Artist Yang Van Eyk paintings. Biography Yana Van Eyka

The works of masters of painting past centuries, created during the time, when the camera was not yet invented, are one of the most reliable sources of information about life, the nrules, appearance, taste preferences and other details of our ancestors. Often they put researchers in a dead end and cause disputes that do not subscribe for decades. One of these webs is a picture that the Flemish painter Yang Van Eyk wrote.

"Portrait of the Arnolphin Four" is exhibited in the London National Gallery, which acquired it in 1842 for only 730 pounds.

A few words about Yana Van Eyka

The artist was born somewhere between 1385 and 1390 in the city of Malaya in the Northern Netherlands. In his youth, he worked with his older brother Governor. He was also a successful artist and is considered one of the authors of the famous Gent altar. In 1425, Master Yang became the court painter of the Burgundian Duke Philip the Third Good. In 1431, he acquired a house in the city of Bruges, where he lived to death.

His mistake is considered the founder of painting with oil paints. In fact, he simply improved this technique, but undoubtedly made a lot to become the main in the Netherlands, from where he penetrated Germany and Italy.

Giovanni Arnolphini

The man depicted on the famous canvas of the artist Jan Wang Eyka is a rich merchant from the Italian city of Lucca. In early youth, Giovanni Arnolphin went to Bruges, where he founded several textile manufactories engaged in the production of expensive clothing for aristocrats. In addition, he was engaged in the transactions of the purchase / sale of jewels, including European monarchs. It is believed that at the end of the life of Arnolphin comprehected bankruptcy. However, he continued to enjoy the authority among denuncts and rich artisans of the city of Bruges and was often invited as an arbitration judge to resolve economic disputes.

Description of the painting of Yana Van Eyka "Portrait of the Arnolphin Fau"

On the canvase depicts a man and a woman standing on some distance from each other in the bedroom of the city house. A young man (Giovanni Arnolphin at the time of writing the picture turned 34 years) is almost anfas. His right hand raised to the level of shoulder, as if he were going to pronounce an oath. His lady stands, turning to the left. The room in which they are, is visible as if on top. Thus, the image does not have a single point of convergence of horizontal and vertical axes.

The semantic center of the Picture of Yana Van Eyka "Portrait of the Arnolphin Fau" is the United hands of the characters. Their contact looks very ceremonial. The painter depicted his hands in almost the center of the canvas, thus giving them a special meaning.

Description of figures

Both pictures of Yana Van Eyki ("Portrait of Arnolphin Four") are dressed in festive outfits. The toilet women see a neatly painted long loop, which means her belonging to the rich Burgerty. She has a rounded belly. According to experts, he, like her posture in the form of a so-called gothic curve, is most likely not a sign of pregnancy, but a tribute to fashion, thus emphasized the main dignity of the lady - fertility.

On a man I hope a cylindrical hat with a wide tulley, a hook of a velvet of a wine-red, baked with fur, and lower clothes from expensive black matter. Despite the rich outfit, it is obvious that the man is not an aristocrat. This is evidenced by his wooden shoes, who wore those who went on foot, while representatives of the noble class were riding or moved onto stretchers.

Interior

Picture Wang Eyka "Portrait of the Arnolphin Fau" is distinguished by a thorough drawing of all the details of the depicted room. On the floor, the viewer sees an expensive oriental carpet, a chandelier on the ceiling, a round mirror on the wall, a glazed upper part of the window, bench with oranges. All this indicates that the owner is a wealthy person. The dominant in the setting is a bed with a canopy.

Mystery of beautiful ladies

If with a man, whom Van Eyke depicted ("Portrait of Arnolphin Fours"), everything is clear, then the identity of the lady is in question.

Some art historians consider canvas documentary evidence of the marriage of the merchant. Then the lady should be his wife. It is known that in 1426, Arnolphin married the 13-year-old Constanta Trent. However, in 1433, she died, that is, at the time of writing the picture was not alive. Then either in the picture it was posthumously depicted, or this is the second wife of Arnolphin, which no documentary evidence was preserved.

There is also the opinion that the lady in the portrait is Margarita Van Eyk, and the man is the artist himself. An indirect testimony of this hypothesis is considered to have the image of the Saint Margarita figurines, which is next to the face of the lady. At the same time, there is another version. According to her, Margarita was the patroness of the feminine, and her image next to Alcovka means the wishes of the speedy addition in the family.

Distinctive features

The portrait of the Arnolphin couple has several distinctive features. In particular, it is considered one of the earliest secular marriage portraits in the history of European painting. Before the creation of this web, the artists did not seek so carefully portray small details and household details, as they began to do after the appearance of Pictures Jan Van Eyka.

Technics

Creating a "portrait of the couple of Arnolphin", Jan Van Eyk used oil paints. As already mentioned, at that time this technique was a new word in painting. It allowed to apply one by one transparent paint layers and reach the smears of smears, getting sophisticated contours. Being fluid, the oil is hurt much longer than those used before this, allowing you to achieve the highest realism and even the illusion of the three dimensions of space.

Symbols

In the Middle Ages, artists portrayed various items and signs on their canvases that came to contemporaries about virtues or vices of depicted persons.

While working on its famous picture, the language of the symbols used Van Eyk. The "Portrait of the Arnolphin Fau" is still considered one of the most difficult interpreted works of world painting, as specialists still cannot come to a common opinion about the secret meaning of some details of the interior:

• Chandelier. The lamp on the painting "Portrait of the Arnolphin Fau" is made of metal. It burns only one candle. It is located above a man. The fact that the second candle went out, some historians see a hint that a deceased woman is depicted in the picture.
• Dog. The pair has a puppy of Brussels Griffon. He is closer to the lady and personifies her loyalty to the spouse.
• Window. Although the characters are closed in warm clothes, fought by fur, in the background there is a cherry tree on which many ripe fruits. Most likely, it should mean the wish of fertility in marriage.
• Oranges. This is another symbol of fertility. They could also be used to emphasize the high property status of the family.

Mirror

The main symbolic element depicted on the "Portrait of the Arnalphini Family" canvas is a mirror. It shows the reflection of the main characters, as well as two other people. Some researchers argue that the artist depicted in the mirror and himself.

It is believed that these are witnesses of marriage, which in those days could occur without the participation of the priest by signing the marriage contract. By the way, the woman and man stretched left hands, historians see a hint of an unequal marriage. In the Middle Ages in Europe, such unions meant that in the event of the death of her husband, the widow and her children could not claim inheritance, and only a small fixed share of his property received. In some countries, even the legal concept of "marriage of the left hand" existed.

No less interesting and riming mirrors. It contains medallions with the image of the scenes of the passion of Christ. Interestingly, these plots in the Middle Ages were interpreted as a marriage of the Savior with the Church.

History of the canvas until the 19th century

The painting "Portrait of the Arnolphin Fau" has a confusing history. Was she transferred to the customer or not - unknown. According to the preserved documents, at the beginning of the 16th century, the portrait was the property of the Spanish court don Diego de Guevara, who constantly lived in the Netherlands. He presented him with the Spanish Netherlands Statgalter Margarita Austrian. She ordered it to be equipped with two wooden sash.

In 1530, the picture "Portrait of the Arnalphini Fourses" was inherited by the next settler - Mary Hungarian, who transported it to Spain in 1956. The next owner of the canvas became Philippe. Until 1700, the picture was in the residence of Spanish monarchs Alcazar. Fortunately, when in 1734 there was a fire, the "portrait of the Arnolphini couple", the symbols on which to this day are the subject of disputes, was already in the royal palace. Then his traces were lost.

Portrait Fate after Napoleonic Wars

The canvas found in 1815. Her new owner is the British Colonel James Hay - told everyone that he bought a picture in Brussels. However, many researchers believe that the "portrait of the Arnolphin Fours" was in the way with works of art, which the French sent to Paris as trophies. He was captured by the British after the defeat of the troops of Joseph Bonaparte. British, instead of returning paintings and statues in Madrid, plunged them on a ship sent to London. Apparently, James Hay, who was then commanded by the 16th dragoon regiment and took part in the battle of the Army of Brother Napoleon, assigned several confiscated webs, including the famous work of the brush Wang Eyka.

On this, the history of the painting "Portrait of the Arnalphini Fours" did not end. In 1816, Colonel Hay brought her to London and conveyed to the future king Georg Fourth "for testing." It is known that the cloth hung in the rest of the prince-regent until spring of 1818, but then he returned to the owner. In1828, the colonel handed the picture to the wider storage, and nothing was known about her fate in the next 13 years.

In 1842, the canvas acquired for the London National Gallery for a rather modest amount, and until 1856 it was exhibited there called "Flemish man and his wife." Later the inscription on the plate changed. Today the canvas included in all catalogs as the "Portrait of the Arnalphini Four", and crowds of viewers always gather before him.

Some documents show that the "portrait of the Arnolphin Fau" there existed the top cover from the tree with the image of a naked girl who performs the ritual ablution of the bride. She was kept in the collection of painting Cardinal Ottaviani, but at the moment is lost. Italian historian Fazio described it in his work De Viris Illustribus.

Another interesting fact: when the picture Wang Eyka was studied under infrared radiation, it turned out that all the details that attribute symbolism were added at the end of the work on the web. In other words, they were not part of the design of the painter, but appeared later, perhaps on the wish of customers.

Now you know the content of the paintings of Van Eyka "Portrait of the Arnolphin Fau". Surely she will still be in the center of attention of all those who love to solve historical riddles, so it is possible that there are loud sensations that are waiting for us.

Jan Van Eyk

Wedge cravical - and not a combat - poured into the autumn candle. Altar shines all the earth, combining all signs and signs. In one altar, bring all the altars! I was mixed with the air. For the joy and for the spirit of events of the Terrible Arc Heavens thanks. The blasting altar is a powerless temple. And the man is a reality of grinding - blunt millstones of miserable drama. And converge in the battle of work and hunger. Amber shines the heart of the altar, invisibly

From the canvas Wang Eyka we will go to move back to the road. Any of us love for God all-consuming invested. By bypassing Mecca, Lourdes and Rome, we go to the spiritual limits - any cake dragging the body: you have to reckon with him. Favoring cemeteries where the leaders sleep, robbers, heroes, go forward (what if it would be hurt, I would not hide). Bypassing the luxury of cities where restaurants, bars, rings, in stadiums - a terrible roar, in libraries - books, books.

Van Eyck (Van Eyck) Yang (about 1390-1441), the Netherlands painter. One of the wishes of the Early Renaissance in the Netherlands, Yang Van Eyk in 1422-1424 worked on the decoration of the Count Castle in the Hague, in 1425 became the court artist of the Burgundy Duke of Philip Kind, in 1427 he visited Spain, in 1428-1429 - Portugal. Around 1430 Yang Van Eyk settled in Bruges. The largest work of Wang Eyka is the famous "Gent's Altar", started, according to the later inscription on the external flaps, the eldest brother Wang Eyck Hubert (worked in the 1420s in Ghent, died about 1426) and finished by Jan in 1432. Yang Van Eyk - one Of the first in Europe, the masters of the portrait, distinguished in his work in an independent genre. Graffitime, usually depicting the model in a three-hard turn portraits of Wang Eyki ("Timofey", 1432, "Portrait of a man in red turban", 1433, - both in the National Gallery, London; Portrait of the wife of the artist Margaret, 1439, Municipal Art Gallery, Brugge) are different Strict simplicity and deposit of expressive means. An impartial truthful and thorough transfer of a person's appearance is subordinated to the Zorka and the insightful disclosure of the main characteristics of its character. Yang Wang Ayke created the first in European painting a steam portrait - imbued with complex symbolism and at the same time intimate-lyrical feeling image of a merchant Giovanni Arnolphin with his wife. The problem of the involvement of the artist Hubert Wang Eyka in work on the altar remains open: in the opinion of most researchers, he could only start working on the central part of the altar, but in general the work was performed by Jan Van Eyk. Despite the presence in a number of scenes of the archaic altar, Gothic devil, "Gent Altar" opened a new era in the development of the art of the Netherlands. Complex religious symbolism is integrated into specific, vital and tangible images. With exceptional realism and unsuccessful expressiveness are shown on the external flaps of the altar, naked figures of Adam and Eve. Figures singing and musitizing angels on side flaps are distinguished by a convincing plastic tangibility. A thin poetry, skill of the transmission of space and light-air medium highlights landscape backgrounds in the "Worship of the Land" in the center of the altar. Top of creativity Wang Eyka - Monumental altar compositions "Madonna Rollane Chancellor" (about 1436, Louvre, Paris) and "Madonna Canonika Van der Pale" (1436, Municipal Art Gallery, Brugge). Developing and enriching the achievements of its predecessors, first of all R. Campen, he turns the traditional scene of the worship of Our Lady in the majestic and colorful image of the visual, real world, fulfilled calm contemplation. Equally, the artist is interested in the person in all its unique personality, and the world around him. In his compositions, there are equal and form a harmonious unity. Portrait images, landscape, interior, still life. Extreme thoroughness and at the same time the generalization of painting detect the intrinsicness and beauty of each subject, which takes place in the work of Wang Eyka real weight and volume, characteristic surface texture. Details and integers are in organic interconnection: architectural elements, furnishings, blooming plants, luxurious fabrics, decorated with precious stones, as if embodying particles of infinite beauty of the universe: filled with light and air Panoramic landscape in "Madonna Role Chancellor" is perceived as a collective image Universe. Art van Eki is imbued with a deep understanding of the existing as a logical embodiment of God's fishery, the expression of which became strict, thoughtful and at the same time the vital construction of the composition, a complete thin sensation of spatial proportionality. The decision of the creative problems in front of Van Eyk demanded the development of new artistic expressive tools. One of the first, he mastered the plastic capacity of oil painting, using thin, translucent layers of paint, laid one on top of another (Flemish manner of a multilayer transparent letter). This picturesque method allowed Van Eyka to reach an exceptional depth, wealth and lights of color, subtleties of black and colorful transitions. Double, intense, pure colors in the paintings of Wang Eyka, penetrated by air and light, form a single harmonic integer.
The creativity of the artist Wang Eyka, the varest way recreated the beauty and living variety of the universe, largely determined the ways of the further development of the Netherlands painting, the circle of its problems and interests. The powerful impact of the art of Wang Eyka was tested not only the Netherlands, but also Italian masters of Renaissance (Antonello da Messina) .http: //smallbay.ru/vaneyck.html Quote message EIVA26.Read entirely into your quote pad or community!
Jan Van Eyk

Jan Van Eyck (Notherl. Jan Van Eyck, Ok. 1385 or 1390-1441) - the Netherlands painter of the early Renaissance, the master of the portrait, the author of more than 100 compositions on religious plots, one of the first artists who mastered the painting techniques with oil paints. The younger brother of the artist and his teacher Hubert Wang Eyka (1370-1426).

Portrait of Arnolfini couple, 1434, National Gallery, London
Clickable - 3 087px × 4 226px

The exact date of the birth of Jan Wang Enik is unknown. Born in the Northern Netherlands in the city of Mashaik. He studied from the elder brother Hubert, with whom he worked until 1426 began its activities in the Hague at the courtyard of the Netherlands Counts. From 1425, he is an artist and court duke of the Burgundy Philip III of the Good, who appreciated him as an artist and generously paid his work. In 1427-1428 As part of the Ducal Embassy Yang Van Eyk went to Spain, then in Portugal. In 1427, he visited the tour, where he was adopted with the honorable local artists guild. Probably met with Robert Campen, or saw his work. He worked in Lille and Ghent, in 1431 acquired a house in Brugge and lived there until death.

Van Eki consider oil paints inventor, although in fact he only improved them. But it was after it that oil received universal recognition, oil technology was traditional for the Netherlands; In the XV century Came to Germany and to France, from there - to Italy.

Portrait of Arnolfini Four, Detail Mirror on Wall, 1434

The largest and most famous work of Wang Eyka - the Gent Altar, begins, perhaps his brother Hubert. Yang Van Eyke finished him by order of the rich Gent Burger of Yodok Wadet for his family chapel in 1422-1432. This is a grand multilingual polyptypes from 24 paintings with a picture of 258 human figures.

Among the masterpieces Jan Van Eyka "Madonna Chancellor Rollane", as well as a portrait of a merchant, representative of the Bancake House Medici, Giovanni Arnolphin and his wife - the so-called "portrait of the Arnolphin Fours."

He had several students, among them - Petrus Cristus.

"According to general recognition, the most courageous discoveries, denoted by a fracture in artistic development (humanity), belong to the painter Jan Van Eyka (1385/90 - 1441). Its the greatest creation is a multicate altar (polyptic) for the Cathedral in Ghent. " E.Gombrich "Art History".

Annunciation, 1420.

Diptych - Crucifixion and Scary Court, 1420-1425

Portrait of a man with ring, about 1430

Saint Francis Assisi, stigmatization, about 1432

Lam Godsretabel, Mystic Lamb, Agneau Mystique, Der Genter Altar (LammanBetung), Políptico de Gante (El Políptico de La Adoración Del Cordero Místico). 1432.

Gent Altar, God Jesus, 1432

Gent Altar, God Jesus, Detail of Clothing, 1432

Gent Altar, Maria, 1432

Gent Altar, John Baptist, Detail, 1432

Gent altar (exterior panel, archangel), 1432

Gent altar (outer panel, John Evangelist, detail), 1432

Gent Altar, Eve, Detail, Head, 1432

Gent Altar, Adam, Detail, Head, 1432

Gent altar, women going to the worship of Lentz, 1432

Gent Altar, Jews and Gentiles, 1432

Gent Altar, Angels, 1432

Gent Altar, Angels, Detail, 1432

Gent Altar, Worship Labor, Detail, 1432

Portrait of a man in Turban, 1433 (perhaps self portrait)

Portrait of Giovanni Arnolfini, about 1435

Madonna Chancellor Rollane, 1435

Madonna Roles Chancellor, Detail, 1435

Madonna Canonik Georg Van der Pale, 1436

Madonna Canonic George Van der Palee, Detail of St. George and Donator, 1436

Holy Varvara, 1437

Madonna with a baby in the church, about 1438

Portrait of Margaret Van Eyk, 1439

Saint Jerome, 1442

Fully

Van Eyck (Van Eyck) Yang, Netherlands painter. One of the wishes of the Early Renaissance in the Netherlands, Yang Van Eyk in 1422-1424 worked on the decoration of the Count Castle in the Hague, in 1425 became the court artist of the Burgundy Duke of Philip Kind, in 1427 he visited Spain, in 1428-1429 - Portugal. Around 1430 Yang Van Eyk settled in Bruges.

The largest work of Wang Eyka is the famous "Gent's Altar", started, according to the later inscription on the external flaps, the eldest brother Wang Eyck Hubert (worked in the 1420s in Ghent, died about 1426) and finished by Jan in 1432. Yang Van Eyk - one Of the first in Europe, the masters of the portrait, distinguished in his work in an independent genre. Graffitime, usually depicting the model in a three-hard turn portraits of Wang Eyki ("Timofey", 1432, "Portrait of a man in red turban", 1433, - both in the National Gallery, London; Portrait of the wife of the artist Margaret, 1439, Municipal Art Gallery, Brugge) are different Strict simplicity and deposit of expressive means. An impartial truthful and thorough transfer of a person's appearance is subordinated to the Zorka and the insightful disclosure of the main characteristics of its character. Yang Wang Ayke created the first in European painting a steam portrait - imbued with complex symbolism and at the same time intimate-lyrical feeling image of a merchant Giovanni Arnolphin with his wife.

The problem of the involvement of the artist Hubert Wang Eyka in work on the altar remains open: in the opinion of most researchers, he could only start working on the central part of the altar, but in general the work was performed by Jan Van Eyk. Despite the presence in a number of scenes of the archaic altar, Gothic devil, "Gent Altar" opened a new era in the development of the art of the Netherlands. Complex religious symbolism is integrated into specific, vital and tangible images. With exceptional realism and unsuccessful expressiveness are shown on the external flaps of the altar, naked figures of Adam and Eve. Figures singing and musitizing angels on side flaps are distinguished by a convincing plastic tangibility. A thin poetry, skill of the transmission of space and light-air medium highlights landscape backgrounds in the "Worship of the Land" in the center of the altar.

Top of creativity Wang Eyka - Monumental altar compositions "Madonna Rollane Chancellor" (about 1436, Louvre, Paris) and "Madonna Canonika Van der Pale" (1436, Municipal Art Gallery, Brugge). Developing and enriching the achievements of their predecessors, first of all R.Kampein, he turns the traditional scene of worship of the Mother of God in a majestic and colorful image of the visual, real world, fulfilled calm contemplation. Equally, the artist is interested in the person in all its unique personality, and the world around him. In his compositions, there are equal and form a harmonious unity. Portrait images, landscape, interior, still life. Extreme thoroughness and at the same time the generalization of painting detect the intrinsicness and beauty of each subject, which takes place in the work of Wang Eyka real weight and volume, characteristic surface texture. Details and integers are in organic interconnection: architectural elements, furnishings, blooming plants, luxurious fabrics, decorated with precious stones, as if embodying particles of infinite beauty of the universe: filled with light and air Panoramic landscape in "Madonna Role Chancellor" is perceived as a collective image Universe.

Art van Eki is imbued with a deep understanding of the existing as a logical embodiment of God's fishery, the expression of which became strict, thoughtful and at the same time the vital construction of the composition, a complete thin sensation of spatial proportionality. The decision of the creative problems in front of Van Eyk demanded the development of new artistic expressive tools. One of the first, he mastered the plastic capacity of oil painting, using thin, translucent layers of paint, laid one on top of another (Flemish manner of a multilayer transparent letter). This picturesque method allowed Van Eyka to reach an exceptional depth, wealth and lights of color, subtleties of black and colorful transitions. Double, intense, pure colors in the paintings of Wang Eyka, penetrated by air and light, form a single harmonic integer.

The creativity of the artist Wang Eyka, the varest way recreated the beauty and living variety of the universe, largely determined the ways of the further development of the Netherlands painting, the circle of its problems and interests. The powerful impact of the art of Wang Eyka was tested not only by the Netherlands, but also Italian Master of Renaissance (Antonello da Messina).

Each person, even very far from art, at least once in his life I heard such a name: Jan Van Eyk. The paintings can be called perfect on the technique and the selection of colors, in the plot and realism. They would be easily decorated with the best collections, and people who disassembled in painting claim that the artist's canvas have a hidden meaning and filled with the mystery that you want to solve.

A little about the genius brush

An outstanding artist lived and worked in the Epoch of the early Yang Van Eyk, whose paintings can be studied by hours, was born in the Netherlands (now the town of Mausakeik is located on the territory of Belgium) at the end of the fourteenth century. This later he laid the beginning of the new flow of painting Art Nova, and the native Brother Hubert, known in the circles of art admirers, was trained by the Azam. Yana's good education can be judged by the inscriptions that he left in his works. These were words in native Flemish, French, Greek, Latin, Hebrew. And the artist paid great attention to the smallest details, which gives the right to judge observation and acute mind to Van Eyka.

Recognition in Life

It is known for certain that Jan Van Eyk, whose paintings enthusiastically admire people in the twenty-first century, was popular and from their contemporaries. In 1422, he works at the court of John Bavarian in the Hague, where he is engaged in the painting of the county chambers. True, no work has been preserved. Then the master moved to Flanders and entered the service for the duke of Burgundy, who worked for sixteen years.

Filipp good often gave the artist's secret orders, which speaks of the big trust of the duke to the painter. And he generously gave the artist with gifts and solid cash payments. On the instructions of the same Philip Yang participated in the diplomatic mission in Portugal, the purpose of which was between the widowed duke and Princess Isabella. In parallel with the work at the court, Jan Van Eyk served from churches and monasteries.

Artist Novator

What else is famous Yang Van Eyk (pictures with names we will list in our article)? In the fact that many consider the inventor of oil paints and a popularizer of oil painting technique in the old world. In fact, the master only improved such painting compositions, making them quick-drying and giving them the ability to apply in several layers (including transparent). Therefore it seemed that his canvases were shone from the inside.

The most famous works

Many wrote Yang Van Eyk paintings. "Madonna in the Church" is one of the early works, it was performed in the technique of alternately applying the layers on the spanned white gypsum primer covered with varnishes. Therefore, it is distinguished by the amazing effect of the inner glow. A small canvas depicts the Mother of God with the infant Jesus in the Church's premises. In the foreground there is a feminine silhouette of Madonna, on the head that the expensive crown is banging. Very detailed Yang draws folds to the crowns, the interior of the temple, the game of light and shadows. Currently, this masterpiece is stored in Rome.

He wrote Yang Van Eyk paintings that may seem strange. This is exactly what is considered the "Portrait of the Arnolphin Found" (1434). At first glance, this is the usual picture depicting a man and a woman at the time of their marriage. However, it does not quite standard for the signature of the painter in a prominent place, the scene from the life of Christ on the mirror, only one candle over the newlyweds and so on. There is a large number of different characters in the picture: oranges denote wealth, a dog is loyalty, a candle - an all-seeing eye and the light of Christ. Today this work is kept in the London National Gallery.

What else created Yang Van Eyk paintings? Photos of some of them you can see in the article:

• "Gent Altar", written in 1432 together with his brother.
• Timofey (1432).
• "Our Lady of Chancellor Rollane" (1436).
• "Portrait of a man with a carnation" (1435).
• "Holy Varvara" (1437) and others.

In total, the painter was created about a hundred works on religious topics and countless portraits. His paintings attract gaze inland radiance, as well as subtle skill, which was owned by the great Yang Van Eyk. No wonder he is considered one of the real genius of the brush.