motifs of old water waters; the plays of the transition type began to appear, which were not quite correctly named Comic operas(Wow, on behalf of the Opéra-Comique theater, where they first began to be given). As the colloquial part in these plays increased and the action began to be interrupted only by plug-in purchases, this new genre of dramatic works resulted in that kinda, which, without significant changes, retained modern V. in 1792, when freedom of theaters was proclaimed, in Paris A special water-wing scene was opened, which was called T Héâtre Vaudeville. È with watervilleys whose works were successful in the era of the first empire and restoration, let's call Dupathi, trouble, bayara, Melville and the famous Scribe, who is considered the Creator of the newest formation; Later in the same genre was famous for Labish. V. So far, remains a kind of product of French Esprit, carrying an imprint of lightweight elegant Parisian life with her beautiful, cheerful sensuality and a thin, nothing gentle by a witty phrase.
Waterville in Russia.
The first primitives of the Russian Waterville are usually seen in the comic opera with the bosses of Ableximov "Melnik, the sorcerer, a deceiver and swat", given for the first time on January 20, 1779 and withstood many ideas thanks to the populations in the people's sentimental spirit and music of Sokolovsky. But in the essence of the "Melnik" on the invoice is much closer to the comic opera. The first Russian Waterville should be recognized by the Knince A. Shakhovsky "Kozak poems" with Kavos music (1812). The original Watervilles Shakhovsky should still be found: "Fedor Grigorievich Volkov", "Lomonosov" (1814), "Meeting of the Uninvited" (1815), "Two Teachers" (1819), "News on Parnassa, or Celebration of Muses." The last of them was written by Shakhovsky for ridicuing wristwriters of empty theatrical plays, self-administratively dreaming to become a classic writer who deserved respect for the offspring. The play challenges the rights of the water to the place on Parnassa, where he scored together with a melodrama and with the magazine, and rumbles "Ekivoki, divers, jokes and funny balashes", with which the "Radodillas-Water" will never fall into the temple of immortality. All the arrows of Shakhovsky are directed against his happy opponent on the field of water, N. I. Khmelnitsky, and at the last "new prank, or the theater battle that gathered then with a huge success. Khmelnitsky wrote earlier than that of some successful watervals: "You will not unwell," Babushkin Parrot "(1819)," Actors between them, or the debut of Troopolskaya actresses "," Quarantine "(1822) and others, for the most part with Maurer's music . At the same time, attempts to the original Russian V., made by M. N. Zagadykin ("Makarev Fair" and "Lebedyan Fair") and R. M. Zotov ("Adventure at the station"). The most witty water-devices and a vestibule of the 2nd 0s and 30s is undoubtedly A. I. Pisarev. It was water, although for the most part and the transferred, enjoyed great success, mainly due to the witty of the versue, in which the maliciousness of the day was often affected and the features and phenomena of modern reality were raised. "Teacher and Student", "Fun Califa", "Cowness", "Five years at two o'clock", "old woman Magician, or what women love," "three dozen", "magic nose", "two notes", " Uncle for rent "," Summer "(1824)," Challenge "," Thirty thousand people "(1825)," Remedy to issue daughters "," Meeting of Studijans "and others. For a long time, did not go from the repertoire and enjoyed tremendous success. Music for these watervals wrote vests, Alyabyev and F. E. Scholz, which, of course, strengthened the interest of these plays and their success in public. Pisarev represented the transition to the watervillers of the second era of the history of Russian V., hugging the 30s, 40th and 50s. of our century. In this era, V. reaches the greatest heyday, having received the predominant importance in the repertoire and taking advantage of the audience and unchanged love of the public, who separated the opinion of rehetylov, that only "V. is a thing, and so on - all Gil." We have already completely moved away from the forms of the comic opera and show a great desire for originality, reproducing comic phenomena of modern, mainly metropolitan life. The scene is derived from the types of officials and generally bourgeois people, comic phenomena of family and urban life with perhaps more confusing intrigue, constant misunderstandings (Quiproquo), the mass of funny sayings in the speeches of the acting persons, sharpness and kalaburov, which are particularly abundantly surprised by couplets. Purchases were laid in the mouth of all almost acting persons and often represented their appeal to the public, especially almost inevitable final coupling, in which the actors appealed to the public with the request from the author's face about the favorable reception of the playful work. Music V. Significantly simplified relatively with comic operations; Purchases composed for the most part on popular motifs from the opera and operetta, playful in character and unearthlayster. In general, the Music Side of Waterville is moving into the background. Many of the verses that were not under the power of the actors devoid of votes and hearing, but they said to the music, and this genre of the declamination won a prominent place in Russian waterworking thanks to some highly delaborate water artists. From the numerous Russian watervillers of this era, first of all Fedor Alekseevich Koni. The greatest success of its waterville was used: "In the still waters, the devils are found" (1842), "Dear Man" (1835), "Gusar Girl" (1836), "Titular advisers in home house" (1837), "Petersburg apartments" ( 1840), "Bed from the heart and grief from the mind" (1851), "Do not fall in love without memory, do not marry without reason," "," student, artist, chorist and a sinister "and so on. Dimitri Timofeevich Lensky (real surname - Vorobyov) from 1828 to 1854 printed more than 100 pieces, mainly water waters, translated and borrowed from French. Decrease to introduce French originals to Russian businesses and types, the liveliness of scenes, resourcefulness and wit in speeches and bus tickets of acting persons - these are the distinctive features of Lena's waterville; Some of them are not going with the repertoire and still. Debuting the Maldum Plays "Svat Nepopad" (1829), he quickly won the success with its further water: "Strangy under the table" (1834), "Two Father and two merchants" (1838), "That's how the pills are in the mouth, then thanks "," Lev Gurych Sichkin "," Kharkov Groom, or a house into two streets "," in people Angel, not a wife - houses with her husband Satan, "and others. Peter Andreyevich Kratygin 2nd Although he followed fashionable in his time But introduced more than all other watervillers to the Russian household color of the derived types and characters, hoped exclusively from St. Petersburg life. Reliable in sharpness and inventive in Kalasbrahi Karaygin, like Lensky, brought Russian water to pure French fun and vividness, often affecting various issues of public life who were interested in modern society. Thus, his first V., given in 1830: "Familiar strangers," brought to the scene under the name of Sarcasmov and Baklushin F. Bulgarin and N. Polevoy, who were constantly hostile between him. "Borrowed wives" (1834), "wife and umbrella" (1835), "official for special instructions" (1837) drew the attention of the public on the young author, and V. "Lodge of the 1st tier on the representation of Taloni" (1838) used Huge success. "The first of July in Peterhof" (1840), "bakery" (1843), "Natural School" were the best of its original watervals. We used not less successful, and in part, and still, the translations of the water droplets, such as: "leg" (1840), "Vitzmundyr" (1845), "School Teacher", "Equity", "Waters" , "House on the St. Petersburg side and others. Peter Ivanovich Grigoriev 1st, Contemporary and Comrade on the stage of Karatygin, became famous for the special genre of Waterwill with disguise, proven to the scenic abilities of the modern performers of these roles." Makar Alekseevich Gubkin "," Comedy with Uncle "(1841) and the" daughter of the Russian actor "received loud fame and are still given." Folding "(1843)," Polka in St. Petersburg "(1844), which was performed on stage that the dance," wife just entered or cards "(1845)," More comedy with uncle "," Andrey Stepanych Buka "(1847) and" Salon Pour Coupe des Cheveux "(1847), which often performed with the actors of Russian, French and German troupe, and other original in . Grigorieva did not go with poster; transferred it water, eg: "Women And what many "," love leprosy "," Syrota Susanna "and friend. We also used considerable success. Pavel Stepanovich Fedorov debuted with small-appliance original water wakes "Peace with Turks" (1880), "Marquis inevitable" (1834); he had more success with "I want to be actress", "Archivist" (1837) and "pretty" (1849); Fame and received a transferred by V. : "Confusion" (1840), "One hundred thousand" (1845), "Az and Firth", "In someone else's eye, we see," and others. Nikolai Ivanovich Kulikov wrote several original watervillers, and so far, such as: "Waterville with disreception", "Gypsy" (1849), "Crow in Pavlinich feathers" (1853), and translation, eg. "Enchanted prince, or a shower relocation" (1845), "Disassembly Girl", "Recruit Love" and Dr. Count Vladimir Alexandrovich Sologub gave a few water wakes for the malicious day, as for example: "Bouquet, or St. Petersburg color-making" (1845), "Fashion Treatment" (1847), as well as given and now V. "Bed from a delicate heart" (1850). From the rest of V. of this epoch, which have been successful and to date, deserve the mention of V. Korovkina: "Newbies in Love", "His Excellency" (1839), "Father, of which little"; Solovyov: "What we do not store, lose payment" (1843); Yakovlevsky - "Black day on a black river" (1846), "Dyadushkin Frak and Tetushkin Hood" (1849), and onyx - "December 1st", "Ah yeah french." V. of this era must be the success of most talented game of Asenkova, Dura and especially A. E. Martynov, who created a whole gallery of types, full of inimitable comments: Sichkin, Beech, Karlusch ("Bullman"), Pavel Pavlovich ("What we have Do not store ") and others. Third Epoch V., 60s., It is already a fall in this genre. At first, although there are still imitation of the former samples and late translations from French, like eg: "Cook and brought up", "weak string", "mutual learning", "Gol on the fiction of the cherry", "Mitya", "Barsky Arch and Pansy Eye "," pensioner "," old mathematician "," cute are worried - only trembling ", etc., but then V. begins to move on either into a lap, or in one act comedy. "Russian romances in the faces" and "Russian songs in the faces" Kulikova, "oppressed innocence", "charming stranger" - still quite close to the water waters, and "autumn evening in the village", "from the fire and in the hollow", "means to drive out fiber "," Flare at the home hearth "," which of two "," carefree "," on the sands "of Trofimova," engagement in the gallery harbor "Schigrova (Schigleva) and others are increasingly losing the character V. and merge with Bysto-suitable comedies, scenes and scenes of anecdotal content. Appearing in the 1960s, the lamp applied an inexistent blow to the playful water waters, absorbing his musical seasoning, without which he was inevitably merged with a light comedy and a comedy-farce, as it was made in the modern repertoire.
