How to draw fingers on hands. Human Anatomy Fundamentals: How to Draw Hands

Artists are entitled to many perks that will never exist. For example, vouchers for free food, separate transport so as not to merge with the gray mass in the minibus, or a personal butler. I myself am not an artist, but I am already beginning to feel all the delights of constant work with my hands (in my case, with my left hand). After prolonged drawing, not only the hands begin to hurt, but also the back, tailbone and other parts of the body subject to creative pressure. In this tutorial, you will learn how to paint a brush. And two at once: human and artistic. A brush is a means of transferring paint to paper, oils to bread, and powders to the brain. This is exactly what the magic wand looked like when he went to be treated to study at a magic school. With the help of a brush, such a weapon of mass destruction as Malevich's Black Square was created, which shows the ratio of the black population to the rest of the inhabitants of the Earth. Over time, the brush multiplied by controversy among people and began to appear at social parties and in laboratories for the creation of chemical weapons.

After the invention of the automatic pen and the hydrogen bomb, the brush lost its position and moved itself exclusively to the artistic sphere, where it suddenly became a means of creating masterpieces. Being an artist, of course, does not bode well, but sometimes there is money. What you can do with a brush:

• Gnawing it - this gives an influx of new brilliant ideas, and also relaxes the nervous system;
• To paint the most famous painting in the world, or not to paint;
• Make a cache out of it and hide a stash;
• Use as a murder weapon;
• Poke it at someone (just not hard);

Let's try to draw all this.

How to draw a brush with a pencil step by step

Step one. I will not comment, because there is nothing special to tell. You can see and understand everything from the pictures.
Step two.
Step three.
Step four.
Hope you enjoyed the tutorial. See more similar

Drawing hands is actually very difficult. There is an anecdote that still lives among the walls of art institutions, which tells about an artist who, so as not to be ashamed, painted his hands in his pockets and his feet in the grass. Hands are also a volumetric shape, and it is the volume that needs to be conveyed. But this is not the worst thing. The most difficult thing is to correctly capture the proportions. Already in second place is the transmission of movement, anatomical features. I am not belittling the importance of knowledge of anatomy, it should be. But if from the very beginning the proportions are not observed, further work will not bring a positive result. For example, a model is sitting in front of you. His hands are in the right position, in a certain angle. So you need to correctly capture the position of the hand in the foreshortening. And for this, look for proportions. The slightest inaccuracy and the "correct" picture will not work. And you notice this inaccuracy halfway to the completion of the work, no matter how regrettable.
I'll try to explain it differently. First, you probably need to look at the following figure:

It is not necessary to know what the bone is called. It is enough to understand that the hand is not an amorphous material, not an inflated ball - these are bones covered with muscles, ligaments, and skin. Remember the proportional ratios of the parts of the skeleton of the hand.

When you draw from life, the hand will probably be in the foreshortening, which will complicate your task. It will be necessary to convey the proportions of the "picture" itself, taking into account the proportions of the hands.

You need to start drawing the hand not separately, but as a total volume. Outline the volume with all the fingers and only then "break" into sections, eventually highlighting each finger.

If you take a ball in your hand, it will take its shape. It will be easier to understand if you do it yourself. Of course, the hand can take different positions, and its shape will change. But the basics must always be considered. This is how Bammes painted:

After outlining the shape and all the details, you can come to the transfer of chiaroscuro. We first define (in general) a light spot and a dark one and put a soft stroke on the shadow. And then we do everything according to the principle, as described on the page.

Showcased here are works by artist Andrew Loomis. The structure is shown very well, all volumes are perfectly reproduced. You can directly take and copy taking into account all proportional ratios. It is very well shown that a ball is at the heart of the structure of the palm. See how the fist is drawn. Start by transferring base proportions, height and width, base masses. When this is outlined in the sheet, proceed to the construction of the main volumes. Mark your nails last, sometimes it’s just easy to mark with a pencil.

After that, you can proceed to the transfer of light and shadow, which will help to convey the volume. Note that here the light-shadow serves as an additional function. It is used in light hints, specifying the volume and shape.

Below are his drawings of children's hands. The hands of babies, they differ from the hands of adults in that the palm is more weighty and fleshy in relation to the fingers. The joints are almost invisible on the plump arms. From this there may be problems with misunderstanding - the baby's handles may turn out to be "wadded". Already somewhat understanding the structure of an adult hand, you need to move on to draw the hands of babies. Schematically, a baby's hand can be inscribed in a rectangle close to a square, or even in a square in general.

Hands of older children. Small differences begin to appear between the boy's hand and the girl's hand. The boy's hand is bigger and stronger. Muscles and joints are better visible. A distinctive feature of the girl's hand is that they are larger, narrower, not muscular, the fingers are thinner, the nails are narrower. Joints and muscles are less visible. In drawing children's hands, tendons are not transferred. They are still practically not expressed.

Women's hands have noticeable differences from men's. Like everything in a woman - a face, a figure, so are the hands themselves. They are drawn more delicate, with light rounded surfaces, more graceful. For more grace in a woman's hand, the middle finger should be about half the length of the palm, oval nails also add grace. Joints are easily transmitted, can be transmitted by hint, small dimples, like in infant children's hands.

Hands are difficult to draw, especially from the perspective. Many artists believe that the indicator of a master is precisely the ability to draw hands. And this is achieved only with practice and diligent work. It won't work right away.

In this lesson, I suggest you draw a hand in its classic position - unclenched fingers, palm down. Perhaps you need to draw a hand, clenched into a fist or a hand with the palm up. Or draw connecting hands, as in the background. Either way, this tutorial will help you draw hands. Drawing a hand is very convenient, since you draw with one hand, and you can sketch with the other. First, study your hand carefully, pay attention to the length of the fingers, all the proportions. You can even outline the hand if you are going to draw it at life size.

1. Marking the contour of the hand

Indeed, if you need draw a hand on the whole sheet of paper, it is easier to outline the outline of your hand, and then, using some of the tips from this lesson, just add small details. If you need to draw a hand on a smaller scale, then put two points for the wrist and five points for the fingers first. Please note that not the index, but the middle finger on the hand is the longest.

2. Straight contour lines of the fingers

The length of the fingers is different. They say that musicians have very long fingers. The nobles believed that long and refined fingers emphasize aristocratic origins. Maybe, but we will be drawing an ordinary hand, so divide the segment where the little finger will be in half, and draw a line from it, parallel to the points outlined earlier. For the thumb, draw a rectangular outline.

3. Draw the real outlines of the fingers

At this stage, you only need to trace the straight outlines of the fingers with a pencil and give them real shapes. Perhaps these preliminary contours will turn out to be inaccurate, then, the shape of each finger can be specified separately.

4. General shape of the hand

In this step, you can correct the contours of the fingers. Make the "corner" for the thumb deeper, but you can also leave the original outline as you like. Make a marking of the phalanges and remove unnecessary contour lines from the drawing.

5. The drawing is almost finished.

First of all, draw your nails on your toes. Highlight the joints of the fingers with a few strokes and you can say hand drawing finished. All that remains is to draw a few details in the next step.

6. How to draw a hand. Shadows

Human hands have "wrinkles" or folds in the joints that stretch when the fingers are squeezed, make these areas darker. There is an area between the fingers that you also want to highlight. To make the hand look three-dimensional in the figure, you can make part of the contour lines darker and thicker. In this case, decide on which side the light source will be. It may seem that draw hand not difficult at all. Try to draw, and then compare your hand with the resulting drawing.

Let's try to draw a hockey player in motion in stages, with a stick and a puck. You may even be able to draw your favorite hockey player or goalkeeper.

This lesson is designed for those who already know how to draw quite well, since drawing a person is not easy. It is especially difficult to draw a picture of a dancing ballerina, since the drawing needs to convey not only the grace of a person's movements, but also the grace of ballet dance.

When drawing a person, you should see the entire future image from the assumed lines and you just have to draw them. It is important not only to precisely "maintain" the proportions of these lines in the drawing, but to accurately draw hands, eyes, lips. They convey the mood and character of a person.

Portraits are the most difficult type of fine art. Learning to draw a portrait, even with a simple pencil, requires not only learning time, but also talent.

Human eyes are the most attractive and important part of a person's face. Since this element of the portrait attracts the most attention, it must be drawn very accurately. In this lesson, we will learn how to draw a person's eyes with a pencil in stages.

Each person's nose has unique characteristics, so it is impossible to give precise advice on how to draw the nose of a girl, child or man. You can only make an abstract or, as they say, "academic" drawing of the nose. It is this version of the nose drawing that I propose to draw to you.

Many would agree that painting a person's face is not easy. However, there is an opinion among some artists that drawing a hand is even more difficult. Which is more difficult to draw - a face or hands - I cannot say. Probably, for someone like. But what can be stated with certainty is that it is really difficult to draw the hands and fingers correctly. But this is possible if you understand the basics of plastic anatomy and know the proportions. For this I have prepared a number of pictures with illustrative diagrams. They will help you understand the key points to learn to pay attention to while drawing hands.

1. Brush size

The size of the hands is approximately equal to the face (not the head). If measured from the wrist to the tip of the middle finger, then this segment will be equal to the distance from the chin to the upper border of the forehead. This is the size of an adult's brush. The younger the person, the smaller the hand will be in relation to his face. In young children, the palms are equal to the distance from the chin to the eyebrows.

2. Skeleton and muscles

The shape of the fingers and the entire hand depends on the shape of the bones and muscles. You can be convinced of this by looking at the given anatomical drawings of the hands.

3. The middle of the brush

In the process of drawing, it is important to compare distances and check proportions. A good starting point for this is the line in the middle of the brush. Having outlined it, in the future it will be much easier to avoid mistakes. Therefore, at the very beginning of the drawing, you should not immediately draw fingers and details. It is better to outline the general outline of the brush, similar to a mitten. Then determine the middle. And then you can get down to the details.

4. Mid-toes

So that the fingers in the drawing do not turn out to be crooked, you need to correctly determine the length of each phalanx of which the fingers are composed: proximal, middle and distal. The following schematic drawing will help with this, in which the middle of the fingers is easily visible. Having determined the middle of each finger, further comparison of proportions will be much easier.

5. Thumb length

The thumb will end at 2/3 of the proximal phalanx of the index finger.

6. The length of the index finger and ring finger

The length of the index finger is equal to the length of the ring finger. However, this ratio may differ slightly from person to person.

7. Pinky length

The tip of the little finger is at the level of the joint between the distal and middle phalanges of the ring finger. By comparing the length of the little finger to this level, it is easy to check your drawing for errors.

8. Nail length

The length of the nail of each toe is 1/2 the length of the distal phalanx of the corresponding toe.

9. Location of the metacarpophalangeal joint of the thumb

When a person looks at a hand, he just sees some kind of bumps and depressions. But an artist studying plastic anatomy sees joints, ligaments, bones, muscles behind each such "tubercle" ... On our hands (more precisely, the hands) there are three key joints, "tubercles", which are important for determining the size and further marking the drawing. If you define these three points at the beginning, then the further drawing will be much easier, since you can start from these points. Therefore, in order to draw the thumb, it is better to start with its metacarpophalangeal joint (point 2). And to determine its location, you need to remember that it is located approximately halfway between the metacarpophalangeal joint of the middle finger (1 point) and the head of the ulna (3 point).

10. The hand fits into the circle

The hand fits easily into the circle. Therefore, you can draw hands using a circle as an auxiliary line.

11. Concave brush shape

On the inner, palmar side, the hand has a concave shape, repeating the shape of a ball. The hand is not flat.

12. The fingers are slightly curved towards the center

The fingers have a subtle curve. They are curved towards the middle of the hand. The toes are not completely straight.

13. The bends of the fingers on the palmar and outer sides of the hand are at different levels.

The phalangeal joints of the fingers form folds of skin. These folds on the palmar and outer sides of the hand are located at different levels.

14. Forms are based on geometric shapes

From the above figure, you can see that by dividing the hand into geometric shapes, it will be easier to understand its shape.

15. Hand model corresponding to the main anatomical features

To learn how to draw hands, you need to be able to see the basic shape among many little things. Be able to see the nature of the form. To do this, you can imagine the hand in the form of volumetric geometric shapes. As in the drawing of the head, the artists use a model called "chopping", so in the drawing of the hand, you can use the given scheme. Such a schematic representation corresponds to the main anatomical features. It will help aspiring artists get the gist and, therefore, draw their hands more confidently.

Summarizing the above, we can add that beginners should train themselves to pay attention to the proportions indicated in this article. If you constantly compare the values, compare the sizes, then the drawing will be given easier, and it will become much more literate.

Despite the fact that the proportions of the hands may differ depending on the individual characteristics of a person, these differences are not fundamental and insignificant (for example, the length of the index and ring fingers may differ). Therefore, the proportions and features indicated in this article generally

Apart from the face, hands are the main transmitters of people's emotions. Human hands are flexible, so they are able to convey an emotional state better than many other parts of the body. If you have a desire to learn how to draw brushes correctly and naturally, then this lesson will teach you how to depict a human hand step by step. The lesson will go from simple elements to complex ones. To be able to depict the brushes of people, their portraits, figures correctly and realistically, knowledge of how to correctly depict a hand is required. And in order to learn this, you need to know some rules and practice a lot.

Proportions

To be able to draw hands correctly, first you need to know the proportions and apply this knowledge in your work. This is not as difficult as it might seem. By learning a few rules, you can possibly improve your drawing skills. The drawn hands will look natural, giving out emotion. To draw a brush correctly, you need to know a little about the anatomy, or rather, the structure of the hands.

General similarities

Fun fact - the hands have similarities to the scapula, which consists of the metacarpus and fingers. The length of the toes is the same as the length of the metacarpus. This ratio must be remembered and must be able to be applied in practice. You can start drawing with a schematic symbol. Draw the diagram in the form of a hand and divide it into two identical parts.

The length of the hand can be depicted in different ways, since people have both long and short fingers; both square and oblong.

Fingers

The toes are long and flexible thanks to the joints. The bones of the metacarpus are longer and larger, with the joints of the fingers attached to them. Each subsequent phalanx is built more thinly. The proportions of the phalanges in the image should be at a distance of 2/3 of the length of the previous one.

In the image, the first phalanx is marked in red, the second is red, and the third is yellow.

Four toes (thumb excluded) have four joints. The thumb is set to the side in relation to the remaining fingers. The length of a toe, as a rule, reaches the first phalanx of the next toe. The length of the little finger reaches the length of the last phalanx of the previous finger.

Directions

If you observe different people, you will notice an additional feature that must be applied when drawing. If you draw a line over your fingers, you end up with a semicircle. The top of this semicircle is the middle finger.

It is also worth paying attention to the inner and outer sides of the palms. If you draw a comparison line at your fingertips, you get an arc that starts at the index finger and ends at the little finger.

In the image below, all the marks are highlighted in red. You can start the image with a diagram in the form of a mitten. Gradually, you need to mark the necessary directions. Over time, you can add additional details, turning the diagram into a drawing.

The protrusions on the inner side have one direction, namely, they go down from the index finger to the little finger.

Fist

A little more information on how to draw brushes correctly and naturally. For example, the image should have a clenched fist. Equally bent fingers should also form a semicircle.

Look at the smallest hand in the image. In the diagram, you can see that the width of each subsequent phalanx narrows. It is worth considering this, not forgetting to apply it in your work.

There is a crease in the clenched fist, under the little finger on the outside, which is highlighted by a line of green in the image above. By adding this fold to the drawing, you can more accurately convey the image of a hand gripping something.

Important additional details

The picture below shows an image of a skeleton brush. At the junction, the joints are thicker. You need to know this in order to be able to convey the image more realistically. In particular, this applies to thin or elderly people. At the bend, the finger should always be slightly thicker than along the flanks.

Notice how the curved brush is depicted in profile. The instructions above show in red how the first phalanx is attached to the pastern. The membranes that are in between are indicated in green; they are usually considered the beginning of the first phalanx.

If you pay attention to the hand in profile, you will notice that the outer side is flat, only the knuckles protrude. The inner one, on the contrary, is soft, the protrusions are evenly distributed.

Step by step hand drawing

Before you start drawing, decide on the location of your wrist and forearm. For training, it is advisable to start with your hand. Try redrawing it.

1. First you need to lightly outline the brush pattern. Then you need to select the shape of the thumb without adding details. The lines should depict the position of the remaining fingers.
2. First draw the index finger, then indicate the shape of the rest.
3. Now you can add details: knuckles, pads, nails, etc.
4. With the help of drawing strokes, the drawing can be made three-dimensional.
5. Optionally add colors and shadows under the brush.

Drawing brushes constantly requires improvement and development. Because the hands are flexible enough, positions and angles can be completely different.

Foreshortenings

If the brush is in a difficult angle (unusual position), it is much more difficult to depict it. There are ways to help you get rid of possible errors.

The most popular and effective way to create a brush in its original position is to mark the lines of each finger separately.

There are times when using lines alone is not enough. The solution to the problem can be additional shapes, such as a cylinder or parallelepiped. With the help of auxiliary items, you can designate the phalanges.

If you decide to create an original hand position, then first you should check this position for yourself. Place your hand and place your fingers as they should be in the picture. If the brush looks natural, you can paint it. The hand and fingers are interconnected, so it should be borne in mind that changing the position of the fingers may have to completely change the position of the hands.

For example, you might try bending your little finger while trying to keep the brush straight. Is there a result? Unlikely. There are a lot of similar examples, so before you start drawing, you need to think carefully and put together a preliminary image in your head.