All genres of literary works. Types of literary genres by form

All genres of literary works.  Types of literary genres by form
All genres of literary works. Types of literary genres by form

Literary genres- a group of literary works, united by a set of formal and substantial properties (in contrast to literary forms, the selection of which is based only on formal characteristics).

If at the stage of folklore a genre was determined from an extra-literary (cult) situation, in literature a genre receives a characteristic of its essence from its own literary norms, codified by rhetoric. The entire nomenclature of antique genres that had developed prior to this turn was then vigorously rethought under its influence.

Since the time of Aristotle, who gave the first systematization of literary genres in his Poetics, the idea that literary genres represent a natural, once and for all fixed system, and the author's task is only to achieve the most complete correspondence of his work to the essential properties of the chosen genre, has strengthened. This understanding of the genre - as a ready-made structure presented to the author - led to the emergence of a number of normative poetics, containing instructions for authors as to how exactly the ode or tragedy should be written; the pinnacle of this type of writing is Boileau's Poetic Art (1674). This does not mean, of course, that the system of genres as a whole and the characteristics of individual genres really remained unchanged for two thousand years, but the changes (and very significant ones) were either not noticed by theorists, or were interpreted by them as damage, deviation from the necessary models. And only by the end of the 18th century, the decomposition of the traditional genre system, associated, in accordance with the general principles of literary evolution, both with intra-literary processes and with the influence of completely new social and cultural circumstances, went so far that normative poetics could no longer describe and curb literary reality.

Under these conditions, some traditional genres began to rapidly die out or marginalize, while others, on the contrary, moved from the literary periphery to the very center of the literary process. And if, for example, the rise of the ballad at the turn of the 18th-19th centuries, associated in Russia with the name of Zhukovsky, turned out to be quite short-lived (although in Russian poetry it then gave an unexpected new surge in the first half of the 20th century - for example, in Bagritsky and Nikolai Tikhonov) , then the hegemony of the novel - a genre that normative poetics for centuries did not want to see as something low and insignificant - has dragged on in European literature for at least a century. Works of a hybrid or indefinite genre nature began to develop especially actively: plays about which it is difficult to say whether it is a comedy or a tragedy, poems that cannot be given any genre definition, except that it is a lyric poem. The fall of clear genre identifications was also manifested in the intentional author's gestures aimed at destroying genre expectations: from the novel by Laurence Stern, "The Life and Opinions of Tristram Shandy, a Gentleman," which is cut short in mid-sentence, to "Dead Souls" by N. V. Gogol, where a paradoxical subtitle for a prosaic text the poem can hardly fully prepare the reader for the fact that he will now and then be knocked out of the familiar rut of a rogue novel with lyrical (and sometimes epic) digressions.

In the twentieth century, literary genres were particularly influenced by the separation of mass literature from literature oriented towards artistic search. Mass literature has re-sensed an urgent need for clear genre prescriptions that significantly increase the predictability of the text for the reader, making it easy to navigate in it. Of course, the previous genres were not suitable for mass literature, and it rather quickly formed a new system, which was based on the genre of the novel, which was very flexible and accumulated a lot of diverse experience. At the end of the 19th century and in the first half of the 20th century, a detective and a police novel, science fiction and a ladies' ("pink") novel were formed. It is not surprising that contemporary literature, aimed at artistic search, sought to deviate as far as possible from the mass and therefore moved away from genre definiteness as far as possible. But since the extremes converge, insofar as the desire to be further from genre predestination sometimes led to a new genre formation: for example, the French anti-novel so did not want to be a novel that the main works of this literary movement, represented by such distinctive authors as Michel Butor and Natalie Sarrott, are clearly observed signs of a new genre. Thus, modern literary genres (and we meet such an assumption already in the reflections of M.M.Bakhtin) are not elements of any predetermined system: on the contrary, they arise as points of concentration of tension in one place or another of the literary space, in accordance with the artistic tasks here and now posed by this circle of authors. The special study of such new genres remains a matter of tomorrow.

List of literary genres:

  • By form
    • Visions
    • Novella
    • The story
    • Story
    • joke
    • novel
    • epic
    • play
    • sketch
  • by content
    • comedy
      • farce
      • vaudeville
      • interlude
      • sketch
      • parody
      • sitcom
      • comedy of characters
    • tragedy
    • Drama
  • By birth
    • Epic
      • Fable
      • Epic
      • Ballad
      • Novella
      • The story
      • Story
      • novel
      • Epic novel
      • Fairy tale
      • Fantasy
      • Epic
    • Lyric
      • Oh yeah
      • Message
      • Stanzas
      • Elegy
      • Epigram
    • Lyro-epic
      • Ballad
      • Poem
    • Dramatic
      • Drama
      • Comedy
      • Tragedy

Poem- (Greek póiema), a large poetic work with a narrative or lyrical plot. The poem is also called an ancient and medieval epic (see also Epic), nameless and author's, which was composed either through the cyclization of lyric-epic songs and legends (the point of view of A.N. Veselovsky), or by "swelling" (A. Hoisler) or several folk legends, or with the help of complex modifications of the most ancient plots in the process of the historical existence of folklore (A. Lord, M. Parry). The poem developed from an epic depicting an event of national historical significance (Iliad, Mahabharata, Song of Roland, Elder Edda, etc.).

There are many genre varieties of the poem: heroic, didactic, satirical, burlesque, including the heroic-comic, a poem with a romantic plot, lyric-dramatic. For a long time, the leading branch of the genre was considered a poem on a national-historical or world-historical (religious) theme (Virgil's Aeneid, Dante's Divine Comedy, Lusiada by L. di Camoens, Jerusalem Liberated by T. Tasso, Paradise Lost "J. Milton," Henriad "by Voltaire," Messiada "by F. G. Klopstock," Russia "by M. M. Kheraskov, and others). At the same time, a very influential branch in the history of the genre was the poem with the novel features of the plot ("The Knight in the Leopard's Skin" by Shota Rustaveli, "Shahnameh" by Ferdowsi, to a certain extent - "Furious Roland" by L. Ariosto), connected to one degree or another with the tradition of the medieval , mostly chivalrous, novel. Gradually, in the poems, personal, moral and philosophical problems are brought to the fore, lyric and dramatic elements are strengthened, folklore tradition is revealed and mastered - features that are already characteristic of pre-romantic poems ("Faust" by I. V. Goethe, poems by J. Macpherson, V. Scott). The heyday of the genre occurs in the era of romanticism, when the greatest poets of various countries turn to the creation of a poem. The works "summit" in the evolution of the genre of the romantic poem acquire a socio-philosophical or symbolic-philosophical character ("Childe Harold's Pilgrimage" by J. Byron, "The Bronze Horseman" by A. S. Pushkin, "Dzyady" by A. Mitskevich, "The Demon" by M. Y. Lermontov, "Germany, a winter tale" by G. Heine).

In the 2nd half of the 19th century. the decline of the genre is obvious, which does not exclude the appearance of individual outstanding works ("The Song of Hiawatha" by G. Longfellow). In the poems by N. A. Nekrasov ("Frost, Red Nose", "Who Lives Well in Russia"), genre tendencies characteristic of the development of the poem in realistic literature (a synthesis of the moral-descriptive and heroic principles) are manifested.

In the poem of the XX century. the most intimate experiences correlate with great historical upheavals, they are imbued with them as if from the inside ("A Cloud in Pants" by V.V. Mayakovsky, "Twelve (Poem)" by A. A. Blok, "First Date" by A. Bely).

In Soviet poetry, there are various genre varieties of the poem: reviving the heroic principle ("Vladimir Ilyich Lenin" and "Good!" By Mayakovsky, "Nine hundred and fifth year" by BL Pasternak, "Vasily Turkin" by AT Tvardovsky); lyric and psychological poems ("About this" by V. V. Mayakovsky, "Anna Snegina" by S. A. Yesenin), philosophical (N. A. Zabolotsky, E. Mezhelaitis), historical ("Tobolsk chronicler" L. Martynov) or combining moral and socio-historical perspectives ("The Middle of the Century" by V. Lugovsky).

The poem as a synthetic, lyroepic and monumental genre that allows you to combine the epic of the heart and "music", the "element" of world upheavals, innermost feelings and historical concept, remains a productive genre of world poetry: "The Initiation of the Wall" and "Into the Storm" by R. Frost, " Landmarks ”by Saint-John Pers,“ Hollow People ”by T. Eliot,“ Universal Song ”by P. Neruda,“ Niobe ”by K., I. Galczynski,“ Continuous Poetry ”by P. Eluard,“ Zoya ”by Nazim Hikmet.

Epos(Old Greek έπος - "word", "narration") - a set of works of mainly epic genus, united by a common theme, era, national identity, etc. For example, Homeric epic, medieval epic, animal epic.

The emergence of the epic is of a stadial nature, but due to historical circumstances.

The emergence of the epic is usually accompanied by the addition of eulogies and laments, close to the heroic worldview. The great deeds immortalized in them often turn out to be the material that heroic poets use as the basis of their narratives. Panegyrics and laments are usually composed in the same style and size as the heroic epic: in Russian and Turkic literature, both species have almost the same manner of expression and lexical composition. Lamentations and eulogies are preserved as part of epic poems as decoration.

The epic claims not only for objectivity, but also for the veracity of its story, while its claims, as a rule, are accepted by the audience. In his Prologue to "The Circle of the Earth", Snorri Sturluson explained that among his sources there are "ancient poems and songs that were sung by people for fun", and added: "Although we ourselves do not know if these stories are true, we know for sure. that the wise people of antiquity considered them to be true. "

novel- a literary genre, as a rule, prosaic, which involves a detailed story about the life and development of the personality of the protagonist (heroes) in a crisis / non-standard period of his life.

The name "Roman" arose in the middle of the 12th century along with the genre of the chivalrous novel (Old French. romanz from the late Latin dialect romanice"In the (popular) Romance language"), as opposed to historiography in Latin. Contrary to popular belief, from the very beginning this name did not refer to any composition in the folk language (heroic songs or lyrics of the troubadours were never called novels), but to one that could be opposed to the Latin model, albeit a very distant one: historiography, fable ( "The Novel of Renard"), vision ("The Novel of the Rose"). However, in the XII-XIII centuries, if not later, the words roman and estoire(the latter also means "image", "illustration") are interchangeable. In a reverse translation into Latin, the novel was called (liber) romanticus, whence the adjective "romantic" came from in European languages, until the end of the 18th century it meant "inherent in novels", "such as in novels", and only later did the meaning on the one hand simplify to "love", but on the other hand gave rise to the name of romanticism as a literary movement.

The name "novel" was preserved even when, in the 13th century, the prose novel for reading came to replace the performed poetic novel (with full preservation of the knightly topics and plot), and for all subsequent transformations of the chivalric novel, up to the works of Ariosto and Edmund Spencer, which we called poems, and contemporaries considered novels. It persists even later, in the 17th-18th centuries, when the “adventure” novel is replaced by the “realistic” and “psychological” novels (which in itself problematize the supposed gap in continuity).

However, in England the name of the genre also changes: the name of the "old" novels remains romance, and for the "new" novels from the middle of the XVII century the name is fixed novel(from Italian novella - "short story"). Dichotomy novel / romance means a lot to English-language criticism, but rather introduces additional uncertainty in their actual historical relations than clarifies. Generally romance is considered rather a kind of structural and plot variety of the genre novel.

In Spain, on the other hand, all varieties of the novel are called novela, and that originated from the same romanice word romance from the very beginning it belonged to the poetic genre, which was also destined to have a long history - to the romance.

Bishop Yue at the end of the 17th century, in search of the predecessors of the novel, first applied this term to a number of phenomena of ancient narrative prose, which since then have also been called novels.

Visions

Fabliau dou dieu d'Amour"(The Tale of the God of Love)," Venus la déesse d'amors

Visions- a narrative and didactic genre.

The plot is presented on behalf of the person to whom he allegedly revealed himself in a dream, hallucination or lethargic sleep. The core is mostly made up of real dreams or hallucinations, but already in ancient times, fictional stories appeared, clothed in the form of visions (Plato, Plutarch, Cicero). The genre gets a special development in the Middle Ages and reaches its climax in Dante's Divine Comedy, which represents the most detailed vision in form. The authoritative sanction and the strongest impetus to the development of the genre were given by Pope Gregory the Great's "Dialogues of Miracles" (6th century), after which visions begin to appear en masse in church literature of all European countries.

Until the 12th century, all visions (except for the Scandinavian ones) were written in Latin, from the 12th century translations appear, and from the 13th century - original visions in popular languages. The most complete form of visions is presented in the Latin poetry of the clergy: this genre in its origins is closely related to canonical and apocryphal religious literature and is close to church preaching.

Vision editors (they are always from among the clergy and must be distinguished from the "clairvoyant" himself) took the opportunity on behalf of the "higher power" who sent the vision to promote their political views or attack personal enemies. Purely fictitious visions also appear - topical pamphlets (for example, the vision of Charlemagne, Charles III, etc.).

However, since the 10th century, the form and content of visions have evoked protests, often coming from the declassed strata of the clergy themselves (poor clerics and Goliard scholars). This protest results in parodic visions. On the other hand, courtly knightly poetry in folk languages ​​seizes the form of visions: visions here acquire a new content, becoming the frame of a love-didactic allegory - such, for example, “ Fabliau dou dieu d'Amour"(The Tale of the God of Love)," Venus la déesse d'amors"(Venus - the goddess of love) and finally - the encyclopedia of courtly love - the famous" Roman de la Rose "(Roman Rose) by Guillaume de Lorris.

The new content is put into the form of visions by the "third estate". Thus, the successor to the unfinished novel by Guillaume de Lorris, Jean de Meun, turns the exquisite allegory of his predecessor into a ponderous combination of didactics and satire, the spearhead of which is directed against the absence of "equality", against the unfair privileges of the aristocracy and against the "robber" royal power). The same is the "Hopes of the common people" by Jean Molyneux. The sentiments of the "third estate" are no less vividly expressed in Langland's famous "Vision of Peter the Ploughman", which played an agitational role in the English peasant revolution of the 14th century. But unlike Jean de Meun, the representative of the urban part of the "third estate", Langland - the ideologue of the peasantry - turns his gaze to an idealized past, dreaming of the destruction of the capitalist usurers.

As a complete independent genre of visions are characteristic of medieval literature. But as a motive, the form of visions continues to exist in the literatures of modern times, being especially favorable for the introduction of satire and didactics, on the one hand, and fiction, on the other (for example, Byron's "Darkness").

Novella

The sources of the novel are primarily Latin exempla, as well as fablio, stories interspersed in the "Dialogue about Pope Gregory", apologists from the "Lives of the Church Fathers", fables, folk tales. In the Occitan language of the 13th century, the word appears to denote a story created on some newly processed traditional material nova.From here - Italian novella(in the most popular collection of the late XIII century "Novellino", also known as "One Hundred Ancient Novels"), which since the XV century has spread throughout Europe.

The genre was established after the appearance of the book by Giovanni Boccaccio "The Decameron" (c. 1353), the plot of which consisted in the fact that several people, fleeing the plague outside the city, tell each other novels. Boccaccio in his book created a classic type of Italian novella, which was developed by his many followers in Italy itself and in other countries. In France, under the influence of the translation of the Decameron around 1462, a collection of “One Hundred New Novels” appeared (however, the material owed more to the facets of Poggio Bracciolini), and Margaret of Navarskaya, modeled on the Decameron, wrote the book “Heptameron” (1559).

In the era of romanticism, under the influence of Hoffmann, Novalis, Edgar Allan Poe, a novel with elements of mysticism, fantasy, and fabulousness spread. Later, in the works of Prosper Mérimée and Guy de Maupassant, this term began to be used to refer to realistic stories.

For American literature, beginning with Washington Irving and Edgar Poe, the novella, or short story (eng. short story), is of particular importance - as one of the most characteristic genres.

In the second half of the 19th and 20th centuries, the traditions of the novel were continued by such different writers as Ambrose Bierce, O. Henry, HG Wells, Arthur Conan Doyle, Gilbert Chesterton, Ryunosuke Akutagawa, Karel Czapek, Jorge Luis Borges.

The short story is characterized by several important features: extreme brevity, sharp, even paradoxical plot, neutral style of presentation, lack of psychologism and descriptiveness, unexpected denouement. The story takes place in the modern world of the author. The plot construction of the novel is similar to the dramatic one, but it is usually simpler.

Goethe spoke about the sharp plot of the novel, giving it the following definition: "an unheard-of event that happened."

The novel emphasizes the significance of the interchange, which contains an unexpected twist (pointe, "falconry"). According to the French researcher, "in the final analysis, one can even say that the whole story is conceived as a denouement." Viktor Shklovsky wrote that a description of a happy mutual love does not create a novella; a novella requires love with obstacles: “A loves B, B does not love A; when B fell in love with A, then A no longer loved B ”. He singled out a special type of denouement, which he called "false ending": usually it is made from a description of nature or weather.

Among the predecessors of Boccaccio, the story had a moralizing attitude. Boccaccio retained this motive, but his morality flowed from the story not logically, but psychologically, and was often only a pretext and method. The later story convinces the reader of the relativity of moral criteria.

The story

Story

Joke(fr. anecdote- a bike, fiction; from the Greek. τὸ ἀνέκδοτоν - unpublished, lit. "Not issued") - a genre of folklore - a short funny story. Most often, an anecdote is characterized by an unexpected semantic resolution at the very end, which gives rise to laughter. It can be a play on words, different meanings of words, modern associations that require additional knowledge: social, literary, historical, geographical, etc. Anecdotes cover almost all spheres of human activity. There are jokes about family life, politics, sex, etc. In most cases, the authors of the jokes are unknown.

In Russia, XVIII-XIX centuries. (and in most languages ​​of the world until now) the word "anecdote" had a slightly different meaning - it could just be an entertaining story about some famous person, not necessarily with the task of ridiculing him (cf. Pushkin: "Days of the Past Anecdotes"). Such "jokes" about Potemkin became classics of that time.

Oh yeah

Epic

Play(French pièce) - a dramatic work, usually of the classical style, created for staging an action in the theater. This is a general specific name for dramatic works intended to be performed from the stage.

The structure of the play includes the text of the characters (dialogues and monologues) and functional author's remarks (notes containing the designation of the scene, interior features, the appearance of the characters, their demeanor, etc.). As a rule, a play is preceded by a list of characters, sometimes with an indication of their age, profession, titles, family ties, etc.

A separate complete semantic part of the play is called an act or action, which may include smaller components - phenomena, episodes, pictures.

The very concept of a play is purely formal, it does not include any emotional or stylistic meaning. Therefore, in most cases, the play is accompanied by a subtitle defining its genre - classical, main (comedy, tragedy, drama), or author's (for example: My poor Marat, dialogues in three parts - A. Arbuzov; Wait and see, a pleasant play in four acts - B. Shaw; A kind man from Cezuan, a parabolic play - B. Brecht, etc.). The genre designation of the play not only serves as a "hint" to the director and actors in the stage interpretation of the play, but helps to enter the author's style, the figurative structure of the drama.

Essay(from fr. essai"Attempt, trial, sketch", from lat. exagium"Weighing") - a literary genre of prose writing of a small volume and free composition. The essay expresses the individual impressions and considerations of the author on a specific occasion or subject and does not pretend to be an exhaustive or defining interpretation of the topic (in the parody Russian tradition “a look and something”). In terms of volume and function, it borders, on the one hand, with a scientific article and a literary essay (with which essays are often confused), and on the other, with a philosophical treatise. The essay style is characterized by imagery, mobility of associations, aphoristic, often antithetical thinking, an attitude towards intimate frankness and colloquial intonation. Some theorists are considered as the fourth, along with the epic, lyrics and drama, a kind of fiction.

As a special genre form, he introduced, based on the experience of his predecessors, Michel Montaigne in his "Experiments" (1580). For the first time in English literature, Francis Bacon gave his writings, published in the form of books in 1597, 1612 and 1625, the name of the English. essays... English poet and playwright Ben Johnson first used the word essayist (eng. essayist) in 1609.

In the 18th and 19th centuries, essays are one of the leading genres of English and French journalism. The development of essay writing was promoted in England by J. Addison, Richard Steele, Henry Fielding, in France - Diderot and Voltaire, in Germany - Lessing and Herder. Essays were the main form of philosophical and aesthetic polemics among romantics and romantic philosophers (G. Heine, R. W. Emerson, G. D. Thoreau) ..

The essay genre is deeply rooted in English literature: T. Carlyle, W. Hazlitt, M. Arnold (19th century); M. Beerbohm, G.K. Chesterton (XX century). In the 20th century, essay studies flourished: the essay genre was used by the most prominent philosophers, prose writers, and poets (R. Rolland, B. Shaw, H. Wells, J. Orwell, T. Mann, A. Morois, J. P. Sartre).

In Lithuanian criticism, the term essay (lit. esė) was first used by Balis Sruoga in 1923. The books “Smiles of God” (lit. “Dievo šypsenos”, 1929) by Juozapas Albinas Herbaciauskas and “Gods and Troubles” (lit. “Dievai ir smūtkeliai ", 1935) by Jonas Kossu-Aleksandravičius. Examples of essays include “poetic anti-commentaries” “Lyric studies” (lit. “Lyriniai etiudai”, 1964) and “Antakalnis baroque” (lit. “Antakalnio barokas”, 1971) by Eduardas Mezhelaitis, “Diary without dates” (lit. “Dienoraštis be datų ”, 1981) by Justinas Marcinkevičius,“ Poetry and the Word ”(lit.“ Poezija ir žodis ”, 1977) and Papyri from the graves of the dead (lit.“ Papirusai iš mirusiųjų kapų ”, 1991) by Marcelius Martinaitis. An anti-conformist moral position, conceptuality, accuracy and polemics distinguish Thomas Venclova's essays

For Russian literature, the essay genre was not typical. Samples of the essay style are found in A. Pushkin ("A Journey from Moscow to St. Petersburg"), A. I. Herzen ("From the Other Shore"), F. M. Dostoevsky ("A Writer's Diary"). At the beginning of the 20th century, V.I. Ivanov, D.S.Merezhkovsky, Andrei Bely, Lev Shestov, V.V. Rozanov, and later Ilya Erenburg, Yuri Olesha, Viktor Shklovsky, Konstantin Paustovsky turned to the essay genre. Literary critical assessments of contemporary critics, as a rule, are embodied in a variety of the essay genre.

In musical art, the term piece is usually used as a generic name for works of instrumental music.

Sketch(eng. sketch, literally - a sketch, sketch, sketch), in the XIX - early XX centuries. a short play with two, rarely three characters. The sketch is most popular on the stage.

In the UK, TV sketch comedy shows are very popular. Similar programs have recently begun to appear on Russian television ("Our Russia", "Six frames", "Give youth!", "Dear program", "Gentleman show", "Gorodok", etc.) The sketch show is the television series Monty Python's Flying Circus.

A.P. Chekhov was a well-known sketch creator.

Comedy(Greek κωliμωδία, from Greek κῶμος, kỗmos, "Holiday in honor of Dionysus" and Greek. ἀοιδή / Greek. ᾠδή, aoidḗ / ōidḗ, "Song") - a genre of fiction characterized by a humorous or satirical approach, as well as a type of drama in which the moment of an effective conflict or struggle of antagonistic characters is specifically resolved.

Aristotle defined comedy as "imitation of the worst people, but not in all their depravity, but in a funny way" (Poetics, Ch. V).

The types of comedy include such genres as farce, vaudeville, interlude, sketch, operetta, parody. Nowadays, a model of such primitiveness is many comedy films, built exclusively on external comic, comic positions, in which the characters find themselves in the process of development of the action.

Distinguish sitcom and comedy of characters.

Sitcom (comedy of situations, situational comedy) is a comedy in which events and circumstances are the source of the funny.

Comedy of characters (comedy of manners) is a comedy in which the source of the funny is the inner essence of characters (morals), funny and ugly one-sidedness, a hypertrophied trait or passion (vice, lack). Very often the comedy of morals is a satirical comedy, ridiculing all these human qualities.

Tragedy(Greek τραγωδία, tragōdía, literally - a goat song, from trаgos - a goat and öde - a song), a dramatic genre based on the development of events, which is, as a rule, inevitable and necessarily leading to a catastrophic outcome for the characters, often full of pathos; a kind of drama opposite to comedy.

The tragedy is marked by harsh seriousness, depicts reality in the most acute way, as a clot of internal contradictions, reveals the deepest conflicts of reality in an extremely tense and rich form that takes on the meaning of an artistic symbol; it is no coincidence that most of the tragedies are written in verse.

Drama(Greek Δρα´μα) is one of the types of literature (along with lyrics, epics, and also lyroepics). It differs from other types of literature in the way the plot is conveyed - not through narration or monologue, but through the dialogues of the characters. Any literary work built in a dialogical form, including comedy, tragedy, drama (as a genre), farce, vaudeville, etc., refers to drama in one way or another.

Since ancient times, it has existed in a folklore or literary form among various peoples; the ancient Greeks, ancient Indians, Chinese, Japanese, American Indians created their dramatic traditions independently of each other.

In Greek, the word "drama" refers to a sad, unpleasant event or situation for one particular person.

Fable- a poetic or prosaic literary work of a moralizing, satirical nature. At the end of the fable, there is a short didactic conclusion - the so-called morality. The actors are usually animals, plants, things. The fable ridicules the vices of people.

Fable is one of the oldest literary genres. In Ancient Greece, Aesop was famous (VI-V centuries BC), who wrote fables in prose. In Rome - Phaedrus (1st century A.D.). In India, the Panchatantra collection of fables dates back to the 3rd century. The most prominent fabulist of modern times was the French poet J. La Fontaine (17th century).

In Russia, the development of the genre of fables dates back to the middle of the 18th - early 19th centuries and is associated with the names of A.P. Sumarokov, I.I. century at Simeon of Polotsk and in the 1st half. XVIII century by A.D. Kantemir, V.K.Trediakovsky. In Russian poetry, a fable free verse is developed, conveying the intonation of a relaxed and sly tale.

The fables of I.A.Krylov with their realistic liveliness, sane humor and excellent language marked the flourishing of this genre in Russia. In Soviet times, the fables of Demyan Bedny, S. Mikhalkov, and others gained popularity.

There are two concepts of the origin of the fable. The first is represented by the German school of Otto Crusius, A. Hausrat, and others, the second - by the American scientist B.E. Perry. According to the first concept, narration is primary in a fable, and morality is secondary; the fable comes from the tale of animals, and the tale of animals from myth. According to the second concept, morality is primary in the fable; the fable is close to comparisons, proverbs and sayings; like them, the fable arises as an auxiliary means of argumentation. The first point of view goes back to the romantic theory of Jacob Grimm, the second revives the rationalistic concept of Lessing.

Philologists of the 19th century were occupied for a long time by the controversy about the priority of the Greek or Indian fable. It can now be considered almost certain that the common source of the material of the Greek and Indian fables was the Sumerian-Babylonian fable.

Epics- Russian folk epic songs about the exploits of the heroes. The basis of the story of the epic is any heroic event, or a remarkable episode of Russian history (hence the popular name of the epic - “ old man"," Old-fashioned ", implying that the action in question took place in the past).

Epics are usually written in tonic verse with two to four accents.

For the first time the term "epics" was introduced by Ivan Sakharov in the collection "Songs of the Russian people" in 1839, he proposed it based on the expression "by epics" in "The Lay of Igor's Host", which meant "according to the facts."

Ballad

Myth(ancient Greek μῦθος) in literature - a legend that conveys people's ideas about the world, a person's place in it, about the origin of all that exists, about gods and heroes; a certain idea of ​​the world.

The specificity of myths appears most clearly in primitive culture, where myths are the equivalent of science, an integral system in terms of which the whole world is perceived and described. Later, when such forms of social consciousness as art, literature, science, religion, political ideology, etc. are isolated from mythology, they retain a number of mythological models that are peculiarly rethought when included in new structures; the myth is experiencing its second life. Their transformation in literary creation is of particular interest.

Since mythology assimilates reality in the forms of a figurative narrative, it is inherently close to fiction; historically, it anticipated many of the possibilities of literature and had a comprehensive influence on its early development. Naturally, literature does not part with mythological foundations even later, which applies not only to works with mythological foundations of the plot, but also to realistic and naturalistic writing of the 19th and 20th centuries (suffice it to name "Oliver Twist" by C. Dickens, "Nana" by E. Zola, "Magic Mountain" T. Mann).

Novella(Italian novella - news) is a narrative prose genre characterized by brevity, sharp plot, neutral style of presentation, lack of psychologism, unexpected denouement. Sometimes it is used synonymously with a story, sometimes it is called a kind of story.

The story- a prosaic genre of unstable volume (predominantly intermediate between a novel and a story), tending to a chronicle plot that reproduces the natural course of life. The plot, devoid of intrigue, is centered around the protagonist, whose personality and fate are revealed within a few events.

The story is an epic prose genre. The plot of the story tends more towards epic and chronicle plot and composition. Possible verse form. The tale depicts a series of events. It is amorphous, events are often simply attached to each other, extra-story elements play a large independent role. It does not have a complex, tense and complete plot unit.

Story- a small form of epic prose, correlated with the story as a more detailed form of narration. Goes back to folklore genres (fairy tale, parable); how did the genre stand out in written literature; often indistinguishable from the novella, and since the 18th century. - and an essay. Sometimes the novella and the essay are considered as polar varieties of the story.

A story is a small work, containing a small number of characters, and also, most often, having one storyline.

Fairy tale: 1) a kind of narrative, mostly prosaic folklore ( fabulous prose), which includes works of different genres, in the content of which, from the point of view of the carriers of folklore, there is no strict reliability. Fairy tale folklore opposes the "strict" folklore narration ( unspeakable prose) (see myth, epic, historical song, spiritual poetry, legend, demonological stories, tale, blasphemy, legend, bylichka).

2) the genre of literary narration. A literary tale either imitates a folk tale ( a literary tale written in the folk-poetic style), or creates a didactic work (see didactic literature) based on non-folklore subjects. A folk tale historically precedes a literary one.

Word " fairy tale»Attested in written sources not earlier than the 16th century. From the word “ show". What mattered was the list, the list, the exact description. It has acquired its modern significance since the 17th-19th centuries. Previously, the word fable was used, until the 11th century - blasphemy.

The word "fairy tale" suggests that they will learn about it, "what it is" and find out "why" it, a fairy tale, is needed. A fairy tale with a purpose is needed for the subconscious or conscious teaching of a child in a family to the rules and goals of life, the need to protect their "area" and a dignified attitude towards other communities. It is noteworthy that both the saga and the fairy tale carry a colossal information component passed down from generation to generation, the belief in which is based on respect for their ancestors.

There are different types of fairy tales.

Fantasy(from the English. fantasy- "fantasy") - a kind of fantastic literature based on the use of mythological and fairy-tale motives. It was formed in its present form at the beginning of the 20th century.

Fantasy works most often resemble a historical adventure novel, the action of which takes place in a fictional world close to the real Middle Ages, whose heroes encounter supernatural phenomena and creatures. Fantasy is often built around archetypal plots.

Unlike science fiction, fantasy does not seek to explain the world in which the work takes place in terms of science. This world itself exists in the form of some kind of assumption (most often its location relative to our reality is not at all stipulated at all: whether it is a parallel world, or another planet), and its physical laws may differ from the realities of our world. In such a world, the existence of gods, witchcraft, mythical creatures (dragons, gnomes, trolls), ghosts and any other fantastic entities can be real. At the same time, the fundamental difference between the "miracles" of fantasy from their fairy-tale counterparts is that they are the norm of the described world and act systemically, like the laws of nature.

Fantasy is also a genre in cinema, painting, computer and board games these days. This genre versatility is especially characteristic of Chinese fantasy with elements of oriental martial arts.

Epic(from epic and Greek poieo - I create)

  1. An extensive narration in verse or prose about outstanding national-historical events ("Iliad", "Mahabharata"). The roots of the epic in mythology and folklore. In the 19th century. there is an epic novel ("War and Peace" by Leo Tolstoy)
  2. A complex, long history of something, including a series of major events.

Oh yeah- a poetic, as well as a musical and poetic work, distinguished by solemnity and sublimity.

Originally in ancient Greece, any form of poetic lyrics intended to accompany music was called an ode, including choral singing. Since the time of Pindar, an ode has been a choral song-epinic in honor of the winner in a sports competition of sacred games with a three-part composition and emphasized solemnity and pomp.

In Roman literature, the most famous odes of Horace, who used the dimensions of Aeolian lyric poetry, primarily the Alkean stanza, adapting them to the Latin language, the collection of these works in Latin is called Carmina - songs, they began to be called odes later.

Since the Renaissance and in the Baroque era (XVI-XVII centuries), lyrical works in a pathetically high style, focusing on antique samples, began to be called odes; in classicism, ode has become the canonical genre of high lyricism.

Elegy(Greek ελεγεια) - a genre of lyric poetry; in early antique poetry - a poem written by an elegiac distich, regardless of content; later (Callimachus, Ovid) - a poem of sad content. In modern European poetry, elegy retains stable features: intimacy, motives of disappointment, unhappy love, loneliness, mortality of earthly life, determines rhetoric in the depiction of emotions; the classical genre of sentimentalism and romanticism ("Confession" by E. Baratynsky).

A poem with the character of brooding sadness. In this sense, we can say that most of Russian poetry is in an elegiac mood, at least right down to the poetry of modern times. This, of course, does not deny that in Russian poetry there are excellent poems of a different, non-elegiac mood. Initially, in ancient Greek poetry, E. denoted a poem written in a stanza of a certain size, namely in a couplet - hexameter-pentameter. Having a general character of lyrical thinking, E. among the ancient Greeks was very diverse in content, for example, sad and accusatory in Archilochus and Simonides, philosophical in Solon or Theognides, warlike in Callinus and Tirtaeus, and political in Mimnerm. One of the best Greek authors E. - Callimachus. Among the Romans, E. became more definite in character, but also more free in form. The importance of love E. The famous Roman authors E. - Propertius, Tibullus, Ovid, Catullus (translated by Fet, Batyushkov, and others) greatly increased. Subsequently, there was, perhaps, only one period in the development of European literature, when the word E. began to mean poems with a more or less stable form. And it began under the influence of the famous elegy of the English poet Thomas Gray, written in 1750 and causing numerous imitations and translations in almost all European languages. The coup produced by this E. is defined as the onset in literature of the period of sentimentalism, which replaced pseudo-classicism. In essence, this was a declination of poetry from rational skill in once established forms to the true sources of inner artistic experiences. In Russian poetry, Zhukovsky's translation of Gray's elegy ("Rural Cemetery"; 1802) definitely marked the beginning of a new era that finally went beyond rhetoric and turned to sincerity, intimacy and depth. This inner change was reflected in the new methods of versification introduced by Zhukovsky, who is thus the founder of the new Russian sentimental poetry and one of its great representatives. In the general spirit and form of Gray's elegy, i.e. in the form of large poems, filled with mournful meditation, such poems of Zhukovsky were written, which he himself called elegies, such as "Evening", "Slavyanka", "On the demise of the cor. Virtemberg ". His "Theon and Aeschylus" (more precisely, it is an elegy-ballad) is also considered an elegy. Zhukovsky called his poem "The Sea" an elegy. In the first half of the XIX century. It was common to give your poems the names of elegies, especially often their works were called elegies by Batiushkov, Boratynsky, Yazykov, etc. ; subsequently, however, it went out of style. Nevertheless, many poems by Russian poets are imbued with an elegiac tone. And in world poetry, there is hardly an author who would not have elegiac poems. Goethe's Roman Elegies are famous in German poetry. Schiller's poems are elegies: “Ideals” (translated by Zhukovsky “Dreams”), “Resignation”, “Walk”. A lot belongs to elegies in Matisson (Batyushkov translated it "On the ruins of castles in Sweden"), Heine, Lenau, Herweg, Platen, Freiligrat, Schlegel and many others. others. The French wrote elegies: Milvoy, Debord-Valmor, Kaz. Delavigne, A. Chenier (M. Chenier, brother of the previous one, translated Gray's elegy), Lamartine, A. Musset, Hugo and others. In English poetry, apart from Gray, Spencer, Jung, Sydney, and later Shelley and Byron. In Italy, the main representatives of elegiac poetry are Alamanni, Castaldi, Filicana, Guarini, Pindemonte. In Spain: Boscan Almogaver, Gars de le Vega. In Portugal - Camões, Ferreira, Rodrigue Lobo, de Miranda.

Before Zhukovsky, attempts to write elegies in Russia were made by such authors as Pavel Fonvizin, the author of Dushenka Bogdanovich, Ablessimov, Naryshkin, Nartov, and others.

Epigram(Greek επίγραμμα "inscription") is a small satirical poem that makes fun of any person or social phenomenon.

Ballad- a lyroepic work, that is, a story presented in a poetic form, of a historical, mythical or heroic nature. The ballad's plot is usually borrowed from folklore. Ballads are often set to music.



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Over the millennia of cultural development, mankind has created countless literary works, among which some basic types can be distinguished, similar in the way and form of reflection of a person's ideas about the world around him. These are three kinds (or types) of literature: epic, drama, lyrics.

What is the difference between each type of literature?

Epic as a kind of literature

Epos(epos - Greek, narration, story) is an image of events, phenomena, processes external to the author. Epic works reflect the objective course of life, human being in general. Using various artistic means, the authors of epic works express their understanding of the historical, socio-political, moral, psychological and many other problems that human society in general and each of its representatives in particular lives with. Epic works have significant pictorial capabilities, thereby helping the reader to learn about the world around him, to comprehend the deep problems of human existence.

Drama as a kind of literature

Drama(drama - Greek, action, action) is a kind of literature, the main feature of which is the scenic nature of works. Plays, i.e. dramatic works are created specifically for the theater, for staging on stage, which, of course, does not exclude their existence in the form of independent literary texts intended for reading. Like the epic, the drama reproduces the relationship between people, their actions, the conflicts that arise between them. But unlike the epic, which has a narrative nature, the drama has a dialogical form.

Associated with this features of dramatic works :

2) the text of the play consists of the conversations of the characters: their monologues (speech of one character), dialogues (conversation of two characters), polylogs (simultaneous exchange of remarks by several participants in the action). That is why the speech characteristic turns out to be one of the most important means of creating a memorable character of the hero;

3) the action of the play, as a rule, develops quite dynamically, intensively, as a rule, 2-3 hours of stage time are allotted to it.

Lyrics as a kind of literature

Lyrics(lyra - Greek, a musical instrument, to the accompaniment of which poetic works, songs were performed) is distinguished by a special type of construction of an artistic image - it is an image-experience in which the individual emotional and spiritual experience of the author is embodied. Lyrics can be called the most mysterious kind of literature, because it is addressed to the inner world of a person, his subjective sensations, ideas, ideas. In other words, a lyric work primarily serves the individual self-expression of the author. The question arises: why the readers, i.e. other people refer to such works? The thing is that the lyricist, speaking on his own behalf and about himself, surprisingly embodies universal human emotions, ideas, hopes, and the more significant the author's personality, the more important his individual experience is for the reader.

Each type of literature also has its own system of genres.

genre(genre - French genus, species) is a historically developed type of literary works that has similar typological features. Names of genres help the reader navigate the boundless sea of ​​literature: someone loves detective stories, another prefers fantasy, and the third is a fan of memoirs.

How to determine What genre does a particular work belong to? Most often, the authors themselves help us with this, calling their creation a novel, story, poem, etc. However, some of the author's definitions seem unexpected to us: remember that A.P. Chekhov emphasized that "The Cherry Orchard" is a comedy, and not a drama at all, but A.I. Solzhenitsyn regarded One Day in the Life of Ivan Denisovich as a story, not a story. Some literary critics call Russian literature a collection of genre paradoxes: the novel in verse "Eugene Onegin", the prose poem "Dead Souls", the satirical chronicle "The History of a City". There was a lot of controversy regarding "War and Peace" by L.N. Tolstoy. The writer himself said only about what his book is not: “What is“ War and Peace ”? This is not a novel, even less a poem, still less a historical chronicle. "War and Peace" is what the author wanted and could express in the form in which it was expressed. " And only in the XX century literary critics agreed to call the brilliant creation of L.N. Tolstoy's epic novel.

Each literary genre has a number of stable features, the knowledge of which allows us to classify a particular work in one or another group. Genres develop, change, die out and are born, for example, literally before our eyes, a new genre of blog (web loq) - a personal Internet diary - has emerged.

However, for several centuries there have been stable (they are also called canonical) genres

Literature literary works - see table 1).

Table 1.

Genres of literary works

Epic genres of literature

Epic genres primarily differ in volume, according to this criterion they are divided into small ( sketch, story, short story, fairy tale, parable ), average ( story ), large ( novel, epic novel ).

Feature article- a small sketch from nature, the genre is both descriptive and narrative. Many essays are created on a documentary, life-based basis, often they are combined into cycles: the classic example is "A Sentimental Journey through France and Italy" (1768) by the English writer Laurence Stern, in Russian literature it is "A Journey from St. Petersburg to Moscow" (1790) A Radishchev, "Frigate Pallas" (1858) by I. Goncharov "" Italy "(1922) by B. Zaitsev and others.

Story- a small narrative genre, which usually depicts one episode, an incident, a human character, or an important incident from the hero's life that influenced his further destiny ("After the Ball" by L. Tolstoy). The stories are created both on a documentary, often autobiographical basis ("Matryonin Dvor" by A. Solzhenitsyn), and thanks to pure fiction ("The Lord from San Francisco" by I. Bunin).

The intonation and content of the stories are very different - from comic, curious (early stories by A.P. Chekhov) to deeply tragic (Kolyma stories by V. Shalamov). Stories, like essays, are often combined into cycles ("Notes of a Hunter" by I. Turgenev).

Novella(novella ital. news) is in many ways akin to the story and is considered its kind, but it is distinguished by a special dynamism of the narrative, sharp and often unexpected turns in the development of events. Often, the narrative in a novel begins with the ending, is built according to the law of inversion, i.e. the reverse order, when the denouement precedes the main events ("Terrible revenge" by N. Gogol). This feature of the construction of the novel will later be borrowed by the detective genre.

The word "novella" has another meaning that future lawyers need to know. In ancient Rome, the phrase "novellae leges" (new laws) was the name given to laws introduced after the official codification of law (after the release of the Code of Theodosius II in 438). The novels of Justinian and his successors, published after the second edition of the Code of Justinian, later formed part of the corpus of Roman laws (Corpus iuris civillis). In the modern era, a novel is called a law submitted to parliament (in other words, a draft law).

Fairy tale- The oldest of the small epic genres, one of the main in the oral work of any people. This is a small work of a magical, adventurous or everyday character, where fiction is clearly emphasized. Another important feature of a folk tale is its edifying nature: "A fairy tale is a lie, but there is a hint in it, a lesson for good fellows." It is customary to divide folk tales into magic ("The Tale of the Frog Princess"), everyday ("Porridge from the Ax") and tales about animals ("Zayushkina's hut").

With the development of written literature, literary tales appear in which traditional motives and symbolic possibilities of a folk tale are used. Danish writer Hans Christian Andersen (1805-1875) is rightfully considered a classic of the genre of literary fairy tales, his wonderful "The Little Mermaid", "The Princess and the Pea", "The Snow Queen", "The Steadfast Tin Soldier", "Shadow", "Thumbelina" are loved by many generations of readers, both very young and quite mature. And this is far from coincidental, because Andersen's tales are not only extraordinary, and sometimes even strange adventures of heroes, they contain a deep philosophical and moral meaning, enclosed in beautiful symbolic images.

From the European literary tales of the 20th century, The Little Prince (1942) by the French writer Antoine de Saint-Exupéry has become a classic. And the famous "Chronicles of Narnia" (1950 - 1956) by the English writer Cl. Lewis and "The Lord of the Rings" (1954-1955), also by the Englishman JR Tolkien, are written in the fantasy genre, which can be called a modern transformation of an ancient folk tale.

In Russian literature, unsurpassed, of course, are the tales of A.S. Pushkin: "About the dead princess and the seven heroes", "About the fisherman and the fish", "About Tsar Saltan ...", "About the golden cockerel", "About the priest and his worker Balda." The replacement storyteller was P. Ershov, the author of The Little Humpbacked Horse. E. Schwartz in the XX century creates the form of a fairy tale play, one of them "The Bear" (another name is "An Ordinary Miracle") is well known to many thanks to the wonderful film directed by M. Zakharov.

Parable- also a very ancient folklore genre, but, unlike the fairy tale, the parables contained written monuments: the Talmud, the Bible, the Koran, a monument of Syrian literature "Teaching to Akhara". A parable is an instructive, symbolic work, distinguished by its sublimity and seriousness of content. Ancient parables, as a rule, are small in volume; they do not contain a detailed story about the events or psychological characteristics of the character of the hero.

The purpose of the parable is edification or, as they once said, the teaching of wisdom. In European culture, the most famous are the parables from the Gospels: about the prodigal son, about the rich man and Lazarus, about the unrighteous judge, about the insane rich man and others. Christ often spoke allegorically to his disciples, and if they did not understand the meaning of the parable, he explained it.

Many writers turned to the genre of the parable, not always, of course, investing in it a high religious meaning, but rather trying to express some moralistic edification in an allegorical form, as, for example, L. Tolstoy in his later work. Carry it. V. Rasputin - Farewell to Mother ”can also be called a detailed parable, in which the writer speaks with alarm and sorrow about the destruction of the“ ecology of conscience ”of a person. The story "The Old Man and the Sea" by E. Hemingway is also considered by many critics to be a literary parable tradition. The famous modern Brazilian writer Paulo Coelho also uses the parable form in his novels and stories (the novel "The Alchemist").

The story- an average literary genre, widely represented in world literature. The story depicts several important episodes from the life of the hero, as a rule, one storyline and a small number of characters. The stories are characterized by great psychological saturation, the author focuses on the experiences and changes in the moods of the characters. Very often the main theme of the story becomes the love of the protagonist, for example, "White Nights" by F. Dostoevsky, "Asya" by I. Turgenev, "Mitya's Love" by I. Bunin. Novels can also be combined into cycles, especially those written on autobiographical material: "Childhood", "Adolescence", "Youth" by L. Tolstoy, "Childhood", "In People", "My Universities" by A. Gorky. The intonations and themes of the stories are very diverse: tragic, addressing acute social and moral issues ("Everything flows" by V. Grossman, "House on the Embankment" by Y. Trifonov), romantic, heroic ("Taras Bulba" by N. Gogol), philosophical , parable ("The Foundation Pit" by A. Platonov), mischievous, comic ("Three in a boat, not counting a dog" by the English writer Jerome K. Jerome).

novel(French gotap. Originally, in the late Middle Ages, any work written in the Romance language, as opposed to those written in Latin) is a major epic work in which the narrative is focused on the fate of an individual person. The novel is the most difficult epic genre, which is distinguished by an incredible number of themes and plots: love, historical, detective, psychological, fantastic, historical, autobiographical, social, philosophical, satirical, etc. All these forms and types of the novel are united by its central idea - the idea of ​​a person's personality, individuality.

The novel is called the epic of private life, because it depicts the diverse connections between the world and man, society and personality. The reality surrounding a person is presented in the novel in different contexts: historical, political, social, cultural, national, etc. The author of the novel is interested in how the environment affects a person's character, how he is formed, how his life develops, whether he managed to find his purpose and realize himself.

The emergence of the genre is attributed by many to antiquity, these are Long's "Daphnis and Chloe", Apuleius's "Golden Donkey", the chivalrous novel "Tristan and Isolde".

In the works of the classics of world literature, the novel is represented by numerous masterpieces:

Table 2. Examples of the classic novel of foreign and Russian writers (XIX, XX centuries)

Famous novels of Russian writers of the 19th century .:

In the 20th century, Russian writers develop and multiply the traditions of their great predecessors and create no less remarkable novels:


Of course, none of these enumerations can pretend to be complete and exhaustive, especially in contemporary prose. In this case, the most famous works that have glorified both the country's literature and the name of the writer are named.

Epic novel... In ancient times, there were forms of heroic epic: folklore sagas, runes, epics, songs. These are the Indian "Ramayana" and "Mahabharata", the Anglo-Saxon "Beowulf", the French "Song of Roland", the German "Song of the Nibelungs", etc. In these works in an idealized, often exaggerated form, the hero's deeds were exalted. The later epic poems "Iliad" and "Odyssey" by Homer, "Shah-name" by Ferdowsi, while retaining the mythological character of the early epic, nevertheless, had a pronounced connection with real history, and the theme of the intertwining of human fate and the life of the people becomes one of the main ones. The experience of the ancients will be in demand in the XIX-XX centuries, when writers will try to comprehend the dramatic relationship between the era and the individual personality, talk about what tests are subjected to morality, and sometimes the human psyche at the time of the greatest historical upheavals. Let us recall the lines of F. Tyutchev: "Blessed is he who visited this world in its fateful moments." The poet's romantic formula in reality meant the destruction of all habitual forms of life, tragic losses and unrealized dreams.

The complex form of the epic novel allows writers to artistically explore these problems in their entirety and contradictions.

When we talk about the genre of an epic novel, of course, we immediately recall "War and Peace" by L. Tolstoy. Other examples can be named: "Quiet Don" by M. Sholokhov, "Life and Fate" by V. Grossman, "The Forsyte Saga" by the English writer Galsworthy; the book "Gone with the Wind" by the American writer Margaret Mitchell can also be classified with this genre with great reason.

The name of the genre itself indicates a synthesis, a combination of two basic principles in it: the novel and the epic, i.e. associated with the theme of the life of an individual and the theme of the history of the people. In other words, the epic novel tells about the fates of the heroes (as a rule, the heroes themselves and their fates are fictional, invented by the author) against the background and in close connection with epoch-making historical events. So, in "War and Peace" - these are the fates of individual families (Rostovs, Bolkonskys), beloved heroes (Prince Andrei, Pierre Bezukhov, Natasha and Princess Marya) in the historical period of the beginning of the 19th century, the Patriotic War of 1812, a turning point for Russia and all of Europe ... In Sholokhov's book - the events of the First World War, two revolutions and a bloody civil war tragically intrude into the life of a Cossack farm, the Melekhov family, the fate of the main characters: Grigory, Aksinya, Natalia. V. Grossman talks about the Great Patriotic War and its main event - the Battle of Stalingrad, about the tragedy of the Holocaust. Historical and family themes are also intertwined in Life and Fate: the author traces the history of the Shaposhnikovs, trying to understand why the fates of the members of this family have developed so differently. Galsworthy describes the life of the Forsyte family during the legendary Victorian era in England. Margaret Mitchell is the central event in US history, the North-South Civil War, which drastically changed the lives of many families and the fate of the most famous heroine of American literature - Scarlett O'Hara.

Dramatic genres of literature

Tragedy(tragodia Greek goat song) is a dramatic genre that originated in ancient Greece. The emergence of the ancient theater and tragedy is associated with the worship of the cult of the god of fertility and wine, Dionysus. A number of holidays were dedicated to him, during which ritual magic games were played with mummers, satyrs, whom the ancient Greeks represented in the form of two-legged goat-like creatures. It is assumed that it was precisely this appearance of the satyrs who performed hymns to the glory of Dionysus that gave such a strange name to this serious genre in translation. Theatrical performance in Ancient Greece was given a magical religious significance, and theaters, built in the form of large open-air arenas, were always located in the very center of cities and were one of the main public places. Spectators sometimes spent the whole day here: eating, drinking, loudly expressing their approval or censure of the presented show. The heyday of the ancient Greek tragedy is associated with the names of three great tragedians: this is Aeschylus (525-456 BC) - the author of the tragedies "Chained Prometheus", "Oresteia", etc .; Sophocles (496-406 BC) - the author of "King Oedipus", "Antigone" and others; and Euripides (480-406 BC) - the creator of Medea, Troyanok, etc. Their creations will remain examples of the genre for centuries, they will try to imitate them, but they will remain unsurpassed. Some of them ("Antigone", "Medea") are staged on the stage today.

What are the main features of the tragedy? The main one is the presence of an insoluble global conflict: in ancient tragedy, this is the confrontation between fate, fate, on the one hand, and a person, his will, free choice, on the other. In the tragedies of later eras, this conflict took on a moral and philosophical character, as a confrontation between good and evil, loyalty and betrayal, love and hatred. It has an absolute character, the heroes who embody the opposing forces are not ready for reconciliation, compromise, and therefore there are often many deaths at the end of the tragedy. This is how the tragedies of the great English playwright William Shakespeare (1564-1616) are constructed, let us recall the most famous of them: Hamlet, Romeo and Juliet, Othello, King Lear, Macbeth, Julius Caesar, etc.

In the tragedies of the 17th century French playwrights Corneille (Horace, Polyeuct) and Racine (Andromache, Britannica), this conflict received a different interpretation - as a conflict of duty and feeling, rational and emotional in the souls of the protagonists, that is ... acquired a psychological interpretation.

The most famous in Russian literature is the romantic tragedy "Boris Godunov" by A.S. Pushkin, based on historical material. In one of his best creations, the poet sharply raised the problem of the "real trouble" of the Moscow state - a chain reaction of impostors and "terrible atrocities" that people are ready for for the sake of power. Another problem is the attitude of the people to everything that happens in the country. The image of the “silent” people in the finale of “Boris Godunov” is symbolic, and discussions continue to this day about what Pushkin wanted to say. The opera of the same name by M.P. Mussorgsky was written based on the tragedy, which has become a masterpiece of Russian opera classics.

Comedy(Greek komos - a cheerful crowd, oda - a song) - a genre that originated in Ancient Greece a little later than the tragedy (V century BC). The most famous comedian of that time is Aristophanes ("Clouds", "Frogs", etc.).

In comedy with the help of satire and humor, i.e. comic, moral vices are ridiculed: hypocrisy, stupidity, greed, envy, cowardice, complacency. Comedies are usually topical, i.e. are also addressed to social issues, exposing the shortcomings of the authorities. Distinguish between sitcoms and comedies of characters. In the first, the cunning intrigue, the chain of events ("The Comedy of Errors" by Shakespeare) are important, in the second - the characters of the heroes, their absurdity, one-sidedness, as in the comedies "The Minor" by D. Fonvizin, "Bourgeois in the Nobility", "Tartuffe", belonging to the classics genre, 17th century French comedy writer Jean Baptiste Moliere. In Russian drama, the satirical comedy with its sharp social criticism, such as, for example, "The Inspector General" by N. Gogol, "Crimson Island" by M. Bulgakov, turned out to be especially in demand. Many wonderful comedies were created by A. Ostrovsky ("Wolves and Sheep", "Forest", "Mad Money", etc.).

The genre of comedy is invariably popular with the public, perhaps because it affirms the triumph of justice: in the finale, vice must certainly be punished, and virtue must triumph.

Drama- a relatively "young" genre that appeared in Germany in the 18th century as lesedrama (German) - a play for reading. The drama is addressed to the everyday life of a person and society, everyday life, family relationships. Drama is primarily interested in the inner world of a person; it is the most psychological of all dramatic genres. At the same time, it is the most literary of the stage genres, for example, the plays of A. Chekhov are largely perceived more as texts for reading, and not as theatrical performances.

Lyric genres of literature

The division into genres in the lyrics is not absolute, since the differences between genres in this case are conditional and not as obvious as in epic and drama. More often, we distinguish lyric works by their thematic features: landscape, love, philosophical, friendly, intimate lyrics, etc. However, you can name some genres that have pronounced individual characteristics: elegy, sonnet, epigram, message, epitaph.

Elegy(elegos Greek. plaintive song) - a poem of medium length, as a rule, moral-philosophical, love, confessional content.

The genre originated in antiquity, and the elegiac distich was considered its main feature, i.e. dividing a poem into couplets, for example:

The longed-for moment has come: my work of many years is over, Why is an incomprehensible sadness secretly disturbing me?

A. Pushkin

In the poetry of the 19th-20th centuries, division into couplets is no longer such a strict requirement, now semantic features that are associated with the origin of the genre are more significant. Essentially, the elegy goes back to the form of the Ancient funeral "lamentation", in which, mourning the deceased, at the same time recalled his extraordinary merits. This origin predetermined the main feature of the elegy - the combination of sorrow with faith, regret with hope, acceptance of being through sorrow. The lyrical hero of the elegy is aware of the imperfection of the world and people, his own sinfulness and weakness, but does not reject life, but accepts it in all its tragic beauty. A striking example is "Elegy" by A.S. Pushkin:

Crazy years faded fun

It's hard for me like a vague hangover.

But like wine is the sadness of days gone by

In my soul, the older the stronger.

My path is dull. Promises me labor and sorrow

The coming agitated sea.

But I don’t want to die, oh friends;

I want to live in order to think and suffer;

And I know I will enjoy

Between sorrows, worries and worries:

Sometimes I'll revel in harmony again,

I will shed tears over fiction,

And maybe - to my sad sunset

Love will shine with a farewell smile.

Sonnet(sonetto ital. song) - the so-called "solid" poetic form, which has strict rules of construction. The sonnet has 14 lines, divided into two quatrains (quatrains) and two three verses (tercets). In quatrains, only two rhymes are repeated, in tercets, two or three. The methods of rhyming also had their own requirements, which, however, varied.

The birthplace of the sonnet is Italy; this genre is also represented in English and French poetry. The coryphaeus of the genre is considered the Italian poet of the XIV century Petrarch. He dedicated all his sonnets to his beloved Donna Laura.

In Russian literature, the sonnets of A.S. Pushkin remain unsurpassed, beautiful sonnets were also created by the poets of the Silver Age.

Epigram(Greek epigramma, inscription) is a short, mocking poem, usually addressed to a specific person. Epigrams are written by many poets, sometimes increasing the number of their ill-wishers and even enemies. The epigram on Count Vorontsov turned around for A.S. Pushkin's hatred of this nobleman and, ultimately, the expulsion from Odessa to Mikhailovskoe:

Popu-my lord, half-merchant,

Half-sage, half-ignorant,

Half a scoundrel, but there is hope

That will be complete at last.

Mocking verses can be dedicated not only to a specific person, but also to a generalized addressee, as, for example, in the epigram of A. Akhmatova:

Could Biche like Dante create,

Went Laura to glorify the heat of love?

I taught women to speak ...

But, God, how to silence them!

There are even known cases of a kind of duel of epigrams. When the famous Russian lawyer A.F. Horses were appointed to the Senate, ill-wishers extended an evil epigram to him:

Caligula brought a horse to the Senate,

He stands, tucked away in velvet and gold.

But I will say, we have the same arbitrariness:

I read in the newspapers that Koni is in the Senate.

To which A.F. Horses, distinguished by an outstanding literary talent, replied:

(Greek epitafia, tombstone) - a poem-farewell to a deceased person, intended for a tombstone. Initially, this word was used literally, but later acquired a more figurative meaning. For example, I. Bunin has a lyrical miniature in prose "Epitaph", dedicated to parting with the road for the writer, but forever receding into the past Russian estate. Gradually, the epitaph is transformed into a dedication poem, a farewell poem ("Wreath for the Dead" by A. Akhmatova). Perhaps the most famous poem of this kind in Russian poetry is The Death of a Poet by M. Lermontov. Another example is M. Lermontov's Epitaph, dedicated to the memory of Dmitry Venevitinov, a poet and philosopher who died at the age of twenty-two.

Lyro-epic genres of literature

There are works in which some of the features of lyrics and epics are combined, as evidenced by the very name of this group of genres. Their main feature is the combination of the narrative, i.e. a story about events, with the transfer of the feelings and experiences of the author. It is customary to refer to lyric-epic genres poem, ode, ballad, fable .

Poem(poeo Greek. I create I create) is a very famous literary genre. The word "poem" has many meanings, both direct and figurative. In ancient times, poems were called large epic works, which today are considered epics (the above-mentioned poems of Homer).

In the literature of the XIX-XX centuries, a poem is a large poetic work with a detailed plot, for which it is sometimes called a poetic story. The poem has characters, a plot, but their purpose is somewhat different than in a prosaic story: in the poem they help the lyrical self-expression of the author. This is probably why the romantic poets loved this genre so much ("Ruslan and Lyudmila" by early Pushkin, "Mtsyri" and "Demon" by M. Lermontov, "A Cloud in Pants" by V. Mayakovsky).

Oh yeah(oda Greek song) is a genre represented mainly in the literature of the 18th century, although it also has an ancient origin. The ode goes back to the ancient genre of dithyramba - an anthem that glorifies a national hero or winner of the Olympic Games, i.e. an outstanding person.

Poets of the 18th-19th centuries created odes on various occasions. This could be an appeal to the monarch: M. Lomonosov dedicated his odes to Empress Elizabeth, G. Derzhavin to Catherine P. Glorifying their deeds, the poets simultaneously taught the empresses and inspired them with important political and civic ideas.

Significant historical events could also be the subject of glorification and admiration in an ode. G. Derzhavin after the capture of the Russian army under the command of A.V. Suvorov's Turkish fortress Izmail wrote the ode "Thunder of victory, sound!", Which for some time was the unofficial anthem of the Russian Empire. There was a kind of spiritual ode: "Morning Meditation on God's Greatness" by M. Lomonosov, "God" by G. Derzhavin. Civil, political ideas could also become the basis of the ode ("Liberty" by A. Pushkin).

This genre has a pronounced didactic nature; it can be called a poetic sermon. Therefore, it is distinguished by the solemnity of syllable and speech, the unhurried narration. An example is the famous excerpt from "Ode on the day of her Majesty Empress Elizabeth Petrovna's accession to the All-Russian throne in 1747" by M. Lomonosov, written in the year when Elizabeth approved the new charter of the Academy of Sciences, significantly increasing funds for its maintenance. The main thing for the great Russian encyclopedist is the enlightenment of the young generation, the development of science and education, which, according to the poet's conviction, will become the guarantee of Russia's prosperity.

Ballad(balare provence - dance) enjoyed particular popularity at the beginning of the 19th century, in sentimental and romantic poetry. This genre originated in French Provence as a folk dance of love content with obligatory choruses-repetitions. Then the ballad migrated to England and Scotland, where it acquired new features: now it is a heroic song with a legendary plot and heroes, for example, the famous ballads about Robin Hood. The only thing that remains unchanged is the presence of refrains (repetitions), which will also be important for ballads written later.

The poets of the 18th and early 19th centuries fell in love with the ballad for its special expressiveness. If we use an analogy with epic genres, the ballad can be called a poetic novella: it requires an unusual love, legendary, heroic plot that captures the imagination. Often, fantastic, even mystical images and motives are used in ballads: let us recall the famous "Lyudmila" and "Svetlana" by V. Zhukovsky. No less famous are A. Pushkin's "Song of the Prophetic Oleg", M. Lermontov's "Borodino".

In Russian lyrics of the 20th century, a ballad is a romantic love poem, often accompanied by musical accompaniment. Ballads are especially popular in "bardic" poetry, the anthem of which can be called the ballad of Yuri Vizbor, beloved by many.

Fable(basnia lat. story) - a short story in verse or prose of a didactic, satirical nature. Since ancient times, elements of this genre have been present in the folklore of all peoples as tales about animals, and then transformed into anecdotes. The literary fable took shape in Ancient Greece, its founder is Aesop (V century BC), after his name the allegorical speech began to be called "Aesopian language". In a fable, as a rule, there are two parts: a plot and a moralizing one. The first contains a story about some funny or ridiculous incident, the second - morality, a lesson. The heroes of fables are often animals, under the masks of which there are quite recognizable moral and social vices that are ridiculed. The great fabulists were Lafontaine (France, 17th century), Lessing (Germany, 18th century). In Russia, I.A. Krylov (1769-1844). The main advantage of his fables is a living, folk language, a combination of cunning and wisdom in the author's intonation. The plots and images of many of I. Krylov's fables look quite recognizable even today.

Instructions

Explore the epic genre of literature. It includes the following: - a story: a relatively small prose work (from 1 to 20 pages) describing an incident, a small incident or an acute dramatic situation in which the hero finds himself. The story usually takes no more than one or two days in duration. The scene may not change throughout the story;
- story: a work is enough (on average 100 pages), where from 1 to 10 heroes are considered. The scene may change. The validity period can cover a significant period, from one month to a year or more. The story in the story unfolds vividly in time and space. In the lives of heroes, significant changes can occur - moving, and meeting;
- novel: large epic form from 200 pages. A novel can trace the lives of characters from birth to death. Includes an extensive storyline system. Time can touch past eras and be carried far into the future;
- an epic novel can consider the life of several generations.

Check out the lyrical genre of literature. It includes the following genres:
- ode: a poetic form, the theme of which is the glorification of a person or event;
- satire: a poetic form that aims to ridicule any vice, situation or person worthy of ridicule
- sonnet: a poetic form with a strict compositional structure. For example, the English model of a sonnet, which has at its end two obligatory stanzas containing some kind of aphorism;
- the following poetic genres are also known - elegy, epigram, free verse, hokku, etc.

The following genres belong to the dramatic genre of literature: - tragedy: a dramatic work, in the finale of which there is the death of the hero. Such an ending for the tragedy is the only possible solution to the dramatic situation;
- comedy: a dramatic work in which the main meaning and essence is laughter. It can be satirical or kinder in character, but every incident in a comedy makes the viewer / reader laugh;
- drama: a dramatic work, in the center of which is the inner world of a person, the problem of choice, the search for truth. Drama is the most widespread genre these days.

note

In some cases, genres can be mixed. This is especially common in drama. You've probably heard definitions of movie genres such as comedy melodrama, action comedy, satirical drama, etc. The same processes are possible in the literature.

Helpful advice

Check out the works of Aristotle "Poetics", M.М. Bakhtin "Aesthetics and Theory of Literature" and other works devoted to the problem of genres and genres in literature.

The definition of the genre has changed at different times. Now it is customary to call this word the unification of works of art into groups according to common characteristics or its correlation with other works according to the same characteristics. There are different genres in every kind of art.

Instructions

Genres of literature, especially popular ones: fantasy, science fiction, detective, drama, tragedy, comedy.
Fantasy and science fiction are related, the plot is based on a fictional, often impossible idea for our world. It is characteristic of science fiction (Lem, Lukyanenko, Strugatskiy, Efremov, Garrison) to find logical remoteness in time and from our time. Fantasy (Tolkien, Howard) does not have such a scientific basis, but proceeds from myths and fairy tales, so the existence of many heroes seems illogical for our world.

The plot of a detective story (Doyle, Christie, Stout) is based on the solution of a certain riddle, a mystery, usually a crime. A good detective helps develop logical and analytical thinking.

Drama, tragedy and comedy are literary and dramatic works that become the foundations of theatrical and musical theater performances. The first genre, drama (Shiler, Shakespeare), has, as a rule, a plot close to everyday life. The source of the conflict is the hero's disagreement with the attitudes of society. The tragedy (Shakespeare, Pushkin) differs from the drama in a more sublime plot and the death of the hero in the finale.
The plot of the comedy (Beaumarchais, Moliere) is based on an abundance of jokes and a happy ending.

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Literary genres are historically emerging and developing literary works that are united by common formal and substantial forms.

The term genre (from the French genre - genus, species) can be applied to literary groups formed according to various characteristics. Most often it is used in relation to works combined in content (comedy, tragedy, drama). There is a classification of literary genres by form: ode, novel, story, etc. And by birth: epic (, story, myth, etc.), lyric (ode, elegy, etc.), lyric-epic (ballad and), dramatic (comedy, tragedy, drama). They can be divided into separate categories - genres of oral folk art (, song,) or small genres of folklore (riddle, proverb, ditty). The genres of Old Russian literature include: life (description of the life of secular and clergy), teaching, walking (description of a journey, most often to holy places), military tale, word (fictional prose work of an instructive nature) and chronicle.

Genre is a fairly broad concept in artistic creation. Even Aristotle, in his treatise "Poetics", laid the foundation for the theoretical division of works, but until now there is no generally accepted interpretation of such concepts as genus, species and genre. So, based on the etymological meaning of the word, you can replace genera with genres, and species with forms. It is rather difficult to identify a single principle of dividing the genres of poetry and prose into types and genres, especially considering the fact that literary genres are constantly "changing and changing" over time. However, one can single out the most frequently used variant, where the genus is understood as a way of depiction (dramatic, lyrical or epic); under the guise - one form or another of a dramatic, lyrical and epic work; under the genre - a variety of certain types of literary works (historical novel, satirical poem).

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  • Literary genres

The concept of genre has existed since ancient times, from the very first attempts to comprehend the phenomenon of art in the works of Aristotle and Plato. Nevertheless, there is still no consensus in literary criticism about its essence and functions as a fundamental law of verbal creativity, which, in turn, leads to the problem of classifying works. That is why the modern division into genres, based on certain characteristics, can be considered rather arbitrary.

Most of the genres known today arose in the ancient era and, despite all the quirks of evolution, still retains a number of stable features. The most important of them is the belonging of an individual literary work to one of three genera - epic, lyric or drama in accordance with the "Poetics" of Aristotle. At the same time, borderline genres stand out: lyric-epic, lyric-dramatic, epic drama ("non-Aristotelian" or archaic).

Modern literary criticism accepts the ancient classification only as a starting point. Moreover, since the time of Aristotle, new genres have emerged, while the old ones have lost their meaning, and with it a number of characteristic features. However, there is still no more harmonious system that allows at least approximately to explain the nature of the genre.

According to this classification, the epic includes: an epic, a novel, a story, a story, a fable, an epic poem. Lyrics - ode, elegy, ballad, epigram. For drama - actually drama, tragedy, comedy, mystery, farce, vaudeville. The main lyric-epic genre is the poem, the lyric-dramatic genre is the "new drama" of the late 19th and early 20th centuries. (Ibsen, Chekhov).

Along with the classical differentiation, genres can be distinguished depending on their content and formal characteristics, as well as on the organization of speech in the work. So, since the time of classicism, the fable, in contrast to the ancient (Aesop, Phaedrus), has a poetic form, but belongs to the epic, since its plot is based on the transmission of events and characters of the characters. The genre implies, rather, not, but substantial signs - the motives of loneliness, unrequited love, death. A ballad (also rondo, sonnet) is both (lyrical) and formal - a refrain at the end of each stanza or a strictly defined number of verses.

Any literary genre appears only at a certain stage in the development of art, constantly changing, disappearing and reappearing. The principles of distinguishing individual genres, their types, nature, functions, and significance are also changing. For example, classic tragedy presupposed the presence of “noble” heroes, observance of the rules of the “three unities”, a bloody denouement, and the Alexandrian verse. Much later, in the 19th-20th centuries, all these substantive and formal features ceased to be obligatory. Any dramatic work that reveals a tragic conflict began to be considered a tragedy.

Currently, many works have a rather vague, "anti-genre" structure, since they can combine elements of all three kinds. This is a kind of response to the wide distribution over the past two centuries of mass literature, linking stable forms and content of works (for example, historical, love, adventure, fantasy, detective novel).

In literary criticism, there is also the concept of "genres of texts", which is used to distinguish between historically established forms of works. So, genres can be monocultural (Old Icelandic sagas, skaz) or polycultural (epic, sonnet). Some of them are inherent in universality, that is, there is no direct connection with the specifics of national literature (, short story).

The word "genre" comes from the French genre, which translates as "genus" or "species". Literary scholars have no unity in the definition of this term. But most often, literary genres are understood as groups of works, united on the basis of a set of formal and substantial properties.

Literary theory about genres

Literary theory operates with three basic concepts: genus, species and genre. Until now, there is no generally accepted interpretation of these concepts. Some are based on the etymological meaning of words and call genres genres. Others adhere to a more common division. In this case, genus is understood as a way of depicting (lyrical, or epic); under the guise - this or that certain form of lyric, dramatic or epic poetry (for example, an ode, comedy,); and under the genre - the varieties of existing types of poetry (for example, satirical or historical novel).

Genre, like other elements of an art form, is one of the main means of revealing content. Comparing the two genres of the poem, heroic and satirical, it can be noted that in the first place the image of an important event in the life of the people comes to the fore, in the process of which the valor and strength of the representatives of this people are manifested. An example of a heroic poem is The Lay of Igor's Host. In a satirical poem, on the contrary, a low event is depicted, which is ridiculed. The satirical poems include "Tambov Treasurer" by M.Yu. Lermontov. However, in both cases, the genre of a literary work is determined by the nature of the depicted.

Different typologies of literary genres

Aristotle was the first to attempt to systematize it in his Poetics. Today, different typologies of genres have been adopted, based on different criteria.

In this case, the following literary genres stand out: short story, story, story, novel, essay, essay, ode, poem, play, sketch.

Subject

Genres differ in thematic features. For example, a novel can be sci-fi, gothic, historical, rogue, psychological. That, "Peter I" by A. N. Tolstoy is a historical novel, his "Aelita" is a fantastic novel, and "A Hero of Our Time" by M. Yu. Lermontov is a socio-psychological one.

Literary genres are also divided according to the characteristics of their ideological and emotional assessment. For example, A. P. Chekhov's early stories are humorous, and Yu. P. Kazakov's are lyrical.

Contemporary literary genres are not part of any system or typology. They are aimed at new artistic searches and often deliberately move away from genre specificity.

Japan - "Land of the Rising Sun"

Poetic names of Asian countries are especially common. So, Japan is known as the "Land of the Rising Sun". The Japanese call their country "Nippon" or "Nihon", which translates as "Homeland of the sun." Thus, "Land of the Rising Sun" is almost the exact original name of the country. Such a poetic name appeared thanks to the Chinese: it was they who called Japan "the homeland of the sun" in the Song dynasty with the Japanese emperor. This was due to the fact that Japan is located east of China, on the side where the sun rises.

Korea - "Country of Morning Freshness"

Korea is called "the country of morning freshness". This is due to the ancient name of Korea, Joseon. This name consists of two hieroglyphs, the first of which now also means "morning", and the second - "freshness". Scientists are inclined to believe that the word "Joseon" did not initially carry such a poetic semantic load. This name has come down to the present day from Chinese manuscripts that distorted the Korean pronunciation. In addition, the pronunciation of Chinese characters has changed over time. Now the name "Joseon" for Korea is used only in the DPRK. In South Korea, their country is called "Namkhan".

China - "Celestial Empire"

You can often hear how China is called "Celestial Empire". This name first appeared in China before our era and originally meant the entire world known to the Chinese. Then "Celestial Empire" was called only the territory in which the power of the Chinese emperor, who in Confucian ideology was the representative of heaven on earth, was spreading. At present, in China, the "Celestial Empire" is understood as the whole world, but in Russia this is precisely what China is called.

England - "Foggy Albion"

England is called "Foggy Albion". Albion is the oldest name of the British Isles, translated from Latin as "white mountains". This is how the ancient Romans named the islands they discovered due to the fact that the coast of England was formed of chalk rocks. The epithet "foggy" is explained by the fact that the islands of Great Britain are often shrouded in very thick fog.

Ireland - the emerald island

Thanks to the mild year in Ireland, there is a lot of greenery. That is why this country is called the "Emerald Isle". In addition, green is the national color of Ireland, strongly associated with the most famous national holiday - St. Patrick's Day.

Finland - the land of a thousand lakes

There are about 190,000 lakes in Finland, which form an extensive lake system. Lakes play a special role in Finnish nature. It is not surprising that this country received the poetic name "Land of a Thousand Lakes".

Literary genres are groups of works collected according to formal and substantive criteria. Literature works are subdivided into separate categories according to the form of the narrative, according to the content and according to the nature of belonging to a particular style. Literary genres make it possible to systematize everything that has been written since the time of Aristotle and his "Poetics", first on "birch bark letters", dressed skins, stone walls, then on parchment paper and scrolls.

Literary genres and their definitions

Definition of genres by form:

A novel is an extensive narrative in prose, reflecting the events of a certain period of time, with a detailed description of the life of the main characters and all other characters who, to one degree or another, participate in the aforementioned events.

A story is a form of narration that does not have a certain volume. The work usually describes episodes from real life, and the characters are presented to the reader as an integral part of the events taking place.

The story (short story) is a widespread genre of short prose, it is defined as "short story". Since the format of the story is limited in length, the writer usually manages to unfold the narrative within the framework of one event with the participation of two or three characters. The exception to this rule was the great Russian writer Anton Pavlovich Chekhov, who could describe the events of an entire era with many characters in several pages.

An essay is a literary quintessence that combines the artistic style of storytelling and elements of journalism. It is always presented in a concise form with a high content of specificity. The subject of the essay, as a rule, is connected with social and social problems and is of an abstract nature, i.e. does not affect specific individuals.

The play is a special literary genre designed for a wide audience. Plays are written for the theater stage, television and radio performances. In terms of their structural design, the plays are more similar to a story, since the duration of theatrical performances is in the best possible way correlated with a medium-sized story. The genre of the play differs from other literary genres in that it is narrated from the perspective of each character. The text contains dialogues and monologues.

Oda is a lyrical literary genre, in all cases of positive or laudatory content. Dedicated to something or someone, it is often a verbal monument to heroic events or exploits of patriotic citizens.

An epic is a narrative of an extensive nature, which includes several stages of state development that are of historical importance. The main features of this literary genre are global events of an epic nature. The epic can be written both in prose and in verse, an example of which is Homer's poem "The Odyssey" and "Iliad".

An essay is a short piece of prose in which the author expresses his own thoughts and views in an absolutely free form. An essay is to some extent an abstract work that does not claim to be completely accurate. In some cases, essays are written with a grain of philosophy, sometimes the work has a scientific connotation. But in any case, this literary genre deserves attention.

Detectives and fiction

Detectives are a literary genre based on the eternal confrontation between police officers and criminals, the stories and stories of this genre are of an action-packed nature, murders take place in almost every detective story, after which experienced detectives begin an investigation.

Science fiction is a special genre of literature with fictional characters, events and an unpredictable ending. In most cases, the action takes place either in space or in the depths of the underwater. But at the same time, the heroes of the work are equipped with ultra-modern machines and devices of fantastic power and efficiency.

Is it possible to combine genres in literature

All of the listed types of literary genres have unique features of distinction. However, there is often a mixture of several genres in one work. If this is done professionally, a rather interesting, unusual creation is born. Thus, the genres of literary creativity contain a significant potential for the renewal of literature. But these opportunities should be used carefully and thoughtfully, since literature does not tolerate profanity.

Genres of literary works by content

Each literary work is classified according to its belonging to a certain type: drama, tragedy, comedy.


What comedies are

Comedies come in different types and styles:

  1. Farce is a light comedy based on elementary comic techniques. It is found both in literature and on the theatrical stage. Farce as a special comedic style is used in circus clownery.
  2. Vaudeville is a comedy play with many dance numbers and songs. In the United States, vaudeville became the prototype of the musical; in Russia, small comic operas were called vaudeville.
  3. An interlude is a small comic scene that was acted out between the actions of the main play, performance or opera.
  4. Parody is a comedy technique based on the repetition of recognizable features of famous literary characters, texts or music in a deliberately modified form.

Contemporary genres in literature

Types of literary genres:

  1. Epic - fable, myth, ballad, epic, fairy tale.
  2. Lyric - stanzas, elegy, epigram, message, poem.

Modern literary genres are periodically updated, over the past decades, several new directions in literature have appeared, such as political detective, psychology of war, as well as paperback literature, which includes all literary genres.

The main genres of literature are groups of works that are identical formally and in style of presentation. Even in the time of Aristotle, literature was divided into genres, evidence of this is the "Poetics" of the Greek philosopher, a treatise on literary evolution, written three hundred years before the birth of Christ.

in literature?

Literature dates back to biblical times, people have always written and read. containing at least some text is already literature, because what is written is a person's thoughts, a reflection of his desires and aspirations. Lectures, petitions, church texts were written in abundance, and thus the first literary genre appeared - birch bark. With the development of writing, the chronicle genre arose. More often than not, what was written already bore some literary signs, graceful turns of speech, figurative allegories.

The next genre of literature was epics, epic legends about heroes and other heroes of historical plots. Religious literature, descriptions of biblical events, and the lives of the higher clergy can be considered separate.

The advent of book printing in the 16th century marked the beginning of the rapid development of literature. Styles and genres took shape throughout the 17th century.

Literature of the 18th century

The question of what genres are in can be answered unequivocally, that the literature of that time is conditionally divided into three main directions: drama, narration and poetic verses. Dramatic works often took the form of tragedy, when the heroes of the plot died, and the struggle between good and evil became more and more deadly. Alas, the conjuncture of the literary market dictated its conditions even then. The genre of calm storytelling also found its readers. Novels, novellas and short stories were considered the "middle link", while tragedies, poems and odes belonged to the "high" genre of literature, and satirical works, fables and comedies - to the "low" genre.

Verses are a primitive form of poetry that was used at balls, social events and other events of the highest nobility of the capital. Poems in the verse genre had signs of syllogistics, the verse was divided into rhythmic segments. The mechanical syllable, deadly for real poetry, dictated fashion for a long time.

Literature 19-20 centuries

Literature of the 19th century and the first half of the 20th century is distinguished by several genres that were most in demand in the golden age of Pushkin and Gogol, and then in the silver age of Alexander Blok and Sergei Yesenin. Drama, epic and lyric poetry - this is what genres are in the literature of the past and the century before last.

The lyrics had to have an emotional coloring, to be meaningful and purposeful. Its categories were ode and elegy, and an ode - with enthusiastic surprise, chanting and elevation to the rank of heroes.

The lyrical elegy was built on the principle of the sad tonality of the verse, sadness as a result of the hero's experiences, regardless of what was the reason - or the disharmony of the universe.

What are genres in contemporary literature?

There are a lot of genres in modern literature, among them the most popular ones demanded by a wide readership can be distinguished:

  • Tragedy is a kind of literary genre of drama, characterized by extreme emotional stress, with the obligatory death of the heroes.
  • Comedy is another kind of drama genre, the opposite of tragedy, with a fun plot and a happy ending.
  • The fairy tale genre is a literary direction for children, their creative development. There are many literary masterpieces in the genre.
  • The epic is a literary genre of historical sense, describes individual events of past times in the style of heroism, is distinguished by a large number of characters.
  • The novel genre is an extensive narrative, with several storylines, describing in detail the life of each character separately and all together, and is distinguished by a tendency to analyze the events taking place.
  • The story is a genre of medium form, written according to the same scheme as the novel, but in a more concise context. In the story, one character is usually singled out as the main character, the rest are described in "binding" to him.
  • Story - a genre of short storytelling, a summary of one event. Its plot cannot have a continuation, it represents the quintessence of the author's thought, it always has a complete form.
  • The novella is a genre similar to the story, the difference is only in the sharpness of the plot. The story has an unexpected, unpredictable ending. This genre is well suited to thrillers.
  • The genre of the essay is the same story, but in a non-artistic manner of presentation. In the essay, there are no flowery turns of speech, grandiloquent phrases and pathos.
  • Satire as a literary genre is rare, its accusatory orientation does not contribute to its popularity, although satirical plays in theatrical production are well received.
  • The detective genre is the most popular literary trend in recent times. Millions of paperback books by popular authors such as Alexandra Marinina, Daria Dontsova, Polina Dashkova and dozens of others have become tabletop for many Russian readers.

Conclusion

They are diverse, each contains the potential for further creative development, which will certainly be used by modern writers and poets.