The Orthodox icon of the mother of God of all who sorrow is joy. Icon of all who sorrow the joy of the mother of God

Merchants took her with them on trade trips and placed her in shops, praying to the Mother of God for help in business.

PRAYER ONE

Oh, Most Holy Lady of the Theotokos, Blessed Mother of Christ our Savior God, all those who grieve, visit joy, visit the sick, protect the infirm, patroness of widows and orphans, mothers of sad, all-hopeful comforter, infants of the feeble fortress, and all the helpless always ready help and faithful help! You, O All-Merciful, have been given grace from the Almighty in the hedgehog to intercede and save everyone from sorrow and sickness, but Thou didst endure fierce sorrow and sickness, looking at the free suffering of Thy beloved Son, and He is crucified on the cross by sight, when Thy heart was foretold by Simeon ... Even so, O Mother loving children, smell the voice of our prayer, comfort us in the sorrow of those who are, like a faithful intercessor of joy: stand by the throne of the Most Holy Trinity, at the right hand of Thy Son, Christ our God; For this reason, with heartfelt faith and love from the soul, we fall to You like a Queen and Lady, and we dare to cry out to You in psalm: hear, children, and see, and incline Your ear, hear our prayer, and deliver us from the current troubles and sorrows: You are bo Fulfill the petitions of all the faithful, like those who grieve, joy, and give peace and consolation to their souls. Behold our misfortune and sorrow: show us Your mercy, eat the consolation of our wounded sorrow, show and surprise us sinners with the riches of Your mercy, give us tears of repentance for cleansing our sins and quenching the wrath of God, but with a pure heart, a good conscience and We resort to your intercession and intercession with an unreasonable hope: accept, all-merciful our Lady Theotokos, our fervent prayer offered to You, and do not reject us unworthy of Your mercy, but give us deliverance from sorrow and illness, protect us from all slander of hostility and slander wake us an unrelenting helper throughout all the days of our life, as if under Thy motherly cover we will always remain in purpose and preserve Thy intercession and prayers to Thy Son and our Savior God, All glory, honor and worship are due to Him, with His originless Father and the Holy Spirit, now and forever and forever and ever, Amen.

PRAYER TWO

Oh, Most Holy and Most Blessed Virgin, Lady Theotokos! Look with Your merciful eye on us, who stand before Your holy icon and pray to You with tenderness: raise us up from the depths of sinfulness, enlighten our mind, darkened by passions, and heal the ulcers of our souls and bodies. Not imams of any other help, not imams of other hopes, except for You, Lady. You weigh all our infirmities and sins, we resort to You and cry: do not leave us with Your heavenly help, but appear to us always and with Your ineffable mercy and mercy save and have mercy on us who are perishing. Grant us the correction of our sinful life and deliver us from sorrows, troubles and diseases, from sudden death, hell and eternal torment. Thou art, Queen and Lady, an ambulance Assistant and Intercessor, thou art to all who come to Thee, and a strong Refuge for sinners who repent. Grant to us, Abiding and All-Immaculate Virgin, the Christian end of our life is peaceful and unashamed, and grant us with Your intercession to dwell in the heavenly abodes, where the unceasing voice of those celebrating with joy glorifies the Most Holy Trinity, the Father and the Son and the Holy Spirit ever since. Amen. ">

Is there any higher ministry in the world than to comfort the grieving and turn their sorrow into joy? This is especially evident when you consider that from time immemorial the word "sorrow" was given a broader meaning than it is now. In the understanding of our ancestors, this concept included not only experiences and sorrows, but in general everything that we call negative today - everyday failures, illnesses, as well as physical and mental suffering. It was in these cases that she gave people her blessed help "Joy to All Who Sorrow" - the icon of the Mother of God.

Icons bearing grace

Starting a conversation about one of the most revered images of the Most Pure Theotokos in the Orthodox world, one should dwell on one very important circumstance and emphasize that the power of miracles is possessed not by the icon itself, but by the one who is depicted on it. It can be our Savior Jesus Christ, His saints or, as in this case, the Queen of Heaven.

It is to them that we turn our prayers, and from them, according to our faith, we receive mercy. The icon itself is, as it were, a transmission link through which Divine grace is sent down to people. Therefore, it is important to understand that we turn our prayers not to the icon, not to the board covered with a layer of painting, but to the one whose holy image is captured on it.

"Joy of all who grieve" (the icon of the Mother of God) became famous thanks to the numerous miracles revealed through prayers in front of her, from which we can conclude that the Queen of Heaven is pleased to send down her mercies to people through her.

The beginning of universal veneration of the image

The name of this widespread image of the Theotokos was the words from the stichera "Joy to All Who Sorrow" - a festive liturgical text, the prayer words of which are addressed to the Mother of God. Researchers attribute the appearance of the icon to the 17th century, emphasizing that the influence of the Western European school of painting is noticeable in its artistic features.

In addition, in the presence of a large number of eddies (spelling options), the absence of a compositional scheme common to all is noted. For this reason, the icons bearing this name often differ significantly from each other. An example is the additional figures that were absent in the early editions and were included in the composition of icons painted after 1688.

It is known that these plot changes were made as a result of the healing received that year by the sister of Patriarch Joachim, Euthymius, who offered up prayers in front of this image. The miracle manifested through the icons triggered the beginning of its glorification, and on subsequent editions images of the suffering appeared, which should have emphasized the healing power of the image.

Common iconographic tradition and its features

Despite the frequent plot differences, "Joy of All Who Sorrow" is an icon of the Mother of God, which, nevertheless, has its own characteristic features and characteristics. These include the well-established tradition of placing the figure of the full-length Virgin Mary in a vertical oval radiance called a mandorle.

Along the way, we note that this form of image, which is often found in Christian painting, for example, in the iconographic subjects "The Second Coming", "The Transfiguration of the Lord" and a number of others, is also used in Buddhist art. It is customary to depict the figure of Buddha in the same oval light.

Over time, in the composition of this icon, in addition to the already mentioned suffering ones, they began to include images of angels - the direct performers of acts of mercy bestowed on people by the Most Pure Virgin. In its later samples, dating back to the middle of the 18th century, one can also see figures of saints placed on the left and right sides of the Mother of God.

Veneration of the icon by the Old Believers

Despite the fact that "Joy of All Who Sorrow" (the icon of the Mother of God) appeared after the church schism provoked in the middle of the 16th century by Nikon's religious reform, the Old Believers - a significant part of the faithful who broke with the official church - enjoy universal veneration. Especially popular among them are her versions, written in the village of Vetka (Belarus). They also celebrate the Day of the Icon of the Mother of God "Joy of All Who Sorrow", celebrated by the entire Orthodox Church annually on November 6 (in a new style).

The commandment of the Most Holy Theotokos

As mentioned above, the glorification of this icon of the Theotokos began with the healing of the Patriarch's sister, Euphemia, which was brought to her by a prayer read near the icon. "Joy of all who grieve" (the icon of the Mother of God), previously little known and located in a small Moscow church on Ordynka, has since become an object of universal veneration.

The strengthening of the religious feelings of believers was also facilitated by her story about the voice of the Blessed Virgin heard in a thin dream, who commanded everywhere to testify of the miracle that had happened and to glorify Her name. On the same days, by order of the Most Holy Patriarch, an akathist was drawn up for the icon of the Mother of God "Joy of All Who Sorrow" and her nationwide veneration began. At the same time, a prayer appeared, the text of which is given in one of the photos placed in the article.

In 1711, in connection with the transfer of the capital of the Russian Empire to St. Petersburg, the royal family also went to the banks of the Neva. From archival documents it is known that when leaving Moscow, the sister of Peter the Great, Natalya Alekseevna, ordered a copy of the Theotokos' Joy of All Who Sorrow, in the miraculousness of which she believed with all her soul. But here's what she took with her to the new capital - the original or a copy from it, is unknown to this day.

Original or copy?

Over time, the church on Ordynka, from which the glorification of the miraculous image began, began to be revered as a temple of the icon of the Mother of God "Joy of All Who Sorrow" and was popularly named Skorbishchenskaya. In the years following the October Revolution, she suffered the same fate as many other churches in the country: the church was closed, the parish was liquidated, and the building itself was used for many years for economic purposes.

In subsequent years, the church was returned to believers and today is again one of the centers of the spiritual life of Moscow. It pleases, but the question is the authenticity of its main icon. There is reason to believe that the original stored in it was stolen during a long-term anti-religious campaign, and in its place today, although very valuable, is still a copy made in the 17th century and which was in the collection of Patriarch Alexy I.

Church on Shpalernaya Street

There is a church of the Icon of the Mother of God "Joy of All Who Sorrow" in St. Petersburg. It is located in the city center, on Shpalernaya Street. In ancient times, it was the home church of Natalya Alekseevna Romanova, the sister of Peter I. It was in it that she placed the image brought from Moscow, about the authenticity of which controversy continues to this day.

However, regardless of how things really stand, both icons - the St. Petersburg one and its Moscow sister - are undoubtedly miraculous, for which there is a lot of evidence. In particular, it is known that one of them, as a symbol of heavenly patronage, accompanied the Russian army in the Prut campaign of 1710-1713. and helped her with honor to get out of the difficult situation that had developed during the battles.

Gift of the merchant Matveev

Among the numerous versions of the icon, there is one, the appearance of which is associated with St. Petersburg. Among the people, it is called the icon of the Mother of God "Joy of All Who Sorrow" (with pennies). Tradition says that in the middle of the 19th century, the pious merchant Ivan Matveyev donated to one of the chapels located near the city, the Icon of the Theotokos, once nailed to the shore by the Neva waves.

No one would have known about this if a terrible thunderstorm had not happened in July 1888, during which a lightning strike destroyed the dilapidated chapel, destroying almost all the utensils in it. By the will of God, only the icon "Joy of All Who Sorrow" presented by the merchant remained unharmed, not only not suffering from the fire, but also unusually enlightened and transformed.

Groshiki on the icon

But the most surprising thing was that part of the coins (pennies), scattered from the church mug, broken by lightning, inexplicably adhered to the surface of the icon, merging together with the painted layer. Soon this icon, which was saved from the fire, became famous for many miracles revealed through it and became one of the most famous St. Petersburg shrines. They began to make copies from it, depicting coins that had once adhered to them.

Today, this miraculous icon is, as before, on the banks of the Neva, in the church, which received the name "Easter cake and Easter" for the peculiarities of its architectural appearance. Its popular name became official by the personal decree of Patriarch Alexy II, who also established a special holiday of the icon of the Mother of God “Joy of All Who Sorrow” (with pennies), celebrated annually on August 5.

The Joy of All Who Sorrow Icon is a completely unique phenomenon in the history of icon painting. The series of documented evidence of the miraculous properties of this image is perhaps the longest in the history of the Theotokos icons.

Joy of All Who Sorrow is the opening line of one of the Theotokos stichera. There is no doubt that the very name of this image was the reason for its widest distribution on the Russian land. In addition to the first Moscow image, there were at least two and a half dozen miraculous and locally revered copies of this icon: in the very first capital and in its vicinity, on the banks of the Neva and in Abkhazia, in Siberian Tobolsk and Kiev, in Vologda and in Nizhny Novgorod, in other cities, villages and abodes. The meaning hidden in the name of the icon is especially close and understandable to the soul of the Russian person - the hope in the Most Pure One, who invariably hurries to comfort, alleviate human sorrow and sufferings, to give “the naked clothing, the sick, healing” ...

Iconography
The icon depicts the Mother of God full-length (with or without the Child in her hand) in the radiance of a mandorla (a special form of a halo - an oval-shaped radiance extended in a vertical direction) and surrounded by angels. Above, in the clouds, the Lord of hosts or the New Testament Trinity is depicted.

This type of iconography developed in Russia in the 17th century under Western European "Latin" influence ("Madonna in Glory" or "Gloria" with a rosary), "The Immaculate Conception of the Virgin Mary"; from the Orthodox - "Life-giving source", "The image of affection and visiting in trouble for those who suffer," merged with "Joy of All Who Sorrow" by the 18th century).

The iconography of the image has not received a single complete composition and exists in many variants. But the most famous are two types - with the Baby in her arms (Moscow from the Church of the Transfiguration of the Savior on Ordynka) and without the Baby (St. Petersburg from the Tikhvin chapel near the glass factory "with pennies").

The iconographic feature of the "Joy of All Who Sorrow" icon is that, together with the Mother of God, people are depicted, overwhelmed by sorrows and ailments, and angels performing good deeds on behalf of the Mother of God.

The history of the icon
The icon first became famous in Moscow in 1688, during the reign of Tsars John and Peter Alekseevich. The sister of Patriarch of Moscow Joachim, Euphemia Papina, suffered so much from a wound in her side that the insides were visible. Realizing her hopeless situation, she only looked for strength and consolation in prayer. One morning she heard a voice: “Euphemia, why in your suffering do you not resort to the common Healer of all? There is in the temple of My Son's Transfiguration My image, called "Joy of All Who Sorrow". He stands on the left side in the meal, where women usually stand. Call to you from this church a priest with this image, and when he serves a prayer service with the consecration of water, you will receive healing. Then do not forget My mercy towards you and confess it to glorify My name. "

Temple of the Transfiguration on Ordynka

When Euphemia recovered from the excitement generated by the miraculous phenomenon, and learned from her relatives that there really is an icon of the Mother of God "Joy of All Who Sorrow" in the Church of the Transfiguration on Ordynka, she called the priest with the icon to her house. After completing the water-blessing prayer service, Euphemia was completely healed. The event received a wide response, since Euphemia was the sister of the then patriarch.

This miraculous event took place on October 24, Old Style, and opened a series of equally miraculous healings. Immediately after the glorification of the image, the Service to the Icon and a special akathist, written in 1863 by the professor of the Moscow Theological Academy P. S. Kazansky, were compiled.

In 1688, the icon "Joy of All Who Sorrow", through which healing from the Mother of God came, was already very dilapidated, so it had to be reinforced with cypress inserts. How she got to this temple is also not known for certain. Presumably, it has been there since 1685, from the time when a stone building was erected on the site of the wooden structure of the church of Varlaam Khutynsky, in which the saint's chapel was made, where the icon was located. Whether the original list has been lost is not known for sure.

Temple of the icon "Joy of All Who Sorrow" on Ordynka

The temple on Ordynka still functions today, however, it looks different than in the 17th century, its appearance was changed by later architectural additions, and is now called - the Temple of the Joy of All Who Sorrow Icon, another name is the Church of Sorrow, instead of the Transfiguration of the Savior.

During the Soviet era, the storage facility of the Tretyakov Gallery was organized in the premises of the church, and there is information that the icon has disappeared from the funds without a trace.

Moscow list of "Joy of All Who Sorrow"

Exact measuring list from the miraculous icon from the Sorrowful Church on Ordynka (last quarter of the 18th century)

The icon "Joy of All Who Sorrow" that is now kept on Ordynka is one of the first copies of the original image, it is believed that it was made in the 18th century. There is an opinion that it was donated to the temple during the Great Patriotic War by Patriarch Alexy I, when services in some churches began again in the Church of Sorrow during the hard years for Russia.

The Moscow icon "Joy of All Who Sorrow" goes back to the "Gloria" type and depicts the Mother of God with the Child, over which two angels with ripids soar. Another pair of angels is depicted among suffering people. A special feature is the image of a number of saints over the suffering: on the left - Sergius of Radonezh and Theodore Sikeota, on the right - Gregory Decapolit and Varlaam Khutynsky Above the Mother of God there is an image of the Fatherland (one of the iconographic versions of the icons of the Holy Trinity, forbidden at the Great Moscow Cathedral in 1667), and under her feet is a cartouche containing the text of the kontakion to the icon.

Petersburg list of "Joy of All Who Sorrow"
In 1711, Princess Natalya Alekseevna Naryshkina, the sister of Emperor Peter I, brought the miraculous image of the Mother of God "Joy of All Who Sorrow" or an exact copy from it to the St. Petersburg under construction, where it has since become known as the icon of Natalia Alekseevna. Both icons - Moscow and St. Petersburg - were equally revered as miraculous.

It is known that this copy of the icon "Joy of All Who Sorrow" during the war with the Turks was with the Russian troops in the famous campaign of 1711 on the Prut River. When the tsar returned to the capital, in memory of his deliverance from danger by the Prut River, he built a church of the Resurrection of Christ in his sister's palace on Shpalernaya Street and placed an icon there. Subsequently, during the reign of Tsarina Elizabeth Petrovna, a stone church was erected on the site of the former house church, which became a parish church.

The icons were also used by persons of the royal family - Catherine I, Anna Ioannovna, Elizaveta Petrovna, Catherine II, Paul I, Maria Fedorovna, and other members of the Reigning House and the Imperial Court. So, Catherine the Great especially revered the image since the prayer intercession of the Queen of Heaven in St. Petersburg stopped the smallpox epidemic that threatened the life of the heir to the throne, Pavel Petrovich.

Icon of Tsarevna Natalya Alekseevna in a precious setting (lithograph of 1862)

Already under Natalia Alekseevna, the icon was richly decorated - a silver setting was made for it, decorated with the family jewels of the princesses, and particles of relics and relics of saints were fixed on it. The image was painted on a cypress board. Under Catherine II, the 2nd salary was carried out. In 1858, according to a drawing by FG ​​Solntsev, a new, third salary was made of gold for him. It took about 6.7 kg of gold to make the setting; it was richly decorated with diamonds, sapphires, emeralds, rubies, garnets, topaz, amethysts and pearls.

Even later, the church was completely rebuilt and received the name of the Sorrowful Church from the icon that was in it. In 1932 the temple was closed and the icon disappeared.

The icon of Natalya Alekseevna did not have a massive repetition. Lists from it are very rare and have a local Petersburg character. They can be easily identified by the absence of the suffering and the presence of the rosary in the hands of the Mother of God and the Child.

Petersburg list of "Joy with pennies of all who grieve"
The Blessed Virgin is depicted on the icon in full growth with outstretched arms. Above Her in the clouds sits the Savior. On the sides of the image there are images of angels and suffering. Green branches are depicted behind the Mother of God. And the indispensable twelve coins.

Mother of God with peas

According to legend, this image was nailed by waves to the estate of the Kurakin merchants on the Neva. Subsequently, the icon passed to the merchant Matveyev, whose mother came from the Kurakin family, who donated it to the Tikhvin chapel of the village of Klochki near St. Petersburg, located near the St. Petersburg glass factory. A chapel was built on this site for the image. On July 23, 1888, a terrible thunderstorm broke out, lightning struck the chapel, burned the inner walls and icons, but did not touch the image of the Mother of God. The icon turned out to be on the floor from the blow, but the face of the Mother of God, long darkened with time and soot, brightened and renewed itself. Twelve copper coins from a broken begging mug were permanently attached in different places to the image (on the lists from the icon, the coins are depicted with paint). The news of the miraculous preservation of the image spread throughout the capital, its veneration grew day by day, and the mercy of God glorified the icon with wondrous miracles.

The first healing that received all-Russian fame took place on December 6, 1890, when a 14-year-old orphan Nikolai Grachev, who suffered from seizures from childhood, was cured of the icon (later he studied at the drawing school of the Imperial Society for the Encouragement of Arts). On February 7, 1891, the 26-year-old wife of a clerk from the Thornton factory, Vera Belonogina, was healed; she lost her voice due to a sore throat.

Church of the Holy Trinity "Kulich and Easter"

A separate celebration was established in honor of the icon - July 23 (August 5). Currently, the icon is in the Church of the Holy Trinity "Kulich and Easter" (St. Petersburg).

Other icon lists
In the 18th-19th centuries, icons of the Mother of God with the title "Joy of All Who Sorrow" were revered as miraculous in many urban and rural churches throughout Russia. Their iconography repeats both Moscow and St. Petersburg icons. Most of the lists were decorated with rich salaries and had numerous votive attachments (various jewelry: offerings that are brought to the shrine in gratitude for healing or during the making of a vow). The most famous lists are associated with independent legends, which served as the reason for their local veneration.

The Joy of All Who Sorrow icon in the house is a guarantee that in a particularly difficult moment, when someone close to you falls ill, you can resort to the help of the Mother of God depicted on it, because She is waiting for one thing - our request for help. The one who comes to her with an insistent and sincere prayer request will certainly receive help and response.

There is no doubt that the very name of this image, "Joy of All Who Sorrow," was the reason for its widespread prevalence on the Russian land. In addition to the first Moscow image, there were at least two and a half dozen miraculous and locally revered copies of this icon: in the very first capital and in its vicinity, on the banks of the Neva and in Abkhazia, in Siberian Tobolsk and Kiev, in Vologda and in Nizhny Novgorod, in other cities, villages and abodes.

The soul of the Russian person is especially close and understandable the meaning hidden in the name of the icon - the hope for the Most Pure One, who invariably hurries to comfort, alleviate human sorrow and sufferings, to give “the naked clothing, the sick healing” ...

The Mother of God is written on this icon in full growth, usually with a scepter in her right hand and with the Infant on a shuytsa, but sometimes without Him, with outstretched hands, as in the famous Joy of All Who Sorrow (with pennies), surrounded by poverty-stricken Christians falling to Her and Angels sent to appease their sorrows, pointing to the Ever-Virgin - the source of inexhaustible and all-conquering joy. The attire of the Most Pure One differs on the lists: She appears now in glory, with a crown on her head and in the vestments of a queen, now in a cloak and a white cloth, which is usual for Her earthly days.

As the old church chronicle tells, in the summer of 7196 from the creation of the world (1648 from the birth of Christ), the widow Euthymiya Akinfieva, the sister of Patriarch Joachim, desperate to receive healing from the healers, was tormented by a huge unhealed ulcer in her side, and she suddenly heard the glory: “ why, in your grief, do you not resort to the common Healer of all? " - "Where to find such a Healer?" the patient asked meekly. And then the voice commanded to turn to the priest "of the temple of the divine Transfiguration of the Lord God and our Savior Jesus Christ and the Monk Father Varlaam of Khutynsky, the Novgorod miracle worker" that on Bolshaya Ordynka in Moscow, so that he would take there "on the left side of the meal, where usually women become ”, the image of the Most Pure One and served before him a prayer service with the consecration of water. Immediately doing all this, Euphemia received healing. This is how the first miracle happened from the “icon of our Most Holy Lady Theotokos and Ever-Virgin Mary, which is also called Joy of all who sorrow”, And the temple itself received and still retains the name of the Sorrowful Church (although its main throne was consecrated in the name of the Transfiguration). The temple on Bolshaya Ordynka is also famous for the fact that SV Rachmaninov's Vespers (on the closest to the day of his death, March 28, Saturday) and PI Tchaikovsky's Liturgy (the day of his death fell on 25 October according to the old style - the next miraculous day after the celebration). Every Saturday a prayer service is held here at the miracle worker, who in recent years has shown a new blessed gift of healing those suffering from alcoholism and drug addiction. Each age has its own sorrows - only the joy of healing given by the Intercessor does not pass away.

In addition to the church on Bolshaya Ordynka, four more parish churches in the name of the icon "Joy of All Who Sorrow" function in the first altar (at the 3rd Meshchanskaya at the Old Catherine Hospital, at the Kalitnikovskoye cemetery (with a locally revered list), at Zatsep (better known by the side altar as the temple of Frol and Lavra) and at a psychiatric hospital at Kanatchikovaya dacha); the altar of the hospital church of the Nikolo-Ugreshsky monastery has the same dedication. Previously in Moscow there was also the Sorrowful Convent on Novoslobodskaya Street and almost a dozen Sorrowful Churches, including at several hospitals, shelters and the Matrosskaya Tishina prison.

Unlike Muscovites, Orthodox cities on the Neva were sure that the first-appearing image of the miraculous was transported to the new capital in 1711 by the sister of Peter I, Princess Natalia Alekseevna, and eventually ended up in the Sorrowful Church on Shpalernaya Street. It was a miracle from this image that the cessation of the smallpox epidemic that raged during the time of Catherine II was attributed.

By the beginning of the twentieth century, church historians found it difficult to answer which of the icons - on Bolshaya Ordynka in Moscow or Shpalernaya in St. Petersburg - was the first image. But judging by the fact that the St. Petersburg icon is painted on a cypress board on a primed canvas, it is younger than the Moscow one.

However, over time, St. Petersburg also found its icon "Joy of All Who Sorrow" in its special version - the so-called "Theotokos with pennies". In ancient times, the merchants Kurakin, who lived in the suburban village of Klochki (now this is the area of ​​the Glass Factory, which has long been included in St. Petersburg), found the image of the Mother of God nailed to the shore by the waves of the Neva; generations later, their heirs donated the family shrine to the chapel at the Glass Factory.

On July 23, 1888, a terrible thunderstorm broke out over the Neva banks. A lightning strike burned out the inner walls of the chapel along with all the icons and scattered coins from the begging mug. Only one icon survived, and later notes were sleeping from the face of the Most Pure, and twelve copper coins from the mug were driven into the icon board with superhuman strength. Since then, the new miracle-working one has received the popular name "Mother of God (with pennies)". The next day, streams of pilgrims flowed to the chapel, miraculous healings began and did not stop. In 1898, a new temple was consecrated here, and the miraculous one remained in the chapel and was transferred to the temple only for the duration of the divine services. It is this place that is mentioned in the lines of A. A. Akhmatova "The steamer goes to the Mourning woman ..." - this is how the pilgrims usually got here. In Soviet times, the temple was destroyed, the chapel by the Providence of God has survived to this day, the miraculous image itself (with pennies) is located nearby, in the Trinity Church "Kulich and Easter".

In the St. Petersburg version, the Most Pure is written with outstretched hands, with a face bowed to the left, Her lower garments are crimson, the upper ones are dark blue, the head is clothed in a white veil, without a royal crown. Above in the clouds - the blessing Savior, around - angels, suffering, green branches and the indispensable twelve coins.

The celebration of the Joy of All Who Sorrow icon takes place on October 24 according to the old style (some of the lists from it have their own special days of celebration). And in the current borders of Russia, and in its historical limits, and all over the world, where the foot of the Russian person has never set foot, the words of hymns in honor of this holy icon have sounded, sound and until the end of this world will sound.