The image of Tatiana in Russian literature. The image of Tatyana Larina in the novel “Eugene Onegin

The novel in verse "Eugene Onegin" is a favorite work of Alexander Pushkin, the creation of which he devoted about nine years. In it, the author examines the question of the intellectual life and moral quest of the Russian noble intelligentsia in the 20s of the XIX century. The famous Russian literary critic VG Belinsky called the novel "Eugene Onegin" "an encyclopedia of Russian life." Some of the images presented in the work were completely new in Russian literature of that time. This is the image of Tatiana Larina. Everything in it is new, even the name:

For the first time with such a name

Tender pages of the novel

We willfully sanctify.

Pushkin, working on the novel "Eugene Onegin", admired a wonderful girl coming to life under his pen. On many pages he involuntarily admits: "... I love my dear Tatiana so much! ..", "Tatiana, dear Tatiana! Now I shed tears with you ..." So, Tatiana Larina is the beloved heroine, the poet's "sweet ideal" , the personification of his Muse.

In the novel, we first meet Tatiana at her parents' estate. She is completely unlike her sister Olga - neither externally nor internally:

She was called Tatiana,

Not her sister's beauty,

Nor the freshness of her ruddy

She would not have attracted the eyes.

Pushkin does not pay attention to appearance, but rather shows inner beauty, strength of feelings, originality, "sweet simplicity". Tatiana is in many ways similar to other girls - she also believes in "the legends of the common people of antiquity, and dreams, and card fortune-telling, and the predictions of the moon." But since childhood, there is a lot in her that distinguishes her from others:

Dick, sad, silent,

As a forest doe is fearful,

She is in her family

She seemed like a stranger to a girl.

From an early age, she is distinguished by dreaminess, lives a special inner life, spends a lot of time talking with a nanny, the most dear, close and beloved person. She tries to understand her surroundings early, but does not find an answer with her elders. And then she turns to books, devoting whole nights to reading:

She liked novels early;

They replaced everything for her ...

Pushkin many times emphasizes how Tatiana loves nature, winter, sledding. Russian nature, the world of the countryside, so pleasing to the heart of Pushkin himself, the tales of the nanny, the old customs observed in the family, made Tatiana a "Russian soul." The author notes her spirituality, poetry. It was not without reason that V. Belinsky called Tatiana "a genius of nature."

In books and dreams, she always sees interesting people whom she wants to meet in her life. And, having met Onegin for the first time, so unlike those around him, Tatiana sees in him her “hero”, falls in love with him. She decides to open her feelings to Onegin in a letter.

Tatyana's letter is an impulse, confusion, passion, longing, a dream, and at the same time it is all genuine. Even in our time, it is not customary for a girl to be the first to open her love. At the time of Pushkin, such an act was considered completely indecent. But the author defends Tatiana, he believes that

... in sweet simplicity

She knows no deception

And he believes in his own dream ...

But Eugene replies to Tanino's letter with moralizing, and all the illusory dreams and hopes of the poor girl dissolve like smoke.

When Tatyana becomes a noble lady, she recalls her old rural life with sadness and longing:

The excitement of the light hates;

She's stuffy here ... she's a dream

Strives for the life of the field,

She is ready to give

All this rags of masquerade

All this shine and noise and fumes

For a shelf of books, for a wild garden ...

Tatyana is unhappy in her marriage, fame, WEALTH, a worthy place in society do not bring her satisfaction. Her purity, depth, spiritual beauty, high moral strength - all this is alien to the world around her, where something completely different is appreciated. The author emphasizes that the girl was devoid of coquetry and pretense - qualities that he did not like so much in women. We meet the old Tanya in an explanation with Onegin. She is sincere with Eugene, feeling a kindred spirit in him, but refuses him:

I love you (why dissemble?),

But I am given to another;

I will be faithful to him forever.

This is true pride, eternal loyalty. Tatiana appears in the novel as a symbol of loyalty, kindness, love. The heroine of the novel "Eugene Onegin" with her rich inner world has a serious impact on the modern generation. And although many years have passed since the creation of the novel, the character traits of Tatyana Larina are appreciated in our time and will always be appreciated

In the novel "Eugene Onegin" Pushkin managed to present all the diversity of life in contemporary Russia, to depict Russian society "in one of the most interesting moments of its development", to create typical images of Onegin and Lensky, in whose person the "main, that is, the male side" of this society. “But the feat of our poet is almost higher in that he was the first to reproduce, in the person of Tatiana, a Russian woman,” wrote Belinsky.

Tatyana Larina is the first realistic female image in Russian literature. The outlook of the heroine, her character, mental makeup - this weight is revealed in the novel in great detail, her behavior is psychologically motivated. But at the same time, Tatiana is the poet's "sweet ideal", the "novel" embodiment of his dream of a certain type of woman. And the poet himself often talks about this in the pages of the novel: “Tatiana's letter is before me; I cherish it ... "," Forgive me: I love my dear Tatiana so much! " Moreover, the personality of the heroine, to a certain extent, embodied the attitude of the poet himself.

Readers immediately felt these author's accents. Dostoevsky, for example, considered Tatyana, and not Onegin, to be the protagonist of the novel. And the writer's opinion is quite reasonable. This is a whole nature, outstanding, exceptional, with a truly Russian soul, with a strong character and spirit.

Her character remains unchanged throughout the novel. In various life circumstances, Tatyana's spiritual and intellectual horizons expand, she gains experience, knowledge of human nature, new habits and manners characteristic of another age, but her inner world does not change. “The portrait of her in childhood, painted so masterfully by the poet, is only developed, but not changed,” wrote V. G. Belinsky:

Dick, sad, silent,

As a forest doe is fearful,

She is in her family

She seemed like a stranger to a girl ...

Child herself, in a crowd of children

I didn't want to play and jump

And often all day alone

She sat silently by the window.

Tatiana grew up as a thoughtful and impressionable girl, she did not like noisy children's games, funny entertainment, she was not interested in dolls and needlework. She loved to dream alone or listen to the babysitter's stories. Tatyana's only friends were fields and forests, meadows and groves.

It is characteristic that, describing village life, Pushkin does not depict any of the "provincial heroes" against the background of nature. Habit, "the prose of life", preoccupation with economic concerns, low spiritual demands - all this left its mark on their perception: local landowners simply do not notice the surrounding beauty, as Olga or old woman Larina does not notice it,

But Tatyana is not like that, her nature is deep and poetic - she is given to see the beauty of the surrounding world, it is given to understand the "secret language of nature", it is given to love God's light. She loves to meet the "dawn sunrise", with her thoughts to be carried away to the shimmering moon, to walk alone among the fields and hills. But Tatyana especially loves winter:

Tatiana (Russian soul.

Without knowing why)

With her cold beauty

Loved the Russian winter

Frost in the sun on a frosty day,

And the sleigh, and the late dawn

Shining pink snows

And the darkness of Epiphany evenings.

The heroine thus introduces the motive of winter, cold, ice into the narrative. And winter landscapes then often accompany Tatiana. Here she is wondering on a clear frosty night for baptism. In a dream, she walks "through a snowy clearing," sees "motionless pines" covered with clumps of snow, bushes, rapids covered by a blizzard. Before leaving for Moscow, Tatiana is "afraid of the winter path." VM Markovich notes that the "winter" motive here "is directly close to that harsh and mysterious sense of proportion, law, fate, which made Tatyana reject Onegin's love."

The heroine's deep connection with nature persists throughout the entire story. Tatiana lives according to the laws of nature, in complete harmony with her natural rhythms: “It's time to come, she fell in love. Thus, the seed of Spring that has fallen into the earth is revived by fire. " And her communication with the nanny, her faith in the "legends of the common people of antiquity," dreams, fortune telling, omens and superstitions - all this only strengthens this mysterious connection.

Tatyana's attitude to nature is akin to ancient paganism, in the heroine the memory of her distant ancestors, the memory of the family, seem to come to life. “Tatiana is all dear, all from the Russian land, from Russian nature, mysterious, dark and deep, like a Russian fairy tale ... Her soul is simple, like the soul of the Russian people. Tatiana is from that twilight, ancient world where the Firebird, Ivan Tsarevich, Baba Yaga were born ... ”- wrote D. Merezhkovsky.

And this “call of the past” is expressed, among other things, in the inextricable connection of the heroine with her family, despite the fact that there she “seemed like a stranger to a girl”. Pushkin depicts Tatiana against the background of the life history of her family, which acquires an unusually important meaning in the context of comprehending the fate of the heroine.

In her life story, Tatiana, not wanting to, repeats the fate of her mother, who was taken to the crown, "without asking her advice," while she "sighed for another, Who liked her heart and mind much more ...". Here Pushkin seems to anticipate Tatyana's fate with a philosophical remark: "A habit from above is given to us: it is a substitute for happiness." They may object to us that Tatyana is deprived of a spiritual connection with her family (“She seemed like a stranger to her family in her own family”). However, this does not mean that there is no connection of an internal, deep, that very natural connection that is the very essence of the heroine's nature.

In addition, Tatiana was raised by a nanny from childhood, and here we can no longer talk about the absence of a spiritual connection. It is to the nanny that the heroine confides her heartfelt secret by handing over the letter to Onegin. She recalls the nanny with sadness in St. Petersburg. But what is the fate of Filipievna? The same marriage without love:

"But how did you get married, nanny?" -

So, apparently, God told me to. My Vanya

I was younger, my light,

And I was thirteen years old.

The matchmaker went for two weeks

To my family, and finally

My father blessed me.

I cried bitterly with fear

They unraveled my braid with a cry,

Yes, they took me to church with singing.

Of course, the peasant girl is deprived of freedom of choice here, unlike Tatyana. But the very situation of marriage, its perception are repeated in the fate of Tatiana. Nurse "So, apparently, God ordered" becomes Tatiana "But I was given to another; I will be faithful to him forever. "

The fashionable hobby for sentimental and romantic novels also played an important role in the formation of the heroine's inner world. Her very love for Onegin is manifested "in a bookish way", she arrogates to herself "someone else's delight, someone else's sadness." The men she knew were not interesting to Tatiana: they "imagined so little food for her exalted ... imagination." Onegin, on the other hand, was a new man in the "wilderness of the countryside." His mystery, secular manners, aristocracy, indifferent, bored look - all this could not leave Tatyana indifferent. “There are creatures in whom fantasy has a much greater influence on the heart than how they think about it,” wrote Belinsky. Not knowing Onegin, Tatiana imagines him in the images of literary heroes well known to her: Malek-Adel, de Dinard and Werther. In essence, the heroine loves not a living person, but the image created by her “rebellious imagination”.

However, gradually she begins to discover the inner world of Onegin. After his harsh preaching, Tatiana remains at a loss, resentment and bewilderment. Probably, she interprets everything she heard in her own way, realizing only that her love was rejected. And only after visiting the "fashionable cell" of the hero, looking into his books, which keep the "sharp mark of nails", Tatiana begins to comprehend Onegin's perception of life, people, and fate. However, her discovery does not speak in favor of the chosen one:

What is he? Is it an imitation

An insignificant ghost, or else

Muscovite in Harold's cloak,

Interpretation of someone else's quirks,

Full vocabulary of fashionable words? ..

Isn't he a parody?

Here the difference in the outlook of the heroes is especially vividly exposed. If Tatiana thinks and feels in line with the Russian Orthodox tradition, Russian patriarchy, patriotism, then Onegin's inner world was formed under the influence of Western European culture. As V. Nepomniachtchi notes, Eugene's office is a fashionable cell, where instead of icons there is a portrait of Lord Byron, on the table there is a small statue of Napoleon, the invader, conqueror of Russia, Onegin's books undermine the basis of the foundations - faith in the Divine principle in man. Of course, Tatiana was amazed, discovering for herself not only the unfamiliar world of someone else's consciousness, but also a world deeply alien to her, basically hostile.

Probably, the ill-fated duel did not leave her indifferent, the outcome of which was the death of Lensky. In her mind, a completely different, not bookish image of Onegin was formed. Confirmation of this is the second explanation of the heroes in St. Petersburg. Tatiana does not believe in the sincerity of Evgeny's feelings, his persecutions offend her dignity. Onegin's love does not leave her indifferent, but now she cannot answer his feelings. She got married and devoted herself entirely to her husband and family. And an affair with Onegin in this new situation is impossible for her:

I love you (why dissemble?),
But I am given to another;
I will be faithful to him forever ...

A lot was reflected in this choice of the heroine. This is also the integrity of her nature, which does not allow lies and deceptions; and the clarity of moral concepts, which excludes the very possibility of causing grief to an innocent person (husband), frivolously dishonoring him; and book-romantic ideals; and faith in Destiny, in the Providence of God, implying Christian humility; and the laws of popular morality, with its unambiguous decisions; and unconscious repetition of the fate of the mother and nanny.

However, in the impossibility of uniting heroes, Pushkin also has a deep, symbolic implication. Onegin is a hero of "culture", civilization (moreover, the culture of Western European, which is alien to the Russian people in its very essence). Tatiana is a child of nature who embodies the very essence of the Russian soul. Nature and culture in the novel are incompatible - they are tragically separated.

Dostoevsky believed that Onegin now loves in Tatiana “only his new fantasy. ... Loves fantasy, but he himself is a fantasy. After all, if she follows him, then tomorrow he will be disappointed and will look at his infatuation with mockery. It has no soil, it is a blade of grass carried by the wind. She [Tatiana] is not like that at all: in her despair and in the suffering consciousness that her life has perished, there is still something solid and unshakable on which her soul rests. These are her childhood memories, memories of her homeland, rural wilderness, in which her humble, pure life began ... "

Thus, in the novel "Eugene Onegin" Pushkin presents us with "the apotheosis of the Russian woman." Tatiana amazes us with the depth of nature, originality, "rebellious imagination", "the mind and will of the living." This is a whole, strong personality, capable of rising above the stereotypical thinking of any social circle, intuitively feeling the moral truth.

Appearance, habits of the heroine

Tatiana Larina is the main female character of the novel "Eugene Onegin". Belinsky called the novel "an encyclopedia of Russian life." The image of Tatiana, like the images of other heroes, was typical for Russia in the 20-30s. 19th century But Tatiana is a living woman with a unique strong character. Her actions, dictated by internal logic and circumstances, turn out to be unexpected even for the author: "My Tatiana taught".

Tatiana does not look like her younger sister Olga, a cheerful beauty. The older sister does not attract the eyes with either beauty or freshness. In addition, she is uncommunicative, unkind: "Dika, sad, silent, like a forest doe, fearful".

Tatiana does not resemble a traditional folklore hardworking girl: she is not engaged in embroidery, does not play with dolls, is not interested in fashions and outfits. Doesn't like a girl "Play and jump in a crowd of children", run into the burners (an outdoor game), does not play pranks and does not play pranks.

Tatiana loves scary stories, is thoughtful, meets dawn on the balcony. Since childhood, she is inclined to escape from reality into a world of dreams, imagining herself the heroine of the novels of Richardson and Rousseau: "She fell in love with deceptions".

Character and its origins, character development

Tatiana grew up in the village, was a neighbor on the estate of Eugene Onegin. Her parents kept the old patriarchal order. It is said about the father that he was late in the last century. This is probably why Tatyana received such an exotic name, with which she is inseparable "Remembrance of old times il maiden"... In her youth, Tatyana's mother was fond of the same novels that her eldest daughter later read. In the village of her husband, for whom Tatyana's mother was not given for love, she, in the end, "I got used to it and became happy" having forgotten the romance hobbies. The spouses lived keeping "Cute old habits".

Tatiana is cut off from her environment. On the one hand, she - "Russian soul, not knowing why"... Pushkin, according to the laws of realism, reveals why Tatyana is like that. She lived in "The wilderness of a forgotten village" brought up by a nanny "Heart friend", in the atmosphere "Legends of the common people of antiquity"... But the nanny, whose prototype was Pushkin's nanny, does not understand Tatyana's feelings.

On the other hand, Tatiana was brought up on foreign novels, "She knew badly in Russian"... She writes a letter to Onegin in French because "Spoke with difficulty in her native language".

The novel traces the change in the life of Tanya, brought by her mother to the capital and liked "Important general"... Everything that happens in St. Petersburg is alien to her: “The excitement of the light hates; she is stuffy here ... she aspires to the life of the field with a dream ".

Onegin fell in love with a completely different Tatiana, not a timid girl, in love, poor and simple, but an indifferent princess, an impregnable goddess of the luxurious, regal Neva, "The legislator hall"... But internally Tatiana remains the same: "Everything is quiet, it was just in her"... Dignity and nobility were added to simplicity. The appearance of the heroine also changes. No one would call her beautiful, but her sophistication could not be overshadowed by the first beauty of St. Petersburg.

Onegin does not recognize the former Tatyana. She is indifferent, brave, calm, free, stern. There is no coquetry in Tatiana, which "Does not tolerate the upper world", confusion and compassion. She is not like the girl who wrote "A letter, where the heart speaks, where everything is outside, everything is free".

The relationship between Tatyana and Onegin is the main storyline of the novel

After Onegin, who arrived in his village, visited the Larins, they began to read him to Tatyana as a groom. She fell in love with Onegin simply because "Time has come"... But, brought up in a healthy folk atmosphere, Tatiana is waiting for great love, her only betrothed.

Onegin taught Tatyana the most important lesson in her life, which she learned well: "Learn to rule yourself"... He acted nobly, but Pushkin sympathizes with Tatiana: "With you now I shed tears", - and foresees her death at the hands "Fashion tyrant"(Onegin).

The lesson that Tatyana gives Onegin, becoming a secular lady, in turn, consists in the same wisdom: you cannot be "Feelings of a petty slave"... This should be preferred "Cold, stern conversation"... But the motives of Onegin and Tatiana are different. He never could become "Natural man", which Tatyana has always been. For her, life in the light is hateful, this "Masquerade rags"... Tatyana deliberately doomed herself to such a life, because when she got married, for her "All lots were equal"... And although the first love still lives in the heroine, she sincerely and convincingly remains faithful to her husband. Onegin does not fully realize that his love is excited by the desire to be seen in society, to have "Seductive honor".

• "Eugene Onegin", analysis of the novel by Alexander Pushkin
• "Eugene Onegin", a summary of the chapters of the novel by Pushkin

Article menu:

Women, whose behavior and appearance differ from the generally accepted canons of the ideal, have always attracted the attention of both literary figures and readers. The description of this type of people allows us to slightly open the veil of unexplored life searches and aspirations. The image of Tatyana Larina is perfect for this role

Family and childhood memories

Tatyana Larina belongs to the nobility by her origin, but all her life she was deprived of an extensive secular society - she always lived in the village and never aspired to an active city life.

Tatyana's father Dmitry Larin was a foreman. At the time of the actions described in the novel, he is no longer alive. It is known that he died not young. "He was a simple and kind gentleman."

The girl's mother is called Polina (Praskovya). She was given out as a girl under duress. For some time she was depressed and tormented, experiencing a feeling of affection for another person, but over time she found happiness in family life with Dmitry Larin.

Tatyana also has a sister, Olga. She is not at all like her sister in character: gaiety and coquetry are a natural state for Olga.

An important person for the formation of Tatiana as a person was played by her nanny Filipyevna. This woman is a peasant by origin and, perhaps, this is her main charm - she knows many folk jokes and stories that so entice inquisitive Tatyana. The girl has a very reverent attitude towards the nanny, she sincerely loves her.

Name selection and prototypes

Pushkin emphasizes the unusualness of his image already at the very beginning of the story, giving the girl the name Tatiana. The fact is that for the high society of that time, the name Tatiana was not characteristic. This name at that time had a pronounced common character. In the drafts of Pushkin there is information that the heroine originally had the name Natalya, but, later, Pushkin changed his mind.

Alexander Sergeevich mentioned that this image is not devoid of a prototype, but did not indicate who exactly served him such a role.

Naturally, after such statements, both his contemporaries and researchers of later years actively analyzed Pushkin's entourage and tried to find a prototype of Tatiana.

Opinions were divided on this issue. It is possible that several prototypes were used for this image.

One of the most suitable candidates is Anna Petrovna Kern - her similarity in character with Tatyana Larina leaves no doubt.

The image of Maria Volkonskaya is ideal for describing the tenacity of Tatyana's character in the second part of the novel.

The next person with similarities to Tatyana Larina is the sister of Pushkin himself, Olga. By her temperament and character, she ideally fits the description of Tatiana in the first part of the novel.

Tatyana also has a certain similarity with Natalia Fonvizina. The woman herself found a huge similarity with this literary character and expressed the opinion that Tatyana's prototype was her.

An unusual assumption about the prototype was expressed by Pushkin's lyceum friend Wilhelm Kuchelbecker. He found that the image of Tatiana is very similar to Pushkin himself. This similarity is especially evident in the 8th chapter of the novel. Kuchelbecker asserts: "there is a noticeable feeling with which Pushkin is overwhelmed, although he, like his Tatyana, does not want the world to know about this feeling."

The question about the age of the heroine

In the novel, we meet Tatyana Larina during her growing up. She is a girl of marriageable age.
The opinions of the researchers of the novel on the issue of the girl's year of birth were divided.

Yuri Lotman claims that Tatiana was born in 1803. In this case, in the summer of 1820, she just turned 17 years old.

However, this opinion is not the only one. There is an assumption that Tatiana was much younger. Such reflections are prompted by the nanny's story that she was married off at the age of thirteen, as well as the mention that Tatyana, unlike most girls at her age, did not play with dolls at that time.

V.S. Babaevsky puts forward another version about Tatyana's age. He believes that the girl should be much older than Lotman's estimated age. If the girl was born in 1803, then the concern of the girl's mother about the lack of options for marrying her daughter would not be so pronounced. In this case, a trip to the so-called "fair of brides" would not have been necessary.

Tatiana Larina's appearance

Pushkin does not go into a detailed description of Tatyana Larina's appearance. The author is more concerned with the inner world of the heroine. We learn about Tatyana's appearance in contrast to the appearance of her sister Olga. My sister has a classic appearance - she has beautiful blonde hair, a ruddy complexion. In contrast to this, Tatiana has dark hair, her face is too pale, devoid of color.

We suggest that you familiarize yourself with the characteristics of the heroes of the poem by Alexander Pushkin "Eugene Onegin"

Her look is full of despondency and sadness. Tatiana was too thin. Pushkin notes, "no one would call her beautiful." Meanwhile, she was still an attractive girl, she had a special beauty.

Leisure and attitude to needlework

It was generally accepted that the female half of society spent their free time at needlework. Girls, in addition, also played with dolls or various active games (the most common was the burner).

Tatiana does not like to do any of these activities. She loves listening to the scary stories of the nanny and sitting for hours at the window.

Tatiana is very superstitious: "She was worried about the omens." The girl also believes in fortune-telling and the fact that dreams do not just dream, they carry a certain meaning.

Tatiana is carried away by novels - "they replaced everything for her." She likes to feel like the heroine of such stories.

However, Tatyana Larina's favorite book was not a love story, but a dream book “Martin Zadeka became later / Tanya's favorite”. Perhaps this is due to Tatyana's great interest in mysticism and everything supernatural. It was in this book that she could find the answer to her question: "she gives her joy / In all her sorrows / And sleeps with her forever."

Personality characteristic

Tatiana is not like most girls of her era. This also applies to external data, and hobbies, and character. Tatiana was not a cheerful and active girl, who was easily flirtatious. “Dika, sad, silent” is Tatiana's classic behavior, especially in society.

Tatiana loves to indulge in daydreams - she can fantasize for hours. The girl hardly understands her native language, but is in no hurry to learn it, in addition, she rarely educates herself. Tatiana prefers novels that can disturb her soul, but at the same time she cannot be called stupid, rather the opposite. The image of Tatiana is full of "perfection". This fact is sharply contrasted with the rest of the characters in the novel, which do not have such components.

In view of her age and inexperience, the girl is too trusting and naive. She trusts in an outburst of emotions and feelings.

Tatyana Larina is capable of tender feelings not only towards Onegin. With her sister Olga, despite the striking difference of girls in temperament and perception of the world, she is connected by the most devoted feelings. In addition, she has a feeling of love and tenderness in relation to her nanny.

Tatiana and Onegin

New people coming to the village are always of interest to the permanent residents of the area. Everyone wants to meet the newcomer, learn about him - life in the village is not distinguished by a variety of events, and new people bring with them new topics for conversation and discussion.

Onegin's arrival did not go unnoticed. Vladimir Lensky, who was lucky enough to become Eugene's neighbor, introduces Onegin to the Larins. Eugene is very different from all the inhabitants of village life. His manner of speaking, behaving in society, education and ability to conduct a conversation pleasantly amaze Tatiana, and not only her.

However, "early feelings in him cooled down", Onegin "completely cooled off to life", he was already bored with beautiful girls and their attention, but Larina does not know about it.

Onegin instantly becomes the hero of Tatiana's novel. She idealizes the young man, he seems to her descended from the pages of her books about love:

Tatiana loves not jokingly
And indulges unconditionally
Love is like a sweet child.

Tatyana suffers for a long time in anguish and decides to take a desperate step - she decides to confess to Onegin and tell him about her feelings. Tatiana writes a letter.

The letter has a double meaning. On the one hand, the girl expresses her indignation and grief at Onegin's arrival and her crush. She lost the peace in which she lived before and this leaves the girl perplexed:

Why did you visit us
In the wilderness of a forgotten village
I never knew you.
I would not know the bitter torment.

On the other hand, the girl, having analyzed her position, sums up: Onegin's arrival is her salvation, this is fate. By her character and temperament, Tatyana could not have become the wife of any of the local suitors. She is too alien and incomprehensible for them - another thing is Onegin, he is able to understand and accept her:

That in the highest council is destined ...
That is the will of heaven: I am yours;
My whole life has been a pledge
The faithful meet with you.

However, Tatyana's hopes were not justified - Onegin does not love her, but just played with the girl's feelings. The next tragedy in the girl's life is the news of the duel between Onegin and Lensky, and the death of Vladimir. Evgeny is leaving.

Tatyana falls into a blues - she often comes to Onegin's estate, reads his books. Over time, the girl begins to understand that the real Onegin is fundamentally different from the Eugene, whom she wanted to see. She just idealized the young man.

This is where her unfulfilled romance with Onegin ends.

Tatiana's dream

Unpleasant events in the girl's life, associated with the lack of mutual feelings in the object of her love, and then death, two weeks before the wedding of the groom's sister Vladimir Lensky, was preceded by a strange dream.

Tatiana has always attached great importance to dreams. This dream is doubly important for her, for it is the result of Christmas divination. Tatiana was supposed to see her future husband in a dream. The dream becomes prophetic.

At first, the girl finds herself in a snowy clearing, she comes to the stream, but the passage through it is too fragile, Larina is afraid to fall and looks around in search of an assistant. A bear appears from under a snowdrift. The girl is frightened, but seeing that the bear is not going to attack, but on the contrary, offers her his help, stretches out his hand to him - the obstacle has been overcome. However, the bear is in no hurry to leave the girl, he follows her, which frightens Tatiana even more.

The girl tries to escape from the pursuer - she goes to the forest. The branches of the trees cling to her clothes, take off her earrings, rip off her kerchief, but Tatyana, seized with fear, runs forward. Deep snow does not allow her to escape and the girl falls. At this time, a bear overtakes her, he does not attack her, but picks her up and carries on.

A hut appears ahead. The bear says that his godfather lives here and Tatiana can warm up. Once in the hallway, Larina hears the noise of fun, but it reminds her of a commemoration. Strange guests are sitting at the table - monsters. The girl is dismantled and fear, and curiosity, she quietly opens the door - the owner of the hut turns out to be Onegin. He notices Tatiana and walks towards her. Larina wants to run away, but cannot - the door opens, and all the guests see her:

... Fervent laughter
It rang out wildly; eyes of all,
Hooves, crooked trunks,
Crested tails, fangs,
Mustache, bloody tongues,
Bone horns and fingers,
Everything points to her
And everyone shouts: mine! my!

The guests are calmed by the imperious host - the guests disappear, and Tatiana is invited to the table. Olga and Lensky immediately appear in the hut, causing a storm of indignation on the part of Onegin. Tatiana is terrified of what is happening, but does not dare to intervene. In a fit of anger, Onegin takes a knife and kills Vladimir. The dream ends, it's already morning in the yard.

Tatyana's marriage

A year later, Tatyana's mother comes to the conclusion that it is necessary to take her daughter to Moscow - Tatyana has every chance to stay in virgins:
Have Kharitonya in the alley
The carriage in front of the house at the gate
Has stopped. To the old aunt,
Fourth year sick with consumption,
They have arrived now.

Aunt Alina happily received the guests. She herself could not get married at one time and lived alone all her life.

Here, in Moscow, Tatiana is noticed by an important, fat general. He was struck by the beauty of Larina and "meanwhile he does not take his eyes off her."

The age of the general, like his exact name, Pushkin does not give in the novel. Alexander Sergeevich calls the airman Larina General N. It is known that he took part in military events, which means that his career advancement could occur at an accelerated pace, in other words, he received the rank of general without being in old age.

Tatyana, on the other hand, does not feel a shadow of love in relation to this person, but nevertheless agrees to marriage.

The details of their relationship with her husband are not known - Tatiana resigned herself to her role, but she did not have a feeling of love for her husband - it was replaced by affection and a sense of duty.

Love for Onegin, despite the debunking of his idealistic image, still has not left Tatyana's heart.

Meeting with Onegin

Two years later, Eugene Onegin returns from his trip. He does not go to his village, but visits his relative in St. Petersburg. As it turned out, over these two years, changes have occurred in the life of his relative:

“So you're married! I did not know the wound!
How long has it been? " - About two years. -
"On whom?" - On Larina. - "Tatiana!"

Onegin, who always knows how to restrain himself, succumbs to excitement and feelings - he is seized by anxiety: “Can she really be? But for sure ... No ... ".

Tatyana Larina has changed a lot since their last meeting - they no longer look at her as a strange provincial:

The ladies moved closer to her;
The old ladies smiled at her;
The men bowed below
The girls passed quieter.

Tatiana learned to behave like all secular women. She knows how to hide her emotions, is tactful towards other people, there is a certain amount of coolness in her behavior - this all surprises Onegin.

Tatiana, it seems, was not at all dumbfounded, unlike Eugene, by their meeting:
Her eyebrow did not move;
She did not even purse her lips.

Always such a brave and lively Onegin was confused for the first time and did not know how to speak to her. Tatyana, on the other hand, asked him with the most indifferent expression on her face about the trip and the date of his return.

Since then, Eugene has been losing his peace. He realizes that he loves the girl. He comes to them every day, but he feels awkward in front of the girl. All his thoughts are occupied only by her - from the very morning he jumps out of bed and counts the hours remaining before their meeting.

But the meetings do not bring relief either - Tatiana does not notice his feelings, she behaves with restraint, proudly, in a word, just like Onegin himself in relation to her two years ago. Eaten by excitement, Onegin decides to write a letter.

Noticing a spark of tenderness in you,
I did not dare to believe her - he writes about the events of two years ago.
Eugene confesses his love to a woman. “I was punished,” he says, explaining his past recklessness.

Like Tatyana, Onegin entrusts her with the solution to the problem:
It's all decided: I'm at your will
And surrender to my destiny.

However, there was no answer. The first letter is followed by one more letter and one more, but they remain unanswered. Days go by - Eugene cannot lose his anxiety and confusion. He again comes to Tatyana and finds her sobbing over his letter. She looked a lot like the girl he had met two years earlier. An agitated Onegin falls at her feet, but

Tatiana is categorically disposed - her love for Onegin has not yet faded away, but Yevgeny himself ruined their happiness - he neglected her when she was not known to anyone in society, was not rich and was not "treated kindly by the court." Eugene was rude to her, he played with her feelings. Now she is another man's wife. Tatiana does not love her husband, but she will be "faithful to him for a century", because it cannot be otherwise. Another scenario is contrary to the girl's life principles.

Tatiana Larina assessed by critics

Roman A.S. Pushkin, "Eugene Onegin" has become the subject of active research and scientific critical activity for several generations. The image of the main character Tatiana Larina became the cause of repeated disputes and analyzes.

• Yu. Lotman in his works he actively analyzed the essence and principle of writing Tatyana's letter to Onegin. He came to the conclusion that the girl, after reading the novels, recreated "a chain of reminiscences primarily from the texts of French literature."
• V.G. Belinsky, says that for Pushkin's contemporaries, the release of the third chapter of the novel was a sensation. The reason for this was Tatiana's letter. According to the critic, Pushkin himself until that moment was not aware of the power produced by writing - he calmly read it, just like any other text.
  The style of writing is a little childish, romantic - it touches, because Tatiana had not known the feelings of love before that “the language of passions was so new and not accessible to the morally unrepentant Tatiana: she would not have been able to understand or express her own feelings if she had not resorted to to help the impressions left on her. "
• D. Pisarev did not turn out to be such an inspired image of Tatyana. He believes that the girl's feelings are fake - she instills them in herself and thinks that this is the truth. While analyzing the letter to Tatyana, the critic notes that Tatyana still realizes Onegin's lack of interest in her person, because she suggests that Onegin's visits will not be regular, this state of affairs does not allow the girl to become a "virtuous mother." “And now, by your grace, a cruel man, I must disappear,” writes Pisarev. In general, the image of a girl in his concept is not the most positive and borders on the definition of "redneck".
• F. Dostoevsky believes that Pushkin should have called his novel not by the name of Eugene, but by the name of Tatiana. Since this particular heroine is the main character in the novel. In addition, the writer notes that Tatiana has a much greater mind than Eugene. She knows how to do the right thing in the current situations. Her image is markedly hard. “The type is firm, standing firmly on its ground,” Dostoevsky says about her.
• V. Nabokov notes that Tatiana Larina has become one of her favorite characters. As a result, her image turned "into a 'national type' of a Russian woman." However, over time, this character was forgotten - with the beginning of the October Revolution, Tatyana Larina lost her significance. For Tatiana, according to the writer, there was another unfavorable period. During the Soviet era, the younger sister Olga took a much more advantageous position in relation to her sister.

The image of Tatiana in the novel "Eugene Onegin" by A.S. Pushkin. Firstly, because the poet in his work created a unique, unique character of a Russian woman. And secondly, this image embodied an important principle of Alexander Sergeevich - the principle of realistic art. Pushkin in one of his articles explains and analyzes the reasons for the emergence of "literary monsters" by the emergence and development of romantic literature that replaced classicism. Let's consider in more detail the image of Tatiana in the novel "Eugene Onegin".

The main idea of ​​Pushkin

The poet agrees that the portrayal of not moralizing, but the ideal - the general trend of contemporary literature - is correct in essence. But, according to Alexander Sergeevich, neither the perception of the past about human nature as a kind of "cutesy pomp", nor today's image of vice triumphant in hearts, are inherently deep. Pushkin, therefore, asserts in his work new ideals (stanzas 13 and 14 of the third chapter): according to the author's intention, the novel, which is built primarily on a love conflict, should reflect the most stable and characteristic signs of the way of life, which was adhered to by several generations of a noble family in Russia ...

Therefore, Pushkin's heroes speak in a natural language, their experiences are not monotonous and schematic, but versatile and natural. Describing the feelings of the characters in the novel, Alexander Sergeevich tests the truthfulness of the descriptions by life itself, relying on his own impressions and observations.

Contrasting Tatiana and Olga

Taking into account this concept of Alexander Sergeevich, it becomes clear how and why the image of Tatiana in the novel "Eugene Onegin" is compared with the character of another heroine, Olga, when the reader gets acquainted with the first one. Olga is cheerful, obedient, modest, sweet and simple-minded. Her eyes are like the sky, blue, her curls are flaxen, her body is light, while she does not stand out from a number of similar provincial young ladies in the novel "Eugene Onegin". The image of Tatiana Larina is built on contrast. This girl is not as attractive in appearance as her sister, and the hobbies and behavior of the heroine only emphasize her originality, dissimilarity from the rest. Pushkin writes that in her family she seemed like a stranger to a girl, was silent, sad, wild, fearful like a doe.

Name Tatiana

Alexander Sergeevich gives a note in which he indicates that names such as Thekla, Fedora, Filat, Agrafon and others are used in our country only among commoners. Then, in the author's digression, Pushkin develops this idea. He writes that the name Tatiana will for the first time consecrate the "tender pages" of this novel. It merged harmoniously with the characteristic features of the girl's appearance, her character traits, manners and habits.

The character of the main character

The village world, books, nature, scary stories that the nanny told on dark winter nights - all these unpretentious, sweet hobbies gradually form the image of Tatiana in the novel "Eugene Onegin". Pushkin notes what was most dear to the girl: she loved to meet the "dawn sunrise" on the balcony, to watch the dance of stars disappear from the "pale sky".

Books played a big role in shaping the feelings and views of Tatiana Larina. Novels replaced everything else for her, provided an opportunity to find her dreams, "secret heat". Passion for books, acquaintance with other, fantastic worlds, which were filled with all sorts of colors of life, was not just entertainment for our heroine. Tatyana Larina, whose image we are considering, wanted to find in them what she could not find in the real world. Perhaps that is why she suffered a fatal mistake, the first failure in her life - love for Eugene Onegin.

Perceiving the alien environment as opposed to her poetic soul, Tatyana Larina, whose image stands out from all the others in the work, created her own illusory world, where love, beauty, goodness, and justice ruled. There was only one thing missing to complete the picture - a unique, single hero. Therefore, Onegin, shrouded in mystery, thoughtful, seemed to the girl the embodiment of her secret girlish dreams.

Tatiana's letter

Tatyana's letter, a touching and sweet declaration of love, reflects the entire complex range of feelings that gripped her restless, immaculate soul. Hence such a sharp, contrasting contrast: Onegin is "unsociable", he is bored in the village, and the members of Tatiana's family, although they are "innocently glad" to the guest, do not shine with anything. Hence the praise of the chosen one, excessive, transmitted, among other things, with the help of the girl's description of that indelible impression that she received at the first meeting with the hero: she always knew him, but fate did not give the lovers a chance to meet in this world.

And then came this wondrous moment of recognition, meeting. "I found out instantly," writes Tatiana. For her, whom none of the people around her understands, and this brings suffering to the girl, Eugene is a savior, a savior, a handsome prince who will revive her, unleash Tatyana's unfortunate heart. It would seem that dreams have come true, but reality sometimes turns out to be so cruel and deceiving that it is impossible even to imagine.

Eugene's answer

The girl's tender confession touches Onegin, but he is not yet ready to bear responsibility for other people's feelings, fate, and hope. His advice is simple in everyday life, reflecting the life experience he has accumulated in society. He encourages the girl to learn to control herself, since inexperience leads to trouble and not everyone will understand her the way Eugene understood.

New Tatiana

This is just the beginning of the most interesting, which the novel "Eugene Onegin" tells us about. The image of Tatiana is significantly transformed. The girl turns out to be a capable student. She learned to "dominate herself", overcoming mental pain. In the careless and stately, indifferent princess, it is now difficult to recognize that former girl - in love, timid, simple and poor.

Have Tatiana's life principles changed?

Is it fair to assume that if significant changes have occurred in Tatyana's character, then the life principles of the heroine have also changed significantly? If we interpret Tatyana's behavior in this way, then in this we will follow Eugene Onegin, inflamed with passion for this unapproachable goddess. Tatiana accepted the rules of this game that was alien to her, but her sincerity, moral purity, curiosity of mind, directness, understanding of duty and justice, ability to face and overcome difficulties arising on the way with courage and dignity did not disappear.

The girl responds to Onegin's confession that she loves him, but is given to another, and the age will be faithful to him. These are simple words, but how much resentment, bitterness, heartache, suffering are in them! The image of Tatiana in the novel is vital and convincing. He evokes admiration and sincere sympathy.

The depth, height, spirituality of Tatiana allowed Belinsky to call her "a genius nature". Pushkin himself admired this, so skillfully created, image. In Tatyana Larina, he embodied the ideal of a Russian woman.

We looked at this challenging and interesting image. Tatyana Onegina was not in the novel, and could not be, according to Pushkin. The heroes' attitude to life was too different.