Creation of theater of Panfilov

In 1987, the theater was reorganized into Russia's first private theater "Ballet Evgenia Panfilov". In the same year, the artistic director of the famous Perm State Choreographic School, the People's Artist of the USSR, Honored Teacher of Russia L. Sakharov invited Eugene to lead the course of the modernity of its students. E.Panfilov and L. Saharov carried out a joint project, which demonstrated the organic merger of ballet classical traditions and modern choreography, the possibility of peaceful coexistence of the avant-garde and classical ballet on the same scene, the mutual enrichment of two ballet directions.

From 1993 to 1996 Panfilov also taught modern choreography at the Perm State Institute of Arts and Culture. In 1994, Evgenya created in Perm another original Ballet "Ballet of Tolstoy Evgeny Panfilova", the only team of this kind in Russia, having the official status of the theater. "Tolstoy ballet" has eight independent full-fledged performances in its repertoire and several programs performed in conjunction with the theater "Ballet Evgenia Panfilov". 1995 was noted in the Biographies of Panfilov with new successful experiments: the work of the choreographer in the art film of the Russian director A. Gueller "Mania Giseli" (St. Petersburg, Russia) and jointly with the German director Alex Novakov, Brahms - Moment of Movement (Munich , Germany). In 1997, the premiere of the ballet I. Sestavinsky "Spring sacred" was held on the famous scene of the Mariinsky Theater (St. Petersburg, Russia, which was delivered by Panfilov at the invitation of the artistic director of the Mariinsky Theater V. Hergiev. In the same year, specifically for the VII of the Moscow International Ballet Artists Competition for Artists of the Mariinsky Theater A. Baltov and E.Tarasova Panfilov was set up the room of modern choreography (A.Batalov was awarded the Grand Prix of this competition). B 1997 and 1998 Panfilov, the only one of the Russian choreographers, was invited to the Sakro-Art Festival (Locum, Germany), for which he carried out special productions of ballets for sacred topics: the philosophical, stunning power of choreography dance-mystery "Avvakum" (presented at the National Theater Festival »Golden Mask »1996-97 in the nomination" Best Performance ") and a single-act ballet" Luther ". At this festival, famous foreign theatrical figures and critics unanimously called Evgenia Panfilov "choreographer of the XXI-th century".

In December 2000 The private theater "Ballet Evgeny Panfilova was awarded a new status: now it is the Perm State Theater" Ballet Evgeny Panfilova ". The name of the choreographer is enshrined in the title of the State Theater as a sign of exceptional merit and achievements in the development of modern choreography of Russia. The theater opened the season in the new status of the Ballet Premiere P.I. Tchaikovsky "Nutcracker". In April 2001 It turns the laureate of the National Theater Prize "Golden Mask" 2001. In the nomination "NOVATION" for one-act ballet "Baba. Year 1945. " Performance troupe "Ballet Tolstoy". And in July 2001. For an outstanding contribution to the development of theatrical art of Russia, Evgeny Panfilov was awarded the Government Prize named after Fyodor Volkov.

In May 2001, the choreographer creates another experimental men's troupe "Fight Club Evgeny Panfilova", which at the end of the month goes to the scene with a whole program "Men's Rhapsody", decently completing the saturated theatrical season, and in December 2001. Represents one more show fantasy "Take me so ...", the leitmotif of which is the celebration of male physicity, brutal and elegant at the same time, the theme of male self-sufficiency, male energy, male fraternity. The 15th theater anniversary season was opened by the premiere of the one-act ballet "Capitulation" on the music of the "NCTURN" groups, Blis Eksis, Sportor Estene and Natasha Atlas, which shows the world riding in the abyss, the world that has capitulated before vice and cruelty And did not notice this. Life after the death of God turned out to be no power. In February 2002, Evgeny Panfilov was invited to Germany (Bablin) to produce ballet "Life is beautiful!" on muses 7th Symphony D. Shostakovich and Soviet songs of 30-50s, the premiere of which took place on the stage of the theater "The Lepoder" on February 6, 2000. The production transferred to the Ballet Evgenia Panfilova Theater troupe was called "Blockad" and with great success was held on the stage of the Perm State Academic Opera and Ballet Theater of P.I. Tchaikovsky June 19, 2002. At the festival of theaters of Evgeny Panfilov dedicated to the closure of the 15th anniversary theater season. As part of the same festival, another premiere was shown - the named ballet "Tyuriga" performed by the Dance-Company "Fight Club".

Put the one-act ballet "Spring in Appalachi" for students of the Perm State Choreographic School, who was successfully presented in Oxford (United Kingdom) and received a grant of the administration of Perm; In May 2002 E.Panfilov was awarded the diploma and a prize to the balletmaster "For the best room of modern choreography" ("Figonor") of the VII of the open contest of the artists of the ballet of Russia "Arabesque-2002". (Russia, Perm) in 2003. E. Panfilova is awarded the prize of the Ministry of Culture of the Russian Federation and the editorial office of the magazine "Ballet" "Dance Soul" for 2002. In the nomination "Magician Dance" (Moscow, Russia). The prize was received by representatives of the theater. On the occasion of the solemn ceremony of presenting the prize, the named ballet "Tyuryiga" was shown performed by Dance-Companies "Fighting Club".

In all the last performances, Panfilov opened another side of his great personality. His existential issues have long worried, he penetrated deeper into the maze of consciousness and subconscious and embodied the images seen there in his unique choreography. Panfilov was not only a choreographer, but also the director of all his performances, created sketches of all costumes to her ballets, invariably stunned the public with eccentric scenographic inventions and original performers. He possessed an outstanding poetic gift. The Great Master created in Perm and left for Russia not only his unique theater, but also a school of truly modern choreography. The living legend of Perm art is a paradoxical and unique "ballet Evgenia Panfilov". The brilliant diaspora of dancing, embodying theatrical traditions of Dyagilev, the gloss of classics, the romance of the Russian avant-garde and the secrets of surrealism. The sophisticated psychologism and the bold experiment, an enchanting spectacle, equally tempting for subtle connoisseurs of ballet and mass public.

Dymkovo toy

Zhostovsky painting

It is desirable to have samples of products of Masters Zhostov. But since we have no genuine sample, we are forced to navigate on reproductions. Observing the basic laws of the composition (stylistic unity ...

Sound as an element of creating an artistic image

How do we perceive the space with the help of hearing, and as knowledge of this can be used, for example, for artificial imitation of space? Undoubted is the fact ...

Painting Repin "Solemn Meeting of the State Council" as a historical source

I.E. Repina refer to the most striking and consistent representatives of realistic painting, in which ideological idea must be firmly based on the most accurate, adequate reproduction of reality in all its wealth ...

Coloring in painting

The image of the ideal man of the peoples of Scandinavia

The Almighty Lord first created the sky and land, and everything that applies to them, and he created two people, Adam and Eve, from whom all nations went. And their offspring multiplied and settled around the world ...

Features of the spiritual culture of the European Middle Ages

The European medieval society was very religious and the power of the clergy over the minds was extremely great. The teaching of the church was the initial moment of all thinking, all sciences - jurisprudence, natural science, philosophy ...

Hairdresser art

Observation environment in the theory of William Morris

morris Artist Corporation Synthesis William Morris could talk with the full basis that he lives to work, and not working to live. Its physical and mental energy seemed inexhaustible. He was not also twenty-two years ...

Development of American cinema

Almost a hundred years ago, in early 1908, the first American filmmakers reached out from the cradle of the National film industry - New York on the west coast, in California. So the Hollywood appeared - the Great "Dream Factory" and the capital of illusions ...

Development and execution of a grima of ethnic mask on the topic: "Cultural heritage of African peoples"

The first stage is to apply tone. It must be smooth and smooth. I applied a brown aquagrim with light circular movements, evenly distributing it all over the face. It is important not to apply the paint with long straight smears ...

Creating an animation clip on a musical work

We decided to choose an exclusively European style, something on the similarity of Germany or Switzerland, in particular the landscape surroundings, the view of the village, the clothes of the character, because it is a work, more romantic direction ...

Creating an artistic image "Theater doll" for children's performance

Stimulating the innovative activity of library personnel

The main condition for development in the professional library sphere is to raise the prestige and the authority of the profession of the librarian in society, which in turn ...

Culture Financing in Italy

It is unaffordably early, for 47 years of life, the earthly path of Eugene Panfilova was cut away - a wonderful choreographer, a man of amazing fate. It is impossible to realize this loss. A month before the tragedy, the Panfilova Theater participated in the Moscow International Festival of Modern Dance. For the first time, the Moscow spectators saw the Panfilov version of the "Nutcracker".

... Multidimensional inner space of the performance, inhabited by the ubiquitous and immortal gloomy mice, the world, devoid of illusions, not leaving any hope for the happy finale. Now the impressions of this tragic ballet give birth to invalid associations who are seductive to interpret as prophecy. In fact, Zhenya, as a true artist, always understood that happiness is the fleeting moments that need not only to appreciate, but also be able to deserve ... to earn with titanic labor. Honestly, I did not meet so obsessed choreographer: he was able to rehearse for 8 to 10 hours, without holidays and leave, it was easy to break off and went to festivals, tour, shooting. As if foresaw that a little time was released.

In that last Moscow arrival, Zhenya communicated easily and willingly. However, in my opinion, he never was a closed man. He said that joy comes as a reward for flour, that the life of Surov and Cork. On this replica, one of the conversation participants asked the question of death, about the premonition of the end to be ridiculous. Panfilov answered: "No one knows how many times it has, how long is we allocated. I know that I need to do a lot to accomplish ... "

Zhenya was called a brilliant nugget, the patriarch of a newborn domestic modern dance. The person is immensely talented, he is always all, without a rest, went to work. Panfilov managed much - it would be more common for a dozen lives: about 80 performances and 150 choreographic miniatures. But never repeated in anything, I knew how to confose failures, listening to unilent opinions.

The main case of his life is the author's theater, in which he himself was both the performer, and choreographer, and a screenwriter, and a director, and a scene, and the artist in costumes. He created the theater of his will. He also wrote sad poems, put the grand entertaining show-programs, invented the choreography of films.

He spoke little "in the conversational genre" (although the word owned perfectly), realizing that art does not need declarations that the result of the artist's mental spending is in the emotional persuasiveness of his works. But at the press conferences, he answered amazingly frankly: "I do not plan my subsequent work - they come to me, germinate in me," ripen "unforeseen". To the question, whether he's noticing for him to hear that "Panfilov - the figure of a booty, such a carnival man", smiling, replied: "I first went to the Perm streets in shorts - not because I wanted to surprise someone . It's just that is the most comfortable clothing for hot summer. I wear what I feel good and freely. I also did not want to be a disturbance of calm, creating a "ballet thick". It was necessary for me. " Panfilov caught his insurrevicious beauty and harmony in plastic on Rubensovsky's lighted ladies and wanted to see it.

In his wife, the natural, natural talent and clear calculation were unusually combined. And the discipline in its troupe was fantastic. The festival happened to break the performance - the performer of one of the troupe fell ill. This became known at the time when the first spectators had already walked along the lobby. It was too late to cancel the evening. Panfilovtsy were free on that day - they danced on the eve. Zhenya without hesitation came to the rescue. He did not doubt that all artists will gather at the beginning of the show as the audience - "otherwise they would be warned." The last artist came to the theater for fifteen minutes before the opening of the curtain. Absolute loyalty to art, the rapidly realizable impulse of mutual arms endowed this speech of the Panfilov theater with special significance. "There are no hopeless situations, you have to dance," the wife said to his artists. And they danced wonderful, dressed in an incomplete set of costumes, jumping on the discharged stools, hastily brought from the acting buffet, "picking up" stomachs after abundant lunch.

This act revealed Panfilova-man, his incrementable and stubborn peasant character. About childhood and youth Panfilova loved to write and tell. Often compared with Lomonosov. In fantastic childhood metamorphoses and adolescence, they saw almost fatal predetermines of a bright and extraordinary creative path. One of the five sons of a large family living in the tiny village of the Arkhangelsk region, through the profession of tractor driver and service in the army - to the Chairman of the Russian Branch of the World Dance Union (WDA) - Europe.

Evgeny Panfilov began to comprehend the art of ballet at 23 years. While the student of the Perm Institute of Arts and Culture was created by the amateur team, and 1987 began the official countdown of Panfilovsky theater seasons, when his troupe received not only recognition, but also the name: theater dance theater Modern "Experiment". Since then, no festival or contest of modern choreography, both in our country, and abroad did not do without the participation of the Panfilov troupe or its dance numbers. And there was no such competition, whose jury would not have acquainted the awards of the choreographer Evgeny Panfilov. Its regalia is difficult to list: the winner of many All-Russian and international competitions and festivals, the winner of the national theater award "Golden Mask", the winner of the Government of the Russian Federation named after Fyodor Volkova.

In the early 1990s, the troupe was reorganized into the first private theater "Ballet Evgenia Panfilov". A little later, the original, almost exotic new Panfilov teams - "Ballet of Tolstoy", "Fight Club" and "Bel-Coreland Group". The United Theater Evgeny Panfilov by the beginning of the new century has already included four independent teams. For everyone - there were time and creative forces. Each troupe showed a few prime minister every year. In 2000, an event of an emergency importance was an event - the author's theater of modern dance "Ballet Evgenia Panfilova" received state status.

Creativity Panfilov - paradoxically. He never declared the alternativeness to the CONTEMPORARY DANCE in relation to the classic ballet, did not destroy the established canons, remove the building of his theater. It is no coincidence that in 1994, Evgeny Panfilov with the artistic director of the Perm Choreographic School, recognized by Master of Classics Lyudmila Sakharov implements a tandem project "Metamorphosis", in which avant-garde and classic coexisted in complete harmony. On the legendary scene of the Mariinsky Theater Panfilov put the ballet "Spring Sacred".

Panfilov loved Perm and created her a well-deserved reputation in the city center of modern choreography. A few days before the death, the artistic director of the four Perm theaters of Evgeny Panfilov was nominated for the State Prize.

With the departure of Panfilova, modern dance in Russia orphaned. The talents of such creative power, enthusiasm, independence and freedom rarely appear. This is recognized not only by numerous fans who considered Panfilov "Live Classic of the Domestic Contemporary Dance", but also those who accused him of amateurs, hasty work, called his experienced by "hooligan bravadas."

Panfilov knew how to not only demand from each artist, but also to respond for each of them. "I am a dictator, and my guys are very difficult with me. I know it. Requiring superprints of physical and emotional forces from them, I must first feed them and create decent living conditions. "

The last prominent result was the celebration of the fifteen years of his theater - all four troupe showed premieres. If you knew - I would throw all things and rushed to Perm. But no. Did not see "Tyurigi" performed by the "Fight Club", "Tempting lessons", presented by the "Ballet of Tolstoy", and the "blockade" - the premiere of the main troupe, which was a joke called "thinner ballet" - the final, as it turned out, bitter reasoning about Life and death. Zhenya, sorry ...

Elena Fedorenko,
August 2002

So forty days passed from the date of his death. And the pain does not pass. At first, a huge, with sharp sticking angles, filling out everything inside, she gradually bored, turning into a small needle, sharply and sly resembling themselves at each other case. Panfilova is no longer, and you need to learn to live without it.

Feeling huge loss and orphanhood feel, I know a lot of people, and there is nothing to console them. Similar to him rushing into our reality, like a holiday with a fireworks and a natural cataclysm at the same time. After that, life without their presence changes meaning, loses fullness and sharpness. With all his being, Panfilov refuted the canons and stereotypes made by someone. To make him play on someone else's rules was impossible, he was in a literal sense - a lawless comet.

At 23, he, the Arkhangelsk man, for the first time hitting the ballet class, guessed his destination and stepped into fate. In the Perm Institute of Culture Panfilov translated from the department of club work on choreographic. And after a year he had his team and shook the Perm first play "Star and Death of Hoakin Vureet". Then there was a balletmaster guitis and the first award - the title of the laureate of the All-Union Competition. When in the respectable jury they found out that they were not awarded behind the shoulders of the choreographic school, there was a shock. Ballet caste did not want to take it for a long time. For them, he was a provincial jack, Bastard, Enfant Terrible. For many years later, after passing "American Universities" on ADF, having received a huge number of international prizes and awards, creating a first-class professional theater, it will storm the bastions of the Golden Mask once again in one clip with big and Mariinsky, and will finally be discouraged The new nomination "Modern Dance". But by the time, for domestic avant-gardeists, he will not be radically radical and will receive reproaches in excessive "baltness"! Paradoxes of his fate are not exhausted.

When we met 14 years ago, Zhenya was a blonde gusty hippall: a smart look of blue eyes and very sincere, a little hurrying speech. He constantly came up with something, composed, fantasized. Already at that time, made a colossal impression of a mad rhythm and the potassium of his life. But the main thing - Panfilov on stage. When he danced, moved, improvised, the stage space was moved to incredible scale, everything else went to the shadow, his magnetism and energy were phenomenal, and the artistic courage was delighted!

And he not only danced, but also wrote poems, drawing costumes, invented the scenography of all his ballets. Removed in the movies. She did show projects and directed holidays. He was a brilliant manager of his theater and even (in difficult moments of life!) Engaged in commerce. He talked about it with some strange humor: And here we sell vodka and cigarettes (this is in the early 90s). Or: I bought a cow carcass, you need to feed the artists (this is after default). And constantly, all the way, invariably composed and put, composed and put. About 100 performances and countless miniatures!

As if knowing in advance that he was noticard not so much time, he lived in a unthinkable mode, inaccessible to understanding ordinary mortals, with the desire to do, speak, to convey to all.

Recent years created by him clearly divided into two streams: complex conceptual work and sparkling extravagant shows. Both those and others with full return and professionalism: do it! I explained it with a crap weathered: first, the theater must earn, and artists - to live decently. And secondly, the audience should be accepted, first they will come to the dances to see, and then, you look, and it will take a serious way. Focus with the Perm public succeeded, on performances there are always anchlag, a sea of \u200b\u200bflowers, an atmosphere of love and adoration. His fantastic popularity took the most unexpected forms: he could ask for an autograph, offering their own passport for this, traffic cops were released more than once with the world, where there were six more people, and how many times the drivers, seeing the shaved skull of my spent, generally brushed free .

Yes, in the 93rd, he changed the look sharply, finding his style: the rustic guy turned out to be aristocratic savings and a delicate taste! He liked to slightly pin the public and theatrical party, he was not afraid of the poverty, he was gossip, because it had long been close to him closely. Only the most insightful guessed that the external brilliant image is known, successful, charismatic! - no more than theatrical mask. For its talent, Panfilov paid too much expensive price, including unbearable loneliness.

For some part of the press, he was a tailed piece, that's where it was possible to hire his feather! At first: the leader of the avant-garde, the outrage of calm, the patriarch (ah, ah!)! And then: the exchanging chunks of the West, the outgoing nature, which was husheried in compromise ... and even after death, in the fierce necrologists - the ambulance "global" conclusions based on 3-4-x visible performances. My God, what was it worth it for him, and who will now give them food for verbal exercises?

Unlike many provincials, Panfilov never rushed to Moscow: the metropolitan life with her the laws of the stone jungle didn't break it categorically. His slowly "passed" those who were called friends. And he knew how to forgive, finding a very simple explanation to betrayal: it means the circumstances were higher. But I myself did not forget anyone, kept loyalty to your favorite festivals: Vitebsk, Severouralsk, Volgograd, Chelyabinsk - and drove there on any conditions, because there was almost the same as in Perm, because there were friends - devotees, because The Russian province treated gently and tremble. He helped everyone and always, and his support in grave minutes was saving. It was not told to remember and thank his teachers, was a sensitive son and a gentle father.

But someone outsider who accidentally hit the rehearsal of his theater, could be horrified: despotic, cruel, in his eyes - crazy rage! Otherwise, there would be no troupe with a reputation as the best in the domestic contemporary dance. These wonderful, so many who can and so thinly feel their master artists, and each with its own personality, this thrown, stylistically, a single troupe did not fall into his head in the form of a gift of fate. He made them himself, of all and everyone. The process of turning the studio collective in a professional theater was not simple and painless: for 15 years, the composition was constantly updated, the pace of life was increased, the requirements were tightened, and in the dry residue, the drama of human gaps, the loss of the former illusions fell out. But the result was more important.

The whole life of his frantic duel with fate and circumstances, human prejudices and cosnosis, in the end, the duel with himself became the Panfilovian essence so much that it seemed: the state of ordinary and quiet work is contraindicated to him. To live in a comfortable, respectable environment he failed.

Farewell to the dead Panfilov was perfect and tragic as his life. All Russia and the entire dance world stood the sense of irreparable misfortune: the responses went from everywhere, from Japan and America, from Europe and small Russian cities. All 5 hours, while his coffin was standing on the stage of the Perm Dramaater, the endless human stream stretched, then a memorial person, where he almost didn't sound empty words, and, finally, his last theater exit: to music from the ballet "Romeo and Juliet" was carried by him by people who do not shy crying and applauded him for the last time. All summer on his grave appeared fresh flowers, candles and poems.

Larisa Barykin,
August-September 2002

“ Russian.Seduction.“ ("Russian temptation")

Show- program in 2 compartmentson popular domestic and foreignmusk.

Choreography Evgenia Panfilova.

Show conquered Europe. Eelic splendor of star diaspora dancing.

Luxury suits. The game of the choreographer is inexhaustible.

Beauty and charm, passion and temptation, exotic and chic is a show

Panfilova "Russian Slazen". Russian temperament is a holiday for sure!

"Perm - Beijing - Rio de Janeiro,

Or Perm travelers

In China, Brazilian night "

We invite you to make a cheerful flight from reality.

Drop the pale reference, give a passionate frencher

brazilian Rumba and Samba - Dance with us, laugh with us, create!

"BLACK SQUARE"

Tricks and groups Axis, Dream Opera, Massiv Attack, Von Leuch, Actus.

Idea, choreography, statement of Sergey ReikanBLACK SQUARE…

On its surface rages a storm with a globe.

"Black Square" Kazimir Malevich became one of the most

famous signs of avant-garde art.

However, the apparent simplicity of the sign is almost hypnotic

affects the imagination, causing many almost

mythological associations. Black Square of the Universe,

black Square Space Night, Black Square Subconscious ...

Counted the borders of the darkness calls and manits into a sensual world,

having unshaw secret.Black Scene Scene ...

The temptation of the creation of a different reality, a twisted haze of dreams.

White paddle reserves, elements begins.

Square space inhabited by unprotected and excellent creatures,

just come to the world where beauty does not save,

where all the people are enemies, and the path to perfection has long been lost.

Everyone chooses himself.The elements of a black square, playing,

do not flip, but twist in a new sign.

"Casting - OFF"

("Rejection")

Alexander Vertinsky.Idea, choreography and production - Larisa Aleksandrov (Moscow).

Who pulls us for threads in this strange life theater?

Why are we going along the path of illusions and disappointments, repeating the same scenario?

Which connects us, forcing you to fly in endless steep passions,

and then scatters like fragments ... fragments of happiness ...

t. okoy welcome and unattainable ...? Fate? Or is our intimate fear?

And how to stay as much before painful need to do

Choosing in the state of eternal ambivalence ...

Choreographer - Director of Larisa Aleksandrov

Performance-nominee of the National Theater Festival

"Golden Mask" 2008/2009. In 2 nominations:

"The best performance in modern dance" and "The best work of the artist in the light."

"More than once you remember me and the whole world …»

Concert program.

Dedicated to the Master's memory.Choreography, costumes

Laureate of All-Union and International Ballets Competitions

Laureate Government Prize of the Russian Federation named

Fedor Volkova Laureate National Theater Prize

"Golden Mask"Evgenia Panfilova (1955-2002)

More than once you remember me

And the whole world is worrying and strange

Ridiculous world of songs and fire,

But between others, a single unintended

Nikolai Gumilev

“ P.. A.. B.. L.. O..”

F. Chopin, groups "Amon tobin "," Daft Punk "," Xiu Xiu ",

"SWOD", "Portished", Costa Del Flamenco.

Idea, choreography, scenography Riota.

About Pablo Picasso and his world will always talk, since his
creativity does not give in to a clear and convincing definition.

His images are rich in associations. Often they enter into themselves

what we call beauty, on the one hand, and ugliness, almost a horror mask - on the other.

Come up with ballet about Great Pablo - it means to take a chance to enter the immortal

flesh of his creativity, get bogged into the magma of his inhound personality,

in confrontal power flows of his life. BaletMaster-director

Sergey Reikik creates a choreographic touch

to the magical trail of the presence of the genius Pablo in the ocean of art.

"Ballet of Tolstoy Evgenia Panfilova" 55th anniversary

from the day of victory in the Great Patriotic War dedicated

"Baba. year 1945"

One-act balletto music I. Gorbarek, V.Agapkin, V.Geviksman,

F. Hell, V.May.Oh,

Russia is my wide-wide,Mother crude land deep-deep

Your heavens are highBut unable to accommodate the Baby longing.

They do not sing a bird, but to break in the dark,And only two letters remained,

One of the third sheet is predained,And the second from each other is posthumous.

What will happen in us from Russia?That women have short-sized

The fact that the children were not supposed toThe fact that herbs have no time ...

« Cell for parrots »

One-act choreographic fantasyto music

J. Bizse -r.Sedrina "Carmen-Suite".

Idea, choreography, setup, costumes, laureate scenography

all-Union and International CompetitionsEvgenia Panfilova.

O, the brilliant perfection of the cell - temptation, everlasting person.

As well in natural captivity.Secrets, sadness, doubts, tears of the world

unknown to parrots. Is it like people? In general, this is life on both sides of the rod.

Irony and sadness, beauty and ugliness, stiffness and freedom?

Does she need it at all?

"Let him cause bewilderment, delight or protest my free handling music.

But the idea unexpectedly arose in me, just cried and asked

in this music. And the life in which I already do not understand anything, also asked

on this scene and in this music. And freedom, which I am very rushing,

also asked to the cage, and then back, and then again into the cage ....

And I do not understand anything again. Maybe you will understand, my dear spectators. "

With love and respect, Evgeny Panfilov

"Chickens, Amours, Swan Plus"

Ballet fantasy

On the music of PI Tchaikovsky to the ballet "Swan Lake".

Choreography Vladimir Galkina.

What kind of wind brought the magician-romance cavallar glitch to the country of ridiculous chicrics?

Who invented you, Star Dream? Who said that chicken is not a bird?

Cavalier glitch clogs slightly, comforts the ladies, calling a fabulous swan,

suit the luxurious ball. Oh, how good, all halves of the hearts found each other!

"ROMEO AND JULIET"

Triphat balleton the music of S.S.Prokofievaaccording to the same name of the tragedy V. Washpir.

Choreography, director, scenography, laureate costumesall-Union I.

international CompetitionsEvgenia Panfilova.

Their names became the symbols of the first and last love.

Thunderstorm of early passion under the rustling of autumn leaves.

Eternal youth under the snowy championship death.

The space of the tragedy, where the omnipotent Queen of MAB triumphs,

where two main strings are intertwined - melodies:

invincible love and invincible rock.

“ Things.I.TOLD.Nobody”

"What I did not say anyone"

One-act balleton music from works

G. F. Handel, A. Vivaldi, V. A. Mozart, E. Sati.

Choreography, light design: Izik Galile (Israel-Netherlands).

russian-Netherlands Project "Choreography Izica Galili

in the theater "Ballet Evgeny Panfilova".Project implemented

with the support of the culture council of the Embassy of the Kingdom of the Netherlands in Moscow.

Performance - Nominee National Theater

Prize "Golden Mask" 2006/2007 in 2 nominations:

"The best performance in modern dance" and

"The best female role is Maria Tikhonov."

Dance - company "Fight club"

"Tyuryiga"

One-act balletto music A. Dirta, M. Menson, S. Rayha, Ya.Ulob, N.Kayva,

group "Ramstein" and "Razon D'Eater".

Choreography Evgenia Panfilova

A performance on the briefness of solidarity of the male fraternity, about the eternal pursuit of man,

both freedom and aggression. Tyuryiga is a deaf barrier that divided life forever.

Tragedy of ruined youth, killed hopes, illusions.

Tragedy and our overall sentence. The image of the damn

time in captivity, embodied original choreographic

solutions and scenographic finds.

Ballet is built on dissonances of musical images,

symbols, signs for a Russian person.

"Alraun"

One-act balleton the music of foreign composers and Peter Mammon.

Choreography, set design, costumesAlexeyarastorguyev

Alrouna - mythical creatures. They are friendly to people, but do not mind to swear,

sometimes very brutally. Demonologies believe that recently

alroins changed the underground lifestyle:

they have liked the heat and comfort in human homes,

that they moved there. Easy to turn into anyone.

Algoruna is impossible to drive. Even if the house burned down,

and people are moving somewhere, Alroun follows them and

it may well be the master of the situation. His efforts of life

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Competition "Golden Mask", but also a new excellent blinger in Russian culture, the vitable spectator of the troupe and the great business of the premature master. We will get acquainted closer with this phenomenon.

About the theater "Ballet Evgenia Panfilova"

The brainchild E. Panfilova is a unique union of three completely different dance aesthetics of choreographic troupes, which are connected by just one element - the unique copyright style of its creator. Theater includes:

• actually, "Ballet Evgeny Panfilova";
• dance team "Fight Club" (male amateur dance collective);
• "Ballet Tolstoy E. Panfilova" (grotesque performances with the participation of full ladies).

The private theater was created by the leader in 1994 in Perm. In 2000, he was declared a state institution of culture. On the Golden Mask, the ballet represented the native city 11 times - 9 times was awarded personal awards, 4 times became the laureate of this sign domestic theater prize. Honorary title was brought to him "Baba. 1945" ("Ballet of Tolstoy"), "Cell for Parrots", "Casting-Off" / "Rejection". These and many others, both Russian and foreign, awards have long made the "ballet Eugene Panfilov" not provincial property, but by the National Russian pride.

As for the artistic value of the performances, this is what should be seen once - an incredible and charming cheer-in from Diagel tradition, world classics, Russian avant-garde and surrealism. Here are experimentalism and psychologism, exciting extravagancies and a pacifying atmosphere.

About Eugene Panfilov

Evgeny Alekseevich Panfilov (1955-2002) - Russian cultural worker, choreographer and director. During his lifetime, he was not only an artistic director, but also an artist in his creations.

Evgeny Alekseevich studied not only at the Institute of Arts in Perm, but also in Gitis, in the US choreographic school. In addition to the "Ballet Yevgeny Panfilova", he also organized the "Perm City Ballet E. Panfilova", the project of Russian Seduction. He was a teacher in the Perm Choreographic School, Institute of Arts.

In all his life, Evgeny Panfilov put 150 miniatures and 85 full-active ballets. He was the winner of the National Award of the Russian Federation "For the contribution to the development of the theater", he had a recognized title "Master", not once nominated for the "Gold Mask", as we have already managed to mention.

The masters life broke quickly, by chance, tragically. In July 2002, he was killed in his own apartment. A random buddy in the midst of a quarrel struck by Eugene Panfilov 13 knife wounds, and later robbed the apartment of the balletmaster.

"Ballet Evgeny Panfilova"

Today, the artistic director is Sergey Reikan, and the classical body of the theater pleases the audience as follows:

• one-acting production "Son Piero from Vinci";
• one-acting "black square";
• rUSSIAN SEDUCTION show program;
• concert of the Creator and Head of Evgenia Panfilova;
• mini ballet "Shinel";
• one-acting statement "Anxiety Sky";
• mini-ballet "Genesis";
• single acting "Salome";
• one-act ballet statement "Spring Sacred";
• one-act LUX AETERNA;
• one-act ballet statement dedicated to the 290th anniversary of Perm;
• creative project The SWAN ("Swan");
• folklore Dance performances "Over the edge of the edge";
• one-act ballet on the composition of Shostakovich and Soviet songs "Blockada";
• one-act "capitulation";
• one-act choreographic production "Cell for parrots";
• the one-acting setting "the eyes of a clown";
• triphat ballet "Romeo and Juliet";
• one-acting production "Rezing" and others.

Presentations of "Tolstoy Ballet"

Performance of the "Ballet of Tolstoy Evgeny Panfilova" can be seen:

• show-parody of Russian Seduction;
• one-acting production "Song";
• folklore single-act ballet "RESPONSIBLE";
• comic ballet fantasy length in one act "Chickens, Amours, Swan Plus";
• ballet dedicated to victory in the Great Patriotic War "Baba. 1945";
• one-act ballet formulation for the music of Vivaldi "Seasons" and others.

Speeches of the "Fight Club"

Imagine the repertoire of the third element of the theater:

• show program "Take me like this ...";
• one-act ballet using the German military marches and Jewish songs "Anticyclone";
• one-act ballet ESC;
• buffonada "Hoitch-Heaps";
• one-act ballet statement "Tyuryaga".

The composition of the troupe Evgenia Panfilova

Soloists "Ballet Evgeny Panfilova":

• Sergey Reikik;
• Elena Kondakova;
• Maria Tikhonova;
• Marina Kuznetsova;
• Alexey Zorguguev;
• Elizabeth Chernova;
• Pavel Vaskin;
• Alexey Colbin;
• Ksenia Kiryanov, as well as a team of ballet artists.

The composition of the "Fight Club":

• Ilya Belousov;
• Pavel Dormidontov;
• Timur Belavkin;
• Victor Plusin;
• Mikhail Shabalin;
• Oleg Rouvevets;
• Andrei Seleznev;
• Maxim Parshakov;
• Ilya Mezentsev.

The composition of the "Ballet of Tolstoy Evgeny Panfilova" (Perm):

• Valery Afanasyev;
• Ekaterina Yurkova;
• Ekaterina Yarantseva;
• Valentina Trofimova;
• Anna Spitsyn;
• Svetlana Chazov;
• Valeria Heatadov;
• Evgenia Metelly;
• Marina Vissarionova;
• Elena Nikonova;
• Marina Kormshchikova;
• Alexandra Buzorina;
• Victoria Vaskin;
• Elvira Valiev.

According to the audience

Spectators who were lucky enough to get to the ideas of the theater "Ballet Eugene Panfilova", the following note:

• entertainment - the performance looks in one breath;
• qualitative modern productions;
• interesting, ambiguous numbers;
• emotional, expressive game of actors and "live" dance;
• unusual standard.

Ballet Panfilova is a wonderful modern phenomenon of Russian cultural reality. Already at least 15 years old the masters are alive, but the followers with dignity continue his case, and performances continue to give the bright and unusual emotions to those who came to the audience.