Fathers and children analysis from excerpt. "Trial by Death"

The novel "Fathers and Sons" by I.S. Turgenev ends up with the death of the main character. Understanding the reasons why the author ends his work in this way is possible through the analysis of the episode "Bazarov's death". Fathers and Sons is a novel in which the death of the protagonist is certainly not accidental. Perhaps this ending speaks of the inconsistency and beliefs of this character. So, let's try to figure it out.

Who is Bazarov?

An analysis of the episode of Bazarov's death is impossible without understanding what this character is. Thanks to what is told about Eugene in the novel, we imagine an intelligent, self-confident, cynical young man who denies generally accepted moral principles and ideals. He considers love to be "physiology", in his opinion, a person should not depend on anyone.

Subsequently, however, Turgenev reveals to us in his hero such qualities as sensitivity, kindness, the ability to deep feelings.

Bazarov is a nihilist, that is, a person who denies all generally accepted values, including he does not share the enthusiasm of amateurs.In his opinion, only that which brings practical benefit is significant. He considers everything beautiful to be meaningless. Eugene means "work for the benefit of society" as his main one. His task is "to live for the great goal of renewing the world."

Attitude towards others

An analysis of the episode of Bazarov's death in Turgenev's novel "Fathers and Sons" cannot be carried out without understanding how the relationship of the protagonist with the people who made up his social circle was built. It should be noted that Bazarov treated others with contempt, he put others lower than himself. This was manifested, for example, in the things he said to Arkady about himself and his relatives. Affection, sympathy, tenderness - all these feelings Eugene considers unacceptable.

Lyubov Bazarova

An analysis of the episode of Bazarov's death requires mentioning that, with all his disregard for lofty feelings, he, ironically, falls in love. His love is unusually deep, as evidenced by an explanation with Anna Sergeevna Odintsova. Realizing that he is capable of such a feeling, Bazarov ceases to treat him as physiology. He begins to consider the existence of love possible. Such a change of views could not pass without leaving a trace for Eugene, who lived with the ideas of nihilism. His old life has been destroyed.

Bazarov's explanation of love is not just words, it is an admission of his own defeat. Eugene's nihilistic theories are shattered.

Turgenev considers it inappropriate to end the novel with a change in the views of the protagonist, and decides to end the work with his death.

Is Bazarov's death an accident?

So, in the finale of the novel, the main event is the death of Bazarov. The analysis of the episode requires recalling the reason why, according to the text of the work, the main character dies.

His life becomes impossible due to an unfortunate accident - a small cut, which Bazarov received when opening the body of a peasant who died of typhus. Ironically, as a doctor who is doing a useful job, there is nothing he can do to save his life. The realization that he was going to die gave the protagonist time to evaluate his achievements. Bazarov, aware of the inevitability of his death, is calm and strong, although, of course, being a young and energetic person, he regrets that there is so little left to live.

Bazarov's attitude to death and to himself

An analysis of the episode of Bazarov's death is impossible without a deeper understanding of how the hero relates to the proximity of his end and death in general.

Not a single person can calmly realize the approach of the finale of his life. Evgeny, being a person who is certainly strong and self-confident, is no exception. He regrets that he did not fulfill his main task. He understands the power of death and speaks of the approaching last minutes with bitter irony: "Yes, go and try to deny death. She denies you, and that's it!"

So, the death of Bazarov is approaching. The analysis of the episode, which is one of the key in the novel, needs an understanding of how the character of the protagonist has changed. Eugene becomes kinder and more sentimental. He wants to meet with his beloved, once again talk about his feelings. Bazarov is softer than before, treats parents, now understanding their importance.

An analysis of the episode of Bazarov's death shows how lonely the protagonist of the work is. He does not have a loved one to whom he could convey his beliefs, therefore, there is no future for his views.

Understanding true values

In the face of death, they change. An understanding comes of what is really important in life.

An analysis of the episode "Bazarov's death" based on the novel by Ivan Turgenev requires an understanding of what values ​​the protagonist now considers to be true.

The most important thing for him now is his parents, their love for him, as well as his feelings for Madame Odintsova. He wants to say goodbye to her, and Anna, not afraid to get infected, comes to Eugene. Bazarov shares his innermost thoughts with her. He comes to the understanding that Russia does not need it at all, it needs those who do their usual work every day.

Bazarov finds it harder to come to terms with his death than any other person, because he is an atheist and does not believe in life after death.

Turgenev ends his novel with the death of Bazarov. The principles by which the hero lived are destroyed. Bazarov did not have any stronger, new ideals. Turgenev notes that it was the deep adherence to nihilism that killed the protagonist, which forced him to abandon the universal values ​​that allow him to live in this world.

Evgeny Bazarov preferred to defend the ideas of nihilism. The main character of the novel by I.S. Turgenev's "Fathers and Sons" is a young nihilist Yevgeny Bazarov. In the course of reading, we learn the ideas of this movement.

Our hero followed in the footsteps of his father - the county doctor. But living in the middle of the nineteenth century, he was a supporter, like all young people, of the ideas of nihilism. He adheres to the conviction that a person needs to know only science that brings sense. For example, exact sciences: mathematics, chemistry. He defends his point of view that a decent mathematician or chemist is more useful than some poet! And poetry is the entertainment and fantasy of rich bums. It clearly manifests a denial of love for living objects of nature. And he is increasingly moving away from family and good friends.

He believes that there are physiological processes driven by the behavior of all people. Ideas flourish in his mind that

In work, he is persistent, constantly works, gives himself all to the sick. In carrying out his work duties, he experiences a sense of joy. Among the people who encountered him in the hospital, he enjoyed authority and respect. He was liked by those around him, sick children.

And then comes the tragic moment - the death of Bazarov. There is a huge sense of the current event here. The cause of death is blood infection. And now, being completely alone, he begins to experience anxiety. He is tormented by internal conflicting feelings in relation to denying ideas. And he began to understand the importance of parental support and participation. That they are getting old and they need help and love from their son.

He boldly looked death in the face. He showed strong self-confidence. He sensed both fear and lack of human attention. Scientific discoveries, his knowledge of medicine did not help him. Natural viruses and their incurable progression took over his life.

A good person who helps people took on the disease. He is tormented by doubts that he did not complete everything on earth. In this work, he heroically fights for life. An excellent doctor and a kind person.

I like this character. Before his death, he reconsiders his attitude to nature, family, loved one. He realizes that he is still not married. Odintsova comes to him, and he confesses his love to her. He asks for forgiveness from his parents, begins to think about God. He does not want to die, he believes that he could still serve Russia. But, alas, his ideal is that medicine is powerless.

Composition Death of Bazarov episode analysis

The protagonist of Ivan Turgenev's novel "Fathers and Sons" is a young and educated Evgeny Bazarov. The guy considers himself a nihilist, he denies the existence of God and any human feelings. Bazarov studied natural sciences, he believed that people should devote more time to such sciences as physics, chemistry and mathematics, and in poets he saw only lazy and not interesting people.

Evgeny Vasilievich Bazarov was born into a family where his father worked all his life as a district doctor. Bazarov believes that man has unlimited strength, so he believed that he was subject to rejection of all the previous experience of mankind and to live according to his own understanding. Bazarov considered the main purpose of the nihilists to destroy all the delusions of their ancestors. Without a doubt, it is clear that Bazarov is smart enough, and has great potential, according to the author himself, the hero's beliefs are incorrect and even dangerous, they contradict the laws of life.

Over time, Bazarov begins to become convinced that for a long time he was mistaken in his beliefs. The first blow for him was suddenly flared up feelings for the young and beautiful Anna Sergeevna, at first the guy just admired the beauty of the girl, and then he caught himself thinking that he had some kind of feelings for her. The hero was afraid of the inexplicable, he did not understand what was happening to him, because the convinced nihilist rejected the existence of love. Love made him rethink his faith, he became disillusioned with himself, he realized that he is a simple person who can be controlled by feelings. This discovery knocked Bazarov down, he did not know how to continue to live, the guy leaves home to try to forget the girl.

In the parental home, a fateful event takes place with him. Bazarov performed an autopsy on a patient who died of a terrible disease called typhus, and subsequently he becomes infected himself. Lying in bed, Bazarov realized that he had several days left. Before dying, the guy completely convinces himself that, after all, he was mistaken in everything, that it is love that brings great meaning to a person's life. He understands that in all his life he has not done anything useful for Russia, and an ordinary hard worker, butcher, shoemaker or baker brought more benefit to the country. Eugene asks Anna to come to say goodbye. Despite the dangerous illness, the girl immediately goes to her beloved.

Bazarov is an intelligent, strong and gifted person who strove to live and work for the good of the country. However, with his wrong convictions, belief in nihilism, he renounced all the main values ​​of humanity, thereby destroying himself.

Option 3

Fathers and Sons is a novel that was published in 1861. It was not an easy time for Russia. Changes were taking place in the country, and the people were divided into two halves. There were Democrats on one side and liberals on the other. But, regardless of the idea of ​​each side, they understood that Russia required changes in any case.

This work of Turgenev has a sad ending, the main character dies. In this work, the author felt new traits in people, but he could not understand one thing, how these characters would act. The protagonist Bazarov meets death at a very young age. Bazarov is a direct person and always able to put a certain amount of sarcasm into speech. But when the hero felt that he was dying, he changed. He found kindness, became polite, he completely contradicted his convictions.

It becomes noticeable that Bazarov is very sympathetic to the author of the work. This becomes especially evident when it comes time for Bazarov to die. During the death of the hero, his essence, his true character, becomes visible. Bazarov is in love with Odintsov, but this does not affect him in any way before his death. He is still brave, selfless, the hero is not afraid of death. Bazarov knows that he will soon leave for another world and has no concern at all about the people who will remain. He doesn't worry about unfinished business or questions. Why does the author show the reader the death of a hero? The main thing for Turgenev was to show that Bazarov is a non-standard person.

The main idea of ​​the author is in love and fearlessness before the moment of death. Also, Turgenev did not miss the theme of the sons' respect for their parents. The main thing is that Bazarov is on the verge of scrapping, but he is not defeated. It is interesting that even after his death, the main character has not changed some of his principles. He is dead and still cannot perceive religion in any way, it is not acceptable to him.

The moment of Bazarov's farewell to Madame Odintsova is constructed very clearly and in contrast. The author emphasizes a living woman and a man who dies. Turgenev emphasizes the sharpness of the scene. Anna is young, beautiful, light, and Bazarov is like a half-crushed worm.

The ending of the work is really tragic. After all, there is no other way to call it, a very young man is dying, and besides, he is in love. It is sad, of course, that death cannot be deceived or avoided; nothing depends on the person himself. It's pretty hard on your soul when you read the final scene of Turgenev's work.

Composition of Bazarov in the face of death Grade 10

Ivan Sergeevich Turgenev is a classic of Russian literature and a true master of the pen. Only Nabokov and Tolstoy can compare with him in beauty and picturesque descriptions. The work of Turgenev's whole life is the novel "Fathers and Sons", the protagonist of which Bazarov Eugene is a reflection of a new, just emerging type of people in the Russian Empire. The main character of the novel dies at the end of the work. Why? I will answer this question in my essay.

So, Bazarov is a nihilist (a person who does not recognize authorities and denies everything old, traditional). He studies at the university at the Faculty of Natural Sciences, to study the world around him. Bazarov denies everything: art, love, God, the aristocracy of the Kirsanov family and the foundations of society.

The storyline of the work confronts Bazarov with Pavel Petrovich Kirsanovs - a man of truly liberal views, this was not done by accident: this is how Turgenev shows the political struggle of revolutionary democracy (in the person of Bazarov) and the liberal camp (in the person of the Kirsanov family).

Then Bazarov meets Anna Sergeevna Odintsova, a very well-read girl who is well versed in matters of not only fashion, but also science, as well as with a strong character. This amazes Bazarov, he falls in love. And after she refuses him, he leaves for his parents in the estate and dies there from blood poisoning. It would seem an ordinary story, but it is still classical Russian literature, and Bazarov's death is understandable. Bazarov, a man who denied everything, including love, finds himself in such a position that he himself loves another person: he is tormented by contradictions, he begins to see reality as it really is.

It was the destruction of Bazarov's main principle - the denial of love - that killed Bazarov. A person who literally breathed nihilism can no longer live in his illusion, having met such a strong feeling. Turgenev needs the destruction of Bazarov's principles and his sudden death in order to show that Bazarov is useless in this society.

In conclusion, I would like to say that the destruction of Bazarov's principles on the part of Turgenev can be perceived in two ways: on the one hand, this is a reflection of reality as Turgenev saw it, on the other hand, it is the political nature of Turgenev, because Turgenev himself was a liberal and having drawn such a line that the liberal Arkady lives happily, and the revolutionary democrat Bazarov died, this suggests that Turgenev, through opposition, expressed his political position, calling himself right. For what purpose it was to kill Bazarov, only history knows the answer to this question ...

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Death of Bazarov

The protagonist of Ivan Turgenev's novel "Fathers and Sons" - Evgeny Vasilievich Bazarov - dies in the finale of the work. Bazarov is the son of a poor district doctor who continues the work of his father. Evgeny's position in life is that he denies everything: views on life, feelings of love, painting, literature and other types of art. Bazarov is a nihilist.

At the beginning of the novel, there is a conflict between Bazarov and the Kirsanov brothers, between a nihilist and aristocrats. Bazarov's views differ sharply from those of the Kirsanov brothers. In disputes with Pavel Petrovich Kirsanov, Bazarov wins. Therefore, there is a gap for ideological reasons.

Evgeny meets Anna Sergeevna Odintsova, an intelligent, beautiful, calm, but unhappy woman. Bazarov falls in love, and, having fallen in love, realizes that love appears before him not as "physiology", but as a real, sincere feeling. The hero sees that Odintsova highly values ​​her own calmness and measured order of life. The decision to part with Anna Sergeevna leaves a heavy mark in Bazarov's soul. Unrequited love.

Bazarov's "imaginary" followers include Sitnikov and Kukshina. Unlike them, for whom denial is just a mask that allows them to hide their inner vulgarity and inconsistency, Bazarov confidently defends the views close to him. Vulgarity and insignificance.

Bazarov, having arrived to his parents, notices that he is getting bored with them: neither with his father nor with his mother Bazarov can talk the way he talks with Arkady, even argue the way he argues with Pavel Petrovich, so he decides to leave. But soon he comes back, where he helps his father to treat sick peasants. People of different generations, different development.

Bazarov likes to work, for him work is satisfaction and self-respect, so he is close to the people. Bazarov is loved by children, servants and peasants, because they see him as a simple and intelligent person. The people are their understanding.

Turgenev considers his hero doomed. Bazarov has two reasons: loneliness in society and internal conflict. The author shows how Bazarov remains lonely.

The death of Bazarov was the result of a small cut he received while opening the body of a peasant who died of typhus. Eugene is waiting for a meeting with his beloved woman in order to once again confess his love to her, he also becomes softer with his parents, in the depths of his soul, probably, nevertheless, realizing that they have always occupied a significant place in his life and deserve a much more attentive and sincere attitude. Before his death, he is strong, calm and imperturbable. The death of the hero gave him time to evaluate what he had done and realize his life. His nihilism turned out to be incomprehensible - after all, he himself is now denied by both life and death. We do not feel pity for Bazarov, but respect, and at the same time we remember that we are facing an ordinary person with his own fears and weaknesses.

Bazarov is a romantic at heart, but he believes that romanticism has no place in his life now. But still, fate made a revolution in Yevgeny's life, and Bazarov begins to understand what he once rejected. Turgenev sees him as an unrealized poet, capable of strong feelings, possessing the strength of the spirit.

DI. Pisarev asserts that “it is still bad for the Bazarovs to live in the world, even though they hum and whistle. There is no activity, there is no love - therefore, there is no pleasure either. " The critic also argues that one must live "while one lives, eat dry bread, when there is no roast beef, be with women, when you cannot love a woman, and generally not dream of orange trees and palms when there are snowdrifts and cold tundra under your feet."

The death of Bazarov is symbolic: medicine and natural sciences, in which Bazarov so hoped, turned out to be insufficient for life. But from the author's point of view, death is natural. Turgenev defines the figure of Bazarov as tragic and “doomed to death”. The author loved Bazarov and repeatedly said that he was a "clever" and "hero". Turgenev wanted the reader to fall in love with Bazarov with his rudeness, heartlessness, pitiless dryness.

He regrets his unspent strength, the unfulfilled task. Bazarov devoted his entire life to striving to benefit the country and science. We imagine him as an intelligent, reasonable, but at the bottom of our souls, a sensitive, attentive and kind person.

According to his moral convictions, Pavel Petrovich challenges Bazarov to a duel. Feeling uncomfortable and realizing that he is compromising his principles, Bazarov agrees to shoot with Kirsanov Sr. Bazarov slightly wounds the enemy and himself gives him first aid. Pavel Petrovich holds up well, even makes fun of himself, but at the same time he and Bazarov are embarrassed / Nikolai Petrovich, from whom the true reason for the duel was hidden, also behaves in the most noble way, finding justification for the actions of both opponents.

"Nihilism", according to Turgenev, challenges the enduring values ​​of the spirit and the natural foundations of life. This is seen as the tragic guilt of the hero, the reason for his inevitable death.

Evgeny Bazarov can by no means be called a "superfluous person." Unlike Onegin and Pechorin, he does not get bored, but works a lot. Before us is a very active person, he has "immense strength in his soul." One job is not enough for him. To really live, and not drag out a miserable existence, like Onegin and Pechorin, such a person needs a philosophy of life, its purpose. And he has it.

The worldviews of the two political trends of the liberal nobles and the revolutionary democrats. The plot of the novel is based on the opposition of the most active representatives of these trends, the commoner Bazarov and the nobleman Pavel Petrovich Kirsanov. According to Bazarov, aristocrats are incapable of action, they are of no use. Bazarov rejects liberalism, denies the ability of the nobility to lead Russia to the future.

The reader understands that Bazarov has no one to convey that little, but the most precious thing he has - his convictions. He does not have a close and dear person, and therefore, there is no future. He does not think of himself as a district doctor, but he also cannot be reborn, become like Arkady. He has no place in Russia, and perhaps abroad, too. Bazarov dies, and with him dies his genius, his wonderful, strong character, his ideas and convictions. But true life is endless, flowers on Eugene's grave confirm this. Life is endless, but only true ...

Turgenev could show how Bazarov would gradually abandon his views, he did not do this, but simply “killed” his protagonist. Bazarov dies of blood poisoning and, before his death, recognizes himself as unnecessary for Russia. Bazarov is still alone, therefore, doomed, but his fortitude, courage, stamina, persistence in achieving his goal make him a hero.

Bazarov does not need anyone, he is alone in this world, but he does not feel his loneliness at all. Pisarev wrote about this: "Bazarov alone, by himself, stands at the cold height of sober thought, and it is not hard for him from this loneliness, he is completely absorbed in himself and work."

In the face of death, even the most powerful people begin to deceive themselves, to indulge unrealizable hopes. But Bazarov boldly looks into the eyes of inevitability and is not afraid of it. He only regrets that his life was useless, because he did not bring any benefit to the Motherland. And this thought gives him a lot of suffering before his death: “Russia needs me ... No, apparently, it is not needed. And who is needed? A shoemaker is needed, a tailor is needed, a butcher ... "

Let us recall the words of Bazarov: "When I meet a person who would not pass up in front of me, then I will change my opinion about myself." There is a cult of strength. "Hairy" - this is how Pavel Petrovich said about Arkady's friend. He is clearly jarred by the appearance of a nihilist: long hair, a hoodie with tassels, red unkempt hands. Of course, Bazarov is a man of labor who does not have time to take care of his appearance. It seems to be so. Well, what if this is "deliberate shock of good taste"? And if this is a challenge: I dress and comb my hair as I want. Then it is bad, immodest. The disease of swagger, irony over the interlocutor, disrespect ...

Reasoning purely humanly, Bazarov is wrong. At a friend's house he was greeted cordially, although Pavel Petrovich did not shake hands. But Bazarov does not stand on ceremony, he immediately enters into a heated argument. His judgment is uncompromising. "Why would I begin to recognize authorities?"; "A decent chemist is twenty times more useful than a poet"; he reduces high art to "the art of making money." Later, Pushkin and Schubert and Raphael will get it. Even Arkady remarked to a friend about his uncle: "You insulted him." But the nihilist did not understand, did not apologize, did not doubt that he behaved excessively insolently, but condemned: "Imagines himself as a sensible person!" what kind of relationship is it "between a man and a woman ...

In the X chapter of the novel, during a dialogue with Pavel Petrovich, Bazarov managed to speak out on all the fundamental issues of life. This dialogue deserves special attention. Here Bazarov asserts that the social system is terrible, and one cannot but agree with this. Further: there is no God as the highest criterion of truth, which means, do what you want, everything is permitted! But not everyone will agree with this.

There is a feeling that Turgenev himself was at a loss, examining the character of a nihilist. Under the pressure of Bazarov's strength and firmness, the writer was somewhat embarrassed and began to think: "Maybe this is how it should be? Or maybe I am an old man who has ceased to understand the laws of progress?" Turgenev clearly sympathizes with his hero, and already treats the nobles condescendingly, and sometimes even satirically.

But the subjective view of the heroes is one thing, the objective thought of the whole work is another. What is it about? About the tragedy. The tragedies of Bazarov, who, in a thirst for "doing a long time," in his enthusiasm for his god-science, trampled on universal values. And these values ​​are love for another person, the commandment "Thou shalt not kill" (fought in a duel), love for parents, indulgence in friendship. He is cynical in relation to a woman, mocks Sitnikov and Kukshina, people who are narrow-minded, greedy for fashion, poor, but still people. Eugene excluded from his life lofty thoughts and feelings about the "roots" that feed us, about God. He says: "I look up to the sky when I want to sneeze!"

The tragedy of the hero is also completely alone both among his own people and among strangers, although Fenichka and the emancipated servant Peter sympathize with him. He doesn't need them! The peasants who called him "a pea buffoon" feel his inner contempt for them. His tragedy lies in the fact that he is inconsistent in his attitude to the people, whose name he hides behind: "... I hated this last man, Philip or Sidor, for whom I have to get out of my skin and who will not even thank me ... And why should I thank him? Well, he will live in a white hut, and a burdock will grow out of me - well, and then? "

Interestingly, before his death, Bazarov remembers the forest, that is, the natural world that he had essentially denied earlier. Even religion now he calls for help. And it turns out that the hero of Turgenev in his short life passed by everything that is so beautiful. And now these manifestations of genuine life seem to triumph over Bazarov, around him and rise in himself.

First, the hero of the novel makes a feeble attempt to fight the disease and asks his father for a hell stone. But then, realizing that he is dying, he ceases to cling to life and rather passively gives himself up into the hands of death. It is clear to him that it is in vain to comfort himself and others with the hope of healing. The main thing now is to die with dignity. And this means not to whine, not to relax, not to panic, not to despair, to do everything to ease the suffering of old parents. Without in the least deceiving his father's hopes, reminding him that everything now depends only on the time and pace of the disease, he nevertheless invigorates the old man with his own perseverance, conducting a conversation in a professional medical language, advice to turn to philosophy or even to religion. And for the mother, Arina Vlasyevna, her assumption about her son's cold is supported. This concern before death for loved ones greatly elevates Bazarov.

The hero of the novel has no fear of death, no fear of parting with life, he is very courageous during these hours and minutes: "All the same: I won't wag my tail," he says. But he does not leave the insult for the fact that his heroic forces are dying in vain. In this scene, the motive of Bazarov's strength is especially emphasized. At first, it is conveyed in the exclamation of Vasily Ivanovich, when Bazarov pulled out a tooth from a visiting peddler: "Evgeny has such a force!" Then the hero of the book himself demonstrates his power. Weakened and fading away, he suddenly lifts the chair by the leg: "Strength, strength is still here, but we must die!" He overcame his half-oblivion imperiously and speaks of his titanism. But these forces are not destined to prove themselves. "I will break off a lot of things" - this task of the giant has remained in the past as an unfulfilled intention.

The farewell meeting with Madame Odintsova is also very expressive. Eugene no longer restrains himself and utters the words of delight: "glorious", "so beautiful", "generous", "young, fresh, clean." He even talks about his love for her, about kissing. He indulges in a kind of "romanticism" that would have previously infuriated him. And the highest expression of this is the hero's last phrase: "Blow on the dying lamp and let it go out."

Nature, poetry, religion, parental feelings and filial affection, the beauty of a woman and love, friendship and romanticism - all this takes over, triumphs.

And here the question arises: why does Turgenev "kill" his hero?

But the reason is much deeper. The answer lies in life itself, in the social and political situation of those years. Social conditions in Russia did not provide an opportunity for the implementation of the aspirations of the commoners for democratic transformations. In addition, their isolation from the people, to whom they were drawn and for whom they fought, remained. They could not fulfill the titanic task that they set for themselves. They could fight, but not win. The seal of doom was on them. It becomes clear that Bazarov was doomed to the impracticability of his affairs, to defeat and death.

Turgenev is deeply convinced that the Bazarovs have come, but their time has not yet come. What is left for an eagle when it cannot fly? Think about doom. Eugene, in the midst of his everyday life, often thinks about death. He unexpectedly compares the infinity of space and the eternity of time with his short life and comes to the conclusion about his "own insignificance." It is amazing that the author of the novel cried when he finished his book with the death of Bazarov.

According to Pisarev, "to die as Bazarov died is the same as to do a great feat." And this last heroic deed is performed by Turgenev's hero. Finally, we note that in the scene of death the thought of Russia arises. Tragically, the homeland is losing its big son, a real titan.

And here I recall the words of Turgenev, said about the death of Dobrolyubov: "It is a pity for the lost, wasted power." The same author's regret is felt in the scene of Bazarov's death. And the fact that powerful opportunities were wasted make the hero's death especially tragic.

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The episode of Bazarov's death is one of the most important in the work. Being the denouement of the idea of ​​the work, this episode plays a key role in the novel, being an answer to the question: "Is it possible to live, rejecting all human feelings and recognizing only reason?"

Bazarov returns home to his parents as a person different from what he was before. He begins to avoid the loneliness that used to be an integral part of his life and helped him work.

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He is always looking for company: drinking tea in the living room, walking in the woods with his father, because it becomes unbearable for him to be alone. Alone, his thoughts are seized by Odintsova, the woman he loves, who has destroyed his unshakable faith in the absence of romantic feelings. Because of this, Bazarov becomes less attentive and less focused on work. And, due to this very inattention, he receives a slight cut, which later became fatal for him.

Bazarov, as an experienced doctor, understands very well that he has little to live. Understanding the imminent inevitable death tears off the mask of insensibility from him. He worries about his parents and tries to protect them from worries, hiding the disease from them to the last. When Bazarov's condition deteriorates completely, and he stops getting out of bed, it does not even occur to him to complain of pain. He reflects on life, sometimes inserting his characteristic ironic jokes.

Realizing that he has very little time left, Bazarov asks to send Odintsova to see her for the last time before his death. She arrives dressed completely in black, as if to a funeral. Seeing the dying Bazarov, A.S. finally realizes that he does not love him. Bazarov tells her everything about what is in his soul. He still does not complain, but only talks about life and his role in it. When EB asks Odintsov to give him a glass of water, she does not even take off her gloves and fearfully breathes in fear of infection. This once again proves the lack of romantic feelings in her in relation to Bazarov. The dying Bazarov nevertheless has a small spark of hope for the reciprocity of love, and he asks for a kiss from her. A. S. fulfills his request, but kisses him only on the forehead, that is, in the same way as usually kiss the dead. For her, the death of Bazarov is not an important event, and she has already mentally said goodbye to him.

Analyzing this episode, we see that illness and understanding of imminent death finally transforms Bazarov from an independent nihilist into an ordinary person with his own weaknesses. In his last days, he no longer harbors any feelings and opens his soul. And he dies a strong man without complaining or showing pain. Madame Odintsova's behavior shows her lack of love for Bazarov. Her visit to the dying man is just a courtesy, but not a desire to see the hero for the last time and say goodbye.

This episode is inextricably linked with others in this work. It is the denouement of the main conflict of the work, logically continuing the whole idea of ​​the novel, and especially chapter 24. In this chapter, a duel takes place between Kirsanov and Bazarov, because of which the latter has to go back home to his parents.

From all of the above, we can conclude that this episode plays one of the key roles in the work. As a denouement, he brings to an end the story of a man who rejected all feelings, and shows that it is still impossible to live, denying human joys and being guided only by reason.

Updated: 2017-11-16

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Municipal educational institution secondary school No. 25 with in-depth study of individual subjects in Rossosh Rossosh municipal district of Voronezh region

Topic:

Lesson developer:

Russian language and literature teacher

Ivleva L.E.

2012 r.

Topic:

"The role of the episode of Bazarov's death in the novel by I. S. Turgenev" Fathers and Sons "

“... And I also thought: I will break off a lot of things, I will not die, where! there is a task, because I am a giant! And now the whole task of the giant is how to die decently, although no one cares about this .. "
I.S. Turgenev

Goals:

1. Leading students to the answer to the question: why does Turgenev end the novel with a scene of the death of the protagonist?
2. See the spiritual wealth and fortitude of Bazarov.
3. Clarify the peculiarities of the author's position in relation to the main character.
4. By means of artistic analysis, come to the conclusion about the role of the episode in the novel.
5. Correlate students' findings with those of critics.

During the classes

1. Message of the topic of the lesson.

2. Working with text.

(Homework check)

Selection of phrases and text proving Bazarov's loneliness, his doom in society.

First group.

Bazarov and the Kirsanov brothers (break for ideological reasons).

Chapter 10, 6 : - You are destroying everything "Why, one must also build."

- This is no longer our business. First you need to clear the place.

- I do not understand how you can not recognize the principles!

Denial is most useful in this day and age.

Second group.

Bazarov and Odintsova (unrequited love).

Chapter 26: “It is evident that Bazarov is right, curiosity, curiosity alone, and love for peace, selfishness ...;

Third group.

Kukshina and Sitnikov - Bazarov (vulgarity and insignificance).

Chapter 19: “I want rumors like this. The gods do not burn the pots! "

Fourth group.

Bazarov and Arkady (denial of friendship - Arkady's softness).

Chapter 26: “We say goodbye forever, and you yourself know it, you are a nice guy, but you are still a soft, liberal master.”

Fifth group.

Bazarov and parents (people of different generations, different development).

Chapter 21:

“I'll leave tomorrow. It's boring, you want to work, but you can't here. "
“He got bored with us. One is now like a finger, one! ”

- With whom does Bazarov consider himself close? In whom he finds understanding, in his opinion (with the people).

- Is it really?

3. Reading of creative works - miniatures “Bazarov and the people”.

(Individual homework)

Bazarov believes that he speaks the same language with the people, considers himself close to them. "My grandfather plowed the land." However, he himself is a master for his men, and they do not understand and do not want to understand him.

Bazarov looks down on the people, somewhere he even despises them, with such feelings there can be no mutual understanding.

- So why does Turgenev doom him to death?

(He considers him doomed. Two reasons: loneliness in society and the inner conflict of the hero. The author shows how Bazarov remains lonely.)

- But Turgenev does not just state death, he assigns special significance to the death episode. Which? We will discuss this after reading the text.

4. Expressive reading of the episode.

5. Conversation. Episode analysis.

6. What qualities of Bazarov manifested themselves in the episode?

Chapter 27:

1. Courage. “I am infected, and in a few days you will bury me”, “I did not expect that I would die so soon”, “tomorrow my brain will retire”.
2. Willpower “He had not yet lost his memory and understood what was being said to him; he was still struggling. " “I don’t want to rave,” he whispered, clenching his fists, “what nonsense!”
3. A convinced materialist. “After all, they give communion to the forgetful too,” “do not bother me” (refusal to confess). "Have you ever seen that people in my position do not go to the Champs?"
4. Pity for the parents. "Mother? Poor fellow! Did she feed someone with her amazing borscht? ”. “I don’t refuse, if it can comfort you, but it seems to me that there’s no need to rush yet?”
5. Strong love. The ability to admire, love. “Generous! Oh, how close, and how young, fresh, clean in this disgusting room! Live long, this is best, and use while the time is. "
6. The romanticism of science. What means of artistic expression does Turgenev use to show Bazarov's romanticism?
   Metaphors: half-crushed worm, giant, dying lamp.
   Aphoristic.
   Epithets: young, fresh, clean, dying.
   Why is there such poetry in the hero's speech? What can be said here about Turgenev's position? Bazarov is a romantic at heart, but he believes that romanticism has no place in life now.
   And life took its toll. Turgenev sees him as an unrealized poet, capable of the strongest feelings, possessing the strength of the spirit.
7. Quoting from critics about the last episode. (Individual homework)
   "The whole interest, the whole meaning of the novel lies in the death of Bazarov ... Description of the death of Bazarov is the best place in Turgenev's novel, I doubt even that in all the works of our artist there was anything more remarkable."
   "To die as Bazarov died is the same as to accomplish a great feat."
   DI. Pisarev

Conclusion:

Why, after all, does Turgenev end the novel with a scene of the hero's death, despite his superiority over other heroes?

Bazarov dies from an accidental cut on his finger, but death, from the author's point of view, is natural. Turgenev defines the figure of Bazarov as tragic and “doomed to death”.

Turgenev was very fond of Bazarov and repeated many times that Bazarov was a “clever girl” and a “hero”. The author wanted the reader to fall in love with Bazarov (but by no means Bazarovism) with his rudeness, heartlessness, and pitiless dryness.

Homework.

Write creative work.

Option I.

Episode analysis. Chapter 27, from the words "Bazarov suddenly turned on the sofa ..."

Option II.

Episode analysis. Chapter 27, from the words "She glanced at Bazarov ... and stopped at the door ..."

Episode analysis.

Algorithm of work in the lesson.

The role of the episode of Bazarov's death, analysis of the episode from the novel.

Turgenev "Fathers and Sons".

Episode is a Greek word, has three interpretations: “Case”, “Insert”, “Stranger”. In the explanatory dictionary, two meanings stand out:

1. A case from one's life. Just an episode.
2. A part of a work that has independent meaning. Episode from the work. Thus, in order to analyze an episode, it is necessary to define its boundaries. Having defined the topic, the main idea and heading, you can begin the analysis according to the plan:

1. What part of the work does he occupy (i.e., the role in the composition)?
2. Concise retelling. Name the first events (outset), the main event (culmination), the last event (denouement) of the incident that occurred, if they were not highlighted by the students during the transition of the plot.
3. Next, let's see how the episode is built. An episode is a whole piece of text, which assumes the presence of an introduction (a message about revenge and the time of action) and a conclusion (a consequence). Having defined the main part by the boundaries of the tie, divide it into parts (you can make a plan). Find out where the climax is.
4. Let's ask the question: What qualities of the character of the hero appeared in the episode?
5. If you look at the entire work, then what role does this incident (episode) play in the fate of the hero, what did it change or did not change in it, but could it?
6. If you look at the plot of the entire work, then what is the role of the episode in the plot (it is the plot, one of the passing events of the action, the culmination, the denouement)?
7. Author's position. How does the author relate to the hero, what is happening? What words or expressions characterize the hero or what is happening? What is the author's assessment in them?
8. Features of the language of the writer. You can pay attention to the language of the characters, the language of the author or the narrator (if any). Lexicon, neologisms, syntactic structure, aphorism and more.
9. What artistic techniques does the author use in this episode?
10. Thus, we come to the problematics of the episode, to its connection with the artistic whole.

When working with an episode, the main attention should be paid to comprehending its artistic features, in other words, to suggest a path from artistic features to problems, and not vice versa. In other words, with this path of analysis, the student teaches everything to “read” from the text, and not to illustrate with the text from some unknown source (at best, from the words of a teacher or from a textbook) provisions.