Is Pechorin a tragic hero? What is the tragedy of Pechorin's fate? essay - Any essay on the topic We are writing an essay on the topic "What is the tragedy of Pechorin."

What is the tragedy of Pechorin's existence? (Based on the novel by M.Yu. Lermontov "A Hero of Our Time")

In the novel "A Hero of Our Time" M.Yu. Lermontov created the image of his contemporary, a man of the 1930s, a complex, contradictory, deeply tragic image.

And the portrait of the hero itself is unusual. “At first glance on his face, I would not have given him more than twenty-three, although after that I was ready to give him thirty,” the narrator notes. He describes the strong physique of Pechorin and at the same time immediately notes the "nervous weakness" of his body. A strange contrast is presented by the hero's childish smile and his cold, heavy look. Pechorin's eyes "did not laugh when he laughed." “This is a sign - either of an evil disposition, or of deep constant sadness,” the narrator notes.

Pechorin is a romantic hero, a man of exceptional abilities, an outstanding nature, strong, strong-willed character. He surpasses those around him with his intellect, versatile education, knowledge in the field of literature and philosophy. He is endowed with a deep analytical mind, critically evaluates all social phenomena. So, about his generation, he notes: "We are no longer capable of great sacrifices, neither for the good of humanity, nor even for our own happiness." He is not satisfied with the life that modern society offers. Mary Ligovskaya notes that it is better to get caught "in the woods under the knife of a killer" than to become the object of Pechorin's cruel jokes. The hero is bored in the company of empty, petty envious people, gossips, intriguers, devoid of decency, nobility, honor. Disgust for these people appears in his soul, he feels like a stranger in this world. But at the same time, in the same way, Pechorin is far from the world of "ordinary people".

Revealing the contradictory nature of Pechorin's inner image, the writer shows that he is deprived of the spontaneity and integrity of feelings characteristic of ordinary people, for "children of nature." Having invaded the world of the mountaineers, he destroys Bela, ravages the nest of "honest smugglers". He offends Maksim Maksimych. At the same time, Pechorin is not without good impulses. At the evening at the Ligovskys', he "felt sorry for Vera." On the last meeting with Mary, compassion seized him with such force that "another minute" - and he would "fall at her feet." Risking his life, he was the first to rush into the hut of the murderer Vulich a. The hero sympathizes with the Decembrists exiled to the Caucasus.

However, his good impulses remain impulses. Grigory Aleksandrovich always brings his "villainies" to their logical conclusion. He violates the family peace of Vera, insults Mary's dignity. In a duel, he kills Grushnitsky, having specially chosen such a place for the duel so that one of them would not return. Pechorin manifests itself primarily as an evil, egocentric force that brings people only suffering and misery. "Born for a high purpose," he wastes his energy on actions unworthy of a real person. Instead of active, meaningful activity, Pechorin is fighting against individuals who meet on his way. This struggle is basically petty, aimless. When the hero evaluates his actions, he himself comes to a sad conclusion; "In this vain struggle, I have exhausted both the ardor of the soul and the constancy of will necessary for real life." Passionately craving for the ideal, but not finding it, he asks: “Why did I live? For what purpose was I born? ... And, it is true, it existed and, it is true, I had a high purpose, because I feel immense strength in my soul; but I did not guess the purpose, I was carried away by the lures of passions empty and ungrateful; from their furnace I came out hard and cold as iron, but I have lost forever the ardor of noble aspirations, the best color of life. "

The hero reveals his views in his diary. Happiness for him is "rich pride." He perceives the suffering and joy of others "only in relation to himself" as food that supports his spiritual strength. Pechorin's life is "boring and disgusting." Doubt devastated him to the point that he had only two convictions left: birth is a misfortune, and death is inevitable. The feeling of love and the need for friendship in the performance of Pechorin have long lost their value. “Of two friends, one is always a slave to the other,” he says. Love for the hero is a satisfied ambition, "sweet food ... of pride." "Arouse feelings of love, devotion and fear to oneself - isn't it the first sign and triumph of power?" - writes Pechorin.

The position and fate of the hero are tragic. He does not believe in anything, cannot find a life purpose, unity with people. Selfishness, self-will, lack of creativity in life - this is the true tragedy of Pechorin. But the moral character of the hero is shaped by contemporary society. Like Onegin, he is an “extra person”, “an unwilling egoist”. This is what Lermontov's novel speaks about. “The soul of Pechorin is not stony soil, but the earth dried up from the heat of fiery life: let its suffering loosen up and the blessed rain irrigate it - and it will grow out of itself lush, luxurious flowers of heavenly love ...”, wrote V.G. Belinsky. However, Pechorin's "suffering" itself is precisely impossible for him. And this is not only the paradox of this image, but also its tragedy.

Revealing the inner appearance of the hero, the author uses various artistic means. We see a detailed portrait of the hero, we read his diary. Pechorin is depicted against the background of other characters (highlanders, smugglers, "water society"). Pechorin's speech is replete with aphorisms: "Evil begets evil", "Of two friends, one is the slave of the other", "Women love only those they do not know." The author emphasizes the poetry of the hero, his love for nature with the help of landscapes (description of the early morning in Pyatigorsk, description of the morning before the duel). Revealing the uniqueness of Pechorin's nature, Lermontov uses characteristic epithets: "immense forces", "restless imagination", "insatiable" heart, "high" purpose.

Creating the image of Pechorin, Lermontov wrote "a portrait made up of the vices of a whole generation." It was both a reproach to the best people of his era, and at the same time a call to active work. This is the author's position in the novel.

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To the question Please help me find an essay on the topic: what is the tragedy of Pechorin's fate? given by the author Vyacheslav Sautin the best answer is Why did I live? For what purpose was I born? The tragedy of the fate of Grigory Pechorin
The whole life of the protagonist of M. Yu. Lermontov's novel "A Hero of Our Time" can really be called a tragedy. Why and who is to blame for this topic, which is devoted to this essay.
So, Grigory Pechorin, was exiled from St. Petersburg for a certain "story" (obviously for a duel over a woman) to the Caucasus, along the way, several more stories happen to him, he is demoted, again goes to the Caucasus, then travels for a while, and, returning home from Persia, dies. This is the fate. But during all this time, he experienced a lot himself and influenced the lives of other people in many ways.
I must say, this influence was not the best - during his life he destroyed many human destinies - Princess Mary Ligovskaya, Vera, Bela, Grushnitsky ... Why, is he really such a villain? Does he do it on purpose or does it come out arbitrarily?
Generally speaking, Pechorin is an extraordinary, intelligent, educated, strong-willed, brave person ... In addition, he is distinguished by a constant striving for action, Pechorin cannot stay in one place, in one environment, surrounded by the same people. Isn't that why he cannot be happy with any woman, even with the one with whom he is in love? After a while, he gets bored and starts looking for something new. Isn't that why he breaks their fates? Pechorin writes in his diary: "... the one in whose head more ideas were born, he acts more; from this a genius, chained to the bureaucratic table, must die or go mad ...". Pechorin is not attracted by such a fate, and he acts. Acts without regard for the feelings of other people, practically not paying attention to them. Yes, he is selfish. And this is his tragedy. But is Pechorin alone to blame for this?
No! And Pechorin himself, explaining to Mary, says: "... Such was my fate since childhood. Everyone read on my face signs of bad qualities that were not there; but they were supposed - and they were born ...".
So, "everything." Whom does he mean? Naturally, society. Yes, the same society that hindered Onegin and Lensky, which hated Chatsky, is now Pechorin. So, Pechorin learned to hate, lie, became secretive, he "buried his best feelings in the depths of his heart, there they died."
So, on the one hand, an extraordinary, intelligent person, on the other hand, an egoist who breaks hearts and destroys lives, he is an "evil genius" and at the same time a victim of society.
In Pechorin's diary, we read: "... my first pleasure is to subjugate everything that surrounds me to my will; to arouse feelings of love, devotion and fear to myself - isn't it the first sign and the greatest triumph of power." So that's what love for him is just the satisfaction of his own ambition! But what about his love for Vera - is it the same? In part, yes, there was a barrier between Pechorin and Vera Vera was married, and this attracted Pechorin, who, like a true fighter, strove to overcome all obstacles, it is not known how Pechorin would have behaved if this obstacle had not been ... But this love, love for Vera, however, is more than just a game, Vera was the only woman whom Pechorin really loved, at the same time, only Vera knew and loved Pechorin, not a fictional one, but Pechorin of a real real, with all its advantages and disadvantages, with all his vices. "I should hate you ... You gave me nothing but suffering," she says to Pechorin. But she cannot hate him ... However, selfishness takes its toll - all people around Pechorin turn away from him. In conversation, he somehow confesses to his friend Werner: "Thinking about a near and possible death, I think about myself." Here it is, his tragedy, the tragedy of his fate, his life.
I must say, in his diaries Pechorin admits this, analyzing his life, he writes: "... I did not sacrifice anything for those whom I loved: I loved for myself, for my own pleasure ...". And as a result of his loneliness: "... and not a single creature will remain on earth that would understand me completely

The main theme of the novel "A Hero of Our Time" is the depiction of the socially typical personality of the noble circle after the defeat of the Decembrists. The main idea is to condemn this person and the social environment that gave birth to it. Pechorin is the central figure of the novel, its driving force. He is Onegin's successor - "an extra person". This is a romantic in character and behavior, by nature a man of exceptional abilities, an outstanding mind and strong will.

Lermontov paints a portrait of Pechorin psychologically deeply. Phosphoric-dazzling, but cold gleam of the eyes, a penetrating and heavy gaze, a noble forehead with traces of intersecting wrinkles, pale, thin fingers, nervous relaxation of the body - all these external features of the portrait testify to the psychological complexity, intellectual giftedness and strong-willed, evil strength of Pechorin. In his "indifferently calm" look "there was no reflection of the heat of the soul," Pechorin was indifferent "to himself and others," disappointed and internally devastated.

He was characterized by the highest aspirations for social activity and a passionate desire for freedom: "I am ready for all sacrifices ... but I will not sell my freedom." Pechorin rises above the people of his environment with his versatile education, wide awareness in literature, sciences, philosophy. In the inability of his generation "to make great sacrifices for the good of mankind," he sees a grievous defect. Pechorin hates and despises the aristocracy, therefore he becomes close to Werner and Maxim Maksimych, does not hide his sympathy for the oppressed.

But Pechorin's good aspirations did not develop. The unrestrained socio-political reaction that stifled all living things, the spiritual emptiness of high society changed and drowned out its possibilities, disfigured its moral character, and reduced its vital activity. Therefore, VG Belinsky called the novel "a cry of suffering" and a "sad thought" about that time. Chernyshevsky said that "Lermontov - a deep thinker for his time, a serious thinker - understands and presents his Pechorin as an example of how the best, strongest, noblest people become under the influence of the social environment of their circle."

Pechorin fully felt and understood that under the conditions of autocratic despotism, meaningful activity in the name of the common good is impossible for him and his generation. This was the reason for his characteristic boundless skepticism and pessimism, the conviction that life is "boring and disgusting." Doubts devastated Pechorin to such an extent that he had only two convictions: the birth of a person is a misfortune, and death is inevitable. He parted ways with the environment to which he belonged by birth and upbringing. Pechorin denounces this environment and severely judges himself, in this, in the words of V. G. Belinsky, "the strength of the spirit and the power of will" of the hero. He is dissatisfied with his aimless life, passionately seeks and cannot find his ideal: "Why did I live? For what purpose was I born? .." Internally, Pechorin departed from the class to which he rightfully belonged by birth and social status, but a new system social relationships that would suit him, he did not find. Therefore, Pechorin does not accept any laws other than his own.

Pechorin is morally crippled by life, he lost good goals and turned into a cold, cruel and despotic egoist, who froze in splendid isolation and hates himself.

According to Belinsky, "hungry for anxiety and storms", tirelessly chasing life, Pechorin manifests himself as an evil, egocentric force that brings people only suffering and misery. Human happiness for Pechorin is "saturated pride". He perceives the suffering and joys of other people "only in relation to himself" as food that supports his spiritual strength. Without much hesitation, for the sake of a capricious whim, Pechorin pulled Bela out of his home and ruined her, greatly offended Maxim Maksimych, ruined the nest of "honest smugglers" because of empty red tape, violated Vera's family peace, grossly insulted Mary's love and dignity.

Pechorin does not know where to go and what to do, and wastes the strength and heat of his soul on petty passions and insignificant deeds. Pechorin found himself in a tragic situation, with a tragic fate: he was not satisfied with the surrounding reality, nor with his characteristic individualism and skepticism. The hero has lost faith in everything, he is corroded by gloomy doubts, he longs for meaningful, socially purposeful activity, but does not find it in the circumstances surrounding him. Pechorin, like Onegin, is a suffering egoist, an unwilling egoist. He became so because of the circumstances that determine his character and actions, and therefore evokes sympathy for himself.

Why did I live? For what purpose was I born? The tragedy of the fate of Grigory PechorinThe whole life of the protagonist of M. Yu. Lermontov's novel "A Hero of Our Time" can really be called a tragedy. Why and who is to blame for this topic, which is devoted to this essay.So, Grigory Pechorin, was exiled from St. Petersburg for a certain "story" (obviously for a duel over a woman) to the Caucasus, along the way, several more stories happen to him, he is demoted, again goes to the Caucasus, then travels for a while, and, returning home from Persia, dies. This is the fate. But during all this time, he experienced a lot himself and influenced the lives of other people in many ways.I must say, this influence was not the best - during his life he destroyed many human destinies - Princess Mary Ligovskaya, Vera, Bela, Grushnitsky ... Why, is he really such a villain? Does he do it on purpose or does it come out arbitrarily?Generally speaking, Pechorin is an extraordinary, intelligent, educated, strong-willed, brave person ... In addition, he is distinguished by a constant striving for action, Pechorin cannot stay in one place, in one environment, surrounded by the same people. Isn't that why he cannot be happy with any woman, even with the one with whom he is in love? After a while, he gets bored and starts looking for something new. Isn't that why he breaks their fates? Pechorin writes in his diary: "... the one in whose head more ideas were born, he acts more; from this a genius, chained to the bureaucratic table, must die or go mad ...". Pechorin is not attracted by such a fate, and he acts. Acts without regard for the feelings of other people, practically not paying attention to them. Yes, he is selfish. And this is his tragedy. But is Pechorin alone to blame for this?No! And Pechorin himself, explaining to Mary, says: "... Such was my fate since childhood. Everyone read on my face signs of bad qualities that were not there; but they were supposed - and they were born ...".So, "everything." Whom does he mean? Naturally, society. Yes, the same society that hindered Onegin and Lensky, which hated Chatsky, is now Pechorin. So, Pechorin learned to hate, lie, became secretive, he "buried his best feelings in the depths of his heart, there they died."So, on the one hand, an extraordinary, intelligent person, on the other hand, an egoist who breaks hearts and destroys lives, he is an "evil genius" and at the same time a victim of society.In Pechorin's diary, we read: "... my first pleasure is to subjugate everything that surrounds me to my will; to arouse feelings of love, devotion and fear to myself - isn't it the first sign and the greatest triumph of power." So that's what love for him is just the satisfaction of his own ambition! But what about his love for Vera - is it the same? In part, yes, there was a barrier between Pechorin and Vera Vera was married, and this attracted Pechorin, who, like a true fighter, strove to overcome all obstacles, it is not known how Pechorin would have behaved if this obstacle had not been ... But this love, love for Vera, however, is more than just a game, Vera was the only woman whom Pechorin really loved, at the same time, only Vera knew and loved Pechorin, not a fictional one, but Pechorin of a real real, with all its advantages and disadvantages, with all his vices. "I should hate you ... You gave me nothing but suffering," she says to Pechorin. But she cannot hate him ... However, selfishness takes its toll - all people around Pechorin turn away from him. In conversation, he somehow confesses to his friend Werner: "Thinking about a near and possible death, I think about myself." Here it is, his tragedy, the tragedy of his fate, his life.I must say, in his diaries Pechorin admits this, analyzing his life, he writes: "... I did not sacrifice anything for those whom I loved: I loved for myself, for my own pleasure ...". And as a result of his loneliness: "... and not a single creature will remain on earth that would understand me completely

A Hero of Our Time, written by M. Yu. Lermontov in 1840, became the first psychological novel in Russian literature. The author set himself the goal of showing in detail and versatile the character of the main character, who fell out of the cycle of an obsolete era.

It seems to me that the tragedy of the fate of Grigory Alexandrovich Pechorin lies in his complex nature. Lermontov presented to the reader a psychological portrait of a contemporary with a duality of nature.

Coldness, indifference, selfishness, wastefulness

and a propensity for introspection was inherent in many representatives of "superfluous people", doomed to inaction. An intelligent, educated hero is bored and dreary from senselessly changing days, from a series of predictable events.

Pechorin does not trust either friendship or love, therefore he suffers from loneliness. He himself is not capable of deep feelings and brings suffering to others. Gregory feels that two people get along in him and this explains the duality of behavior. This idea is confirmed by Maxim Maksimovich with a story about Pechorin, who could, in bad weather alone, boldly go to hunt a wild boar, and

at times he looked like a coward - he shuddered and turned pale from the knock of the window shutters.

The hero's behavior is contradictory, he quickly cools down to any undertakings, he cannot find his destiny. Recall at least his aspirations to achieve Bela's affection and a quick cooling to the mountain beauty who fell in love with him. Pechorin's personality emerges from the relationships he enters into with those around him. His actions are worthy of condemnation, but one can understand the hero, because he belongs to the people of his time, who managed to become disillusioned with life.

Not finding the meaning of being, Pechorin decides to leave for a long journey, which one day will end in death. He himself is unpleasant that he becomes the cause of the troubles of other people: because of him Bela and Grushnitsky die, Vera and Princess Mary suffer, Maxim Maksimovich is undeservedly offended. The tragedy of the hero is that he rushes about in search of his place in life, but at the same time he always acts as he sees fit.

Thus, the tragedy of the fate of Lermontov's hero is contained in himself: in his character, in the analysis of any situation. The burden of knowledge made him a cynic; he lost his naturalness and simplicity. As a result, Pechorin has no goals, no obligations, no attachments ... But if a person himself loses interest in life, seeing in it only boredom, then even the healing power of nature is hardly able to heal the soul.

(1 estimates, average: 5.00 out of 5)

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