The Master and Margarita love line analysis. The composition "The tragic love of the Master and Margarita in conflict with the surrounding vulgarity
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The novel "The Master and Margarita" is considered one of those genius creations that can be read repeatedly, and each time you find in it something new, previously unnoticed. The work as a whole is a complex structure, which includes different eras, different philosophical issues and even different worlds: earthly and otherworldly. Along with the biblical, the central storyline in the novel is the development of the relationship between the Master and Margarita. Their love runs like a red line through the entire work, uniting into one whole good and evil, vulgar and divine, people and the devil. So why was the Master's passion for a woman tragic? In this essay, I will try to answer this question.
Here is how Bulgakov describes the meeting of the protagonist with the object of his future love: “Thousands of people walked along Tverskaya, but I can assure you that she saw me alone and looked not only alarmingly, but even as if painfully. And I was struck not so much by her beauty as by the extraordinary, unseen loneliness in her eyes! " - says the Master to Ivan Bezdomny. And further: “She looked at me in surprise, and I suddenly, and quite unexpectedly, realized that I had loved this particular woman all my life!”; “Love jumped out in front of us, like a murderer jumps out of the ground in an alley, and struck both of us at once! This is how lightning strikes, this is how the Finnish knife strikes! ”. From these lines it becomes clear to the reader that the feeling of the heroes was not superficial, not fleeting, but deep and all-consuming.
The Master and Margarita are married people, but their family life before meeting each other was unhappy. Maybe that's why the heroes are looking for what they lack so much. Margarita in the novel has become a wonderful, generalized and poetic image of the Woman who Loves. Without this image, the work would have lost its appeal.
The master in real life is a talented person who discovered in himself a craving for writing and decided to write a novel about Pontius Pilate. We can say that the image of the protagonist is a symbol of suffering, humanity, a seeker of truth in the world around him. He wanted to create a novel, but his creation was not received by critics. Mental suffering broke the writer, and he never saw his work, at least in his "earthly life."
Love appears to the Master as an unexpected gift of fate, saves him from loneliness and melancholy. The instantly flared up passion between the heroes turns out to be durable. In it, little by little, the fullness of feeling is revealed: here is a tender love, and an unusually high spiritual connection between two people. The Master and Margarita are present in the novel in an inseparable unity. When the main character in a mental hospital tells Ivan the story of his life, his entire narration is permeated with memories of his beloved.
Why did love flare up between the Master and Margarita, and what place did this woman take in his life? Perhaps both heroes found in each other what they were looking for in others to no avail. Their feelings have withstood many tests. Love was not extinguished by the joyless everyday life, when the Master's novel was not accepted by critics, nor the serious illness of the protagonist, nor his sudden disappearance. Margarita finally breaks up with her husband, with whom she was connected only by a feeling of gratitude for the good done. On the eve of meeting with the Master, for the first time she experiences a feeling of complete freedom. A woman is ready for anything for the sake of her beloved: "Oh, really, I would lay my soul to the devil, just to find out whether he is alive or not!"
Margarita and the Master gave their souls to the devil, became victims of temptation, and therefore they did not deserve the light. Yeshua and Woland rewarded them with eternal rest. The lovers wanted to be free and happy, but in real life this was impossible. Good, love, creativity, art exist in the "earthly" world, but they are not allowed to break out, they have to hide in other dimensions, seek protection from the devil himself - Woland. Bulgakov described heroes full of joy and life, ready to give everything for love, even their own souls. At the end of the novel, the Master and Margarita find each other and find freedom. Then why is their love tragic, even though their dreams have come true? The Master and Margarita wanted to love not for, but in spite of, and therefore were not understood by the outside world. With their feelings, they challenged the whole world and heaven. Yes, they found their paradise somewhere out there, but for this they stepped over themselves, they died, and only after death their dreams came true. And all this happened thanks to Woland - the devil in human form. As a result, the Master received not light, but eternal peace, not real light love with its joys and experiences, but eternal peace with his beloved woman in another world.
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The love story of the Master and Margarita
Many critics believe that the Master repeats the life of the author, since Mikhail A. Bulgakov was also a historian by education and once worked in a museum. His manuscripts were also rejected and not allowed to print. In the novel, the Master wrote a brilliant work about the last days of Yeshua Ha-Nozri, but his work was not only refused to be published, but also subjected to harsh criticism. After that, the Master burned his novel, lost faith in himself and became seriously ill. He spent some time in a psychiatric hospital, where he met the failed poet Ivan Bezdomny.
This hero was indifferent to family joys. He couldn't even remember the name of his ex-wife. But everything changed when he met Margarita. Despite the fact that she was married, this young, beautiful and wealthy Muscovite fell in love with the talented writer and his book with all her heart. She became not only the beloved of the Master, but his reliable and faithful assistant. However, this couple's relationship was not easy. They were destined to go through many trials. Even the "yellow flowers" that Margarita had in their hands at their first meeting warned them about this.
If the Master is the personification of creativity in the novel, then Margarita is the personification of love. For the sake of her beloved and the success of his work, she first left her legal spouse, and then sold her soul to the devil. Azazello introduced her to Woland. He also prepared a cream for her, using which she turned into an invisible witch and flew at night. But true love has no barriers. In the guise of a witch, she took revenge on the critic Latunsky, who slandered a passage from the Master's novel, and then accepted Woland's offer to be queen at Satan's Sabbath.
She endured all the trials with dignity for the sake of meeting the master. For this, Woland reunited them again and returned a copy of his work to the master, adding that "the manuscripts do not burn." Noticing that the lovers were surrounded by pitiful, hypocritical and worthless people, Woland decided to take them into his retinue. For the sake of their love, the master and Margarita agreed to renounce earthly life and move to another dimension, where the master could continue to create. Thus, they immortalized their love, which later became the ideal for many people living on earth.
An essay based on a work on the topic: The tragic love of the Master and Margarita in conflict with the surrounding vulgarity (based on the novel by M. Bulgakov “The Master and Margarita”)
Since that very night, Margarita has not seen for a long time the one for whom she wanted to leave her husband, leaving everything behind; the one for which she was not afraid to ruin her own life. But neither in her nor in him did that tremendous feeling that arose at the first chance meeting disappeared. The master, being in the clinic for the mentally ill, did not want to tell Margarita about himself, fearing to hurt her, ruin her life. She was desperately trying to find him. Their lives were destroyed by the same unnatural order, which not only prevented the development of art, but also did not allow people to live in peace, roughly penetrating even where there is no place for politics. It was not by chance that Bulgakov chose a similar plot for the novel.
He himself experienced a lot in life. He was familiar with the incompetent and offensive reviews of critics in the newspapers, where his name was unfairly declined, he himself could not find a job, realize his potential.
But Bulgakov did not end his novel with the separation of the Master and Margarita. In the second part of it, love finds a way out of the dirt of the surrounding reality. But this exit was fantastic, since a real one was hardly possible. Without regret and without fear, Margarita agrees to be queen at Satan's ball. She took this step only for the sake of the Master, about whom she never stopped thinking and about whose fate she could learn only by fulfilling Woland's conditions. As a witch, Margarita took revenge on the critic Latunsky, who did a lot to destroy the Master. And not only Latunsky received what he deserved in the course of the development of the plot of the novel. For her service, Margarita received what she had dreamed of for so long. The main characters were together. But they would hardly be able to live peacefully in the atmosphere of the then reality. Obviously, therefore, according to the fantastic idea of the writer, they leave this world, finding peace in another.
The master could not win. By making him the winner, Bulgakov would violate the laws of artistic truth, betraying his sense of realism. But there is no pessimism in the book's final pages. Let's not forget the views that were pleasing to the government. In addition, among the critics and writers of the Master, envious people appeared, striving in every way to prevent the recognition of the new author. These people, for whom it was most important to receive material benefits from their position in society, did not strive and could not create anything that stood at the high artistic level that the Master achieved in his novel. Their articles came out one after another, each time becoming more insulting. The writer, having lost hope and the goal of his further literary activity, gradually began to feel more and more depression, which affected his mental state. Driven to despair, the Master destroyed his work, which was the main work of his life. All this deeply shocked Margarita, who admired the work of the Master and believed in his enormous talent.
The environment that knocked the Master out of his normal state was noticeable everywhere, in various spheres of life. Suffice it to recall the barman "with fish of the second freshness" and dozens of gold in hiding places; Nikanor Ivanovich, chairman of a housing association, who settled evil spirits in a house on Sadovaya Street for a lot of money; the entertainer of Bengal, narrow-minded, narrow-minded and pompous; Arkady Apollonovich, chairman of the acoustic commission of Moscow theaters, often secretly from his wife who spent time with a pretty actress; mores existing among the population of the city. These morals were clearly manifested in the performance organized by Woland, when the inhabitants greedily grabbed the money flying from under the dome, and the women went down to the stage for fashionable rags that could be obtained free of charge from the hands of foreign magicians. The Master came very close to these morals when he had a friend - Aloisy Mogarych. This man, whom the Master trusted and whose intelligence he admired, wrote a denunciation against the Master in order to move to his apartment. This denunciation was enough to ruin a person's life. At night some people came to the Master and took him away. Such cases were not uncommon at the time.
Mikhail Afanasyevich Bulgakov has repeatedly addressed the topic - the artist and society, which found its deepest embodiment in the main book of the writer. The novel The Master and Margarita, on which the author worked for twelve years, remained in his archive and was first published in 1966-1967 in the Moscow magazine.
In this book, there is a happy freedom of creativity and at the same time the severity of the compositional, architectural design. There Satan rules the great ball, and the inspired Master, a contemporary of Bulgakov, writes his immortal novel. There, the procurator of Judea sends Christ to the execution, and next to them they fuss, cheat, adapt, and betray quite earthly citizens inhabiting Sadovye and Bronnaya streets of the 1920s and 1930s. Laughter and sadness, joy and pain are mixed together there, as in life, but in that high degree of concentration that is accessible only to a fairy tale, a poem. “The Master and Margarita” is a lyric-philosophical poem in prose about love and moral duty, about the inhumanity of evil, about true creativity, which is always overcoming inhumanity, always an impulse for light and good.
The main characters of the novel - the Master and Margarita - live in an atmosphere of some kind of emptiness and dullness, from which both are looking for a way out. Creativity became this outlet for the Master, and then for both of them love became. This huge feeling filled their lives with new meaning, created around the Master and Margarita only their small world, in which they found peace and happiness. However, their happiness was short-lived. It lasted only as long as the Master was writing his novel in a small basement, where Margarita came to him. The Master's first attempt to publish a completed novel brought him great disappointment. Even more disappointment awaited him after some editor published a large passage of the work. The novel about Pontius Pilate, possessing moral and artistic value, was doomed to condemnation. He could not fit into the environment of literature, where above all was not the talent of the writer, but his political views; on earth, the Master was left with a disciple, Ivan Ponyrev, who had recovered his sight, a former Homeless; on earth, the Master was left with a novel destined for a long life. Bulgakov's novel gives rise to a sense of the triumph of justice and the belief that there will always be people who stand above baseness, vulgarity and immorality, people who bring good and truth to our world. Such people prioritize love, which has tremendous and wonderful power.
bulgakov / master_i_margarita_69 /
And I didn’t read it - in history, in a fairy tale, -
So that the path of true love is smooth.
W. Shakespeare
M. Bulgakov believed that life is love and hate, courage and passion, the ability to appreciate beauty and kindness. But love ... it is above all. Bulgakov wrote the heroine of his novel with Elena Sergeevna - the beloved woman who was his wife. Soon after they met, she took on her shoulders, perhaps most of his, the Master, a terrible burden, became his Margarita.
The story of the Master and Margarita is not one of the novel's lines, but its main theme. All events, all the multifaceted nature of the novel converge on it.
They did not just meet, fate pushed them at the corner of Tverskaya and the lane. Love struck both of them like lightning, like a Finnish knife. "Love jumped out in front of them, like a murderer bursts out of the ground in an alley ..." - this is how Bulgakov describes the birth of love in his heroes. Already these comparisons foreshadow the future tragedy of their love. But at first everything was very calm.
When they first met, they talked as if they had known each other from ancient times. Love flared up violently and it seemed that he should burn people to the ground, but he had a homely and quiet character. In the basement apartment of the Master, Margarita, putting on an apron, hosted while her beloved was working on the novel. The lovers baked potatoes, ate them with dirty hands, and laughed. They did not put sad yellow flowers in the vase, but roses beloved by both. Margarita was the first to read the ready-made pages of the novel, rushed the author, predicted his glory, began to call him the Master. The phrases of the novel, which she especially liked, she repeated loudly and in a chant. She said that in this novel her life. This was an inspiration for the Master, her words strengthened his faith in himself.
Bulgakov very carefully and chastely talks about the love of his heroes. He was not killed by the dark days when the Master's novel was trashed. Love was with him even during the Master's serious illness. The tragedy began when the Master disappeared for many months. Margarita thought tirelessly about him, not for a minute did her heart part with him. Even when it seemed to her that the beloved was no longer there. The desire to find out at least something about his fate wins the mind, and then the devilry begins, in which Margarita takes part. In all demonic adventures, she is accompanied by the loving gaze of the writer. The pages dedicated to Margarita are Bulgakov's poem to the glory of his beloved, Elena Sergeevna. With her, the writer was ready to make "his last flight." So he wrote to his wife on a donated copy of his collection "The Devil".
With the power of her love, Margarita returns the Master from oblivion. Bulgakov did not invent a happy ending for all the heroes of his novel: as everything was before the invasion of the satanic team in Moscow, it remains. And only for the Master and Margarita Bulgakov, as he believed, wrote a happy ending: eternal rest awaits them in the eternal home, which the Master was given as a reward. Lovers will enjoy the silence, those whom they love will come to them ... The Master will fall asleep with a smile, and she will protect his sleep forever. “The master walked with her in silence and listened. His restless memory began to fade, "- this is how the story of this tragic love ends.
And although in the last words - the sums of death, but with the promise of immortality and eternal life. It is coming true today: for the Master and Margarita, as well as for their creator, they are destined for a long life. Many generations will be reading this satirical, philosophical, but most importantly, lyric-love novel, which confirmed that the tragedy of love is a tradition of all Russian literature.
Since that very night, Margarita has not seen for a long time the one for whom she wanted to leave her husband, leaving everything behind; the one for which she was not afraid to ruin her own life. But neither in her nor in him did that tremendous feeling that arose at the first chance meeting disappeared. The master, being in the clinic for the mentally ill, did not want to tell Margarita about himself, fearing to hurt her, ruin her life. She was desperately trying to find him. Their lives were destroyed by the same unnatural order, which not only prevented the development of art, but also did not allow people to live in peace, roughly penetrating even where there is no place for politics. It was not by chance that Bulgakov chose a similar plot for the novel.
He himself experienced a lot in life. He was familiar with the incompetent and offensive reviews of critics in the newspapers, where his name was unfairly declined, he himself could not find a job, realize his potential.
But Bulgakov did not end his novel with the separation of the Master and Margarita. In the second part of it, love finds a way out of the dirt of the surrounding reality. But this exit was fantastic, since a real one was hardly possible. Without regret and without fear, Margarita agrees to be queen at Satan's ball. She took this step only for the sake of the Master, about whom she never stopped thinking and about whose fate she could learn only by fulfilling Woland's conditions. As a witch, Margarita took revenge on the critic Latunsky, who did a lot to destroy the Master. And not only Latunsky received what he deserved in the course of the development of the plot of the novel. For her service, Margarita received what she had dreamed of for so long. The main characters were together. But they would hardly be able to live peacefully in the atmosphere of the then reality. Obviously, therefore, according to the fantastic idea of the writer, they leave this world, finding peace in another.
The master could not win. By making him the winner, Bulgakov would violate the laws of artistic truth, betraying his sense of realism. But there is no pessimism in the book's final pages. Let's not forget the views that were pleasing to the government. In addition, among the critics and writers of the Master, envious people appeared, striving in every way to prevent the recognition of the new author. These people, for whom it was most important to receive material benefits from their position in society, did not strive and could not create anything that stood at the high artistic level that the Master achieved in his novel. Their articles came out one after another, each time becoming more insulting. The writer, having lost hope and the goal of his further literary activity, gradually began to feel more and more depression, which affected his mental state. Driven to despair, the Master destroyed his work, which was the main work of his life. All this deeply shocked Margarita, who admired the work of the Master and believed in his enormous talent.
The environment that knocked the Master out of his normal state was noticeable everywhere, in various spheres of life. Suffice it to recall the barman "with fish of the second freshness" and dozens of gold in hiding places; Nikanor Ivanovich, chairman of a housing association, who settled evil spirits in a house on Sadovaya Street for a lot of money; the entertainer of Bengal, narrow-minded, narrow-minded and pompous; Arkady Apollonovich, chairman of the acoustic commission of Moscow theaters, often secretly from his wife who spent time with a pretty actress; mores existing among the population of the city. These morals were clearly manifested in the performance organized by Woland, when the inhabitants greedily grabbed the money flying from under the dome, and the women went down to the stage for fashionable rags that could be obtained free of charge from the hands of foreign magicians. The Master came very close to these morals when he had a friend - Aloisy Mogarych. This man, whom the Master trusted and whose intelligence he admired, wrote a denunciation against the Master in order to move to his apartment. This denunciation was enough to ruin a person's life. At night some people came to the Master and took him away. Such cases were not uncommon at the time.
Mikhail Afanasyevich Bulgakov has repeatedly addressed the topic - the artist and society, which found its deepest embodiment in the main book of the writer. The novel The Master and Margarita, on which the author worked for twelve years, remained in his archive and was first published in 1966-1967 in the Moscow magazine.
In this book, there is a happy freedom of creativity and at the same time the severity of the compositional, architectural design. There Satan rules the great ball, and the inspired Master, a contemporary of Bulgakov, writes his immortal novel. There, the procurator of Judea sends Christ to the execution, and next to them they fuss, cheat, adapt, and betray quite earthly citizens inhabiting Sadovye and Bronnaya streets of the 1920s and 1930s. Laughter and sadness, joy and pain are mixed together there, as in life, but in that high degree of concentration that is accessible only to a fairy tale, a poem. “The Master and Margarita” is a lyric-philosophical poem in prose about love and moral duty, about the inhumanity of evil, about true creativity, which is always overcoming inhumanity, always an impulse for light and good.
The main characters of the novel - the Master and Margarita - live in an atmosphere of some kind of emptiness and dullness, from which both are looking for a way out. Creativity became this outlet for the Master, and then for both of them love became. This huge feeling filled their lives with new meaning, created around the Master and Margarita only their small world, in which they found peace and happiness. However, their happiness was short-lived. It lasted only as long as the Master was writing his novel in a small basement, where Margarita came to him. The Master's first attempt to publish a completed novel brought him great disappointment. Even more disappointment awaited him after some editor published a large passage of the work. The novel about Pontius Pilate, possessing moral and artistic value, was doomed to condemnation. He could not fit into the environment of literature, where above all was not the talent of the writer, but his political views; on earth, the Master was left with a disciple, Ivan Ponyrev, who had recovered his sight, a former Homeless; on earth, the Master was left with a novel destined for a long life. Bulgakov's novel gives rise to a sense of the triumph of justice and the belief that there will always be people who stand above baseness, vulgarity and immorality, people who bring good and truth to our world. Such people prioritize love, which has tremendous and wonderful power.