Katerina's husband out of thunderstorms. The image of Katerina in the play A

The Piece of Ostrovsky "Thunderstorm" was written a year before the abolition of serfdom, in 1859. This work is allocated among the other play of the playwright due to the nature of the main character. In the "thunderstorm", Katerina acts as the main character through which the conflict of the play is shown. Katerina is not like other residents of Kalinov, it is distinguished by a special perception of life, the strength of character and a sense of self-esteem. The image of Katerina from the play "Thunderstorm" folds due to the totality of many factors. For example, words, thoughts, environment, actions.

Childhood

Cate for about 19 years, she was married early. From the monologue of Katerina in the first action, we learn about the childhood of Kati. Mama in her "Soul is not a chayale." Together with the parents, the girl went to church, walked, and after he was engaged in any job. All of this, Katerina Kabanova recalls light sadness. Interesting phrase of Barbara that "we have the same thing." But now, Kati has no feeling of lightness, now "everything is done for coercion." In fact, life before marriage almost did not differ from life after: the same actions, the same events. But now Katya applies to everything else. Then she felt support, felt alive, she was dreaming amazing dreams about flights. "And now dreams", but only much less often. Before Marriage, Katerina felt the movement of life, the presence of some higher strength in this world, she was pious: "Passion as loved to go to church!

"From early childhood, Katerina had everything that she needed: the love of mother and freedom. Now, the will of the circumstances, she is tearing off from his native person and is deprived of freedom.

Environment

Katerina lives in the same house with her husband, sister of her husband and mother-in-law. This circumstance no longer contributes to a happy family life. However, the situation worsens the fact that Kabaniha, mother-in-law Kati, a cruel and greedy person. Decarion here should be understood as a passionate, bordering with madness, the desire of something. Kabaniha wishes to submit to all and all his will. One experience with Tikhon has successfully, the next victim is Katerina. Despite the fact that Marfa Ignatievna waited for the wedding of her son, she is unhappy with the daughter-in-law. Kabaniha did not expect Katerina as much as the character that he could silently resist its influence. The old woman understands that Katya can customize Tikhon against the mother, she is afraid of this, so in every way trying to break Katya to avoid this development of events. Kabaniha says that the wife has long become Tikhon's Maja Mother.

"Kabaniha: Al Wife You, or what will take away from me, I don't know.
Kabanov: No, Mama!

What are you, merry!
Katerina: For me, Mama, all one thing that my mother is that you, and Tikhon loves you too.
Kabanova: You would seem to have to get silent, if you do not ask you. That you jumped out in my eyes silent! What do you see, how do you like your husband? So we know, we know, in the eyes you all prove it.
Katerina: You're talking about me, Mama, you say it in vain. What in humans that without people, I'm all alone, I do not prove anything from myself "

The answer of Katerina is quite interesting for several reasons. She, unlike Tikhon, appeals to Martha Ignatievna on you, no matter how to put themselves with her. Katya draws the attention of the Kabani to the fact that he does not pretend and does not try to seem one who is not. Despite the fact that Katya performs a humiliating request to become before the Tikhon on his knees, this does not speak of her humility. Katerina insult false words: "To tolerate, who is pleasant to tolerate?" "Such a response, Katya not only protects himself, but also reproaches the boa in lies and the crust.

Katerina's husband in the "thunderstorm" seems to be a gray man. Tikhon is similar to a Great Boy, who is tired of the Mother's guard, but at the same time it does not try to change the situation, but only complains of life. Even his sister, Varvara, stops Tikhon in that he could not protect Katya from the attacks of Martha Ignatievna. Varvara is the only person who is at least a little interested in Katya, but still she declares the girl to be like to lie and shovel to survive in this family.

Relationship with Boris

In the "thunderstorm", the image of Katerina is revealed through a love line. Boris came from Moscow on business concerning the receipt of inheritance. Feelings to Kate flashed suddenly, like the response feelings of the girl. This is love at first sight. Boris worries that Katya is married, but he continues to seek meetings with her. Katya, aware of his feelings, trying to abandon them. Treason contradicts the laws of Christian morality and society. Barbara helps to meet in love. While ten days, Katya secretly meets Boris (while Tikhon was away from). Having learned about the arrival of Tikhon, Boris refuses meetings from Katya, he asks Barbar to persuade Katya to be silent about their secret dates. That's just Katerina is not such a person: she needs to be honest before others and himself. She is afraid of God's karas for his sin, so regards the swirl thunderstorm as a sign over and tells about treason. After that, Katya decides to talk to Boris. It turns out that one is going to leave for Siberia for several days, but can not take a girl with him. Obviously, Boris actually does not need Katya that he did not love her. But Katya did not love Boris. More precisely, she loved, but not Boris. In the "Thunderstorm", the island image of Katerina endowed the property to see in everything good, put the girl with a surprisingly strong imagination. Katya Dokumala The image of Boris, she saw in him one of his features - the defender of the reality of Kalinov - and made her main, refusing to see other parties. After all, Boris came to ask for money from Wild, just as other Kalinovtsy did. Boris was for Kati man from another world, from the world of freedom, the one that the girl dreamed about. Therefore, Boris himself becomes a certain embodiment of freedom for Kati. She fell in love with him, but in her ideas about him.

The drama "Thunderstorm" ends tragically. Katya rushes in the Volga, realizing that he could not live in such a world. And the other world does not exist. The girl, contrary to his religiosity, makes one of the most terrible sins of the Christian paradigm. To decide on such an act, you need a huge power of will. Unfortunately, there was no other choice in those circumstances. Surprisingly, Katya retains the inner purity even committing suicide.

A detailed disclosure of the image of the main character and the description of its relationship with other actors of the play will be useful for 10 classes when preparing for an essay on the topic "The image of Katerina in the" Thunderstorm "play.

Test on the work

"Storm". This is a young woman who does not have children and living in the house of mother-in-law, where, besides them with her husband Tikhon, there is also an unmarried sister of Tikhon, Varvara. Katerina has been in love with Boris for some time in Boris, who lives in the wilderness of his nephew.

While the husband is nearby, she dreams of Boris Thai, but after his departure, Katerina begins to meet with a young man and comes with him in a love relationship, with a bunch of daughter-in-law, which Katerina's connection is even beneficial.

The main conflict in the novel is the confrontation of Katerina and her mother-in-law, mother of Tikhon, Kabanihi. Life in the city of Kalinov is a deep swamp, which is deeper and deeper sucking. "The old concepts" do it all. Whatever the "elders", everything should be done from the hands, will not be injured here, "Bald Wild" here feels like a fish in water.

The mother-in-law is experiencing jealousy to a young attractive daughter-in-law, feeling that with the marriage of his son, her power is held over him only on constant reproaches and moral pressure. In the daughter-in-law, despite its dependent position, Kabaniha feels a strong opponent, a whole and unusable to her samborous oppression of nature.

Katerina does not have proper respect for her, does not tremble and does not look like Kabanchi in his mouth, catching her every word. She does not play sorrow, when the husband leaves, she does not try to be useful mother-in-law, to earn a favorite nod - she is different, her nature resists pressure.

Katerina is a believer woman, and for her sin is a crime that she cannot hide. In the house of his parents, she lived as she wanted, and did what she liked: Flowers sazed, Istivo prayed in the church, experiencing a feeling of enlightenment, the strangers strangers listened to curiosity. She was always loved, and her character had a strong, timely, she did not tolerate any injustice and could not lie and lavish.

The mother-in-law, however, is expected permanent unjust trains. It is guilty of the fact that Tikhon does not show, as before, due respect to the mother, and it does not require it from his wife. Kabaniha stops his son by the fact that he does not appreciate the suffering of the mother in the name of him. The power of Samodurst eludes hands right in front of her eyes.

Treason of daughter-in-law, in which the impressionable Katerina admitted publicly - this is the cause of the kabani to join and repeat:

"And I spoke! And no one listened to me! "

All sins and forelegations are because perceiving new trends, do not listen to the elders. The world, in which the eldest Kabanova lives, it is quite suitable: power over home and city, wealth, hard moral pressure over homemade. This is the life of the Kabani, so lived her parents, and their parents - and it did not change.

While the girl is young, she does what he wants, but having married, it is dying for the world, appearing with homemade only in the bazaar and in the church, and occasionally in crowded places. Here and Katerina, having come to her husband's house after free and happy youth, should also die to die, but could not.

The same feeling of the miracle, that is about to get it, waiting for an unknown, the desire to fly and seal what was with her with her free adolescence, did not lose anywhere, and the explosion would still have happened. Let not communicate with Boris, but Katerina would still challenge the world that came after marriage.

Katerina would be easier, she love her husband. But every day I watch how Tikhon is mercilessly suppressed by mother-in-law, she confused and feelings, and even the remnants of respect for him. She regret it, from time to time, at time, and not even much offended when Tikhon humiliated by his mother would take off his insult on her.

Boris seems to her to her, although he is because of his sister in the same humiliated position, like Tikhon. Since Katerina sees it a glimpse, she cannot appreciate his mental qualities. And when two weeks of the love dope are dispelled with the arrival of her husband, she is too busy with spiritual torments and its fault to understand that his position is no better than the position of Tikhon. Boris, still clinging to the weak hope that something will come to him from the state of the grandmother, forced to leave. He does not call the Katerina with him, it is not enough for this sincere force, and he leaves with tears:

"Eh, kaba strength!"

There is no exit in Katerina. The daughter-in-law fled, the husband is broken, the lover is leaving. She remains in power of the Kabani, and understands that she now does not lower the sheltered daughter-in-law anything ... If he also scored her for anything. Further is a slow death, no day without tramplers, a weak husband and there is no possibility to see Boris. And the believer Katerina prefers all this terrible mortal sin - suicide - as liberation from terrestrial flour.

She realizes that her rush is terrible, but for her even preferably Kara for sin than life in the same house with the boa to his physical death - the spiritual has already happened.

Whole and winsted nature will never be able to withstand pressure and mockery.

Katerina could run, but not with anyone. Because - suicide, fast death instead of slow. She did his escape from the kingdom of "self-russian life".

Why does the critic N.A. Dobrobrubov calls Katerina "strong character"?

In the article "Light of Light in the Dark Kingdom" N.A. Dobrobrubov writes that "Groza" is expressed by the "Russian strong character", which amazes "the opposite of all kinds of commendments". This nature "focuses-decisive, is steadily faithful by the Face of Natural Truth, the faith in new ideals and selflessness, in the sense that he is better than death than life with the principles that he disappeared." That is how the character of Katerina saw the critic. But is it sees this image to the reader? And how does the character of the heroine appear in action?

The formation of a person begins in childhood, so the author introduces the story of Katerina about life in the house of parents. Experiences of the heroine, its mental state, the perception of the events that occurred with her like tragedy - all this would be incomprehensible without a description of life before marriage and after. To explain the changes that have occurred in the soul of Katerina, and her inner struggle arising from the actions committed by it, the author gives pictures of childhood and heroine youth through memories drawn by light paints (unlike the "Dark Kingdom", where she is forced to live in marriage ).

Katerina considers the atmosphere of the parental house very beneficial for its development and education: "I lived, I didn't heal about anything, ... like a bird on the will." Classes of this period - needlework, work in the garden, a visit to the church, singing, conversations with the strangers - are not very different from what fills the life of the heroine and in the house of Kabanov. But behind the fence of the merchant house there is no freedom of choice, warmth and soulfulness in relations between people, there is no joy and desire to sing like a bird. Everything like in a mirror curve is distorted beyond recognition, and it causes dissonance in the soul of Katerina. Anger, weldability, eternal discontent, constant reproaches, moraling and the mistrust of the mother-in-law deprived Katerina confidence in their own rightness and purity of thoughts, caused anxiety and mental pain. She remembers a happy and quiet life in Maiden, about how her parents loved. Here, in the "Dark Kingdom", the joyful waiting for happiness, the bright perception of the world disappeared.

For a change in life, optimism, the feeling in the soul of cleanliness and light came despondency, feeling of sinfulness and guilt, fear and desire to die. This is no longer that funny girl, what kind of people knew in Maiden, this is completely different Katerina. But the nature of character is manifested even in the conditions of life behind the fence, as it is unjust to tolerate injustice and humiliation, it cannot bear the principles of a mercy of the heroine. When Kabanova reproaches Katerina in pretense, she objects the mother-in-law: "That in humans, that without people, I'm all alone, I do not prove anything from myself ... there is nothing to endure someone nice!"

So nobody talked with Kabanov, and Katerina got used to be sincere, and so wished to stay in the family of her husband. After all, before marriage, she was a lot of vitality and a sensitive girl, loved nature, was good with people. That is why N.A. Dobravubov had the foundation to call Katerina "a strong character", which "affects us the opposite" in relation to the characters of merchant class depicted in the play. Indeed, the image of the main character is an antipode to other female characters in the "Thunderstorm" play.

Katerina - the nature is sensitive and romantic: it sometimes seemed to her that she stands on the abyss and her someone pushes there, down. She seemed to anticipate his fall (sin and early death), so her soul was filled with fear. Love another person, being married, is an unforgivable sin for a believer. The girl is raised on the principles of high morality and the fulfillment of Christian commandments, but she is used to living "her will", that is, to be able to choose in actions, make decisions on their own. Therefore, she says Barbar: "But if I will wake up here, I will not keep me any force. In the window I will finish, rushing in the Volga. "

Boris about Katerina said that in the church she prays with the smile of Angelic, "and from the face as if he would shine." And this opinion confirms the peculiarity of the inner world of Katerina, speaks of its difference in comparison with other characters of the play. In their native family, where there was respect for the identity of the child, in the atmosphere of love, kindness and trust, the girl saw decent examples for imitation. Feeling warmth and soulfulness, she got used to free life, to work without coercion. Parents did not scold her, but rejoiced by watching her behavior and actions. This gave confidence that she lives right and sinlessly, and God had nothing to punish her. Its clean, the immaterial soul was opened for good and love.

In the house of Kabanov, as in general in the city of Kalinov, Katerina enters the atmosphere of captivity, hypocrisy, suspicion, where they treat it, as a potential sinner, accused of what she did not think. She first justified, trying to prove to all their moral purity, worried and endured, but the habit of freedom and longing for indifference in relationships with people make her come out, break out of the "dungeon" first into the garden, then to the Volga, then to the Forbidden Love. And the sense of guilt comes to Katerina, she begins to think that by going the borders of the "Dark Kingdom", she violated his own ideas about Christian morality, about morality. So, it became another: she is a sinner worthy of Kara God.

For Katerina, they were destructive feelings of loneliness, defenselessness, their own sinfulness and loss of interest in life. No near expensive people, for which it would be worth living. Caring for the elderly parents or children would contribute responsibility and joy into her life, but the heroine has no children, and the parents were alive - it is unknown, it is not reported in the play.

However, to consider Katerina the victim of an unfortunate marriage would not be quite right, because hundreds of women patiently took and endured similar circumstances. It is also impossible to name it with stupid her repentance in front of her husband, honest recognition in treason, as Katerina could not be different and could not, thanks to its spiritual purity. And the suicide was the only way out because a man beloved by her, Boris, could not take her with him, leaving at the request of uncle to Siberia. Return to Kabanov's house for her was worse than death: Katerina understood that she was looking for that she would not have time to commit escape, and in that condition, in what an unfortunate woman was, the nearest path led her to the Volga.

All listed arguments confirm the opinion of N.A. Dobrozubov that Katerina became a victim of his own purity, although it was cleanly her spiritual power and that inner rod that could not be broken by Kabanova. Freedomizing the Nature of Katerina, her principles that did not allow her to lie, put the heroine much higher than all the characters in the play. In this situation, the decision to leave the world, where everything contradicted her ideals was the manifestation of the nature of character. In those circumstances, only a strong person could decide on protest: Katerina felt lonely, but rebelled against the "Dark Kingdom" under the streets and significantly laid this block of ignorance.

The main characters of "Thunderstorm" Ostrovsky

Events in Drama A.N. Ostrovsky "Thunderstorm" unfold on the coast of the Volga, in the fictional city of Kalinov. In the work, a list of acting persons and their brief characteristics, but they are still not enough to better understand the world of each character and reveal the conflict of the plays in general. The main heroes of the "thunderstorms" is not so much.

Katerina, girl, main heroine plays. She is pretty young, her early gave her married. Katya was brought up in accuracy according to the traditions of the housework: the main qualities of the wife were respect and humility to their spouse. At first, Katya tried to love Tikhon, but nothing but pity could experience him. At the same time, the girl tried to support her husband, help him and not to reproach him. Katerina can be called the most modest, but at the same time the strongest character of "thunderstorms". Indeed, the form of the character of Kati does not appear. At first glance, this girl is weak and silent, it seems as if it is easy to break. But it's not at all. Katerina is the only one in the family that opposes the kabani attacks. It is opposed, and not ignores them like Barbara. The conflict is rather internal character. After all, Kabaniha is afraid that Katya can affect her son, after which Tikhon will cease to obey the will of the mother.

Katya wants to fly, often compares himself with a bird. She literally chips in the "Dark Kingdom" Kalinov. Feeling in love with the arrival of a young man, Katya created a perfect image of love and possible release. Unfortunately, her ideas had little in common with reality. The girl's life ended tragic.

Ostrovsky in the "thunderstorm" by the main character makes not only Katerina. The image of Kati is opposed to the image of Martha Ignatievna. A woman who keeps in fear and straining the whole family does not cause respect. Kabaniha strong and despotic. Most likely, the "Brazuds of the Board" she took after the death of her husband. Although it is likely that in the marriage of Kabaniha did not differ in humility. Most of all came from her Kate, daughter-in-law. It is Kabaniha indirectly guilty of the death of Katerina.

Varvara - daughter Kabanihi. Despite the fact that she learned for so many years, the reader still sympathizes to her. Varvara is a good girl. Surprisingly, deception and cunning do not make it similar to the rest of the city. She comes as she likes and lives as she wants. Barbara is not afraid of the wrath of the mother, because it is not authority for it.

Tikhon Kabanov fully complies with its name. It is quiet, weak, imperceptible. Tikhon cannot protect his wife from the mother, because he himself is under the strong influence of the Kabani. His riot in the end turns out to be the most significant. After all, it is the words, and not the escape of the barbarians make readers think about the entire tragedy of the situation.

Kuligina the author characterizes as self-taught mechanics. This character is a kind of guide. In the first action, he seemed to lead us according to Kalinov, telling about his inels, about families who live here about the social setting. Kuligin seems to know everything about everyone. His estimates of others are very accurate. Kuligin himself is a kind person who is used to living on well-minded rules. He constantly dreams of a general good, about Mobility-Mobile, about the threshold, about honest labor. Unfortunately, his dreams are not destined to be realized.

Wild has a clerk, Kudryash. This character is interesting because the merchant is not afraid and can tell him what he thinks about him. At the same time, Kudryash, as well as wild, trying to find benefits in everything. It can be described as a simple person.

Boris comes to Kalinov in cases: he needs to urgently establish relations with wild, because in this case he will be able to get the money legally. However, neither Boris nor wild want to even see each other. Initially, Boris seems to readers such as Katya, honest and fair. In the last scenes, this is refuted: Boris is not able to decide on a serious step, take responsibility, he simply escapes, leaving Katya alone.

Some of the "thunderstorms" heroes are a wander and maid. Feclusha and Head are shown as typical inhabitants of Kalinov city. Their darkness and uneducation sincerely amazes. Their judgments are absurd, and the horizon is very narrow. Women are judged by morality and morality on some kind of perverted, distorted concepts. "Moscow is now Gulbishchi da playing, and the streets of Indo rumbled, the moan stands. Why, Mother Marfa Ignatievna Mother, Fiery Zmia began to bargain: Everyone, you see, for the sake of speed, "so the fecusch responds about the progress and reforms, and the" Fire Zmiem "woman calls the car. Such people are alien to progress and culture, because it is convenient to live in a confined limited peace of calm and dimension.

Characteristics of Katerina from the Pieza "Thunderstorm"

On the example of the life of a separate family from the fictional city of Kalinov in the play "Thunderstorm" is the entire essence of the outdated patriarchal arrangement of Russia of the XIX century. Katerina - the main heroine of the work. She is opposed to all other existing people of the tragedy, even from Kuligina, who also stands out among the residents of Kalinov, Katya features a protest power. Description of Katerina from "Thunderstorms", the characteristics of other characters, the description of the life of the city - all this consists in the implanting tragic picture transmitted photographs for sure. The characteristic of Katerina from the play "Thunderstorm" is not limited to the author's comment in the list of actors. The playwright does not give an estimate of the actions of the heroine, removing the duties of the all-knowing author. Thanks to such a position, each perceiving subject, whether it is a reader or a viewer, it can give an assessment of the heroine on the basis of his moral beliefs.

Katya was married to Tikhon Kabanova, the Son of the Kupchi. It was issued, because then, according to the housework, the marriage was rather the will of his parents than the solution of young people. Kati's husband is a pathetic sight. The irresponsibility and infantality of the child bordering the idiotium, led to the fact that Tikhon is not capable of anything other than drunkenness. In Marfe, Kabanova fully embodied the ideas of Samorams and a chandeliness inherent in the "dark kingdom". Katya is striving for freedom, comparing himself with a bird. It is hard to survive in conditions of stagnation and slave worship of false idols. Katerina truly religious, every trip to the church seems to be a holiday for her, and being a child, Kat him mounted, as if she hears angelic singing. It happened, Katya prayed in the garden, because she believed that her prayers of the Lord would hear anywhere, not only in the church. But in Kalinov, the Christian faith lost whatever internal filling.

Katerina's dreams allow her for a long time to escape from the real world. There it is free, like a bird, free to fly where he wants, without obeying any laws. "And what dreams did I dream, Varenka," Katerina continues, "what dreams!" Or the temples are gold, or unusual gardens, and everyone sing invisible voices, and the cypress smells, and the mountains and trees are not as usual, but how they are written on the images. And that seems as if I fly, so fly through the air. " However, in recent times, Katerina has become inherent in some kind of mysticism. Everywhere she begins to see the ambulance dying, and in dreams she sees a deer, who hugs her warmly, and after rubies. These dreams were prophetic.

Katya is dreaming and gentle, but together with her fragility in Katerina monologues from "Thunderstorm" is visible and power is visible. For example, a girl makes a decision to come to meet Boris. She overwhelmed doubts, she wanted to throw the key from the wicket in the Volga, thought about the consequences, but still made an important step for himself: "Throw the key! No, never in the world! He is mine now ... Be what happens, and I will see Boris! " The house of Kabani waspowd by Kate, Tikhona girl does not like. She thought to get away from her husband and, having received a divorce, honestly live with Boris. But from the samotor of the mother-in-law was nowhere to hide. His hysteries Kabani turned the house to hell, preserving any opportunity for escape.

Katerina is surprisingly astonishing towards himself. The girl knows about his character traits, about decisive moral moral: "Such I originated, hot! I was still six years old, no more, so I did! They offended me with something at home, and the case was in the evening, so dark; I ran out on the Volga, got into the boat and pulled it from the shore. To another morning, found, leaving for ten! " Such a person will not be obeyed by samotor, will not be subject to dirty manipulation by the Kabani. Katerina is not to blame for what was born during when the wife had to unintently obey her husband, was an almost accidental application, whose function was confused. By the way, Katya herself says that the children could be her Otradai. That's just Kati has no children.

The motive of freedom is repeated in the work many times. Interesting, the parallel of Katerina - Barbara appears. Sister Tikhon also strives to be free, but this freedom must be physical, freedom from despotism and prohibitions of the mother. In the final of the play, the girl runs away from the house, gaining what he dreamed of. Katerina also understands freedom otherwise. For her it is an opportunity to act as she wants, to take responsibility for his life, do not obey stupid orders. This is freedom of soul. Katerina, like Barbara, gains freedom. But such freedom is achievable only by suicide.

In the work of the island "thunderstorm", Katerina and the characteristic of its image was perceived differently criticized. If Dobrolyubov saw in the girl the symbol of the Russian soul tormented by the patriarchal domain, then Pisarev saw a weak girl who herself drove himself in such a situation.

Katerina - Central Character Plays of Ostrovsky "Thunderstorm". From the moment of writing, the work is of great popularity. The performances put on the motifs of the play are not going to the lards of the largest theaters. The main reason for such popularity in the talented disclosure by the author of Katerina character.

The inevitable conflict with the surrounding and mental drama of the main character leads to its tragic death.

In the image of Katerina, Ostrovsky depicted a strong independent person, which constrained the chains of traditional society. The patriarchal lifestyle, which everyone adheres to the city, stifles the slightest manifestations of the living soul. His main supporter is Tikhon's mother. She brought her son in conditions of unquestioned submission. Tikhon in the soul understands all the stupidity of Matushkaya instructions, but he has no will to resist her.

Katerina sincerely loves and regrets her husband. She cannot indifferently look at his humiliation before the mother. But it is unable to fix something. The stuffy atmosphere, reigning in the city, gradually seizes it. Katerina unconsciously wants to escape from her.

Catherine's mental drama is that in other conditions she would never go to betrayal to her husband. But in this "sleepy kingdom" she is too closely, she chips from such a lifetime. In the famous monologue of the main heroine "Why people do not fly" is the most pronounced this spiritual desire. A fantastic desire to become a bird and flutter "far, far" is a passionate impulse of the exhausted soul.

In reality, the liberation of Katerina happened as a result of sudden love for Boris. The decency of the woman did not allow her to openly talk about it. The rapprochement occurred with the assistance of the barbarium. Roman with Boris, on the one hand, wondered Katerina, allowed her to feel the real pleasure of life. On the other hand, this novel became disastrous for the main heroine.

The image of Katerina is extremely tragic. It can not be considered a fallen woman who betrayed her husband for the sake of fleeting passion. Treason occurred about the fault of the old woman who survived the mind and her brown son. The time spent without a husband flashed as a moment. Katerina anticipates inevitable rules for his terrible sin. She could easily hide all this, but, being deeply believer, does not even allow thoughts about deception.

The spiritual confusion of Katerina exacerbates with the arrival of Tikhon. She lives accurately in delight, scaring around their behavior and words. Katerina is waiting for Divine Caras for his sinful behavior. The feeling of imminent death leads her to terrible recognition in front of her husband and his mother. Having confessed to sin, she seems to clean his soul before death. Katerina's suicide is a regular outcome of the work. Her spiritual drama could not resolve otherwise.

Katerina is an excellent sample of a strong spiritual personality. She is not to blame in treason, nor in his own death. Ostrovsky convincingly showed what destructive impact on the soul of man outdated concepts and prejudices. Catherine's spiritual drama is indicative for any historic era.

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