The main characters of the story are matrenin dvor solzhenitsyn. "Matrenin Dvor": the main characters of the story A
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Characteristics of the literary hero Matryona Vasilyevna Grigorieva is a peasant woman in the village of Talnovo, a lonely woman of about 60 years old, who was released from work on a collective farm due to illness. M. “helped strangers for free”, but she “didn’t chase after the acquisition”: she didn’t start “good”, didn’t try to get a tenant. M.'s main wealth were tubs and pots with his favorite ficuses, as well as an old bumpy cat picked up in the street, an off-white goat with crooked horns, mice and cockroaches. Even before the revolution M. got married because “their mother died… they didn’t have enough hands”. M.'s husband was the younger brother Yefim, although she loved the older one, Thaddeus. But he went to war and disappeared. For three years M. waited for Thaddeus, but did not wait a bit - he returned to the already married M. The heroine had 6 children, but they all died young. During the Great Patriotic War, M.'s husband disappeared, and she was left alone. Therefore, she took up the youngest daughter of Thaddeus - Kira. M got up at 4-5 o'clock in the morning, worked until late at night, but no matter how tired she was, she was always friendly and welcoming. M. was always afraid to burden herself. When the heroine was ill (and this happened regularly, 2 times a month), she did not complain, she was once again afraid to call a doctor. The heroine believed in God, each business began with a small prayer - "With God!" When the pupil Kira grew up, M. decided to give her her room. For this, the house had to be divided. M. rushed to help transport the property. Rescuing Thaddeus' belongings, which were stuck on a sleigh at a railway crossing, M. was run over by a train. Her absence in this world immediately became noticeable: to whom now to turn for help? Against the background of M.'s death, the greedy characters of her sisters, Thaddeus, Masha's friend appear, who at the funeral begin to share the heroine's beggar belongings. Seeing all this, the narrator understands that “the village does not stand without a righteous man,” that is, without M.
Essay on literature on the topic: Matryona (Matrenin dvor Solzhenitsyn)
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how the character of the main character is revealed in the story of Matrenin Dvor and got the best answer
Answer from Ketpol [guru]
"A village is not worth a righteous man" (the image of Matryona in the story of A. I. Solzhenitsyn "Matryona's yard")
The name of Alexander Isaevich Solzhenitsyn was banned a few years ago, but now we have the opportunity to admire his works, in which he demonstrates exceptional skill in portraying human characters, in observing the fate of people and understanding them. All of this is revealed especially vividly in the story "Matrenin's Dvor". From the first lines of the story, the reader learns about the completely inconspicuous and ordinary post-war life of the Russian countryside. But Solzhenitsyn was one of the first to define in Russian literature of the second half of the twentieth century the range of themes and problems of “village prose” that had not been raised or hushed up before. And in this sense, the story "Matrenin's yard" occupies a very special place in Russian literature.
In this story, the author touches upon such topics as the moral and spiritual life of the people, the relationship between power and man, the struggle for survival, the opposition of the individual to society. The writer's attention is focused on the fate of a simple village woman Matryona Vasilievna, who worked all her life on a state farm, but not for money, but for “sticks”. She got married even before the revolution and from the very first day of her family life she took up household chores. The story "Matryona's Dvor" begins with the narrator, a former Soviet prisoner Ignatyich, returning to Russia from the steppes of Kazakhstan and settling in Matryona's house. His story - calm and full of all sorts of details and details - gives everything described a special depth and authenticity: "In the summer of 1956, from a dusty hot desert, I returned at random - just to Russia."
Matryona Vasilievna is a lonely woman who has lost her husband at the front, who has buried her six children. She lived alone in a large old house. "Everything was built long ago and soundly, for a large family, and now there was a single woman of about sixty." The theme of the home, the hearth, it is in this work of Solzhenitsyn that is stated very sharply and definitely.
Despite all the hardships and hardships, Matryona has not lost the ability to respond to someone else's misfortune. The heroine is the keeper of the hearth, but this only mission of hers acquires, under the pen of Solzhenitsyn, true scale and philosophical depth. In the simple life of Matryona Vasilyevna Grigorieva, the same unseen righteousness shines through, without which Russia cannot be reborn.
She suffered a lot from the Soviet regime, she worked tirelessly all her life, but she never received anything for her labor. And only love and the habit of constant work saved this woman from everyday melancholy and despair. “I noticed that she had a sure way to regain her good spirits - work. Immediately, she either grabbed a shovel and dug potatoes. Or, with a sack under her arm, she followed the peat. And then with a wicker body - berries in a distant forest. And she did not bow to the office tables, but to the forest bushes, but having broken her back with a burden, Matryona returned to the hut, already enlightened, satisfied with everything, with her kind smile. "
Without accumulating “wealth” and not making any “good”, Matryona Grigorieva managed to preserve for those around her a sociable disposition and a heart capable of compassion. She was a rare person with an immensely kind soul, she did not lose the ability to respond to someone else's misfortune. So, not a single plowing was complete without it. Together with other women, she harnessed to the plow and dragged it on herself. Matryona could not refuse to help any of her relatives, even if she herself had urgent matters. The absence of any self-interest and the desire to preserve "their" property leads to the fact that Matryona meekly gives Kira and her husband the upper room, cut off from the old house.
“It was not a pity for the upper room itself, which stood idle, no matter how much Matryona ever spared neither work nor her good. And the upper room was bequeathed to Kira all the same. But it was terrible for her to start breaking the roof under which she had lived for forty years ... And for Matryona it was the end of life. " In the second part of the story, the reader learns about youth
And the analysis of the story "Matrenin's Dvor"] embodies certain common features that have been inherent in the Russian peasant woman from time immemorial. Its similarity with Turgenev's Lukerya from the story “ Living relics”, With the righteous Leskov.
The literary pedigree of the Solzhenitsyn heroine could also be expanded. So, she has a lot in common with Platon Karataev. The same boundless benevolence towards people, the same gentleness, innocence, a wise heart, a habit of work, a melodious figurative speech. The bright facets of the people's soul, so lovingly reflected by Tolstoy in his hero, burn and shimmer in Matryona. There is even something in common in their appearance: let us recall her “round” face (this epithet is repeated more than once), her “radiant kind” smile.
Alexander Solzhenitsyn. Matrenin Dvor. Read by the author
These features are clearly manifested in the uncensored edition of "Matrenina Dvor". For example, here is how Matryona's story about work on the collective farm changed: “But they have work neither to the pole, nor to the railing: the women will stand, leaning on the shovels, and they are waiting for the beep from the factory to twelve o'clock / ... / By work for me - so that sound was not ... "(magazine text). In the original version, these words of Matryona look completely different: “You will stand, leaning on a shovel, and you wait, whether soon from the factory there will be a whistle at twelve / ... by oneself worked, so no sound did not have..." .
In the final text of the story, the touches have been restored, testifying to Matryona's attitude to other phenomena of Soviet reality. “That year, it was customary to receive, escort and drive to many cities, two or three foreign delegations a week, gathering meetings / ... / Matryona frowned, sighed disapprovingly:“ They drive, drive, they’ll run over something ”/ ... / Even that year artificial satellites of the Earth were promised. Matryona shook her head from the stove: "Oh-oh-oyinki, they will change something, winter or summer."
The dark Talnovskaya peasant woman senses some kind of trouble around her. “But her forehead did not remain dark for long,” the author notes. And she bears her cross quietly, calmly, courageously. Matryona's work helps to maintain peace of mind.
She has not only amazing spiritual strength, but also physical. “All my bags were,” she recalls how she worked in her youth. And although she is not at all fearless (she is afraid of fire, lightning, trains), a brave, resolute soul lives in her. As about something quite ordinary, Matryona tells about the "verse horse": "Once I carried the sled into the lake out of fright, the men jumped back, but I, however, grabbed the bridle and stopped it."
Another time, when the hut caught fire at night, Matryona was not taken aback and rushed to save her favorite ficuses.
Solzhenitsyn wrote the story "Matrenin's Dvor" in 1959 and at first called it "A village is not worth a righteous man." With his characteristic directness, the writer characterized the main character and gave an assessment to her fellow villagers already in the title, but later, apparently, it seemed to him that it was too literal. However, the idea has survived, and the original version of the name is a reliable help to the reader in understanding the author's intention.
Why is Matryona a righteous woman? Even so, the skeptic will say that the image turned out to be incredibly ascetic and cloyingly well-meaning. But it was not invented: Matryona is a real woman from the village of the Vladimir region, in which the author lived for some time. Solzhenitsyn knew her well and was aware of her tragic fate. However, in that era, all destinies bore the imprint of suffering. That is why it cannot be said that the heroine is too idealized by the author, because he recorded all kinds of information with journalistic pedantry and was, more likely, a publicist than a writer. His story can be compared with the work of Svetlana Aleksievich, the Nobel laureate of 2015, who interviewed veterans and wrote a large-scale work "The face of war is not a woman." Solzhenitsyn just as responsibly and clearly reflects the hardships of an entire country in the fate of one woman. We, who live in contentment and well-being, do not understand her desire to give herself to everyone in need, to rip out her heart, just to help others. It is hard to believe that there were such heroic and at the same time eccentric people, not surrounded by an aura of glory for their silent, unrecognized exploits. All her children have died, her personal life has been broken by the war, but her mother's love for her neighbors is still alive in her, although they do not appreciate it. The heroine's righteousness lies in the fact that her feeling does not need to be rewarded with a reciprocal feeling.
The main motive of the work is an incomprehensible sublime soul. Not only the village, but the whole world cannot stand without it. Only she, poor and weak, saves the world around her from final destruction. Greedy and downtrodden people already hate each other, looking for how to cash in on the humble goodness of a neighbor, and not an opportunity to help him. Therefore, the death of the main character is especially tragic: after her disappearance, the world is doomed. Solzhenitsyn refers to the biblical tradition of Sodom and Gomorrah: God did not find ten righteous people in the cities, so they were destroyed. The same bitter lot, according to the author, is destined for a village without a righteous woman.
In addition, the work outlines the theme of the life of the Soviet village in the 50s of the last century. An old, lonely woman is exhausted, trying to at least feed herself. There is no fuel, there is nowhere to mow hay, all the villagers are forced to steal peat, straining themselves and risking a sentence. “My back never heals,” complains Matryona. There is no support from the authorities to the breadwinners of the homeland, but the officials managed to organize the bureaucracy even in the field:
“He goes to the village council, but there is no secretary today, there is simply no such thing, as it happens in the villages. Tomorrow, then, go again. Now there is a secretary, but he has no seal. The third day, go again. And the fourth day, go because blindly they signed on the wrong piece of paper ... "
“Not understood and abandoned even by her husband, buried six children, but she does not like her sociable, alien to her sisters, sister-in-law, funny, foolishly working for others for free - she did not save up property to death” - this is how the narrator sums up this life ... No one understood Matryona, no one appreciated her, unselfishness was imputed to her, and kindness was shamelessly used. Performing "peasant work", the woman did not complain and resignedly endured the burden of others. This was the meaning of her life, which is based on Christian morality: humility, self-sacrifice and reckless love for all people.
Interesting? Keep it on your wall!how the character of the main character is revealed in the story of Matrenin Dvor and got the best answer
Answer from Ketpol [guru]
"A village is not worth a righteous man" (the image of Matryona in the story of A. I. Solzhenitsyn "Matryona's yard")
The name of Alexander Isaevich Solzhenitsyn was banned a few years ago, but now we have the opportunity to admire his works, in which he demonstrates exceptional skill in portraying human characters, in observing the fate of people and understanding them. All of this is revealed especially vividly in the story "Matrenin's Dvor". From the first lines of the story, the reader learns about the completely inconspicuous and ordinary post-war life of the Russian countryside. But Solzhenitsyn was one of the first to define in Russian literature of the second half of the twentieth century the range of themes and problems of “village prose” that had not been raised or hushed up before. And in this sense, the story "Matrenin's yard" occupies a very special place in Russian literature.
In this story, the author touches upon such topics as the moral and spiritual life of the people, the relationship between power and man, the struggle for survival, the opposition of the individual to society. The writer's attention is focused on the fate of a simple village woman Matryona Vasilievna, who worked all her life on a state farm, but not for money, but for “sticks”. She got married even before the revolution and from the very first day of her family life she took up household chores. The story "Matryona's Dvor" begins with the narrator, a former Soviet prisoner Ignatyich, returning to Russia from the steppes of Kazakhstan and settling in Matryona's house. His story - calm and full of all sorts of details and details - gives everything described a special depth and authenticity: "In the summer of 1956, from a dusty hot desert, I returned at random - just to Russia."
Matryona Vasilievna is a lonely woman who has lost her husband at the front, who has buried her six children. She lived alone in a large old house. "Everything was built long ago and soundly, for a large family, and now there was a single woman of about sixty." The theme of the home, the hearth, it is in this work of Solzhenitsyn that is stated very sharply and definitely.
Despite all the hardships and hardships, Matryona has not lost the ability to respond to someone else's misfortune. The heroine is the keeper of the hearth, but this only mission of hers acquires, under the pen of Solzhenitsyn, true scale and philosophical depth. In the simple life of Matryona Vasilyevna Grigorieva, the same unseen righteousness shines through, without which Russia cannot be reborn.
She suffered a lot from the Soviet regime, she worked tirelessly all her life, but she never received anything for her labor. And only love and the habit of constant work saved this woman from everyday melancholy and despair. “I noticed that she had a sure way to regain her good spirits - work. Immediately, she either grabbed a shovel and dug potatoes. Or, with a sack under her arm, she followed the peat. And then with a wicker body - berries in a distant forest. And she did not bow to the office tables, but to the forest bushes, but having broken her back with a burden, Matryona returned to the hut, already enlightened, satisfied with everything, with her kind smile. "
Without accumulating “wealth” and not making any “good”, Matryona Grigorieva managed to preserve for those around her a sociable disposition and a heart capable of compassion. She was a rare person with an immensely kind soul, she did not lose the ability to respond to someone else's misfortune. So, not a single plowing was complete without it. Together with other women, she harnessed to the plow and dragged it on herself. Matryona could not refuse to help any of her relatives, even if she herself had urgent matters. The absence of any self-interest and the desire to preserve "their" property leads to the fact that Matryona meekly gives Kira and her husband the upper room, cut off from the old house.
“It was not a pity for the upper room itself, which stood idle, no matter how much Matryona ever spared neither work nor her good. And the upper room was bequeathed to Kira all the same. But it was terrible for her to start breaking the roof under which she had lived for forty years ... And for Matryona it was the end of life. " In the second part of the story, the reader learns about youth