Three sisters. Small theater

This is really one of the most wonderful plays in the world repertoire, one of the most difficult plays for Chekhov (I have already said that “Uncle Vanya” is the most beautiful, most harmonious play for me, and “Three Sisters” is the most difficult, perhaps his most disharmonious story). This is a whole layer of life, snatched by Chekhov, frayed by his personality, imagination, acute sense of illness, his skeptical and optimistic attitude to life, which sometimes goes on independently of us and sometimes against our desires and aspirations; a life to be fought with, a fate to be fought with, even if you know that it will defeat you. Chekhov speaks earnestly about the wonderful hopelessness of our life, about the tragic discrepancy between desires and reality, about how important it is to remain faithful to ourselves and human dignity.

Three Sisters is a play about people, about people with ideals, maybe they can be called the intelligentsia, although I think that people with ideals exist in all strata of society, just as in all strata of society there are people without ideals or with lost ones. ideals. I think that this topic is clear to many people, and above all today. All over the world today people understand very well what unfulfilled hopes are, what are unfulfilled plans, lost illusions, unfulfilled loves, the harsh language of life in which one must preserve oneself and in which one must preserve one's dignity no matter what.

Lev Dodin

Three Sisters in the Maly Drama Theater is a very modern and deep reading of Chekhov's text. Precisely reading, since our theater has almost forgotten how to read the author's text. Dodin managed to penetrate amazingly deeply into the history of human destinies. This is a tragic performance, at the same time full of compassion, and also, if we talk about the light that is contained in this performance, then it is, no matter how lofty it may sound, the light of art. Because the tragic outcome of the play is played at the level of artistic perfection. For me, the play "Three Sisters" is not only a theatrical, but also a life event.

professor, doctor of art history
Alexey Bartoshevich
Petersburg theater magazine

... the legendary director of the MDT Lev Dodin succeeds in a seemingly impossible trick - he surprisingly combines the existential and the human in his performance. As is often the case with the great European ensemble troupes, the acting is almost frighteningly pithy and rich in nuance. Sometimes you just want some of the hero to get more time in the all-encompassing wide focus of Dodin. It is a very beautiful performance, full of sympathy and despair.

Time Out London

Great Britain, London

The legendary Maly Drama Theater from Russia gives us a performance based on Chekhov's play, full of dark sympathy

Andrzej Lukovsky

The moments of outstanding directorial skill are endless and organically coexist with a troupe of artists who seem to be so ingrained in the world of the performance that you believe - and they themselves grew up on this ungrateful soil, in this unforgiving climate. And the main and final achievement of Dodin, of course, is that he did not create a play in the pure genre of comedy or tragedy, but managed to make the flow of the production and the feelings in it as natural as breathing.

Artsdesk Internet portal

Great Britain, London

"Three Sisters" MDT at the Vaudeville Theater - Chekhov of crystal clarity

Tom Birkeno

Surprisingly attentive to the characters, the production of the famous director Lev Dodin by Chekhov's play "Three Sisters" abandons luxurious decorations in favor of focusing on the main themes of the work: unrequited love and unfulfilled hopes.

Great Britain, London

The Three Sisters at the Vaudeville Theater is a heartbreaking, surprisingly attentive embodiment

Dave Hollander

What Dodin's artists do especially well is to play sharp, sometimes absurd contradictions that coexist within each Chekhovian hero in such a way that these contradictions seem absolutely natural to us. Dodin tore the cover of melodic whining from Chekhov's play, and showed us the inconsolable cruelty of life.

Telegraph newspaper

Great Britain, London

Chekhov's melodic masterpiece as an existential theater of horror

Claire Alfria

The acting is distinguished by the richness and depth typical of the best in Russian theater. All artists do not just play, but live in their roles as if it is their second skin.

Guardian newspaper

Great Britain, London

Stunning Russian staging of Chekhov's classic play

Michael Billington

This performance is an impeccable portrait of lives frozen forever in the amber of fate.

Times newspaper

Great Britain, London

THREE SISTERS

MDT, Lev Dodin: living people in the psychological theater (the most masterly played performance) Behind the back of each character is a huge story, and looks, gestures, facial expressions are just the tip of the iceberg. The unspoken is no less eloquent than the sounding. Dodin shows his heroes not as sublime intellectuals, but as ordinary people who are not painted with some actions (the sisters sneer at Andrey unkindly and look down on Natasha - no wonder that she begins to take revenge!) This approach brings into action a non-Chekhov element of sensuality and adds to the spiritual longing for a better life, completely bodily longing for love ...

Porusski Online Magazine

Such different sisters. Which one do you like?

Alena Moroz

The performance is full of surprises - it turns out that in the characters, whom we are used to considering as meek shabby creatures, inner fire is bubbling. All the couples here - and unhappy loves are Chekhov's strong point - are incomparably more explosive and emotionally exhausting than I have ever seen in other productions. Even Irina's final embrace with Baron Tuzenbach, her fiancé, manages to first provoke and then immediately kill our hopes. Forget everything you are sure of: Dodin's kiss is never just a kiss, it is a whole multivolume novel in miniature.

World of broadway

The unforgettable, explosive "Three Sisters" of the Small Drama Theater at the Kennedy Center

Andrew White

Believe me, thanks to the entire ensemble of the performance, a whole community of people appears before us, every moment of whose life is worked out to the smallest detail, and it is these details that a real theater-goer marvels with gratitude: how is it possible to contain so much living things in such minute units of time.

DCMetroTheaterArts

USA, Washington

Unbreakable: "Three Sisters" of the Small Drama Theater on the stage of the Kennedy Center

Robert Michael Oliver

Dodin builds up the tension unhurriedly, giving his heroes, representatives of the upper middle class (who yearn so much for the future, as if anticipating that very soon everything will change radically) marinate in their own despair for three and a half hours - but this is such a meaningful three hours that you completely do not want to rush the time. The acting is magnificent, the voices are invariably magnificent - whether these actors throw abrupt words of anger at each other, or are they filled with romantic melancholic monologues.

Washington Post

USA, Washington

Nelson Presley

... watching the strict and mesmerizing production of MDT "Three Sisters" directed by Lev Dodin, which is now being performed at the Cutler Majestic Theater, one involuntarily feels that you are in Chekhov's world, that you hear his voice.

Boston Globe Newspaper

Trapped Away From Moscow: Arts Emerson Presents The Three Sisters

Don Aikoin

This play - in Russian with English captions - is not quite a classic version, full of raging passions and humor, it does not look like the more ordinary, restrained, static productions of this play.

Internet portal "South Critic"

"Three Sisters" by ArtsEmerson: to all sisters by passion

Jack crab

There are no small roles here. Each actor or actress by themselves can confidently stay in the foreground - and at the same time they are able to perfectly fit into the numerous general pictures of relationships that Dodin created. These amazingly beautifully constructed and illuminated pictures of people's relations are like museum portraits, they live in your memory for a long time after the end of the performance.

Internet magazine "Art-Fuz"

"Reasons to love the" Three Sisters "of the Maly Drama Theater"

Helen Epstein

The result was as exciting and exhilarating as life itself, with the help of exceptional actors. This play by Chekhov is still a heartbreaking spectacle, but now lost illusions, faded dreams, impossible and lost love, lost in the sands of modernity or destroyed by evil fate - all this is gaining truly unprecedented strength.

Le Monde
(Peace)

"Three Sisters" as read by Dodin

Fabienne Darge

Staged by him with a surprisingly organic mixture of delicacy and courage, Lev Dodin's performance is marked by emotionally multifaceted, precisely and detailed performance of almost all the main roles. ... the acting work in this performance often rises to a piercing saturation, completely refuting the clichéd idea of ​​Chekhov's heroes as timid sufferers ...

USA

Just try to believe: life will get better

Charles Isherwood

This is a close-up show. All feelings in it are brought to the fore. All events - to the human judgment. All hopes are in the palm of your hand. The concentration of mental pain there is maximum. Because it's all about us. About our worries, fruitless searches for happiness and the inevitable finding of an end. About the ability to hope and the talent not to be disappointed. Even if at the very beginning of life not a single illusion remains ... Dodin's "Three Sisters" are loved desperately and contrary to all common sense. They know how to think, but are not afraid to feel and speak openly about their feelings. And most importantly, they have a need to love.

Russian newspaper

Two hundred - three hundred years later: What are Lev Dodin's "Three Sisters" dreaming of

Irina Korneeva

Dodin is still interested in human life. Being. The subtleties of relationships. And - the ability (or need) to remain alive, when everything in the world around it contradicts this.

They always kiss the wrong ones

Alisa Nikolskaya

Three Sisters "- Dodin's further comprehension of Chekhov at a new, deep level. The performance is conceptual. Chekhov has long been proclaimed one of the founders of the theater of the absurd, but Lev Dodin was the first to embody this feature of Chekhov's poetics at the theater, at least in Russia.

Drama in 4 acts
The performance has one intermission

The duration of the performance is 3 hours and 20 minutes.

Composition:

Stage Director - People's Artist of the USSRYuri Solomin
Set Designer - Honored Worker of Culture of RussiaAlexander Glazunov
Musical arrangement - People's Artist of RussiaGrigory Gobernik
Director - Vasily Fedorov
Lighting Designer - Honored Art Worker of RussiaDamir Ismagilov
Director's assistants - honored cultural workers of RussiaVladimir Egorov and Ghana Markina
Prompter - condemned cultural worker of RussiaLarisa Merkulova, Honored Artist of RussiaLarisa Andreeva

Cast:

Prozorov Andrey Sergeevich People's Artist of Russia - A.V. KLYUKVIN, A.YU. BELY

Natalya Ivanovna, his fiancée, then his wife - Honored Artist of Russia I.V. IVANOVA, I. A. ZHERYAKOVA

Olga - People's Artist of Russia A.I. OHLUPIN

Masha - People's Artist of Russia, Laureate of the State Prize of Russia O. L. PASHKOVA

Irina - V.V. ANDREEVA

Kulygin Fedor Ilyich, a gymnasium teacher, Masha's husband - People's Artist of Russia V.K. BABYATINSKY

Vershinin Alexander Ignatievich, lieutenant colonel, battery commander - People's Artist of Russia A.Yu. ERMAKOV

Tuzenbach Nikolai Lvovich, baron, lieutenant - Honored Artist of Russia, laureate of the State Prize of Russia G.V. PODGORODINSKY

Solyony Vasily Vasilievich, staff captain - Honored Artist of Russia V.A. NIZOVA, A.E. FADDEEV

Chebutykin Ivan Romanovich, military doctor - Honored Artist of Russia Vl.B. NOSIK, Honored Artist of Russia V.V. BUNAKOV

Fedotik Alexey Petrovich, second lieutenant - S.A. D. A. Korshunov MARIN

Rode Vladimir Karpovich, second lieutenant - A.E. FADDEEV, D.A. MARIN

Ferapont, a watchman from the Zemstvo Council, an old man - People's Artist of Russia A.S. KUDINOVICH

Anfisa, nanny, old woman of 80 years old - N.P. Shvets

The maid in the house of the Prozorovs - D.N. Podgornaya

Batman - A.T. MANKE

Contents of the play "Three Sisters" by the Maly Theater of Moscow

His play "Three Sisters" A.P. Chekhov wrote in 1900, and for more than a century the performance of the same name has not left the stage, continuing to delight the audience with the story of three sisters, the story of dreams and unfulfilled hopes.

The scene is a provincial provincial town where the Prozorov sisters - Olga, Masha and Irina - live. Their life is monotonous, monotonous and boring. And when a military garrison is located in the town, the sisters have hope for changes.

The middle sister Masha falls in love with the officer Vershinin, the younger Irina with Baron Tuzenbach. But the happiness that the sisters were waiting for turned out to be capricious: Masha's dreams will not come true, and Irina will lose her beloved forever. And then the regiment will leave the city, and life will go on as before, and the phrase "To Moscow, to Moscow!" will become a symbol of unfulfilled desires.

How to buy tickets for the play "Three Sisters" at the Maly Theater

It's easy to buy tickets to the Maly Theater if you think about buying it in advance. The fact is that the Maly Theater's performance “Three Sisters” is sold out, despite the fact that it has been going on for several years.

And if you decide to go to Maly for this particular performance, then you can leave a request right now by filling out the booking form on our website.

Review of the Maly Theater play "Three Sisters"

Vera Maksimova (Rodnaya Gazeta):

“Those who would like to find Chekhov Mkhatovsky in the new performance of the Maly Theater“ Three Sisters ”will be disappointed. Maly has its own Chekhov. Brighter, simpler, more diverse. Without much concern for the observance of Chekhov's tone (muffled), style (noble and refined), rhythm (slow). Life is played in Maly, not hiding how painfully and cruelly it hits. Tragedies and dramas are repeated, desires are not fulfilled, but hope does not die. Each act in a large, long performance ends not in collapse, but in the revival of hope. "

Natalia Kazmina ("Theatrical Life"):

“It would seem that the traditions of the Maly Theater and Chekhov's drama are two completely different views, two completely different points of view on the world around and within the individual, but it so happened that in different epochs of its existence the theater felt a non-fictional need for this particular author, with the help of whom he talked about what hurts, what does not give peace and harmony. And wonderful, albeit completely unexpected, coincidences of the "blood type" took place, allowing us to discern something hitherto unknown in Chekhov's drama, and in the fate of the Maly Theater, and in our, audience's sense of the world and ourselves ...

The play "Three Sisters", staged by Yuri Solomin (artist A. Glazunov, music by G. Gobernik), can without exaggeration be called one of such magical coincidences, when other, as if with washed eyes, you see long-familiar artists, with your soul you feel almost by heart of a familiar text, you build a different system of concepts for yourself. "

Ticket prices:
Balcony 1000-1500 rubles
Mezzanine 1000-2200 rubles
Amphitheater 1200-3000 rubles
Benoir 2500-3000 rubles
Parterre 3000-4500 rubles

Stage Director - People's Artist of the USSR Yuri Solomin
Set Designer - Honored Worker of Culture of Russia Alexander Glazunov
Musical arrangement - People's Artist of Russia Grigory Gobernik
Director - Vasily Fedorov
Lighting Designer - Honored Art Worker of Russia Damir Ismagilov
Director's assistants - Honored Workers of Culture of Russia Vladimir Egorov and Gana Markina
Prompter - condemned cultural worker of Russia Larisa Merkulova, Honored Artist of Russia Larisa Andreeva

Characters and performers:
Prozorov Andrey Sergeevich - Honored Artist of Russia Alexander Bely
Natalya Ivanovna, his bride, then wife - Honored Artist of Russia Inna Ivanova, Irina Zheryakova
Olga, his sister - People's Artist of Russia Alena Okhlupina
Masha, his sister - Laureate of the Russian Government Prize, People's Artist of Russia Olga Pashkova
Irina, his sister - Varvara Andreeva, Olga Pleshkova
Kulygin Fedor Ilyich, gymnasium teacher, Masha's husband - People's Artist of Russia Valery Babatinsky
Vershinin Alexander Ignatievich, lieutenant colonel, battery commander - Laureate of the Russian Government Prize, People's Artist of Russia Alexander Ermakov
Tuzenbach Nikolai Lvovich, baron, lieutenant - Laureate of the State Prize of Russia, Honored Artist of Russia Gleb Podgorodinsky
Solyony Vasily Vasilyevich, Staff Captain - Honored Artist of Russia Viktor Nizovoy, Alexey Faddeev
Chebutykin Ivan Romanovich, military doctor - People's Artist of Russia Vladimir Nosik, Honored Artist of Russia Viktor Bunakov
Fedotik Alexey Petrovich, second lieutenant - Stepan Korshunov, Dmitry Marin
Rode Vladimir Karpovich, second lieutenant - Alexey Faddeev, Dmitry Marin, Maxim Khrustalev
Ferapont, a watchman from the zemstvo council, an old man - People's Artist of Russia Alexey Kudinovich
Anfisa, nanny, old woman of 80 years old - Natalya Shvets
The maid in the house of the Prozorovs - Daria Podgornaya, Anna Zharova
Batman - Andrey Manke

The play by Anton Pavlovich Chekhov "" is not only a masterpiece of Russian (and world) literature, but also a work that has long occupied the first places in the repertoire of the world's leading theaters. More than a hundred years have passed since the creation of the play, but for a single year it does not leave the stage of the theater, does not lose its relevance and love of the audience. It has been staged over a thousand times, translated into many Eastern and European languages, repeatedly staged and filmed. The Maly Theater production is one of the most interesting. This is not the first season of the play "Three Sisters" at the Maly Theater. Its director is Yuri Solomin, and the main roles are played by brilliant and talented actors. Not only metropolitan spectators are delighted with the Solominskaya interpretation of "Three Sisters". The Maly Theater always shows this performance on tour, and foreign audiences (and theater critics) invariably receive it with great warmth.

There is an opinion that the characters of the Prozorov sisters - Olga, Irina and Masha - were borrowed from the famous progressive Perm ladies of that era, Margarita, Evelina and Ottilia Zimmerman. The Zimmerman sisters made a significant contribution to the development of Perm, influenced the formation of education and culture of the city. For Chekhov, for many years, issues of educational and cultural institutions were a matter of honor, and therefore the writer could not ignore the merits of these beautiful women. The thoughts that the writer put into the mouths of the Prozorov sisters - statements about the improvement of Russia in general and his native provincial city in particular - are statements of their prototypes, the Zimmerman sisters. However, creating the characters of these wonderful female characters, the writer could not limit himself only to socio-cultural views. Young and unmarried sisters suffer not only from the suffocating and musty atmosphere of the province, not only from the lack of opportunities for self-realization, but also from uncomfortable love. The Maly Theater actresses, who play the roles of the Prozorov sisters, do an excellent job with this task, in their embodiment Olga, Masha and Irina are living, real girls with their thoughts, feelings, destiny.

Solomin's play "Three Sisters" at the Maly Theater is detailed and unhurried. A long bygone era with signs of the times, with different ideas about life and relationships is clearly presented to the audience. An antique clock ticks slowly in the cozy living room, a lamp gently illuminates the room ... An exquisite society gathers in the sisters' living room, but the prose of provincial life haunts the girls, they hate it with all their hearts, but they live like this, realizing that there will be no other. The hopelessness of their situation is acutely felt by Olga, Masha, and Irina, with despair and pain. The girls have dreams, plans and hopes, but they are not destined to come true. Days give way to weeks, weeks to months, their souls are tortured, tormented by backwater melancholy. Perhaps that is why each of the sisters accepts failures in her personal life with dignity, and the famous words - “To Moscow! To Moscow!" - they say, like a magic spell that can be the only salvation ...

Premiere: January 16, 2004 Director: Yuri Solomin, painter: Alexander Glazunov,musical arrangement: Grigory Gobernik Actors: A. Klyukvin, I. Ivanova, I. Zheryakova, A. Okhlupina, O. Pashkova, V. Andreeva, V. Babatinsky, A. Ermakov, G. Podgorodinsky, V. Nizovoy, A. Faddeev, E. Martsevich, V. Nosik, S. Korshunov, A. Faddeev, D. Marin, A. Kudinovich, L. Anikeeva, D. Podgornaya, A. Manke Photos and information about the performance from the official website of the theater: www.maly.ru

"Those who would like to find Chekhov Mkhatovsky in the new performance of the Maly Theater" Three Sisters "will be disappointed. The Maly Theater has its own Chekhov. Brighter, simpler, more diverse. ), rhythm (slow). Without that wholeness, which was a miracle and a secret in the old Moscow Art Theater. " Vera Maksimova, Rodnaya Gazeta, 27.02.2004

"Yuri Solomin finds very accurate, dotted marks that are interpreted in many ways and interestingly. So the festive feast began: Masha (O. Pashkova) got up with a glass and silently urged everyone to follow her - the first toast in memory of his father. Everyone understood, except Natasha (And Ivanova), and Chebutykin (E. Martsevich) quietly whispered something in her ear.This scene lasts for several seconds, but how important, how symbolic it is! the beginning - the memory of death will never leave the sisters, wherever they are. And almost the only one, Masha, understands this soberly and cruelly. " Natalia Kazmina, Theater Life, 28.06.2004

"Sometimes you wonder how long-familiar meanings are re-revealed, how you suddenly hear what was missed, which I never paid attention to before ..." Three sisters. "Irina in a white dress, Olga in a gray one, similar to her teacher's uniform, Masha - in We have become accustomed to this combination for so long, as if we ourselves were dressing the Prozorov sisters in these clothes, without thinking why they were dressed that way. " Natalya Staroselskaya, Theater Life, No. 3 2004

"The director of the play, Yuri Solomin, does not express himself at the expense of the play, does not impose his own concepts on it, but puts it as Dr. Chekhov ordered - simply and clearly. load of interpretations that have been layered over a century and looks fresh and washed, like on a first date. And Chekhov's words "good where we are not", sounding in the theater, standing in the very center of Moscow, where the unfortunate sisters so yearned, give the production a note of sad sincerity " ... Marina Shimadina,Personal time, 08/26/2004

“Chekhov's intellectuals look like pure aliens today. No efforts to reincarnate allow the actors to identify with these lazy, hysterical, irrational creatures. that I have arms and legs "- the parterre is inclined to believe him. And only the clever, kind, law-abiding, vain, in a sparkling uniform, the teacher of the gymnasium Kulygin seems to be the only living person among these strange creatures called" intelligentsia "." Victoria Nikiforova, Vedomosti, 18.02.2004

"At the Maly Theater, its artistic director Yuri Solomin presented to the public his version of the production of the famous" Three Sisters ", which have never been staged on the oldest Moscow stage to this day. not for his own sake (if the play crossed the century-old milestone, it automatically proved its genius), but for the sake of its conjugation with the painful points of today's reality. Yuri Solomin markedly distanced The Three Sisters from our time. As eternal from vain, the present from surrogates. " Irina Alpatova,Culture, 12-18.02.2004

“You leave the Maly performance in a good mood and with joy in your heart. the entire gentleman's set of Chekhov's performance seems to be in place - detailed interiors, a backdrop with a birch grove, costumes corresponding to the era. Here sisters (Alena Okhlupina, Olga Pashkova, Varvara Andreeva) will suffer, Natasha (Inna Ivanova) will turn from a timid bourgeois woman into a hysterical housekeeper , Kulygin (Valery Babyatinsky) will be exaltedly defenseless in his love for Masha, Solyony (Viktor Nizovoy) is ridiculous in his romantic claims. But I believe each of them. " Marina Davydova, Izvestia, 03.02.2004

(MAIN SCENE: Teatralny proezd, 1 (metro Teatralnaya) and SCENE ON ORDYNKA: Bolshaya Ordynka st., 69 (metro Dobryninskaya))

Drama in 4 acts (3 hours)
A.P. Chekhov
1200 - 4000 rubles.

Performance THREE SISTERS

Ticket prices:

Balcony: 1200-2000 rubles.
Mezzanine: 1500-2500 rubles.
Amphitheater, boxes: 1800-3000 rubles.
Parterre: 2300-4000 rubles.

The price of one ticket includes reservation and delivery services.
Check the exact cost and availability of tickets by phone from the site. Tickets are available.

Review of "Theatrical Poster"
“This is a furious author” - that's how Armen Dzhigarkhanyan understands Chekhov. He found an early, uncorrected version of the play for this production - and he was not mistaken with his choice. But even the usual author's remarks are unrecognizable here. They cut the ear, get stuck in the brain, they excite, anger, amaze.
The author of "Three Sisters" is a doctor, and he makes an unmistakable diagnosis to his characters. And there is no textbook "to Moscow, to Moscow!" hope for none of them, no future. Only migratory birds all fly somewhere over the house of the Prozorovs, and will fly, "until God reveals the secret to them."

The Prozorov sisters (Olga, Masha and Irina) yearn in one of the provincial towns of the Russian province, where a military garrison is temporarily located. Against the background of this immense provincial boredom, the relationship between the middle of the sisters - Masha and the officer Vershinin, the younger - Irina and Baron Tuzenbach unfolds. Masha will never find her happiness, Irina will forever lose her beloved. The regiment will leave the city. The sound of the military band dies down. Long, long days will last ... "To Moscow, to Moscow!"

Stage Director - Set Designer - Alexander Glazunov
Musical arrangement - Grigory Gobernik
Director - Vasily Fedorov

Premiere - January 16, 2004.

The duration of the performance is 3 hours.

Prozorov Andrey Sergeevich People's Artist of Russia

Natalya Ivanovna, his bride, then his wife
Honored Artist of Russia

I. A. ZHERYAKOVA

Olga
People's Artist of Russia
A.I. OHLUPIN

Masha
People's Artist of Russia
Laureate of the State Prize of Russia
O. L. PASHKOVA

Irina
V.V. ANDREEVA

Kulygin Fedor Ilyich, a gymnasium teacher, Masha's husband
People's Artist of Russia
VC. BABYATINSKY

Vershinin Alexander Ignatievich, lieutenant colonel, battery commander
People's Artist of Russia
A.Yu. ERMAKOV

Tuzenbach Nikolay Lvovich, baron, lieutenant
Honored Artist of Russia,
laureate of the State Prize of Russia
G.V. PODGORODINSKY

Solyony Vasily Vasilievich, staff captain
honored artist of Russia
V.A. LOWER
A.E. FADDEEV

Chebutykin Ivan Romanovich, military doctor
People's Artist of Russia
E.E. MARCEVICH
honored artist of Russia
V.B. Spout

Fedotik Alexey Petrovich, second lieutenant
S.A. KORSHUNOV

Rode Vladimir Karpovich, second lieutenant
A.E. FADDEEV
YES. MARIN

Ferapont, watchman from the local council, old man
People's Artist of Russia
A.S. KUDINOVICH

Anfisa, nanny, 80 years old woman
L.S. ANIKEEVA

Maid in the house of the Prozorovs
L.S. ANIKEEVA
D.N. Podgornaya

Soldier
A.T.MANKE