Methodical development "Collective: classification of collectives of folk art. Assignment of the title" folk, exemplary "
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The term "collective" comes from the Latin collectives- collective. A team is a group of people united by common goals and objectives, which has reached a high level of development in the process of joint activities.
Collectives of folk art are understood as any forms of uniting art lovers for the realization of a common artistic goal in leisure conditions.
Classification
- By form:
Folklore:
but) Authentic- are a group of fellow villagers who are carriers of traditional, authentic folklore. Their repertoire is folklore, it is not compiled in advance, it is taken from what is left in memory. The management of such a team is formal. Participants gather spontaneously. Collectives are of different ages, they are not characterized by a concert situation. The way of transferring traditions, skills and abilities of artistic activity is ethnopedagogy.
Ethnopedagogy is a theory and methodology of upbringing, training and personal development in the process of creative development of the traditions of a particular people (ethnos).
b) Secondary... They bring together interested people of different specialties. Collect folklore material, participate in expeditions. The function of such collectives is the preservation and promotion of folklore, therefore they participate in creative shows and cultural events. The leader is most often a professional. Collectives can be both formally and informally organized. Collectives of different ages.
Amateur... Voluntary activity and democracy are characteristic. The goal is to realize the creative potential of the team members. The repertoire is varied, most often works of foreign and domestic classics. They exist due to the contributions of the participants. When choosing a repertoire, the wishes of the participants are taken into account. The manager can be both a professional and a non-professional, he can receive a salary.
Amateurism has been actively developing since the 18th century thanks to the reforms of Peter 1. At this stage, new forms of mass art education and upbringing appeared, based on professional art pedagogy.
Amateur... The development of this type of collectives took place during the years of Soviet power. State funding is inherent; the priority principle of partisanship, manifested in the gross and incompetent interference of the party-state apparatus in the processes of artistic creation. A new, controlled art was created to replace the self-developing and self-regulating one.
During these years, a system of professional training for the leaders of amateur art groups was formed. A professional, salary manager appears. For amateur performances, a clear organization of the process of education and upbringing is characteristic. When recruiting a team, the age and creative inclinations of the participants are taken into account.
Formation of pedagogy of amateur performances, taking into account the specifics of the activities of non-professionals in the field of art.
Pedagogy of folk art is the theory and methodology of pedagogical guidance in various forms of non-specialized art.
Non-specialized (non-professional) artistic creation characterizes the current state of amateur art. Ideological and artistic diversity and humanization are characteristic of him. Collectives of non-specialized artistic creativity in terms of organization, selection of repertoire, and the status of a leader reflect or synthesize the types that existed before them. A combination of traditional types of art and innovation (filling with new content, use of technical means) is characteristic.
- By type of organization: informally organized and formally organized. Formally organized: there is a common goal of joint activities, separation of functions. Activities are regulated by regulatory documents, instructions developed by higher authorities. Their work is organized and planned, evaluated by higher-level organizations. Professional, salary manager.
Informal are independent associations of amateurs in groups and organizations. Formed as a result of the initiative of its constituent people. Unclear purpose. Control is based on intragroup traditions, norms of behavior and value orientations.
- By type of activity: performing arts (choirs, orchestras, ensembles, choreographic collectives, theater studios), author's (collectives and studios of fine, decorative and applied arts, art song clubs, amateur film and photo studios), art history (clubs for music, theater, cinema lovers) and mixed.
- By art: instrumental, dance, vocal, arts and crafts, theatrical, fine arts, etc.
- By genre, for example, dance groups: folk, classical, pop, ballroom dance, mixed, etc.
- By forms of organization: circles, studios, ensembles, associations and clubs of art lovers, etc.
- By age characteristics of participants: children's, youth, youth, mixed, teams of veterans.
- By the time of existence.
Thus, during the existence of folk art, various types and forms of collective creativity have developed, which continue to develop in accordance with the trends of the time.
This section of the Internet portal of artists Artist.ru "Folklore" provides information from artists and creative groups working in the genre of Russian folklore.
Folklore is folk art, by means of which one can understand the psychology of the people in these days. As a rule, the most important values of a person and his life are reflected in the works of folklore: family and work, social duty and love for the homeland. Knowledge of the folklore of a particular country will give an idea of its people and history, as well as culture. By inviting a folklore ensemble to the holiday you are organizing, you will thus enrich the event in a cultural way.
Folklore ensembles of Moscow
Folklore ensembles in Moscow can perform a wide variety of programs: folklore for children and musical folklore, modern folklore and wedding. Russian folklore will be indispensable when organizing an entertainment show program for foreign tourists. Foreigners will appreciate both ditties, nursery rhymes and dances, as well as lyrical Russian folk songs. Russia, being the largest country in the world, is rich in live Russian folklore. Folklore ensembles in Moscow not only perform works of Russian folklore, but also absorbed the centuries-old traditions of their performance. As any primordially Russian feast is not complete without singing songs, the holiday can be enriched by the performance of a Moscow folklore ensemble.
If you represent a Moscow folklore ensemble and are looking for a job related to participation in festive events and show programs, register on the Artist.ru Internet portal, and your data will be available in the catalog of artists in the "Folklore" section. Visitors to our site can easily contact you to invite you to take part in the festive event.
ORGANIZATION OF THE WORK OF INDEPENDENT
FOLKLORE COLLECTIVES
for cultural workers
Dyurtyuli, 2015
Folklore(from the English. folk-lore- "folk wisdom") - folk art, most often oral. Artistic, collective, creative activity of the people, reflecting its life, views, ideals, principles; created by the people and existing among the masses.
Modern cultural and leisure institutions can work on the use of folklore and other types of traditional folk art in several directions.
1. Cultural and leisure institutions should orient people, especially young people, to assimilate the spiritual values contained in folk art, for which it is necessary to make the widest possible use of folklore and folk art and arts and crafts in mass art work.
2. Cultural and leisure institutions are designed to facilitate the search, collection, preservation and study of works of traditional folk art, for which it is necessary to organize search and research associations of ethnographers, lovers of folk art, lovers of folklore, local historians, history lovers.
3. Employees of cultural and leisure institutions should act as organizers of direct artistic creativity in traditional folklore forms, which is possible within the framework of an amateur art group that uses folklore and folk art in their work.
When folklore is used in the work of amateur art groups, then its development goes in this way:
collection - creative processing - execution - creation.
As a result of this development, a comprehensive creative development of the members of amateur groups takes place, an educational influence on the audience and listeners attending the concerts is carried out, as well as the development of the folk art itself.
Contemporary folklore group
A modern folklore collective is an artistic and creative group, the basis of the repertoire of which is represented by works of traditional folklore, perceived from authentic performers directly or indirectly through technical means. A folklore ensemble represents one or several local (local) singing, choreographic, instrumental folklore traditions (one of them, in some cases, is basic). Authentic groups are mainly rural performers of traditional folk music, bearers of the local tradition of folk culture, transmitting and perceiving it orally from generation to generation and formed under the influence of three factors: continuity, variability, selection of the environment.
Performing a folk song on stage is one of the most effective ways to promote folklore traditions. The transfer of musical and song folklore to the stage is always difficult, since the stage version of a folk song is divorced from the original environment of birth and development. When reproducing musical and song folklore, it becomes necessary to take into account the laws that have been developed by other stage genres, in particular, dramatic art. The interpretation of traditional rituals and scenes of folk festivals requires a great deal of directorial work; they combine all types of folk art: singing, dancing, dramatic action. In the work on the stage embodiment of musical and song folklore, both choirmaster tasks and the requirements for knowledge of the laws of theatricalization are put forward before the leader. These laws dictate
firstly, the formation of an artistic image through the identification of conflict, which is expressed in the relationship between the heroes of the poetic text, in their personal experiences.
Secondly, the organization of stage action through the system of expressive means of theatrical art.
Basic methods of working with a folklore group
In their activities, the leaders of most amateur folklore groups are faced, on the one hand, with problems related to vocal technique, on the other hand, with problems of a folkloristic plan, such as the development and reconstruction of folklore and ethnographic materials, the development of the peculiarities of the sound and dialect of a particular local tradition, the specifics of implementation elements of folk traditions into modern cultural life, especially showing folklore samples and ritual fragments on stage, etc.
Differences in folklore traditions of different regions concern not only the repertoire of village singing ensembles, but mainly the peculiarities of the poetic dialect (dialect), musical patterns of folklore samples (texture, rhythm, intonation system, performing techniques), types of choreographic movement, the structure of ritual complexes, etc. ... That is why at the present stage the closest attention should be directed to identifying the specific patterns of local traditions of one district, village council and even one village.
Depending on the type of institution on the basis of which it is organized, folklore collective can solve a number of the following tasks:
- research: studying the style patterns of local traditions of the area, reconstruction and restoration of forms of musical and song folklore, choreographic and ritual-ritual forms of traditional culture (groups created at research and educational institutions);
- educational and methodological: the development of methods for the restoration of traditional folklore in modern conditions, the provision of educational and methodological assistance to amateur folklore groups in the framework of seminars, internships, refresher courses (teams created at the RDK);
- artistic and creative: the implementation of the restored forms of traditional musical culture in a modern ritual and everyday context and artistic practice (traditional rituals, holidays, festivities, etc., concert and lecture, educational activities) (all types of folk groups).
The methods of work of a folklore collective, which sets as its main task the reconstruction and restoration of folk song traditions, are formed in the process of in-depth study of the content and form-building laws of folklore phenomena. First of all, in the process of studying song traditions, the team members are given the task of the most complete mastering a variety of "languages" traditional music and song culture - verbal, musical performance, choreographic. In solving this problem, the main principle of work should be constant “contact” with the ethnographic primary source - work with expeditionary records of genuine folklore samples, as well as, if possible, communication with the bearers of the tradition themselves. Possession of the musical language of a folk song implies knowledge of the most complete corpus of possible variants (melodic, rhythmic, textured, etc.) of the same song, genre within the local tradition and the ability to freely use them in the process of singing. The study of the choreographic language of the local tradition includes identifying the features and types of choreographic movement (round dances, dances), plastics, “language” of gestures, etc.
In a folklore ensemble (as well as in an ethnographic one) the lead singer is not a soloist, he is a “ringleader”, on which the beginning of a song or even each song stanza depends. At the same time, the rest of the ensemble members are equal “makers” of the song; the quality of performance and its compliance with a particular situation (ritual, festive, etc.), the tone of the collective sound, the emotional state of the entire ensemble, as well as its energy “field” and much more, fully depend on each of them.
One of the difficult problems faced by the majority of folklore groups is the demonstration of folklore samples in stage conditions, and even more so the staging of fragments of ritual complexes. The stage embodiment of a folklore phenomenon is always secondary in relation to the natural situation of its existence - ritual or festive. If the collective strives for the reliability of its performance, for compliance with tradition, then undoubtedly, at least at the initial stage of mastering folklore samples, it should look for the possibility of implementing them in a natural ritual and everyday situation - at a wedding, in rituals of the calendar cycle, at community (village or city) holidays and festivities, in the field of family communication, etc.
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Date the page was created: 2016-04-11
The concept of "folk art" is broad, capacious and very heterogeneous in nature and level. It includes peasant art, handicraft arts and crafts, artisans' creativity, song tradition. In the Gubkin territory, due to the geographical, historical and cultural situation, household crafts have become widespread: weaving, embroidery, crocheting, wicker and bast weaving, tanning, cooper's, blacksmith's craft.
Today we see the results of the great work that began in the 80s of the past century to revive the traditional culture. Bit by bit, enthusiasts and lovers of antiquity collected what had been lost over the years of the partocracy and persecution of the traditions of the people. Love for folk art and traditional crafts is passed on to the younger generation by 132 craftsmen and 17 craftsmen. They teach children and teenagers the basics of carpet weaving, embroidery, knitting, wood turning, wood carving, beading.
From ordinary threads, the fantasy of the lacemaker E. Bobyleva creates unique patterns. The young master of the Theological House of Crafts A. Lisyutin teaches children the intricacies of woodcarving. The skills of basket weaving in the Konshinsky House of the master of the children adopts from S. Potemkin. Today, a toy is fun. And in the old days, she was a talisman, protected children from evil spirits. The master of the House of Crafts from Bogoslovka E. Zakharova managed to restore the technology of making a twist rag doll based on the stories of old-timers.
Over the past several years, it has become a tradition to hold a regional creative show-competition of masters of folk arts and crafts "Living Rus". It is held with the aim of promoting the best examples of folk applied art, supporting masters of decorative and applied arts. In order for people to get to know the original craftsmen better, an exhibition of traditional culture of the Gubkinsky region was organized in the Belgorod Museum of Folk Art, visitors of which got acquainted with such crafts as carpet weaving, weaving on cannulas, painting on wood. The skills of decorative woodworking have been preserved to this day by the efforts of craftsmen from Istobnoye, Konshino, Bogoslovka, Sergeevka.
The study of the richest spiritual heritage, the revival and promotion of traditional folk culture leave a blessed mark in the hearts of children, youth, all residents of the Gubkin territory, give us the opportunity to touch the true art, preserve the spirit of folk traditions.
In the early eighties of the 20th century, the historical roots of the folklore ensemble "Resurrection", the children's folklore ensemble "Ladushki", the clubs "Zateynik" and "Slavic Travnitsa", the Museum "Living Starina" go back. They form the basis of the traditional folk culture of the Gubkin territory.
Folklore ensemble "Resurrection" conducts extensive research work to study and preserve the unique song style of our region, which, relentlessly resurrecting beautiful examples of folk songs, gives them new life on the concert stage. The ensemble draws material for its work from expeditions to the villages of the Belgorod region. Each member of the ensemble works with performers of folk songs. More than 1400 ancient songs have been deciphered, unique research materials have been collected on the villages of the Gubkinsky region: Prisynki, Teply Kolodez, Melavoe, etc. Expeditions help to make new records of traditions, rituals, and songwriting. It is valuable that all the material is actively used during seminars on the revival of traditional culture, in the repertoire of the "Resurrection" folklore ensemble and the Ladushki children's folklore ensemble. Creativity "Resurrection" is known far beyond the region. The ensemble is twice a laureate of the All-Russian TV and Radio Competition "Voices of Russia". He was awarded the first prize at the Krasnaya Gorka International Competition (Bryansk).
For children and adolescents, the "Zateynik" club has been created, where they get acquainted with the calendar and ritual holidays, learn old folk games, carols, generosity, vesnianki, chants.
In order to revive and support traditional culture within the framework of the celebration of the Days of Slavic Written Language and Culture, a children's festival of folk art "May Karagod" is held, which promotes the development of folk performing skills, the identification of new folklore groups.
Over the course of many centuries, song ethnocultural ties and traditions have historically developed on the Gubkin territory. Today the song tradition is represented by 23 folklore and ethnographic groups, including 11 for children. Their activity is based on the revival and promotion of song folklore, original dances, and oral folk art. There is a life-giving spring of primordial old songs in the village of Chuevo, where the song heritage is preserved and passed on to the younger generation by the members of the folklore and ethnographic group "Posidelki". The members of the Rodnik folklore ensemble of the Theological House of Culture restored bit by bit an old wedding ceremony. And now, on the Gubkinsky territory, it is gradually becoming a tradition to hold modern weddings in the old way.
The choir "Russian Song" appeared on the basis of the recreation center "Stroitel" - in February 1986, at the origins of its creation were the leader Valentina Grigorova and the accompanist Ivan Chentsov. art, and the fruits of labor did not take long to wait: letters of thanks, certificates of honor and diplomas of territorial, regional, regional competitions and festivals, and the most long-awaited title of "national" awarded to the choir in 1990.
A friendly choral family brought together not only professionals, but also just lovers of folk songs, and of different ages: the oldest participant is about 80 years old, the youngest is a little over 20 years old.
Team Leader B.C. Grigorova considers the main task not only to preserve folk traditions, but also to instill a love for Russian song in the younger generation. How not to be proud of our soloists. Valentina Besedina, for example, always makes surprisingly interesting voices and is fluent in rattles and spoons. The real decoration of the performed works is the tambourine, which in the hands of Lydia Sirotkina sounds especially loud and cheerful.
In 1986 the choir of the Palace of Culture "Stroitel" "Russian Song" was created. "For 20 years of concert activity the choir has traveled many cities and districts. Memory, like a photographic film, keeps the most vivid impressions," says the accompanist of the "Russian Song" choir Sergei Shchuplov. no one works for the choir, because everyone feels responsibility to the audience, and the choir's repertoire requires a serious attitude. These are not only songs of our region and various regions of Russia, allowing some improvisation, but also works borrowed from the repertoire of professional groups of the Voronezh Russian folk and Kuban Cossack choirs. "
For more than 20 years the work of the Academic People's Choir of the Great Patriotic War Veterans "Living Memory", directed by Honored Worker of Culture N.N. Novik. Natalya Nikolaevna has a special musical education, and the success of the choir is ensured precisely by the happy combination of the professionalism of its leader and the love for choral singing of the choir members.
Folk ensembles are organized in club establishments. But stronger and more interesting are the connections of talented people who found each other on the holidays. Director of the city park of culture and recreation V.G. Gdadkikh, by the nature of her work and at the behest of her heart, held the annual and beloved by the townspeople holidays "Golden Autumn". Here's what she observed: "The traditional folk festival" Golden Autumn "poured into a big folk festival. And improvised performances made it so (5 accordionists and balalaika players who came to the" Play, accordion "competition). autumn worker of the mine rescue detachment B.V. Abakumov:
"You play, play, accordion!
Have fun, honest people,
If the legs get tired
Let's go home in our arms! "
But no one could even imagine that an impromptu competition would arise. NIIKMA employee N.F. Iovlev. Pensioner N. Ya. The guard also read his poems about his own Gubkin. And the conceived competition of accordion players grew into a real folklore holiday.
We are at the autumn holiday -
Play more fun, accordion!
We'll entice you with our singing.
IN the heart will light up the fire!
The folklore ensemble of the ZhBI-2 plant began their performance with perky, sly ditties of their own composition. Elegant costumes, ringing voices - could not fail to cause applause and smiles from the audience.
And here is in front of the public a folklore ensemble that came to the holiday from the experimental-production farm "Sergeevskoye". His speech was, as they say, the highlight of the program. The members of the ensemble came out in bright sarafans, with balalaikas. They sang beautifully Russian folk songs "Utushka lugovaya" and "Give a balalaika". And the ditties of the Zavolokin brothers were scattered throughout the district by M.A.Ovsyannikov.
He introduced the holiday, made the holiday friends ... That is why it is even more attractive for all its participants. The current "Golden Autumn" introduced and made friends the spouses of pensioners Arkhipovs and the slinger of the management of KMAelectromontazh A.F. Matsyna. A wonderful trio turned out: Tatyana Prokhorovna plays the tambourine, Mikhail Fedorovich - the balalaika, and Alexander Fedorovich - the accordion. "Often such meetings ended in long-term friendship and joint creativity.
Folk art will be preserved in families of lovers and admirers of antiquity and traditional folk culture. The people are loved by original chastushki, balalaika, accordionists, crying at funerals (they no longer yell at weddings, these traditions are gone). So, the family-ensemble of fans of the Vlasov folk song is known in Gubkin. Grandmother, daughter, daughter-in-law, son and little granddaughter delighted the townspeople at city holidays.
Thus, folklore and songwriting is a living spring of the people's soul. On the Gubkinsky territory, folk groups received a permanent residence permit and a green street.
Dedicated to the memory of Vyacheslav Nikiforovich Urskov, Honored Worker of Culture of the Moscow Region, laureate of international and all-Russian festivals and competitions, creator and musical director of the leading creative team of the city of Moscow, the youth folklore ensemble "Kladets" and the choir of Russian folk song "Moscow Party" of the Palace of Culture and Sports "Yakovlevskoe »The city of Moscow.
Vyacheslav Nikiforovich was an amazing person, selflessly in love with his work, giving him all his ebullient energy, all his thoughts! Modest and charming, he charmed with his sunny openness and kindness.
It is terribly bitter when such people leave earthly life ...
A true bearer of folk musical culture. The talent bestowed from above, high efficiency, the ability to feel every note and lead it with a thin thread through the heart and soul allowed Vyacheslav Nikiforovich Urskov to become a professional. Until recently, he admitted that he considers the main project of his creative activity to be the creation of the Center for national, folk singing culture on the basis of the Leading creative team of the city of Moscow, the Youth Folklore Ensemble "Kladets" and the choir of the Russian folk song "Moscow Side" of the Yakovlevskoye Palace of Culture and Sports.
Vyacheslav Nikiforovich now lives in the deeds left by him on Earth, in his students, in numerous musical recordings and projects - in everything that can be seen and heard! And also in the memory and love of all who knew him, in the memory and love, which can only be felt in order to understand and join everything spiritual and unsaid that Vyacheslav Nikiforovich brought into this world and that did not go away with him, but remained in soul and thoughts of those who came into contact with him ... "not everything dies ..."
The spiritual heritage left by him is a hard, but full of grace and joy daily, blessed work of everyone who is worthy of this "burden." The implementation of this high mission is to be continued by his colleagues and students, since this is the meaning of their professional activity.
Vyacheslav Nikiforovich Urskov is a musical treasure of Russia, the glory of the Novo-Fedorov settlement, the soul of the Moscow side and Russia, a teacher who became a mentor and father for hundreds of children.
Russian folk instrumental art has lost a bright personality, a great musical figure, a virtuoso performer, a teacher, a man of great soul.
Festival founders
Gennady Panteleimonovich Penzov
Head of Administration of Novofedorovskoye Settlement in Moscow
I am sincerely glad that our hospitable land of the Novofedorovsky settlement is hosting talented performers, creative teams at the festival of folk music "Golden Placers".
Our festival is dedicated to the memory of the brilliant musician, teacher, founder and musical director of the Russian folk song choir "Moscow side" and the youth folklore ensemble "Kladets", Vyacheslav Nikiforovich Urskov.
Let our festival "Golden Placers" become a cultural event, a long-awaited meeting of sincere and loyal friends, whose traditions, music, songs, dances bring us closer together.
Creativity involves finding ourselves, learning to believe, hope and love, gives us the opportunity to look into tomorrow with confidence and hope, and helps us remember people who are selflessly devoted to folk art, helps us live in the memory of Vyacheslav Nikiforovich Urskov who passed away from us. He knew how to ignite with his enthusiasm and dedication to creativity the collective, fellow musicians. I recall Pasternak's lines - "The purpose of creativity is dedication, not hype, not success ...". Vyacheslav Nikiforovich Urskov lives now in the affairs he left on Earth. In his disciples, in the memory and love of all who knew him, what did not go away with him, but remained in the soul and in the thoughts of those who came into contact with him.
With all my heart I wish all the participants of the festival success, new creative discoveries and achievements.
Nikita Igorevich Frolov
Director of the State Budgetary Institution of Culture of the city of Moscow "DKiS" Yakovlevskoe "
I am very pleased to be aware of the fact that a cultural institution has a folk art festival - with its own deep meaning, with a reference to academism and with a desire to show Russian culture in all its deep splendor through the eyes of various creative projects.
The well-known figure of Russian science Grigory Landau formulated an important feature of culture: "In culture, the top is the foundation." And I, in turn, am very pleased that this festival permeates with a refrain the personality of the musician and teacher Vyacheslav Nikiforovich Urskov - “the foundation and the top”, with whom I was not personally familiar, but for whom I was filled with warmth and endless respect. In particular, after having touched the art of the choir of the Russian folk song "Moscow Side" and the folklore ensemble "Kladets", which were created by Vyacheslav Nikiforovich Urskov and Tatyana Nikolaevna Razboeva and have existed for almost 40 years.
Today we try to take care of these cultural projects with care, because they contain history, connection between generations, complex philosophy, sincerity, purity and a deep Russian soul with high morality and spirituality. While these projects are alive, the memory of an outstanding person, whom we want to remember with this festival, and sincerely thank for all the good and present that he did for us and so that the folklore genre develops, also lives on. This year the folklore ensemble "Kladets" was on tour in the state of Qatar, and this was the first tour of the group without Vyacheslav Nikiforovich Urskov.
By the will of fate, observing the empathy of the artists at rehearsals and concerts, in everyday life, I realized that the folklore of Vyacheslav Nikiforovich is not art at all and not culture in their classical forms and manifestations. It's more than that. This is a special and complex world, the dichotomy of which is in art and religion; a world in which people empathize with each other, donate, collect images and then create - truthfully and frankly, revealing the whole essence of the Russian person with thin lace. Dedicated to this person - Vyacheslav Nikiforovich Urskov.
Evgeny Yurievich Klepalov.
Director of the Moscow City Budgetary Educational Institution Novo-Fedorovskaya Children's Music School.
I cordially greet the participants of the 1st Open Festival of Folk Art "Gold Placers", dedicated to the memory of the musician-educator, teacher Vyacheslav Nikiforovich Urskov.
He was loved by everyone with whom he worked, he was friends. And the students of the music school, instantly joining the ranks of the ardent admirers and devoted lovers of folk art; and their parents, happy that their children are so happy to discover a new musical world for themselves and are eager to immerse themselves in it again and again - a truly rare state of mind for both children and parents. He was loved by his colleagues and musicians who were interested in working with him. If it were not so, people would hardly need art to express the inexpressible, convey the inexplicable, reveal the mysterious. Music is the kind of art that without words reveals the pure in the best motives - Love, Goodness, Beauty.
Let our festival become a place for traditional meetings of musicians, the development of a cultural dialogue between the settlements of the Troitsky and Novomoskovsky administrative districts of the city of Moscow and the Naro-Fominsk City District.
I am sure that the festival will become a bright cultural event, a clear evidence of the convergence of creative teams to achieve a high level of performing arts.
Good luck, success to all of you!
Priest Sergiy Baydakov
Rector of the Church of the Archangel Michael in the village of Belousovo
I sincerely greet all the participants who have gathered at the Yakovlevskoye Palace of Culture for the 1st open festival of folk art "Gold Placers".
It is gratifying that the presented folk musical initiatives are designed to help preserve and enhance the rich historical, spiritual and cultural heritage of our Fatherland.
I am deeply convinced that today it is necessary to more actively popularize the creative projects of young people, because the kind example of their peers can inspire other young people for self-realization and patriotism.
It is obvious that musical works can have a strong impact on the minds and hearts of people, and therefore on their thoughts, feelings and will. Music was given to us by the Almighty so that through it we approach Him. Realizing creative ideas, we become like the Creator - the Creator of the beautiful world around us.
I express the hope that folk music, which, with your assistance, is returning to our lives, will contribute to the harmonious development of the individual, the spiritual, moral and patriotic education of people. Using your talents, will and mind for the good, try to further bring to life what the Creator has predetermined for each of you.
I wish you all strong strength, God's help and further creative success.
Wishes from the Ministry of Culture
Petr Alekseevich Sorokin,
head of the department of folk singing art of the State Russian House of Folk Art named after V.D. Polenova, Honored Artist of the Russian Federation.
Alevtina Georgievna Kondratieva,
Chairman of the Board of the Regional Public Organization "Musical Society" of the Moscow Region, Honored Worker of the All-Russian Musical Society, member of the board of the Ministry of Culture of the Moscow Region, Honored Worker of Culture of the Russian Federation.
Emma Georgievna Kryukova,
methodologist of the scientific and methodological center of the Moscow Provincial College of Arts of the Moscow Region, Honored Worker of Culture of the Russian Federation.
Vyacheslav Nikiforovich Urskov, a wonderful accompanist, arranger, musician with a capital letter, could well have made an outstanding career on the professional stage. However, almost his entire adult life, in alliance with Tatyana Nikolaevna Razboeva, he devoted to difficult and noble work with amateur associations, which are widely known not only in the Moscow region, but also in other regions of Russia, abroad.
More than once we had to attend reporting concerts, observe the stages of creative growth of both the Moscow Side Chorus and the Kladets children's and youth ensemble, evaluate their programs at all-Russian and regional competitions and festivals as part of the jury.
Always amazed at some special ability of the leaders, the performers trained by them, to create for those around them the atmosphere of a real national holiday, to make them rejoice, empathize, teach them to learn new things, respect and love the cultural traditions of their people.
We sincerely wish the participants and organizers of this festival health, family well-being, and successful implementation of new creative projects!
Festival participants
GBUK of Moscow "DKiS" Yakovlevskoe "
Choir of the Russian song "Moscow side"
It is impossible to imagine the village without songs, and therefore it is not surprising that it is here that talented song groups are born, such as "Moscow side" from the village of Yakovlevskoye. The creator and leader of the team was Vyacheslav Nikiforovich Urskov. Choir "Moscow side" - the winner of all-Russian festivals and competitions. It is a choir with an amazing big and interesting destiny ... It is a long-liver at the Yakovlevskoye Palace of Culture. The collective conducts extensive concert activities.
The baptism of fire by the artists is the first tour. At the "Moscow side" they took place in Chernobyl in 1986.
The winners of many all-Russian competitions and festivals, artists have long been known far beyond the borders of your region. This is a choir with an amazingly interesting fate ...
Moscow city creative team youth folklore ensemble "Kladets"
Folklore ensemble "Kladets" was founded in 1995 at the Yakovlevskoye Palace of Culture and Sports. Laureate of all-Russian and international festivals and competitions. In 2000 he received the title of Exemplary. The ensemble consists of 4 age groups: junior, middle, senior, concert. The repertoire of the collective is extensive and diverse. Every year the ensemble participates in international festivals (Ukraine, Belarus, Turkey, Romania, Italy, Portugal, Hungary, Bulgaria, Czech Republic, France, Spain, Qatar).
In 2017, the ensemble confirmed its high title - the Moscow City Creative Team. Members of the "Kladets" collective are the keepers of the history and cultural heritage of the musical art of Russia with its spiritual and centuries-old folk traditions.
Musical director Vladimir Kulakov
Concertmaster Sklyarov Yuri Vladimirovich
Choreographer Gvozdeva Tatiana Nikolaevna
GBUK Moscow "Novo-Fedorovskaya Children's Music School"
Maxim Putilin
Maxim Putilin, student of the Moscow State Budgetary Educational Institution "Novo-Fedorovskaya Children's Music School". He won the 1st prize at the international festival-competition "Black Sea Olympus". Laureate of the I regional competition-festival of ensembles. In 2017, he received a diploma at the 15th Moscow open festival "Northern Stars". Alexander Sverdel
Alexander Sverdel, student of the Novo-Fedorovskaya Children's Music School. He won the 1st prize at the international festival-competition "Black Sea Olympus". Laureate of the I regional competition-festival of ensembles. In 2017, he became a diploma winner at the 15th Moscow open festival of students of the departments of folk instruments, folklore and folk singing of the Children's Music School and Children's Art School "Northern Stars". Teacher Kulakov Vladimir Sergeevich
Ensemble of guslars "Tenderness"
The ensemble of guslars "Tenderness" was created in 2013 in the Moscow State Budgetary Educational Institution "Novo-Fedorovskaya Children's Music School". Today the collective continues its creative activity. There are three groups in the ensemble - junior, middle and senior. The senior group of the ensemble is represented at the festival. In 2017, the senior group of the ensemble became a diploma winner at the 15th Moscow open festival of students of the departments of folk instruments, folklore and folk singing of the Children's Music School and Children's Art School "Northern Stars".
MAUK "House of Culture" Dream ", Selyatino village.
Folk collective ensemble of folk music "Vecherka"
The pitiful group of the orchestra of the Folk collective of the folk music ensemble "Vecherka"
Soloists of the orchestral group of the Folk collective of the folk music ensemble "Vecherka" Timofey and Roman Bakhrevsky
The Vechorka Folk Music Ensemble was founded in 1987. In 1995 the ensemble was awarded the honorary title "People's collective". In 2016, the title was successfully confirmed 7 times. In the concert group, the age of artists is from 7 to 45 years old, so classes are conducted according to the studio principle "from senior to junior." The ensemble includes an orchestral group and a junior preparatory group.
Head Honored Worker of Culture of the Russian Federation Rostam Yakovlevich MukhaevExemplary collective senior choir "Capel"
Vocal group "Lady-Capel"
For millennia, people have been looking for an ideal human community. And there seems to be nothing more perfect than a choir. The chorus is a model of human society in the service of world harmony, where everyone, having their own voice, opposes disharmony without being afraid of it.
The choir fulfills the dream of human community. And the dream becomes a sound - a great and powerful, gigantic call that causes goosebumps in the audience.
The choir successfully combines the personally significant and socially significant. A person acquires a beautiful voice, a developed ear for music, emotional openness, a circle of like-minded people, friends, communicates with high music. Society is enriched by an artistic collective, an island of spirituality and high culture. "Culture is the basis of prosperity."
The exemplary collective choir "Capel" was created in 2000 and today numbers about 170 children and adults, who are united by their love for the art of choir.
Choir "Capel" constantly takes part in festivals and competitions of various levels, from regional to international, receiving the title of laureates and diploma winners. Conducts an active concert activity with the indispensable participation of all age groups.
Capel collaborates with renowned composers and professional creative teams.
Along with choral education, the collective pays great attention to the development of children in classes: stage skills, developing solfeggio, rhythmics, as well as playing musical instruments.
Concertmaster Elena Mikhailovna Gromova
Folk Song Ensemble "Sudarushka"
The ensemble "Sudarushka", which was based on the members of the Russian song choir, began its creative activity in the early eighties.
The task of the ensemble is to create an amateur collective, which would sound Russian folk songs, ritual play compositions, popular stylized folk songs, as well as brightly used original musical instruments: spoons, pity, rattles, ruble, bells, tambourine, etc.
During this time, the "Sudarushka" ensemble went through various stages of its formation and development. A large number of concerts were given by the ensemble not only in the village of Selyatino and settlements of the urban settlement, but also at other concert venues in the region, as well as in Moscow.
During this period, more than one composition has changed. For various reasons, the artists left, but new ones came in their place, adopting the best traditions and manner of performance of the ensemble.
“Sudarushka” has accumulated its own repertoire, which is characteristic of it. Performances are held on various topics. Each performance corresponds to the direction of the event, be it Victory Day, Maslenitsa, March 8, Christmastide, etc.
The team has a creative, comfortable, relaxed atmosphere. In such an environment, the participants are happy to practice, revealing their musical abilities. We always gladly accept new arrivals into our creative family, help them adapt in our team.
I would like to say: “Come to everyone who is not indifferent to Russian songs and folk vocals! Let's work together! "
Exemplary collective "Dream Dance Theater": senior and junior groups
The choreographic group Dream Dance Theater was founded in 1990. In 1995, the ensemble was awarded the title "Exemplary collective", which they have successfully confirmed 5 times already.
Since 2002, the work of the team has been headed by T.E. Petrov. Tatyana Evgenievna Petrova is a graduate of the Samarkand Choreographic School.
She is an experienced teacher and tutor, a brilliant director, author of costumes. With the arrival of a new leader, the work of the team received a number of new directions. The repertoire of the collective includes compositions in the styles of demi-classic, jazz-modern, other directions of modern choreography, as well as folk dance, genre sketches. Among the brightest works of the collective and the choreographer are “Rose Waltz”, “Ivushka”, “Tango”, “Fiesta”, “Russian Souvenir”, “Flock”, “Butterflies”, “Kodo”, “Georgia” and many others.
The team carefully conducts work in the classroom - exercise at the bench, exercise in the middle, including allegro, parterre gymnastics, acting, rhythm.
The members of the group, together with their leaders and parents, often attend ballet performances and concerts of professional groups together. Festive "lights" and field trips are brightly held in the collective.
Now the team has more than 60 children and adolescents aged 4 to 18 years. The stable concert staff is constantly replenished with new pupils, who are successfully instilled in love for dance and national culture, hard work and creative interaction.
The Dream Dance Theater is the winner of regional, All-Russian and International competitions.
Choreographer Viktor Alekseevich Filyaev
MBU "DKiS g. P. Aprelevka "
Children's folklore ensemble of spoon-makers "Peresvety"
The ensemble was organized in March 2015. The age structure of the ensemble is mixed; children from 7 to 17 years old play in the ensemble. The ensemble of spoon-makers "Peresveta" takes an active part in the concert activities of the Palace of Culture and Sports of the town of p. Aprelevka.
On December 10, 2017, the children's folklore ensemble of spoon-makers "Peresvety" took part in the VI Moscow International Competition-Festival "Golden Lace", which was held at the N. Babkina's Russian Song Folklore Theater, and became a laureate of the 1st degree.
Head Alexander Yurievich Ikshtadt
Folk collective choir of Russian song "Melodiya"
The choir group of the MBU of the Palace of Culture and Sports in Aprelevka was created in November 1949 on the basis of the Aprelevka gramophone record plant. This is one of the oldest folk singing groups not only in the region, but also in Russia. For many years the choir has confirmed the high title of the People's Collective Chorus of the Russian Song "Melodiya". The choir members are people of various professions: workers, office workers, engineers and technicians, teachers, medical workers, pensioners. The collective includes people with 30 years of experience, veterans of the choir, and young participants. The choir is multinational. The choir's repertoire is very diverse: lyric, round dance, dance, Cossack, songs of Soviet, Russian and local authors, works of spiritual themes, folklore, modern folk and solo songs. The collective has a great creative potential, a desire to work, to bring joy to the residents of not only the city, but also the region with their creativity, promoting the culture of Russian folk song.
Leader Tatyana Alekseevna LutsakConcertmakers Alexey Yurievich Manoshin,
Vladimir Alexandrovich Sizintsev,
Alexander Yurievich Ikshtadt
MAUK CDK "Zvezda"
Folk Song Ensemble "Ovsen"
The children's folk song ensemble "Ovsen" of the Central House of Culture "Zvezda" in Naro-Fominsk has been counting its history since 2005. From the first days it is headed by Tatyana Alekseevna Lutsak. The peculiarity of the collective: the composition of performers of different ages: from 5 to 20 years old, in which the younger, along with the elders, enjoy studying folk culture and embody the most daring creative ideas on the stage. And the continuity of generations is obvious: whole families sing. The repertoire of the ensemble includes dance, round dance, game, calendar songs from various regions of Russia. The Cossack tradition is especially beloved.
The ensemble "Ovsen" is three times laureate of different degrees of the All-Russian festival-competition of folk art "Keepers of the heritage of Russia" Krasnogorsk 2013-2016. All-Russian festival "Rose of the Winds", open inter-municipal festivals "Rainbow of Talents", diploma winner of the All-Russian festival "Glory to the Fatherland!". The ensemble is a constant participant in many cultural events of the city and region, delighting listeners of all ages and musical preferences with their performance.
Vocal ensemble of folk song "Bereginya"
The vocal ensemble of the folk song "Bereginya" was created in the summer of 2008 on the basis of the Central House of Culture "Zvezda" in Naro-Fominsk, its leader is Tatiana Alekseevna Lutsak. Love for Russian song unites and unites people of various professions into one friendly team: teachers, economists, honey. workers, retirees and students. The basis of the team is our beautiful women of different ages (from 18 to 60 years old). Immediacy, enthusiasm, mischief and enthusiasm - such qualities are inherent in all members of the ensemble.
The ensemble's repertoire includes more than 30 songs of different genres: academic folk song, folklore and Cossack song, vocal works little known to the general public, recorded on the Don. Preserving this inexhaustible source of spirituality is one of the most important tasks set by the vocal ensemble "Bereginya". The collective's repertoire includes songs born in the Ryazan region, in the Stavropol and Volgograd regions, in the Upper Don. “Bereginya” is twice a laureate of various degrees of the All-Russian festival-competition of folk art “Keepers of the Heritage of Russia”, the regional festival “Memory of Generations”, a diploma winner of the All-Russian festival “Slavic Compound”.
Concertmaster Igor Vasilievich Rudenko
MUK "DK" Moskovsky "
Ethnic vocal and instrumental ensemble "Lotos"
Ethnic vocal and instrumental ensemble "Lotos" was created in 2016 for children from 3 to 12+ years old. Classes are aimed at studying and performing folklore repertoire, as well as studying the musical traditions of the peoples of the world. Much attention is paid to the development of the artistic skill of each soloist.
Despite the fact that the ensemble was created in October 2016, young artists have already performed on stage in front of a large audience. The collective takes an active part in regional, city and district festivals and concerts, has diplomas and gratitude.
The leading creative team of Moscow, the choir of the Russian folk song "Okolitsa"
The choir was formed in 1999 for adults over 30 years old in order to popularize the traditional Russian song heritage. The choir's repertoire includes old Russian songs from many regions of Russia.
Among the international achievements of the team, it is worth noting the Grand Prix of the International Festival "Paris Stars" (France, 2012), the Grand Prix of the International Festival "Stars of the Costa Brava" (Spain, 2013), the 2nd degree diploma of the Festival "Pink night on the Adriatic Sea ”(Italy, 2014).
Concertmaster Andrey Mikhailovich Lukovsky
GBUDO Moscow "Pervomaiskaya Children's Music School"
Folklore ensemble "Osyata"
The folklore ensemble "Osyata" was formed on the basis of the Moscow State Budgetary Educational Institution "Pervomaiskaya Children's Music School" in 2011. The basis of the collective is made up of students of the Pervomaiskaya children's music school.
The collective is a multiple laureate of the international children's Easter vocal and choral festival "Bright Week", as well as international festivals: "Moresol" (2016), "Yarilovo rally" Bryansk (2017), "Firebird" (2017) and others.
The soloists of the ensemble are laureates of the I degree of the All-Russian festival of Russian dance "Pereplyas" (2017), laureates of the I degree of the international festival of music and dance "Tradition" (2016), laureates of the I degree of the city ethnographic festival of music, dance, visual and decorative applied art "Timonya" (2017).
Head Nazarova Venera KhushinovnaFolklore ensemble "Kalinka"
Folklore ensemble "Kalinka" was founded in 2013. The ensemble is a constant participant of the folklore festivals "Berestin", "By the ways of kindness", "My family".
Head Tatiana Nikolaevna VlasovaConcertmasters Shepilov Alexander Nikolaevich, Kovaleva Evgeniya Viktorovna
Duet Maria Kovaleva and Varvara Sidorova
The duet of Maria and Varvara was formed in 2016. The duet is a laureate of the I degree of the international children's Easter vocal and choral festival "Bright Week" (2017), a laureate of the regional festival of folk art "Firebird" (2017), a laureate of the I degree of the All-Russian festival of Russian dance "Pereplyas" (2017) g.), laureate of the 1st degree of the international festival of music and dance "Tradition" (2016), laureate of the 1st degree of the city ethnographic festival of music, dance, fine arts and crafts "Timonya" (2017).
Leader and choirmaster Nazarova Venera KhushinovnaChoreographer Sivkova Maria Alexandrovna
Concertmasters Shepilov Alexander Nikolaevich, Kovaleva Evgeniya Viktorovna