What does solfeggio mean. Solfeggio

What does solfeggio mean.  Solfeggio
What does solfeggio mean. Solfeggio

Many parents first encounter solfeggio when their child enters a music school. And of course, modern mothers and fathers, who actively strive to help their children, but do not have a musical education, want to figure out what kind of subject it is. Let's talk about the content of this difficult discipline.

About the theoretical part of the classes

Solfeggio consists of theoretical and practical parts.

The theoretical part is basics of musical literacy.

The fact is that the musical language, like any other, carries a variety of constructions. So, in Russian we study sounds and letters, syllables, words, phrases, sentences, punctuation marks, the role of words in a sentence ... In a musical language, by analogy, we go through individual sounds, combinations of two sounds (intervals), of three ( chords), of four (seventh chords), pauses (signs of silence), forms of musical works, the relationship between sounds and chords.

The modes of major and minor (their visual embodiment are scales) and more complex elements belong to purely musical knowledge.

Much in the language of music is measured in numbers.

Even in Ancient Greece, Pythagoras, using calculations, found beautiful sound combinations and calculated the natural musical scale (sound rainbow). Music retains its connection with mathematics to this day.

With the help of numbers, we measure the distances between sounds (intervals), steps (ordinal numbers of a sound in scales), rhythmic units, time dimensions of musical works, and much more.

About the practical part of the lessons

First of all, we actively develop hearing - we teach it to recognize the very elements of the musical language that make up music.

At each lesson, the teacher makes musical riddles to the children at the piano based on the material covered - he plays individual sounds and moves from the scale, combinations of two, three sounds (intervals and chords), builds chains from them.

Next stage - reproduction, that is, singing and playing the piano of the same musical elements by the students themselves.

Do not forget and graphic skill- the ability to write these elements on the stave. And here there is the main goal - to learn to see in the notes all the passed elements.

As in the book we learn to see words, so in the musical text we learn to see groups of notes, united according to different principles.

This is aerobatics, closer to the final exam.

A separate topic for study - rhythm... As the skeleton holds our flesh, so sounds are supported by a rhythmic basis.

Mastering the duration of notes and rhythm groups from simple to quirky - one of the main objectives of Solfeggio lessons.

Rhythms are learned with the help of counting, and with the help of special syllables (ta, ti, tu), and simply through tapping and slapping.

We also learn to conduct- "string" any melody on a uniform timeline, represented by clear gestures.

About solfeeding

One of the forms of developing all skills is solfegging - singing melodies with notes with conducting. As a rule, these are folk music of various countries and classical masterpieces.

In the senior grades, music-making is added - the performance of songs and romances with their own accompaniment. Of course, for those who already have a little knowledge of the instrument.

The highest form of consolidation of all skills is considered to be musical dictation - the recording of an unfamiliar melody played by the teacher several times on the piano.

Dictations are often learned by heart, children write them down in different keys in order to fix them in memory.

Also, now in schools, a lightweight form of recording a dictation in half-filled form is widespread.

Many people care whether they teach in solfeggio to select melodies and chords for them. Selection by ear is either an innate ability, or the result of serious solfeggio training, when the ear already recognizes the very elements of the musical language, which have been heard, sung and recorded many times.

The gap between theory and practice and what to do about it

Unfortunately, there is almost always a gap between knowledge of solfeggio and its application in practice. Firstly, the repertoire itself for the game is selected based on the technical level of the student and artistic tasks, and not from the solfeggio program.

Secondly, school solfeggio is difficult to master without a piano, because only on this instrument, each sound can be seen as a specific key.

What is practiced in solfeggio at the piano is difficult or impossible to reproduce on the trumpet, balalaika, ocarina and some other instruments. This creates additional difficulties for children.

That's why piano or even the simplest synthesizer needed and will help you out with your homework.

Gradually, in high school, the gap between specialty and solfeggio decreases when internal interdisciplinary connections begin to appear.

About the biggest trouble

The main problem encountered in practice is that parents begin to do tasks for their children. I'm sure they understand that you can't eat for a child. You can't learn to swim for him. It is also impossible to learn a piece on an instrument ... But you can write an assignment in a solfeggio notebook. The question is, is there any sense in this, except for the momentary - to get a good grade? Alas, sometimes it's just my mother's (or even my father's) perfectionism, which leads to children's complexes - "I'm bad at it, but my mother is good, well, I won't ..."

About the main qualities that are important for a student of a music school

In general, learning solfeggio, like learning to play an instrument, like growing a tree, is a long process. This is a real musical maturation. And the stages of this process are sometimes not visible on the surface.

Connections that arise during exercise are hidden deep in our brains. But with proper care, the finished fruit will then nourish a person for life. Even if this knowledge is not needed in the profession, it will be possible to restore it if necessary.

The main thing is not to let the incomprehensible, to be patient, not to miss lessons and keep in touch with the teacher!

Solfeggio: friend or foe of the musician

Music is a huge world that has its own rules and foundations. Studying musical disciplines is quite interesting and exciting if you know the correct approach, and solfeggio is one of those. Unfortunately, many musicians do not pay enough attention to this subject. Why this is happening, what is solfeggio and much more can be read in this article.

What is solfeggio

Solfeggio is a musical discipline. Translated from the Italian language it is translated as "singing from notes". Solfeggio is studied throughout the course of study in musical educational institutions, from the music school to the conservatory.

The main feature is the richness in the study. In the classroom, the following forms of work are usually used, aimed at developing musical abilities:

  1. Theoretical knowledge
  2. Developing auditory skills
  3. Creative tasks
  4. Metro-rhythmic work

Form of work

Views

Developed skills

Theoretical knowledge

Studying musical notation. Rules for the structure of intervals, chords, modes, musical forms, syntax, techniques for the development of muses. material, genre features, harmonic functions. Learning basic musical terms. Analysis of muses. fragments.

Ability to apply theoretical knowledge in practice.

Solfegging (singing from notes)

Sight-reading of musical examples in various keys, monophonic, duet or with a choir.

Mastering the skill of sight-reading and accurate intonation reproduction of one-part or two-part music text, improving vocal skills.

Developing auditory skills

Definition by ear of individual sounds, intervals, frets and tonalities, chords, triads. Analysis of a piece of music by ear. Selection of accompaniment by ear. Recording of digits and harmonic turns.

Ability to hear and identify musical elements by ear. Development of inner hearing. The ability to distinguish between the timbres of instruments and musical colors of works. Ability to analyze the shape by ear. The skill of quickly picking up the accompaniment or melodic line.

Writing musical dictations

Conducting oral and written dictations in various keys, one-voice and two-voice, sizes and tempos.

Development of the student's musical memory and inner hearing.

Creative tasks

Selection of works with harmony, foundations of composition, improvisation, complementary compositions and compositions in certain keys, genres, rhythmic figures.

Ability to compose music in a specific style, genre. Improvisation skill. Fluency in the instrument.

Metro-rhythmic work

Practical study of rhythmic figures, rhythmic syllables, meter, size.

Formation of a rhythmic basis.

Thus, solfeggio contributes to the development of a wide musical potential in a person.


It is worth noting that there are two main type of solfeggio:

  • Classic
  • Jazz

Classical solfeggio includes basic terms, concepts and practical exercises. These are the musical foundations. It is noteworthy that this type of solfeggio is largely based on the principles of the school classicism and romanticism.

Jazz Solfeggio examines the basic terms specific to jazz music... It is noteworthy that this type of solfeggio is studied in music schools and conservatories, mainly in the pop-jazz vocal departments. When it comes to primary or secondary music education, then a similar discipline is applicable to jazz vocal studios.

Why do many people dislike solfeggio?

Probably why many people do not like solfeggio is clear from the previous paragraph. After all, you must agree that it is quite difficult to remember and understand such a voluminous material. At this point in time, the following main reasons for denying solfeggio can be distinguished:

  • Absence by nature absolute hearing... It is more difficult for a student to memorize sounds, it takes more time to process the pitch, as a result, a complex may develop against the background of other more successful students, and therefore not love for the subject.
  • Musical talent. As paradoxical as it may sound, children and adults who are naturally endowed with musical abilities are often disappointed. So, they hear the exact pitch and can accurately determine the tonality, and if the sense of rhythm is also not lame, then solfeggio generally loses all meaning for them. As practice shows, such people begin to miss classes, along with this, the theoretical basis is lost, problems begin in the subject.
  • Failure in the subject. Solfeggio complexity is that it takes time to develop a certain practical skill. Someone needs more time, someone less, while the stages of knowledge control have not been canceled. As a result, a person trying to gain knowledge may get a bad mark, which, accordingly, is not an incentive.
  • Incompetent teacher. How many stories about how the subject was not loved because of the teacher, who discouraged all the desire to study.
  • Strict parental control. Many parents strive to make Mozarts out of their own children, they torture the child for hours with studies, killing his independence. Of course, parental control in the classroom is necessary, but music cannot turn into torture. Paganini's father locked his own child in a closet and deprived him of food if Niccolo did not learn the tasks. Sure, the child has become famous, but what is the price? Making music is a great pleasure, a child must figure it out for himself.

Probably, these are the main reasons that prevent you from truly penetrating the subject and realizing all its significance and necessity.

Why is solfeggio necessary? Use of the subject

Regardless of the time, the skills gained from the classes will bring immense benefits to musicians from all over the world. The positive qualities of solfeggio include the development of the following skills:

  • Complete freedom in instrument ownership.
  • Solid theoretical base, perfect knowledge of the musical language.
  • Ability to analyze a piece by sheet music and by ear.
  • Composer's skill.
  • Ability to improvise in various genres, styles, etc.
  • Skill of selecting a piece of music in a short time.
  • Reducing the time for memorizing musical material.
  • Formation of ear for music: absolute or relative.
  • A clear rhythmic basis.
  • Pure intonation.
  • Formation of melodic and harmonic hearing.
  • The ability to distinguish between the timbre paint of the instruments.

The benefits of this discipline should not be underestimated, because it is solfeggio that forms the main professional musical abilities. We emphasize that the subject provides a professional basis. Agree that in the world you can find a million talented people who sing well, can play an instrument, select songs, but they cannot be called professionals, as they do it intuitively. They do not know musical notation, terminology, have never studied at a music school. Despite their talent, they are unlikely to be able to start developing in the music industry or get an education without studying the school base.

But do not be sad ahead of time, regardless of age, you can start studying The main thing is to conduct classes systematically and in the correct order, in an older age it is better to hire a solfeggio tutor, if this is a child, then it is quite possible to limit yourself to classes at a music school.

To study solfeggio, you need the following:

  • Piano or synthesizer or MIDI keyboard.
  • Notebook.
  • Pencil and eraser.
  • Tutorial.
  • Notebook for writing terms.
  • Desire to comprehend this science.
  • Time and effort.

Solfeggio is a subject that requires a lot of dedication. Do not be alarmed if something does not work out the first time, systematic exercises will do the trick. It must be remembered that what is easily given is also easily lost. If you developed a skill at the cost of effort, wasting time, then the results obtained will be more pleasing.

So friend or foe?

So that whoever does not speak, solfeggio is the musician's undeniable friend. It is only necessary to understand that we ourselves come up with difficulties. Just understand why you need this knowledge, what it will bring in the future. Believe me, your study will not go to waste. Solfeggio is the basis of music, having comprehended this discipline, you can become a real musician, so let's not miss this chance!


The question, why study solfeggio and what solfeggio is, is often asked by parents whose children attend a music school or study music as part of their additional education. Why are children learning to play a musical instrument compulsorily learning solfeggio? What is the relationship between them?

Let's try to get to know this mysterious musical discipline better, perhaps many questions, including to study or not to study, will disappear from their parents by themselves.


« Solfeggio"- a beautiful Italian word, which was formed from the names of two notes -" salt "and" fa "and in translation means" singing from notes". It is a musical discipline, the main task of which is development of ear for music- the main instrument of any musician.

Upbringing of musical ear, as well as the development of a sense of rhythm of students is achieved in solfeggio lessons by singing monophonic, two-part and polyphonic exercises, writing melodic and rhythmic dictations, and auditory analysis of musical material.


The most closely related to solfeggio music theory... The border between them is very conditional, so at school they are studied together, as two components of one subject: the theory of music theoretically explains what music is made of and how, and solfeggio, in practice, trains the skills necessary for a musician.


The main of these skills are:

- Solfegging- singing special one-part, two-part and polyphonic exercises and numbers (excerpts from famous pieces of music) with the name of each note. Thus, intonational and harmonic hearing develops.

Listening to music. Auditory analysis various consonances, chords, modes and other musical structures.

Ability to write down the heard melody with musical notation. This is achieved by constant practice of writing musical dictations.

Fidgets Open Lesson - Solfeggio

Solfeggio classes develop hearing: a person begins to distinguish the most subtle pitch, dynamic and rhythmic nuances of music, the perception and performance of music becomes richer and more diverse.


Solfeggio lessons develop the skills of intonation ("pure", accurate singing without falsehood): a person can play music aloud and silently, "hear with the inner ear."

Solfeggio

Literature

  • Shulgin D.I. A guide to auditory harmonic analysis. - M., 1991
  • Karaseva M.V. Solfeggio is a psychotechnics for the development of musical ear. M., 1999 (2nd ed. - M., 2002, 3rd ed. - 2009).

Notes (edit)


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Synonyms:

See what "Solfeggio" is in other dictionaries:

    - (it.). See solfeggio. Dictionary of foreign words included in the Russian language. Chudinov AN, 1910. SOLFEGGIO (music) voice reproduction of notes without text, and the singer pronounces the name of each note, for a gradual exercise in singing. ... ... Dictionary of foreign words of the Russian language

    - (solfeggio) (Italian solfeggio from the name of the notes G and F), vocal exercises for the development of hearing and reading skills; when singing solfeggio, the names of the notes played are pronounced. Syllabic solfeggio for memorizing musical compositions ... ... Big Encyclopedic Dictionary

    - (more correctly: solfejo), non-slip, cf. (Italian solfeggio from the name of the notes sol and fa) (music). A vocal exercise for developing hearing and acquiring the skill to sing from notes without the help of an instrument (performed without words, instead of which names are pronounced ... Ushakov's Explanatory Dictionary

    Solfejo, exercise Dictionary of Russian synonyms. solfeggio noun, number of synonyms: 2 solfeggio (1) ... Synonym dictionary

    Modern encyclopedia

    SOLFEGGIO, not. and SOLFEGGIO, unsl., cf. (specialist.). An exercise in singing without words, instead of to rykh the names of the notes are pronounced. Ozhegov's Explanatory Dictionary. S.I. Ozhegov, N.Yu. Shvedova. 1949 1992 ... Ozhegov's Explanatory Dictionary

    Initial vocal exercises in reading notes without text. When singing melody S., each note is called. S., as exercises, are located in the collection with a gradual transition from easier to more difficult. S. are written in all major keys and ... ... Encyclopedia of Brockhaus and Efron

    solfeggio- and solfejo is acceptable ... Dictionary of pronunciation and stress difficulties in modern Russian

    Solfeggio- (solfeggio) (Italian solfeggio), 1) singing melodies with pronouncing the names of sounds (solmization); one of the techniques of musical education. Develops hearing and reading skills. 2) An academic discipline designed to develop an ear for music ... Illustrated Encyclopedic Dictionary

    Solfeggio (Italian solfeggio, from the name of the musical sounds G and F). 1) Same as solmization. 2) Uch. subject included in the cycle of muses. theoretical disciplines. S.'s goal is to educate hearing, awareness of the elements of the muses. speeches and their roles ... ... Musical encyclopedia

Books

  • Solfeggio, Dunheiser A.-L .. Adolph-Leopold Dunhueuser (1835-1896) - French composer, teacher, professor at the Paris Conservatory, author of textbooks on music theory and solfeggio ... Study guide "Solfeggio" ...

Music theory, solfeggio and musical notation are similar concepts, but they also have significant differences.

Music theory and notation are theory, while solfeggio is practice, to be more precise, it is a whole set of exercises, the purpose of which is to develop the skills of applying the theoretical part of music in practice.

Solfeggio can be broadly defined as singing from notes. By the way, it is worth noting that this word is formed by adding the names of two notes - salt and fa, which is why it sounds so musical.

Now you know what solfeggio is in music. Below we will talk about what is taught in solfeggio lessons in music schools.

What is solfeggio as an academic discipline

Like any subject, solfeggio implies first passing the theoretical part, however, in music schools, theory is inseparable from practice, and therefore, soon after studying musical notation, the practical part begins - learning and singing scales, as well as numbers and exercises with conducting.

In the course of training, the following skills and abilities are acquired:

  • The ability to sing any melody from the sight. Quite a useful skill, because later it will be enough to look at the music collection and perform the composition cleanly.
  • Ability to imagine in thoughts, and then pick up on the instrument and record the melody heard. In solfeggio lessons, this skill is developed by writing musical dictations.
  • The ability to pick up and then play the accompaniment to a particular melody.

Of course, mastering all these skills will take more than one year of study, during which many different exercises will be done. In addition, in order to achieve success here, as in any other business, patience, perseverance and time are required, it must be devoted to classes daily, and not once a week, only in the classroom.

In conclusion, it is worth noting that solfeggio is a skill that is brought to automatism and this is a long and gradual matter, you cannot immediately wait for the result after attending one lesson.