Corner of the group “Russian hut. Making a corner in the younger group of a kindergarten with your own hands: Russian folk art Folklore corner in a kindergarten

Svetlana Isaeva

Childhood is the heyday in human life. Children are very sensitive to every word spoken by adults. Therefore, the task of adults is to instill in children a love of beauty, to develop in children a sense of patriotism for the Motherland and native origins.

Young children need to be approached with the simplest and most accessible for him. Therefore, in our corner of folk art household items found their place (made using papier mache technique) painted for Khokhloma and Gzhel.

Of great importance in the life of a child is folk toy... Bright, unusual toys activate the child's independent activity, they also play an important role in aesthetic education, create a positive emotional microclimate, and form a positive attitude towards the environment. Together with the children, we made toys from plasticine.

Having rolled them in flour, the children painted them based on the Russian folk art - Dymkovo, Gorodets and Bogorodsky painting.

In addition to these crafts in our corner Kuvadka's pupae are presented.

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Folk art corner

for children and parents

Joint workshop for children and parents

Name the items. What unites them?

Russia is a land of forests. Here huts were cut from wood. Carts and sledges were made for transportation. The most common peasant shoes in the past - bast shoes - were woven from linden bark. Children played with wooden toys.

Scarlet silk handkerchief

Bright flower sundress

Hand rests

In wooden sides.

And inside there are secrets:

Maybe three, maybe six.

Blush a little

This is Russian, (Matryoshka)

2 slide: Unique Russian toy. Together with a Russian birch tree and a Russian samovar, she became a symbol of Russia.

Russian nesting dolls are a kind messenger of friendship and love. She is the soul of Russia.

Indeed, this wonderful bright doll in the old days in Russia was called Matryona, and affectionately Matryoshka.

Slide 3: Where and how did this miracle come from?

The most popular Russian painted wooden doll in the world appeared in Russia in the 90s of the XIX century in the Abramtsevo estate near Moscow, owned by S.I. Mamontov.

6 slide: Once a Japanese toy, brought from the island of Honshu by the wife of S.I. Mamontov, came to the estate.
It was the figure of a good-natured bald old man, sage Fukurumu, in which there were several more figures, nested one inside the other. The Japanese, by the way, claim that a Russian monk was the first to carve such a toy on the island of Honshu. This toy is the prototype of our matryoshka

(After slide 8)

THE GAME: mix up the two sets of nesting dolls and have the children sort them or line them up in pairs.

And wooden dishes speak of a great role in the life of the Russian people.

9 slide: The tale begins not about us, not about you, but about the wonderful drawing of the magic grass.

10 slide: They say that a master icon painter lived in Moscow in ancient times. The king highly appreciated his skill and generously rewarded him for his labors. The master loved his craft, but most of all he loved a free life, and therefore one day he secretly left the royal court and moved to the remote Kerzhen forests.
He cut down a hut for himself and began to do the same thing. He dreamed of an art that would become familiar to everyone, like a simple Russian song, and that the beauty of his native land would be reflected in it. This is how the first Khokhloma cups appeared, decorated with lush flowers and thin twigs.
The fame of the great master spread throughout the land.
People came from everywhere to admire his skills. Many cut down huts here and settled nearby.
Finally, the glory of the master reached the formidable sovereign, and he ordered a detachment of archers to find the fugitive and bring him. But the popular rumor flew faster than the streltsy legs. The master learned about his misfortune, gathered his fellow villagers and revealed to them the secrets of his craft. And in the morning, when the royal envoys entered the village, they saw everything how the hut of the miracle artist was burning with a bright flame. The hut burned down, but the master himself, no matter how they looked, was not found anywhere. Only his colors remained on the ground, which seemed to have absorbed both the heat of the flame and the blackness of the ashes.
The master has disappeared, but his skill has not disappeared, and Khokhloma paints are still burning with a bright flame, reminding everyone of the happiness of freedom, and the heat of love for people, and the thirst for beauty. Apparently, the brush of the master was not simple - a brush made of sun rays.
This is the legend. It is always told a little differently, and every curious person will be able to read it in the collections of legends and fairy tales of the Nizhny Novgorod region. As in any legend, there is a lot of fiction in it, but its truth is that great skill and great art are preserved only when passed from hand to hand, from teacher to student. And so it happened with Khokhloma.

It is curious that Khokhloma is not the birthplace of the craft, but a village where the first craftsmen brought their products from the ancient Trans-Volga villages - Novopokrovskoe, Kuligino, Semino.

Let's admire the products of the Khokhloma masters.(view items in the museum)

How are these products made, which come to our homes to delight us?

11 slide: The process of making Khokhloma dishes.

1. Blank. Wooden utensils are turned on a lathe or hollowed out from well-dried wood. Such blanks are called “linen”. The finished product is well dried.

2. Primer. After drying, the product is primed: clay, diluted with water to a liquid state, is rubbed into the linen with a rag in a very thin layer. Dried for several hours.

3. Linseed oil impregnation, drying.

4. Drying. Cover with 4 layers of linseed oil, 4 layer is the thickest, dried in an oven at a temperature of 50-60 degrees.

5. Tinning - powder of tin or aluminum is rubbed into the product, it acquires a beautiful white-mirror shine. Drying.

6. Painting. All elements of the painting are performed immediately with a brush, without preliminary drawing with a pencil. The brush must be held at its very base and placed vertically to the plane of the drawing. Almost all items are painted by weight. They hold the product with the left hand, and paint with the right hand. The right hand remains unsupported, and only sometimes with the little finger set aside can the product be touched.

7. Lunging. The painted and dried product is covered with oil varnish and hardened in an oven at a temperature of 270-300 degrees. Under the influence of temperature, the varnish turns yellow, and the product acquires a golden color. To obtain a richer golden color, the munching operation can be repeated several times.

Let's take a closer look at the products of Khokhloma. What kind of ornament do the artists use?

What are the main colors in the painting? I suggest you plunge into the world today ... ...

12 slide: Herb ornament or "grass".

So typical for the whole Khokhloma

Wonderful drawing of a magic herb.

“Sediments” is the simplest element. It is performed by lightly moving the tip of the brush from top to bottom.

"Blades of grass" are strokes with a slight smooth thickening.

"Droplets" are performed by applying a brush to the product.

"Antennae" are depicted as a continuous line of equal thickness, twisted into a spiral.

"Curls" perform, like "antennae", only with a slight pressure in the middle of the element.

13 slide: Criul

Simple in form, but pleasing to the eye.

A wonderful pattern is rich and decorated.

On a gold background with an intricate snake

The ornament winds here - just try it!

14 slide: Leaves

For a long time in Russia, images of flowering bushes and fruits were considered a wish for good, prosperity and happiness.

15 slide: Khokhloma artists call berries affectionately, and never the same master will write them the same way.

16 slide: Currant berries, mountain ash are drawn with a "poke" or "frog" (a piece of sheep's wool wrapped around a stick) (cotton swabs)

Decoration of a corner in the junior group of the kindergarten "Russian folk art"

Elena Aleksandrovna Beloglazova, teacher of the kindergarten “Alyonushka”, the city of Novokuibyshevsk, Samara region.
Description: this publication will be of interest to kindergarten teachers.
Purpose: Decoration of the corner in the junior group of the kindergarten "Russian folk art"
Tasks:
- to acquaint younger preschoolers with the origins of Russian folk art;
- to involve the parents of the pupils in the design of the corner - "Russian folk art"
My labor activity as a kindergarten teacher began in the younger group, we got the group after the graduates of the kindergarten, so the design of the group, the creation of a subject-spatial environment that would be comfortable and meet the age requirements of children, was an important point.
Dear colleagues, I propose to your attention the decoration in the group of the corner “Russian folk art”. We all understand the importance of introducing children to the origins of national culture from an early age.
Having explained to the pupils' parents about the importance of this direction in the development and upbringing of their children, having received their approval and support, they began to design the corner.
We allocated a place in the group so that it would be open and accessible to children, and we started decorating.
Since birch is a symbol of our Motherland, people composed songs, proverbs and sayings about it, I chose it to decorate the wall. The trunk of a birch tree is made of Whatman paper, which I bent and designed, the leaves on the trees are made of ready-made decorative decorations, artificial leaves, which I inserted from above.

As you can see, the first items of Russian antiquity appeared on the shelf: this is a samovar, which was presented to us by the grandmother of one of the pupils, on which we hung a bunch of dryers. Next to the samovar, we placed a loaf, which was made by parents, from salted dough, (loaf in the photo below) there were pots, wooden spoons, a matryoshka. And of course, the main decoration of the corner is our Russian beauty, in a red sundress, who is rightfully considered the mistress of the corner, she was also presented to us by our parents.

Our corner continued to take shape, soon a Russian beauty appeared on the wall, who was leading a round dance around our birch tree. We designed the corner inscription "Russian folk art", the letters were cut out of colored paper and glued to the skoch.

Soon, Russian-folk instruments appeared in our corner: balalaika, accordion, bells, flute, etc.

So gradually our corner was transformed.
In connection with the new requirements for fire safety, we slightly changed the design on the wall, we left the birch symbol, but now we have painted two birches with paints, the inscription for the corner is also painted. Now our corner looks like this:

Together with parents, we continue to replenish and enrich our corner. For children, a folder was created with drawings for Russian folk tales, which were made by parents with children at home. Children are very fond of flipping through a folder with drawings, being in a corner and sharing their impressions, what kind of fairy tale they are drew with their parents.

Here are some works: Fairy tale "Snow Maiden"

Fairy tale "Bubble, straw and bast shoe"

Fairy tale "Kolobok"

Together with my parents, poems and nursery rhymes about matryoshka were arranged in the corner, in the form of a collection "Matryoshka's poems and nursery rhymes", which I read to children in regime moments.

On this, the design of the corner "Russian folk art" in our group is not finished, we continue to replenish it and expand the material. I would be very grateful to hear wishes and recommendations.
Thank you all for your attention!

Lyubov Shchukina

When implementing a project on moral and patriotic education " Russian folk art- the basis for the formation of patriotic feelings and universal values ​​of preschoolers "large-scale work was carried out. First, the basic techniques were studied folk painting: Khokhloma, Gzhel, Dymka, Filimonovskaya.

Secondly, it was decided to create folk corner- arts and crafts and involve parents in its creation. It should be noted that parents gladly responded to the proposal to create corner and took an active part in this. As a result, the robots of the parents created a layout Russian hut... Over time, her interior enriched: ancient household items appeared in it - a rolling pin, a spinning wheel, a samovar, a well and others.

Third, a whole exhibition of handmade clay toys was created.

Now this exhibition adorns our group and is replenished with new items.

Thank you for the attention!

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