Larisa Ogudallova has been a way out. The tragic fate of Larisa in the play "Nonmennica
Larisa Ogudalova - Pieces Character Ostrovsky. In her fate, various Varrarants of the life of the idiot were connected in Russia. The bright image and characteristic of Larisa in the play "Dustpannica" - help to imbued with the existence of smart impressionable natures in the society of money.
Larisa and family
Larisa is a beautiful smart girl, at the age of "on the issue." The surname of the Ogudovy family speaks of a good position in society:
"Ogudovy all the same name is decent ...".
The family is poor, decency makes it humiliate, to seek the patronage of rich and wealthy. Larisa has two sisters. Their destinies frighten the reader. What awaits Larisa? One of the sisters became the wife of the Highlander, the Caucasian Prince, who did not bring the girl to the house, stabbed from jealousy. The second married a foreigner who had a shoeler. Fate Larisa is also crying. I first laughed at first, deceived, then thrown out and offered to become the content of a rich merchant. Death from the hand of the jealous groom Karandyshev became delivering from the flour, although the girl really wants to live.
Appearance and character of the idol
The girl is beautiful, according to the guests of the mother's house, she is charming.
"... the lady is pretty, playing different tools, sings ..."
So what I want to listen to men of different ages and characters. The voice takes merchants into the world of dreams and dreams:
"... Forget the whole world and dream only about one bliss."
More often under the bliss Men understand beauty. The talented girl has a lot of fans,
"... Since childhood, it is surrounded by fans that praise it in the eye with each convenient case."
Music made Larisa sensitive nature. It is difficult for her to pretend, lie. Without sustaining, the idleness says not what awaits it:
"... suddenly, no with this, and will say that it is not necessary."
So the rich herenaries can behave, Larisa should be able to restrain his feelings. Easy led the girl to death. She trusted the liberty to the Paratov and became a toy in his hands.
"To whom is located, I do not hide this."
Parats escaped from the city, without explaining the cause of departure. Larisa forgives her beloved, does not see deception in his words and actions,
"... So, she has hope for Sergey Sergeyevich; Otherwise, why he is her! "
The result is terrible: the idleness is forced to agree to become a survival at Knurova, he dies from the hands of Karandyshev.
Larisa and Lazhivatov
Welders are familiar with Larisa since childhood. He sends her gifts, has secret signs. Larisa considers him a friend, but is deceived in feelings. Vasily is cold, practical and hither. The young merchant behaves somewhat somewhat:
"An extra cup of champagne slowly from the mother is sometimes nailed, a song to learn, I drive novels, whom the girls do not give to the girls."
Larisa trusts Vasily, youthful attachment breaks about the stone of worn and immorality. The sovereign offers to play an eagle - a wide and determine who will get Larisa after the night with Paratov.
Larisa and Knurov
A rich dealers has a huge state, a wife, probably, and children. What is missing merchant? Beautiful content. Larisa is a goal, which is removed from him, then approaches. The honorable age of the merchant is the main reason for which he does not try to act openly. Larisa behaves in relation to a friend of the family respectfully, with a sense of honor. She strictly fulfills the instructions of the mother, whispering words of gratitude for help. The girl is a good interlocutor. If it is silent with other curls, he says gently about Larisa:
"It's nice to see one more often - without interference."
Larisa and Paratov
For the cape of Parats, he became an ideal man. He managed to conquer her heart, the girl forgives him escape. Once he was already disappeared from her life, heating all the grooms. The charm is built on the external actions of a man. This shows the naivety girl and her strong faith in human honesty. Love blinds Larisa, but the author emphasizes that any other woman could be able to resist his spell. Lifting fully feeling, Larisa remains completely empty. The words beloved hurt the girl:
"There are sometimes crying in love."
Parats says beautifully:
"I lost more than the state, I lost you; I myself suffer, and you made you suffer ... ".
Below a false merchant is difficult, but the assessment of Larisa is given correct. She is wealth that could bring happiness. In the hands of immoral depravitus, it becomes a thing that is played in the stallion.
Larisa and Karandyshev
Larisa is solved at the entry marriage for the one who will offer her hand and the heart when to live in the mother's house becomes completely unbearable. The choice falls on Paradeshev. The girl contradicts herself. She wants to believe that the young man loves her. This is the only dignity that it highlights when it asks the paratas. At the same time, Larisa sees that she doll in the hands of an envious, sickly pride:
"I see that I have a doll for you; Let me play, break and drop. "
Karandyshev walked the Ogudov in the boulevard, to be proud of what he became her bridegroom. Beauty patiently puts him apart and jealousy. For Larisa, jealousy is vulgarity. Mother's House - Gypsy Tabor, but not Larisa in him the hostess. It is a hindrance from which you want to get rid of. Mother wants to give daughter to another family and live for yourself. Permanent reproaches of Julia are hindged and cruel.
Larisa Ogudalova is the main heroine of the play by A. N. Ostrovsky "Narrevdannica", which was first printed in "Patrican Notes" in 1879. In the drama of the Ostrovsky of the 70s and 1980s, the main theme of the power of money, property, wealth in the era of the "Celebration of Bourgeoisie" is becoming. The playwright continues to look for in the Russian life of the force that could withstand the elements of unrestrained predation, humiliation of human dignity, cold calculation and egoism. Especially felt the alarm of the writer for the fate of a man "With a hot heart", which and at this calculating time continues to live a feeling, looking for love, understanding, happiness. Such is the heroine of the play "Dosperinnica". In Larisa, there is everything - mind, talent, beauty, sensitivity. She is clean soul and disinterested. She stretches towards people, believes it, hopes for understanding and response. But Larisa is idleness, and it predetermines her tragic fate. The mother of Larisa seeks to increase the daughter's daughter, she is trying to teach Larisa to live according to the rules that the time dictates, forcing the daughter to lie, kindly with young people. But the heroine of the play can not act by calculation. She gives her heart Sergey Sergeyevich Paratov, beautiful, smart and strong. But the parata is a man of his time living according to the principle: "Every product is the price." Larisa for him is also a product. And he is not ready to pay his material well-being for love and happiness. The paraty marries the rich bride, or rather, on the golden fores, which give it to the dowry. Without finding love, Larisa is trying to live, "like everything." She decides to marry the poor official Julia Kapitonovich Karandyshev. In her elect, Larisa is looking for features worthy of respect: "I should respect my husband," she says. But it is difficult to respect Karaddyshev. In his vain attempts to compare with the brow and the leader, he looks ridiculous and miserable. He does not hear Moluba Larisa about going to the village where she hopes to find at least peace of mind. Julia Kapitonovich is more important "in turn, laugh at those whose humiliation he suffered three years. He is not up to torment Larisa! After breaking with Paradeshev, after the deception of Parathov Larisa is looking for a simple human sympathy, referring to a friend of childhood Loezhevatov: "Well, even pay with me," she asks him. However, the leaders have already lost to Knurov's Orlyan, the opportunity to influence the fate of Larisa. "I can not, I can not," this is what the answer is Larisa Larisa. Not finding either love nor respect, nor simple compassion and understanding, Larisa loses the meaning of life. She speaks with bitterness: "They looked at me and look like fun. Never tried to look into my soul, none of anyone I saw sympathy, did not hear a warm, heart word. But so live cold. " Shot of Karandyshev becomes delivered from spiritual torment for her, from the vulnerable life of "things", toys in the hands of those who can pay for her. "To die, while you still do not blame yourself," this is the best that remains to "hot heart" in the world of calculation and vanity. This is a personal tragedy of Larisa. But this is the tragedy of society where the money and the happiness of a person is measured only by their number.Drama A. N. Ostrovsky "Drain" is a wonderful play of the late period of the writer's work. She was conceived in 1874, and completed in 1878 and in the same year set in Moscow and St. Petersburg. M. Ermolova, M. Savina, and later V. Commissionerzhevskaya - the best actors of the metropolitan theaters - were taken to fulfill the role of Larisa Ogudallova. What was it captivated so this wonderful heroine?
Larisa Ogudalova is distinguished by truthfulness, sincerity, a pattern of character, resembling to the more Katerina from the "thunderstorms". According to the Believer, in Larisa, Dmitrievna "Tricks NO". With the heroine "Thunderstorm" brings her high poeticity. Larisa is attracted by the Zavolzhskaya Dal, the forests behind the river, manits the beauty itself - Volga with her spacious. "Earth, this is not there," Knurov notes. And in fact: she is all as if raised over the dirt of reality, over the vulgarity and lowness of life. In the depths of her soul, like a bird on which she herself is like, a dream of a beautiful and noble, honest and quiet life, translating from Greek Larisa means "Seagull", and it is not by chance.
Does not prefer the lifestyle of the mother? Harita Ignatievna, the remaining widow with three daughters, constantly catches and smashes, flatters and joins, begging for the rich and takes their hand. She arranged a real noisy "Gypsy Tabor" in his house to create the appearance of beauty and gloss of life. And all this in order to under the guise of this tinsel to industrial in a living product. She already ruined two daughters, now it came to trade the third. But Larisa cannot take such a lifestyle of the mother, he is alien to her. Mother tells the daughter to smile, and that crying I want. And she asks the groom so that he snaps her from this "bazaar" surrounding it, where there was a lot of "all sorts" to take away, for the Volga.
However, Larisa is a bad luck, poor, moneyless bride. She has to put up with it. In addition, she herself managed to become infected with an external shine. Larisa is deprived of character in character, her mental life is pretty contradictory. The vulgarity and cynicism of the people around it, she not only does not want to see and - quite a long time - can not see. It all distinguishes her from Katerina. Refusing to the style of the mother's lifetime, it exists among vulgar fans.
Larisa Ogudallova had to experience the indifference and the cruelty of others, survive a love drama, and as a result she dies, as well as the heroine "Thunderstorms". But with the seeming similarity, Larisa Ogudalova - the owner of a completely different character, rather than Katerina Kabanova. The girl received a great education, she intelligently, sophisticated, formed, dreams of beautiful love, but initially her life is quite different. She is idleness. Mother Larisa is very korestolubiv. She trades the beauty and youth of his daughters.
At first there appeared an old man with gout. Larisa clearly does not want this unequal marriage, but "it was necessary to kindly: Mama orders." Then "raided" the rejected manager of some prince, forever drunk. Larisa is not up to him, but in the house and he is accepted: "the situation is unenviable." Then "appeared" a certain cashier, filled with Harita Ignatievna with money. This beat all, but brightened it shortly. The circumstances were helped by the bride: they were arrested in his house with a scandal.
Larisa Ogudalova falls in love with the "Brilliant Barin" Sergey Sergeevich Pararty. She sincerely considers him a man's ideal. Barin has a state, it fully corresponds to the idea of \u200b\u200ba notable and educated person. The inner essence is disclosed later. Larisa is young, inexperienced, so she comes across the paratov trap, ruins himself. She does not have a strong character and becomes a toy in the hands of others. It comes to the point that the girl is played into an ordinary. The surroundings consider it a thing, dear and beautiful fun, and its sublime soul, beauty and talent are not important. Karandyshev says Larisa: "They do not look at you, like a woman like a person ... They look at you, as a thing."
She herself agrees with this: "The thing ... yes, the thing! They are right, I'm a thing, I am not a man ...".
Larisa has a fermented heart, it is sincerely and emotional. She generously gives her love, but what does it receive in return? For his beloved man, Larisa is another entertainment, fun. From despair, she even agrees to accept the conditions of Knurova.
The only way out of Larisa is based on this world. Larisa first wanted to end his life herself. She walked over to the cliff and looked down, but unlike Katerina, she did not have the determination and the strength to make a conceived. Nevertheless, the death of Larisa is predicted and prepared by the whole play. Suddenly he is heard from the pier (Larisa is frightened). Then the ax is mentioned in the hands of Paradeshev. A faithful death calls a fall from the cliff. Larisa talks about the "indifferent shot" by Paratov in the coin, which she kept in his hands. He herself thinks that here on any bitch "can be walked", and on the Volga "everywhere drowned easily." Robinson prefers the possible kill. Finally, Larisa dreams: "Can anyone killed me now?"
The death of heroine becomes inevitable, and it comes. In the insane fee of the owner, making great benefits for her, Karandyshev kills her. This is the last and invalid selection of nonsense. So the tragedy of the main heroine of the Ostrovsky Piese is completed.
"Nonmennica" is a drama about a personality catastrophe in an inhuman world. This is a work about the tragedy of the usual Russian woman, the idleness with a hot loving heart.
Larisa Ogudalova is the main heroine of the play by A. N. Ostrovsky "Narrevdannica", which was first printed in "Patrican Notes" in 1879. In the drama of the Ostrovsky of the 70s and 1980s, the main theme of the power of money, property, wealth in the era of the "Celebration of Bourgeoisie" is becoming. The playwright continues to look for in the Russian life of the force that could withstand the elements of unrestrained predation, humiliation of human dignity, cold calculation and egoism. Especially felt the alarm of the writer for the fate of a man "With a hot heart", which and at this calculating time continues to live a feeling, looking for love, understanding, happiness. Such is the heroine of the play "Dosperinnica".
In Larisa, there is everything - mind, talent, beauty, sensitivity. She is clean soul and disinterested. She stretches towards people, believes it, hopes for understanding and response. But Larisa is idleness, and it predetermines her tragic fate.
The mother of Larisa seeks to increase the daughter's daughter, she is trying to teach Larisa to live according to the rules that the time dictates, forcing the daughter to lie, kindly with young people. But the heroine of the play can not act by calculation. She gives her heart Sergey Sergeyevich Paratov, beautiful, smart and strong. But the parata is a man of his time living according to the principle: "Every product is the price." Larisa for him is also a product. And he is not ready to pay his material well-being for love and happiness. The paraty marries the rich bride, or rather, on the golden fores, which give it to the dowry.
Without finding love, Larisa is trying to live, "like everything." She decides to marry the poor official Julia Kapitonovich Karandyshev. In her elect, Larisa is looking for features worthy of respect: "I should respect my husband," she says. But it is difficult to respect Karaddyshev. In his vain attempts to compare with the brow and the leader, he looks ridiculous and miserable. He does not hear Moluba Larisa about going to the village where she hopes to find at least peace of mind. Julia Kapitonovich is more important "in turn, laugh at those whose humiliation he suffered three years. He is not up to torment Larisa!
After breaking with Paradeshev, after the deception of Parathov Larisa is looking for a simple human sympathy, referring to a friend of childhood Loezhevatov: "Well, even pay with me," she asks him. However, the leaders have already lost to Knurov's Orlyan, the opportunity to influence the fate of Larisa. "I can not, I can not," this is what the answer is Larisa Larisa. Material from site.
Not finding either love nor respect, nor simple compassion and understanding, Larisa loses the meaning of life. She speaks with bitterness: "They looked at me and look like fun. Never tried to look into my soul, none of anyone I saw sympathy, did not hear a warm, heart word. But so live cold. "
Shot of Karandyshev becomes delivered from spiritual torment for her, from the vulnerable life of "things", toys in the hands of those who can pay for her. "To die, while you still do not blame yourself," this is the best that remains to "hot heart" in the world of calculation and vanity.
This is a personal tragedy of Larisa. But this is the tragedy of society where the money and the happiness of a person is measured only by their number.
Didn't find what you were looking for? Use the search
On this page, material on the themes:
- tragedy Larisa Nrestannica
- than the tragedy of fate of Larisa Ogudallova
- message on the topic of tragedy Larisa
- ostrian idol in what the tragedy of the Ogudallova
- what could be the fate of Larisa in Nurendannian
The heroes of the Pieces of Ostrovsky most often become women. Of course, these women are outstanding and extraordinary personalities. Enough to remember the heroine drama thunderstorm Katerina. It is so emotionally impressed that the mansion is among other heroes of the play. The fate of Katerina is something similar to the fate of another heroine of Ostrovsky. In this case, we are talking about the play of the idiot.
Larisa Ogudallova had to experience the indifference and the cruelty of others, survive a love drama, and as a result she dies, as well as the heroine of thunderstorms. But with the seeming similarity of Larisa Ogudalov, the owner of a completely different character than Katerina Kabanova. The girl received a great education. She is smart, sophisticated, formed, dreams of beautiful love, but initially her life is quite different. She is idleness. Mother Larisa is very korestolubiv. She trades the beauty and youth of his daughters. The older sisters of Larisa are already attached thanks to the concerns of a tough parent, but, unfortunately, their lives are very tragic.
Larisa Ogudalova falls in love with the brilliant Barina Sergei Sergeevich Patov. She sincerely considers him a man's ideal. Barin has a state, it fully corresponds to the idea of \u200b\u200ba notable and educated person. The inner essence is disclosed later. Larisa is young, inexperienced, so she comes across the paratov trap, ruins himself. She does not have a strong character and becomes a toy in the hands of others. It comes to the point that the girl is played into an ordinary. The surroundings consider it a thing, dear and beautiful fun, and its sublime soul, beauty and talent are not important. Quarandyshev says Larisa: They do not look at you, like a woman, like a person ... They look at you, as a thing.
She herself agrees with this: a thing ... Yes, the thing! They are right, I am a thing, I am not a man ...
Larisa has a fermented heart, she is sincere and emotional she generously gives her love, but what he gets in charge of his beloved man Larisa is another entertainment, fun. From despair, she even agrees to accept the conditions of Knurov.
The death is a kind of salvation for Larisa, the salvation of spiritual, of course. Such a tragic finale saves her from a hard choice, which she is trying to do, saves from moral death and fall into the abyss, called debauchery.
Drama A.N. Ostrovsky "Thunderstorm" was published in 1960, on the eve of the revolutionary situation in Russia. The work reflected impressions of the Travel of the Writer on the Volga in the summer of 1856. But not some particular Volzhsky city and not some specific persons are depicted in the "thunderstorm". All his observations over the life of the Volga region Ostrovsky processed and turned them into deep typical paintings of Russian life.
The drama genre is characterized by the fact that it is based on a conflict of a separate personality and surrounding society. In the "thunderstorm" this personality - Katerina Kabanova.
Katerina personifies the moral purity, the spiritual beauty of the Russian woman, her desire for will, to freedom, her ability not only tolerate, but also to defend their rights, their human dignity. According to Dobrolyubov, she "did not kill human nature."
Katerina - Russian national character. First of all, this is reflected by the Ostrovsky, who, in the perfection by all the wealth of the folk language, in the speech of the heroine. When she says, it seems that she sings. In the speech of Katerina, associated with an easy-to-face, brought up on his oral poetry, is dominated by a colloquialistic vocabulary, distinguished by high poetry, imagery, emotionality. The reader feels musicality and observance, Kati's spell reminds folk songs. For the language of Ostrovsky heroine, the repeats are characteristic ("on the troika on a good", "and people are disgusting to me, and the house is known to me, and the walls are disgusting!"), The abundance of stabnaya and diminutive words ("Sun", "Voddy", "Mogilushka") , comparison ("I didn't heal anything, exactly the bird on the will", "someone gently speaks with me, accurately dove worshi"). Thank you by Boris, at the time of the greatest voltage of the soul forces, Katerina expresses his feelings in the language of folk poetry, exclamation: "The winds of the violent, transfer you to him my sadness-longing!"
Larisa Ogudalova - Romance Heroine
ostrovsky Piece Female National
Larisa Ogudalova is an image no less known than Katerina Kabanova, and causes no less controversy. The main issue is the question of the strength of the morality of Larisa and the meaning of her last words. Ostrovsky created a truly controversial image, in this part of the work we will try to find the answer to the question, what is the true power of the character of Larisa Ogudallova, and why she, so unlike the clean spiritually, Katerina also remains the embodiment of the women's tragedy.
A modern understanding of this image is largely built on the perception of the film of the famous film "Cruel Romance", we will not argue about the correspondence of the director's version and the copyright, but it seems to us that the name of the film very accurately reflects the stylistics of the play. By definition, a cruel romance is a city ballad of love filled with exaggerated tragic pathos, sentimental, but not giving the feelings of Qatarsis, this tragic pathos is inherent in all the main characters of the play, except for the Larisa itself, which takes off as a seagull - a bird, who gave her root of her name - Above spiritually small people. "Dustpannica" is a play about life and the bushes, but there is no such breakthrough in it, which we find in the "thunderstorm". The death of Larisa is not predetermined by the most larcity, and the result of an instantaneous choice of heroine, which until the last moment is in captivity of his own illusions, which is why her death is not suicide, but a shot of a pen church. Lotman, in the article "Ostrovsky and Russian Music Romangy of His Time" as evaluates the tragedy of Larisa Ogudallova, the heroine: "A modern woman who has a person who has been personally accepting important life decisions, faces the cruel laws of society and can neither reconcile with them nor oppose them New ideals. Being under the charm of a strong man, a bright person, she does not immediately realize that charm is inseparable from the power that the wealth attaches him, and from the merciless cruelty of the "collector of capital." The death of Larisa is a tragic way out of insoluble moral contradictions. "
The play "Dosperinnica" was written in the late 70s of the XIX century, during the celebration of Nuvhorish - the reached merchants, when the money was increasingly influenced by the money, whom to the genuine values. The tragic consequences of this were reflected in the fate of the main heroine of the drama. Larisa is a soft, pure girl, but she is brought up in the best European traditions - she was taught to what it should have to have a European girl: good manners and musical education. But Larisa does not understand the true meaning of this education, which is only a beautiful rim for a valuable thing. Her mother, successfully "attached" two daughters, none of whom has gained happiness, read and Larisa has a successful marriage with a common person. Okudalova is valid for the good of the daughter, in this world, the profit tragedy begins with the fact that the mother is trying to sell his daughter to be more expensive for his own benefit.
Larisa is deprived of maternal love, she is deprived of love at all, like Katerina, and her heart requires that this lack of love is being replenished. Here it is closer to the image of Tatiana Larina, the soul of which was waiting for "someone", but unlike Tatiana, the story of which she ends with a marriage, even with the unloved, but with his respected and society, who Tatiana loves, Larisa does not receive well-deserved love From his elect, Parathov, nor from his groom Karandyshev.
Larisa, naive young girl, can not believe that in society, where she, by the will of the mother, should rotate, all determine the money. "She embodies the traditions of noble education, and in her character there is a sharp contradiction between the desire for external shine, to the disadvantaged nobility of life and deeper, internal properties of her nature - seriousness, truthfulness and thirst for genuine and sincere relationships. Such a contradiction was then the phenomenon found in the life of the best representatives of the privileged layers of society. " Of course, she knows everything perfectly well, the fate of the sisters is a visual proof, but her soul can not accept it. Surprisingly, such a clean and thirsty love girl grew up in this family, who seeks a genuine sublime feeling, and, as it seems to her, finds him in the face of the "brilliant Barin" Sergey Sergeevich Pararty. Woman of a fervor, Larisa is looking for love, there is no calculation in it, vulgarity: "After all, in Laris, Dmitrievna of the earthly, this everyday, no," notes Knurov. She is looking for elevated-beautiful love, elegant and beautiful life. Larisa is blindly confident that Parats love her as sincerely and coarsely, like her, and her tragedy was concluded. Katerina and Larisa unites the fact that both are able to endow their chosen by the non-existent spiritual beauty, but if Katerina knows about his mistake, although it hides this knowledge, then Larisa does not see that this is only in her world of parats, it has the features of the perfect person who is capable on love.
"But the chief of Larisa, not possessing the business grip of the merchants Knurova and Veshevatov, has already managed to fully assimilate their morality, it's not by chance that he admits to Knurov:" I have a mound of Parmerych, nothing cherished; I will find benefits, so everything will sell anything. " Larisa also draws himself and Paradeshev his beloved: "You yourself mean something, you are a good, honest person; But from comparison with Sergey Sergeych, you lose everything ... Sergey Sergeich ... This is a man's ideal. " We cannot accurately determine the terms of reading Larisa Ogudallova, but we can assume that she was brought up on romantic standards, and from there she took her ideal, whose incarnation sees Pararty: the ideal of masculinity, courage, valor and honor. Critical to look at this man Larisa is not able to: an episode with a Caucasian officer, when the paratas, in order to demonstrate their composure and accuracy, shot the target she held in her hand, she perceives as proof of his "ideality", so similar to "ideality" romantic heroes. Although, in fact, this episode speaks only about Bhahnia and Pride, for whom Sergey Sergeich, not hesitating, risks his own, and someone else's life.
In fact, the "ideal man" Sergei Sergeich is a coward, and the coward of the lowest sewing, because it is afraid to stay without capital, and therefore marries a rich woman, and his "flash of passion" to Larisa is just a game with a penny, which The immoral way "points to place", perfectly all the conscious and accurately calculated his actions. Larisa for him is a beautiful thing, the toy that some kind of insignificant pencils suddenly took away. Gersonin of the play compromises himself, leaving with Paratov, but she is not aware of sin, only after talking with Sergey Sergeyevich, she understands that her love was an illusion built by herself. Larisa is fascinated, and lives in a fascinated world, which is destroyed along the action of the play. It does not have such moral strength, as in Katerina, that spirit of the insight, which allowed the heroine of "thunderstorms" to predicate his tragic final, it is disappointed not in the world, but so far only in the beloved. She still believes that the world around it, though he is cruel, but at least a lot like that romantic world, which she stood up with such persistence.
Throughout the play, Larisa does not grow spiritually, it turns spiritually, her eyes open, but internal growth, as such, it does not happen, but the reason for this is not at all in the absence of the Larisa of the spiritual principle, there is no such strength in Larisa, which is capable of breaking so firmly The established power of money, she is able to only leave this world into the world of fictional, created by the imagination, but she does not have for the struggle. Ultimately, broken by the betrayal of a beloved girl, whom "Outside the ideal opens, in the name of which she was ready to bring any sacrifices," and in front of which "the situation is detected in all of his unsightly, to which it is doomed - the role of dear things," decides to become Design to try again to build around a certain "cocoon", with the help of money Knurova to build if not beautiful love, then at least a beautiful life. You can blame Larisa in the absence of a spiritual beginning, because such a decision is immoral, and she herself says that "gold broke in front of it," but this decision is the decision taken in complete despair, and it is equally desirable to die in her consciousness. She understands that she is waiting for spiritual death and hesitates between the death of the body and the death of the soul. The tragic junction leads awareness of Larisa that everyone around considers it as an expensive beautiful thing that you can buy. She utters bitter words: "The thing ... yes, the thing! They are right, I am a thing, not a person ... anyone must have a master, I will go to the owner. " Feeling a thing, Larisa for a moment refuses all his mental qualities, but they show themselves: the girl cannot become a simple content, toy, to which love is not experiencing, and which does not feel love herself.
When Larisa speaks about suicide for the first time, she only provokes the pararticle to make a decision, as it seemed like Laris, favorable for her: "For unfortunate people, a lot of space in God's world: here is a garden, here is the Volga. Here on each bitch can be walked, on the Volga - choose any place. Everywhere it is easy to get drowned if there is a desire to get enough forces, "she still does not think about suicide. Words about the Volga and the Garden are designed to quickly scare the lover, but Knurov offers her to become a content, with the meaning of emphasizing: "It's impossible for me," the thoughts of death become real. Larisa reflects: "Party with life is not at all as simple as I thought. That's no strength! Here I am what unhappy! But there are people for whom it's easy ... ah that I am! ... yes, because nothing is nice, and I have no need to live! What I do not decide? What keeps me over this precipice? What prevents? Oh, no, no ... not whip, luxury, glitter ... no, no ... I have to from the bustle ... Spoogue ... oh, no ... I just don't have determination. Pathetic weakness: to live, even somehow, yes live ... when you can't live and do not need. What a pathetic, unhappy .. Kababi now killed me ... how to die well ... While you still blame yourself. Or snort and die ... Yes, I seem to heal. How badly to me! .. Together with a long time, calm down, you will reconcile everything, everyone will forgive and die ... Oh, how badly, how to spin the head. "
Even the prospect of a beautiful life does not comfort Larisa, she utters the word "debauchery", which means it is aware of the monstristence of the prospects proposed by Knurov, and therefore the spiritual start in it is strong. Until the insistence of Larisa lived with love, which in it was stronger than the concepts of morality and morality, especially since such concepts were not prioritized during its upbringing; Now, it feels a moral law that is not related to the religion, like Katerina, and the ideal understanding associated with its understanding, which, as it turned out, is inseparable from moral.
When Karandeyshev tells the bride that Knurov and the sovers played it into the Orlyan, in the soul of Larisa there is a tragic dome, she will not be able to build around themselves - the real world turned out to be stronger than her imagination, it will not be able to live in this world anymore. Karandyshev, for whom the wife, enthusiastically, in the circle of local millionaires, should be a means of overcoming his own complex of inferiority, helps Larisa, without knowing, to carry out its innermost desire: "Kaba now killed me ..." - she saves her It allows her to leave, not sparing the soul and body by depravity without making their own beauty to the goods. For a minute to death, she exists a genuine nobility, saving his killer from the court, convincing the paratov, Knurova, Welcome around her, the true perpetrators of her death in what committed suicide. Although it is possible and otherwise to interpret her words: I want to believe in a fantastic idea that Larisa by the power of his soul still can affect the world, and this is its determination, and not a shot of Karandyshev, allow her to die ... "This is me ... No one is guilty, no one ... This is me.
"Parats squeezing to emerging gypsies incense:" Tell silenced! Tell to silence! " "But the dying Larisa has enough strength to challenge the Paratov regulation:" No, no, why! .. Let them have fun who have fun who fun ... I don't want to interfere with anyone. Live, live everything! You need to live, and I need ... die. I do not complain about anyone, I'm not offended to anyone ... You are all good people ... "Her life ends deeply sincere recognition:" I'll love you all ... I love everyone, "her world triumphs, after all She was able, through pain, through the disappointment to find such spiritual power, to go to such a vertex that she made the world of cruelty and profit forgiveness and a kiss.
Larisa ultimately ended up as strong as Katerina, let her change nothing in the world, but she was able to forgive the world. Girl - Bird eventually acquires the grave in the same Volga, that is, it becomes free. The true power of the character of Larisa Ogudallova is in her ability to love and forgive, in her dedication, in naive faith in the world. What other heroine is also able to blindly believe in love in the world, where the power belongs to the money? Isn't this girl strong, which in front of death in a few short hours is experiencing disappointment in love, in the world, in itself, but can leave life, sending the world a kiss? The world will not change, the Gypsy choir sings, and Larisa does not require to interrupt the fun of this "holiday of life", she just goes away, leaves with a clean soul and with a clean, not overshadled with heart. It seems that this is its true force.
The drama of the Ostrovsky "Diminant" was built on the classical naturalness and simplicity of the images of heroes, but at the same time on the complexity of their characters and actions. I am not like others, there are no good intrigues in it, the characters are the same people, but with honors in that that they are simpler, they are easy to understand.
Goncharov, arguing about the basis of the island drama said that the playground "seems to do not want to resort to Fabul - this artificiality below him: he must sacrifice it part of the truthfulness, the integrity of the character, precious troops of the morals, the detail of life - and he is more likely lengthens, cools the viewer , just to preserve carefully what he sees and faintly live and faithful in nature. "
The work of the Ostrovsky does not fit into any of the classic genre forms, it gave a reason to Dobrolyubov to talk about her as a "play of life." In the "Nurendannian", Ostrovsky comes to the disclosure of complex, subtle, psychologically multisage human characters. He shows us a life conflict, the reader lives this small segment of life, as a resident of the same city of Bryakhimov, or, more interesting, like any hero of the drama.
Larisa Ogudalova - the main heroine of drama, around her all the dance, "roam" intrigue.
Larisa is a girl, even more fragile, unprotected, what seems at first glance. In my opinion, it can be compared with a white noble rose. The town is the same gentle and beautiful, not in vain it is called the "decoration of the city." But on the other hand, Larisa is said that she is "expensive decoration that requires a good jeweler." Maybe it would be nice, but here, in the play, these words sounded cheekily and went. After all, here Larisa is assessed as a thing, in this case, like a gem stone. Connectantly, the precious is flattering, but the stone, something cold, non-living, insensitive, not suitable romantic nature of Larisa.
Her soul is sophisticated, bright, musical, sensitive and melodic. Larisa, like a light in this city, like a heroine of one of the Russian romances, which she likes to sing so much. Having heard romances in his own performance, she begins to dream of pure love, about a strong family, a loving wife.
But everything goes wrong, as the girl wants. At the heart of drama is a social theme. Larisa Poor, she is a girl without material dowry, but at the same time she has a rich inner world, which we will not find any more of the heroes of the drama. Larisa lives in a world where everything is bought and sold, even maiden beauty and love. But, drank in his dreams, in his rainbow world, she does not notice in the people of the most disgusting parties, does not notice an ugly attitude towards himself, Larisa is everywhere and sees only good and believes in what people are there.
That's how Larisa was mistaken in paraita. He leaves a lovely girl for the sake of benefits, ruins at his own request. After, Larisa is preparing to marry Karandyshev. The girl perceives him as a good poor man who do not understand the surrounding. But the heroine does not understand and does not feel envious, the proud nature of Karandyshev. After all, in his attitude to Larisa more complacency for possession of such a precious stone as Larisa.
In the final of the drama to Larisa comes awareness. She is horrified and bitterly understands that everyone around recalls it as a thing or, even worse, they want to make a containment, such as curls and pebels.
And then the heroine says words: "The thing ... yes the thing. They are right, I am a thing, not a man." Larisa in despair is trying to rush in the Volga, but can not, she is terribly parted with his life, whatever nacham and unhappy she seemed to her.
Upset girl finally understands that in this world everything is assessed by the "rustling of bills", and then it decides: "Either be a thing, so one consolation is to be dear."
A shot of a pencils is salvation in the eyes of Larisa, she is glad that she again belongs only to himself, she will not be able to sell or buy it, it is free. In an unlucky random act, Parandisheva Larisa finds the shadow of nobility and a living human feeling, and her spiritual drama Anconetan ends, for the first time heroine feels truly happy and free.
The play by Alexander Nikolayevich Ostrovsky is the fate of Larisa Ogudallova. Already in the title of the work, the position of the girl is emphasized: she is a hopeless. This is exactly what Larisa cannot gain true happiness. In society, it is not customary to associate his life with a girl who has no bold, regardless of its moral qualities, life goals and aspirations.
The feelings of the main heroine of sincere, but they are not assessed by other residents of Bryakhimov. And this is the whole trance situation.
A honest and benefactor girl does not find an understanding in society, because she lives not according to the rules of the people around her. The mother of Larisa is trying to give her life instructions: lie and pretend to marry a truly noble and successful person. But Larisa Ogudallova has completely different dreams and ideals: the girl wants a quiet and peaceful life in the village, where she will truly free and happy.
It is because of the desire to gain freedom, the main character agrees to marriage with the first one who offered. Requests the groom Karandysheva faster to fulfill her desires, but the dream in the work faces reality.
In the life of Larisa, her beloved reappears, who after caresses behind her escaped from the city. Feelings of Larisa to the Paratov show that the girl is dreaming and sacrificent. The main character forgives the betrayal of Sergei Sergeych and again undergoes his passions, which leads to a real tragedy. For the sake of Paratov, Larisa refuses marriage with Karandyshev, whom she considered low and empty all the time, and dreams of happiness with the "ideal of men" by Paratov.
However, for the hero of the feeling of Larisa did not matter, he plays with her, as with a doll. The girl feels like a real thing, which can be easily bought or sell. Larisa learns that her beloved is already engaged with another girl. This is the reason for the disappointment of Larisa Ogudallova not only in love, but also in life as a whole.
Larisa is looking for support, but no one understands the girl. Even his own mother is indifferent to Larisa. For Harita Ignatievna, it was important to safely arrange a daughter married, and what Larisa feels - she does not care.
Such an indifferent and even cruel attitude of society, in which attention is paid only to wealth and position in society, it becomes the cause of the tragic final of the life of Larisa Ogudallova. After a conversation with a parato girl thinks about death, wanting her to come to her herself. Larisa becomes indifferent to his life, she expresses Karandyshev everything that he thinks about him. Embittered in the inability to make the decision of Larisa, shoots into it from the pistol.
The life of the heroine, which was different from the misunderstanding of the people around him, ended so tragic. And the main destructive start is the society that did not appreciate the feelings of Larisa, but paid attention only to the social status of people.
Theme lesson:
Larisa and her tragic destiny. (On the play "Dosperinnica" A.N.ostrovsky)
Class: 10 a
The purpose of the lesson
:
create conditions for solving a problematic question about the cause of the death of the main character of the play by A.N.OSTROSTROVSKY "Nonmennica".
know : Text content works
Tasks: improving research skills,
develop the skills of ownership of active vocabulary characterizing the moral and psychological features of the human personality,
improve the skills of working with the artistic text: allocate the main thing, argue saying, draw conclusions,
emotionally involve students in the text space, on the basis of a comparison of the world of their own values \u200b\u200band the spiritual world of heroes,
consider the use of artistic part in the text, identify its role, develop the skills of students to analyze excerpts from critical articles, form your view on the world, argue it.
Educational: rail a love for classical literature.
Equipment : Presentation, quiz, portrait of a writer, texts of the work, Explanatory dictionary of Ozhegov, video from E. Ryazanova "Cruel Romance"
Date: 12.10.16
During the classes
I. . Orgmoment (message and lesson purposes)
On the slide, the question: why is the play of the tragic final (chance or inevitability)?
(Teacher reports that this issue will be held red thread through the entire lesson, at the end of which students will have to answer it, confirming their point of view by arguments and arguments.)
II. . Checking homework
Content quiz (for the right answers, students receive tokens)
1.- According to the author's remark, you "brilliant
barin, from shipping, for 30 years. " Opinions of various
pieces characters are quite contradictory. IN
the eyes of some are the "ideal men", for others you
just a "hidden Kutyl", "Depraved
human".
- Have you learned yourself? Who you are?
(Sergey Sergeich
Parats.)
2.- Dear Sergei Sergeich! Please,
imagine the public now as
presented themselves when meeting Paradeshev.
("Man with big mustes and small
abilities ").
3.-
What was the name of the steamer, the owner of which
are you?
("Swallow")
4. Who do you sell it? (Merchant leader.)
5
. - Remember, it is wondering whether
Do you sell your steamer? What did you answer him?
("What is" sorry ", I don't know this. I have,
Money Parmechnich, nothing cherished; Find
benefit, so everything sells anything. And now,
gentlemen, I have other affairs and calculations. I'm marrying on
the girl is very rich, take in the dowry gold
priis ".)
6
.- Mr. Parats, you consume very much
many proverbs and sayings. Harita Ignatievna
Ogudalova asked once where you
so many Russian proverbs know. Answer
please, Ogudallova.("With burles
went, aunt, so russian language and
learned. ")
7
.–
You, the widow of the average years, belong to
"The decent name", dress "elegant, but
boldly and not in the years. " Woman you "Boy and
promial ", deocratic enough in communication.
The house you always have full guests, although you are not quite
leaders in choosing those who invite to themselves.
Be kind, madam, appear.
(Harita
Ignatievna Ogudalova.)
8.- Harita Ignatievna, talking about you in the city,
that you do not live by means: open everyone
take, daughters gifts Dear Darite.
Where did you get money for this?
(Knurov and sovers give money for gifts.
Vegetted: "Grooms are paid. How to whom
i liked my daughter, he will discover. Then on
dowry will take from the groom, and the dowry not
ask. ".)
9- How many daughters do you have? What is their fate?
(3
daughter. Junior daughter - Larisa.
Loosers: "The eldest drove some kind of mining,
caucasian Prince. ... married and left, yes, they say
did not bring to the Caucasus, stabbed on the road from
jealousy. Other too for some foreigner
came out, and he after turned out to be at all a foreigner, but
shuler. ")
10.- Vegetters presented to your daughter Larisa in
birthday gift expensive decoration, and you
make her thank it for it not only
Welcome, but also Knurova.
“And Knurova for what? " - asks Larisa.
Maybe you will reveal the secret of your
tricks: why Larisa should thank for
gift two?
(Ogudalova showed a gift
Voezhevatova Knurov, noticing what would wish
give your daughter is a decoration, yes no money,
it can be seen, you will have to abandon you like
bugs. Knurur's trick gave
money for buying.)
11- According to the author's remark, you are "very young
man "," one of the representatives rich
trading firm. " Apparently, you do
cargo by Volga, own barges,
going to buy another steamer. Who are you?
(Vasily Vasily Danilych.)
12- Vasily Danilych, once you advised
Knurov the original means of dealing with
rougom. Be kind, tell me how
effectively and quickly get rid of the cold.
(Vegetted:
"One Englishman said me that from a cold
good champagne on an empty stomach. ")
13.- Vasily Danilych! What tea filed to you in
coffee shop servant and why you are so expensive for him
paid?
(It was wine, spilled in kettles.)
14. - You are the subject of worship and
admiration in your circle. "This woman is created
for luxury "," dear diamond dear and
rims require ", - Says about you characters
pieces. Your name in Greek means
"gull". Who are you, cute young lady?
(Larisa
Dmitrievna Ogudalova.)
15. - You are given to the delight of all listeners to their
singing. What tool you play which
romance Do you perform in the play?
(Guitar. "Not
tell me without need. ")
16. - You, of course, remember the name of your groom?
(Julius
Kapitonch Karandyshev.)
17. Paradits are surprised that your choice fell on
man of small and insignificant, and asks,
what advantages have your groom. What do you
answered Paratov?
(He possesses one but
the most expensive dignity - "He loves me.")
18. - Larisa Dmitrievna, your groom is outraged by the fact that you are very familiar called Vasya. Here and Knurov notes that the soverees to you are much
closer than others. What is this special
proximity? And how to explain it?
(Logs: "Yes
what is my proximity? Excess glass of champagne
slowly from the mother sometimes Nalu, a song to learn,
i drive novels who do not give to the girls. "
Larisa: "We are familiar with youngsters, still
little played together - well, I got used to. ")
19.- Larisa Dmitrievna, everyone knows the extraordinary
courage and even the boldness of the pararticle. How are you
i remember, admired these qualities of Sergey
Sergeic. Tell me how he once
demonstrated these of its qualities.
(Shot
in the coin, which was kept in the hand of Larisa.)
20. - You are a provincial actor. Although
Your pseudonym Arkady lucky, it is impossible
say fate to you especially
favorable. Your artistic career is not
i managed, and in life you are far from the first roles,
most often around you play you. As you
refer to the play and why?
(Robinson. He was driving
on some steamer with merchant son; both
drunk to the last opportunity. They worked
they will only come to mind, the audience suffered everything.
Finally, to top up the disgrace invented
dramatic performance: section,
cut the pillow, broke out in the flush and started
picture wild. Here is the captain, on demand
passengers, and landed them on an empty island. By
swim on his steamer of the paper. He picked up
Shatsev, and did not take a merchant son, left
on the island.)
21. The provisions promised to take you to Paris. How are you
think if you have a language problem, because
You do not speak French?
(No. Paris "-
this is a tavern on the square in the town of Bryakhimov, so
that French is not needed there.)
22- You were invited with the Welcome, Knurov
and Paratov for dinner to Karandyshev. Which task
Did you get from Paratov?
(To dispose of the groom.
Paradeshev.)
23. - You are a poor official, the fiance of the most beautiful
girls provincial town. Information
exhaustive to guess your name
character.
(Julius Kapitonch Karandyshev.)
24.- Let me know, Julius Kapitylch, not
look for tactlessness, how long have you sought
hands Larisa Dmitrievna?
(Vegetted: "It has long been
they are spinning at home, three years old. "
Quarandyshev: "Larisa Dmitrievna, I'm three years old
tolerated humiliation, three years I demolished ridicule straight
in person from your acquaintances; I also need to me in my
queue, laugh at them. ")
25. - Mr. Karandyshev, how you revenge your
bride for treason, everyone knows. But where are you
took a gun?
("In the Cabinet carpet thunder
arrived on the wall, daggers, Tula pistols
hung up. ")
26. Will you judge for the murder of the bride?
(Most likely no, as Larisa in the final
says: "This is me ... no one is to blame, nobody ...
This is me. " And there was no murder witnesses.)
Summarizing.
According to the results of the clients of the student
estimated
(by counting the number of tokens)
III . Analysis play
Conversation:
1.- Let's follow the text of the play by A.N.OSTROSTROV
What words is Larisa Ogudalova?
(Goodbye ... Heroine, instead of greeting, pronounces the words of farewell).
2- Tell me, could you assume the first text that the play is running tragically?
(No, Larisa behaves calmly, confidently, at ease ... Yes, in her voice there is a notch of anxiety ...)
So, opinions in the class have separated. Let's try to solve the question:
Fatal shot: inevitability or chance, or who is to blame for the death of Larisa Ogudallova? What proposals appeared from the guys?
(It is necessary to analyze the replicas of the heroes, their actions, poster ...)
3- Proposals are different, but they are all connected with the main character of the play. Maybe her name tells the solution to the problem or the name of the drama?
Fizminutka
Lexical work (explanatory dictionary of Ozhegov)
(According to the dictionary, the guys find the interpretation of the word "idleness" and read the meaning of the name "Larisa". From the mouth of children, it sounds that Larisa is a Greek name, meaning the "white seagull", and the idleness - in the old time: a poor girl who does not have Dowry. The conclusion that Larisa, like a seagull, does not live according to the laws of the world, its surrounding. And according to its own, what her heart dictates. She boil over the world, like a bird, looking for freedoms and love ...)
4. Why is Larisa so hard to live in the world of emerging capitalist relations, which does not take in a new life? (Student's story about the heroine of the Ostrovsky's play. The story celebrates musicality, poetry, dreaminess, artistry, there are examples from the text. Larisa does not see the vulgar parties in people, looks at the eyes of the heroine of the Russian romance).
5.- "I'm at the crossroads ..." What do these words of the heroine mean?
Work with the word :
selection of single-handed words, lexical analysis. The withdrawal of students on hopelessness of the situation in which the heroine falls).
Drawing up a scheme (on the screen)
Students record the scheme in the notebook.
- What ways could be decisive in the fate of Larisa?
(All options proposed by students are recorded on the board.)
Expand the versions of students . "My home is my fortress," it is customary to talk about the place in which the man was born where he lives. What does Larisa mean the word "house"?
Work with text.
Students lead examples from the text confirming that for Larisa, the house is a quiet corner, which she only dreams about, the place in which she can hide from people, enjoy nature, sing. "I blinded, I lost all the feelings, and I am glad. For a long time, I see for sure in a dream that I was going on around. No, you need to leave. Break out of here. " "I fled me from here, where the eyes look." "Soon and summer will pass, and I want to walk through the forests, collect berries and mushrooms." "I am at least a soul to rest." "For me after that life I experienced here. Every quiet corner will seem to be a paradise. " Lost harmony in his life Larisa dreams to recreate in the village wilderness) Conclusion: the junction path with the house, which calls Karandyshev "Gypsy Tabor", is closed for Larisa, the thread is torn in her fate, this connection is ghostly).
- Maybe Harita Ignatievna, Mother Larisa, is for the daughter of a point of support in life ? Check this version.
(No, the mother cares only about a favorable marriage, I find out the patrons of the daughter, to live on her gusts to settle in Zaboloty. "You can't live without tricks" - here is her motto in life. After the escape of Larisa from the house, she reflects: "To catch up with her or not ? No, why! Whatever, after all, people around it ... And here, although throwing it. So the loss is not great. "The act of a daughter becomes a game. Conclusion: And this thread is striking, too Communication with mother. "
Is it possible to call these friends Knurova and Welsh? Are there any hope that they can save Larisa?
(Partly Yes, they interfere with the family of families, support the external interest in Ogudallov. But what drives them? Calculation. Their value guidelines are shifted towards economic benefits. They are enthusiastic and the beauty of Larisa, but they consider it a product. "Dear Dear Dear Rims require, "they rate it.)
Distribution of bargaining between merchants
(View this episode, on the screen video from the film E. Ryazanov "Cruel Romance")
(D.. 4, Yavl. 6) According to the words of Lozhvatov "What do you want?" Before the words "You offend me. I know myself what a merchant word is. "
What affects the most in this dialogue "friends" Larisa?
(Talking the conversation about the fate of Larisa, the bargaining is carried out on all the rules of commercial art and ends with a drawing of a woman in an order: instead of compassion, support, Larisa faces with calculation and cynicism. Another thread with life is rushing).
Why isn't Paratov, who loves Larisa, nor Karandyshev, whom she is trying to love, could not become a rescue circles for her in a huge sea of \u200b\u200blife?
Speeches of students . All of them unites calculation and cynicism towards Laris. Paratov cruel in its own way: satisfying their ambitions, he dedicates Larisa, encourages her, uses her clean, naive nature in his own interests, and just like curls and soverees, puts above all money: marries "Golden Peace". Quarandyshev also enjoys his power over Larisa, uses his position the "groom" in order to "paint" before the guests. He revenge for the insanity, inflicted by him by Paratov, plays the role of a jester, which is not sorry, but for whom it is ashamed. And the Parata, and Karandyshev, stand each other. After the announcement of Pararty about his engagement, the last thread with life rushes in the soul of Larisa).
"Larisa and her tragic fate," the topic of the lesson sounds like this.
(Exemplary student responses - Yes, After all, Karandyshev did not want to kill her, he only wanted to return her.
-Not , This is an inevitable final, since all the threads with life from Larisa are torn, there are no values \u200b\u200bthat would hold it on Earth, calculation, cynicism has taken a thin sensitive soul of a person, she does not survive in the world where everything is sold and bought. The final is inevitable).
- Find art details in the text confirming the idea that the final is inevitable . (A shot, sounding during the arrival of Pararty in the city of Bryakhimov, the fatal randomness in the sideline family, the story of Weshevatova about Karandyshev at a costume evening: "Dressed the robber, took an ax and threw on all the brutal glances" and so on. The conclusion about That the item plays an important role in the text: foreshadows a tragic junction).
Who is to blame in the death of Larisa?
(Mother, Parats, Karandyshev ... Everyone is to blame).
To determine the answer, seek help to the heroes of the play and critics.
Work with quotes
“We are not guilty, our business side ... "
“No one is to blame, no one ... This is me. "
“Drama is based on a social theme: Larisa Poor, she is idleness, and this is determined by her tragic fate "(Yu.V. Lebedev).
“Source of tragedy Larisa - Rock Passion ... "(N.A. Dobrolyubov).
“In the weakness of the heroine reflects the features of the time, practical and cruel ... "(I.A. Ovchinin).
Discussion of different points of view of students .
Why thanks Larisa before the death of Karandyshev? (For saving it from suffering, from disappointment in people and in life)
Work with the word
“disappointment ", selection of synonyms for the word. (Disappointment - a sense of dissatisfaction about anything unstable, failed, who did not meet himself. The same as deception is the loss of faith in something, disappointment.)
Monologue reading Larisa (4D, 11 yawl.) "I was looking for love and did not find ... it is not in the world, there is nothing to look for."
I propose to pick up the epigraph to our lesson by contacting the text of the romance to the verses of E. Bratynsky. (At the beginning of the lesson, the epigraph is closed, I open it only at the end, after selecting the desired words by students)
Disappointed alien
All confidence of the previous days!
By the way, the elegy of Baratynsky is so called "deception". Romance performed by Larisa helps to understand a subtle female nature. Rows confirm the hopelessness of the heroine, the inevitability of the tragic finale.
Outcome.
Estimates
Homework . (on the screen)
Match the text of the romance in the play A.N. Ostrovsky and the text of Elegia E. Bratynsky. Why change the playwright text?
Prepare for a written answer to the question: "Who is to blame in the death of Larisa Ogudallova?"
Bibliography.
Zhuravleva A.I. Ostrovsky's drama. - M., 1974.
Zhuravleva A.I., Nekrasov V.N. Ostrovsky Theater. - M., 1986.
Kostelyanz B.O. "Nuredannica" A.N.ostrovsky. - M., 1982.
Lakshin V.Ya. A.N. Ostrovsky. - M., 1982.
Ostrovsky at school: a book for a teacher (Avt.-Sost. N.N. Prokofiev. - M: Drop, 2001.
Stein A.L. Master of Russian drama. - M., 1973.