Artist Daniel F. Gerhartz. One perfect moment

Artist Daniel F. Gerhartz.  One perfect moment
Artist Daniel F. Gerhartz. One perfect moment

Daniel F. Gerhartz is a contemporary American artist. A distinctive feature of his style is the minimal detail of the paintings. Light, color, composition, content. In the analysis of his works, he repeatedly mentions squinting his eyes, which helps to remove unnecessary and distracting from the composition, focusing on the main thing.

Emotions are a vital part of his work, and skill and knowledge of human anatomy combine to give his canvases a very powerful visual effect.

Daniel F. Gerhartz was born in 1965 in Kevaskum, Wisconsin, where he currently lives with his wife Jennifer and their young children. Dan's interest in art began as a teenager.


Daniel F. Gerhartz is especially interested in and appreciates the masters of contemporary Russian art and the luxurious canvases of Russian artists of the past: Nikolai Feshin, Isaac Levitan, Ilya Repin.

Daniel F. Gerhartz has been painting in oils for over two decades. He has been teaching painting technique for many years. He took the teaching of portrait as the basis of the methodology, since this genre requires accurate reproduction of nature, and the student must display exactly what he sees. Otherwise, the portrait will fail.

How the fleeting moment of happiness arose

I touched my hand and disappeared again

Like a light Brig behind a dark frothy wave

And as if in memory of himself, he dropped the sail carelessly

This is a little piece of paper where you and me are forever

Life is not touched by scrapes

A dream come true,

But it's a pity that it's all on paper.

You think the same thing as me

That we could fix everything yesterday.

Alas, fate dealt differently

life turned five.

We are not together anymore

WE ARE NOT!

And there is no that tenderness, warmth,

which I received yesterday.

There will be no morning dawns

There will be no tender kisses

There will be no affectionate hugs

There won't be the longest looks.

All this was but passed.

Passed - like the love that we gave each other.

WE ARE NOT!

There will be nothing more

as there is no love on an abandoned planet !!!

You have accidentally entered my life.

My trust has illuminated you.

But the weak was confused by the greatness,

And you run like a spring from the mountain.

Do not come back. I don't know anymore

Your features are like everyone else.

Only once is Eden available to us,

And there are no paths to the lost paradise.

Your words are silence for the heart.

Daniel F. Gerhartz has been painting in oils for over two decades. He has been teaching painting technique for many years. He took the teaching of portrait as the basis of the methodology, since this genre requires accurate reproduction of nature, and the student must display exactly what he sees. Otherwise, the portrait will fail. With all the broadest technical and stylistic possibilities of embodying a portrait, it requires a certain minimum of character recognition. A student here is doomed to study, and not give out the classic "I see this way ...". Daniel F. Gerhartz focuses the attention of his students on the fact that initially it is very important to closely examine nature, with all attention to study it in detail and in general, then subsequent actions will be much more consistent and effective, there will be no confusion in front of many details. Emphasis on the mental study of the future picture.

Biography and thoughts

Born in 1965 in Kewaskum, Wisconsin. Today he lives there with his wife Jennifer and young children. Dan's interest in art began in his teens. For many years he drew inspiration from quenching his thirst for visiting exhibitions and museums. Inspired by such masters as John Singer Sargent, Alphonse Mucha, Joaquin Sorolla, Karl von Marr, Nikolai Feshin and many others from a number of French and American Impressionists.

Further Daniel He graduated from the American Academy of Arts in Chicago and has since participated in numerous solo and group art exhibitions around the country. He has won several awards at renowned national and international competitions. and his insatiable appetite for museums and contemporary masters such as John Singer Sargent, Alphonse Mucha, Nikolai Feshin, Joaquin Sorolla, Karl von Marr, and a host of other French and American Impressionists inspired him.

Daniel F. Gerhartz sees the meaning of his work in conveying to the viewer a diverse wide experience of human life, which is especially visible in the contrasts between life and death, in joy and sorrow, in hope and despair. But in the end, he brings out the theme of the Eternal, which gives the viewer hope. He was always given great consolation by the words of Christ that those who believe in him will live forever.

Daniel paints his paintings, inspired by life, all the beauty and diversity of the world around. This world is so complex and large that thoughts about the creator inevitably come. Daniel refers to Johann Sebastian Bach, who signed his words with the thoughtful phrase "Glory to God alone."

The mention of a great man from music is not accidental. Daniel has had her influence since childhood. His father, possessing a baritone, performed in many choral groups. They performed works by Brahms, Schubert, Palestrin, sang the Gospels and various church composers.

Daniel has a special interest and appreciation for contemporary Russian art and the valuable canvases of such Russian classical artists as Nikolai Feshin, Isaac Levitan, Ilya Repin. He likes their creative freedom, novelty and lack of loudness in their works.

Hello everyone coming to

Today, wonderful works by one of the contemporary American artistsA distinctive feature of his style is the minimal detail of the paintings. Light, color, composition, content. In the analysis of his works, he repeatedly mentions squinting his eyes, which helps to remove unnecessary and distracting from the composition, focusing on the main thing. The playful portrait, by the way, is taken from the article, where he demonstrates the effect of squinting his eyes with specific examples. Briefly speaking about the main thing in the artist - he closed his eyes to details. In his worksmodern american paintingfound another excellent example of the correct predominance of lively feeling and strong expression over the often dry technical perfection of the now popular hyperrealism.

Artist Daniel F. Gerhartz (Daniel F. Gerhartz) was born in 1965 in Kevaskum, Wisconsin. Since childhood, he became interested in painting, graduated from the American Academy of Arts in Chicago. After the academy, he returned to his small homeland, where he now lives with his wife and children.

Daniel F. Gerhartz devotes a lot of time to studying the work of recognized masters of painting: John Singer Sargent, Alphonse Mucha, Nikolai Feshin, Joaquin Sorolla, Karl von Marr, Ilya Repin, Isaac Levitan, classics of French and American impressionism.

Here's what the media writes about the artist:

Dan is especially interested in and grateful to the masters of contemporary Russian art and the luxurious canvases of Russian artists of the past: Nikolai Feshin, Isaac Levitan, Ilya Repin. Indeed, the powerful beauty of Gerhartz's paintings is striking, largely due to the artist's relaxedness, honesty and loyalty to his style. Dan's paintings cover a wide range of issues, but above all he is interested in the female figure and the intimate atmosphere of the interior. He draws inspiration from the traditions of romanticism and symbolism.

Texture, color and lighting are in harmony with his expressionist style of painting, the use of light and shadow. His paintings are sensual, but at the same time bold and ambitious, capable of dramatizing the plot. In Dan's paintings, ordinary people or ordinary phenomena are transformed into a higher reality, and, therefore, feeling begins to play a more important role. Emotion is a vital part of his work, and skill and knowledge of human anatomy combine to give his canvases a very powerful visual effect.

Paintings by Daniel F. Gerhartz








American artist Daniel F. Gerhartz has been painting in oil for over two decades. A significant part of his work is female portraits, followed by everyday sketches and still lifes.

Daniel prefers to work from nature. He is convinced that the artist is supposed to display on his canvas only what he sees at the moment, to stop, in some way, a moment, otherwise the picture will not work.

At the same time, the author does not like speculation and attempts to embellish reality. Both from himself and from his many students, he demands the most accurate transmission of reality. But this does not mean at all that his paintings do not carry some secondary, non-literal meaning.

Daniel Gerhartz believes that the master is obliged to convey the human experience to the viewer. The easiest way, according to the artist, is to do this with the help of contrast: life and death, sadness and joy, hope and despair. Inspiration comes to Gerhartz not only from the surrounding world, but also from. The thing is that the artist's father was a singer. His pleasant baritone for a long time brought the family bread, and young Daniel instilled a love for the works of Brahms, Schubert, Palestrin.

American artist Daniel F. Gerhartz was born in 1965 in Kewaskum, Wisconsin, where he lives with his family.
Daniel became interested in art as a teenager. His interest in research at the American Academy of Art in Chicago, Illinois, his love for museums and contemporary exhibitions by such masters as John Singer Sargent, Alphonse Mucha, Nikolai Fechin, Joaquin Sorolla, Karl von Marr and other French and American Impressionists inspired him. Dan has a particular interest and appreciation of contemporary Russian art and the luxurious canvases of the painters Nikolai Fechin, Isaac Levitan and Ilya Repin.

Dan's paintings cover a wide range of subjects, most notably a female figure.
His mastery of the female figure is brilliant. He draws inspiration from a very old tradition of romanticism and symbolism. Color and lighting are in harmony with his expressionist brushstroke, modeling of light and hue. His paintings are sensual. His objects evoke a lack of a sense of time. Emotions are a vital part of his works, and at the same time, knowledge of anatomy, human form makes his canvases very powerful visual events.
A distinctive feature of his style is the minimal detail of the paintings. Light, color, composition, content. In the analysis of his works, he repeatedly mentions squinting his eyes, which helps to remove unnecessary and distracting from the composition, focusing on the main thing. The playful portrait, by the way, is taken from that article, where he demonstrates the effect of squinting his eyes with specific examples. Briefly speaking about the main thing in the artist - he closed his eyes to details. In his works, contemporary American painting has found another excellent example of the correct predominance of vivid feeling and strong expression over the often dry technical perfection of the now popular hyperrealism.

Dream of the angels