Hypocrisy in the work of grief from the mind. Description of Molchalin in "Woe from Wit" (with quotes)

Molchalin is one of the most memorable characters in the comedy Woe from Wit. He is endowed with a speaking surname. So, what is this character "silent" about?

We meet with Molchalin at the very beginning of the comedy, when we learn that they have mutual love with Sophia, the daughter of the owner of the house. However, in the future it becomes clear that the reciprocity of love exists only in the imagination of Sophia, and Molchalin himself is not as simple as it seems.

Molchalin's life position is most fully revealed during his dialogue with Chatsky ... "My father bequeathed to me: first of all, to please all people without exception - the Master, where I will live, the Chief, with whom I will serve, His servant, who cleans his dress, the Swiss, the janitor, to avoid evil, The janitor's dog, so that she is affectionate"- says Molchalin. Indeed, this character can always achieve what he wants precisely because of his ability to find an approach to people. His main goal (like any representative of the "Famus society") is to achieve a high position in society by any means. And here he, realizing that the daughter of Famusov is in love with him, so as not to offend her, plays a romantic and timid lover. He knows that Sophia reads French romance novels and therefore understands how he should appear in front of her. And it works: Sophia admires his complaisance, modesty, gentleness. He also behaves modestly under Famusov. During the ball, Molchalin tries with all his might to please Khryumina, knowing that she occupies a high position in society ( "Your spitz is a lovely spitz, no more than a thimble").

However, it is interesting to observe how his behavior changes with other people. Alone with the servant Lisa, he becomes rudely cheeky. With Chatsky, he talks politely and emphatically restrained, because he understands: Chatsky is an unwanted guest in this house and it is not profitable to show him respect. In addition, Molchalin is amazed that Chatsky does not know one noble lady - Tatyana Yurievna. This shows how important connections and reputation are for Molchalin (and how little they matter to Chatsky). Opposed to each other are also Chatsky's desire to prove to everyone that he is right and Molchalin's restraint ( "In my years one should not dare to have one's own judgments").

If Chatsky turned out to be an outcast in this society, then Molchalin feels like a fish in water here. It was not for nothing that Chatsky said: "The silent people are blissful in the world." Molchalin is a type of person who, unfortunately, is in demand in any society at any time. It is these people who often achieve a lot precisely because of their hypocrisy. Therefore, to the rather popular question of what will become of Molchalin after the scandal at the end of the work and the exposure, it is fashionable to give an affirmative answer: everything will be forgotten pretty quickly and he will continue to live in Famusov's house as if nothing had happened.

A.S. Griboyedov finished his legendary comedy in 1824. But, despite all efforts, it was not possible to publish it. Censorship did not pass, as the character of the play is accusatory. It spread in the lists, was a great success among the young intelligentsia. Only in 1833 was the play published in an abridged form.

The author presented the reader with a constellation of vivid images of the Moscow nobility of the 19th century. Most of them are relevant to this day. Especially tenacious is the person who "blissful in the world." This character personifies honor, careerism, hypocrisy.

General characteristics of the hero

Molchalin is a young man of unknown origin. He comes from Tver, his parents became impoverished. Thanks to his efficiency and cunning, he gets to the capital. Famusov gives him the rank of collegiate assessor, attaches him as his secretary. This position at that time gave hereditary nobility, regardless of material well-being. But the employer himself calls him "rootless", although he settles in his house.

Alexey Stepanovich, like most of the heroes of classical literature, bears a speaking surname. He is truly speechless. The quality is inconsistent. Sophia in love considers virtue. They say the father is angry, but Alexei does not argue, does not mind, the hot-tempered master calms down. Chatsky considers this stupidity, lack of will, self-respect. For Molchalin, this is just a cunning maneuver, opportunism. He does not mind.

The hero is young, the same age as Chatsky. But they are similar only in age.

Chatsky and Molchalin

These two social types are antagonists. People like Molchalin are ready to do anything to achieve high ranks and position in society. They do not shun anything. Lies, hypocrisy, ingratiating themselves, groveling, humiliation, pretense - everything goes into action.

"Moderation and accuracy" are the only talents of Alexey Stepanovich. But he is clearly being shy, forgetting that adaptability, cunning, business acumen are also some kind of talents.

Molchalin does not recognize his right to his own opinion. While he is in a small rank, it is necessary to depend on others. Therefore, he actively mimics, adjusts.

Chatsky is a different person. He expresses his opinion openly in any environment. He sees no point in an empty service. He is ready to serve the cause, but not persons. Serving him is sickening. Famusov calls him a proud man, a fool. It is wild for a successful official to hear such speeches.

Molchalin, for the sake of profit, is ready to pretend in everything. Even in love.

Attitude to Sophia

Pretending to be in love, Alexey becomes a friend of the owner's daughter's heart. She, in turn, endowed him with the features of the heroes of French romance novels. I created the perfect image for myself.

Alexey Stepanych visits the young lady's room at night. But he behaves indecisively, modestly, does not allow liberties. As it turned out later, not because he was anxiously in love and well brought up, but out of indifference. But towards Liza he shows ardor, impoliteness. Shyness with a young lady and vulgar behavior with a maid. This contrast speaks volumes.

He takes care of Sophia only to curry favor: "for the sake of the daughter of such a person." He himself does not really understand why. There is no love, does not count on the wedding. Molchalin is a coward, madly afraid of Famusov's anger, of what he learns about the novel.

Molchalin and guests

The ball in the Famusovs' house is the key scene of the work. The family is officially in mourning after the death of their uncle. Therefore, only “their own” are convened. Balls should be given to maintain connections.

With all representatives of the "past century" Molchalin is equally amiable. He finds an approach to everyone. Sophia saw kindness in this ability to adapt. Like Alexey Stepanovich found friendship with everyone in the house. Chatsky also notices this: "here he will stroke the pug in time, he will rub a card there just right." And, indeed, it reaches the point of absurdity. Molchalin strokes, praises the spitz of mistress Khlestova. And then the whole evening he plays cards with the old people, adjusting, playing along. Knowing their cool temper.

The young man does everything on time. He seems to have a presentiment of a social storm. As soon as a scandal is brewing in the house, he disappears into his room a minute before the owner appears.

"Will reach the known degrees ..."

All this will certainly help the hero in achieving his goals. He will not be confused by mistakes, falls. There is no shame in him, no shyness. From childhood, Alexei was instilled with the law of the need to please even the master's janitor and his dog. And groveling, the ability to "bend into a bend" is highly valued in the capital.

"Woe from Wit" is the immortal comedy of A. S. Griboyedov. In it, he truthfully and mercilessly depicted the "picture of the mores" of the aristocratic society of his day. According to the author, in his work "25 fools for one sane person." And one of them in the play is Alexey Stepanovich Molchalin. Our article will be devoted to the characteristics of this character.

The place of the hero in the comedy

Molchalin in "Woe from Wit" is a typical representative. The role that the author assigns to him in comedy is of extreme importance. He, along with the main character, is a participant in both love and social and ideological confrontation between the characters. Alexey Stepanovich is not only a worthy successor to Famusov in business, but also a successful rival of Chatsky in love. It was for some unknown reason that Sofia chose him. The personal relationships of the characters in Woe From Wit are important, but Molchalin's attitude to service is more interesting to study. Indeed, it is precisely in this activity that the character of Alexei Stepanovich is most clearly manifested.

General characteristics of the hero

Alexey Stepanovich holds a small position. He is a secretary and Famusova. Molchalin cannot boast of a noble birth, but he strives with all his might to break out "into the people." To do this, he chose the unmistakable tactic: "please everyone ... without exception." Alexey Stepanovich makes no distinction between the master and his servant. He is impeccably courteous and polite with everyone. In relation to higher persons, Mochalin's devotion has no boundaries. He curses up with Famusov, seeks to serve Khlestova. Alexey Stepanovich is a mediocrity, a shameless hypocrite and a sycophant. But none of the Famusian guards notices this. The image of Molchalin is a portrait of a man who, with the help of simple techniques and tricks, makes his way into high society.

Molchalin and Chatsky

If most of the representatives of the Famusian guard (Famusov, Khlestova) are people of the older generation, then Molchalin is practically the same age as Chatsky. However, these representatives of the same generation are, in fact, completely different people. Their behavior in society, moral ideals are opposite. This is evidenced by the attitude of Molchalin to the service. By the hero's own admission, he has only two talents - "moderation and accuracy." He does not hide his own mediocrity, on the contrary, he is proud of it.

Alexey Stepanovich's behavior and outlook is strictly regulated by the position he holds. Since it is still quite insignificant, he has to be helpful and humble. Molchalin cannot do without influential patrons and depends entirely on them. The independence of Chatsky seems to Alexei Stepanovich to be an obvious stupidity.

Molchalin and Famusov

Unencumbered by special abilities, Aleksey Stepanovich fits very organically into the conservative Famus society. Despite the huge difference in social status and age, he has a lot in common with the famous Moscow "ace". Molchalin's attitude to the service is absolutely "Famusian". He confesses that he dreams of "taking awards and having fun." In his arsenal there are already "three awards" and each of them is a small step on the way to a brilliant career. Like Famusov, Aleksey Stepanovich sacredly reveres public opinion. Some quotes by Molchalin: "Ah! Evil tongues are worse than a pistol" and "In my summer you shouldn't dare / Have your own judgment" echoes the final Famus phrase: "Oh, my God! What will he say" / Princess Marya Alekseevna! "

Molchalin in love

Alexey Stepanovich skillfully pretends to be in love with the main character of the play. And here his desire to "please all people without exception" is manifested. Smart and selfless, Sophia does not notice the deception at all. She extols his shyness, reverence and timidity. Even the absence in him of "this mind ... which is quick, brilliant ..." seems to her a positive quality. Describing her lover to Chatsky, the girl does not notice how, in the words of I. A. Goncharov, "the portrait goes out of hand." Sofia has her own grief from the mind. Molchalin becomes for her the hero of a love story in which she plays the role of a kind patroness.

However, Aleksey Stepanovich has completely different inclinations. He likes the lively and cheerful Lisa much more. In addition, he is not so stupid and believes that Sofia "loved Chatsky once / she will stop loving me like him." But he is ready to give Lisa a toilet of intricate work and believes that this is enough to win love. Molchalin's sober cynicism seems especially disgusting against the background of sincere feelings that he has

The further fate of Molchalin

The loss of love of the main character does not mean complete defeat for Alexei Stepanovich. Despite the fact that he made a serious oversight, he managed to avoid the wrath of Famusov. The "noble" father of the family threw out all his indignation at the humiliated and insulted Sofia and the innocent Chatsky. The main character is put out on the doorstep, accused of imaginary debauchery. Sophia is threatened to be sent for misconduct to the village. Only Alexey Stepanovich is removed unnoticed. Regarding the fate of this hero, the comedy "Woe from Wit" does not give a definite answer. Molchalin will probably be able to pretend to be a victim of the prevailing circumstances. It is impossible to stop his career. Chatsky was absolutely right when he predicted that Aleksey Stepanovich "would reach the known degrees." The final scene of the comedy once again confirmed the sad truth that AS Griboyedov is trying to convey to his readers: "The silent people are blissful in the world," while the sincere and intelligent Chatskys become outcasts in society.

The image of famous writers

The image of a "wordless" person, gradually making his way up the career ladder, did not leave anyone indifferent. Belinsky in the middle of the 19th century wrote that Molchalin is a man who "cheats without benefits" at the same "dictate of the soul." N. V. Gogol found that "the face" of Alexei Stepanovich was "aptly captured." This is an image of a low and silent personality, quietly making its way into people. Saltykov-Shchedrin, Molchalin's attitude to the service inspired the creation of a series of essays entitled "Among the Moderates and Neat." I. A. Goncharov in his study "Million of Torments" noted that in his time (1871) the tacitism of tacitism becomes archaism and "hides ... in the darkness." However, comparisons of various persons with the dumb and helpful character of "Woe from Wit" are still actively used in journalism.

Conclusion

Molchalin's quotes are a reflection of his position in life. The desire to come in handy and gain confidence in the right person, who: "Feeds and gives water", and maybe "and will give ..." is relevant at all times. Alexey Stepanovich is a typical opportunist, unencumbered by a creative and constructive principle, but in abundance endowed with practical sense and an everyday mind. It is absolutely impossible to fight him. In any situation, this person will be able to be afloat. How long will silent mediocrity be valued in the service, and a bright, lively and independent mind will be unjustly persecuted? This question is posed by A.S. Griboyedov in the satirical comedy "Woe from Wit". The Molchalins occupy leading positions, penetrate into all spheres of life, penetrate into any society and, by their very existence, impede its development. However, the answer to this question has not been found to this day. Perhaps, over time, this state of affairs will change.

In Griboyedov's comedy Woe from Wit, several typical characters are created, well recognizable regardless of the era. Molchalin belongs to such images, so now it would be appropriate to briefly consider the characteristics of Molchalin, drawing attention to the traits that Griboyedov endowed this character with.

Biography of Molchalin from the comedy "Woe from Wit"

The play says very little about Molchalin's life before Famusov's appearance in the house. The reader learns that Alexey Stepanovich Molchalin is of an ordinary origin, a poor young man.

Famusov took Molchalin to his secretaries from Tver, was able to "get" him the rank of assessor, which was highly valued and equated to the army rank of major. Meanwhile, the hero is still listed in the Archives of the College of Foreign Affairs and manages to receive three awards. At the time of Griboyedov, the "archival youths" were treated somewhat contemptuously, since young people who wished to avoid military service in this way were enrolled there. This information already helps to make a characterization of Molchalin from the comedy "Woe from Wit".

In the house of his patron, Molchalin lives on the first floor, where the servants' rooms and utility rooms are located. For the sake of a career, Molchalin starts an affair with Sophia, the daughter of Famusov, while simultaneously courting the maid Lisa.

Molchalin and Sophia

What else is interesting about Molchalin's characterization? He admits that Sophia is not interesting to him. No matter how Molchalin tries to wake up feelings for her, nothing works, the hero remains cold: "As I see you - and a sheet." He drags after the boss's daughter, hoping to get a profit. Knowing the inconstancy of Sophia ("they loved Chatsky once, they will stop loving me like him"), he is not worried, he is more concerned about Famusov's reaction to their relationship.

Literary critics have repeatedly asked the question: what attracted Molchalin to Sophia, why did she prefer him to the clever and noble Chatsky? Probably the answer is in the words of the heroine herself. Talking about Molchalin, she highlights his qualities such as helpfulness, attentiveness, shyness, he is ready to predict Sophia's every desire and shows her his tender feelings.

Another quality that is important in the characterization of Molchalin is his hypocrisy and duplicity: depicting love for Sophia, he courting Lisa, seducing her with gifts and not hesitating to express his feelings quite impudently and obsessively. In Famusov's house, Molchalin wears the mask of a timid man in love until an accidental exposure occurs.

Characteristic qualities of Molchalin from the comedy "Woe from Wit"

Griboyedov uses a speaking surname. Molchalin is silent, quiet, he does not dare to have his own opinion, fearing not to please important people. Its main goal is to gain confidence in those who can provide patronage through servility and servility to them. Chatsky notes with bitterness: "The taciturns are blissful in the world."

To understand the characterization of Molchalin in the comedy "Woe from Wit" by Griboyedov, it is necessary to remember what covenant his father gave to Molchalin. The young man says that his father advised him "to please all people without exception": the owner of the house where he lives, the boss, the chief's servant, "the doorman, the janitor to avoid evil, the janitor’s dog, so that she was affectionate." The hero follows this principle. He tries to please Famusov, the "oldies" at the balls. For this, he refuses dancing and fun, and all evening playing cards with elderly, but noble gentlemen. With complaisance and modesty, Molchalin achieved a good relationship with the influential Tatyana Yuryevna and even the grumpy Khlestova.

Molchalin considers his main talents to be "moderation and accuracy." Griboyedov in his comedy "Woe from Wit" shows: Molchalin is stupid, his mind is aimed only at finding beneficial behavior, low, does not have a sense of his own dignity, is capable of meanness and lies.

We hope that our article, which briefly presented the characterization of Molchalin from the comedy "Woe from Wit" by Griboyedov, helped you get to know this character better. On our literature blog also read

Among the heroes of "Woe from Wit" (see summary, analysis and full text) Famusov stands at the top rungs of the service and social ladder. Molchalin, being on the lower steps of the same staircase, tries to climb it, following the principles and life rules of his boss. Seriousness and servility, widespread in Famus society, were instilled in him from childhood:

“My father bequeathed to me,

says Molchalin,

First, to please all people without exception;
The owner, where he happens to live,
To the chief with whom I will serve,
To his servant who cleans the dress,
Swiss, janitor, to avoid evil,
To the janitor's dog, to be more affectionate. "

We can say that Molchalin really fulfills his father's will! We see how he tries to please the noble old woman Khlestova, how he praises and caresses her dog; and although Khlestova treats him very condescendingly ("Molchalin, here is your closet!"), nevertheless, she allows him to behave arm in arm, plays cards with him, calls "my friend", "dear", and probably will not refuse his patronage when he needs it. Molchalin is sure that he is going the right way and advises Chatsky to go "to Tatiana Yuryevna", as in his words "often we find patronage there where we don't mark."

Woe from wit. Maly Theater performance, 1977

Molchalin himself recognizes two "talents": "moderation" and "accuracy", and there is no doubt that with such properties "he will reach the degrees of the known," as Chatsky notes, adding: "after all, nowadays they love the dumb." Molchalin really is dumb, since not only does he not express, but even does not have his own opinion, it is not for nothing that Griboyedov called him “Molchalin”:

“In my years I shouldn't dare
Have your own judgment "-

he says. Why risk “having your own judgment” when it’s so much easier and safer to think, speak and act as the elders do, as Princess Marya Alekseevna does, like “everyone else”? And can Molchalin have his own opinion? He is undoubtedly stupid, limited, although cunning. This is a shallow soul. We see the baseness and meanness of his behavior with Sophia. He pretends to love her, because he thinks that it can be beneficial to him, and at the same time flirts with Lisa; he sneakily crawls on his knees in front of Sophia, begging for her forgiveness, and immediately after that he hurries to hide from Famusov's anger, like a real coward. The pathetic type of Molchalin is portrayed by Griboyedov with ruthless realism.

"The taciturns are blissful in the world." The catch phrase lives on today. In the changed conditions of the modern world, the "Molchalins" are easy to recognize and meet.

The image and characterization of Molchalin in the comedy "Woe from Wit" will help to understand which features have not undergone changes, who is hiding under the guise of a two-faced shy man.

Molchalin and Famusov

Alexey Stepanovich Molchalin is the secretary of Famusov, the owner of the house in which the events of the comedy unfold. Famusov gave shelter to a poor nobleman from Tver, gave him the rank of assessor, and officially arranged for him to serve in the Archives. Molchalin is not young, an adult man (" we are not guys ...») Is pleased with this situation. He is listed in the archival service, receives a promotion, but does not leave Famusov's house. In Alexei, the owner discerned the features of a business man. All other servants in the house are relatives. The ability to please becomes the basis of Molchalin's character. Simple in origin, probably from a bourgeois family, having received the rank, Alexei acquired the right to hereditary nobility. For 3 years of service, he managed to receive 3 awards. Such a career growth is an indicator of a man's patience and desire to rise by any means as high and fast as possible.

Positive character traits

Griboyedov represents real characters, so they have positive and negative qualities. Molchalin is no exception.

Modesty. Not many can boast of the ability to communicate with people of different ages and educational levels. At Famusov's ball, Molchalin withstands the whims and humiliations of grumpy old women, the stupidity of drunken revelers, the coyness of young ladies.

Shyness and tact. Alexey, being next to the owner's daughter, does not show impudent or harsh actions. He tactfully tolerates Sophia's attitude, skillfully hides his true feelings.

Taciturnity. The ability to remain silent is an unattainable quality for many. They get tired of their chatter. Here the situation is different:

"He will reach the degrees of the known, / After all, nowadays they love the dumb ...".

Good manners and politeness. Molchalin behaves correctly in different situations. He easily apologizes, builds phrases so that there is no desire to scold him, scold him.

The ability to be friends.

"Look, he has acquired the friendship of everyone in the house."

He peacefully settles any problems and disputes, for others he is able to forget about himself.

Calmness. Molchalin is difficult to piss off. He does not express nervousness, anxiety even in the most difficult situations: a morning meeting with the owner, a fall from a horse.

Negative personality traits

Among the representatives of the high society, Aleksey Stepanovich is shy and timid, but this is only a mask, a mask. Behind her are features that do not paint a man:

Helpfulness. Molchalin seeks to please everyone around him, hoping to make a pleasant impression, to benefit. His father bequeathed to him to please all people, but the son moved on. He grovels not only in front of people, but also in front of the animals of the owners. The purpose of this behavior is to achieve promotion and personal relationships.

Duplicity. A man's behavior changes with the situation and environment. With whom he communicates by status, so he behaves. With the Countess Khlestova he is kind, with the maid he is free.

Not the ability to love. Molchalin builds his relationship for the sake of profit. He loves "according to his position." This feeling has become very well known in the modern era, when they start romances for deception and profit. The secretary skillfully plays the role of a lover, conquers an intelligent and educated girl. Sophia is ready for him to go against the rumors and opinions of her father, but the reciprocal feeling is deceitful.

Lack of personal opinion. Molchalin never spoke out. He has chosen a tactic of silence that is pleasing to those around him. Gradually I lost the opportunity to have my own judgments.

The image of Molchalin easily survived the centuries. For many, the value of money, position and position in society is higher than honesty, patriotism and human dignity. The more clearly the stratification of society in terms of prosperity becomes visible, the more “Molchalins” appear who are ready to sell their souls for money.

In Griboyedov's comedy Woe from Wit, several typical characters are created, well recognizable regardless of the era. Molchalin belongs to such images, so now it would be appropriate to briefly consider the characteristics of Molchalin, drawing attention to the traits that Griboyedov endowed this character with.

Biography of Molchalin from the comedy "Woe from Wit"

The play says very little about Molchalin's life before Famusov's appearance in the house. The reader learns that Alexey Stepanovich Molchalin is of an ordinary origin, a poor young man.

Famusov took Molchalin to his secretaries from Tver, was able to "get" him the rank of assessor, which was highly valued and equated to the army rank of major. Meanwhile, the hero is still listed in the Archives of the College of Foreign Affairs and manages to receive three awards. At the time of Griboyedov, the "archival youths" were treated somewhat contemptuously, since young people who wished to avoid military service in this way were enrolled there. This information already helps to make a characterization of Molchalin from the comedy "Woe from Wit".

In the house of his patron, Molchalin lives on the first floor, where the servants' rooms and utility rooms are located. For the sake of a career, Molchalin starts an affair with Sophia, the daughter of Famusov, while simultaneously courting the maid Lisa.

Molchalin and Sophia

What else is interesting about Molchalin's characterization? He admits that Sophia is not interesting to him. No matter how Molchalin tries to wake up feelings for her, nothing works, the hero remains cold: "As I see you - and a sheet." He drags after the boss's daughter, hoping to get a profit. Knowing the inconstancy of Sophia ("they loved Chatsky once, they will stop loving me like him"), he is not worried, he is more concerned about Famusov's reaction to their relationship.

Literary critics have repeatedly asked the question: what attracted Molchalin to Sophia, why did she prefer him to the clever and noble Chatsky? Probably the answer is in the words of the heroine herself. Talking about Molchalin, she highlights his qualities such as helpfulness, attentiveness, shyness, he is ready to predict Sophia's every desire and shows her his tender feelings.

Another quality that is important in the characterization of Molchalin is his hypocrisy and duplicity: depicting love for Sophia, he courting Lisa, seducing her with gifts and not hesitating to express his feelings quite impudently and obsessively. In Famusov's house, Molchalin wears the mask of a timid man in love until an accidental exposure occurs.

Characteristic qualities of Molchalin from the comedy "Woe from Wit"

Griboyedov uses a speaking surname. Molchalin is silent, quiet, he does not dare to have his own opinion, fearing not to please important people. Its main goal is to gain confidence in those who can provide patronage through servility and servility to them. Chatsky notes with bitterness: "The taciturns are blissful in the world."

To understand the characterization of Molchalin in the comedy "Woe from Wit" by Griboyedov, it is necessary to remember what covenant his father gave to Molchalin. The young man says that his father advised him "to please all people without exception": the owner of the house where he lives, the boss, the chief's servant, "the doorman, the janitor to avoid evil, the janitor’s dog, so that she was affectionate." The hero follows this principle. He tries to please Famusov, the "oldies" at the balls. For this, he refuses dancing and fun, and all evening playing cards with elderly, but noble gentlemen. With complaisance and modesty, Molchalin achieved a good relationship with the influential Tatyana Yuryevna and even the grumpy Khlestova.

Molchalin considers his main talents to be "moderation and accuracy." Griboyedov in his comedy "Woe from Wit" shows: Molchalin is stupid, his mind is aimed only at finding beneficial behavior, low, does not have a sense of his own dignity, is capable of meanness and lies.

We hope that our article, which briefly presented the characterization of Molchalin from the comedy "Woe from Wit" by Griboyedov, helped you get to know this character better. On our literature blog also read

In the comedy "Woe from Wit" A.S. Griboyedov presents the images of the Moscow nobility of the early 19th century, when a split was outlined in society between the conservative nobility and those who accepted the ideas of Decembrism. The main theme of the work is the confrontation between the "present century" and the "past century", the painful and historically natural replacement of old noble ideals with new ones. The supporters of the "bygone century" in comedy are numerous. These are not only such weighty and influential people in the world as the feudal landlords Famusov and Colonel Skalozub, but also young nobles who do not have high ranks and are forced to "serve" influential people. This is the image of Molchalin in the comedy "Woe from Wit".

Molchalin is a poor nobleman from Tver. He lives in the house of Famusov, who "gave him the rank of assessor and took him as secretary." Molchalin is the secret lover of Famusov's daughter, but Sophia's father does not want to see him in his sons-in-law, because in Moscow it is necessary to have a son-in-law "with stars and ranks." Molchalin does not yet meet these standards. However, his desire to "serve" is very valuable for the Famus society.

Thanks to this skill, Molchalin received the post of Famusov's secretary, because usually such places are taken only under patronage. Famusov says: “In my presence, foreign employees are very rare: more and more sisters, sister-in-law, children; only Molchalin is not my own, and that is because he is a business man. " It is business qualities, and not honor and dignity, that are valuable in the Famusian environment.

In the play Woe from Wit, the image of Molchalin fully corresponds to the accepted standards of behavior of a young nobleman in society. He curses and humiliates himself in front of influential guests in Famusov's house, because they can be useful in his promotion. Molchalin sinks to the point that he begins to praise the smooth fur of Khlestova's dog. He believes that while "we are small in ranks", "we must depend on others." That is why Molchalin lives according to the principle "In my years you should not dare to have your own judgment."

Like everyone else in Famus society, in the comedy Woe From Wit, Molchalin is proud of his successes in the service and boasts of them at every opportunity: “As I worked and worked, since I was listed in the archives, I received three awards.” Molchalin also succeeded in establishing contacts with the "necessary" people. He often visits Princess Tatyana Yuryevna, because “officials and officials are all her friends and all relatives,” and even dares to recommend such a demeanor to Chatsky.

Despite the fact that the views and values ​​of Molchalin fully coincide with the ideals of the conservative nobility, Molchalin is capable of causing serious harm to the society in which he is located. Famusov's daughter will be deceived by this particular person, since he assumes the appearance of her lover "according to his position", that is, out of profit.

Molchalin fully opens his face when interacting with the servant Lisa, who expresses sympathy. “You and the young lady are modest, but the maid is a rake,” she tells him. It becomes clear to the reader that Molchalin is not at all a stupid modest man - he is a two-faced and dangerous person.

In the heart of Molchalin there is neither love nor respect for Sophia. On the one hand, he puts on this performance "for the sake of the daughter of such a person," and on the other, he is mortally afraid that his secret connection with Sophia will be revealed. Molchalin is very cowardly. He is afraid to spoil the opinion of himself in society, because "evil tongues are worse than a gun." Even Sophia is ready to go against the light for the sake of love: "What is the rumor to me ?!" This is probably why Molchalin does not find "anything enviable" in his marriage to Sophia.

It turns out that with his meanness, Molchalin causes harm even to the society of which he is a product. Molchalin just clearly follows the advice of his father - "to please all people without exception - to the owner where he will live, the boss, with whom I will serve ..."

This hero is fully consistent with the ideals of the "past century", although he belongs to the younger generation of nobles. He knows the main thing - to adapt, and therefore "The silencers are blissful in the world."
Thus, Molchalin is a product and a worthy continuation of the representatives of the conservative nobility. He, like this society, values ​​only ranks and money and evaluates people only by these standards. The cunning and duplicity of this hero are the defining features in the characterization of Molchalin in the comedy Woe from Wit. Therefore, Chatsky claims that Molchalin "will reach the degrees of the known, because nowadays they love the dumb."

The problem raised by Griboyedov in the comedy "Woe from Wit" remains relevant to this day. At all times, there were Molchalins who did not stop at anything to achieve their goals. The image of Molchalin will remain alive for readers as long as values ​​such as wealth and position in society are at the forefront, rather than honor, conscience, human dignity and true patriotism.

Characteristics of the hero, reasoning about his views and ideals, describing relationships with other characters - all these arguments will help 9 grade students when writing an essay on the image of Molchalin in the comedy "Woe from Wit"

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A. Griboyedov's comedy "Woe from Wit" was created in 1824. Due to the incriminating content of the work, it was published only in 1833, and even then selectively. Only in 1862 a full-fledged comedy was released. In his work, the author wished to speak out about what had become painful for him for so many years of contemplating the hypocrisy and sycophancy of the people around him. The comedy "Woe from Wit" is a confrontation between an intelligent, thinking, with an active life position, an open and honest person with vile, vile, immoral people who care only about wealth and ranks.

General characteristics of A.S. Molchalin

Famusov's faithful dog, Sophia's heartfelt friend, a sycophant, a hypocrite, a rootless official, Chatsky's main antagonist - this is who Alexei Stepanich Molchalin is. The characterization of the central character of the comedy shows a typical representative on whom the serf-bureaucratic morality had its corrupting influence. Since childhood, Molchalin was taught to obey, to please everyone around: the boss, the owner, the butler, the janitor's dog, in the end, so that she would be affectionate.

The character of the character is fully revealed by the surname that speaks for itself. For the most part, Alexei Stepanich is silent, endures humiliation, shouts, even unjust reproaches. He understands perfectly well that a rootless official cannot live in this callous and cynical society without the support of people in power, therefore he pleases everyone around him, trying not to quarrel with anyone, to be good for everyone, and he does it perfectly. The author of the comedy is sad that society is teeming with such heroes who know how, where necessary, to be silent, pet the dog of an influential lady, say a compliment, raise a handkerchief and for all this receive formal awards and ranks, in reality remaining servants.

Quotation characteristics of Molchalin

Famusov's secretary is characterized by different characters in the comedy: Chatsky, Sofia, Famusov, Liza. Someone speaks of him as a modest, handsome, quiet and timid person, ready to endure all humiliation and reproaches. Some heroes of the work guess about his low soul, and only a few see the true face of Molchalin.

Sophia sees in Alexei Stepanych an invented image: "ready to forget myself for others," "the enemy of insolence is always shy, timid." The girl thinks that Molchalin is behaving shyly, because he is modest by nature, not suspecting that this is just one of his masks. “When a priest serves for three years, he often gets angry to no avail, but he disarms with his silence, forgives out of the kindness of his soul,” Alexei's slavish obedience speaks of his definite life position, which implies keeping quiet, enduring, but not getting involved in a scandal.

Molchalin reveals his true face to Liza: "Why are you and the young lady modest, but from the maid's rake?" Only her secretary tells about his true feelings for Sophia. Chatsky also guesses about the duplicity and pettiness of Alexei: “He will reach the degrees of the well-known, because nowadays they love the wordless”, “Who else will settle everything so peacefully! There he will stroke the pug in time, here he will rub the card at the right time ... ”A brief description of Molchalin shows that his silence is not at all a manifestation of stupidity. This is a well-thought-out plan for obtaining benefits.

Speech characteristics of Molchalin

The manner of conversation of Alexei Stepanych very well characterizes his inner appearance. Sycophantity, submissiveness, servility are the main characters, therefore diminutive words, self-deprecating intonations, exaggerated courtesy, obsequious tone can be traced in his speech. To please people who are richer and higher in rank, the hero adds the prefix "s" to the words. Molchalin is mostly silent, unnecessarily trying not to enter into a conversation. He shows his eloquence only in front of Lisa, in front of whom he can take off his mask and show his true face.

The attitude of the hero to Sophia

The ability to please helps in moving up the career ladder - this is exactly what Molchalin thinks. The characterization of the character suggests that he even started an affair with Sophia for the reason that she is the daughter of Famusov, and a close relative of the boss cannot be denied the fulfillment of whims. The girl herself invented a hero for herself and imposed her feelings on Alexei Stepanych, making him a platonic admirer. To please the lady, he is ready to abandon his native philistine dialect and communicate in the language of silent looks and gestures. Molchalin all night long silently sits beside Sophia, reading novels with her, only because he cannot refuse the boss's daughter. The hero himself not only does not love the girl, but also considers her a "deplorable bastard."

Comparative characteristics of the images of Molchalin and Famusov

The problem of bureaucracy is one of the main issues addressed in the comedy "Woe from Wit". Molchalin's characterization gives the reader an idea of ​​the new type of officials at the beginning of the 19th century. He and Famusov belong to the world of bureaucrats, but still they are not alike, because they belong to different centuries. Barin is an elderly rich man with an established opinion and an accomplished career. Alexey Stepanych is still young, so he goes to small officials and only climbs the career ladder.

In the 19th century, a new type of Russian bureaucrat emerged who rejected the commandments of the “fathers”. This is precisely what Molchalin's characterization shows. Woe from Wit is a story about a socio-political conflict that expresses the position of society. Be that as it may, but Molchalin still belongs to the Famus circle, and just like his boss, he admires ranks and wealth.

Molchalin and Chatsky

Comparative characteristics of Molchalin and Chatsky show how different they are. Molchalin - Famusov's secretary, has no aristocratic origin, but has developed his own tactics, following which he is building a reliable and comfortable future for himself. Once again, you can't get a word out of him, but he knows how to run on tiptoes, work with papers and appear at the right time, and many like this. Silent, helpful, spineless people were valued in the era of Nicholas I, so someone like Molchalin awaited a brilliant career, awards for services to the homeland. He looks like a modest young man, he likes Sophia with his meekness and compliance, pleases Famusov with patience and silence, curses up with Khlestova and only the servant Liza shows his true face - vile, two-faced, cowardly.

Chatsky is the embodiment of the image of the Decembrists, a romantic nobleman who reveals the vices of serfdom. It is his antagonist that Molchalin is. The characterization of the hero shows that he embodies the features of an advanced thinking man of the early 19th century. Chatsky is convinced of his righteousness, therefore, without hesitation, he preaches new ideals, reveals the ignorance of the current rich, exposes their pseudo-patriotism, inhumanity, and hypocrisy. This is a freethinker who fell into a rotten society, and this is his misfortune.

Life principles of the hero

Griboyedov's hero Molchalin became the common designation for servility and meanness. The characterization of the character shows that Alexei Stepanych, from childhood, programmed a plan in his head how to break out into people, make a career, and achieve a high rank. He walked along his road without turning to the sides. This person is absolutely indifferent to the feelings of other people, he will not lend a helping hand to anyone if it is unprofitable.

The main theme of the comedy

Throughout the comedy "Woe from Wit" the theme of bureaucracy, which in the 19th century was raised by many writers, is stretched. The bureaucratic apparatus of the state grew and turned into a serious machine that grinds all the rebels and works in a way that suits it. Griboyedov in his work showed real people, his contemporaries. He set himself the goal of ridiculing certain features of a person, showing the tragedy of society of that era, and the writer did a great job.

The history of the creation of the comedy

Once a rumor spread throughout Moscow that Alexander Griboyedov University professor Thomas Evans, alarmed by this news, decided to visit the writer. In turn, Griboyedov told his interlocutor a story that happened to him at one of the balls. He was tired of the antics of society, praising some Frenchman, an ordinary chatterbox, who did nothing remarkable. Griboyedov could not restrain himself and told those around him everything he thought about them, and someone from the crowd shouted out as if the writer was a little out of his mind. Alexander Sergeevich was offended and promised to create a comedy, the heroes of which would be those unlucky spiteful critics who called him crazy. This is how the work "Woe from Wit" was born.