What distinguishes the indignation of the kuligin from the actions of the curly. Kuligin - the hero of the drama A

The Thunderstorm is one of the most tragic works of Russian literature. A. N. Ostrvsky put the most vivid characters and a subtle image of life in the images. One of the brightest characters is Kuligin. His characterization is distinguished by positive qualities, he is one of the most striking characters in the play, whom one wants to be equal to.

General characteristics of Kuligin

Kuligin is one of the residents of Kalinov. He is about 50 years old. He is a mechanic, his delicate profession is a watchmaker. All his life he devoted to the study of various mechanisms. Kuligin can be called a poet at heart. Everything he does - he does with love, selflessly. He loves nature, has a positive attitude towards reading books. He is able to support any conversation. He is a wise man and he gladly shares his wisdom with others.

Kuligin is a kind and sympathetic person. He loves to work for the good of society and he can even be called an altruist. Kuligin installed a sundial in the city, wants to install a lightning rod. But nobody supports his ideas. He is modest, considers himself a small person. Constantly afraid of offending someone. But at the same time, he also has courage. He is not afraid to be responsible for his actions and words. He is very honest and helpful. Appreciates the same qualities in people. Kuligin belongs to the bourgeois class. This is the general characteristic of Kuligna "Thunderstorm".

Kuligin's worldview

Kuligin is a representative of the "new views". He is progressive and ready for something new. He is constantly inventing something and trying to introduce something new into life that will make the life of the whole city more convenient and easier. How he relates to the world, how and what he thinks, does not coincide with the worldview of the rest of the inhabitants of the city. He reads a lot of books, but this does not make him a conservative, but rather, on the contrary, makes it possible to reflect, move forward, be progressive and courageous in the emergence and implementation of various ideas. He is used to living not only for himself. This also distinguishes him from most of the city's residents, for whom it is strange and wild that someone wants to do a good deed for the benefit of the people, and not just for their own interests.

Kuligin's dream

Kuligin dreams of building a perpetum mobile, or a perpetual motion machine. He would like to receive a million from the British for it. But unlike most people, he wants to spend this million not for himself, but for the good of the city. He wants to provide the philistine with work. But until his dream comes true, and he is forced to create something for the good of the city. Since he does not have his own funds for this, he is forced to ask the wealthy city to sponsor his ideas. For example, he turns to Wild. But he does not accept his ideas, rejects him, and even accuses him of trying to steal and misappropriate finances. The whole city makes fun of him and considers him a real eccentric. Therefore, all of Kuligin's dreams cannot be realized while he is in Kalinov.

The play "The Thunderstorm" shows people from different points of view. A different worldview makes them different from each other, gives rise to a clash of interests and misunderstanding. But Kuligin is one of the positive characters for whom honor, dignity, intelligence are not empty words. He believes in himself and has a zeal for the new, progressive. He sincerely wants to improve the lives of the townspeople who do not understand or accept him. Holding the dead body of Katerina in his hands, Kuligin turns to the residents of the city with disappointment.

Test tasks based on the play by A.N. Ostrovsky "Thunderstorm"

The correct answer is marked with +

1. What genre of literature does the play of A.N. Ostrovsky's "Thunderstorm"?

A) Tragedy

B) Drama

C) Comedy

2. What type of problematic determines the peculiarity of the play by A.N. Ostrovsky's "Thunderstorm"?

A) National

B) Adventurous

C) Ideological and moral

D) Philosophical

3. What was the name of Kabanikha?

A) Marfa Ignatievna

B) Maria Ivanovna

C) Marfa Kirillovna

D) Anastasia Pavlovna

4. What descriptions fit the image of Kabanova?

A) Calm, balanced, reasonable

B) Hysterical, unbalanced, scandalous

C) Rude, oppressive, ignorant

D) Silent, brooding, uncommunicative

5. Whose nephew was Boris?

A) Kabanova

B) Wild

C) Kuligina

D) Shapkina

6. Which critic called Katerina "A ray of the sun in the dark kingdom"?

A) A.N. Dobrolyubov

B) V.G. Belinsky

C) N.G. Chernyshevsky

D) D.I. Pisarev

7. What is the main problem raised by A.N. Ostrovsky in his play?

A) The problem of poverty and wealth

B) The problem of upbringing and education

C) The problem of fathers and children

D) The problem of the "little man

8. How did Katerina feel about her husband?

A) I loved very much, just succumbed to an impulse of new feelings

B) Respected and pitied him, but did not marry for love

C) Loved at the beginning of the relationship, over time, the feelings disappeared

D) I always despised, married to spite another

9. What event is the culmination of the piece?

A) Katerina's first date with Boris

B) Katerina's betrayal

C) Katerina's suicide

D) Katerina's confession to her husband and Kabanikha about her sin

test 10. What is the attitude of the residents of Kalinov to such a natural phenomenon as a thunderstorm?

A) Nobody pays attention to her

B) Causes wild horror, because it was sent from above in the form of punishment

C) Are afraid of floods after rain

D) Rejoice in the future rain after a long drought

11. How did Kabanova feel about her daughter-in-law?

A) Disliked, but did not climb into the family life of her son

B) I loved like my own daughter

C) They often quarreled, but appreciated her opinion

D) Humiliated, insulted, mocked her in every possible way

12. Who among the residents of the city of Kalinov was not afraid of a thunderstorm?

B) Kuligin

D) Shapkin

13. Who was the young girl Barbara?

A) the girl in the Kabanovs' house

B) daughter of the Wild

C) Boris's sister

D) sister of Tikhon, daughter of Kabanikha

14. What river flows near the town of Kalinov?

A) Volga

C) Yenisei

15. How did Tikhon Kabanov feel about his mother?

A) Communicated a little, did not agree with her life principles

B) He often quarreled because he did not want to put up with her orders

C) He loved, but lived on his own

D) I listened to her in everything, I was afraid to contradict

16. Which of the heroes of the play owns the following words: “Why be afraid! Why be afraid! Are you crazy, or what? They will not be afraid of you, and even less so. What kind of order will it be in the house? "

A) Wild

B) Tikhon

C) Kabanikhe

D) Boris

17. What question worried Katerina?

A) Why does not everyone marry for love

B) Why don't people fly like birds

C) How can she get rich

D) Why can't a person be always happy

18. What was Kuligin dreaming about?

A) Invent a perpetual motion machine

B) Marry Katherine

C) Expand your farm

D) Leave Kalinov

19. Why did Katerina decide to commit suicide?

A) I couldn't live without Boris

B) It was very embarrassing in front of Tikhon

C) I could not forgive myself

D) I could not stand the scoffs of the mother-in-law

test-20. The main theme of the play by A.N. Ostrovsky "Thunderstorm":

A) The theme of family and marriage

B) The theme of the education of the new nobility

C) The theme of corruption of human nature

D) The topic of the relationship between man and nature

21. Which of the heroes of the play owns the following words: “How, girl, do not be afraid! Everyone should be afraid. Not that it is scary that it will kill you, but that death will suddenly find you as you are, with all your sins, with all evil thoughts. "?

A) Kabanova

B) Boris

C) Barbarian

D) Katherine

22. Boris obeyed and obeyed his uncle Wild in everything, because:

A) loved and respected him

B) Considered the best example to follow

C) Dependent on him financially

D) I didn't want to upset my uncle

23. Which of the heroes of the play owns the following words: “You've boasted that you love your husband very much; I see your love now. Another good wife, after seeing her husband off, howls for an hour and a half, lies on the porch; and you, apparently, nothing "?

A) Katerina

B) Kabanikhe

C) Wild

D) Boris

24. Who was Barbara's beloved?

A) Curly

C) Shapkin

D) Kuligin

25. What punishment did Katerina offer to Kabanikha's son for treason?

A) Close in the basement

B) Leave for a week without food

C) Flog

D) bury living in the ground

26. Which of the heroes of the play owns the following words: “You listen! These are the stories that happened to me. Somehow about fasting, about great things, I was fasting, but here it’s not easy and slip a peasant; I came for the money, carried firewood. And he brought him to sin at a time like this! He sinned: he scolded him, he scolded him so much that it was impossible to demand better, he almost nailed him. Here it is, what a heart I have! After forgiveness, he asked, bowed at his feet, really, so. Truly I tell you, I bowed to the peasant's feet. This is what my heart drives me to: here in the yard, in the mud, I bowed to him; bowed to him in front of everyone "?

A) Kabanova

B) To the wild

C) Kuligin

D) Tikhon

27. What is the result of female beauty from the words of the lady?

A) to the wedding

B) to unrequited love

B) to loneliness

D) to destruction

28. How did the last meeting between Katerina and Boris end?

A) Boris leaves Katerina alone and leaves, praying to God that she die as soon as possible

B) Promises to take Katerina to his place in Siberia over time

C) Refuses to go to Siberia, despite the fact that his uncle will leave him without money

D) Boris promises to make money and return to Kalinovo

29. What does Katerina Tikhon's husband regret at the end of the play?

A) That his beloved died

B) That I found Katerina late

C) Himself, because he remained to live in the world and suffer

D) That he could not influence his mother

test_30. How does the play by A.N. Ostrovsky's "Thunderstorm"?

A) The wedding of Barbara and Curly

B) Katherine's death

C) The return of Boris

D) Reconciliation of Katerina and Tikhon

Test Grade 10 Thunderstorm with answers - 4.0 out of 5 based on 2 votes

The play "The Thunderstorm" became the pinnacle of creativity of the great Russian playwright A.N. Ostrovsky. The tragedy, described in the play, takes place in the small town of Kalinov, freely spread out on the banks of the Volga. The main characters live in a state of conflict, the old order is shaken, a protest is brewing in society.
We meet Kuligin at the very beginning of the play. He is not the main character, but the author assigns him a very important role. This self-taught mechanic is a realist, but at the same time, he is a dreamer and romantic. For the first time we see him sitting on a bench on the banks of the Volga. He wholeheartedly admires the beauty of nature and sings. "Delight! Miracles, beauty! The soul rejoices!" - says Kuligin to Kudryash and Shapkin walking. But they do not share his joy and are immersed in everyday problems.
In the "dark kingdom" of Kalinov, Kuligin appears as a good person. He is outraged by the foundations and customs of the city, he does not agree with the reigning injustice. Kuligin says this about it, referring to Boris: "Cruel manners, sir, in our city, are cruel! Whoever has money, he tries to enslave the poor. Trade is undermined by each other ... morals, Kuligin replies: "How can you, sir! Eat, swallow alive." This is a manifestation of his indecision: "I really get it, sir, for my chatter." He avoids a loud and decisive protest, and perhaps even fears. Realizing that nothing can be changed, Kuligin advises "to please somehow."
On the other hand, Kuligin is a noble dreamer and romantic. He subtly feels the beauty of nature, reads poetry, sings, strives to make people's lives better, to broaden their horizons. Kuligin dreams of inventing a perpetuum mobile and getting a million for it, which he would spend to give work to the middle class. "And then there are hands, but there is nothing to work."
He wants to make a sundial in the city park, for this he needs ten rubles and he asks for it from Dikiy, but meets a complete lack of understanding. Kuligin does not leave concerns about the safety of the city: “We have frequent thunderstorms, but we will not start thunderous diversions!”. To which Dikoy replies to him: "A thunderstorm is sent to us as punishment, so that we feel, and you want to defend with poles ...". Only Kuligin alone has clear goals in life, but, unfortunately, he can change life in the city.
At the end of the play, when the dead Katerina is taken out of the Volga, Kuligin is the first to tell Kabanikha: "Here is your Katerina. Do with her what you want! Her body is here, take it; and now your soul is not yours; she is now before a judge who is more merciful than you. ! " After these words, he leaves because he can no longer be near these people.

In 1859 A.N. Ostrovsky wrote the play "The Thunderstorm", in which he raised the problem of a turning point in public life, the problem of changing social foundations, penetrated into the very essence of the contradictions of his time, painted colorful images of tyrants, their way of life and customs. In opposition to tyranny, there are two characters - Katerina and Kuligin. This essay is devoted to the second.

Kuligin is a tradesman, a self-taught mechanic. In the first act, in a conversation with Kudryash, he appears before us as a poetic connoisseur of nature, Kuligin admires the Volga, calls the extraordinary view a miracle. A dreamer by nature, he, nevertheless, understands the injustice of the system, in which everything is decided by the coarse power of power and money: "Cruel manners, sir, in our city, cruel!" - he says to Boris Grigorievich: "And whoever has money, sir, is trying to enslave the poor so that he can earn even more money from his free labors." Kuligin himself is not at all like that, he is virtuous and dreams of the well-being of the people: "If only I, sir, find a perpeta-mobile! ... I would use all the money for society ..."

The next time Boris meets Kuligin in the third act on an evening walk. Kuligin again admires nature, air, silence. At the same time, he gets upset that a boulevard has been made in the city, and people are not walking, he says that everyone has long locked the gates and not from thieves: “... but so that people do not see how they eat their household and tyrannize their family. And what, sir, behind these locks, the debauchery of dark and drunkenness! " Kuligin seems to be outraged by all the foundations of the "dark kingdom", but immediately after his angry speech, he says: "Well, God bless them!" as if deviating from their previous words. His protest is almost mute, and is expressed only in objections, he is not ready, like Catherine, for an open challenge. On Boris's proposal to write poetry, Kuligin immediately exclaimed: “How can you, sir! Eat, swallow alive. I already get it, sir, for my chatter. " However, we should give him his due for the persistence and at the same time courtesy he asks Dikiy for money for materials for the sundial on the boulevard: “... for the common good, your degree. Well, what does it mean for society some ten rubles! God be with you, Savel Prokofich! I am not doing any rudeness to you, sir; You have a lot of strength, your degree; there would only be a will for a good deed. "

Unfortunately, Kuligin only stumbles upon rudeness and ignorance on the part of the Wild. Then he tries to persuade Savely Prokofich, at least for thunderous bends, since thunderstorms are a frequent occurrence in their city. But without achieving any success, Kuligin has no choice but to leave, waving his hand. dreamer protest tyranny society

Kuligin is a man of science who respects nature and subtly feels its beauty. In the fourth act, he addresses the crowd with a monologue, trying to explain to people in it that one should not be afraid of thunderstorms and other natural phenomena, on the contrary, one should admire them, admire them: “This is not a thunderstorm, but grace! “But people do not want to listen to him, all of them, according to the old customs, continue to believe that all this is for trouble, that this is God's punishment.

Kuligin is well versed in people, capable of empathy and can give correct, practical advice - he perfectly showed all these qualities in a conversation with Tikhon: “You would forgive her, but you would never remember ... She would have been a good wife for you, sir; look - better than any ... It's time for you, sir, to live with your mind ... You must forgive enemies, sir! "

It was Kuligin who pulled the dead Katerina out of the water and brought her to the Kabanovs: "Here is your Katerina. Do with her what you want! Her body is here, take it; but now your soul is not yours; it is now before the Judge, who is more merciful than you!" After these words, Kuligin runs away, he experiences this grief in his own way and is unable to share it with the people who are responsible for the suicide of the poor girl.

Personally, I am very sympathetic to the image of Kuligin. He is like some white crow in the city of Kalinov, sharply different from the rest of the inhabitants in the way of his thoughts, reasoning, values, aspirations. Kuligin realizes the injustice of the foundations of the "dark kingdom", tries to fight them, dreams of improving the lives of ordinary people. He thinks about the social reconstruction of the city. And perhaps, had Kuligin found at least a few like-minded people and financial support, he would have been able to significantly change Kalinov for the better. This is what I like most about Kuligin - his desire for the well-being of the people.

Kuligin- a character who partially fulfills the functions of an exponent of the author's point of view and therefore is sometimes referred to the type of a resonant hero, which, however, seems to be incorrect, since on the whole this hero is undoubtedly distant from the author, is depicted quite distantly, as an unusual person, even somewhat outlandish. The list of characters says about him: "a tradesman, a self-taught watchmaker looking for a perpetuum mobile." The hero's surname transparently hints at a real person - I. P. Kulibina (1755-1818), whose biography was published in the journal of the historian M. P. Pogodin "Moskvityanin", where Ostrovsky collaborated.

Like Katerina, K. is a poetic and dreamy nature (for example, it is he who admires the beauty of the Trans-Volga landscape, complains that the Kalinovites are indifferent to him). He appears, singing "Among the flat valley ...", a folk song of literary origin (to the words of A. F. Merzlyakov). This immediately underlines the difference between K. and other characters associated with folk culture, he is also a bookish man, albeit a rather archaic bookishness: he tells Boris that he writes poetry “in the old-fashioned way ... The sage was Lomonosov, a nature tester ... ". Even the characterization of Lomonosov testifies to K.'s well-readness in the old books: not a "scientist", but a "sage", a "tester of nature." “You are an antique chemist with us,” Kudryash tells him. "Self-taught mechanic", - corrects K. Technical ideas of K. are also an obvious anachronism. The sundial, which he dreams of installing on Kalinovsky Boulevard, dates back to antiquity. Lightning conductor - a technical discovery of the 18th century. If K. writes in the spirit of the classics of the 18th century, then his oral stories are sustained in even earlier stylistic traditions and resemble old moralizing stories and apocrypha (“and they will begin, sir, judgment and business, and there is no end to torment. here, yes, they will go to the province, and there they are already waiting for them, but they splash their hands with joy ”- the picture of judicial red tape, vividly described by K., recalls stories about the torment of sinners and the joy of demons). All these features of the hero, of course, were given by the author in order to show his deep connection with the world of Kalinov: he certainly differs from the Kalinovites, we can say that he is a "new" person, but only his novelty has developed here, within this world that generates not only their passionate and poetic dreamers, like Katerina, but also their "rationalists" -dreamers, their own special, home-grown scientists and humanists.

The main work of K.'s life is the dream of inventing "perpetu-mo-bile" and receiving a million from the British for it. He intends to spend this million on the Kalinov society - "work must be given to the philistine." Listening to this story, Boris, who has received a modern education at the Commercial Academy, remarks: “It's a pity to disappoint him! What a good man! He dreams of himself - and is happy. " However, he is hardly right. K. is really a good person: kind, disinterested, delicate and meek. But he is hardly happy: his dream constantly forces him to beg for money for his inventions, conceived for the benefit of society, and it does not even occur to society that there can be any benefit from them, for them K. is a harmless eccentric, something- something like the city's holy fool. And the main of the possible "patrons" - Dikoy, even lashes out at the inventor with abuse, once again confirming both the general opinion and Kabanikhe's own confession that he is not able to part with the money. Kuliginskaya's passion for creativity remains unsatisfied; he takes pity on his fellow countrymen, seeing in their vices the result of ignorance and poverty, but he cannot help them in anything. So, the advice he gives (to forgive Katerina, but so as not to ever remember her sin) is obviously impracticable in the Kabanovs' house, and K. hardly understands this. The advice is good, humane, since it proceeds from humane considerations, but does not in any way take into account the real participants in the drama, their characters and beliefs.

For all his diligence, the creative principle of his personality, K. is a contemplative nature, devoid of any pressure. Probably, this is the only reason why the Kalinovites put up with him, despite the fact that he is different from them in everything. It seems that for the same reason it turned out to be possible to entrust him with the author's assessment of Katerina's act. “Here's your Katerina. Do what you want with her! Her body is here, take it; but the soul is not yours now: it is now before the Judge, who is more merciful than you! "

The play "The Thunderstorm" is the most significant work of A. N. Ostrovsky. In it, he raises the most vibrant and quivering questions of his time, exposes colorful characters to the reader's court.

The list of characters in "Groza" is not long. These are the Kabanovs and the inhabitants of their home: the Wild Vanya family Kudryash, Shapkin, Kuligin and several secondary characters.

Kuligin occupies a special place among the heroes. The reader gets to know him at the very beginning of the play. Kuligin's image immediately attracts readers' attention.

Kuligin is a philistine, a self-taught watchmaker, but he knows how to feel beauty, he is poetic. Looking at the Volga, the hero exclaims with rapture: “This is an extraordinary view! Beauty! ”, And the fact that he has been contemplating the Volga every day for fifty years now does not prevent him from enjoying its beauty. Kudryash calls Kuli-gin an antique, that is, a rare, extraordinary person. For the city of Kalinov, this hero is, in fact, an exceptional phenomenon. He compares favorably with many of the characters in the play, who will hardly ever appreciate the same delight of the Volga landscape.

Of great importance for revealing the character of Kuli-gin are his monologues. Ku-ligin angrily attacks Kalinov's orders. His words about disdain for poor people, about cruel deception of honest workers, about squabbles between merchants who seek to harm a competitor by any means are filled with bitterness. The hero cruelly ridicules the inferiority of the inner world of the Kalinovka inhabitants, who come out onto the boulevard with only one purpose: "to show the outfits." Kuligin does not spare the tyrants either: "They eat their household and hurt their family." According to the hero's conviction, the main goal of the life of the Kalinovsky tyrant is “to rob orphans, relatives, nephews, to beat up family members so that they wouldn’t dare to utter a word about anything he’s doing there”.

Kuligin has poetic talent. For him, the undoubted authority is Lomonosov, who emerged from the common people and, through labor and diligence, paved his way to great discoveries. Kuligin is well-read. He can clothe his thoughts in a poetic form. But he lacks courage. “Eat, swallow alive,” he says.

Kuligin sees great potential among the people. He appreciates his skillfulness and regrets that the patronage "has hands, but there is nothing to work."

The hero is looking for a perpetuum mobile, but no one in Kalinov understands his aspirations, no one wants to support him. Kuligin passionately describes to Di-who all the benefits that can bring his ideas. He is trying to instill in those who rip off the last kopeck from their workers the need to donate a certain amount "for society." The hero does not see that for the Wild this is all "nonsense", and Kuligin himself is no more than a worm that can be pardoned, but can be crushed. Kuligin believes in achieving his goals, he hopes for a miracle, that in the "dark kingdom" there will still be at least one "living" soul.

Boris turns out to be much more perspicacious than Kuligin, who, in response to the hero's words, only sighs: "It's a pity to disappoint him!"

In vain is the hero trying to explain to the "dark" Kalinovites the "grace" of a thunderstorm, and the beauty of the northern lights, and the beauty of moving comets. He quotes Lomonosov with them, throws the precious bi-ser in all directions, not realizing that all this is in vain.

To Tikhon, the son of Kabanova, Kuligin says that his mama is “painfully cool”, and Katerina is “better than anyone,” and that at his age it is time “to live with your own mind”.

Kuligin has a good heart. To the disappointed Tikho-well, he says that it is necessary to forgive the enemies, and when he finds dead Katerina, he throws words in the Kabanovs' face about their mercy to her.

According to N. Dobrolyubov, it was still impossible to rely on the kuligins who believed in the educational path of reorganizing life and trying to influence the tyrants with the power of persuasion. These people only logically understood the absurdity of tyranny, but were powerless in the fight against it.

A.N. Ostrovsky created in 1859 the play "The Thunderstorm" - a work in which the difficult issues of the turning point in public life, the change in social foundations were raised. Alexander Nikolaevich penetrated into the essence of the contradictions of his time. He created the colorful characters of tyrants, described their customs and life. Two images act as a counterbalance to tyranny - they are Kuligin and Katerina. Our article is devoted to the first of them. “The image of Kuligin in the play“ The Storm ”is a topic that interests us. Portrait of A.N. Ostrovsky is presented below.

Brief description of Kuligin

Kuligin is a self-taught mechanic, a tradesman. In a conversation with Kudryash (first act), he appears to the reader as a poetic connoisseur of nature. admires the Volga, miraculously calls the extraordinary view that has opened to him. The image of Kuligin in the play by A.N. Ostrovsky's "Thunderstorm" can be supplemented with the following details. A dreamer by nature, nevertheless, this hero understands the injustice of the existing system, in which the rough power of money and power decides everything. He tells Boris Grigorievich that there are "cruel manners" in this city. After all, whoever has money seeks to enslave the poor in order to make more capital for himself on his labors. The hero himself is by no means like that. The characterization of Kuligin's image is exactly the opposite. He dreams of well-being for the whole people, strives to do good deeds. Let us now present in more detail the image of Kuligin in the play "The Thunderstorm".

Kuligin's conversation with Boris

Boris meets the character we are interested in on an evening walk in Act III. Kuligin again admires nature, silence, air. However, at the same time, he complains that a boulevard has not yet been made in the city, and people in Kalinovo do not walk: the gates are locked for everyone. But not at all from thieves, but so that others do not see how they tyrannize the family. There is a lot behind these locks, as Kuligin says, "drunkenness" and "dark debauchery." The hero is outraged by the foundations of the "dark kingdom", but immediately says after an angry speech: "Well, God be with them!", As if deviating from the words spoken.

His protest remains almost mute; it is expressed only in objections. The image of Kuligin in the play is characterized by the fact that this character is not ready for an open challenge, like Katerina. Kuligin exclaims the proposal to write poetry, which Boris makes to him, that he will be "swallowed alive", and complains that he already gets it for his speeches.

Request to the Wild

It is worth giving Kuligin his due for the fact that he, with persistence and at the same time courtesy, asks Dikiy to give money for the materials. He needs them to install a sundial on the boulevard "for the general benefit."

Kuligin, unfortunately, only stumbles upon ignorance and rudeness on the part of this person. Then the hero tries to persuade Savely Prokofich at least with thunderous bends, since thunderstorms are a frequent occurrence in the city. Failing to achieve success in this matter, Kuligin can do nothing more than leave with a wave of his hand.

Kuligin is a man of science

The hero we are interested in is a man of science, with respect for nature, feeling subtly its beauty. In the fourth act, he addresses the crowd with a monologue, trying to explain to people in it that one should not be afraid of a thunderstorm or any others. One should admire and admire them. However, the residents of the city do not want to listen to him. They live according to old customs, they continue to believe that this is God's punishment, that a thunderstorm is certainly a disaster.

The knowledge of people that Kuligin manifests

The image of Kuligin in the play "The Thunderstorm" is characterized by the fact that this hero is well versed in people. He is able to empathize and give practical, correct advice. The hero showed these qualities, in particular, in a conversation with Tikhon. He tells him that enemies must be forgiven, and that one must also live with one's own mind.

It was this hero who pulled Katerina out and brought her to the Kabanovs, saying that they could take her body, but the soul does not belong to them. She now appeared before the Judge, who is much more merciful than the Kabanovs. Kuligin runs away after these words. This hero, in his own way, experiences the grief that has happened and is unable to share it with the people who are the culprits of this girl's suicide.

White crow

In Kalinovo, the hero we are interested in is a white crow. The image of Kuligin in Ostrovsky's play "The Thunderstorm" is characterized by the fact that this character's thinking differs significantly from the way of thinking of other residents. He has other aspirations and values. Kuligin realizes that the foundations of the "dark kingdom" are unfair, tries to fight them, strives to make the life of ordinary people better.

The hero we are interested in dreams of Kalinov's social reorganization. And probably, had he found material support and like-minded people, he would have been able to significantly improve this city. The striving for the well-being of the people is perhaps the most attractive feature that, together with others, constitutes the image of Kuligin in the play "The Thunderstorm".

Open lesson in the context of contextual learning technology

Topic: "The city of Kalinov and its inhabitants" in the play by A. Ostrovsky "The Thunderstorm".

Class: 10

Lesson type: working with artistic text.

Lesson type - a workshop using contextual learning technology with access to creative work.

The purpose of the lesson: using the speech characteristics of the heroes, consider how the "cruel manners" of the inhabitants of the city destroy the fate of the heroes.

Lesson objectives: to characterize the city of Kalinov;

Trace the system of social relations of people of the "dark kingdom"

To promote the development of analytical, communicative and reflective culture, monologue and dialogical speech of students, disclosure of their creative abilities

Equipment: A. N. Ostrovsky's drama "The Thunderstorm"

Presentation "The city of Kalinov and its inhabitants";

Group work cards

Principle: "As many students as possible and as few teachers as possible"

Epigraph: Life is a certain surplus

Spilled in the sultry air.

F.I. Tyutchev.

Application,

Wild.
- He's afraid that he is who! Boris Grigorich got him as a sacrifice, so he drives it ... (Kudryash)
- Look for such and such a scolder like our Savel Prokofich! No way would a person be cut off. (Shapkin)
- A piercing man. (Curly)
-There is no one to take him down, so he is fighting ... (Shapkin)
- How not to scold! He cannot breathe without it ... (Curly)
- He first breaks hell with us, outrages in every possible way, as his heart desires, but all the same ends up by giving nothing ... (Boris)
- He has such an establishment. No one here dares to utter a word about the salary, scold what the light is worth. (Curly)
- They can't please him, but where can I ... (Boris)
- Who will please him, if his whole life is based on swearing? And most of all because of the money. Not a single calculation is complete without swearing. The other is glad to give up his own, if only he would calm down. And the trouble is, in the morning someone will make him angry! All day long to find fault with everyone. (Curly)
- One word: warrior! (Shapkin)
- But the trouble is, when such a person, whom he does not dare to scold, offend him, then hold on to your family! (Boris)
- And the honor is not great, because you have been fighting with women all your life ... (Kabanova)
-I wonder a lot at you: how many people you have in your house, but they cannot please you alone. (Kabanova)
-There are no elders over you, so you are swaggering ... (Kabanova)

(Dikoy is a hefty, burly merchant with a bountiful beard, he is in a jacket, oiled boots, stands akimbo, speaks in a low, bass voice ... He is known in the city as a rude and cruel man. Petty tyrant. His petty tyranny is based on the power of money, material dependence and the traditional obedience of Kalinovites . Frankly cheating men. Conscious of his strength - this is the power of a money bag. Treasures every penny and gets annoyed when meeting with Boris, claiming to be part of the inheritance. Material dependence is the basis of the relationship between the characters of the play. Dikoy acts as a "hero" only in front of his subordinates: in fact, he is The Dikiy's speech is rude, saturated with coarse vernacular vocabulary and an abundance of profanities: "Parasite! Get lost! ... Ugh, damn you! That you are standing like a pillar! ... I don’t want a Jesuit!)
Kabanikha.
-Kabanikha is also good! ... Well, yes, at least she, at least, is all under the guise of piety ... (Curly)
-Prude, sir! She clothe the beggars, but she ate the household altogether. (Kuligin)
-Do not respect you, how can you ... (Varvara)
- ... what an unfortunate person I was born that I can't please you with anything (Tikhon)
- ... he eats while eating, does not give a pass ... (Tikhon)
-She sharpens him (Tikhon) now, like rust iron ... Her heart will wear out, that he walks at will. Here she is now giving him orders, one more formidable than the other, and then to the image - she will make him swear that he will do everything as accurately as ordered. (Barbara)
-Koli mama sends, how can I not go. (Tikhon)
-Well, I'm going to pray to God, don't bother me ... (Kabanova)
- Youth is what it means ... It's funny to look at them even! ... They don't know anything, of any order ... Well, whoever has elders in the house, they keep the house while they are alive. (Kabanova)
-Not very much respected nowadays ... (Kabanova)
- If not the mother-in-law! .. She crushed me ... from her, I got sick of the house; the walls are even disgusting ... (Katerina)
- ... many people, if only you can be taken, with virtues, as flowers are adorned: that's why everything is done cool and decency ... (Feklusha)
-We don't have to hurry, honey, we live leisurely ... (Kabanova)
-You find a cheaper one! And I am dear to you! (Kabanova to the Wild)
-Let's suppose that even though her husband is a fool, her mother-in-law hurts fiercely ... (Curly)
- Mummy, you are very cool. (Kuligin)
- Here mamma says: she must be buried alive in the ground so that she could be executed! (Tikhon)
-Mommy eats her, and she, like a shadow, walks unrequited ... (Tikhon)
-I would be nothing, but mamma ... unless you can talk to her ... (Tikhon)
-I have to say it bluntly, that from mamma (Varvara ran away from home), so she began to tyrannize and lock her ... (Tikhon)
-the mother-in-law tortures me, locks me up ... everyone laughs right in my eyes, reproaches you at every word ... (Katerina)
-Mommy, you ruined her, you, you, you ... (Tikhon)
Approximate characteristics performed by students:
(A tall, overweight old woman, wearing an old-fashioned dress; keeps upright, with dignity, walks slowly, sedately, speaks weighty, significant. The domineering, despotic Kabanikha constantly sharpens the household. Kabanikha sees the basis of the family as the home-building laws of life, sanctified by antiquity. Kabanikha is convinced that if these laws are not followed, there will be no order. She speaks on behalf of an entire generation, constantly using didactic phrases. Her image grows to a symbol of patriarchal antiquity. Relying on the authority of antiquity, Kabanikha widely uses folk phraseology and proverbs in speech: “Why are you pretending to be an orphan? Why did you let the nuns go? "," Someone else's soul - darkness. " A measured, monotonous character is given to Kabanikha's speech by the repetitions of words and phrases: "... if she hadn't seen it with my own eyes and heard it with my own ears", "... that the mother is a grumbler, that the mother does not let her pass, she stifles with the light ...".Households dependent on Kabanikha have different attitudes towards her teachings.)

Feklusha and other residents of the city.
-Yes, what can we say! You live in the promised land! And the merchants are all pious people, adorned with many virtues! By the generosity and alms of many! (Feklusha)
-Everything in the fire will burn inextinguishable! Everything in the resin will boil unquenchable! (Lady)
- Painfully, I love, dear girl, to listen, if someone howls well. (Feklusha)
-Who will understand you, you are all riveting at each other ... all quarrel, but quarrel. (Glasha)
-And I, dear girl, not absurd, for me this sin is not. I have one sin ... I love to eat sweetly. (Feklusha)
-I ... did not go far, but to hear - I heard a lot ... (Feklusha)
-And that is, there is still a land where all the people are with dogs' heads ... For infidelity. (Feklusha)
-It's also good that there are good people: no, no, and you will hear what is happening in the world; otherwise they would have died like fools. (Glasha)
- The last times, Matushka Marfa Ignatievna, the last, by all indications, the last ... Here you have ... rarely will anyone go outside the gate to sit ... but in Moscow, there is a groan in the streets of gulbishcha and merrymaking, there is a groan ... Why, they began to harness the fiery serpent ... (Feklusha)
- Hard times ... the time has already begun to come into belittling ... the time is getting shorter ... for our sins it is getting shorter and shorter ... (Feklusha)
-What is Lithuania? - So she is Lithuania. - And they say, my brother, she fell on us from the sky ... - I don't know how to tell you, from the sky, so from the sky .. (Citizens)
Approximate characteristics performed by students:
(The world of the city is motionless and closed: its inhabitants have a vague idea of ​​their past and do not know anything about what is happening outside Kalinov. Feklushi's absurd stories create distorted ideas about the world among Kalinovites, instill fear in their souls. She brings darkness into society , ignorance. Together with Kabanova, she grieves about the end of the good old time, condemns the new order. New powerfully enters life, undermines the foundations of the Domostroev orders. Feklushi's words about “the last times" sound symbolically. The patriarchal world of the Kabanovs and the wild is living out its last days. Feklushi also predetermines the peculiarities of her speech. She strives to win over those around her, so the tone of her speech is smooth and flattering. Feklushi’s agreeableness is also emphasized by her saying “sweetheart”.

Tikhon Kabanov.
- But how can I, mamma, disobey you. (Kabanov)
-I think, mama, not a step out of your will ... (Kabanov)
- ... what an unfortunate person I was born that I can't please you with anything ... (Kabanov)
-What are you pretending to be an orphan? What are you nuns about? What kind of husband are you? Look at you! Will your wife be afraid of you after that? (Kabanova)
-Yes, mamma, I don’t want to live by my own will. Where can I live by my own will! (Kabanov)
-Fool! What to say with a fool, only one sin ... (Kabanova)
-Mother attacks her, and so do you. And you also say that you love your wife. It's boring for me to look at you. (Barbara)
-Know your business - keep quiet, if you don't know how to do anything ... (Barbara)
-You already drove me here completely! I have no idea how to break free, but you are still imposing on me. (Kabanov)
-With this kind of bondage, you will run away from whatever beautiful wife you want ... Whatever it is, I am still a man ... to live like this all your life ... so you will run away from your wife. But how do I know now that there won't be any thunderstorm over me for two weeks, there are no shackles on my legs, so I care about my wife? (Kabanov)
-And I love her, I'm sorry to touch her with a finger. He beat me a little, and even then mamma ordered… .That's why I am killed, looking at her. (Kabanov)
-It's time for you, sir, to live with your mind. (Kuligin)
-No, they say their own mind. And, therefore, live a century for a stranger. (Tikhon)
Approximate characteristics performed by students:
(Tikhon thinks only about pleasing his mother, striving to convince her of his obedience. The plural address, the repeated word "mamma" give his speech a derogatory character. He understands that, fulfilling his mother's will, he humiliates his wife. But Tikhon is a weak-willed person who resigns himself to his mother's fierce disposition.)

Kuligin.
-Fifty years I have been looking at the Volga every day, but I can't get enough of everything ... Have you looked closely or do not understand what beauty is spilled in nature ... (Kuligin)
-You are an antique chemist ... (Kudryash)
-Mechanic, self-taught mechanic ... (Kuligin)
-What eh (Dikova), take an example from him. Better to endure. (Kuligin)
-What to do, sir. We must try to please somehow. (Kuligin)
-I have read Lomonosov, Derzhavin ... (Kuligin)
-I really do, sir, for my chatter gets; but I can’t, I like to scatter the conversation! (Kuligin)
-Only I, sir, find a perpeta-mobile ... After all, the British give a million. I would use all the money for society and for support. Work must be given to the philistine. And then there are hands, but there is nothing to work. (Kuligin)
-Because from this ... for all the common people in general benefit ... (Kuligin)
-Yes, why are you crawling to me with all sorts of nonsense ... What am I to you - even or what? (Wild)
-I want to put my work for nothing ... Yes, everyone here knows me, no one will say bad things about me ... (Kuligin)
-I, sir, a little man, will not offend me for long ... "And virtue is honored in rags." (Kuligin)
-Nothing to do, you have to submit. (Kuligin)
-It's a pity to disappoint him! What a good man! He dreams of himself - and is happy. (Boris)
Approximate characteristics performed by students:
(Kulignn speaks with pain of the "cruel morals" of the city, but advises to "please somehow" tyrants. He is not a fighter, but a dreamer; his projects are impracticable. He spends his energy on inventing a perpetual motion machine. He often uses Old Church Slavonic words and phraseological units, quotes from the Holy Scripture: “the essentials of bread,” “there is no end to torment,” etc. He is loyal to Lomonosov and Derzhavin.)
Varvara and Kudryash.
-We have few guys on my side, otherwise we would have taught him to play mischievous ... (Curly)
-He smells with his nose that I won't sell my head cheaply ... He's scary to you, but I can talk to him. (Curly)
- I am considered rude ... I am not afraid of him, but let him be afraid of me. (Curly)
- Yes, I don’t let it down either: he’s not a word, and I’m ten ... No, I’m not going to slave before him. (Curly)
-I'm sick of dashing girls ... (Curly)
-What should I judge you, I have my sins ... (Barbara)
-And what a desire to dry up! Even if you die of melancholy, they will regret it for you! ... So what a bondage to torture yourself! (Barbara)
-I didn't know that you were so afraid of a thunderstorm. I'm not afraid. (Barbara)
-And I was not a deceiver, but I learned when I needed to ... (Barbara)
-And in my opinion, do what you want, if only it was sewn and covered. (Barbara)
- Take a walk until your time comes. You will still sit there. (Kabanova)
“Varvara’s mama grinded and sharpened, and she couldn’t stand it, and she was like that, - she took it and left ... They say Kudryash and Vanka ran away, and they will not find him anywhere either ... from mamma, so she began to tyrannize and lock her up. “Do not lock it,” he says, “it will be worse.” And so it happened. (Kabanov)
Approximate characteristics performed by students:
(Varvara is convinced that you cannot live here without pretense. She sneers at her mother, condemns her. In the love of the barbarian and Kudryash there is no true poetry, their relationship is limited. Barbara does not love, but only “walks.” The author depicts the “free” behavior of young people. )

The drama "The Thunderstorm" is based on the clash of the disenfranchised and oppressed with tyrant merchants. This conflict is composed of a number of private conflicts (the clash of Katerina and Kabanikha, Boris and Dikiy, Kuligin and Dikiy, etc.). However, leading in the development of the action is Katerina's clash with the "dark kingdom." The rest of the conflicts are correlated with him, subordinate to him, which gives the whole play harmony and completeness.

Obviously, when analyzing the text, we must focus the students' attention on Katerina's struggle for her rights.

Peculiarity

The play's conflict also lies in the fact that, along with Katerina's clash with tyrants, the author shows Katerina's deep inner drama: the heroine's passionate impulse for freedom and happiness collides with her own ideas about morality, formed under the influence of the same “dark kingdom” against which she “ revolted. " Without considering this internal conflict, one cannot understand either the character of Katerina or the ideological content of Ostrovsky's socio-psychological drama. We offer the teacher one of the possible options for analyzing the drama.

1. The main conflict of the drama. The positions of the heroes (a commented reading of the first - sixth phenomena of the first act of the drama). - 1 hour.

2. Katerina's mental tragedy (conversation with students on the seventh - ninth phenomena of the first act). - 1 hour.

3. Katerina in the struggle for her human rights (analysis of the leading scenes of the second - fourth actions). - 2 hours.

4. Katerina's suicide is a challenge to petty force. Resolution of other private conflicts of the drama (analysis of the fifth act). -1 hour.

5. Katerina is a ray of light in the dark kingdom. Genre originality of the play. - 1 hour.

6. The dark kingdom in the drama "Thunderstorm". “Thunderstorm” on stage. - 1 hour.

It is advisable to acquaint students with the main provisions of Dobrolyubov's article "A Ray of Light in the Dark Kingdom" in the process of studying the text of the drama. In the final lessons, students will consolidate and systematize this information. Introducing students to work on the text, the teacher will invite them to name the main characters of the play, indicate their social status, establish where and when events unfold.

To evoke visual images of students, you can show them the picture of I. I. Levitan “Evening. Golden reach ”. The picture, of course, cannot be regarded as an illustration for the play, moreover, in its style it is far from Ostrovsky's genre painting, but in this case we do not set ourselves the task of acquainting students with the peculiarities of the playwright's style. Our goal is to give an idea of ​​the Volga landscapes, to look at them through the eyes of a person far from the Kalinovites.

This is what he would see if he was on the banks of the Volga, in those places where the play took place.

The disciples will convert. attention to the coloring of the picture. Luscious green bushes bathed in the rays of the setting sun, orange, golden colors of water and sky. Fog rises over the river. The opposite bank lies in a grayish-blue haze.

The picture emanates from a quiet calmness. It wonderfully conveys the poetry of Russian nature.

We turn on the tape recording of the first phenomenon performed by the artists of the Moscow Mayakovsky Theater. From somewhere in the distance the song "Far, far away the steppe has gone beyond the Volga ..."

Instead of sound recording of the performance of the Mayakovsky Theater, the teacher can use the recording of the performance of the Maly Theater.

Against this background, the words of Kuligin sound especially expressive: “Miracles! Truly, it must be said that miracles! Curly!

Here, my brother, for fifty years I have been looking at the Volga every day and I can’t see everything ”. Kuligin not only admires the beauty of the Volga landscapes himself, but also seeks to show others “what beauty is spilled in nature”. Indeed, in his opinion, the enjoyment of nature could soften the cruel customs of the inhabitants of Kalinov.

Right there, through the attitude to nature, the author reveals the difference in the perception of the city's inhabitants. In response to Kuligin's enthusiastic words, one can hear Kudryash's rudely prosaic remark "Net!" The poetry of nature is inaccessible to Kudryash, and Kuligin himself is not a person of this world for him, blessed one: “Well, why should I talk to you! You are an antique, chemist! "

The continuation of the dialogue brings us into the main conflict of the drama. What do we learn from the dialogue about Dick and Kabanikh? What is the attitude to the tyrant merchants Kudryash, Shapkin, Kuligin and what is the difference in their life positions? - we ask the students.

Let us draw the pupils' attention to the fact that Kuligin and Kudryash agree in condemning tyrants, but if Kudryash is ready to defend his independence (“No, I won’t slave to him”), then Kuligin prefers to submit to the power of the wild (“From him, eh, take an example! Better to endure! "). Thus, the play outlines two paths for the people of the "oppressed party": to fight against tyrants or to submit.

Then we become direct witnesses of the clash of tyrants and their victims. Conducting a conversation on the second and third phenomena, the teacher will invite the students to draw a portrait of the Wild, tell about his attitude towards households and residents of the city, and give his speech characteristics.

In the minds of Dikoy's students, he is a stout, burly merchant with a thick beard, he is in a coat, greasy boots, stands akimbo, speaks in a low voice. However, A.'s student painted a different portrait of the Wild. According to his description, Dikoy is a small, dry old man with a sparse beard and restlessly shifting eyes. This description has its own logic.

It points to the complete insignificance of the Wild One's personality, raises the question of why such an essentially miserable person is capable of awe the people around him. True, with such an interpretation of the image of the Wild, the gloomy coloring of the dark kingdom softens, and it is no coincidence that the stage tradition does not know such an embodiment of the image.

The students have already got acquainted with the commercial activities of merchants during the survey study of the comedy "Our people - we will be numbered". In The Thunderstorm, Ostrovsky's attention is focused on family relations, but here, too, from individual remarks of the heroes, a picture of gross arbitrariness, robbery and money-grubbing is formed. Dikoy openly miscalculates the peasants, but when they complain to the governor of him, he cynically declares: “Is it worth it, your honor, for us to talk about such trifles!

I have a lot of people a year; You must understand: I will not pay them extra for a penny per person, but I have thousands of this, so it is good for me! " - and at the same time familiarly pats the mayor on the shoulder.

Dikoy's appeal to the mayor indicates that Dikoy is aware of his strength - this is the power of a money bag. Therefore, he values ​​every penny so much, which is why his meetings with Boris, who claims to be part of the inheritance, are so annoying.

The fifth phenomenon, which is of exceptional importance for understanding the customs of the dark kingdom.

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18. The "Thunderstorm" set-up is defined in different ways. A.I. Revyakin considers Boris's confession of love for Katerina as a tie-in with a reciprocal confession of Katerina. E. Kholodov argues that Katerina's confession is “not a starting point, but just an opportunity for a tie-in,” which is realized only when Katerina decides to meet with Boris. In both cases, the plot is based on [...] ...
19. THE THUNDERSTORM A drama in five acts Act I Public garden on the banks of the Volga. Sitting on a bench, the tradesman Kuligin admires the Volga. Walking Kudryash and Shapkin, hearing the Dikoy merchant scold his nephew, discuss this. Kudryash sympathizes with Boris Grigorievich, believes that Dikiy should be properly scared so that he does not mock people. Shapkin recalls that Dikoy wanted [...] ...
20. Main characters: Savel Prokofievich Dikoy - a merchant, a significant person in the city. Boris Grigorievich is his nephew, an educated young man. Marfa Ignatievna Kabanova is a widow, a wealthy merchant's wife. Tikhon Ivanovich Kabanov is her son. Katerina is his wife. Varvara is the sister of Tikhon Kabanov. Kuligin is a self-taught watchmaker looking for a perpetuum mobile, a tradesman. Vanya Kudryash - Dikiy's clerk, a young man. [...] ...
21. THE CENTRAL CONFLICT OF AN OSTROVSKY'S DRAMA “THUNDER” At the heart of any dramatic work is always a dramatic conflict - a clash of opposing ideas, views, moral principles, characters. There is such a conflict in the drama by A. N. Ostrovsky "The Thunderstorm". However, in Ostrovsky's work, he acquires extraordinary versatility and complexity. The fact is that, starting with the confrontation between the main character and the environment [...] ...
22. In the development of the drama there must be a strict unity and consistency; the denouement should naturally and must flow out of the tie; each scene must by all means contribute to the movement of the action and push it towards the denouement; therefore, there should not be a single person in the play who would not directly and necessarily participate in the development of the drama, there should not be a single conversation, [...] ...
23. The darkness of bitter truths is dearer to us than the exalting deception. AS Pushkin Looking at the same thing, we all see different things. On this occasion, there is a joke: -What is the difference between an optimist and a pessimist? -The optimist says that the hall is half full, and the pessimist says that it is half empty. Here's a look at what Dobrolyubov saw in the heroine of the drama “The Thunderstorm”: “The extraordinary originality of this [...] is striking ...
24. Ostrovsky's play "The Thunderstorm" reveals the eternal, socio-cultural problems of society. Katerina is the main character of the drama. In her image, the struggle of the Russian heroic character is embodied: the struggle for love, the realization of lofty ideals, for justice, truth and freedom. Kuligin, a self-taught mechanic, is a minor character in the drama. He is not included in the main intrigue and does not even meet with Katerina during her lifetime, [...] ...
25. Objectives: to check the knowledge of the content of the read actions of the drama “Thunderstorm”; improve the ability to comment and expressively read scenes from the play, identify the conflict and problems raised by the playwright, analyze what has been read, draw independent conclusions; teach goodness, justice, respect for the human person. Equipment: portrait of a. n. Ostrovsky; illustrations for the drama; fragments of the film or the play "The Thunderstorm" (at the teacher's choice); drama text; epigraph to [...] ...
26. Ostrovsky's plays reflected, as if in a mirror, the whole life of the Russian merchants. The drama "The Thunderstorm" shows the reader a reliable picture of the tragedy, which can be considered a completely common occurrence for the merchant environment. The life and customs of the Russian merchants were able to bring a person to moral and physical death, and Ostrovsky in his works shows all the terrible circumstances in their ordinariness and typicality, [...] ...
27. The drama of A. N. Ostrovsky "The Thunderstorm" - the most significant work of the playwright - appeared in 1860, at a time when the foundations of serfdom were breaking and a thunderstorm was really gathering in the stifling Russian atmosphere. The work is based on the conflict of the young woman Katerina with the “dark kingdom”, the kingdom of tyrants, despots, ignoramuses. It is possible to understand why this conflict arose, why the end of the drama is so tragic, [...] ...
28. Ostrovsky's play has every reason to be called a "Russian tragedy." Constructive elements of the genre of tragedy appear in it, transformed by the specifics of national life. The “fateful” passion of the heroine, leading to “death”, the image of a “thunderstorm” that permeates all the action, the divinations of the mad lady, in which the myth “of the tragic guilt inherent in beauty” (P.A. Markov ). Inhabitants of the city of Kalinova, witnesses and [...] ...
29. Our writers of the 19th century often spoke about the unequal position of Russian women. “You share!” - Russian female share! It is hardly more difficult to find, ”exclaims Nekrasov. Chernyshevsky, Tolstoy, Chekhov and others wrote on this topic. But to me personally, A. N. Ostrovsky really discovered the tragedy of the female soul in his plays. “Once upon a time there was a girl. Dreamy, kind, affectionate. She lived with her parents. Needs [...] ...
30. Only those works survived the centuries that were truly folk at home; over time, such works become understandable and valuable for other peoples and for the whole world. A. N. Ostrovsky The name of A. N. Ostrovsky in Russian literature is associated with the creation of a nationally distinctive dramatic art, calculated, as the playwright himself wrote, "for the whole people." One of the best and [...] ...
31. The author's position and the means of its expression in the play "The Thunderstorm" In Ostrovsky's play "The Thunderstorm" the problem of the turning point in public life that took place in the 1850s, the change in social foundations, is raised. The playwright cannot be absolutely impartial, but it is very difficult for him to express his position - the author's position is revealed in remarks, which are not very numerous and they are not expressive enough. Remains [...] ...
32. The drama "The Thunderstorm", written by A. N. Ostrovsky in 1859, is a socio-psychological drama in its genre, but it is close to a tragedy. This is proved not only by the tragic ending - the heroine's suicide, but also by the intense intensity of passions, the classic contradiction between feeling and duty in Katerina's soul. As a subtle master psychologist, the author draws the deep feelings of the heroine, her suffering, change of moods. [...] ...
33. A. N. Ostrovsky in the play "The Thunderstorm", written in 1859, showed the life and customs of the Russian provincial society of that time. He revealed the problems of morality and the shortcomings of this society, showing the main features of tyranny. In his play, Ostrovsky took the action outside the family life into a wide sphere of publicity: on a city street, on a square, in a public garden and surrounded the main [...] ...
34. What, in fact, contributed to the awakening of Katerina's self-awareness? When did she feel like a person? When I fell in love. It is the love of Katerina, with all her tragic doom, that illuminates the surrounding darkness with a bright light. Her love revives Tikhon and even Boris, awakening in them feelings of compassion and pity; and in them grows, of course, to a different extent, the very self-consciousness that they were at the beginning [...] ...
35. One of the creations of Alexander Nikolaevich Ostrovsky can be called the small town of Kalinov, where tyranny and selfishness reign. Among the vivid images of the play "The Thunderstorm", which tells about this place, there is an ordinary philistine and dreamer - Kuligin. Despite his good age, he is cheerful and initiative. From the very first lines, we can see how the hero differs from the rest of society. [...] ...
36. The drama of A. N Ostrovsky "The Thunderstorm" shows us life in the city of Kalinovo, every now and then disturbed by various manifestations of thunderstorms. The image of this natural phenomenon in the drama is very multifaceted: it is both the character of the play and its idea. One of the most striking manifestations of the image of a thunderstorm is the characterization of the characters in the drama. For example, we can say with confidence that the character [...] ...
37. Kuligin The play Thunder by N. Ostrovsky shows a character who, throughout the entire work, makes certain efforts to protect progress and public interests. And even his surname - Kuligin - is very similar to the surname of the famous Russian mechanic-inventor Ivan Kulibin. Despite his philistine origin, Kuligin strives for knowledge, but not for selfish goals. His main concern [...] ...
38. The Thunderstorm is a play by Alexander Nikolaevich Ostrovsky in five acts, written in 1859, in the midst of a pre-reform social upsurge. After the premiere of the play on the stage of the Moscow Maly Theater, the play was followed by many critical reviews. Minor characters in this play play an important role. The development of the conflict would have been impossible without Feklusha, Varvara, Kuligin and others. Most of the secondary [...] ...
39. A. N. Ostrovsky wrote many plays that can be seen at the present time on TV or in the theater. But one of the most famous is the drama "The Thunderstorm". It was written in 1860 - on the eve of the abolition of serfdom. Therefore, many of Ostrovsky's contemporaries saw in her a call for the renewal of life, for freedom. Although it seems to us in [...] ...