Brazilian dancers. Brazilian dancing

Brazilian dancers. Brazilian dancing
Brazilian dancers. Brazilian dancing

Football is not the only sight for which it is worth come to this country. So, many come to the hot carnival in Rio precisely to see Brazilian dances performed by local beauties. Many believe that Tver (Dance Popami) was invented in this country. Brazil is a country of girls with magnificent forms, which are not sin.

In fact, Rhetonton and Danshall, from which Tver occurred, they have nothing to do with Brazil - these dances come from the Antilles. In addition, Brazil dances are not only a carnival samba and capoeira, but also many other, not less hot directions. Still, the country is large, so the dances vary depending on the region, and the confusion of cultures made itself felt: Africans, Europeans and Indians together created the real phenomenon of South America.




Samba

One of the symbols of the country. It is dancing not only on the carnival, but also all year round, so you can safely say that it is not just a dance, but a lifestyle. Sometimes it is believed that sensual saming sambe's thighs occurred from the fact that slaves danced in the shackles: nothing, even the hardest chains, could not stop their dance. In fact, like many Latin American dances, this one has taken place from the mixing of Negro music and dance with European (especially Portuguese and Spanish) traditions. Invented this style in the 19th century, but since he was one of the symbols of freedom, which slaves were so longed, then the Samba was banned for many years. Only after World War II, the dance became one of the symbols of a huge and dynamically developing country.

The relatives of Samba are Matchech and Lambad, which were popular in our latitudes. But only the first was popular in the 1920-30s, and the Star Hour of the second came in 1980-90. At one time, Lambada wanted to include in the Latin American Ball Dance Program. Of course, the Samba from the program of ballroom dancing is not like folk Brazilian dancing, but the temperament and confident character did not go anywhere. There are many samba styles, they say that for each carnival is invented new, but the most popular is the solo "samba but ne", "Samba Di", which is dancing in a circle and complete the capoeira, as well as a young and temperamental Samba Asha: real Improvisation for African rhythms.

Makulele and Capoeira

Dances that occurred from martial arts rich in acrobatics. If the first has already won the whole world, then Macullale is not yet known. Makulele - Negro-Indian spectacular dance, which is performed with sticks or machete, as well as burning torches. There is a legend that these are just taking the struggle that local residents have expelled the portuguese all of his movements are performed on four tacts that can be chopped with sticks or knives. All this is accompanied by drumbo.

The elements of the capoeira are in the other dance - extrem. This is a style from the state of Pernambuka, it tells about all the revolutions that were in this state and about the struggle of its inhabitants for independence. This word is translated as a boil, but fulfill it at an accelerated pace and with an unusual accessory - an umbrella.

Elements of martial arts are in other Negro Dance of Brazil: Cucumbres and Kilbo, who depict the battles of runaway slaves and white owners.

Forra

She also comes from Pernambuka, but her roots are hiding in European countersdans and polka ... This is a pair dance that was invented in the 1930s, and after the war he became popular throughout the vast country. In the forora, or the facility, the effect of antille dancing (salsa, meringue), Bolero, Calypso and Samu Balers are felt. Focho is also the style of music that the accordion, triangle and drum are performed. Topics Songs Diversity: Labor, Casual Reality, Nostalgia in Africa, Love, Hope, Passion, Dreams ...

Interestingly, Focho is dancing for a very long time, but all-grayster, and world popularity, he acquired only in 1990.

Funk

The style is quite old and the roots of his purely Negro. But he became popular in Brazil only in the early 2000s among poor youth from megalopolises. Of course, during this time, Funk acquired national Brazilian features, but today it is dancing not only in Favels, but also at the youth parties from any social class.

Mass folk dances

Such here also have both the favorite tools for the accompaniment for them are Viol. They call them differently in each region: in Rio - Giiba, in Belo Horizonte - Kasher. Dance performances called Hygansas are scenes from the life of sailors, and its movements imitate raising sails and sea battles. Mass folk dances retained a lot more Indian traits in themselves than samba or forro, but there are also dancing with purely African names: Mara-Katu, Batukazhus, Kandombla, Kbngos and others ...

Brazil - Latin American country is known for a number of dances that have gained great popularity internationally.
As you know, the dance is one of the forms of non-verbal communication, which serves to express human experience, and which over time has become an art form.

Brazil is home to many popular dances that contain elements of African, Portuguese and European dance forms. Samba, Karimbo, Capoeira, Furro or Forro and Lunda are some of the famous Brasilla dances. Today we will talk about the origin and evolution of these dances.

In Brazilian dancing, the components of the African and Portuguese cultural heritage are dominated. As in other countries of Latin America, where slave work was used, in Brazil plantations became the basis of the colonial economy.

Considering that slaves were brought mainly from Africa, the impact on the music and dancing of African traditions was very strong. The elite layer of the population, and, accordingly, cultural traditions remained Portuguese, and Roman Catholicism was an official religion.

Brazilian samba

The National Dance of Brazil, Samba, originated in the African slaves in the state of Bayy. Samba Yes kind (samba ring) is similar to a Puertoric Bomb and Cuban Rumba, it is necessarily a circular location of dancers, musicians and spectators. Dancers, as a rule, go into a circle one by one. The main step of the samba is fast, weight in the movements of the dance is quickly transferred from one foot to another under the main rhythm of the shock tools at the temperature 2/4. Most dancer movements are focused on their feet, while the upper part of the body remains relatively relaxed.


After slavery ended in 1888, workers mined sugar cane migrated to cities. Many of them settled on the hills surrounding Rio de Janeiro. It is in these favorites (slums) and a carnival samba was born. Over time, Escolas de Samba (Samba School) began to occur here, which operated as community clubs.

The carnival in Brazil is an explosive energy outcome, during which music and dancing just reign on the streets. Samba gained nationwide popularity due to radio and recording industry in the 1940s. Among the many samba options, which arose in the 20th century, Horigno, Bossa Nova, Gafiar, Samba de Salon, Samba Enredo, Samba de Mulattas, Samba Reggae and Rulattas, are highlighted.


In addition to well-known in the whole world and popular in all Brazil Samba, in many parts of the country there are its own styles of carnival music and dance, such as hair (very fast, sports dance with some movements, similar to those used in Russian folk dances), Maracatus In the state of Pernambuka, as well as afoks and an Afro bloc in El Salvador.

Religious dance Candomle

The oldest of Afro-Brazilian groups in Afoxa, Filhos de Gandhy, was founded back in 1940 to popularize the themes of fraternity, peace and tolerance in the environment in which discrimination was common. The game on the drums and dance movements of this group were inspired by the religious dance of Candomble and the rituals of healing. Since the 1970s, their undertakings supported many groups of black brazilians, which were called the general term Blocos AFROS. Their musical topics, costumes, and dance choreography were inspired by African themes, as well as their dance performances are characterized by the active movement of the body and hands.


Brazilian Religion Kandomle, which is based on African traditions, as well as other religious practices related to it, use the dance as a central element of worship. Kandomble is the adaptation of the spiritual system of Yoruba from West Africa, while it is also similar to Cuban Saderia.

The main thing during the dance is the worship of Orisha or deities, which, as believed to control the forces of nature. Candombla dancers, mostly women, moving counterclockwise, sing Diffiramba Orisha, and at this time three men are trying to cause deities to participate in the festival. Dancers during the ritual are gradually falling into a state of obsession. It is worth noting that these dance rituals of obsession deities are not allowed outside the religious celebrations.


Capoeira


In addition to Samba and Kandomble, Capoeira is very popular in the country - a mixture of martial art and dance, which is believed to have African origin. After Capoeier ceased to be a form of self-defense, which masked under entertainment, this dance, full of acrobatic movements, became a distinguishing "chip" of Brazilian folklore dance groups.


Capoeira is also another one of the most popular Afrobrazilian dance. As historians believe, the dance occurred from martial arts. He was also created in Brazil African slaves, immigrants, mainly from Angola. Nevertheless, there are many disputes regarding the origin of this dance. Some historians believe that the dance has occurred directly from African martial styles, while others believe that this is a purely Brazilian dance, which has influenced both both Brazilian and African dance forms.

Some experts generally suggested that the word "capoeira" occurred from the word "CAPAO" - the Portuguese term, which denotes the neutered rooster. Dance style is also like a fight between two roosters. Although there are significant differences in opinions regarding the origin of the dance and its names, an indisputable fact is that the dance steps in capoeire have close similarity with martial arts. Participants tend to form a circle, and then in turn in pairwise go to the center and arrange a half-valued-hazel contest.

Karimbo and Lambada

Karimbo is the name of both dance and large drums that accompany him. In Tupi language, this word means "drum". Karimbo is the national dance of the state of the pair in Brazil, in which African, Portuguese and European traditions intertwined.


This is a sensual dance in which a woman is trying to cover his partner in dance skirt. Sometimes a woman throws a handkerchief to the floor, which her partner-male should pick up his mouth. After modern rhythms affected the dance, Karimbo made a significant contribution to the development of another dance form - Lambada. In Portuguese, Lambad means "strong blow."

Another meaning of the word on the Brazilian dialect of the Portuguese language is the wave-like movement of the ship. The dance is also characterized by wave-like movements of the bodies of dancers. Lambad became popular worldwide in the 1980s.

Forro - Brazilian music and dance style, which combines regional Brazilian rhythms and dancing with European, African and indigenous folklore. One of the forro melodies has more than 200 years of history, it has become traditional for the Brazilian people before promoting samba.

Forero culture originated in the northeast, extending further to the south of the country. As a result, Forro began to dance in all Brazil. But on this, the victorious dance procession was not stopped - he began to spread all over the world. It is believed that the word "Forro" leads its origin from the English language from "for all" (for all). This term arose at the beginning of the twentieth century, during the construction of the Great Western Railway in Brazil. British engineers living in Pernambuek began to spend parties open to any public, from here and the name "for all". Brazilians over time redested the English phrase in "Forro". Another version of the same story tells not about British engineers, but about the Americans who had a military base in Brazil during World War II.


Another historical study proves that the term comes from the African word "Forrobod", which means the party. Forro as a musical genre, can be considered derived from Baio. Initially, Forro's name was used only to refer to the place where dancing were held. Only then Forro became a separate musical style.

Forro is a very sensual dance, the proximity of partners is literally in every step. Forero's countryside is dancing to get closer to find out the future partner. What should be noted - the movements of the hips are very important in the dance. Forero is dancing, holding a partner's hand with one hand, and putting a second hand on the thigh or a partner's waist.

Lund

Although this dance form was the most popular in the 1600s and 1700s, it is practiced and understood. Usually, the Lund's dance is accompanied by a playing guitar, piano and drums, and also often includes playing on cacastickets.

Samba Gafiera


Gafieira (Gafiera) is the dance halls, which in the past often visited the working class in Brazil. Some Gafieira have turned into clubs, which are currently part of the excursion program in Rio de Janeiro.

Samba de Gafiair is a pair dance that combines the elements of carnival samba, salsa, the Argentine tango, manice (Brazilian tango) and some acrobatic elements. It is sometimes called Brazilian tango. Samba de Gafiera is suitable for all ages, and even considering that this dance is known in Brazil is not the first decade, it continues to attract young people with its cheerfulness and huge scoring for creativity. What is noteworthy - this dance can be performed under various Latin rhythms.

Samba de Gafiar originated in the 1940s in Gafayrah (dance halls for workers) Rio de Janeiro. Since the creation of Samba de Gafiera has changed quite a lot. Today Samba de Gafiair is a modern dance with Brazilian "mentality." It is worth noting that in Brazil Samba de Gafiera is considered a ballroom dancing, although it differs from the generally accepted sports international samba.

On the world-famous Brazilian carnival, not a balloon samba dance. It is performed just Samba de Gafiera, as well as the "samba but ne." The difference between these dances is that Samba But it is a popular Brazilian dance that is dancing literally on the street, Samba de Gafiair - is known worldwide, it is often taught in dance schools.

In Brazil, Samba de Gafiera dance to the music of Samba, to the music of Bossa Nova, Horiño, Pagoda and other Brazilian motives. However, this dance is performed and under non-hospital music. Perhaps that is why Samba de Gafiar has gained popularity and outside of his homeland.

If someone believes that the samba is difficult to dance, he should meet with an extract. All movements in this dance require long rehearsals, as well as high strength, endurance and flexibility. The dance was inspired by the movements of capoeira (Brazilian martial art) and has more than 120 different movements. As an example of ordinary movements in this dance, you can bring jumps, coordinated fast legs, leg flexion and tumbling. Not so, it's not just to try to dance the hair ... But there are people who are able to dance with perfection, they are called Passina. They wear bright clothes, and when they dance, then small umbrellas use.


Wrap is a collective name of several musical and dance styles originating from the Brazilian northeastern state of Pernambuka. All these styles are traditionally connected with the carnival. In Pernambuka for over a hundred years old, the dance, the extreme is the most common and popular style. There are many explosion clubs here, between the participants of which are spent exciting competitions to determine the best of the best. The appearance and development of the hair was greatly influenced by march, capoeur (popular national martial art) and the Brazilian dance "Matchish", popular in Europe and America at the turn of the XIX-XX centuries.

Frezo is one of the brightest and carefree dances of Brazilian folklore. He is so infectious that when the dancers protrude on the streets, almost no passing can remain indifferent. In Recife, where the tradition of street carnavalov preserved (in addition to the famous carnival, which passes 40 days before Easter), a huge crowds of those who wish to participate are gather, which are representatives of all social classes during the carnival.

Frees full of surprises and improvisation. This dance allows the performer to use all his creativity, inventive spirit and skill. Also, this dance requires depth power, endurance and flexibility. Movements in various varieties of hair vary from the most simple to the most incredible, with elements of acrobatics. Sometimes Passihist is performed so incredible tricks that you can be wondering if the bodies of the dancers are subject to the laws of physics. What is incredible, in the arsenal of the extract - up to 120 steps.


Many who believe that the music of the furry was born before the same dance. In the middle of the nineteenth century, Brazilian army shelves, quartered in the receiver, began the tradition of spending parades during the carnival. These processions were characterized by clear rhythm, energetic music and fast dance style. Since the carnival was originally associated with religion, the band's regimental Military brandy orchestras performed mostly religious music, but the repertoire of the "gang" is traditional marches and polka. During the carnival "Blocks" (a group of dancers built in the form of a rectangle) competed with each other, and the orchestra played faster and faster, louder and louder. As part of these "blocks", armed participants appeared at the time, which began to execute Capoeur.

During the carnival, the capoeurist fighters marched, as a rule, in the forefront of the "blocks". The purpose of such a formation was to intimidate rivals and the protection of the main attribute of the "block" - flag. Presumably, it was then that capoeyrists began to use an umbrella as an element of protection. Often there were cases of clashes between "blocks" - competitors, after which many participants were injured, and even died. To put an end to the wave of violence, the police began to pursue and arrest participants during the carnival. To resist the persecution by the police, men dressed in stylized costumes of their clubs. Over time, the movement and blows of the capoeira, accompanied by Marsham Music Music, turned into "passages" (so called the main steps of the furry). And all the attributes of the militant dance with weapons turned into the symbolic elements of the fur. Thus, usually a black umbrella, shabby, drowned after numerous clashes with rivals by capoeurists, has become less and today is an ornament that emphasizes dance and is one of the main challenges of the carnival in Pernambuka.

Bossa Nova.

Bossa Nova first sounded in small clubs and cafes in the view of Rio de Janeiro Beach in 1958. At the homeland of this dance, Brazil, the name "Bossa Nova" means "New Wave" or "New Direction".

Fashionable in the late 50s in Brazil the word "Bossa" indicated that now indicates the word "chip" - something special, unusual. So this unusual style appeared, in which the sultry Samba was mixed with a very popular jazz at that time.


Music Bossa Nova was created by young Brazilian musicians who tried to find something new in the old topic. Musicians Joao Zhilbert, Antonio Carlos Zobim and Louis Bonf are mentioned as creators of the new style. Several years have passed, and in the early 60s against the background of the popularity of the melody, several attempts have been made to make a dance for it. But, as practice has shown, the music that fascinated the country was more suitable for listening than for dance. Several versions of the dance, spontaneously arose by 1963, did not become popular. Among young people in 1963, a survey was held, which showed that everyone liked music, but almost no one took the dance. As this most people explained, "the dance was too fast for slow dances, and at the same time - too slow for fast dance."

Bossa Nova continued to remain exclusively music until the popular musician Sasha Distiel, who at that time was looking for new tunes for dances, did not pay attention to her. As a result, a dance appeared, in which Rumba, Samba, Merenge, Mambo, Kong, and, if not surprising, is a twist. At the same time, the role of the successor of Twist, but ... As a result, he did not become popular. What is characteristic of boss-new - it is built mainly on improvisations. There is no strict rules in this dance, except for one - partners should look at each other in the eyes.

And Wikipedia materials

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The market for the entertainment industry is the abundance of show groups and dance groups performing Brazilian dances. Before you choose your choice on specific performers and conclude an agreement to carefully analyze the information about the team.

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Carnival in Brazil is traditionally associated with samba, and meanwhile, each state has its own traditions of his celebration and dancing, closely related to folklore and religious beliefs based on jokes, legends or narrating important events in history. Our Brazilian author of Christina Polyakov gathered the top ten most common dances, which performed in Brazil in this "enchanted" season.

1. Samba

This musical genre in Brazil was brought with her African slaves, and the roots of Samba go to the rituals of worship of the spirit of Orisha. The dance first came to Baoy and gradually won popularity in other states, and today is a business card Rio de Janeiro, and without exaggeration to say that this style has become a symbol of the national identity of every Brazilian. The main characteristic of the Samba is a syncous rhythm, which is created by a wide range of shock tools. Expressive beads movements, rapid movement of body weight due to bending and straightening the knees - these are the main characteristics of the dance. Sambu can be danced in a pair (Pagoda,), in a circle (Samba de kind) and groups (samba well).

2. Funk

Brazilian funk arose in the Favels of Rio de Janeiro in the 70s under the influence of Miamibass, Freestyle, Hip-Hop and Electro Funky. Dance distinguish frank movements of hips, waves, shaking. And although Funk is often criticized for the vulgar vulgar, the cruelty and justification of drugs, the funk-parties are attracting more and more people today, and the dance itself has become a popular phenomenon not only from Brazilians, but also won fans around the world.

3. Ashe

In the Salvador (Bahia) in the 1980s, during the carnival, a new style appeared - Ashe - which did the characteristic features of different dances: Wrap, Reggae, Merenge, Phocho and Maracat. This is a mixture of steps and movements from quadrilles and jeans (method of movement characteristic of capoeira), which create an energetic and sensual dance. The word is translated as "energy", "supernatural power" and denotes a religious greeting from the Afro-Brazilian religious cult of Kandomble.

4. Oloofum

In 1979, a carnival unit called "Olofum" was organized in Salvador. The main role in this fun and rhythmic dance music play percussion instruments. Today, Olofum is not just a new musical direction, it has become a cultural movement against racism and discrimination, acting in defense of the rights of marginal layers. Michael Jackson is so imbued with this idea that he took a clip to the song "The Don't Care About US" in the center of Salvador with the participation of a huge number of musicians - Pelebinho residents.

5. Focho.

This simple pair dance originated in the northeast at the beginning of the XIX century, and today is popular in all Brazil. Initially, the couples danced on Earth and not to raise dust, they did small and low steps, and the legs were in a closed position: the right leg of a man between the feet of a woman. The main tool Focho is an accordion, and the rhythm creates a swelling and a triangle. Movement Focho is a bit remind of Merenge.

6. Maracatu

Maracat from Pernambucco is a mixture of African-Brazilian, Indian and European elements with a strong religious message (worship of Orisha's spirits). Dancers dress up in carnival costumes and depict the king, princess, queen and ambassadors. This tuple consisting of historical characters accompanies a group that plays the drums. The name "Maracat" means "shock tool", which only confirms its fragile rhythm with jumps and circling.

7. Frevo

This dance from the staff of Pernambuko is distinguished by rapid movements, color clothes and bright umbrellas in the hands - the main element of the fur. Unlike other carnival styles, they do not use words here, and the music is saturated with fanframes. Dance choreography is very active - these are steps, rotation, juggling of umbrella and jeending.

8. Makulele

Makulele has African-Indian roots. The dance began to execute in the colonial period to celebrate the harvest. It symbolizes the battle and uses sticks as a weapon. Mestre starts singing, and the chorus is responsible for him. Men perform movements for four clocks, hitting every first tact with chopsticks. Rhythm is asked Pandyro and Atabake.

9. Bumba Meau Boy

The style appeared in the northeast of the country in the XVIII century under the influence of Portuguese, African and Indian culture. Today it is one of the folk symbols of Brazil. This is a mixture of dance, music and theatrical presentation, in which the performers sing and dance to tell the history of the bull that died and resurrected.

Brazil - Latin American country is known for a number of dances that have gained great popularity internationally.
As you know, the dance is one of the forms of non-verbal communication, which serves to express human experience, and which over time has become an art form.

Brazil is home to many popular dances that contain elements of African, Portuguese and European dance forms. Samba, Karimbo, Capoeira, Furro or Forro and Lunda are some of the famous Brasilla dances. Today we will talk about the origin and evolution of these dances.

In Brazilian dancing, the components of the African and Portuguese cultural heritage are dominated. As in other countries of Latin America, where slave work was used, in Brazil plantations became the basis of the colonial economy.

Considering that slaves were brought mainly from Africa, the impact on the music and dancing of African traditions was very strong. The elite layer of the population, and, accordingly, cultural traditions remained Portuguese, and Roman Catholicism was an official religion.

Brazilian samba

The National Dance of Brazil, Samba, originated in the African slaves in the state of Bayy. Samba Yes kind (samba ring) is similar to a Puertoric Bomb and Cuban Rumba, it is necessarily a circular location of dancers, musicians and spectators. Dancers, as a rule, go into a circle one by one. The main step of the samba is fast, weight in the movements of the dance is quickly transferred from one foot to another under the main rhythm of the shock tools at the temperature 2/4. Most dancer movements are focused on their feet, while the upper part of the body remains relatively relaxed.


After slavery ended in 1888, workers mined sugar cane migrated to cities. Many of them settled on the hills surrounding Rio de Janeiro. It is in these favorites (slums) and a carnival samba was born. Over time, Escolas de Samba (Samba School) began to occur here, which operated as community clubs.

The carnival in Brazil is an explosive energy outcome, during which music and dancing just reign on the streets. Samba gained nationwide popularity due to radio and recording industry in the 1940s. Among the many samba options, which arose in the 20th century, Horigno, Bossa Nova, Gafiar, Samba de Salon, Samba Enredo, Samba de Mulattas, Samba Reggae and Rulattas, are highlighted.


In addition to well-known in the whole world and popular in all Brazil Samba, in many parts of the country there are its own styles of carnival music and dance, such as hair (very fast, sports dance with some movements, similar to those used in Russian folk dances), Maracatus In the state of Pernambuka, as well as afoks and an Afro bloc in El Salvador.

Religious dance Candomle

The oldest of Afro-Brazilian groups in Afoxa, Filhos de Gandhy, was founded back in 1940 to popularize the themes of fraternity, peace and tolerance in the environment in which discrimination was common. The game on the drums and dance movements of this group were inspired by the religious dance of Candomble and the rituals of healing. Since the 1970s, their undertakings supported many groups of black brazilians, which were called the general term Blocos AFROS. Their musical topics, costumes, and dance choreography were inspired by African themes, as well as their dance performances are characterized by the active movement of the body and hands.


Brazilian Religion Kandomle, which is based on African traditions, as well as other religious practices related to it, use the dance as a central element of worship. Kandomble is the adaptation of the spiritual system of Yoruba from West Africa, while it is also similar to Cuban Saderia.

The main thing during the dance is the worship of Orisha or deities, which, as believed to control the forces of nature. Candombla dancers, mostly women, moving counterclockwise, sing Diffiramba Orisha, and at this time three men are trying to cause deities to participate in the festival. Dancers during the ritual are gradually falling into a state of obsession. It is worth noting that these dance rituals of obsession deities are not allowed outside the religious celebrations.


Capoeira


In addition to Samba and Kandomble, Capoeira is very popular in the country - a mixture of martial art and dance, which is believed to have African origin. After Capoeier ceased to be a form of self-defense, which masked under entertainment, this dance, full of acrobatic movements, became a distinguishing "chip" of Brazilian folklore dance groups.


Capoeira is also another one of the most popular Afrobrazilian dance. As historians believe, the dance occurred from martial arts. He was also created in Brazil African slaves, immigrants, mainly from Angola. Nevertheless, there are many disputes regarding the origin of this dance. Some historians believe that the dance has occurred directly from African martial styles, while others believe that this is a purely Brazilian dance, which has influenced both both Brazilian and African dance forms.

Some experts generally suggested that the word "capoeira" occurred from the word "CAPAO" - the Portuguese term, which denotes the neutered rooster. Dance style is also like a fight between two roosters. Although there are significant differences in opinions regarding the origin of the dance and its names, an indisputable fact is that the dance steps in capoeire have close similarity with martial arts. Participants tend to form a circle, and then in turn in pairwise go to the center and arrange a half-valued-hazel contest.

Karimbo and Lambada

Karimbo is the name of both dance and large drums that accompany him. In Tupi language, this word means "drum". Karimbo is the national dance of the state of the pair in Brazil, in which African, Portuguese and European traditions intertwined.


This is a sensual dance in which a woman is trying to cover his partner in dance skirt. Sometimes a woman throws a handkerchief to the floor, which her partner-male should pick up his mouth. After modern rhythms affected the dance, Karimbo made a significant contribution to the development of another dance form - Lambada. In Portuguese, Lambad means "strong blow."

Another meaning of the word on the Brazilian dialect of the Portuguese language is the wave-like movement of the ship. The dance is also characterized by wave-like movements of the bodies of dancers. Lambad became popular worldwide in the 1980s.

Forro - Brazilian music and dance style, which combines regional Brazilian rhythms and dancing with European, African and indigenous folklore. One of the forro melodies has more than 200 years of history, it has become traditional for the Brazilian people before promoting samba.

Forero culture originated in the northeast, extending further to the south of the country. As a result, Forro began to dance in all Brazil. But on this, the victorious dance procession was not stopped - he began to spread all over the world. It is believed that the word "Forro" leads its origin from the English language from "for all" (for all). This term arose at the beginning of the twentieth century, during the construction of the Great Western Railway in Brazil. British engineers living in Pernambuek began to spend parties open to any public, from here and the name "for all". Brazilians over time redested the English phrase in "Forro". Another version of the same story tells not about British engineers, but about the Americans who had a military base in Brazil during World War II.


Another historical study proves that the term comes from the African word "Forrobod", which means the party. Forro as a musical genre, can be considered derived from Baio. Initially, Forro's name was used only to refer to the place where dancing were held. Only then Forro became a separate musical style.

Forro is a very sensual dance, the proximity of partners is literally in every step. Forero's countryside is dancing to get closer to find out the future partner. What should be noted - the movements of the hips are very important in the dance. Forero is dancing, holding a partner's hand with one hand, and putting a second hand on the thigh or a partner's waist.

Lund

Although this dance form was the most popular in the 1600s and 1700s, it is practiced and understood. Usually, the Lund's dance is accompanied by a playing guitar, piano and drums, and also often includes playing on cacastickets.

Samba Gafiera


Gafieira (Gafiera) is the dance halls, which in the past often visited the working class in Brazil. Some Gafieira have turned into clubs, which are currently part of the excursion program in Rio de Janeiro.

Samba de Gafiair is a pair dance that combines the elements of carnival samba, salsa, the Argentine tango, manice (Brazilian tango) and some acrobatic elements. It is sometimes called Brazilian tango. Samba de Gafiera is suitable for all ages, and even considering that this dance is known in Brazil is not the first decade, it continues to attract young people with its cheerfulness and huge scoring for creativity. What is noteworthy - this dance can be performed under various Latin rhythms.

Samba de Gafiar originated in the 1940s in Gafayrah (dance halls for workers) Rio de Janeiro. Since the creation of Samba de Gafiera has changed quite a lot. Today Samba de Gafiair is a modern dance with Brazilian "mentality." It is worth noting that in Brazil Samba de Gafiera is considered a ballroom dancing, although it differs from the generally accepted sports international samba.

On the world-famous Brazilian carnival, not a balloon samba dance. It is performed just Samba de Gafiera, as well as the "samba but ne." The difference between these dances is that Samba But it is a popular Brazilian dance that is dancing literally on the street, Samba de Gafiair - is known worldwide, it is often taught in dance schools.

In Brazil, Samba de Gafiera dance to the music of Samba, to the music of Bossa Nova, Horiño, Pagoda and other Brazilian motives. However, this dance is performed and under non-hospital music. Perhaps that is why Samba de Gafiar has gained popularity and outside of his homeland.

If someone believes that the samba is difficult to dance, he should meet with an extract. All movements in this dance require long rehearsals, as well as high strength, endurance and flexibility. The dance was inspired by the movements of capoeira (Brazilian martial art) and has more than 120 different movements. As an example of ordinary movements in this dance, you can bring jumps, coordinated fast legs, leg flexion and tumbling. Not so, it's not just to try to dance the hair ... But there are people who are able to dance with perfection, they are called Passina. They wear bright clothes, and when they dance, then small umbrellas use.


Wrap is a collective name of several musical and dance styles originating from the Brazilian northeastern state of Pernambuka. All these styles are traditionally connected with the carnival. In Pernambuka for over a hundred years old, the dance, the extreme is the most common and popular style. There are many explosion clubs here, between the participants of which are spent exciting competitions to determine the best of the best. The appearance and development of the hair was greatly influenced by march, capoeur (popular national martial art) and the Brazilian dance "Matchish", popular in Europe and America at the turn of the XIX-XX centuries.

Frezo is one of the brightest and carefree dances of Brazilian folklore. He is so infectious that when the dancers protrude on the streets, almost no passing can remain indifferent. In Recife, where the tradition of street carnavalov preserved (in addition to the famous carnival, which passes 40 days before Easter), a huge crowds of those who wish to participate are gather, which are representatives of all social classes during the carnival.

Frees full of surprises and improvisation. This dance allows the performer to use all his creativity, inventive spirit and skill. Also, this dance requires depth power, endurance and flexibility. Movements in various varieties of hair vary from the most simple to the most incredible, with elements of acrobatics. Sometimes Passihist is performed so incredible tricks that you can be wondering if the bodies of the dancers are subject to the laws of physics. What is incredible, in the arsenal of the extract - up to 120 steps.


Many who believe that the music of the furry was born before the same dance. In the middle of the nineteenth century, Brazilian army shelves, quartered in the receiver, began the tradition of spending parades during the carnival. These processions were characterized by clear rhythm, energetic music and fast dance style. Since the carnival was originally associated with religion, the band's regimental Military brandy orchestras performed mostly religious music, but the repertoire of the "gang" is traditional marches and polka. During the carnival "Blocks" (a group of dancers built in the form of a rectangle) competed with each other, and the orchestra played faster and faster, louder and louder. As part of these "blocks", armed participants appeared at the time, which began to execute Capoeur.

During the carnival, the capoeurist fighters marched, as a rule, in the forefront of the "blocks". The purpose of such a formation was to intimidate rivals and the protection of the main attribute of the "block" - flag. Presumably, it was then that capoeyrists began to use an umbrella as an element of protection. Often there were cases of clashes between "blocks" - competitors, after which many participants were injured, and even died. To put an end to the wave of violence, the police began to pursue and arrest participants during the carnival. To resist the persecution by the police, men dressed in stylized costumes of their clubs. Over time, the movement and blows of the capoeira, accompanied by Marsham Music Music, turned into "passages" (so called the main steps of the furry). And all the attributes of the militant dance with weapons turned into the symbolic elements of the fur. Thus, usually a black umbrella, shabby, drowned after numerous clashes with rivals by capoeurists, has become less and today is an ornament that emphasizes dance and is one of the main challenges of the carnival in Pernambuka.

Bossa Nova.

Bossa Nova first sounded in small clubs and cafes in the view of Rio de Janeiro Beach in 1958. At the homeland of this dance, Brazil, the name "Bossa Nova" means "New Wave" or "New Direction".

Fashionable in the late 50s in Brazil the word "Bossa" indicated that now indicates the word "chip" - something special, unusual. So this unusual style appeared, in which the sultry Samba was mixed with a very popular jazz at that time.


Music Bossa Nova was created by young Brazilian musicians who tried to find something new in the old topic. Musicians Joao Zhilbert, Antonio Carlos Zobim and Louis Bonf are mentioned as creators of the new style. Several years have passed, and in the early 60s against the background of the popularity of the melody, several attempts have been made to make a dance for it. But, as practice has shown, the music that fascinated the country was more suitable for listening than for dance. Several versions of the dance, spontaneously arose by 1963, did not become popular. Among young people in 1963, a survey was held, which showed that everyone liked music, but almost no one took the dance. As this most people explained, "the dance was too fast for slow dances, and at the same time - too slow for fast dance."

Bossa Nova continued to remain exclusively music until the popular musician Sasha Distiel, who at that time was looking for new tunes for dances, did not pay attention to her. As a result, a dance appeared, in which Rumba, Samba, Merenge, Mambo, Kong, and, if not surprising, is a twist. At the same time, the role of the successor of Twist, but ... As a result, he did not become popular. What is characteristic of boss-new - it is built mainly on improvisations. There is no strict rules in this dance, except for one - partners should look at each other in the eyes.

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