“The artistic power of the last scenes of the novel and. Turgenev "Fathers and Sons" (using Singaporean structures)

Literature, grade 10

Lesson topic: THE ARTISTIC POWER OF THE LATEST SCENES OF THE NOVEL OF I. S. TURGENEV "FATHER AND CHILDREN" (CHAPTER 27 AND EPILOGUE)

Goals : show the emotional impact of the last chapters of the novel; to help students imagine the hopeless situation in which Bazarov found himself, whether the hero's illness and his death were accidental, what is the attitude of Turgenev to his hero; reveal the positive qualities of Bazarov, manifested with special force in the last hours of his life (courage, willpower, loyalty to one's convictions, love for life, a woman, parents, a mysterious homeland).

During the classes

I. Individual messages from students on the topic "Bazarov and Parents" or a conversation on the question m:

1. Parents of E. Bazarov. Who are they?(The old men Bazarovs are simple people who live out their days in a small house under a thatched roof. They idolize and are proud of their son. Vasily Ivanovich Bazarov is a tall “thin man with disheveled hair.” He is a commoner, the son of a deacon who has become a doctor. Awarded an order by the plague epidemic. She tries to keep up with the times, to get closer to the younger generation. Arina Vlasyevna is a “chubby old woman” with “chubby hands." She is sensitive and pious, believes in omens. ", Which should have lived" for two hundred years. "The arrival of dear" Enyushi "excited, filled her whole being with love and care.)

2. What role did parents play in raising their son? How do they view his activities now?(They helped Eugene as much as they could, they felt his singularity.)

3. How does Bazarov feel about his parents?(Bazarov understands that it is impossible to “remake” the parents. He loves them as they are (although the difference in views is obvious). Bazarov opposes the parents to the high light: “... You cannot find people like them in your big light in the daytime with fire "- he says to Odintsova. But nevertheless, in communication with his mother and father, the son is" angular and helpless ": neither to caress, nor to calm him down. He is often silent and does everything possible to hide away, to suppress the feeling of filial love. love, both filial and parental, according to Bazarov's concepts, is a "fake" feeling.

The author thinks differently. He sympathizes with the old men Bazarovs. And he considers the feelings of parental and filial love to be "the most sacred, devoted" feelings. The writer makes you think about dear people - mother and father.)

II. Expressive reading of an excerpt about the death of Bazarov (with small reductions).

III. Conversation with students on questions :

1. What thoughts and feelings does Bazarov evoke in the scene of death?(Admiration for strength of character, mental fortitude, courage, the ability to stick to the end.)

2. Establish the cause of illness and death of the hero.(It seems that infection during an autopsy is an accident, in fact it is not so. At work, in the pursuit of knowledge of the still unknown Bazarov, death overtakes.)

3. D. I. Pisarev: “The whole interest, the whole meaning of the novel lies in the death of Bazarov ... Description of the death of Bazarov isbest place in the novel Turgenev; I even doubt that there is anything remarkable in all the works of our artist. "

A.P. Chekhov: “What a luxury - Fathers and Sons! Just shout the guard at least. Bazarov's illness was so severe that I was weakened, and it felt as if I had contracted it from him. And the end of Bazarov? .. The devil knows how it was done. Simply brilliant. "

Do you agree with such statements of Chekhov and Pisarev?

4. What is the attitude of Turgenev to his hero?

I. S. Turgenev: “I dreamed of a gloomy, wild, large figure, half grown out of the soil, strong, vicious, honest - and yet doomed to perish - because it still stands on the threshold of the future.”

The attitude of the writer to Bazarov was not entirely clear: Bazarov was his "enemy", to whom he felt"Involuntary attraction" ... The writer did not believe that the people of Bazarov's warehouse "will find a way to renew Russia."(D. K. Motolskaya).

I. S. Turgenev: “If the reader does not love Bazarov with all his rudeness, heartlessness, ruthless dryness and harshness, if he does not love him ...it's my fault and did not reach his goal. " In these words, in my opinion, the love of the writer for his hero.

5. Tell us how Bazarov's loneliness gradually grows in a collision with the people around him.(According to M.M. Zhdanov, Turgenev, depicting Bazarov's superiority over others, psychologically very subtly and convincingly shows his loneliness. by their nature, they are not capable of big things, the old Bazarovs and their son are people of different generations, and the difference in their development is great, with ordinary people - alienation.

6. D. I. Pisarev considers Bazarov's death heroic, akin to a feat. He writes: "To die as Bazarov died is the same as to accomplish a great feat." "... But to look death in the eye, to anticipate its approach, not trying to deceive it, to remain true to oneself until the last minute, not to weaken and not to be cowardly - this is a matter of a strong character." Is Pisarev right in assessing Bazarov's death as a feat?

7. How could his fate be?

8. What qualities of Bazarov manifested themselves with particular force in the last hours of his life? For what purpose did he ask the parents to send for Madame Odintsova?(Probably, we can say that Bazarov is dying of loneliness. Being in a state of deep mental crisis, he admits negligence when opening a corpse and does not take nothing to reduce the possibility of infection. The courage with which Turgenev's hero meets his death testifies to the true originality of his nature. Everything superficial, external disappears in Bazarov, and a person with a loving and even poetic soul is revealed to us. Odintsova Bazarov admired, with a feeling of love he already not considers it necessary to fight.

In the image of Bazarov, Turgenev typifies such wonderful qualities of new people as will, courage, depth of feelings, readiness for action, thirst for life, tenderness.)

9. Why does the novel not end with the death of the hero?

10. Does bazarovism exist today?(In the epilogue, I. S. Turgenev writes: “No matter how passionate, sinful, rebellious heart is hidden in the grave, the flowers growing on it, serenely look at us with their innocent eyes; the tranquility of "indifferent" nature; they also speak of eternal reconciliation and endless life ... "

Excited voice of the author! Turgenev talks about the eternal laws of being, which do not depend on man. The writer convinces us that going against these laws is insane. In the novel, what is natural wins: Arkady returns to his parental home, families are created ... And the rebellious, tough, prickly Bazarov, even after his death, is still remembered and loved by aging parents.)

Homework.

2. After reading the article, answerquestions:

1) What are the fundamental properties of the Bazarov type?

2) What, according to Pisarev, is the author's attitude to the Bazarov type in general and to the death of the hero in particular?

3) What, from the point of view of Pisarev, governs Bazarov's behavior?

4) How does Bazarov compare with the heroes of the previous era?

3. Written response (individual assignmentf): What is the interest of Ivan Turgenev's novel "Fathers and Sons" and its hero to today's reader?

4. Write down interesting statements about the novel by literary critics NN Strakhov, V. Yu. Troitsky. Which of them, in your opinion, are closer to Turgenev's point of view on his hero? Which ones should you argue with?

Why did I.S.Turgenev not complete the novel with the death of Bazarov, this most powerful scene from an artistic point of view? After all, it would seem that everything has been said about the main character, for which the writer needed to create a kind of epilogue - the 28th chapter?

First, let's take a closer look at her composition. The chapter is framed by two landscapes. It opens with a marvelous, purely Russian, winter: "It was a white winter with cruel silence ...". Sounds like music, as if foreshadowing the melody and rhythmic structure of prose poems. The second landscape, which concludes the chapter and the novel as a whole, is permeated through and through with lyricism and elegiac sadness about the fleeting time, the thought of an all-reconciling eternity, the immortal power of love and “endless life”.

So, a third of the text of the epilogue is occupied by pictures of nature, which, as usual in Turgenev, harmonize with the feelings and experiences of the heroes or shade them. Nature, as it were, becomes the main character in the moral and psychological collision that the heroes come to in the epilogue.

Throughout the novel, now dying down, now growing, as if arguing among themselves, two motives sound - ironic and lyrical. On the final pages of the novel, lyrical motives grow and culminate.

Before drawing a small rural cemetery and the lonely grave of Bazarov, Turgenev, sometimes strengthening or weakening the irony, talks about the further fate of the heroes: Odintsova, who will live with her husband, “perhaps to happiness… perhaps to love”; in the same vein, it is reported about Princess X ... oh, forgotten "on the very day of her death", and about Peter, completely numb "from stupidity and importance."

"A little sad and, in fact, very well" described the family idyll of the Kirsanovs - father and son - and the happy motherhood of Fenichka and Katerina Sergeevna.

Along with irony, sad notes burst into the story of Pavel Petrovich's life abroad, and an attentive reader will notice not only a silver ashtray in the form of a peasant bast shoe, but also his tragic loneliness: “It's hard for him to live ... harder than he himself suspects ... It is worth looking at him in the Russian church, when, leaning to the side against the wall, he thinks and does not move for a long time, clenching his lips bitterly, then suddenly comes to his senses and begins to cross himself almost imperceptibly ... "

The gentle humor with which Turgenev narrates about his heroes is replaced by harsh irony and even sarcasm when he writes about the further fate of the “followers of Bazarov” - Sitnikov and Kukshina. Here and in the author's speech, the word “irony” sounds satirically: “They say that someone recently beat him (Sit-nikov), but he did not remain in debt: in one dark article, embossed in one dark magazine, he hinted, that the one who beat him is a coward. He calls it irony ... "

And suddenly the intonation changes dramatically. Turgenev paints Bazarov's grave solemnly, sadly and majestically. The finale is reminiscent of Beethoven's powerful, passionate music. The author seems to be ardently arguing with someone, passionately and intensely reflects on the rebellious man to whose grave he brought the reader, about his inconsolable parents: “Are their prayers, their tears, fruitless? Isn't love, holy, devoted love, omnipotent? .. "

Repetitions, exclamations, questions - all this conveys the drama of the author's thoughts, the depth and sincerity of his feelings. So you can write only about a dear and very close person. You can interpret the final lines of the novel in different ways, but one thing is certain - Turgenev, saying goodbye to his heroes, once again clearly expressed his attitude towards them and emphasized the main idea of ​​the novel, which, in my opinion, was most accurately captured by the critic N.N. Strakhov: “Be that as it may, Bazarov is still defeated; defeated not by the faces and not the accidents of life, but by the very idea of ​​this life. Such an ideal victory over him was possible only on condition that all kinds of justice were given to him ... Otherwise, there would be no strength and meaning in the victory itself. "

Why did I.S.Turgenev not complete the novel with the death of Bazarov, this most powerful scene from an artistic point of view? After all, it would seem that everything has been said about the main character, for which the writer needed to create a kind of epilogue - the 28th chapter?

First, let's take a closer look at her composition. The chapter is framed by two landscapes. It opens with a marvelous, purely Russian, winter: “It was a white winter with cruel silence ...”. Sounds like music, as if foreshadowing the melody and rhythmic structure of prose poems. The second landscape, which concludes the chapter and the novel as a whole, is permeated through and through with lyricism and elegiac sadness about the fleeting time, the thought of an all-reconciling eternity, the immortal power of love and “endless life”.

So, a third of the text of the epilogue is occupied by pictures of nature, which, as usual in Turgenev, harmonize with the feelings and experiences of the heroes or shade them. Nature, as it were, becomes the main character in the moral and psychological collision that the heroes come to in the epilogue.

Throughout the novel, now dying down, now growing, as if arguing among themselves, two motives sound - ironic and lyrical. On the final pages of the novel, lyrical motives grow and culminate.

Before drawing a small rural cemetery and the lonely grave of Bazarov, Turgenev, sometimes strengthening, then weakening the irony, talks about the further fate of the heroes: Odintsova, who will live with her husband, “perhaps to happiness… perhaps to love”; in the same vein, it is reported about Princess X… oh, forgotten “on the very day of her death”, and about Peter, completely numb “from stupidity and importance”.

“A little sad and, in fact, very well” describes the family idyll of the Kirsanovs - father and son - and the happy motherhood of Fenichka and Katerina Sergeevna.

Along with irony, sad notes burst into the story of Pavel Petrovich's life abroad, and an attentive reader will notice not only a silver ashtray in the form of a peasant bast shoe, but also his tragic loneliness: “It's hard for him to live ... harder than he himself suspects ... It is worth looking at him in the Russian church, when, leaning to the side against the wall, he thinks and does not move for a long time, clenching his lips bitterly, then suddenly comes to his senses and begins to cross himself almost imperceptibly ... "

The gentle humor with which Turgenev narrates about his heroes is replaced by harsh irony and even sarcasm when he writes about the further fate of the “followers of Bazarov” - Sitnikov and Kukshina. Here and in the author's speech, the word “irony” sounds satirically: “They say that someone recently beat him (Sitnikov), but he did not remain in debt: in one dark article, embossed in one dark magazine, he hinted that the one who beat him - coward. He calls it irony ... "

And suddenly the intonation changes dramatically. Turgenev paints Bazarov's grave solemnly, sadly and majestically. The finale is reminiscent of Beethoven's powerful, passionate music. The author seems to argue with someone passionately, passionately and tensely reflects on the rebellious man, to whose grave he brought the reader, about his inconsolable parents: “Are their prayers, their tears, fruitless? Isn't love, holy, devoted love, omnipotent? .. "

Repetitions, exclamations, questions - all this conveys the drama of the author's thoughts, the depth and sincerity of his feelings. So you can write only about a dear and very close person. You can interpret the final lines of the novel in different ways, but one thing is certain - Turgenev, saying goodbye to his heroes, once again clearly expressed his attitude towards them and emphasized the main idea of ​​the novel, which, in my opinion, was most accurately captured by the critic N.N. Strakhov: “Be that as it may, Bazarov is still defeated; defeated not by the faces and not the accidents of life, but by the very idea of ​​this life. Such an ideal victory over him was possible only on condition that all kinds of justice were given to him ... Otherwise, there would be no strength and meaning in the victory itself ”.

(No Ratings Yet)

1. The meaning of the title of Ivan Turgenev's novel "Fathers and Sons" I. "Fathers and Sons" is the first ideological novel in Russian literature, a dialogue novel about the social prospects of Russia. 1. Artistic and moral insight ...
2. The relationship of the novel with the era (50s of the 19th century) - the recent defeat in the war with Turkey, the change of reign. A camp of commoners appears, who proclaim the need to get a profession in order to be able to have the means to ...
3. Already in the first episode of Turgenev's novel "Fathers and Sons", the most important themes, ideas, artistic techniques of Turgenev are outlined; an attempt to analyze them is the first step towards understanding the artistic world of a work in its systemic ...
4. The interpretation of both the main characters of the novel and the intention of Turgenev himself is different. That is why one should be critical of these arguments, and in particular, the interpretation of Pisarev. It is generally accepted that the main ...
5. It is known that half of the poetic lines of "Woe from Wit" by AS Griboyedov became proverbs, as predicted by AS Pushkin. There is nothing to say about the fables of I. A. Krylov. But in Russian ...
6. Despite the undoubted originality of the novel "Fathers and Sons", we cannot but pay attention and draw parallels with the works of other authors, and also note the connection between the novel and the whole ...
7. Only some chosen ones are able to convey to posterity not only the content, but also the form of their thoughts and views ... I., S. Turgenev I. S. Turgenev has a wonderful formula: language - people. Big ...
8. Plan I. I. S. Turgenev is a true portrait painter. II. Author's attitude to characters through a verbal portrait. 1. An ironic description of a servant. 2. A short and capacious portrait of Bazarov, alarming the reader. 3. Bright, ...
9. In his work, Ivan Sergeevich Turgenev always tried to keep up with the times. He was keenly interested in events in the country, watched the development of social movements. To the analysis of the phenomena of Russian life, the writer ...
10. Russian literature of the 2nd half of the 19th century The meaning of the title and the problems of the novel by I. S. Turgenev "Fathers and Sons" The title of the novel by Ivan Sergeevich Turgenev reflects the main problem of the entire work - the conflict ...
11. Russian literature of the 2nd half of the 19th century The meaning of the epilogue in the novel by I. S. Turgenev "Fathers and Sons" The novel by I. S. Turgenev "Fathers and Sons" is a very important and rather unusual work ...
12. The work of the remarkable writer Ivan Sergeevich Turgenev is a hymn to high, inspired, poetic love. It is enough to recall the works “Rudin” (1856), “Asya” (1857), “First Love” (1860), and you understand that love ...
13. CLASSICS I. S. TURGENEV FENECHKA, ANNA ODINTSOVA, PRINCESS R. - THE HEROINE OF THE ROMAN I. S. TURGENEV "FATHERS AND CHILDREN" I. S. Turgenev's novel "Fathers and Sons" is replete with descriptions of nature, very different ...
14. The ability to sensitively guess the urgent problems and contradictions in Russian society is an important distinguishing feature of Turgenev as a novelist. The work "Fathers and Sons" (1861) recreates the era that preceded the abolition of serfdom. In the setting ...
15. The novel "Fathers and Sons" was written at the junction of two eras, and it reflects the main ideas of the noblemen and commoners-democrats and the contradictions separating them. The protagonist of the novel, Bazarov, is ...
16. I. S. Turgenev's novel reflected the struggle between two socio-political camps that had developed in Russia by the 60s of the 19th century. The writer conveyed in the novel a typical conflict of the era and posed a number of urgent problems, in ...
17. PROTOTYPES AND SOURCES OF THE NOVEL “FATHERS AND CHILDREN” “Fathers and Sons” is a vivid example of a socio-psychological novel in which social conflicts are combined with love intrigue. Following the truth of life, Turgenev is the main focus in ...
18. It seems that the internal struggle between parents and children is an eternal unsolvable problem. It is often mentioned by many writers, but I.S.Turgenev paid special attention to her, writing the great ...
19. CLASSICS I. S. TURGENEV THE IDEA-COMPOSITIONAL SIGNIFICANCE OF THE STORY OF PRINCESS R. IN THE ROMAN OF I. S. TURGENEV “FATHERS AND CHILDREN” Composition is one of the most important means of revealing the main idea of ​​the work. Roman I.S ....
20. An important distinguishing feature of Turgenev the novelist was his ability to sensitively guess the problems and contradictions that were pressing in Russian society. This fully applies to the novel "Fathers and Sons" (1861). Action...
21. The problem and idea of ​​the novel by I. S. Turgenev "Fathers and Sons" are contained in its very title. The inevitable and eternal confrontation between the older and younger generations, due to the changing spirit of the times, can be viewed as ...
22. In his novel, I. S. Turgenev touches upon the problem of “fathers and children”, which was vital for the 60s. But this conflict is not a characteristic attribute of only that era, it existed at all times, ...
23. IS Turgenev Ideological and artistic originality of the novel "Fathers and Sons" Interpretations of both the main characters of the novel and the intention of Turgenev himself were different. That is why one should be critical of these interpretations, and ...
24. Russian literature of the second half of the XIX century The problem of fathers and children in the novel by I. S. Turgenev "Fathers and Sons" Almost his entire life I. S. Turgenev spent abroad, in Europe, ...
Shot 1. Female images in the novel "Fathers and Sons". 2. The image of Anna Sergeevna. 3. Bazarov's love for Madame Odintsova as evidence of the failure of his life position. Female images in Turgenev's novel "Fathers ... The novel by I. S. Turgenev" Fathers and Sons "contains a large number of conflicts in general. These include a love conflict, a clash of worldviews of two generations, a social conflict and an internal conflict of the main ...

THE ARTISTIC POWER OF THE LATER SCENES OF THE NOVEL I. S. TURGENEVA "FATHERS AND CHILDREN"

(CHAPTER 27 AND EPILOGUE).

Goals : show the emotional impact of the last chapters of the novel; to help students imagine the hopeless situation in which Bazarov found himself, whether the hero's illness and his death were accidental, what is the attitude of Turgenev to his hero; reveal the positive qualities of Bazarov, manifested with special force in the last hours of his life (courage, willpower, loyalty to one's convictions, love for life, a woman, parents, a mysterious homeland).

Bazarov and parents.

1. Parents of E. Bazarov. Who are they?

The old Bazarovs are simple people, living out their days in a small house under a thatched roof. They idolize their son and are proud of him. Vasily Ivanovich Bazarov - a tall "thin man with disheveled hair." He is a commoner, the son of a sexton who became a doctor. For the fight against the plague epidemic he was awarded the order. She tries to keep up with the times, to get closer to the younger generation. Arina Vlasyevna - "round old woman" with "chubby hands". She is sensitive and devout, she believes in omens. The author draws her image: "a real Russian noblewoman of the old time", which should have lived "for two hundred years." The arrival of the dear "Enyushi" excited, filled her whole being with love and cares.

2. What role did parents play in raising their son? How do they view his activities now?

They helped Eugene as much as they could, they felt his singularity

Bazarov understands that it is impossible to "remake" the parents. He loves them for who they are (although the difference in views is obvious). Bazarov contrasts the parents with the high light: "... People like them cannot be found in your big light in the daytime with fire", - he says to Odintsova. But nevertheless, in communicating with his mother and father, the son is "angular and helpless": neither to caress, nor to calm him down.

He is often silent and does everything possible to hide away, to suppress the feeling of filial love in himself. After all, love, both filial and parental, according to Bazarov's concepts, is a "feigned" feeling.

The author thinks differently. He sympathizes with the old men Bazarovs. And he considers the feelings of parental and filial love to be "the most sacred, devoted" feelings. The writer makes you think about dear people - mother and father.

Expressive reading of an excerpt about the death of Bazarov

1. What thoughts and feelings does Bazarov evoke in the scene of death?

Admiration for the strength of character, mental fortitude, courage, the ability to stick to the end.

2. Establish the cause of illness and death of the hero.

It seems that infection during an autopsy is an accident, in fact it is not. At work, in the pursuit of knowledge that has not yet been recognized, Bazarov is overtaken by death.

D. I. Pisarev: “The whole interest, the whole point of the novel lies in the death of Bazarov ... The description of Bazarov’s death is the best place in Turgenev’s novel; I even doubt that there is anything remarkable in all the works of our artist. "

A.P. Chekhov: “What a luxury - Fathers and Sons! Just shout the guard at least. Bazarov's illness was so severe that I was weakened, and it felt as if I had contracted it from him. And the end of Bazarov? .. The devil knows how it was done. Simply brilliant. "

Do you agree with such statements of Chekhov and Pisarev?

4. What is the attitude of Turgenev to his hero?

I. S. Turgenev: “I dreamed of a gloomy, wild, large figure, half grown out of the soil, strong, vicious, honest - and yet doomed to perish - because it still stands on the threshold of the future.”

The attitude of the writer to Bazarov was not entirely clear: Bazarov was his "enemy", to whom he felt an "involuntary attraction." The writer did not believe that the people of the Bazarov style “would find a way to renew Russia” (D. K. Motolskaya).

I. S. Turgenev: "If the reader does not love Bazarov with all his rudeness, heartlessness, ruthless dryness and harshness, if he does not love him ... I am guilty and did not achieve my goal." In these words, the love of the writer for his hero.

Epilogue helps to understand meaning of the novel ... In the epilogue, the author describes Bazarov's grave and says that the flowers on the grave "speak of eternal reconciliation and endless life ...". Most likely, Turgenev meant that the disputes between "fathers and children" are eternal. It is from these disputes, clashes that speak of the development of mankind and philosophical thought that life consists.

5. Tell us how Bazarov's loneliness gradually grows in a collision with the people around him.

According to M. M. Zhdanov, Turgenev, depicting Bazarov's superiority over others, psychologically very subtly and convincingly shows his loneliness. The break with the Kirsanovs occurred due to ideological disagreements, with Anna Sergeevna - on the basis of unrequited love, the hero despises Kukshina and Sitnikov, Arkady by his nature is not capable of big things, the old Bazarovs and their son are people of different generations, and the difference in their development is great , with ordinary people - alienation.

D. I. Pisarev considers Bazarov's death heroic, akin to a feat. He's writing: "To die the way Bazarov died is the same as to accomplish a great feat." "... But to look death in the eye, to anticipate its approach, not trying to deceive it, to remain true to oneself until the last minute, not to weaken and not to be cowardly - this is a matter of a strong character."

Is Pisarev right in assessing Bazarov's death as a feat?

7. How could his fate be?

8. What qualities of Bazarov manifested themselves with particular force in the last hours of his life? For what purpose did he ask the parents to send for Madame Odintsova?

We can probably say that Bazarov is dying of loneliness. Being in a state of deep mental crisis, he admits negligence when opening a corpse and does nothing in time to reduce the possibility of infection. The courage with which Turgenev's hero meets his death testifies to the true originality of his nature. Everything superficial, external disappears in Bazarov, and a person with a loving and even poetic soul opens up to us. Odintsova Bazarov admired, with a feeling of love he no longer considered it necessary to fight.

In the image of Bazarov, Turgenev typifies such wonderful qualities of new people as will, courage, depth of feelings, readiness for action, thirst for life, tenderness.

9. Why does the novel not end with the death of the hero?

Turgenev ended Yevgeny's fate with death, but the novel does not end there. The author completes the novel epilogue, which tells about the fate of the heroes of the novel after the death of Bazarov. And we see that everyone (with the exception of old parents and kind Katya, who sometimes remembers Eugene) continues to live as if there were no Bazarov at all. By this Turgenev shows that Eugene achieved nothing in this life, was not remembered by others, but on the contrary was quickly forgotten. The summary of Bazarov's life involuntarily resembles Lermontov's lines: In a crowd over the world, we will pass without noise or a trace. Neither abandoned centuries, nor fertile thoughts, Not the genius of the work begun.

10. Does bazarovism exist today?

In the epilogue I. S. Turgenev writes: “No matter how passionate, sinful, rebellious heart is hidden in the grave, the flowers growing on it, serenely look at us with their innocent eyes; They tell us not about one eternal calmness, about that great calmness of "indifferent" nature; they also speak of eternal reconciliation and endless life ... "

Excited voice of the author! Turgenev talks about the eternal laws of being, which do not depend on man. The writer convinces us that going against these laws is insane. In the novel, what is natural wins: Arkady returns to his parental home, families are created ... And the rebellious, tough, prickly Bazarov, even after his death, is still remembered and loved by aging parents.

Homework.

Written response: What is the interest of Ivan Turgenev's novel "Fathers and Sons" and its hero to today's reader?