Anniversary concert of sofia rotaru 70 years old. Sofia Rotaru: “If the President of Russia gave me a Russian passport, I would not refuse

The legend of the Ukrainian stage, singer Sofia Rotaru celebrates her anniversary today, August 7. The artist turns 70 years old.

The future artist was born in the village of Marshyntsy, Chernivtsi region in 1947.

As a child, Rotaru, in addition to being very fond of singing, was actively involved in sports and athletics, and even became the champion of the school in all-around.

Sofia Mikhailovna studied at the Chernivtsi School of Music at the conductor-choral department.

After graduating from college, Rotaru began to teach and, in the same 1968, she married Anatoly Evdokimenko. In August 1970, the couple had a son, Ruslan.

With Anatoly, who was her only husband, Sofia lived for 35 years. In 2002, the artist's husband died of a stroke.

From the very beginning of her career, Sofia Rotaru predicted a great future on the big stage. She won numerous all-Ukrainian and international competitions.

Real fame and popular love for Sofia Rotaru came after the performance of songs by the famous composer Vladimir Ivasyuk. The composition "Chervona Ruta" performed by her is still a hit.

In total, Sofia Rotaru's repertoire includes more than 500 songs in Russian, Ukrainian, Bulgarian, Serbian, Moldovan, Polish, Italian, German, Spanish and English. During her solo career, the singer has released 21 albums.

The legendary singer has many honorary titles and awards. She is the People's Artist of the USSR, the People's Artist of Ukraine, the Honored Artist of the Moldavian RSR, and the Hero of Ukraine. In addition, Rotaru's list includes the title of Honorary Citizen of Chernivtsi, Yalta and Chisinau.

It should be noted that exactly 10 years ago, on the singer's 60th birthday, the President of Ukraine Viktor Yushchenko (2005-2010) awarded Sofia Rotaru the Order of Merit II degree for "a significant personal contribution to the development of Ukrainian musical art, high performing skills and many years of fruitful activity. ".

In addition to the fact that Sofia Rotaru is a great artist, she is also the happy mother of the famous music producer Ruslan Evdokimenko, and the grandmother of Anatoly and Sofia.

She is irresistible!

This year, the incomparable singer and charming woman Sofia Rotaru has an anniversary - seventy years! But you instantly refuse to believe it as soon as you see the photographs of this singer. She looks amazing despite her age. Today absolutely everyone knows her, and her compositions are still sung in many countries.

Despite her age, Sofia Rotaru is not shy about unusual outfits. For example, her appearance at the Heat festival in Baku recently made a splash. Sofia Mikhailovna amazed everyone! According to the artist, it took her more than three months to prepare for this concert. Concert costumes were created for this show, made arrangements, recorded new songs.

On the eve of the anniversary, the singer decided to leave for Italy with her relatives. She celebrated her birthday in a narrow family circle. It is worth noting that some of them have had a hand in her current popularity. The singer's son helps her star mother not only at home, but also at work. He acts as her concert director.

And the creative director and at the same time the stylist of the artist is her daughter-in-law Svetlana. But the artist's grandchildren did not follow in the footsteps of the famous grandmother, although this does not negate the fact that they also made their choice in favor of creative professions. The granddaughter, for example, is in the modeling business, and Sophia's grandson is a fashion photographer.

If geographically and politically the Soviet Union has long been dead, then in pop culture it continues to exist as if nothing had happened - in the person of such figures as, recently celebrated its 80th birthday, or Sofia, which turns 70 on August 7.

In only one biographical information about Rotaru, it seems, the whole history of the country - was born in the village of Marshantsy in the Chernivtsi region of Ukraine in a Moldovan family; In the early 90s, there was a joke that at the negotiations in Belovezhskaya Pushcha the leaders of Russia and Ukraine asked themselves the question “how we will divide Rotaru”.

Her career began to develop at a time when Soviet ideologues finally allowed the flowers of national cultures to flourish.

Seventies

It is believed by many that the real acceleration of Rotaru's glory began with the musical film "Chervona Ruta" in 1971, in which Rotaru played the main role and the name of which was then taken by her for her ensemble. In fact, the Festival of Youth and Students, held in Bulgaria three years earlier, can also compete for the title of the take-off site of her career - she won a gold medal there, performing songs in Ukrainian and Romanian.

And the first success came about ten years before and consisted of many stages - regional, then republican amateur competitions, the conductor-choral department of the Chernivtsi Music School, for lack of vocal.

Photo report: Sofia Rotaru ended up in intensive care

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The key to Rotaru's success was a distinct and even in the best sense of the word, a prudent mixture of national and cosmopolitan repertoires: so, from the very beginning of her creative activity, she continued her collaboration with the composer Volodymyr Ivasyuk from Lvov, but at the same time she sang songs by Arno Babadzhanyan, Volodymyr Matetsky; texts for them were written, and other poets not in need of introduction. And the point is not only that cooperation with the highest caste of Soviet pop composing and the poetry workshop served as a pass to the big stage.

Such omnivorousness allowed her to organically weave the songs of the Soviet suburbs in different languages ​​into her program and skillfully use - at least declarative - the course of the Soviet authorities to support national cultures.

And thus everyone will like it: the officials of the Mosconcert, and the residents of Russian capitals, and their fellow countrymen on both sides of the Ukrainian-Moldovan border.

It is interesting that at the same time, the singer, who seemed to be kind to the authorities, was not without disgrace. More precisely, nothing happened - in 1975 she had a conflict with the local Chernivtsi regional committee of the Communist Party of Ukraine, in connection with which she and her ensemble relocated to Yalta. Until now, nothing definite is known about its reasons - Rotaru herself said that she moved to Crimea due to asthma. A possible reason was the increased share of the repertoire in the Ukrainian language and cooperation with authors from Western Ukraine. It is interesting that the shake-up and stress gave a new impetus to her career: the singer's records (first - long-plays) were released by the Melodiya company, and she herself was invited to Munich to record a disc at the Ariola company. Then she went on a large-scale tour of Western and Eastern Europe.

Eighties

The decade of transition from stagnation to perestroika became the peak of her career for her - it was at this moment that she, with the help of radio and television, began to constantly be present in the life of the country, coming to almost every house and sounding from every window. And the trigger of this popularity again, as in the case of "Chervona Ruta", was the cinema - more precisely, two films with her songs and participation. In 1980, "Where are you, love?" The picture was quite autobiographical - in it a young girl came to an amateur song contest with a composition by Raymond Pauls, the film's name of the same name, and left as its main triumphant.

The picture turned out to be mega-popular - "Melody" released a disc with songs from the film, and the whole country sang songs to the verses of the best Soviet poets.

A year later, another film came out - "Soul", an autobiographical melodrama about the loss of a singer of her voice and a reassessment of values. The participants of the "Time Machine" starred in the role of musicians, the songs were written by and, and Rotaru's partner, who was then at the peak of popularity, became. The second picture completed the formation of personal mythology around it, and the triumphant tour in Canada - the status of a real export star, in the language of trade, suitable for both domestic consumption and export.

However, it seems that it was this stardom and this status that caused the actual second disgrace - she was banned from foreign tours (requests for which were becoming more and more).

It got to the point of ridiculousness - the representatives of the German concert agency were once sent a paper in response to an invitation: "This does not work here."

Nevertheless, Rotaru actively participated in “Songs of the Year”, continued cooperation with both top Russian-speaking authors and Moldovan poets - for example, Gheorghe Vieru, who wrote the songs “Romantica” and “Melancolie” for her. However, it ended - unsuccessful, I must admit - fell into disgrace only with the beginning of perestroika.

The turning point in this sense can be recognized as the beginning of cooperation with Vladimir Matetsky, which led to (or, on the contrary, was the reason) a change of image - instead of a chansonnier with folklore roots, Rotaru turned into a disco and rock vocalist. More precisely, she was still an ideal opponent for rock musicians of the Leningrad Rock Club and the Moscow Rock Laboratory, however, starting with the quite romantic Lavender, she eventually began to perform fast things - the very ones for which she is still remembered since: "Moon, moon", "It was, but passed", "Only this is not enough." The latter was a very daring experiment - a poem full of nostalgic sadness was turned by Matetsky into a real rock action movie. They worked together for a long 15 years - until the end of those very 90s, which the honored artists were decisively scrapped, and new ones were nominated in their place.

Nineties - our days

Moreover, it is worth noting that Rotaru never became an archival star - just like a generation of pop stars, a generation older, quietly and with dignity retired, to teaching and "Old songs about the main thing."

She, who began her career with the help of her mother-trader on the collective farm market, had some amazing, as they say today, marketing flair: in some amazing way, at the right time, she guessed the conjuncture and the time when it was necessary to change the image or do something new.

So, for example, it was she who at one time - back in the early 90s - noticed a trend among new pop stars to perform with dancers and invited the then not-famous troupe "Todes" to perform with her.

The head of the dance theater Alla Dukhova said that these concerts were the first step towards the future fame of the dance group.

At the same time, she is not at all characterized by a passion for continuous renewal and oblivion of the old repertoire - she did not shy away from anniversaries, nostalgic re-issues, etc. In 2012-2013, she embarked on a large jubilee tour timed to coincide with the 40th anniversary of her creative activity. Rather, on the contrary - carefully and tightly mixing old hits with new ones, she presented her songs as part of one, never interrupted (and by and large - not influenced by time) process. Moreover, it seems that in her case it is not a concept, but a philosophy - because both her biography and her statements suggest that for her this is a way of life.

Another feature of her philosophy is her political position. Although it would be more correct to say that the humanitarian one is from Kiev by registration and from Yalta by her actual place of residence, in 2004 she handed out food to representatives of both opposing camps on the Maidan.

And later, in the wake of the great arrival of Ukrainian musicians in politics, she even tried to run for the Rada from the Lytvyn bloc. At the same time, at the present time, she in every possible way refrains from any involvement in the foul-smelling Russian-Ukrainian propaganda wars, causing suffering to both peoples: after the annexation of Crimea, she did not accept Russian citizenship (according to her, because of registration in Kiev) and especially noted that is a citizen of Ukraine.

At the same time, in fact, she and her songs remain a part of the life of the divided citizens of the once united country.

The informals of the 80s considered her songs an example of Soviet pop officialdom - now they sound like the last memory of that utopia of the country's unity and friendship of peoples, to which the Soviet Union at least tried to approach and the final collapse of which we are witnessing now. And that is precisely why there is a risk that many leaders of the countries dividing this singer among themselves will remain minor politicians of the era of Sofia Rotaru.

Singer Sofia Rotaru celebrates her 70th anniversary today. People's Artist of the USSR Sofia Mikhailovna Rotaru was born on August 7, 1947 in the village of Marshyntsy, Novoselitsky district, Chernivtsi region of Ukraine.

Sofia Rotaru's love for music since childhood: the singer's father Mikhail Fedorovich loved to sing with his wife at home. And Sofia's older sister Zina lost the ability to see after an illness, but the illness exacerbated the girl's hearing. It was Zina who taught all the younger brothers and sisters to sing. Therefore, subsequently, not only Sofia, but also Aurica, and Lydia Rotaru became singers and actively performed, sang both a duet and a trio. And brothers Anatoly and Eugene worked in VIA "Horizont".

The first success came to Sofia Rotaru in 1962. The victory in the regional competition of amateur performances opened the way for her to the regional review, which took place in the city of Chernivtsi, and there she was also the first. In 1964, she took part in the republican festival of folk talents and won again! In the same year, Sofia Rotaru first appeared on the stage of the Kremlin Palace of Congresses.

Sofia entered the conducting and choral department of the Chernivtsi Music School.

In 1968, Sofia Rotaru married Anatoly Evdokimenko, the young people spent their honeymoon in the hostel of the 105th military plant in Novosibirsk, where her husband was doing university practice.

Rotaru was delegated to Bulgaria for the IX World Festival of Youth and Students, where she won a gold medal and first prize in a folk song contest.

In 1971, Evdokimenko, who became not only a husband, but also a producer of Rotaru, organized a musical group "Chervona Ruta" at the Chernivtsi Philharmonic, of which Rotaru became a soloist. For more than 30 years, Anatoly Evdokimenko was the performer of any of her desires, producer, program director, director, director, bodyguard ... His tragic death in 2002 after a serious long illness was a big blow for Rotaru in her personal life.

In 1974, Rotaru was diagnosed with an almost fatal diagnosis of pulmonary tuberculosis. Then she was diagnosed with asthma, and later nodules appeared on her vocal cords - an occupational disease of the singers. But this did not break the singer.

The disease was defeated. True, the singer had to move to Crimea - only the local healing sea air saved her lungs. Then an operation was performed on the ligaments, and later - another one. After her, the singer had to talk in a whisper for a year.

Rotaru is still performing. The last time she appeared on the stage was on July 28 within the framework of the "Heat" festival in Baku.

During her singing career, Rotaru has performed more than 400 songs, many of which have become classics of the Soviet and Ukrainian stage. The singer has released over 30 albums, among her discs in recent years - "And my soul flies ..." (2011), "Sorry" (2013), "Let's arrange summer! (2014)," Winter "(2016).