Images of Nicholas and Pavel Kirsanov. Pavel Petrovich and Nikolai Petrovich Kirsanov

Images of Nicholas and Pavel Kirsanov. Pavel Petrovich and Nikolai Petrovich Kirsanov

In the center of Roman Turgenev "Fathers and Children", written on the eve of the reform of 1861, there is a problem of the relationship of generations. It is considered from the point of view of the social and historical conflict of generations of "fathers" -liberals and "children" -nigilists and the eternal conflict of fathers and children inside the family. From the position of the first conflict, the image of Pavel Petrovich Kirsanova is considered, and the image of Nikolai Petrovich is included in the second. This determines the difference in their role and meanings in the novel, as well as the difference of characters and fate of two brothers.

Kirsanov

At first it seems that there is a lot of common between them: both belong to the layer of the noble intelligentsia are perfectly educated, raised in the best traditions of noble culture, both people thinking and thinly feeling. Nikolai Petrovich is more poetic, passionate about the music, and Pavel Petrovich is somewhat dry, strict in manners and even in the village dresses as "Dandy London". But in general, both of them represent, according to the expression of Turgenev, the "cream" of the noble society. At the same time, each of the brothers Kirsanov survived a lot: Paul Petrovich had a romantic, all-consuming love for the mysterious Countess R., and Nikolai Petrovich could not forget his hot beloved wife, the mother of Arkady. By the time of the start of the novel, each of them was destined to survive the loss of the beloved woman, and both of them have already stepped over a forty-year-old frontier. True, Nikolai Petrovich is trying to create a new family with a young woman with Fuenus, and with trepidation expects how Arkady will perceive the birth of a younger brother. Pavel Petrovich was never married, he keeps the memory of the Countess, although he is also secretly in love with Fuenus.

Brothers Kirsanov are perceived by young heroes - Arkady and Bazarov - as representatives of the generation of fathers, almost old people who live their century. At the same time, both brothers disagree with such an assessment of their capabilities: they are still full of strength and are ready to defend their positions. But in how they do it, the difference in their characters and opportunities is affected. Pavel Petrovich, faced with a nihylist bazaarov, is ready to rush into battle and leads an implacable struggle for so expensive "Princesses". He is annoyed in the bazaareas literally all - the manner to dress, speak, behave, but especially hated by him a merciless Bazavarovsky denial of all that is so expensive to Kirsanov-senior. This confrontation is poured first into the ideological dispute, and then leads to a duel. But the fate of Pavel Petrovich and Bazarov are similar: both are doomed to a single, bobbly life that ends with a gap with everything that was expensive to them. Bazarov dies, and Pavel Petrovich, who became like a dead man, lives his age in England away from relatives and friends.

Nikolai Petrovich, on the contrary, is much softer in its attitude to the younger generation, he is even ready to agree with them and is trying to understand what the youth worries what she seeks. The son of Nikolai Petrovich Arkady arrived from St. Petersburg at first, under the great influence of his friend Bazarov and a few cuts towards his father and uncle. But Nikolai Petrovich tries not to exacerbate the conflict, but on the contrary, find a way to mutual understanding. And such a position gives its beneficial results. At the end of the novel, we see as Arkady, who got rid of the "disease" by Nihilism and married Kate, perfectly gets along with the father of Nikolai Petrovich, his new wife and the younger brother under the roof of the house in Maryina. The Son successfully continues the father's work on the organization of the farm. So the relay from one generation naturally moves to another - this is the norm of life, consecrated by tradition and eternal, irreversible values.

The main conflict of the novel "Fathers and Children" is a clash of two camps, two completely different philosophies of life. Children's camp is presented by Bazarov. His explicit opponent is the author of Pavel Kirsanova, but the image of Nikolai Petrovich Kirsanova, although it belongs to the old generation, is opposed to both of the above heroes. Very delicate and thin by nature, Nikolai Kirsanov with love relates to everything beautiful, which sees in life. His habits, feelings, thoughts, all this is directed against the arrogance of brother and the gross ideology of Bazarov.

Biography Nikolai Kirsanova - a typical phenomenon of the past

Nikolai Kirsanov in the novel "Fathers and Children" - a special character. His image embodied in himself the best of the aristocracy and it is to him that the author exhibits his frank sympathy. It appears from the first lines of the work and does not disappear until the end of the whole story.

His appearance is not remarkable: the gray-haired barin, the years for forty, a little sloped and chubby. Such a typical rustic middle hand seat. The biography is also typical for its time. The small family of Kirsanov lived in the estate, his father was a combat general, the mother was engaged in the economy. Like the older brother, Paul, he dreamed of a military career, but did not work out.

I studied at the University of St. Petersburg, then returned to my parents. After the death of the parents married a beautiful girl who became a good wife. They lived in love and harmony, raising their only son. When Arkady turned 10 years old, Kirsanov's wife died. He fully dedicated himself to his son and the economy.
The author endowed Kirsanov in many positive features: it is perfectly raised and formed. Walked and delicacy, sincere attachment to the most natural feelings for him. He does not understand how to do without love, how to live, not believing.

Kirsanov Nikolai Petrovich, Father Kirsanova Arkady, loves music, poetry, appreciates everything beautiful in life. Bazarov laughs at these feelings. However, the author does not consider the musical classes of the hero of something ridiculous and worthless. On the contrary, he argues about the benefits of poetry and music. In Nicolae Petrovic is embodied all the best features of the Russian nobility, which, no matter how sorry, also go into the past. They are replaced by Nihilism Bazarov, his judgments about the meaninglessness of the principles and empty life, which is leading aristocracy.

Dreamhood and sentimentality for Kirsanova familiar feelings. They characterize it positively unlike the Bazarov, who considers the dream to be nonsense and Blazh. For Kirsanov, the elder these features of his nature are components, this is the usual state of the soul.

Nikolai Kirsanova The author considers one of his favorite heroes. On his side the eternal values \u200b\u200bof life: family, love, nobility and kindness. The characteristic of Kirsanova is the characteristic of a person who lives in agreement with himself. His personality is completely harmonious. This image causes sympathy not only the author, but also readers of the novel from its beginning to the end of the development of action.

Test on the work

Comparative characteristic of Nikolai Petrovich and Pavel Petrovich Kirsanov

When I.S. Turgenev wrote the work of "fathers and children", he said that he was embarrassed by the next fact: "In no product of our literature, I didn't even have a hint at what I was messed up everywhere." The merit of the writer is that he has raised this topic in Russia in the literature and first tried to create an image of a "new man", a representative of the allocations.

According to Pavel Petrovich Kirsanova, the aristocrats-driving force of social development. Their ideal constitutional monarchy, and the path to ideal liberal reforms, publicity, progress. Pavel Petrovich considers Nihilists with powerless "cynics", nahala, "he thinks that they do not respect the people and traditions, but he consults himself by the fact that they are not enough. He is touched by the patriarchalness of the Russian people, without understanding him in essence. Considered himself Liberal, he Nevertheless, talking to a man, sniffing English tobacco. This is very important, the feature characterizing him as a person.

Nikolai Petrovich was a very cowardly man, for which he received a nickname of a panty. The discrepancy in the views of the main characters is their biographies. Pavel Petrovich - the Son of General, a brilliant officer who missed all his spiritual powers in pursuit of his beloved woman. When she died, he left the light, left his career and settled at his brother to live his age. He is trying to make a change in his estate and farm, considers himself liberal only because in their estates they do not beat the fortress whip, but he is not able to understand the requirements of the new era, the views of the younger generation to him deeply alien.

Pavel Petrovich is very noble to his brother, to Fencake, he is very honest, permanent in love, understands art. Nikolai Petrovich, his brother, a very sensitive person, he is benevolent, soft-hearted, is fond of music, but his life is unidentified and boring.

The collision of the "century of the present" with the century last "displaced in his wonderful comedy" grief from the mind "A.S.Griboyedov, this topic is revealed in all the sharpness in the drama of the Ostrovsky" Thunderstorm ", we meet her echoes from Pushkin and many other Russian classics. Being people looking to the future, writers, as a rule, stand on the side of the new generation.

Comparative characteristic of Nikolai Petrovich and Pavel Petrovich Kirsanov

When I.S. Turgenev wrote the work of "fathers and children", he said that he was embarrassed by the next fact: "In no product of our literature, I didn't even have a hint at what I was messed up everywhere." The merit of the writer is that he has raised this topic in Russia in the literature and first tried to create an image of a "new man", a representative of the allocations.

According to Pavel Petrovich Kirsanova, the aristocrats-driving force of social development. Their ideal constitutional monarchy, and the path to ideal liberal reforms, publicity, progress. Pavel Petrovich considers Nihilists with powerless "cynics", nahala, "he thinks that they do not respect the people and traditions, but he consults himself by the fact that they are not enough. He is touched by the patriarchalness of the Russian people, without understanding him in essence. Considered himself Liberal, he Nevertheless, talking to a man, sniffing English tobacco. This is very important, the feature characterizing him as a person.

Nikolai Petrovich was a very cowardly man, for which he received a nickname of a panty. The discrepancy in the views of the main characters is their biographies. Pavel Petrovich - the Son of General, a brilliant officer who missed all his spiritual powers in pursuit of his beloved woman. When she died, he left the light, left his career and settled at his brother to live his age. He is trying to make a change in his estate and farm, considers himself liberal only because in their estates they do not beat the fortress whip, but he is not able to understand the requirements of the new era, the views of the younger generation to him deeply alien.

Pavel Petrovich is very noble to his brother, to Fencake, he is very honest, permanent in love, understands art. Nikolai Petrovich, his brother, a very sensitive person, he is benevolent, soft-hearted, is fond of music, but his life is unidentified and boring.

The collision of the "century of the present" with the century last "displaced in his wonderful comedy" grief from the mind "A.S.Griboyedov, this topic is revealed in all the sharpness in the drama of the Ostrovsky" Thunderstorm ", we meet her echoes from Pushkin and many other Russian classics. Being people looking to the future, writers, as a rule, stand on the side of the new generation.

When I.S. Turgenev wrote the work of "fathers and children", he said that he was embarrassed by the next fact: "In no product of our literature, I didn't even have a hint at what I was messed up everywhere." The merit of the writer is that he has raised this topic in Russia in the literature and first tried to create an image of a "new man", a representative of the allocations.

According to Pavel Petrovich Kirsanova, the aristocrats-driving force of social development. Their ideal constitutional monarchy, and the path to ideal liberal reforms, publicity, progress. Pavel Petrovich considers Nihilists with powerless "cynics", nahala, "he thinks that they do not respect the people and traditions, but he consults himself by the fact that they are not enough. He is touched by the patriarchalness of the Russian people, without understanding him in essence. Considered himself Liberal, he Nevertheless, talking to a man, sniffing English tobacco. This is very important, the feature characterizing him as a person.

Nikolai Petrovich was a very cowardly man, for which he received a nickname of a panty. The discrepancy in the views of the main characters is their biographies. Pavel Petrovich - the Son of General, a brilliant officer who missed all his spiritual powers in pursuit of his beloved woman. When she died, he left the light, left his career and settled at his brother to live his age. He is trying to make a change in his estate and farm, considers himself liberal only because in their estates they do not beat the fortress whip, but he is not able to understand the requirements of the new era, the views of the younger generation to him deeply alien.

Pavel Petrovich is very noble to his brother, to Fencake, he is very honest, permanent in love, understands art. Nikolai Petrovich, his brother, a very sensitive person, he is benevolent, soft-hearted, is fond of music, but his life is unidentified and boring.

The collision of the "century of the present" with the century last "displaced in his wonderful comedy" grief from the mind "A.S.Griboyedov, this topic is revealed in all the sharpness in the drama of the Ostrovsky" Thunderstorm ", we meet her echoes from Pushkin and many other Russian classics. Being people looking to the future, writers, as a rule, stand on the side of the new generation.